#also at some point I might still use them so there's that too

[vaquerolvr]

Road trip! Reader is Passenger Princess (due to them giving their man a heart attack everytime they drive 😊)

i am Still Suffering on my road trip. god save me. i wrote this in my notes app while stuck in traffic for three hours. the formatting and spelling are in the hands of Our Merciful Lord (tumblr)

price

refuses to let anyone else drive unless he’s on the verge of passing out

(probably the only one you can trust to drive tbh)

does the dad thing where he’ll stick out his hand to get some of your snacks

hates stopping for any reason, wants to get to the destination as quickly as possible

when he does get forced to take a break, he’s very upset about it

backseat driver, stresses everyone out

(gaz is tempted to tape his mouth shut)

claims he “isn’t tired” and “can keep going” but is the first one to pass out when you stop at a hotel

gaz

passenger princess

if you try to get him to drive he’ll pretend to be sleepy

in charge of the music

(not because everyone likes his music but because he fought soap for the right)

hogs the phone charger

calls shotgun and will fistfight anyone he tries to take it from him

(he’ll let you have it if you want but he’ll be pouty about it)

ghost

another passenger princess (because no one trusts his driving)

the single time he’s allowed to drive, he nearly causes an accident ten minutes in

weakest bladder known to man

forces you to stop every hour

passes out after the first hour of driving

soap wakes him up when his snoring gets too loud and it causes another bout of smacking each other

takes photos of anything cool he spots on the road

(they all come out blurry but it’s the thought that counts)

soap

the only other one that price trusts to drive

decent driver, just has road rage at times

begs gaz to let him change the music (gaz always says no)

points out the scenery constantly

“look, there’s cows!”

collects souvenirs from every gas station you stop at

plays road trip games (i spy, slug bug/punch buggy/whatever you call it)

he and ghost get in trouble when it devolves into them just hitting each other

has a stash of snacks and drinks that he’ll share if you ask nicely

is awake and yapping the entire drive

(gaz actually does tape his mouth shut)

alejandro

the exact opposite of price

likes to take his time and relax

will somehow turn a 10 hour drive into 15 hours

wants to stop at every roadside attraction he sees

you have to keep reminding him that you have somewhere to be or he’ll get lost on a side quest

souvenir guy, buys magnets and keychains

has cds that he likes to listen to

very chill but you might get stressed if you’re on a deadline

is insistent on being the driver but gets traumatized when he runs over a squirrel

“ale, it wasn’t your fault. it was dark, you couldn’t see-“

“I’M A MURDERER”

rudy

probably the best person to plan a road trip with

isn’t a maniac like price but isn’t as laidback as alejandro

likes to listen to random radio stations as he drives

is really bad about speeding

regularly goes at least 15-20 over the speed limit but is lucky enough to never get pulled over

uses road trips as an excuse to only eat junk food then regrets it when his stomach starts hurting

needs a day or two to recover afterwards because his back hurts from sitting for so long

graves

scarily organized

has an itinerary and follows it to the letter

wouldn’t let you drive even if you begged

if he gets tired he’ll just get one of the shadows to take over

honestly, most of the trip consists of the shadows entertaining you with their antics while graves drives

one of them gets left behind at a gas station and you have to drive back half an hour to pick him up. graves is pissed

makarov

do NOT try to take this man on a road trip

if you mention it, he’ll have plane tickets booked before you can even blink

cannot handle long drives, the most he can manage is an hour before he starts getting annoyed

keegan

the most stressful but also the most entertaining

demands control of the music but plays the weirdest shit

not the best driver but not the worst

he won’t crash at least and he’ll only get pulled over a few times

says the most out of pocket shit to get a reaction from you

“how long do you think i can drive with my eyes closed?”

“KEEGAN NO-“

keegan has been banished to the passenger’s seat.

nikolai

another guy who is good at road trips

great driver, you can sleep the whole ride and he won’t gaf

it’s kind of terrifying. you’ll wake up from another nap to find him staring dead-eyed at the road as he drives

secretly shoplifts something from every place you stop at

doesn’t admit it until you accidentally find his stash hidden in one of the bags

“solnishko, you must understand. i need it.”

“you do not need a keychain of a frog with a cowboy hat, nik!”

nikolai is now wanted for theft in every US state (and several countries)

[hedgehog-moss]

Pls give recommendations for Odd books 🙏

Here we go, a list of literary oddity :) This post contains majestic spheres, alien taxonomies, cruel subway polytheism, a fourth-dimensional cat, disturbing earthworms, infinite space football, existential mussel terror, a Parisian absurdist time loop, and a picture of a telegraph-pole-man-cheetah. I'm not exactly recommending these books, in the sense that I won't take any complaints if you find them more odd than good, and some of them transcend the concepts of good and bad anyway.

• The Other City, Michal Ajvaz. It's all like this:

• Contes du demi-sommeil, Marcel Béalu ('Half-asleep tales') —is the book that prompted my post about stories that have no ambition or justification beyond being odd. I'm sad that it hasn't been translated :( One of the tales is about a strange opaline sphere that rolls on the road. It doesn't accelerate when the road becomes a steep slope but continues rolling majestically. At one point it floats away towards the sky. Someone wonders if it was the moon. Someone else says authoritatively "It was an angel's egg." Everyone is reassured by this explanation. The whole thing feels exactly like remembering a dream you had. There is also a man who reads too much and whose body atrophies so only his head is left and his wife puts it in an egg cup for better stability.

• Leonora Carrington— The Skeleton's Holiday, or maybe the Hearing Trumpet. I've read them so long ago but I think the latter is the one with the old ladies and nuns? There's also a guy who was murdered in his bath by a still-life painter because he said there was a carrot in one of his paintings, but it might not have been a carrot? It's hard to remember details from this book without feeling like I might be making them up. Bonus Leonora Carrington painting which kind of feels like a short story:

• The Codex Seraphinianus, of course. I wish there were more bizarre encyclopaedias out there.

Also I love this review:

• Sleep Has His House, Anna Kavan —I really liked the way this book used language; making life feel like a fever dream even more than in Samanta Schweblin's Fever Dream (which I really liked too.)

The eye is checking a record of silence, space; a nightmare, every horror of this world in its frigid and blank neutrality. The actual scope of its orbit depends on the individual concept of desolation, but approximate symbols are suggested in long roving perspectives of ocean, black swelled, in slow undulation, each whaleback swell plated in armour-hard brilliance with the moonlight clanking along it . . .

• The second half of Michael Ende's Neverending Story, where things get stranger! I remember the hand-shaped castle with eyes and the city of amnesiac former emperors and the miserable ugly worms who cry all the time out of shame then create beautiful architecture with their tears...

• The Gray House, Mariam Petrosyan. This is the one I had in mind when I talked about a 'museum of the strange, but one you wouldn't want to be trapped in after closing time'. Another book that made me feel uncomfortable in a similar (good) way was Edward Carey's Observatory Mansions, the protagonist of which is a man who curates an odd private museum and can't stand the sight of his own hands.

• Oh, speaking of uncomfortable, and hands—He Digs A Hole, by Danger Slater. To me this book was in the more-odd-than-good category but I liked its refusal to have a coherent philosophical meaning. It's about a man who can't sleep so he goes to his garden shed and saws off his hands and replaces them with gardening tools. Then he starts digging a hole. And then it gets weird. (Read at your own discretion if you have a worm phobia; there's some body horror featuring sexually aggressive earthworms. And then it gets disturbing.)

• 17776 — Someone sent me an ask a few years back to recommend this online multimedia narrative to me and I really enjoyed it! Here's the summary, borrowed from the wiki page: Set in the distant future in which all humans have become immortal and infertile, the series follows three sapient space probes that watch humanity play an evolved form of American football in which games can be played for millennia over distances of thousands of miles. The work explores themes of consciousness, hope, despair, and why humans play sports.

• Saint-Glinglin, Raymond Queneau —the author admitted that this book presents some "internal discontinuities." I didn't like it much but I respect the talent it takes to write a novel where everything feels like a random digression, including the key suspenseful scene that matters to the plot. The one digression I loved had to do with the way the narrator is existentially horrified by various sea creatures. It's like he dreads them so much he can't help but think about them when he should be telling a story.

The oyster... This gob of phlegm, this brutal way of refusing the outside world, this absolute isolation, and this disease: the pearl... If I conceptualise them even a little, my terror starts anew. The mussel is even more significant than the oyster and even more immediately admissible in the domain of terror. Let us indeed consider that this little sticky mass whose collective stupidity haunts our piers, consider that it is alive in the same way as a cow. Because there are no degrees in life. There is no more or less. The whole of life is present in every animal. To think that the mussel, that the mussel has, not a conscience, but a certain way of transcending itself: here I am once again plunged into abysses of anxiety and insecurity.

Near the beginning he philosophises about what would happen if a man and a lobster were the only two survivors of the apocalypse. The lobster would break the man's toe and the man would say, "We are the only beings that remain on this devastated Earth, lobster! The only living beings in the universe, struggling alone against the universal disaster, don't you want to be allies?" But the lobster would disdainfully walk away towards the ocean, and "the sight of the inflexible and imperturbable lobster pierces the sky of humanity with its unintelligible claws." (I can't overstate how little this has to do with the rest of the book.)

• Autumn in Beijing, Boris Vian —needless to say the story does not take place in autumn nor in Beijing.* To the extent that it can be said to be "about" something, it's about people trying to build a train station in a desert with tracks that lead nowhere. (I just went on goodreads to check the title, and it's actually called Autumn in Peking in English. I also discovered that it was featured in a list of Books I Regret Reading. I liked this book, but I understand.)

(* French writers love doing this—like when Alphonse Allais said about his 1893 book The Squadron's Umbrella "I chose this title because there aren't any umbrellas of any sort in this volume, and the important notion of the squadron, as a unit of the armed forces, is never brought up at all; in these conditions, hesitating would have been pure madness.")

• The Library at Mount Char, Scott Hawkins—I fear this one makes a little too much sense for this list, but you can't say it isn't weird; and I loved it and recommend it any chance I get.

• The Eleven Million Mile High Dancer, Carol Hill —this book was so wacky and made me laugh. I've not yet managed to successfully recommend it to someone; its brand of odd didn't resonate with the people I know who've read it but that's okay. You could say it's about a woman astronaut whose weird cat disappears into the fourth dimension (or the quantum realm?) and she goes to space to save him—but that makes the book sound more straightforward and less messy than it is. Her cat leaves her a note before he disappears:

• The Bald Soprano, Ionesco —fun fact, there's a tiny theatre in the Latin Quarter in Paris where this absurdist play has been staged every night for nearly 70 years, with the exact same set design and costumes and everything, like the actors are stuck in a time loop. They celebrated the 20,000th performance this year! There's an actress who has been playing her character for 40 years and said joining this theatre was like joining a religion. I've been going to see this play as a New Year tradition with my best friend since we were 14, so I love it madly, though I wouldn't say it's good, necessarily—the author said it was about "absolutely nothing, but a superior nothing."

• Statuary Gardens; or Les Mers perdues (apparently not translated) by Jacques Abeille. This man is obsessed with weird statues. Unfortunately I find his writing style rather dull—I feel like he takes strange ideas and makes them feel mundane in a bad way...! But his books still have a nice, quiet, oneiric atmosphere, and images that stayed with me, like a solitary gardener trying to grow stone statues in the depleted soil of a walled garden. Here are some illustrations from the second one:

I'll look into some of the books recommended on my previous post! (and I agree with the people who brought up Cortázar, Borges, and Junji Ito. <3) Some potentially-odd books I have on my to-read list: Clive Barker's Abarat, Goran Petrović's An Atlas Traced by the Sky, Salvador Plascencia's The People of Paper, Jean Ray's Malpertuis; Jan Weiss's The House of a Thousand Floors; Brice Tarvel's Pierre-Fendre.

[jarl-deathwolf]

I figured that was exactly the case - no matter the language, one does not simply call oneself Bardic Truth by itself! Although she is supposed to be one of (if not the) greatest bard of her generation, she has too much respect for the craft to just name herself "The Muse." I ended up giving her a place name attached afterwards, which also serves to tie her closer to the very legend she will be living. A nice reference and five second foreshadowing.

Its the exactly that trend of non-Welsh people making her almost a cryptid type being that stopped me from using her in the first draft. I intended for her to be more of a jovial trickster spirit, but even so I wanted to be sure I wasn't furthering a bad trend before I put the scene in.

Honestly I really love the idea of multiple Mari Lwyds with only one as the real one - probably the one that is actually really good at the competition. She's slowly drinking the village dry of booze when our bardic hero steps up and bests her through wit.

Ooo, very interesting with the seasonal names. It'll be a trick to work them in since the convention I'm working with is that everyone is speaking Fellish (Fantasy Welsh) by default in this story, and I specifically note when people switch to other languages. It is still good to know, though, and having the option available gives me more to work with. Naturally the English over there trying to get out of paying their rain dues. I might need to look up some of those bridge faerie stories (presumably there'd be some in the ebook you sent me), if only to give Llywela another opportunity to prove her cleverness.

That's a very good point with the instrument crafting! Llywela's crwth is locally made, of course, but I could see Fellish harps and lyres and flutes being prized beyond its borders. The waterfall tradition especially grabs me - its got a mystical quality to it that gels well with the magic system of the story. I'm familiar with the river fuckery. Straightening out the Mississippi has done pretty much the exact same thing over here, especially lately. There was a pretty good sized town that was half wiped off the map not too far from me - a decade later and they are *still* recovering. I'm noticing that the natural disasters seem to mostly stem from land (and river) mismanagement, which brings me to the next question. A major antagonist faction in the story are the Marcher Lords (or just Marchers) - foreign nobles that were awarded land in the Fells for their role in the Conquest.

They tend to see their authority over their part of the Fells as a means to gain power and wealth in more "important" lands. As a consequence, they are doing all they can to rip what wealth they can out of their slice of the Fells to fuel these gambles.

This is intended to be contrasted to local rule - especially by the reborn Arthur - which is centered more on proper care of the land.

So the question is - What does that look like? What are some traditional and effective means of land management (woods, rivers, hills, etc)? What would it look like on a local level (villages), and on a higher level (kings and chiefs)? You mentioned the moorland controlled burning of heather as one such thing

As for the Marcher (mis)management... unfortunately that is pretty easy to imagine. Chopped down swathes of woods, emphasis on deep mining, Highland Clearances style evictions and overgrazing (admittedly, more of a Scotland thing).

As a heads up, I'll probably send any more questions I have through an ask since this post is getting pretty long even with the read mores. I believe I saw someone in the notes call this the 'Do you Like the Color of the Trees' post

Hi hello! I'm writing a story in my original world, set in a Fantasy Wales. A King Arthur Returns type story, if that matters.

I was wondering if I could ask you some questions about Welsh ecology? And possibly also some cultural details?

Thanks ahead of time! And I understand if you decline or don't respond!

YES OH MY GOD YES HELLO

[theunsinkableship1]

If You Know You Know

I don’t know how many times I’ll have to say this, it must be tiring for some, but I need to reiterate this CLEARLY to be properly understood:

I WILL NEVER SHIP THEM WITH ANYONE ELSE.

This makes absolutely no sense to me. The only reason I’m here is to support Luke and Nicola as a couple. I’ve never done anything like this before, and I won’t do it again after them. Hopefully, if they become an official couple, I’ll step away because my purpose will be fulfilled.

I joined this fandom because I saw something extraordinary between them, something I’ve never witnessed in my entire life. Their connection felt so unique and undeniable. Other relationships, real or supposed, simply don’t matter to me in this context. I initially believed people supported them because they, too, recognized the magic between them. But clearly, that’s not the case for everyone, which is disappointing.

To me, there’s no point in being part of the Lukola fandom if you don’t genuinely support both of them together. To be clear, I deeply admire and respect both actors, and I support their careers wholeheartedly. But that’s not why I’m here. I’m not here to support two talented actors, I’m here for their LOVE, for that incredible bond they share.

I’ve seen many relationships in my life, but nothing like this. Their dynamic is something rare, something worth rooting for.

To be a true shipper is to stand firm in your belief, to celebrate the connection you see and cherish without hiding behind the guise of "realism" or "pragmatism" to spread negativity. If you don’t believe in the ship, that’s fine, but then, why stay? Why participate only to criticize those who do have faith?

Truly shipping them isn’t about constant doubt or spreading cynicism; it’s about what you see and feel between the two people you root for. For those of us who support Lukola, our belief stems from the extraordinary connection we’ve witnessed between Luke and Nicola. It’s something that doesn’t come along every day.

It’s not about shipping every supposed relationship they might have, that approach dilutes the magic of what we see in them. Even if they confirm that they are indeed in those relationships, will I support those ones? Not really because I’ve seen many of those; if they love it, I like it .Their lives, their choices. Not every relationship needs to be shipped, and that’s okay. If Lukola isn’t your ship, then jump ship. No one is asking you to believe, but also, don’t bring your doubt and negativity into a space meant for those who trust and support this connection.

This space is for believers, for those who see and celebrate something extraordinary. If you can’t see it or choose not to, that’s fine, but don’t pollute the energy of those who do. We’re here for Luke and Nicola together, and our faith in them doesn’t need validation from those who don’t share it. Let us enjoy this space as it’s meant to be a celebration of love, connection, and the beauty of their bond.

It’s not about being delusional or not accepting the facts as reality. It’s about recognizing something profound, something rare that transcends other real or supposed connections. We don’t believe their bond is just platonic, just PR, or just friendship. If you still think that you need actively LISTEN and pay a closer look and EAR at what is publicly available. It goes beyond that. What we see is something that defies the boundaries of ordinary relationships.

This isn’t about diminishing the significance of other relationships they may have; it’s about acknowledging that what Luke and Nicola share is singular, a once in a lifetime kind of connection. It’s not something that can be replicated or overshadowed. It’s more.

This ship isn’t built on superficial observations or wishful thinking, it’s rooted in what they’ve shown us. It’s something you don’t see every day, and certainly not in every connection. It’s about believing in the rarity of what they have and celebrating it for the unique bond it is.

For those of us who believe, this feels more like something bigger, more meaningful, and more enduring than any fleeting moment.

This corner of the internet wasn’t created to be all things to all people, it was built with a clear and intentional purpose: to celebrate, believe in, and support the connection between Luke and Nicola. It’s a space rooted in trust, admiration, and the shared belief that what they have is rare and extraordinary.

If someone finds that they no longer resonate with that purpose, that’s okay. People grow, perspectives shift, and interests change. But the respectful and graceful thing to do is to quietly take your leave. Staying to criticize or sow negativity only detracts from the energy and intention of the space, which is to uplift and celebrate, not to argue or debate.

This community thrives on faith and positivity. It’s for those who still see the magic, who choose to believe, and who want to nurture a space filled with that same belief. If that’s no longer where your heart lies, it’s perfectly fine to move on, do the same if you think that we’re crazy, but let us continue to build on the foundation that brought them here.

"If you know, you know."This phrase perfectly encapsulates what it means to believe in something that isn’t always spelled out but is undeniably felt. Like the kind of connection that doesn’t need an announcement because it’s there, plain as day, for those who see it.

“If you know, you know" speaks to the undeniable energy and chemistry between Luke and Nicola. In their silence, because sometimes, what’s not said speaks louder than words.

For those who know, no explanation is necessary. For those who don’t, no explanation will ever be enough. That’s the beauty of it. Some things are felt, not proven, and if you know, you know.

[thewertsearch]

pipefan413: In following years, she was left to ponder all that might have been. pipefan413: What might have been if there had been no baroness to keep the girl and boy apart? pipefan413: What might have been if the baroness had not disappeared, and she had the opportunity to use her secrets against her!

What could still be, in a world about to be rewritten?

All bets are off, at this point, and Nanna and Grandpa could easily be rebooted into a couple. Hell, they might actually raise John and Jade this time around - which, come to think of it, may have been the future that Crocker was actually seeing.

As always, the possibilities of the Scratch are staggering – but, with Doc Scratch looming over everything, they’re sure to come with strings attached.

pipefan413: For you see, the girl had uncovered so many dirty secrets about the terrible batterwitch, including the most troubling one of all. pipefan413: Of course no one would have believed her, but she knew. pipefan413: She knew the baroness was not human! :B

Wait, what?

This one's a real curveball, I've got to say - and I don't have a clue what this might mean, or what Crocker's secret identity could be. Homestuck’s other species feel far too alien to pass as human - surely if Crocker had horns, green skin, or an insect-like carapace, someone would have smelled a rat.

Like... this is Betty Crocker's 'canon' design, and her skin tone alone rules out most of Homestuck's aliens. I suppose she could be using some sort of illusion magic - but at this point, I'm making up mechanics that we've never seen before. That's usually a sign that you're barking up the wrong tree.

Alright, then – I’m guessing that Crocker is a robot. They're probably the easiest type of creature to disguise as a human, since they can be custom-made. Plus, it’s consistent with the real-life lore that Crocker isn’t actually a real person; she was created by someone else.

CG: WHAT THE HELL ARE YOU DOING NOW. CG: [...] WHY DID YOU GO BACK TO SEE HER? YOU DIDN'T MENTION THIS LAST TIME.

I assume ‘her’ is Echidna. We’ve been giving the kids’ Denizens a lot of focus in this sequence, and now it’s Jade’s turn. It also means that Cetus is next - which is going to be fun, since she's the only Denizen in the session that we know nothing about.

It seems like none of the kids will actually be fighting their Denizens -they're all choosing to consult with them, instead. Is it starting to dawn on the remaining trolls that they may have misunderstood this mechanic?

[byte-your-tongue]

How They Wrap Your Presents Pt. 1 (Obey Me! SWD Brothers)

(Platonic, GN Reader)

AN: Recently got access to my old obswd account after over two years of not being able to play!! ₍^ >ヮ<^₎ .ᐟ.ᐟ im excited about that + the holidays so here yall go take some sill lil hcs. these are pretty christmas focused but if anyone wants an edited version where i remove that and make it more generic what holiday is being talked about just let me know! part two with the other characters will hopefully be up soon!

Lucifer:

His presents look neat but maybe a little bit boring compared to some of the others on this list

They are tastefully wrapped in a simple solid color metallic wrapping paper with no ribbon.

He wouldn't pick out a wrapping paper with a pattern because he thinks it looks sort of silly or childish or "too much"

He doesn't use sticker labels, instead attaching a small piece of paper or card with his elegant cursive handwriting on it addressing it to you from him.

He will leave your present under the tree in the HOL and look on with pride when you open it christmas day.

He may get onto you if you try to shake it to figure out what it is early, telling you to be patient and that it will be worth the wait.

Mammon:

He could have taken the easy way out and put your presents in a bag but he wants to wrap them himself.

This of course leads to a disaster with wrapping paper scraps everywhere and him covered in tape. He probably also somehow manages to cut himself with the scissors at one point.

Your present may look like a disaster but it's wrapped with love.

Sure he could have asked someone like Asmo to help him out but he selfishly wanted the present to be only from him alone, with no one else helping him.

He would probably pick out a very basic pattern like snowflakes or something.

He doesn't put a tag on it (which is probably for the best, his handwriting is atrocious)

He's sort of embarrassed of how it turned out and doesn't put it under the tree before christmas, choosing instead to hand it to you directly on christmas morning.

If you tell him you like the wrapping despite how it looks he will be over the moon and blushing like a tomato.

Mammon is overjoyed to see you so happy because of him, and commits this moment to memory forever.

Leviathan:

I don't think he would be very confident in his wrapping skills, instead choosing to give you a gift bag instead.

Plus it's just easier that way! No fiddling with wrapping paper and tape.

It's not like a gift bag is an any way less good than a wrapped present, but after seeing Asmo's gorgeous gift to you sitting under the tree he gets worried you won't like his.

So he decides to customize the bag for you, drawing your favorite character on it.

He puts your gift inside, adds some simple tissue paper, and adds it to the small pile of gifts already under the tree.

On christmas day when you finally open his gift he's anxious you won't like it. When you beam at him and tell him you love it and compliment the drawing on the bag he feels like he could pass out from joy.

Satan:

Satan for sure is going to make your gift look good.

He is careful and meticulous with the wrapping, not an inch out of place with perfect folds.

He might pick out a simple pattern that just has holiday colors on it. Nothing too intense but still festive.

He is the first one i've talked about so far who would add a ribbon. Something thin and shiny wrapped across both axis of the present and tied up with perfect curls.

He adds a simple tag that has your and his names on it in neat print.

He will add his present to the pile, admiring the other ones already there.

When you finally get his present you almost don't want to open it, admiring how it looks.

He will be happy if you like his gift, smiling warmly at you.

Asmodeus:

You KNOW Asmo is going all out on wrapping your presents.

Your present is wrapped in the most adorable sparkly paper he could find and topped with a big bow and ribbons.

Your presents from him are very cute without being over the top.

He is very excited for the holidays, picking out your presents and wrapping them before anyone else had even found anything for you.

He spends a lot of time wrapping your presents perfectly and making sure not a single piece of ribbon is out of place.

Beelzebub:

He doesn't really know what do so he goes to Asmo for help. Beel is one of the only people here who doesn't mind asking for help, and he knows Asmo would be perfect for this.

Beel picks out the paper and gets Asmo to help him wrap it so of course it comes out cute looking.

The first paper Beel wanted to use had a cute little pattern with gingerbread men on it, but he did in fact eat some of the paper while Asmo was trying to wrap.

After that the two of them decided another choice of wrapping paper might be better if they want your gift to survive.

Beel adds a sticker to it that addresses the gift to you from him and places it under the tree.

Belphegor:

Belphie is NOT wrapping your present.

He's not even putting in in a gift bag.

The bare minimum he would do is slap a simple bow on it and calls it done.

Since your present isn't wrapped he doesn't put it under the tree, instead waiting till christmas and giving it to you directly.

He may not have put a lot of thought into the wrapping, but he did put a lot of time and effort into picking out your present so he really hopes you like it.

[avelera]

Hi, I wanna say I really like your posts and enjoy your meta's about jayce.

So I wanna ask a question: How do you interpret jayce's behaviour here?

Personally, I have always believed that since jayce came from a family of blacksmiths, he would at least know how to negotiate or essentially haggle to an extent so do you think that it's on purpose that jayce isn't particularly shown to haggle when it comes to his interactions with zaunites?

Also, aside from that I think silco and Jayce's last scene really goes unnoticed by many epssically when jayce genuinely chooses to be fully transparent and honest with silco admitting that he is scared.

Short answer: My interpretation of this scene is that it is meant to show how privileged and naive Jayce is.

Just to be clear, I adore Jayce, but I will still admit to his flaws as a character. But, I will also point out when "flaws" like privilege can also lead to generous or otherwise laudable behavior, because it's easy to be a saint in paradise.

As for the longer answer, Jayce doesn't haggle for a few reasons:

1 ) Jayce doesn't haggle because he's never known real hardship. He's from a family of blacksmiths, yes, but of a particular flavor. He's actually from a family of factory owners and toolmakers. He's middle class shading to upper middle class either by virtue of being the son of a factory owner or certainly by the time Hextech takes off. What Benzo was charging probably didn't cost that much to him, especially with Kiramman money backing him up. He needed the items more than he needed a bargain to have them. It probably didn't even occur to him to try to get a deal because of how little the items cost to him.

2 ) Jayce doesn't haggle because of cultural differences. To a Zaunite, it's unthinkable not to haggle. To a Piltoverian of a certain class, it's probably unthinkable to haggle.

I've felt this cultural difference as a person from the US while traveling. You would never haggle in the area I'm from (I don't claim to speak for the entire US), because most shops have an established price and that's what you pay. It would be incredibly rude in most instances to haggle. But when I've traveled to other parts of the world, Turkey for example, it's not considered rude at all, but expected. In places like the Istanbul Grand Bazaar, it's expected and there's etiquette governing it, and US customers are regularly fleeced for 10x the actual price if not more.

But you have to understand too, in relation to Jayce and as referenced in point 1, one reason US customers get fleeced in those places is because the amount being demanded as 10x more than the cost of the item is still a negligible amount for them. An item that they could haggle down to 50 cents costing $5 instead isn't really a big deal. Especially if you're on vacation anyway, you can afford to be generous, even if it means getting mocked behind your back as a sucker.

And for some there's an element of generosity to not haggling. Why would I haggle to get a $5 item down to $2, when it's a negligible difference for me, I want the item, and the person I'm haggling with needs the money more? Which leads into:

3 ) Jayce doesn't haggle because he's a good person at heart. Zaunites from Ekko to Silco are aghast at Jayce's lack of haggling, so it's not just a financial thing, it's a cultural thing. But even with the case of Silco, I'd argue one reason Jayce doesn't haggle is because he sees himself in a position of strength. He knows that independence matters more to Zaun than it matters to the Councilors in Piltover, who might whinge about it and the potential profit losses of losing sovereignty over Zaun, but they've been neglecting Zaun for years so boohoo, they can suck it up and get over it.

That to me is Jayce's view. Jayce admits that Zaun is asking for a lot of privileges that probably should be haggled over, like access to the Hexgates and blanket amnesty, but all that would do is drag out the process, possibly lead to more conflict if tensions rise again during the negotiations, and it would still lead to the same conclusion: Zaun deserves to be its own nation after Piltover neglected it. Jayce is a direct thinker and he decides it's better to just rip the bandaid off and let the chips fall where they may, rather than try to nickel and dime Zaun's negotiations when it would cost nothing AND be the morally correct choice for Piltover to just let them go.

One a final note: I think one reason we're seeing Jayce become a more beloved figure in S2 is because we can now see how radical and progressive his negotiated peace with Silco actually was.

When we only had the context of S1, Jayce's negotiation can come across as too little, too late, or even foolish. But when you see at the end of S2 that, as far as we can tell, without the negotiation going into place, Zaun doesn't have independence and only gains one seat on the Council, you can really see why Jayce using his position of authority while he had it to cut through the bullshit and right what he saw as a systemic wrong in one fell swoop might have been naive but it might have also been the radical change that the city desperately needed. Granted, we'lll never know if the Councilors were right and there could have been negative consequences to not negotiating more. Maybe handing an independent Zaun to Silco and the Chem Barons without haggling would have led to further disaster.

But as the show's theme constantly reiterates, "What could have been?" I think we can see better now that Zaun didn't get everything Jayce was willing to give them at the end of S1, and that's a tragedy. If nothing else, Jayce's willingness to not haggle even when he could wasn't just foolishness, it was because his heart was in the right place and he thought they deserved it. It might be a long time before there's another chance at that kind of progress again without the Man of Progress.

[waywardducks]

I have a love/hate relationship with Batman and I need to talk about it.

I’m obsessed with the Robins and anyone that hurts them is on my shitlist, and this includes Bruce. He's a horrible father, he’s abusive, he's got some misconstrued morals, he's just an asshole altogether and he acts like a moody teenager more than a middle-aged man.

But he's such a fantastic character. He has done some fucked up shit, but he's also lived through some fucked up shit, and no, I don't just mean his parents. Despite losing his parents, he was still raised in a house built on love, and Alfred raised him the same, but differently. He didn't come from a bad home. Yet he still turned out the way he did. And that's fascinating to me!

I attended a Batman panel at a convention back in September and it has honestly stuck with me. The panel was on Batman’s traumas and how they affected him and shaped him. It was run by a group of licensed trauma-specific therapists and psychologists and the insight they had on it was amazing.

One of the speakers said that in the loss of his family, Bruce is trying to surround himself with a new family, all young boys who look similar to himself. I believe that one of them said he wasn't trying to make a family in the sense that he was the dad, but that it was just family. Like brothers maybe. They said that it wasn't even something he was doing consciously, it just started happening naturally for him. Because the boys remind him of himself. Batman is still a scared little boy in an alleyway, watching as the bad guy gets away and his parents bleed out on the floor at his feet. He trains them because he wants them to be strong, stronger than he is.

Something else that they said that really stuck with me was that the best way for Batman to heal is to not be Batman anymore, that Batman is so ingrained in Bruce that trying to get rid of Batman would do more harm than good and that the only option to lead to any healing for him was to help him shape Batman into something different. Slowly, help him use Batman to overcome his traumas instead of create new ones. But not to get rid of Batman.

I think of Batman Beyond. Bruce is so controlling still over Batman. He's old, lonely. There's no one left but Terry. This is what Batman did to him and he chose it. Its shocking.

Batman is a huge crybaby, a self-sabotaging man who does what he thinks is right, even if it's not always right. He's mentally ill, no one mentally healthy is that paranoid. He pushes his traumas onto his kids, he can't handle having to be emotional, because that means feeling and grieving the pain, and that's too much for him. (see: how he acted after Todd’s death) he’s stubborn, he can't take no for an answer half the time. He thinks everyone and everything is out to get him. He has lost himself in a persona to try and hide from his feelings. He hates himself for his parent's death and feels like he wasn't strong enough. He can't handle the idea that someone might love him because he hates himself so much that he ruins his relationships. Dick is such a good match for him because Dick is so loyal and will stay through all of his little freakouts. I think Dick realized that Bruce only means well at some point and that's why he forgave him.

I hate him. He's so stupid. I love how his brain works. He's such a piece of shit.

[bewaryofpity]

jack's sooooo clingy he follows you everywhere like a lost puppy, especially after a long day of not seeing you.

jack has been following you around since you came back from work, yapping about anything and everything that has happened to him since you left this morning. and you’re not surprised because he has the habit of lingering close to you when you’ve been gone for a while, especially on his rare days off. today is no different.

he does follow you everywhere like a very grown and very loyal puppy, today more than ever as he followed you to the bathroom where you're trying to get ready for your night routine. he’s sitting on top of the toilet seat, babbling about his day out with nico that obviously consisted of hockey related things.

you snicker to yourself when jack doesn't realize that you're taking longer than usual to get unready, or that he’s talking for this long, but you know how much he hates boredom so you let him be. it’s just that you weren’t expecting this.

it’s cute, yes, but now you’re more interested in seeing how long he’ll yap for or rather how long he’ll stay here with you. so you finish taking your makeup off before pulling the shower curtain back and twisting the knob to turn on the water and adjusting it to the right temperature. the idea that he could easily stalk you into the shower makes you smile so you play along to his not so little rant.

“and then nico lured me to the rink because apparently the kids were practicing and he wanted to surprise them. not that i didn’t like that but then their coach didn’t look too pleased, the kids were distracted for the rest of the practice, obviously.”

you hum, “is it because they took nico’s attention off you?”

“Uh, n-no. i mean i was the one hanging out with him first, so.” he mumbles “but that’s not the point!”

jack huffs, changing into a criss cross position on top of the toilet. and it’s taking everything in you to not laugh at him because he looks like a child, pout on his lips and looking so small in this position.

“well then, was it fun at least?”

“duh, baby.” hands flailing around him. “the kids loved it, they kept asking us questions and some didn’t make sense –they were like four years old, you know– and like, we had to stop for even longer because they wanted us to sign some of their stuff.”

that must be why he also took longer to text you throughout his day.

“i bet, love.” you nod along, pulling your hair up in a bun so it doesn’t get wet in the shower, finally at the right hot temperature. “i’ll shower now if you don’t mind.”

“oh, now?” eyes wide like you told a child you’ll leave him in the parking lot.

“i mean, we’re in the bathroom, and i’m in a towel, and it’s been a long day. so yes, now.”

and jack’s cheeks have a faint pink tint as he shamelessly watches you unravel your towel and step in the shower. totally not because he saw you naked for a split second, it’s just the steam from the really hot shower, right?

“uh yeah, okay” he says as he stand up. “i’ll get unready too before i go then.”

you hum in reply as you go on about your shower, but you’re actually simply standing under the water, trying to keep an ear out for his movements and words.

suddenly he’s taking his sweet time to wash his face and you think he might start brushing his teeth soon too for the hell of it.

but his talking doesn’t stop at all. he blurts out random thoughts in between before going on to ramble about some hockey plays he’s been looking over, asks you what you had for lunch. he even asks you which body wash you’re currently using –which is none yet because trying not to laugh is revealing to be harder than you thought. he’s truly finding the most random topics to fill the silence.

and the talking does finally stop, but it’s replaced by jack’s whistling, clearly out of things to say. yet you know your boyfriend better than he thinks so you know very well what he’s thinking about.

“you still there, jacky?” you call wittingly. you can see his blurry figure through the shower curtain, an excited nod coming from his silhouette.

and you bite your lip as one of his hands reaches to scratch at the back of his neck. “i guess i’ll go now. uhm… i’ll wait for you to come out. i’ll get us take out, anything you’re craving? because if you want there’s a new italian place down the street that luke suggested to me and he says it's really good, so i think maybe–”

omg he’s so cute.

you pull the curtain back, just with your head peeping out to find jack with one hand hovering the door handle, still lingering around.

“jacky?”

“yeah baby, what’s up?”

“do you want to shower with me?”

and like a kid opening presents on christmas morning, his eyes light up so quickly. his head shakes with an overly enthusiastic nod, and he’s already clumsy in pulling off his clothes that he almost trips getting his sweatpants off. you’re not surprised at all, the lack of grace and coordination are not exclusive to when he’s on the ice.

a stupid, wide, boyish grin spreads over his lips when he finally steps into the shower in front of you. 

“hi, baby,” he grins, leaning forward to hold your face in his hands and peck your nose.

“you know, if you wanted to join me, you could’ve just asked.” your smile now matching his. jack squishes your cheeks between his palms, “well, where’s the fun in that?”

[alexas-fandom-and-random-blog]

The thing is I mostly agree with this characterization but all what is mentioned above was very much introduced in his first appearance and not retconned later.

Striker is a capable jerk from the get go as well as an opportunist that used his charisma and charm as a front till it was time to strike (heh) and never advocated for his fellow imps.

He's a solo killer looking to rise in the ranks no matter who he has to trample over to get there and he has been selfish and scary cause of it from the Harvest Moon episode. The foil role read as such from there and that's what drew me into him. He's an awesome antagonist!

The class hero thing was something the fandom came up with for some reason and it never fit and honestly the "supremacist" comment that came from Blitzo still makes no sense and made the most damage in his characterization imo.

There are hints prior with how he treats his fans as mentioned and his picking up on Moxxie but the mask slips fully the very first episode the moment he corners Moxxie and blatantly enjoys hurting him and Millie.

After that he's still very capable during his fight with M&M and during his time working with Crimson.

Hell even in the trial he's the only one who walks away unscratched with immunity and free range to do what he pleases. He might have been made by Andre to testify but I doubt he'd had second thoughts to throw the others under the bus to get ahead. They're his enemies now so why wouldn't he? No demon is really portrayed as noble in the show anyways.

The fact that he expresses frustration with how royals treat hellborn doesn't contradict any of that. If anything it's very valid and makes him more complex than just being the obstacle of a sadistic selfish jerk the protagonists have to get through.

He's not the Joker. Doesn't actively try to make a point about society or whatever. His goal is to survive and make a name for himself but just like the others imps, he's someone that's oppressed by the system, is pissed about it and calls it out for what it is. Which also makes for good opportunities to challenge audience about classism and morality. Like being pissed by royalty taking advantage of imps but also blaming his fellow hellborn for being weak and pathetic and not doing what they can about it while he himself is brutal with them is so freaking interesting! (And underutilized damn it!🥲)

The parts that I do feel have been retconned and I'm not that big a fun of is how clumsy and publicly he abducted Stolas(even tho in the show's canon I think they meant to portray it as cool) especially given how manipulative and careful he'd been not to reveal himself too early in HMF, and a couple misplaced jokes that I found very silly and robbed a lot of his intimidation and credibility as an antagonist like the whole dick statue (ugh) and Fizz song thingie working.

But like... hellaverse has this problem with 'oof' jokes killing development overall, like Loona absolutely ruining all my sympathy for her the moment she kicked Blitzo in the balls right after her speech about appreciating him, making it instantly sound cheep and hypocritical even if I get that was not what they were trying to do with that joke. 🫤

I'll admit it!

I prefer Striker as the fraud that he's showing up to to be than the completely capable jerk that he was in his first episode.

Because that's what he is: a hypocritical faker that is basically Blitz's foil and antithesis.

Compare the two, if you will.

Both are very ambitious imps who don't take no for an answer, hate being told what to do and don't intend to let society or classist views tear them down. And they're both very charismatic leaders to boot.

There's a reason why Blitz was impressed by Striker, and the latter considered the former a "credit to his race": game recognizes game.

But that's where the similiarities end.

Because there's one element that makes them VERY different characters, and makes sure Blitz would NEVER join him.

Blitz may believe that he ruins lives everywhere he goes, but the truth of the matter is that his proud charisma has charmed others to take charge of their own destinies, and his belief in others (Moxxie included) has changed their lives for the better.

Moxxie escaped his mafia family, Millie found the courage to believe that she could achieve much more in life, Loona was saved from a sure death in the pound, Stolas took charge to make his own choices in life, and Fizz is living a happier life with Asmodeus rather than the awful circus run by Buckzo.

Blitz lifts others up to let them achieve more than they would've ever believed.

But Striker?

He kicks his fans, brutalizes Millie and especially Moxxie, he fancies himself to be worthy to work for the royals he so "wants to bring down". He views ALL imps as inferior to him, and only Blitz could match him if only he could join him.

Striker isn't a hero for imps: he's a buffoon with a huge ego who constantly builds himself up by bringing everyone down. And Blitz does NOT take kindly to anyone who disrespects his team.

His modus operandi isn't to benefit imp kind, it never was: it was all about him and his pride.

And this makes him a LOT more compelling.

-Sincerly, a Helluva Boss fan who thinks Striker is much better in his following episodes rather than his debut.

[nalyra-dreaming]

What do you think about the choice to change the circumstances around Claudia's turning from the book? Lestat doing it almost just to see what would happen/baby trapping Louis vs Lestat doing it because Louis, out of his mind from grief, begged him to.

Hmm.

Difficult :) I have to expand a bit here, to explain my thoughts:

The show... made some very welcome choices, they made Louis "more", they made it all "more" in a way, they updated the story, and I'm glad they did.

But by doing that they created, let's call it repercussions.

Because... every little change has ripple effects on arcs, and there are arcs in the books. Arcs that span all thirteen books of the VC.

The Lestat in the book is very young still. Only like 10 years a vampire. 30 years in mortal age. He has had a shit life, has been raped into darkness, impossible choices laid at his feet (letting his mother die and his lover behind, both of which he could not), got beef (to put it mildly) with Armand almost immediately because he unknowingly broke the rules that Armand lived by, and then traveled the world, increasingly disillusioned, until Marius found him. And sent him to live out a human life after the little fiasco with Akasha, because Lestat was so young still.

A lot of the events unfolding hinges on the fact that Lestat is still very young. And almost naïve. Rash. Very impulsive. He wants to see what happens. He is hungry for the world (again). And he is very close in powers to Louis.

He falls head over heels in love with Louis, fatally, and wants to keep that love, because of all the shit that already has happened, in such a short amount of time.

The Lestat in the show is not that.

He is ~130 years old when he encounters Louis. A lot more jaded, a lot more... angry. A lot more powerful, too. We know he returned to Paris, and I think the show has already given us the hints as to the "why" with the dates on Nicolas' tomb as well as the Talamasca files.

We know he encountered Akasha (and therefore Enkil and Marius) as well. We know Marius still slapped him with a gag order. Likely also threatened him, like in the book. But we don't know why Marius had sent this older Lestat away (or why Lestat may have left, which is also a possibility, given the backstory Armand told). The Lestat who had not only been turned at a later point in life, but also had likely encountered Marius and Those Who Must Be Kept at a point where he had already lived "a mortal life".

This Lestat knows a thing or two about covens, and the passage of time, better than the book Lestat does. He addresses the loneliness in the opera, with Louis, they address it at the trial. He knows that loneliness. This Lestat has had, by returning to Paris, to deal with Armand, repeatedly. He and Armand have not found a way to consume their relationship, for reasons that will likely stay the same as in the book but which weigh much more heavily, imho, if broken up again and again, over the decades (by Lestat returning). Something likely also happened to make the theater relocate.

This Lestat likely knows the rules a lot better. Knows what Armand can do, and does, too.

This Lestat knows that there's only a few dozen of them out there and what that means for them in terms of loneliness and pain much better, too.

This Lestat knows what it means for Claudia if he turns her this young. Maybe he's seen it. Maybe not. But he has experience. A LOT more experience living this existence.

There were hints that he understands, very well, like the not-translated rant at the chess game. Like the resistance to Claudia being turned, even in Louis' first version. Like the opera. A lot of discussions and comments to Louis.

And there were hints that there were things that made him afraid. And that he really, really did not want them to go to Paris.

Which must have had reasons, obviously.

There were hints already in the show and interviews, that Armand might have more to do with Nicolas' death than... even in the book (where he starves him, drives him even more mad, and chops of Nicolas' hands!!).

This Lestat must have known about Armand's reasoning there, the reasoning we hear some of as well when Armand is threatening to burn Louis in the tunnels in s2. Because he must have heard them, or heard of them, after Nicolas.

All this combined....

All this combined made it quite logical for me that this Lestat... would not have the drive to "see what happens". He has likely seen what happens. Maybe not first hand, but he has seen enough.

He also knows the rules others live by, and knows what would happen if she would encounter certain other vampires.

This Lestat could only be forced emotionally, despite his better judgement - because he already had that better judgment.

This is the "Lestat side of things". :)

The "Louis side of things" has similar changes to consider which carry repercussions.

This Louis is a bit older, too. He is also harder, or can be harder, has a "business persona" that he carries like a shield.

He is under constant pressure, a lot more and way more stifling pressure than his book counterpart. This Louis wears a lot of hats (as Jacob put it), never really fitting in anywhere.

And Lestat, obviously aided by the mind gift :)) - sees him.

Challenges him on that.

For Louis this being seen must have felt cataclysmic. And it was, it came with life-changing events, of course, but the decision to accept those events was born from this being seen, this awareness of the entirety of his being, the good, the bad, the ugly.

It came with the promise to free Louis from the shackles of the world around him.

And of course that promise... had to fail.

And it made Louis suffer.

Of course.

The disappointment stemming from that simple fact, the disillusionment of that promised freedom being an illusion ... must have been like poison, on every breath.

I would like to point out that it was not a deliberately "fake promise", imho. The Dark Gift did free Gabrielle, she quite literally threw off the shackles of society, I bet we'll see that in s3. But it could not do the same for Louis, and it must have hurt them both.

That breaking, broken promise then tainted everything, whether they wanted it to, or not.

Louis' moral arguments re killing were never that in the book, and I don't think they're here as well. Louis' efforts to control his eating are means to regain control over a life that has spiraled out of control, because he cannot return.

When the Storyville arc unfolds, Louis is watching the repercussions of his actions. He has been rash, he has been arrogant, and he has reveled in it, for a moment. And now others suffer for it.

Letting himself go in the "vampiric way" has resulted in a lot of suffering.

That is the lesson that sticks.

His mother sees the devil, he has frightened his sister and her children. Deep down Louis knows that there is no way back, that he is other. Deep down he knows he will only find happiness with his own kind.

And he rejects that notion, of course, because the promise has broken.

He leaves Lestat, because ultimately Lestat is the reason he killed the Alderman. Because Louis cannot help but reject the vampiric aspects of himself at that point.

But Louis loves Lestat.

And he knows it, too.

And so he is stuck in that catch-22, in that predicament, needing to find a way out, aware there is none, unable to truly leave, and wanting to return.

And Claudia... Claudia is the answer.

Claudia is the band aid for the rift. Claudia is the reason to return. Claudia sees him as an angel. Claudia is the bargaining chip.

It's never about her. Unfortunately.

Claudia, the daughter of a family he cannot have (had) otherwise.

Because Louis knows, that even in a mortal life, he would not have had children, in all likelihood.

Because Louis is gay. Oh, he has of course the possibility, if he bends himself into shape. But when we meet him it is clear he only keeps the facade. By entering a relationship with Lestat, no matter the vampiric aspect, he dismissed that possibility, too.

And that, too, gnaws at him.

Louis, in the show, has to ask Lestat to turn her, because Lestat knows better.

And Louis needs to ask, because it is the only way he can consolidate all the warring pieces within himself, his self, his world, his state of being, his morals, his hopes - for a while at least.

[crimsonphantasmagoria]

I'm still thinking about the divide between people who think Solas was depicted as too sympathetic and people who think he was shown very unsympathetically because...both are weirdly right? Leaving aside any actual discussion of whether he's right to want the veil brought down.

In Trespasser he seems to imply that the whole world will die when the veil comes down, like what was shown in one of the potential ideas in the Veilguard artbook. That was my assumption going into Veilguard. Hence why my Solas romancing Inquisitor didn't ask to go with him! But in Veilguard, it's implied to just be some demons? Just a few thousand deaths? He fully expects at least Charter and the Inquisitor to survive. That's a wild deescalation! It actually converted me to the idea that the Veil probably should come down. It makes him way more sympathetic from minute one. Weird choice, if you wanted to make him more unsympathetic?

Then there's companions and NPCs who talk about Solas. The companions are incredibly unsympathetic to him during his memory reveals. There's basically no nuance. They even blame him for things he didn't cause, like the Elf-Titan wars. I would have expected, if we wanted to be nuanced, for there to be at least one companion who was sympathetic to his choices in each memory. But there isn't. Even the one where he puts up the veil. You know, the thing they're guarding? But also, Varric is out here actively encouraging Rook to help Solas in the regret prison. But also the Inquisitor is treated as delulu for asking if there's a way to save him. It's kinda weird.

And of course, the decision to have him kill Varric specifically to make him less sympathetic, and not to further either character's story or growth. Also, we don't find out about it for most of the game, for cheap shock value. It would have been more effective to know from the start. It also would have allowed me to make an informed decision about whether my Inquisitor should go into the Fade with him at the end in the romance, because I don't think I personally would have changed my mind if I'd known, but somebody might have.

There's also the thing about the psychology of having a secret ending, which makes people want to get that ending, but I don't think the devs will have thought of that, exactly.

Idk, maybe it was actually the perfect amount balanced. Or maybe the scales were so wildly tipped from Inquisition that there was no balancing them. At which point, it probably would have been better to try and work with that, rather than against it. But, hey, what do I know.

Frankly, if they truly wanted to make Solas unsympathetic, they should have stuck with the whole world being destroyed by the veil coming down, explained the full consequences to us directly, and given us some reasons to believe why this was definitely what would happen. I might still have sympathised with the man, but others wouldn't have once they knew that he knew that.

[scvrchfx]

“you’re an angel, i’m a dog” laura lee could be seen as an “angel” not only because of her religious beliefs but because she represents the faith of the yellowjackets getting home. lottie can be seen as a “dog” because of the way most of the girls treated her. lottie was villainized by almost everyone for everything she did, even though all she was trying to do was help. laura lee was one of the only ones that believed in her when she was seeing things, and she didn’t think lottie was crazy.

“or your a dog and i’m your man” because laura lee can be used as a metaphor for the girls faith in being brought back, all hope was lost whenever laura lee died. the only thing that’s left of laura lee is the visions and memories lottie has carried with her throughout her life. and in some of lottie’s worst moments, the memory of laura lee has helped her overcome them.

“you believe me like a god” shauna and jackie were best friends. they were supposed to be able to confide in each other. jackie put all her love and trust into shauna and although she might have been controlling, i think she wanted shauna to be so close because she was terrified of loosing her.

“i destroy you like i am” despite shauna’s friendship with jackie, she still decided to sleep with jeff instead of just talking to jackie. i think shauna was in love with jackie and the only way she could express it was to be with jeff because he was jackie’s. or she simply could have wanted to consume jackie’s life, hence the cannibalism, marrying jeff, and basically taking the life that was supposed to be jackie’s. when jackie found out everything shauna had done and said about her it “destroyed” her. jackie had planned her entire life with shauna in it, and from one moment to the next she discovered that her best friend, who she loved more than anything, didn’t even like her as a person. when they were fighting, jackie couldn’t think of anything bad to say about shauna, even when shauna was spewing insults and pointing out all of jackie’s insecurities.

“i’m sorry i’m the one you love” seeing that tai and vans relationship started in the 90s, they were hiding who they were and their relationship together because of the amount of homophobia during that time. but it also goes deeper than that, they faced so many challenges and insecurities together. for example tai’s sleepwalking and how the wolf attack left van’s face. they may have seen themselves as a burden in a way, not wanting the other to have to deal with it, which may be the reason they are no longer together.

“no one will ever love me like you again” even though tai married simone, they’ll never have the connection tai and van had. van understands tai in a way simone can’t because she was there when tai’s episodes started happening and she was stranded in the wilderness too.

“so when you leave me i should die” after travis died, nat was distraught. she didn’t see a point in living after he was gone and the only reason she even made till the end of season two is because of lottie.

“i deserve it, don’t i?” nat maybe feels that she deserves to die, for many reasons. she had avoided death so many times and it had finally caught up to her. if it wasn’t for nat, travis’ brother would still be alive.

[matrixbearer2024]

Also how old are the Stan twins by the time Dipper and Mabel are 12? I’m assuming they’re in college but feel free to correct me.

By the time Dipper and Mabel are 12, the Stan Twins are out of college(technically). If we place the AU in 2024(they were born in 2003) they're already 21, and considering that most undergraduate programs could typically last 2-6 years- their undergrad courses (BSBA[Bachelor of Science in Business Administration] for Stan and BS(CMB)[Bachelor of Science in Biology with specialization in Cell and Molecular Biology] for Ford) are 4 year courses. They haven't been delayed or are late in any educational progress so they've only got a year left of undergrad.

They study in Graviton University Oregon, because I didn't have gravity falls "exist" technically. The town exists and that's where the university is, just more urbanized and without any of the wtf weird creatures that reside in the town from canon.

By the way, the niblings haven't been born yet considering that Shermie isn't even married yet. I plan on Shermie getting married by new year of 2025 and settling down in Piedmont with his girl, and the niblings will be born the year after around the same time the Stan Twins finally finish undergrad.

That's not the last of it though since they both still plan on moving up to masters and Ford wants to get a Phd(he starts with one and then starts collecting them like Pokémon) and it's mostly where they diverge paths as Stan throws himself into more of accounting/enterprenurial and Ford into researcher/biologist.

I don't really think Stan uses his knowledge on business too much at the start however since I do plan on him being scouted for a sports team(Haven't decided between basketball or baseball yet) before he graduates and while building his career as an athlete he finishes his masters(he takes 3 years to do it instead of the usual 2).

Ford had his fun in undergrad, so he fully commits to studying at this point and like in canon is pretty damn advanced compared to the rest of his peers. The curriculum and subject weights have definitely shifted from canon but I still do think it would only more or less take him 7-8 years to get his first doctorate.

By the time the niblings are 12, the Stan twins are 34, Sherm's 42.

Stan's spotlight as an athlete is waning and he's mostly helping run Fidds' family business, he's practically acting CEO in Fidds' place and is very comfortable with the pay he's getting. Stan wasn't really hardcore into sports anyway, he just took the opportunity because it presented itself to him and frankly he's okay with that. He starts drawing comics again as a hobby and with Fidds' help eventually becomes a comic-book artist part time since a businessman is his main gig post sports stardom. Much like some iconic artists and writers in DC and marvel, he ends up joining them when people like the series he puts out and the more "retro" artstyle.

Ford is making innovations left and right in the realm of genetics and biotechnology ever since graduating at 30 and he's got Fidds and Bill to help him with the more techy parts of his work. Ford hasn't stopped studying entirely though and honestly collects honorary PhDs to keep himself well rounded, not to mention he consistently attends seminars or science conferences to keep on top of the newest discoveries or updates to what's going on in the world. It wasn't his dream or intention of becoming one of the "greats" that go down in history but he really might at his pace, it's not something he thinks or cares about though.

You could argue that their life is practically being fast-tracked here but honestly, I think the pace fits them. It's a lot less chaotic compared to canon but considering how driven these two are, I think it's a pretty comfortable pace.

By the way, despite the busy life and all that- Ford tries his best to go to all of Stan's games live even when Shermie or Caryn miss it, despite the fact he doesn't really know anything that's going on just which team his brother's playing and if he's winning. Similarly, when Ford is called to give conferences to explain his findings or research Stan is more than happy to fly out to where he is and sit in just to give his support despite not knowing a damn or understanding whatever the hell his brother is talking about LOL

They're still very close considering that they didn't ever have a fight that tore them apart, they respected each other's wishes and interests and just talked. They always talked. I suppose that's ultimately what makes the big difference.

[liedownquisition]

Every time someone writes anything re: the Arrows (esp Ollie) and treat it like they have these like Bat-level strict morals or just otherwise being really "strictly principled"???? it drives me crazy. Like I don't wanna be "you haven't read the comics" but... They haven't.

Ollie, very famously, killed not only Parallax (something which was very difficult for him bcs Hal was his friend, for all their fighting), but also the Electrocutioner (for killing Lian, maiming Roy, and destroying most of his city). There was that whole thing in Crossroads when he worked with Huntress, Catwoman, and Deathstroke, and was killing criminals with guns! Killed a man torturing Dinah! Hell, even further, at least once he helped someone who he considered to have been justified in killing someone escape the law!

I'm pretty sure literally all of his proteges have harder lines than he does (Jason criticizes Mia for limiting her angles to non-lethal in Seeing Red, Oliver being shown to use more brutal methods in a team up with Roy in comic I admittedly don't remember the exact name of & Connor disapproved of Ollie training with the guy who trained Deathstroke to learn the "killing arts" re: 1YL, tho idr if that was more of a killing disapproval or a "dad, really, this guy is awful tho???" kinda deal. Uhhh... Emiko might be an exception to this probably, at least inasmuch as you can consider those two his proteges given I don't think Ollie really trained them that much/they mostly came to him like that). Hell, when Mia killed someone he wasn't mad about her killing so much as that it was her (an innocent kid) that did it!

In the marriage comic, Dinah had apparently killed Ollie in self-defense! (Before concluding that it hadn't been him despite all evidence to the contrary, ect., ect., ect.)

Roy worked for the gov't and definitely killed for them when it was called for. Fell in love with an assassin and walked away instead of turning her in or killing her like he was probably supposed to do despite knowing she'd likely go on to keep killing more people (You could call this a statement on his love for her, which on some level, yeah, but on the other level shows that his lines aren't so well-defined.) The only reason he hadn't killed the Electrocutioner himself is bcs Ollie got there first. For all the complaints re: RHATO/RH&A they are still considered current canon (to an extent, I think some specific things around it might be retconned?) & he has killed in there too.

Emiko as a former assassin/being trained & raised to be a "perfect killer" by Shado I feel is rather self-explanatory.

There's probably more but I'm runnin' out of steam here. Anyways. My point is that while they're not exactly actively murderous vigilantes, they FAR from have some kind of no-kill rule. They'll typically try something else first, but when lines are crossed (like their family) or there doesn't appear to be a better solution that would actually work, they're plenty willing. They're not "Batfam 2.0 but lamer and not as powerful," which seems to be the predominant interpretation most of the time.

[drama-glob]

SPOILERS FOR "SINSMAS!"

Man, this episode was a roller coaster. O_O

Poor Stolas on adjusting to life not being a prince anymore, but my heart melted from how much care and patience Blitz showed to try and comfort him even though he was mainly worried about his daughter over the course of the month. Poor Octavia too on being stuck with Stella and Andrealphus, who definitely kept up with controlling her by taking away her phone and clearly not actually caring about her. :(

I liked that we learned what "Sinsmas" is and makes me wonder how the Sins celebrate because no way they would miss out on this, even though the holiday may not actually be celebrated by the other royals given that Stolas doesn't seem to even know what it it; of course, it could just come from being raised by Paimon, who may not have it in the palace because he either did not care about his kids enough to celebrate with them or considered it a holiday just for the lower class. :/

It's crazy (and sad) that Octavia's song was indeed a parallel to "You Will Be Okay," but it further shows the divide and lack of forgiveness she has for her father all while holding Blitz as the enemy who's to blame. :( Her finding Stolas's pills was so sad too since she seemed to feel betrayed and confused, but I'm glad she was taking the pills to her dad because I was worried for a moment she might have thought to take them. O_O

My heart though when Blitz saw that family and envisioned it being him, Stolas, Octavia, and Loona as one big, happy family; that's basically every Stolitz shipper's dream! I hope we see it come true one day.<3<3<3

I literally cheered when Stolas punched Andrealphus in the face because that peacock deserves it and the fact that Stolas is typically a pacifist just proves how much he wants to see his daughter. I also laughed my ass off to Blitz calling Andrealphus "Elsa" because we've all thought it at one point or another and I even made a meme about it. XD It was amazing getting to see Loona use more magic and I heard we'll learn more about her in season 3, so we'll likely see her use more of her magical arsenal. ;) I lost it though when Blitz saved Stolas and they kissed in midair! Just yes to all of it! ^_^<3<3<3

I'm glad Octavia managed to save the day, but sadly, we all knew what likely was going to occur for Stolas and Octavia's interaction thanks to the trailer; it was still such a gut-punch though as they're both crying and Octavia is refusing to listen to Stolas, which only further highlights where Stolas trying to shelter Octavia has exacerbated the issue. ;_; ;_; ;_;

OMG though on Millie being pregnant!!! We were given the signs and even I was like "Oh, she's pregnant, isn't she?" Sure enough, we got the confirmation, so now we'll have to unpack that drama bomb in Season 3 since she still hasn't told Moxxie yet and we don't know what her decision will be. O_O Also, it was great getting to see Loona hang out with her friends from "Queen Bee." ^_^<3<3<3

Even though things aren't the best for Stolas right now, I was so happy for the Stolitz content we got with Blitz actually being romantic and affectionate, so at least Stolas further knows that Blitz does care and want to be with him. Aww to that hug at the end!!! ^_^<3<3<3

(Although I wish we had seen some Sins actually in it like Ozzie or Bee, I understand why they didn't since it would have messed with the flow and focus of the story. :/ Now we'll have to wait until Season 3 to see them or be blessed to have some shorts focused on them).