#also also people needs to understand that these 2 ships are so different at their core

[tvboaerosmith]

I thought it'd be good fun if I did a list like this for Smith and Neo, so I took one that looked interesting and this happened. Happy reading.

1. When did you start shipping them?

I first watched The Matrix somewhere around May or April of 2023. I didn't ship them on my initial watch through of the Matrix... It was just more of a gradual like for them as a pairing. I think I started concretely liking them around August 2023? In fact, the first ever ship related art I drew for the Matrix was Morpheus and Neo, and my first ship fic was quite literally *Merovingian* and Neo!

2. What do you like about them as individuals?

I'm surprised to say that what I love most about Neo isn't even actually his looks or his personality (even though I like these parts of him too) but rather what he represents. He's a second chance, freedom personified.

Though he was indeed a puppet in the end, I loved what he built for himself even as he was stuck to his role, how calm and collected he can be. He really is elegant, svelte, but that doesn't mean he's blank or wooden — It makes me smile that sometimes classic "90s badass hero" speech leaks through, like "Hiya fellas".

As for Smith, I initially only found his writing interesting. I cannot say I am attracted to Hugo Weaving. Gradually I understood his character more and more and found that I really can relate to him. Actually, people often call the Matrix movies a trans metaphor, and I feel like this metaphor for self discovery and struggle with the world can actually be found most in Smith?

Of course I'm not saying I think his character is trans, just that his problems really felt like mine. I like that he's such a lonely character in perfect parallel to how popular Neo is, I like that he is the perfect personification of bigotry because people hate what they do not understand because they are crucially scared of it just the way Smith is terrified.

He reminds me of a child grappling tearfully at things he just can't understand, because he simply has a mental blockade to these things because he was made and bred and raised in a totally different purpose and world than that of Neo's.

3. What about their dynamic appeals to you?

Actually, I often see others say their appeal is in Smith and Neo as the classic enemies to lovers troupe. I admit a lot of my favourite ships fall under this too, but I've always viewed Smith and Neo's story as one of redemption and one of a second chance.

Smith represents somebody who doesn't fit into society, suddenly finding himself ripped away from the comfort of conformity, even when he was made specifically for that. He hates everything that he perceives, because to him they are mentally and physically vile. He craves the comfort of belonging.

And when he is totally thrown and discarded from the system, instead of changing himself the way Neo does for his own freedom and peace of mind, he foolishly deigns to change his cage, to hijack The Matrix.

He struggles, and in this struggle I find sympathy with his character. Neo on the other hand is Smith's saviour, as is his entire character as the saviour of the human race, but I like to think he can save other races too, even when Smith is to me the most human of the two.

This is important: Neo is the ONLY one in the whole world who can possibly understand Smith's anguish. Inexorably they are linked not just through fate but also by choice. They need each other, they love each other, they hate each other, and all these things surmount to such importance it cannot not be mentioned in tandem with the names of Smith and Neo.

They are together in life and in death. Neo is the only one who can soothe Smith's fears, and it is Smith's own refusal to accept that Neo understands that dooms him. They matter more to each other than anybody else. The Matrix is a love story—but not between the characters of Neo and Trinity.

4. What are their favourite things about one another?

This is a hard question to answer, considering Smith and Neo aren't just some regular pairing.

I can't decide if Neo's favourite thing about Smith would be his machine side or his humanity. Would he enjoy that Smith is a program, because it shows him the whole new world he didn't know of, of programs who love just like Rama Kandra told him, or would he enjoy that Smith is so human in his emotions and his inner conflict and find it beautiful in a creature meant to be incapable of them?

Would he love that Smith can access these emotions, that Smith chose to access these emotions, that it means he can love and hate Neo so deeply and so subconsciously and so truthfully?

Either way, Neo's favourite thing about Smith would definitely be his character. I think speaking on terms of by the end of Revolutions, he'd like to watch Smith struggle, because it shows Smith is trying, Smith is alive. But he would not like Smith's pain, or his fear.

And how about Smith's favourite thing about Neo.... Hmm, I don't know! I thought maybe "his capacity to understand Smith" would be a good answer, but Smith's just scared of that as proven by his reaction at the end of Rev.

I think I'll still have to keep that as my answer though, but with some notes, that Smith would come to love this part of Neo, that he is the ONLY ONE for Smith, but only with time and only by learning this very very slowly. In the end, what he likes (or maybe more accurately, what part of Neo successfully attracts the most of Smith's attention whether positive or negative) most about Neo is that he *is* Neo.

He's human in all the worst ways, he's relentless, he's able to learn his own mistakes, he's able to rise above conflict, he's able to accept Smith as his death, that Neo believes in love so fiercely that he'd throw the world away for said love.

5. How do you envision them getting together?

I don't think there's such a thing as "dating" or "talking phases" for these two. It's more of a natural, unspoken thing. From the start they've "gotten together" after all, they're stuck to each other from beginning to end!

Technically they've been "dating" since conception, even. To be honest, I have never once agreed with any portrayal of Smith or Neo confessing to each other, because they understand each other so innately that none of it even has to be said. It comes to them like breathing, their love for each other.

Maybe if I had to picture it, Smith would be the first to explicitly say something like "I love you" years into the future after Revolutions (this is following the theory that Smith and Neo become tutelary saints after Rev), but only just to say what they've already known, and what they've frankly already said a thousand times with their eyes or their actions, just to set it all into concrete, to acknowledge this in a healthy way because Smith would definitely become a changed man after everything.

By then, Neo wouldn't have any reaction to it, he'd probably just reply "I know", and they'd continue on as normal.

6. What would their dream home look like?

7. How do they split up the housework and chores?

Going to skip both these questions because by the way they operate, neither Smith nor Neo would require anything like a house. But whenever I imagine them in any kind of living quarters I surprisingly imagine either the mail building where Mouse was killed and Morpheus got captured, or in The Merovingian's chateau (thanks to this old RPG on LJ). Though I do think Room 303 would be a place of significance to them both.

About question 7, I don't even need to elaborate on why I can't even answer this one.

8. What are their love languages, and how do they show their affection?

If we're talking about affection the way a regular couple would show it like buying flowers or a peck on the cheek or holding hands—thats just a big fat MAYBE for this pairing, and probably only YEARS after Revolutions with a lot of character development for Smith.

Otherwise? I think the way Smith would show affection in a very unhealthy way would be by possession. He must own Neo. He will chase him (the exact way he did in Reloaded through Revolutions, even chased him all the way into the real world!) until he gets him. He'd be overly territorial to the point it'd be overbearing.

If we're talking about how he would show affection while the timeline is still set in the movies, he simply would not be able to understand his own intense feelings for neo adequately enough to be able to interpret and act them out in a way that wouldn't be completely destructive. In order for his manner of "affection" to win Neo over, Neo has to be a god that understands and forgives and sympathises, and thankfully, Neo really is this kind of "god". Smith would break the moment Neo sees through him.

Neo on the other hand, if I'm going to go off what I can parse out from the movies.... To be honest it'd probably be sex. We can see that he never ever once gets his hands off of Trinity in Reloaded. For fucks sake he jumps on her the MOMENT Link walks out. He'd probably crave sexual contact with Smith.

In the draft script of Reloaded though there isn't any such thing as an explicit Neotrin sex scene, there's still a scene where Dujour and Chong tell them about how important it is that they should have sex, etc etc. Plus the existence of the rave orgy scene implies that apparently this is what is considered the highest form of affection and intimacy for Zionites, so it'd be the same for Neo.

Otherwise and on a far less sexual note, his way of showing affection is probably just *being there* for Smith as he struggles through his messy existence. Quality time together, you know.

9. Do you see them getting married, and if yes what does their wedding look like?

No, they wouldn't get married. Marriage is only a piece of worthless paper made from only human customs to signify a relationship. It doesn't have to be the end point of any relationship to "perfect" or "complete" it. Neo and Smith have a deeper connection than this, but I still think there is potential for fun in an OOC type marriage scenario.

10. Can you imagine them having any kids or pets?

I actually have this weird running thing that keeps popping up in my head where Neo and Smith adopt a white cat called Jamais Vu, a parody of Deja Vu.

Of course the word "adopt" doesn't quite fit here, it'd be more like the cat shows up often from time to time til the point Neo can name it and they recognise each other.

And a little bit of OOC guilty pleasure: I like to think they might unofficially adopt Sati, though she'd definitely think of Smith as the bad parent and Neo as the good parent and get grumpy when she sees Smith. You best believe Seraph would be "fighting for custody", though.

11. How do they comfort each other?

With presence, with existence, with words and feelings and their connection. With deep, unrivalled understanding of each other and therefore who they are, what they're here to do, how they feel.

12. Is there anything you don't like about this ship?

Nothing. Not even the fact it isn't canon, actually, in fact I think that makes it even better. "The fact Smith died!" Could have been a potential answer, but even then, that was such masterful writing on the Wachowski's part, that I can't say anything.

13. What would be their least favourite thing about each other?

LMAO.

Smith hates Neo's ability to understand, ability to believe in love or even in something no matter what it is, hates Neo's ability to be unbothered by the stench and smell and abhorrence of his own human kind, he pretty much hates Neo himself, even, even if I like to interpret that hate as more of a messed up byproduct or outcome of his own hard to understand, burning love for Neo that he interprets as obsession, and because he is wired the way he is and made for that one purpose and that purpose only: To Kill Neo, his love comes out as hate.

Neo probably hated Smith too in the beginning, but as a personification of the system. After all Smith is an enforcer of it, this fake digital prison that has so many of his fellow men in it. And also Smith literally kidnapped Morpheus, a man Neo already had held in high regard. But frankly, that hate turned into understanding into a little bit of pity or sympathy.

14. What sorts of things might they argue about?

Everything they already do argue about in the trilogy (take special note of their final conversation in Revolutions). I have nothing to add onto this.

15. Do they face any pushback from friends, families, or society over their relationship?

Now THIS is an interesting question! I read once in this really cool RPG a scenario where nearly all the programs and rebels disapproved of Smith and Neo's public relationship because they were "different races", and they even had a made up slur for a human that dates a program (little questionable, but keep in mind this RPG was made in 2005)

Meanwhile, Neo's "parents" who are still alive in this AU are deeply shocked that he's dating a man, but if we are to be precise, Smith is not a man, he's genderless lines of ageless code meant to look behave and talk like society's portrayal of a man and to inhabit a man's shell. We don't even know for sure if Smith has a dick, I don't even think he's ever taken his clothes off before frankly!

So basically I mentioned this AU because it got me thinking: holy shit, Smith and Neo would be the ONE and ONLY program/human mixed relationship in their world. That'd be cool. I like to imagine they'd be more of a beacon of the humanity in programs and the ultimate symbolism of humanity and machinekind's ability to love each other and work together more than a point of disdain for all three factions (machine, programs, humans) though.

So no, no pushback, though I imagine it would definitely be shocking to learn that the adored One is in a relationship with what is considered the "enemy", but that's nice too, because it shows the ultimate acceptance, and isn't that exactly what progressives(the rebels) strive for?

16. Who has more experience with relationships?

Definitely Neo lol. Neo would be the first ever person Smith would have ever had something going on with. I think Neo may have had relationships with others before Trinity, too.

17. What physical traits do they find most attractive about each other?

Hmm, this is tricky.

I can't exactly see Smith outwardly liking anything physical about Neo to be honest? I know that sounds absurd, but if following canon we all know Smith finds humans repulsive to smell touch and even see, I think. It'd be hard for him to overcome this problem even when together with Neo.

But then again, that's the thing about being in love. When you love them, you will love the body that holds the mind and the person that you love. The more you speak to them, the more you are enamoured by them, the more attractive they appear to you, the more you are able to romanticise their body. That's the case for me as well.

So maybe.... Smith's favourite thing about Neo's body is... His elegance??? The way he moves with totally unconscious grace. He'd love everything about Neo's body, there wouldn't be a favourite part, all parts are equally liked.

And Neo's favourite thing about Smith's is his expressive face that shows his humanity, particularly his eyes, the window to the soul.

Sorry, I can't answer these questions sexually as originally intended. I realise that I've never even put in thought to that question before answering this, which is a bit shocking.

18. Do they ever engage in PDA, and if so, to what extent?

Neo seems to be more private. Everybody knows what goes down behind doors, but he still has the decency to wait until they'd be alone to go ham on Smith. If in public, I don't think I've ever seen him even ONCE touch or hold trinity's hand or kiss her in the audience of several people.

If however let's say they haven't seen each other in a long time etc or something serious is going down, Neo would probably abandon all pretense and kiss him and throw his arms around him at his first chance, just the way he did for Trinity in Mobil Ave and after she revived.

Smith on the other hand.... Oh boy. He'd PDA all OVER the damn place. In the first place he wouldn't hold any regard for what is considered acceptable in human society or etiquette in the first place, he's a rogue program.

That's ironic, since he is supposed to be the personification of those societal expectations. Plus because of his tendency for possessiveness that I mentioned earlier, he'd probably feel a need to signal to everybody and anybody that THIS IS MINE, HISS, DO NOT COME CLOSE.

Besides, Smith is childish in the sense that he is just now figuring out his own humanity, so like a child he'd probably want to completely own the one constant and one thing in his life, Neo, and cling onto him.

19. What are the most sensitive parts of each others body?

Neo: Waist, stomach, back. He probably doesn't have a ticklish neck if he can wear that long mandarin collar all day every day. Maybe his inner thighs if I let myself be a little idealistic?

Smith: Does Smith even feel sensations???? Or does he just mechanically register them in code or some shit? Maybe he only is able to start registering them after he goes rogue? Either way I don't think Smith would be sensitive literally anywhere. That or the complete opposite, where he is sensitive everywhere because he is unused to the new sensation of pain or pleasure or touch etc, and hates it.

20. What is their dynamic like in the bedroom?

As for the question of top or bottom, I honestly am only interested in Neo as a bottom and Smith as a top, but realistically speaking they would switch. Although here's my take on that: I think the very first time they do it, Neo would definitely have to be the receiver, because of Smith's desire to consume and own, and because Smith who has always craved a position of power/security would probably rather shoot himself in the head than ever bottom.

For Smith to bottom would have to take time and would only happen later into their relationship once Smith fully trusts Neo, and once he's developed enough. Besides, Neo would probably like to try something different from what he's used to with Trinity.

And no, I don't believe Trinity would have ever pegged Neo at all, because that's a common projection from the queer fandom onto two characters who are a typical cisgender heterosexual couple. So yes, Neo would have something different in bed with Smith. I think that's a cool parallel with the two people most important to Neo's story.

Okay, seems like that's it. Thanks for reading through this whole thing, if you did! Feel free to make your own SmiNeo or TriNeo or etc etc versions of this, I'd love to read that.

20 Shippy Questions for your OTP’s, OT3’s, and Polycules

The basics

1. When did you start shipping them?

2. What do you like about them as individuals?

3. What about their dynamic appeals to you?

4. What are their favorite things about one another?

5. How do you envision them getting together?

The fluff

6. What would their dream home look like?

7. How do they split up housework and other chores?

8. What are their love languages, and how do they show each other affection?

9. Do you see them getting married, and if your answer is yes, what would their wedding look like?

10. Can you imagine them having any kids and/or pets?

The angst

11. How do they comfort each other?

12. Is there anything you don’t like about this ship?

13. What would be their least favorite things about one another?

14. What sorts of things might they argue about?

15. Do they face any pushback from friends, families, or society over their relationship?

Bonus ~saucy~ questions

16. Who has more experience with relationships?

17. What physical traits do they find most attractive about one another?

18. Do they ever engage in PDA, and if so, to what extent?

19. What are the most sensitive parts of each individual’s body?

20. What is their dynamic like in the bedroom?

[emmafallsinlove]

thinking about how people arguing about rory and jess doesn’t have a “you jump, i jump” moment but like. have you ever been 17 and a guy bought your home made basket for $90 and sat with you on a bridge by the lake, look into your eyes and told you “you know, ernest only has lovely things to say about you”? because tbh, it changes everything.

[vaguely-concerned]

just going about my day idly contemplating how some of the ways hawke can interact with a romanced anders are not at all unlike how they interact with leandra (and a bit of carver too, especially with a purple hawke), and then thought about my hawke in the timeline where he romances anders and was hit straight in the face with 'was he ever actually in love, or was he just desperately trying to renegotiate with his mother's ghost in any way he could' and now i need to lie down. this is the power of dragon age 2

[phantajam]

my hot take about descendants is that NONE of the core four were ready for a relationship until maybe like, the third movie (rant in tags)

[coredrill]

feliz jueves i was fucking right

[cryolyst]

~

[sabertoothwalrus]

I probably missed it, but what IS your favourite Dungeon Meshi ship?

WELL SINCE YOU ASKED, I have a chart already hdhshdh

1) Farcille is my number one!!! I wish I’ve drawn more of them, but most of my ideas for them are longggg and angsty and take a lot more mental bandwith. I’ve said before, I approach comics like I’m pitching an idea, and I mostly* agree with people’s depictions of them, so I have less to say.

*I say mostly because I cannot stand when people depict Falin as possessive, or disregard her characterization to give her generic dommy alpha monster traits hdhshdjs NOT THAT IT’S BAD it just doesn’t feel true to her character. I find myself bored by it.

I’m also put off by some of the folks I’ve seen in the farcille tags. They’re like,,, cliquey?? There was a point where people were dunking on mlm ships that came off borderline terfy, as if most of the dungeon meshi mlm shippers aren’t transmascs and lesbians?? I wasn’t a fan of the hostility like lmao it’s cartoons man

2) labru……… I love them….. mostly just post-canon. I really love Kabru (I think he’s my favorite character overall) and I loveeee the poetry of their individual character arcs and how well they play together. Guy who struggles to be honest, even with his own feelings vs Guy who doesn’t even consider being anything except honest. Kabru needing to carefully, painstakingly craft a mask tailored to each individual he interacts with, vs Laios, who is the only one to make all of Kabru’s masks fall apart. Also I think they’re kinda aro about it. They’re really good t4t flavored too.

The main appeal is post-canon. The King and his advisor. His right hand man. But it’s also the way like,,, Laios is DEFINITELY not the one in charge in their relationship dhshshsh (and this is what peeves me about how @myszkaa’s labru comic got memed to hell and back…. they don’t understand the later of comedy is from the KING asking for PRAISE from his SUBORDINATE!!!)

I will say!! This ship has a lot of folks with good takes on it, but it’s not immune to flanderization and boring yaoification. It’s popular enough that there’s enough of the good stuff.

3) chilshi!! I’ll admit this one has less canon validation hdhshsh but I think they have a lot of post-canon potential, and I think their difference in lifespans + the contrast in their lifestyle habits is really interesting and directly addresses a lot of the Dungeon Meshi’s core themes.

Part of the reason I like hanging out with chilshi shippers is cause most of em are chill, more nuanced in discussions, and are actually willing to draw fat & hairy people. And middle aged people.

special mention Kabumisu. I WISH I LIKED THIS ONE MORE!! I’ve tried,,,, I see the potential but I’m so picky about it and most of the content for it does absolutely nothing for me 🙈

Another thing is I HAVE to be able to like a pairing platonically to ship them romantically. Obviously shipping isn’t the only thing that matters to be about dungeon meshi.

I could say a lot more. Feel free to ask about my thoughts 👍

[stromblessed]

this tweet is absolutely one of the milder ones i've seen on my feed which just proves i need to stop looking at twitter but this example of shipping goggles leading to basic misinterpretations of arcane season 1 scenes that are quite cut and dry thematically might be the straw that breaks my back

what do you MEAN Viktor was being gentle. what do you MEAN viktor was calm. he was not. Viktor says "you... ordered this? why?" he's surprised, offended, and sounds almost betrayed at the idea that jayce would order the blockade. viktor is confused, then flabbergasted, then angry, then furious. there is a gradient between "gentle and calm" and "screaming spitting mad" and viktor is somewhere in the middle of that gradient, but just because he isn't screaming and yelling at jayce, that doesn't mean he was either gentle or calm

"what difference does that make?" is also not calm - it's showing that Jayce has not been fully mask-off prejudiced in front of Viktor before, and Viktor is so thrown that Jayce would and does take the mask off in this moment, showing that Jayce is not so different from the average prejudiced citizen of Piltover despite being Viktor's friend, that he is genuinely asking what is going through Jayce's head. Viktoris trying to make Jayce make some sense, but the words do still show confusion and distress

and then "I'm from the undercity" IS angry, now that Viktor realizes what Jayce is saying and why. he is not being gentle or calm or even all that understanding towards Jayce - Viktor is hurt and angry and he lashes out to make Jayce think twice about what he's just said, though the damage has been done because Jayce's words and actions have combined to move us and Viktor towards an understanding of who Jayce is and what he truly believes when his back is up against the wall

also i can't count how many times people have re-interpreted Viktor slapping Jayce's hand away as a cute funny thing he does, rather than an act of anger - frustrated, righteous anger

the reason reading this made me so frustrated is because it's one more step toward the broader fandom's continuing re-imagining of Viktor as a mild, sweet, often passive character

and to take it one step further in what i've observed, it helps re-imagine Viktor as someone who is versed enough in the prejudices Zaunites face on the daily to easily handle Jayce's prejudiced words and behavior. this serves not only to make Viktor sweeter, gentler, and frankly smaller than he is in canon - especially in season 1 - but also, depending on the day, may try to make Viktor more "perfect" and noncombatant, ignorant or completely separated from the concept of the Piltover/Zaun conflict, a more "ideal" activist (an aspect of his character that is implied in season 1 and then is unfortunately all but abandoned in season 2), or just more well-versed in Zaun vs. Piltover sociopolitics, which he simply is not. Viktor is both clever, and also a messier, less heroic character than all that, while still being a target of Jayce's prejudice directly but mostly, usually, indirectly. and Viktor does not perfectly understand this. he only knows and sees enough to be offended and frustrated throughout the story

there's having one's own interpretations of canon, and then there's mischaracterizing consistently and constantly, leading to the state of the fandom today where it's increasingly difficult to have nuanced conversations about characters like Viktor or Jayce. why not ship jay//vik but WITH Viktor's anger, the complications, and the messiness

or is that not an option now that the writing of season 2 glossed over any difficult social or political concepts that did exist in season 1

[laughhardrunfastbekindsblog]

I cannot get over how much this one scene informs us of Tech's priorities, personality, and how much he cares about his squad.

THE SCENE: "Replacements," season 1 episode 3; the Marauder is in dire need of repairs

This scene is often played for laughs (and let's be real, it IS hilarious). There's Tech, completely ignoring Echo's not-so-subtle hints to help fix the ship, instead prioritizing tinkering with his gadgets because his definition of "critical systems" is apparently vastly different than others'. Result? The ship crashes.

But... Tech is RIGHT to be concerned about the chips.

He has been warning his brothers about the chips since Order 66, multiple times throughout "Aftermath" and "Cut and Run."

2. He suspected Crosshair was susceptible to the effects of the chip early on.

3. He saw firsthand the friction caused between Crosshair and the rest of the squad due to the chip, with the ultimate result that Crosshair attacked the squad and shot Wrecker.

OF COURSE he is going to prioritize creating a device that will test the functionality of their own chips - and I think he has two reasons for this.

First: Prevent further catastrophe by making sure no one else on the squad is at imminent risk of acting out like Crosshair did.

Can you imagine what could happen if anyone else became susceptible to the chip's effects? (Oh yeah, we can: we see exactly what happens with Wrecker on Bracca.) Tech's not losing another family member the way he just lost Crosshair.

Second: Support his theory that Crosshair's actions ARE a result of the chip. (Omega talked to Crosshair about this (in a roundabout way) in the brig, but it's Tech who mentions this possibility to the squad.)

And if they can find a reason, a solid explanation, for why Crosshair has turned on them, maybe they can find a way to help him.

Tech is logical and rational. He understands people by analyzing them, finding reasons to explain their motives and actions; and by understanding them, he can come up with a plan to fix the situation. And that's exactly what he's doing here: by proving his theories about the inhibitor chips, he can better help his family.

So, as much as I still laugh over Tech's nonchalant "We're fine" as they're LITERALLY CRASHING, I also find it so dang heartwarming and sweet that Tech was SO focused on saving his team in other, equally crucial ways ❤️

[cloudinthesky444]

At this point, it’s clear that Sauron is in love with Galadriel, and he knows it’s not one-sided. In the show, the feelings and interactions between the protagonists (specifically Sauron and Galadriel) are portrayed metaphorically, and it’s obvious that the directors do this on purpose to avoid angering the lorebros who seem to get upset at the idea of shipping Sauron and Galadriel and call the show an insult to Tolkien 😱😱

But anyway, that’s not what I wanted to talk about. When you watch the show and see the interactions between Sauron and Galadriel, you find yourself wondering, in the midst of all this chaos, why it seems to work so well and yet always ends up falling apart. If it’s not Sauron who ruins it, then it’s Galadriel. You know what I mean? The answer is that they attract and repel each other, and if there weren’t so many feelings and suppressed anger involved—stemming not just from past events in their lives (like Galadriel’s grief over her brother’s death or Adar’s betrayal of Sauron, which we know truly hurt him)—these past emotions mixed with their current ones create a brutal phenomenon of confusion. On one hand, Sauron doesn’t understand why Galadriel constantly rejects him. He says things like, “I see you; I know what you desire,” because he does know—but he doesn’t get why, despite their similarities, Galadriel keeps pushing him away. In the show, this is framed as a logical decision, with Galadriel rejecting him because Sauron sees her as a mere tool. And yes, in part, that’s true, but it’s also not the whole story. For me, the Sauron in the show and his desire to “use” Galadriel comes from the same trust and companionship I explained in a previous post. Sauron’s thought process about Galadriel is: “Nothing is free. You used me to achieve your redemption, so why can’t I use you now?” This extremist mindset, combined with his attachment and devotion to Galadriel, ends up manifesting in a VERY toxic way. And yes, maybe Sauron manipulates Galadriel and always feels the need to do so, but unlike his other victims, he shows a “human” side with her. Most of the times he acts passive or even affectionate in Season 2, it’s because he wants something. He can’t help but associate his surroundings with Galadriel and with people in general—he doesn’t like being touched, and when he does it voluntarily, you can tell how fake it is and that he’s only doing it because it’s the most convenient moment. This behavior, in my interpretation, breaks with Galadriel. With her, he lets his guard down, which we see in the fight scene where Galadriel attacks him, and he looks genuinely surprised (I even made a meme of that scene, LOL).

Then he tells her, “My desire is not to harm you,” and he’s right—he doesn’t want to hurt Galadriel. He dodges her blows for a long time, and that’s not like him. He’s usually ruthless and enjoys killing his victims when they least expect it 💩🙏🏼

Anyway, he dodged Galadriel’s strikes and turned a deaf ear until she brought up a topic she should’ve never touched: Sauron’s feelings. And well, that wasn’t a good idea, because her rejection drove the man back into satanism 💀

In the end, something they both share is self-deception. This self-deception is very persistent in Sauron and opportunistically manifests in Galadriel. But unlike him, she eventually accepts the consequences of her decisions, while Sauron doesn’t care at all.This same self-deception is what’s leading young Galadriel to ruin. Her inability to acknowledge the feelings and desires she once had for Halbrand surfaced when she realized he was Sauron, mixing with past emotions and events (her brother’s death and her hatred for Sauron). These two things combined altered Galadriel’s mental state, leaving her just as affected as Sauron and, as a result, expressing her hatred by trying to impale him with a sword. The reason for this? She no longer saw Halbrand in him. To her, he was now a completely different person in both body and soul. That’s why she doesn’t hesitate to attack him.

This shocks Sauron because he believes she still sees him the same way, but she doesn’t. He’s like, “Why did you do that, bestie? It’s me!!” This stops briefly when she sees an image of Halbrand. She immediately calms down, lowers her sword, and becomes passive—but then realizes the truth and attacks him again.

And well, you know, it’s sad.

The two are so similar, but they can’t understand each other when they face off. It’s terrible when two people deceive themselves—it always ends in destruction. Maybe in another reality, things could have been different, but I doubt it. They met at difficult times in their lives, which later manifested in pain and suffering, causing them frustration and confusion. But I believe this is simply part of destiny, and everything happens for a reason. This whole confrontation only serves to forge the Sauron and Galadriel we see in the future. By the time this is over, I’ll be devastated.

[carto0ncritter]

People are so desperate for LGBT representation, (specifically gay and lesbian couples), that they're willing to accept literally any homosexual ship regardless of the concerning elements.

Let's see, we have ass ships like

1)Stolitz - Stolas is an abuser, a r*pist, a racist man who has so many powers yet is emotionally fragile, passive and wimpy, a man who victimizes himself over and over, a man who emotionally neglects the child who desperately needs him for his sexual fantasies with his victim, a man who is the creator's pet, a man whose actions aren't wrong according to the writers, a man who can just blame everyone else around him but himself with no consequences

2) Catradora - Catra is an abuser too, but was treated like a cute kitty cat in s5 despite having done atrocious things, she was instantly forgiven with no consequences, and she ended up dating her sister and the biggest victim of her abuse

3) Huskerdust - I haven't talked about this one so far, but Angel sexually harassed Husk and never apologized, Husk himself sang "Loser, Baby" and as a SA survivor I felt like he was trying to say this to Angel: "Oh, you've hit rock bottom because of SA? It's your fault lol, accept that you're a whiny bitch and a loser even tho the problem is extremely serious and out of your control and just suck it up, I'm a loser too despite not going through the same thing you have, you're not alone in being a loser BUT YOU ARE STILL A LOSER BABYYY A LOOOSER" Like, ik the message was supposed to be how we're not alone in our struggles and how there's always someone who will understand and make us feel less alone, but the way this was handled rubbed me the wrong way. Also, I'm not sure whether or not to mention this as well (screw it, I will), but Husk is described as "the old bartender," his voice sounds like it belongs to an old dude too, and he apparently died when he was like, 70, while Angel died in his 30's. I'm not gonna calculate their ages based on how it works in Hell because personally I feel like it doesn't matter. What matters is how old they were when they were alive. But however you decide to look at their ages, it's not just the implied enormous age gap that bothers me, no... it's more so the difference in maturity between Husk and Angel. Husk is described as a dude who has seen and experienced a lot of stuff. On the other hand, Angel is clearly immature and there is this weird... emotional imbalance between them? It's like a mentor dating his apprentice, at least that's how I see it. I'm not saying dating someone who's 40 years older than you is morally wrong (if you're both adults) but IT IS WEIRD imo, especially since Angel & Husk are not on the same page when it comes to life experience and maturity. Oh yeah, I also don't think Angel should be in any kind of romantic relationship... for his own good

[twilightkitkat]

Thinking about the role of the "love interest" in superhero media and how poolverine subverts this.

The "love interest" in most movies is just a placeholder. Boring. Tame, Predictable.

This is especially true in action media, wherein romance takes a backseat and is often seen as an add-on rather than a main plot point. Romance is either a source of conflict or motivation that serves to drive a character arc forward, but no more or less.

Take, for example, Vanessa. I love her character. Her personality and character are fascinating. However, especially in Deadpool 2 and 3, she serves more as a device to move the plot forward rather than a genuine character. The first movie established her character and importance, so it's understandable why Wade chose to hide his identity and how he slowly came to terms with his new identity. She helped move his character arc of self-acceptance forward, yes, but she also existed as her own entity.

In the movies after this, she isn't treated with the same care. She's used as a central motivation in Deadpool 2, a force that drives Wade to save Russel and confront Cable when his character motivations aren't easily tied to morals. However, that's it. She isn't fighting alongside him or given the same treatment as the other important "family" characters. In Deadpool 3, she's treated with even less care, only having short scenes at the beginning and end of the movie to give Wade a representation of "home."

This isn't to say Vanessa isn't an important character and shouldn't be treated as such. However, the purpose of having a "love interest" in an action movie's plot isn't just to have someone to love. It's almost always to have someone who can be kidnapped or killed to spring the main character into action. It's someone who fades to the sidelines so the main character can show off while showcasing their relationship success.

Consider this: in all of the Marvel comic universes, Deadpool and Wolverine have had many different partners. Different names, different faces. It's common for the "love interest" of a superhero to be seen as an accessory that changes shape depending on the comic artist or franchise. After all, they don't need a cohesive identity to serve their purpose as a "general, digestible reason for the main character to act."

Everyone understands how love can cause people to do crazy things. There is no further elaboration needed, even for morally grey or black characters. It's an easy way to make an understandable motive for the audience. Suspension of disbelief.

And yet, the superheroes remain the same. They get to keep their identity throughout different media. It's always Wolverine and Deadpool. Logan and Wade. Even if they have slightly different plotlines, their core characteristics and intrinsic identity are constant.

Logan could have Jean Gray. Or Mariko. Or Silver Fox. He can have anyone play the role of "love interest," a role that can be shapen by a ball of clay and changed entirely to fit the narrative.

But his "rival" and "best friend" in the multiverse will always be Deadpool. They're notorious for being referenced in each other's media. For fighting. For working together. They are A Set.

This is why I'm so much more drawn to Poolverine than other ships. Wade has different love interests depending on the media type. So does Logan. I can't tie in knowledge from different interpretations into the romance because the love interests are fluid. But with each other, they interact in almost every universe. Have a consistent bond. A "standard." They're soulmates, in a way, forever destined to meet and be important to each other.

This is setting aside how female love interests are treated in male-oriented media in general. They're normally seen as someone to be protected, to stay at home, and welcome back the hero when they return. Some are allowed to be strong, to have abilities, but rarely ever do they stand on equal footing with the male main character. Not where it matters.

This is exhibited in both Wolverine and Deadpool's movies. Vanessa is introduced as a "badass," someone who's part of the underworld and knows how to fight, yet she's often placed in the damsel in distress position. She could match Wade before his mutation, maybe, but after he dons the mask and becomes Deadpool, his work is over her pay grade. The same happens with Mariko in the Wolverine movie: she's initially introduced as someone who can fight, but Logan ends up protecting her almost entirely and is responsible for rescuing her from her kidnapping at the end.

It creates an emotional rift between the side of the "hero" and the side of the "love interest," because it feels like they aren't fighting together for the same cause. It feels like the love interest is treated more as a "reward" for the hero to come back to after saving the world rather than a person.

When the entire movie follows the perspective of the main character as they fight, and action scenes are primarily used to invoke emotion, it feels lackluster to have the love interest stay at home. The most intense moments of emotional connection are typically portrayed between the hero and someone else who understands their suffering who they're trying to reach, such as a villain or rival or friend.

Love interests are never on the same "playing field" as the main character and thus can't relate to their struggle. The director tells the audience that they should be happy or sad when a love interest is on screen, but they don't show the same level of emotional depth when the main point of an action movie is action. The entire premise of the main character is action, and yet the love interest is absent from it. Or a victim rather than a player.

This is why Poolverine subverts this trope. You have two people, each with their own franchise and life. Each with their own skills. Each with similarly powerful abilities.

They are equals and are treated as such by the narrative. They take each other seriously and have an emotional connection because they understand each other's suffering. They both are out on the battlefield, fighting the same war and overcoming their differences. They both are allowed to have "cool" scenes and "sad" scenes and "funny" scenes. They both are given the spotlight to experience character growth and have their own unique internal conflict because they both are strong characters who are narratively important.

They both have chemistry. Which is nearly impossible to attain when the love interest isn't even in the lab.

[stitchau]

————————《《FAQ》》————————

This post will be updated over time.

Main artist account: @centfornothing (both tumblr, twitter and soon bluesky)

Currently, i am very busy with university, and I'm not gonna be free any time soon...(except holidays, obviously) BUT I am really trying to put at least SOME time into what I've created here, so there's that. (Hopefully I'll survive all that)

— Usage of Stitch/Fanart

1. Q: Can I create fanart of Stitch?

A: Yes, I'd be more than happy if you do! ^^

Also, do not be shy to tag me! I will, from time to time, check if i was tagged somewhere.

2. Q: Can I use your character in my comic/animation/fanfiction?

A: Yep! I don't see why not.

3. Q: Can I ship *insert character name here* with Stitch?

A: Sure, have fun! But I sure do hope that the character in question is not a child. I am strongly against it.

4. Q: Can I create NSFW🔞 content of Stitch?

A: Yes, unless it involves children/incest. Do not draw stuff like that.

5. Q: Can I voice act your comics?

A: Any day!! Just don't forget to put credits, everything else is up to you! ^^

— NOT ALLOWED

I'm being repetitive here, but whatever. These are the only things I don't want people to do with my character, and I hope you understand why.

DO NOT create content depicting Stitch engaging with children in sexual manner.

DO NOT create content depicting Stitch endorsing incest/racism/f*scism/n*zism or anything similar to that.

As advice, I'd kindly ask you not to create stuff like this at all. Please be a better person and be responsible with what you create and put out there on the internet.

— About asks/questions

Questions that I have already answered won't get a reply.

Not all the questions will get their answers. Either because it's not the time for the answer yet or because it's irrelevant/not a question at all.

If there's too many questions, yours might be missed/might get a late reply(currently i have 70+ questions, no joke, and i just cant answer all of them, especially when there's more of them every day). But don't be shy asking questions anyway!

Other reasons for your questions not getting an answer:

I might be busy because I also have to live a life.

If your question is something like "I love your au sm," then thank you. I really appreciate your kind words, you are making my day💞

I might not want to answer your question for reasons. (Provocative questions, personal questions, etc)

If you are asking something related to YOUR OWN mental health. Please, PLEASE, if you have real problems, do not try to find a solution for them from internet strangers, go and talk to a real, qualified professional.

Please do not vent to me, I am not qualified to offer you help. I wish you the best, please stay safe.

And just a separate point about roleplays. Sorry, but I don't really do them. I can play along to something unserious and small, but whole roleplays are not for me.

— About Stitch

Stitch uses any pronouns, but they/them is a preferred one.

They are aroace.

The place they live in is called "Treatment space"(the info on what it is will be elaborated on sometime later). It is accessible for anyone in Omega Timeline at any given point through a door. But it can also be accessed from anywhere if you have one of 2 special keys: small red key that will create a door for 1 person leading to the Treatment Space or the bigger dark red key that will create a much bigger door, also leading to the Treatment Space(backyard). Keys can be mostly found in Omega Timeline, but some are scattered throughout the Multiverse.

They mimic the voice according to the form they have at the moment. So Sans' voice for a form of Sans, etc.

For all the different parts of plush bodies and clothes, there is a separate big room in Treatment Space.

Stitch doesn't need to sleep, eat, or drink.

Their most preferred forms are Toriel(convenience) and Sans(frequency of use).

The forms they don't like to use the most are the ones that are small(like Temmie, annoying dog, Flowey, etc.)

— The Lore(WIP)

Prologue

Chapter 1: Lucky streak — part 1

— Stitch's forms

I have some forms drawn separately, and some that I drew with some other sketches. I MIGHT be a bit too lazy to draw every from individually for now, so here's what I have:

Papyrus

Muffet

Mettaton

Alphys

Gaster

Monster kid (MK)

Grillby

Frisk and Chara(want to change them)

Toriel(if you can't tell, I like this one a lot)

Asgore, Flowey, Sans, Undyne, some stuff

More info will be added later

[etaleah]

The reason everyone was expecting Nine to take Shadow prisoner and use him as leverage for Sonic’s energy isn’t just because of Sonadow. It’s because that’s the story that would have been the most engaging and made the most narrative sense to tell.

Batten Rouge, Sails, and Catfish are perfectly fine characters, but I don’t think viewers are ever going to care about them as much as we care about Shadow, for a couple of reasons. (1) Shadow has been part of the franchise for much longer and so there’s much more of a history with him, (2) Sonic spent entire episodes with Shadow and had just been saved by him several times whereas he maybe had a few seconds of dialogue with each of those pirates, (3) Shadow is the very last part of Green Hill that remains, and (4) Shadow is his own character and not just one out of multiple versions of the same character like the pirates are. I understand they’re all supposed to be different characters, but I still found myself not feeling all that concerned about what would happen to Batten Rouge because hey, even if she goes down, we still have two more Rouge’s! But there’s only one Shadow. Using him as leverage would have been the smarter choice because the audience is more invested in what will happen to him.

It also would have kept Nine sympathetic. If he goes after Shadow, then he’s defending himself against someone who threatened to attack him first, and who has made it very clear that he doesn’t plan on holding back. But if he goes after the pirates, then he’s targeting innocent people who haven’t done anything to him, and that makes it harder to sympathize with him.

Not to mention it would have added actual purpose to Shadow being knocked down a hole and could have played with the cliffhanger of “Oh no, Shadow’s hurt, will he be okay?” instead of it just being a temporary inconvenience to take Shadow out of the action for no reason and an emotional bait-and-switch where we’re meant to think that he’s been hurt only to then have it be revealed that he’s fine.

It isn’t just about shipping. Audiences are good at knowing what needs to happen in a story for the narrative to make the most sense. So when it doesn’t, it’s…puzzling, to say the least.

[frownyalfred]

Can I get clarification on your pro shipping post? The example you gave was a 20 year old with a 40 year old, and that's "problematic" (not really), but not really what I think of when I hear "pro shipping". Usually it's the shipping of minor/adult or incestuous relationships that I see getting defended. Does being against fictional works/ships that depict pedophilic or incestuous relationships as normal/romantic count as puritanism to you? Do you see the ship of Bruce Wayne/Damian Wayne as a personal preference with no moral implications?

I think there's a huge difference between being personally against something, and wanting to shame others or ban others from reading or writing something. The Puritanism comes from wanting to limit and ostracize others who don't share your beliefs. It comes from believing that your perspective is the only morally right one.

I think there will always be people who want to write or read about ships like that, yeah -- incest, pseudo-incest, everything in between. By moral implications, do you mean for the person interested in the ship? Or do you mean for others? Because I see that concern a lot on here -- this idea that somehow, by wanting to read/write about something, people are either 1) harming others by spreading this morally wrong ship or 2) harming themselves by normalizing the ship, and therefore making it more likely that they'll pursue similar relationships in their real lives.

We don't have much evidence for either of those claims. People have been clutching their pearls and wringing their hands over "morally wrong" books for ages -- and yet, Game of Thrones is still available in every bookstore. Am I a bad or woefully misguided person for having read Lolita in high school? Is a 16 year old reading a Bruce/Damian fic likely to turn around, shrug, and say "guess fucking my Dad is okay now"? Did an entire generation of fans shipping Wincest somehow have lasting, moral effects? I really don't think so. Not at the scale anti-shippers online seem to think, at least.

I think we need to separate how we moralize people from the content that they consume. And acknowledge that shaming and excluding people for wanting to read something doesn't exactly do much to prevent "moral implications." There's also a huge difference between reading a book, and endorsing the ideas/events inside of it. Same things with fics.

Anti-shipping is very appealing to people because it purports to protect people from harm. Until you look a little closer, and you realize that that protection comes at the expense of free expression, creative license, and agency to choose what we personally do and do not consume. And that that protection isn't really airtight out of your anti-shipping discord or tumblr community.

I think the best we can do is let people write and read what they want -- whatever they want, with limited warnings/etc like ao3 employs -- and ensure that those pieces of content are tagged, warned, and displayed accurately. We need to understand that the only control we have is over ourselves, and what we choose personally to consume or not consume.

I don't generally read those fics you mentioned, but I'm not saying they should be banned from ao3. Just because I might possibly think they're wrong or gross doesn't mean I think the person who wrote them is wrong or gross, either. The more we go down that moral slip and slide, like I said in my previous post, the worse off we will all become.

[meraki-sunset]

This is a long letter of gratitude. Embrace my endless words of pure gratefulness.

Dear Autor of the most amazing thing I've ever read.

I was writing this letter from the moment I reached the middle of your Crow Strider AU fanfiction. There is so many things I want to say and I'm so happy that I can say it to you all here without words limit. Forgive me for exuberance, I'm squeezing out all my abilities to express what I feel in this foreign language that's not of us first language.

Let me list all the things I'm grateful for, because I'm autistic and I love listing:

1. Crow Strider

The arc of Davesprite you created is masterpiece of writing. The process of deconstructing his personality, forgiving and letting his part behind as well as embracing his new identity and new body is written so thoughtfully with such a care of details. I love how you made him so different from Dave as well as still kept his Daveness in full glory of Striderness. You made him happy and more emotional available and open, at the same time it felt so natural for him to be that way because of the proper build up you gave him. Thank you so much for creating Crow Strider and letting us read his well written arc.

2. There's a Dave for everyone

THERE'S LITERALLY DAVE FOR EVERYONE. You have no idea what struggles I went through trying to understand what person Dave ended up with in canon, and then being sad of what happened in epilogues. I wanted Dave for Karkat. I wanted Dave for Jade. I wanted them to be happy. And you did it. You made it possible. You made them all happy. I love it so much. Thank you so much for making them happy. You even gave Teresi one Dave for her. I can't believe it. It's so beautiful it's unreal.

3. More Davepeta

This part is simple, I simply love Davepeta and you gave me a lot of good Davepeta content. Thank you for that.

4. You made me like characters I didn't like

I wasn't big fan of Tavros. I got tired of Vrisca by the end of Homestuck. I didn't really see Hal as an interesting character. I honestly hated Gamzee. And Jasprosesprite squared was so annoying for me

Well, not anymore! You somehow managed to write these characters more compelling for me than Hussie did. Now I love Tavros and Hal, I mean, cat Hal? Is there anything more cute and cool at the same time?

And NGL I genuinely wanted Gamzee to die and I can't believe that now I'm not, because I just read a very good redemption arc of this clown. I also love the way you dealt with Vrisca. Heck I love all characters written by you!

5. God tier Karkat

I've dreamt of seeing a good piece of god tier Karkat. I was so curious how does it even work to be Knight of Blood, we didn't see any version of Blood god tier in canon. I'm big fan of your version, it fits the character and the aspect so well, and the execution of his arc as he is chosen to open the door... Honestly? I prefer that over canon, though it wouldnt make as much sense as in your fanfiction. It just feels like you took a much better care of Karkat than official ending of Homestuck. Don't get me wrong, I love Homestuck an it's ending, your fanfiction wouldn't exist without it. I honestly think that Hussie didn't really have as much time and space to give his characters as extended arcs as you gave them without losing the dynamic of his story. But you could. And you did. Thank you so much.

6. So many people got better, more extended arcs

Like above. You made Jas much better. You gave Nanna much better, more compelling arc than she had in canon. You made Hal and Tavros much more relatable and gave them very well character development plot, even if short. You took your time to write very needed and wanted dialogues between characters than didn't have their time to interact in canon. Like Jake and Dirk (ESPECIALLY THEM OMG). Like Erisol and Feferi. Like Jas and Rose. And I didn't even know that I needed the last one. Thank you so much.

7. You made ships that I didn't know where even possible and I like them????

Seriously, Tavros and Jane?? Erisol and Arquius??? Josh and Dirk??? I love how your brain works

8. You absolutely nailed the delicate topic of transgender

I used to not be a big fan of June, because there were no realistic signs of John having any kind of thoughts or doubts about his gender in canon. You made a very much needed and really great thoughtfully written arc from June and Josh, even caring about the topic of transition and executing it really great. Thank you so much for yet again being so good at writing arcs.

9. Eridan and Sollux

I love them both and their weird toxic rivalty, and I absolutely love that you gave them some attention and let Eridan grow and try to redeem himself while also helping Sollux with hii2 p2iioniic problem2. I download almost every single frame of it.

10. YOUR ARTSTYLE

You're artstyle. I don't know where to begin with that. It's so amazing. Expressive, dynamic, cute, beautiful, colorful. I love every line of your comics. Your style is the way I always wanted to draw. It's just perfect. And also perfect for Homestuck fanfiction. It's just so similar, yet gives it a bit of softness as well as the kind of expressiveness I love, that makes every single shot more appealing. Warm scene are so warm, sad scene are so sad, dynamic scenes are so epic, it's like so delicious. Yes, I just ran out of words. Let me grab a dictionary...

Your style is outstanding. It gives me this feeling of familiarity, it's similar of Homestuck style, yet so different, its fresh and new while also feels like home.

I wish you have a printed version of your fanfiction (but I probably can't afford it sadly). There is something so soothing in this simple colors, it's not too loud, not too many colors, yet so many and smooth colorful lines. I will learn to draw like you, I'm sorry for adapting your style, but I really want to draw like that and you even posted some tutorials how to draw like you.

Thank you so so much that you put so much time and effort into making this wonderful comic and then share with all of us completely for free. You drew so many expressive pages, sometimes even 10 pages per static dialogue, which means you officially outbested the master of overdoing Andrew Hussie himself, that did maximum of 3 pages per 1 static dialogue scene. I noticed you slowed down a bit at the end and drew much more simplified panels as well as you started using same panels many times. Good. It's okay to go the easier way. No one wants you to overwork yourself and burnout. No one wants you to have trauma with drawing and not wanting to draw comic ever again. It's extremely generous of you that you posted for absolutely free such a wonderful and huge piece of art. I'm endlessly grateful.

11. The plot

I love how you started from one simple idea of giving Crow more arc, and then gradually extended it into a whole huge fixfiction. It went so smoothly it looked like really one different decision of one person can change the whole timeline. It went so naturally, it felt so realistic as if I read something that Andrew Hussie wrote as a coexisting canon.

I have to admit, the whole idea of not doomed and not canon timeline is pretty ridiculous, and I love every bit of it. Paradoxally, it sounds so much like something that could actually exist in Homestuck canon. I love it

A few little things I didn't like that much

I wouldnt be myself if I didn't comment on some stuff that wasn't perfect. I'll be bery brief with that, because these things didn't really bothered me that much, I just want to share a little bit of criticism I have.

I hope it won't sound rude when I say that I didn't really felt like you understand the character of Nepeta very well? She didn't felt that like Nepeta in your fanfiction, at least for me. I felt like some stuff were explained a bit too many times. I know that characters needed that, yet we as viewers already know some stuff and didn't need to read it again. Also, I really missed the type styles of characters. I know how hard it is to keep it through entire fanfiction, especially writing some of the characters with quite complicated type style. I just missed it a bit. On the other hand it made a few characters much more comprehensive.

I hope I didn't hurt you with this few words of critics. Now I want to share a few of my favorite pages, I hope you don't mind if I end this letter with fangirling over your drawings. I actually wanted to do a lot of comments during reading your fanfiction, but the website didn't let comments. Sadly. That's why I'm writing here. And now is time I will do what I wanted to do back then:

This scene, my fav scene in Homestuck, got so extended in your fanfiction, I felt so gifted and it wasn't even my birthday

I cried.

This. Made me laugh so hard. And it's even funnier without context.

I just reached photos limit. Sadly. I'm so grateful for your comic. I love it so much. Thank you again for making it. You're a wonderful person

Hey there! Thank you so much for the letter, and for taking your time translating it to English for me to understand. Since it’s in a list format, I guess I’ll answer as list as well! So:

Crow strider

It was challenging writing Crow because I needed to basically write Dave but with a twist in his personality due to living with the Harley-Egberts and their grandma, in a very cozy and caring environment.

Honestly I don’t think I managed to portray enough Daveness, his personality is very particular and difficult for me to replicate, but I did the best I could and my friend and editor will help me reach the right amount of striderness in the epilogue

2. A Dave for everyone

Indeed, there’s Dave for everyone. The homestuck epilogues made me realize how lonely Jade ended up, and I always loved Davesprite and jade, but with one being human and the other one a Sprite the relationship was bound to fail, and even tho I wasn’t fond of JadexDavepeta, still i would’ve prefered it to jade being all alone and Davepeta dying fighting Lord English. So now, not only Jade has Crow, and they’re happy, but the Karezi – davekat – daverezi mess all got fused into one, because I love them and their trip was a Little different from in canon. And also Davepeta is around, I don’t think they’ll end up with anyone, but they’ll vibe on EarthC.

3. More Davepeta

They’re alive, and I like showing the craziness that comes from them knowing all timelines but being above them and detached from them. 

4. The characters you didn’t use like

I like exploding underused characters. Because with them, you’ve only seen the Surface, but at the same time you have info about them that can be used to make them more profound. If Tavros got revived, why isn’t he mad at Vriska? What was he doing those 3 years in the bubbles? If Jasprose is a seer and has knowledge of all timelines due to being ultimate self, doesn’t that make her the ultimate clairvoyant? Doesn’t that mean she’s the key to winning? Does she miss the mother like rose does? If there’a already an Arquius, why make another? Why not have just Hal as a Sprite and have him figure out what being alive is actually like?. You get the Surface of the characters and knowing what you know about them, you dig deeper, until you find their humanity and write about it.

5. Godtier Karkat

I love Karkat on Homestuck, but I feel like the character lost weight towards the end of the story, he stopped being the leader and while everyone went and fought someone important like the Condesce, the jacks, the dogjack, or Lord English, he was just somewhere else doing whatever. I wanted to give him his hero moment that closes his development.

As for the door, I feel like in canon john was the right choice to open the door, he’s the hero and the leader, not to mention it’s a human session, it makes total sense and I wouldn’t change it

Every story has things that don’t get to be explored, because that would make them too long and cut the flow, making it unreadable. That why we love fan fictions and AUs so much, they take the pieces and reassemble them into something new, filling the empty spaces.

What makes the events on AUs fun is that they didn’t happen in canon. So if John opened the door in canon, and it was right, then Karkat can open this one, and it can be right on this specific timeline. He gets closure from the door he never got to open, and takes back his role as a leader, even if it’s just for a moment, since the battle is over by now. He’s the leader once again, but this time he understands the weight of it in a way he couldn’t grasp when he was 13, claimed he was in charge and let everyone down. He now understands it’s not just something you ask for, it’s something you earn, he’s now the Knight of blood, god of bonds, he took down the Condesce in the name of his species, and will open the door for his peers to enter the new universe they created together where they’ll create a free society, he became what the signless predicted, his rightful successor. His arc is completed.

6. Extended arcs

Jas was planned since the beginning to close crow’s arc about his rose and his regrets about leaving her behind. It’s only when he’s made peace with losing her, has left his old self behind and is ready to face the battle and his future, that he gets his reward. He gets her back, in the strangest way

With Nanna, i just though nobody ever focused that there was an actual adult around during the whole adventure, Nanna would’ve spent a lot of time around john and jade, them being each others remaining family. So I tried to give her the role of a guardian, breaking a Little with this “orphaned children on their own” that all characters have.

Honestly I tried to make it as interesting as I could, sometimes I would take characters that didn’t have any screen time and think, what can they do? What’s in their mind at this moment that they could tackle in conversation? And with whom? Who else needs screen time?. And that’s how you get, Jake and Tavros bonding, Nepeta, Fefeta, Davepeta and Feferi ship-chat, Arquius telling Terezi and Karkat about Erisol, Hal comforting Eridan, ect.

It’s actually a really cool writing exercise I do sometimes. I grab two characters that have nothing in common, and write a conversation between them. What’s the common ground? Are their stories alike in some way? Do they have a common hobby or worry? It’s really cool because you find stuff about the characters you never paid attention to before

7. Unlikely ships

Tavros and Jane came from me wanting Tavros to be more assertive. In canon Vriska instructed him to not interact with the Alpha kids during those 6 months, but since this Tavros doesn’t listen to her because he took self-esteem lessons from Rufioh, I felt like he probably spent that time actually being a guide to Jane and then becoming Friends while solving puzzles, Jane being a fan of mysteries and Tavros probably missing his flarp days. Also theres a funny thing about Tavros and Jane, and it’s Tavros is supposed to represent Peter pan, while Vriska is supposed to represent both Tinkerbell (she dressed up like a fairy for him and later became an actual fairy) being attracted to him but being short fused when rejected, and also represent Captain Hook, Peter pan’s enemy (with her flarp persona and her ancestor being a pirate), but she’s not Wendy in any way, and I feel like Jane is, she’s the homeschooled girl, with blue eyes who looked through her window waiting to be free because her father wouldn’t let her out (also Wendy’s brother was named john who used big glasses). She’s a normal girl coming in contact with this fairy boy from a world of only children. Idk, makes sense to me. (besides, Wendy darling’s daughter, who Peter pan later takes on adventures too was named Jane, who also has blue eyes)

Erisol and Arquius was a crack ship that suddenly made sense, because it’s one-sided, and I feel like arquius is a caring person, he just has a difficult time socializing like a normal person. He’s just really happy to be a sprite and is pissed by Erisol’s insistence on wanting to explode.

Also, Arquius promising Fefeta that he wouldn’t break Erisol’s neck unless he had a good reason ( he kinda wanted to) and eventually having to break his neck for the good reason of god tiering him (he now doesn't want to and feels bad about it) was something I planned for months

Josh and dirk, i think it’s funny. Dirk wouldn’t have dated jade because she’s a girl, but Josh is a boy so it’s good, AND, he’s like a more direct, version of Jake who takes no bullshit.

8. The topic of transgender

Originally the second spaceship post retcon was supposed to arrive empty, or with only Davesprite, but I saw an opportunity to solve a division in the audience. Some people were interested in John remaining as he was, while others wanted to see June. Since John never showed any doubts about his gender in canon, it wasn’t in my original plans for June to make an appearance during CSAU, because the comic only covered the same period of time as canon. But when it came time to write the retcon I realized I had an opportunity to make them both coexist, making a shift in the timeline, but said shift being there both since the beginning and for the purpose of surviving the recon. Making June and Josh a reality since the beginning, so the timeline would survive the consequences of the two Egberts crossing paths post retcon.

It’s nice to hear you liked it, I know not everyone did. I tried to be respectful but at the same time be true to the nonsensical nature of canon Homestuck that makes timelines twist and change to the story’s convenience, making the events real but chaotic. Also since i knew John’s dad wasn’t coming back and Jane’s dad wouldn’t make it, June would be the last remaining conection to John’s old home and so John would be June's, relying on eachother for comfort when it comes to the loss of their father and home.

9. Eridan and Sollux

I want to cover Eridan’s redemption in the epilogue, since all we know is he grew as a person during his time in the bubbles, leading to his change of heart interacting with Sollux and Kanaya

10. Art style

Thank you! I like to give the characters a full range of emotions and for the surroundings to accompany that

No need to be sorry for learning through my art, in the end my style, like everyone else’s, is bits and pieces from other artists we’ve seen, admired and/or learned from. Just make sure to add your personal touch to make your artstyle trully yours

It’s true that by the end I reused more static panels for dialogue, both because there was a lot for the characters to say, not that much action left, and my battery was running low haha

11. The plot

I tried my best for the story to be a big butterfly effect steaming from crow’s decision to ascend, working towards the most possible outcomes like Crow getting grimdarked by the Condesce too, the sprites surviving because of Nanna and so on

I wanted this timeline to coexist with canon because I don’t like the idea of overwriting it, canon happened and was important, CSAU just happened to be taking place close by

12. Things you didn’t like

I do in fact not understand the character of Nepeta very well, I reread Homestuck in order to get the original troll's personality better, but Nepeta is a character I don’t get. On top of that, she doesn’t appear much in CSAU so didn’t have much time to develop her.

I do struggle with over explaining, I think is stems from not wanting the reader to be confused (it has happened on discord that people come and ask me what was going on in the story when i thought I had written it in a way people could understand with no problems), which leads to me explaining everything too bluntly sometimes, so the characters sometimes ramble TOO much, and I wish I could go back and reduce the dialogs, but that would involve going back to the page’s codes to delete certain pages and replace others, and also changing the programming for the page’s backgrounds, not to mention my computer crashes when I try to modify pages too far back, since they’re 4000 of them. It’s one of those things I can only learn from and try to do better in the next project

The character’s typing was a core part of Homestuck because it was mostly portrayed as blocks of texts and the quirks made it easy to know who was talking even with people having the same typing color. The reason I didn’t use them it’s simply because I could barely write good enough in English, let alone add quirks. My friend offered me to add the quirks at some point when we were revising the dialogs, but I declined because some people found it easier to read without them and I didn’t want to add another step to the render of the pages.

13. Favorite pages

I also cried with that Gamzee panel, I planned it for months and i waited a long time to draw those last panels, I’m glad they made people laugh

Haha, also yeah, the Strider reunion got really extended with so many extra striders. Davepeta, Crow and Hal making the reunion complete

Thank you for this message! i'll do my best to write a good epilogue (which by now is actually a secuel) and i hope you have a great day🌻🌻🌻