#alone part 3

[theoldkyokodied]

The Allegiance of the Ascended Vampire and the New God of Magic

[songloveryt]

Alan Walker, Dash Berlin & Vikkstar - Better Off (Alone, Pt. III) [Lyrics]

[alexisrosemullens]

Eddie Diaz + that strand of hair Part 2

Part 1

[priceofreedom]

Mercenaries, Cloud. That's what you an' me are gonna be.

[beastwhimsy]

FINALLY drew every single person in the system after half a decade of knowing I have osdd. IT ONLY TOOK 5 YEARS.....

(please don't refer to how we look as character designs!! thanks!)

notes! - I've been evaluated by multiple professionals and they've all gone ya you have guys in there. good luck man - I can remember experiencing pretty damning symptoms since I was like. a wee lad. - I'm guy number 2. hi! waving!!! - sunny and moon don't really have a concrete age but can be considered adults - there are 10 girls, 7 guys, and 3 people who aren't either - some of these guys formed based on some childhood friends I had - there are 6 fictives overall. most of them consider themselves their own people and don't identify much with their source material - the most frequent fronters are robin, sunny, phoebe and francis - if you have any questions please feel free to ask! if anyone says anything nasty I won't respond. I love pressing the block button

[beeteal]

a tragedy, that’s what we’re meant to be!

alt versions under the cut fr fun

[fairsweetlonging]

thinking about crowyuan saving liu qingge from his qi deviation and disappearing before he can fully wake up so he won't be recognized (him being a demon and all), but it causes liu qingge to accidentally mistake him for shen qingqiu.

there is a massive fight during the next peak lord meeting, with liu qingge accusing shen qingqiu of saving his life and not taking responsibility for it as if it's a war crime, while shen qingqiu keeps denying he had anything to do with it and if he had saved liu qingge, he'd be rubbing it in his face every chance he got.

it escalates and escalates until liu qingge, red with embarrassment and anger, points at shen qingqiu and says "you were cradling me in your arms!" and shen qingqiu explodes.

mu qingfang tries to calm them down by saying that perhaps liu qingge hallucinated, which is not uncommon for a qi deviation, but that sets off some of the other peak lords who now start teasing him for "dreaming of shen qingqiu coming to rescue him", and of course that only makes it worse.

liu qingge refuses to let it go and starts bringing shen qingqiu his victories to try and pay off his debt, because he is an honorable man and he will not let shen qingqiu get away with this!!

meanwhile shen yuan is watching it from a distance wondering whether he made it better or worse by stepping in.

[burningparadiseduck]

Neuvillette is the greenest green flag to ever exist in this green world.

[crnl-chicken-tots]

As I sit here putting Deadpool and Wolverine into situations, I also wonder what the people want to see. Friends and foes, I'm so smitten and trapped in a Honda Odessey full of thoughts, tell me what you want to see and I'll make it happen;;

I must continue to contribute to these primary colored idiots

[trappedinafantasy37]

Minthara is a paladin of her word. She does not make promises, she makes vows. She makes oaths. Even as an oathbreaker, she heavily adheres to the tenants of it. Being an oathbreaker just gives her more flexibility and freedom to fulfill the oaths she makes. She never breaks a promise and she never breaks a vow, and when she says she's going to do something she is going to do it.

So when she says she will go to Avernus with or without Karlach, she means it. She will personally throw hands with Zariel, and the only thing that will stop her is Zariel's death, or her own. And it is one thing if Karlach does go with her, but a whole other thing if Karlach dies on that pier.

Not only will Minthara be grieving, she will be wrathful. And she's going to channel that wrath to the front to avoid feeling the grief (cause she doesn't always approach her emotions in the healthiest way). And she's going to take some of Karlach's rage and Karlach's fury with her. She will kill any demon or devil that gets in her way. There will be no distractions, unless the side quest gets her closer to Zariel or increases her chances in the fights to come.

Minthara is not doing this for power, she is not doing this for glory, she does not care for a crown or a throne. She is down there in Avernus to avenge the love that burned out too soon.

[sophiethewitch1]

In Death's Embrace Pt. 2

Jason Todd x Death!Reader

Part one!

Jason shoots up in bed, his hand stretched out. He’s sweating, drenched in his own panic in fear. His hand falls into his lap, still twitching. He doesn’t remember what he was dreaming about, doesn’t remember what he was trying to grasp.

He knows he failed. He knows it slipped through his fingers like sand. He doesn’t think there’s anything more tragic in the world. He doesn't know why.

“Once again, you amaze me. Breaking the rules of the universe, not once, but twice.”

His hand is wrapped around his gun before you even finish the sentence. It’s pointed between your eyes once you do. To your credit, whoever just broke into his apartment without triggering any of his alarms, you don’t even flinch. No, you just fold your hands behind your back and give him an odd look.

You tilt your head, eyes moving over the scars on his face and catching on the lock of white hair he sports. Then, your face breaks into a smile, and something in Jason’s heart jumps. There’s a knowing in your eyes that he doesn’t like. An understanding.

You see through him, somehow. He doesn’t like it. He’ll shoot you for the offence.

“Who are you? How did you get in here?” Jason demands, assessing you like you assess him. You don’t look like a combatant, in long dark flowing fabrics. Still, he knows not to underestimate someone based on their appearance.

That damned clown never looked like a threat. And now he was standing here, with someone who seemed just as crazy in his bedroom. Only someone that crazy would break into his home.

“Are you going to shoot me?” your words are teasing, eyes fond. Maybe you’re crazier, then. You don’t believe he’ll do it. He will.

He should have already. It’s base curiosity that holds his trigger finger. That’s what he thinks it is, at least.

“I might,” he finally says, “Again, who the fuck are you?”

“It’s interesting talking to you like this. You knew who I was straight away last time, but this time you turn your weapon to me,” you continue, ignoring his threat. A muscle jumps in his cheek, annoyed at your presence, at your blatant disregard for him.

“Last time?”

Your smile turns into a bright grin. He’s momentarily stunned by it.

“So, you really haven’t won just yet. That gives me a small measure of pride,” you say, walking over to the window with your hands still behind your back, “Maybe enough to spare you from my anger.”

You look over at him again. Purse your lips.

“Maybe not.”

“I think you forget who is holding the gun,” Jason reminds you, clicking his teeth at the way you just shrug.

You go quiet. No more teasing words or ominous warnings. Jason should shoot, shoot now. He’d hate the cleanup, hate the mess, hate all the effort, but it was necessary. You were dangerous. That much was obvious.

Instead, he opens his big dumb mouth and asks, “What do you want?”

You sigh, shaking your head. “Is it terrible I don’t know? Rules are rules after all, but this situation is… complicated. You’re not another Sisyphus, you don’t even want to be here.”

“You broke into my home and started threatening me. That doesn’t sound complicated,” Jason insists. This is such a fucking weird conversation. And Sisyphus? Jason had done his homework, he knew about the mythical man who cheated death. He thinks he’s actually quite a lot like Sisyphus.

He still doesn’t appreciate the comparison.

“Yes well, I don’t want to be here either, de-” your voice cuts off, eyes widen in surprise, and then narrow on him like he caused some great offence. Inside him, he feels his dead little heart wither even further at the sight. Like you being upset with him was one of the worst mistakes of his life.

Once again, you broke into his house. All he’d done was tell you to get lost. Oh, and maybe threaten to shoot you, but who cares about that. He soothes the momentary panic, insisting you obviously hadn’t.

Which is dumb. He’s being an idiot. Jason Todd is being an absolute moron right now, and he just needs to shoot you.

Instead of paying attention to the gun trained on you, you stare out his window, at the streets of Gotham’s Hill district below. The sun is rising, rays bursting through the fog. The people are just getting up with it. It’s one of the few times the city is anything close to quiet. Most are still sleeping, and so is crime.

Warm sunlight catches on your cheek, and again, something inside Jason cries out at the sight. It’s worrying.

“I think I want you dead, again,” you confess.

Jason’s breath whooshes out of his lips, and his gun arm twitches for a second. Well, fuck him, that’s certainly a statement. And again, why hadn’t he shot you?

He still doesn’t do it. He must be crazy, too.

“I’m being greedy. I always have been, of course. It’s what I am… But especially this time, I think I’m being too greedy,” you sound sad, your fingers trailing across the wooden window frame, “I think I shouldn’t be here, but it’s the ones like you who make it hard.”

You rub dust against your fingers, and Jason feels embarrassed for the state of his home. He realises a second later what a stupid thought that is, you broke in. He wonders how many times he’ll have to repeat it to remember it. He feels uncomfortable and off-kilter, and he knows it’s because of you.

He needs to get you out.

“I’ve always hated the special ones, you know. The smart ones. You’re too good at pulling me, manipulating me, tugging on my strings like a puppet. You make me human,” you turn back to him, crossing your arms and resting against the sill. You’re comfortable in his home, more so than he usually is. Calm, relaxed, like the world is at peace, and worries are something of the past.

He wonders what that must be like. Fucking delightful, he bets.

“Are you not human?”

You raise an eyebrow in response.

Shit. Ah, fuck it. His finger tightens, and the recoil jerks his arm. The silencer keeps the early apartment quiet. Quiet, if not for the sound of the bullet clattering to the ground.

You both glance down at the crumpled piece of metal sitting pathetically on the floor. You lean over, pick the piece up, and then lift it to your eye, watching that same sunlight reflecting the early morning in the steel. A small rainbow flitters across your skin. You close your fist, and you stroll over to Jason.

It takes him a moment to remember to be wary of you, and by that time, you already have his hand cradled between yours.

You place the remnants of the bullet in his scarred palm.

“I expect an apology for that later,” your voice is soft, sweet. Loving, even after he shot you in the chest. Not like it did anything. Your fingers curl around his, tracing every crack and crevice. You do it with concentration, with precision, like you were made just to touch him, to comfort him.

A memory, gone in a flash. He feels it’s loss like a toothache.

He swallows, “I’m sorry.”

You laugh, and the sun’s not outside, it’s in his bedroom and it’s smiling and it’s everything and it’s here in his grasp and he knows it’ll be okay again. It has to be okay again. You said it’d be okay, didn’t you? He can’t remember. His head’s swirling, spinning, falling right into you. Right back into you.

“Or now, that’s fine too,” you sound delighted. He’s glad.

You let go of him, and move back to the window, drawn by the view outside. Jason's hand clasp and unclasp. The street obviously fascinates you, your eyes flicking back and forth and tracking the movement of every soul outside. He wants your gaze back on him.

Jason clears his throat. You glance back at him, then pointedly, his right hand.

He can feel his face flush, embarrassingly. He’s still holding the gun. He turns the safety off and tucks it back under his pillow.

He clears his throat again. He wants something from you, expects it, really. But he can’t tell what it is. He thinks you know, though. That you’re withholding it, for some reason. He’s irrationally irritated at that. You said you were greedy, but nothing could compare to his greed.

Even if you wanted him dead. He was starting to put together the pieces, but he couldn’t seem to feel alarmed. No, it simply wasn’t necessary, with you here.

Still, it’s not quite enough. He wants more. He wants to know more. So he waits for you to speak again.

“I’ve thought about doing this so many times over the years. It would’ve been selfish, and more than that, outside of my duty. You’re not one of mine anymore. For a little while, at least.”

He wants to be. He wants to be yours. He wants it more than he can breathe. If he��s yours, maybe you can be his.

You glance to the side, thinking out loud, “But then you went and started remembering. I’ve worked very hard to make sure that’s impossible, you know. That the memories from my realm stay there.”

You turn a disapproving glance his way.

“Of course, far be it for me to get in the way of a Wayne and his decision to break the world. You lot do that far too much, give me too much work,” you mutter that last part, hand moving to your brow. Like you’re massaging away a headache. He should be doing that for you.

“But you did it. And you’re here. And now I am, too. And I have to go soon.”

You drift closer to him, and Jason’s breath catches. He’s still. He doesn’t make a single movement, scared he’ll scare you away. He realises that’s stupid. That you caught a bullet to the chest. That you’re stronger than anything he could imagine.

He still thinks he could startle you if he’s not careful. That you’re like the mist outside, incorporeal. But Jason can do anything if he puts his mind to it. He knows how to catch the wind, how to gather steam on the underside of glass, how to cup sand and water and feathers and everything that would ever want to be outside of his reach.

You’re out of his reach. He has to let you step into it.

You stop a foot away from him. He grinds his teeth, and again, you raise a brow at him. He doesn’t move, despite his muscles screaming at him too. You give him a nod and take another step closer. He still doesn’t move, and you give him a satisfied look.

“So, what should we do, Jason?”

“How do you know my name?”

“What? Did dying strip you of any brains?”

The banter is familiar. He doesn’t mean to ruin it.

“Do you have to leave?” again, a voice in his mind whispers. You look sad, again. Again, again, again. All of this is an again.

“Eventually. Sooner rather than later,” you sigh, “You can keep a secret, can’t you, Jason?”

“Not if you leave.”

It’s a bold move. You take a step back, and he winces. Back and forth, back and forth… Still, he doesn’t take the words back. He can’t, because it’s the truth, and now that you’re here, there’s no going back. He’ll do anything to keep you with him, and if you go too far for him to reach, he’ll follow you.

“I think that’s an unfair request,” you say, and he shakes his head.

“It’s fair. You don’t have to stay forever, just a while.” Now that, that is a lie. You seem to know it, too.

You look out the window again. Jason, after a moment's hesitation, moves over beside you. You don’t flee, your attention is on the people below. He opens the window for you, and you give him another smile. He collects them like the rare treasures they are. You lean out into the air, and he freaks, then realises you’d shrugged off a bullet. He stays close, vigilant, anyway.

“I’m curious, I have to admit. What’s this place like?” you ask, resting elbows on the wood. The streets are foggy, as they usually are in the morning. The Hill isn’t the nicest place, not the cleanest either, but you look at it like it’s heaven incarnate. He can see his neighbour down at the local grocer, the old woman who hoards cats seeing her grandson off to school, and one of his guys hanging out on the street, keeping the space safe.

Under his orders. The Hill wasn’t the nicest place, but he liked to keep it as nice as possible.

...Peaceful, he wanted the people here to have their peace. He was obsessed with it, really.

“It sucks.”

You laugh again, music to his ears, “Not the best advertising.”

“I take it back, it’s the best place on earth,” he replies, barely paying attention to his words. He’s seeing how close he can get to you. How many inches he can claim. His face is almost in your neck by the time you lean back, and he curses under his breath.

“It doesn’t need to be,” you say, pushing away from the sill and turning to wander around his room. You take in everything about the space. From the general mess, to the Jane Austen books crammed into his bookshelf, to the mask he’s left half-hazard on his bedstand.

You watch it all, just as fascinated with the world outside as the one inside. He wants to believe that means he’s special to you. And if it doesn’t, that just means he needs to work a little harder.

Finally, you turn to him. You take in every facet of him, once again. Your all-knowing gaze finds his hair again. You seem especially fascinated by that. You lift your hands, and he’s in them before he realises he’s moved.

You map his features with your hands, and he makes a little sound in the back of his throat. Ignoring that, you wipe the bags under his eyes. He feels his sanity slip away under your touch. You trace the scar on his chin, the one above his left brow. The stubble along his jaw. The bump in his nose. The edge of his lips. He wonders at the smirk you give when he groans. And finally, you come to that strand of hair.

You tug on it. A memory fizzles again, and to his frustration, he can’t quite grab it. Can’t quite take it, claim it. It’s not his, not yet.

You haven’t given him permission to remember. He wants it, he wants it, he needs it.

“I think I can stay, maybe. Just for a little, just a little. You want that, right?” your hands cup his face, and he knows, somehow, that you’ve done this a thousand times. And if this is the thousand-and-first time you’ve held him like this, he’s glad. To be back in your embrace is the sweetest pleasure. The greatest relief.

“Yes. Yes, yes… yes, I do,” he’s nodding, he’s begging, he’s pleading with you. Just for a moment more, just a second more. Just a little bit more, before you let him go again. He leans down and presses his forehead to you, sighing in your scent, the wheat reeds in the wind, the warm sun on skin.

He wonders what he has to do to make sure you never let go again. He wonders if you’ll let him do it.

You shake your head, giving him a rueful smile, “You really are too cute, darling.”

That nickname. The key to his heart, his mind. Every single barrier keeping him from you is gone, crumbled by your will. He is thankful you’ve given them back. He is thankful for every moment you ever had with him. And he’ll make a thousand more.

He presses his lips to yours, arms holding you close. When you melt into him, sigh into the kiss, he feels a euphoria he didn’t know could be true. He feels a relief he didn’t know even in his days under, even when you only held him.

He feels alive with it.

“Thank you for coming back,” he whispers against you, and he can feel that familiar, that damning smile spread.

“You left me. I had to hunt you down myself, Jason dear.”

Maybe he couldn’t have his peaceful death. But he had a loving one, and that was all he needed.

[mossgoblins]

I have a surprise deadline on the 23rd so I will have to disappear for a bit but let me tell you I am having a great time and literally cannot wait to get back to it.

[floralscented]

the amount of times i've had to address this because she literally will not fucking stop is insane. @artyandink, for the last fucking time, leave me alone <3 stop coming in my inbox anonymously trying to get me to talk about your fics & promote them thinking i can't tell it's you. stop asking to use my ideas even after you've BEEN BLOCKED. stop keeping tabs on me to see what i'm writing for now so you can start writing for it. i'm dead serious it's about to give me a fucking aneurysm.

it is not subtle. and as stupid as you think i am, from the way you did all of this & are still fucking continuing, you sure do like the things i put out! i am noticing it. people are SHOWING me it. move the fuck on. find your own voice! stop trying to steal mine and what i'm writing about. i'm tired of speculating on why you are doing this and just want it to fucking END.

writing clark kent & making bots for him just because i started it is fucking mental. naming people in your fic bonnie & clyde after the au that i made that you asked to use, and still did anyways even if it was private, when i said no is MENTAL.

on this note, anyone that follows me that also supports or interacts with arty, please show yourselves out, too. if you want to know why, look here & here since i've had to address this publicly three times now. but i'm tired of going about my life & pretending that over on her side of the internet, she's not STILL taking my ideas, or using the ones that she already has, because she doesn't have a single original bone in her body.

no! i do not know about your bodyguard & president fanfic, arty! because i did not ever actually fucking read it!

and if by the grace of god, somehow, this isn't you ( which is highly doubtable ) i'm sorry to these anons that this two faced, five identitied grown woman has made me this weary to have to respond like this. i am not usually hostile, i don't think, but constantly having her shit in my dms, having her try to make me promote her shit, is INSANE.

i have moved on. you are the one that cannot keep my name out of your mouth to other people trying to salvage your fall from grace, saying that whatever i'm saying isn't true, and then coming into my messages the one other time within EIGHT MINUTES of me unblocking you, saying that you're so sorry that this is happening and feigning ignorance. go to hell. i tried to handle this civilly and privately and every single time instead you took to your tumblr feed to try and paint me as a bad guy, or discredit everything that YOU PUT ME THROUGH. so truly, go to hell <3 and actually fucking listen to me and leave me alone. i do not talk about you or think about you when you're not actively doing this shit, so stop monitoring my account and especially stop stalking my cai just because i cant block you on there.

and while you're at it, find some creativity on your own. it'd do you some good in the long run to actually make something yourself and not piggyback off of others & their success and THEIR WORKS.

[secriden]

*cracks knuckles* Okay lets talk about the elephant in the room: Style going to the support group for those who've suffered loss and telling what appears to be a fake story about losing his pet dog.

I'm going to point out a few things that I think provide a framework for Style's actions here. Not because I think it excuses what he did, but because I think a nuanced read is what the character deserves.

Point 1: An irresistible opportunity

The subs put the "Support Group for Loss" on the image in the notebook, but I'm not sure there's anything to suggest that Style would've known that was what this image represents until he showed up and saw the sign on top of the door.

In episode 2, Bison says, "He plans everything down from years, months, weeks to days" and then tells Kant:

So Style is literally just going to addresses/locations at given days and times, potentially not knowing what to expect. And as much as Fadel is certainly attending this meeting as a response to having that heartbreaking flashback (😭), this is also something he attends regularly and has planned to attend way in advance. So Style has no reason to think Fadel is attending this meeting because of a recent resurfacing of his pain.

What we, the audience, and what the characters know are very different things.

Now, should Style have turned his cute ass right around once he realised what this meeting was? Of course he should. But that wouldn't have been true to Style's character. We've been told by his best friend that he is "crazy" and been shown repeatedly that he lives right up to that description.

Style is impulsive. He's all base instinct and he acts on his desires without thought or contemplation. And by this point he is desperate for a deeper connection with Fadel. He's fascinated, captivated by the mystery that is Fadel and this is an excellent opportunity to finally see behind the wall Fadel so carefully maintains.

When Style sees the sign above the door, Style looks at the notebook (which, again, shows nothing but people sitting in a circle with the words RISE UP) like he's just realising what it means. He then gets this amused, almost rueful look on his face (like he's thinking "am I really going to do this?") before it shifts to determination and he walks through the door.

(My soul for the ability to once again gif something because FUCK Dunk is doing SO MUCH in this show!!)

To Style, this is just too good of an opportunity to give up.

Because let's be real, Fadel is so clearly lying and hiding something:

Fadel is shady as FUCK. He is simultaneously actually a really good cook (Style finally tries his burger so he knows, now), and also has the skills to work at a strip host club, and also can take on 3 guys in a fight, and also can break a man's arm with his thighs. Can you honestly blame Style for losing his mind just a little bit about wanting to get his hands on something, anything, to figure this man out?

Style is being absolutely consistent in his persistence to understand Fadel. This isn't about the car or about finally 'winning' the fight (thank you @airenyah for giving such a detailed framework to understand what Style's been doing until this point) anymore. This is about Style wanting to know Fadel himself.

Point 2: The potential implications of the setting

Now, what might give us a bit of insight as to why Style is this way? I have a theory (albeit one that could prove to be very wrong, but hear me out). I think this whole entire show is set in what could potentially be quite a small town/suburb.

There's a few things that make this theory plausible:

(1) Fadel and Bison are in hiding after Bison blew their previous cover. They're probably on the run from some section of the authorities and so it makes sense to settle in a quiet/out of the way place.

(2) Style seems to be really familiar with the people in the area. Like he grew up there and its the kind of small town where everyone knows everyone and everyone is in everyone else's business.

(3) Style is clearly the darling of the market aunties and uncles.

Style just lost her a sale and potentially a loyal customer, and she's still rooting for him? In episode 2, when Style asks the uncle to let him borrow his cart, it takes nothing but his word for the uncle to give Style his entire cart of produce for his ridiculous scheme.

Style is so clearly someone they all know well and have great affection for, and a very plausible explanation for this is that they all watched him grow up and the entire market (town/village) is fond of him.

And honestly?? Yeah, we see the way Style is actually quite sweet in that careless, guileless, thoughtless way. He goes the extra mile to fix his mistake with Fadel by replacing his car parts for free in episode 1. He helps out by taking orders in episode 2 without being asked and takes it seriously. In episode 3, he tries to drive more business to Fadel's store (bless him, he so clearly does NOT understand how restaurants work, but he MEANS well!!), and can we all acknowledge that it works?? He understands how to appeal to potential customers in the area because he knows the people there. It's not (entirely) his fault that Fadel wasn't remotely prepared for an actual rush crowd and Bison was off getting kinky with Kant and not doing his (fake) job. He is so clear about not judging Fadel's host job and tries his hardest to help him (to absolutely NO effect, but still) when the 3 guys gang up on Fadel.

Style is so loved and more importantly so very loveable.

Point 3: What this could mean for Style's character

So, potentially, Style is someone who grew up in a small town, who has been well loved, potentially spoiled and coddled, but also very much kept within the confines of the narrow viewpoint that a quiet, country town places on you.

It's in the way his dad scolds him as if he was still a child when he's at least in his mid to late 20s. It's in the way Style was so mad at Fadel for scolding him ("thanks for the lecture, dad"), like that hit a sore point for Style. It's in the way no one in the market takes him seriously; they're fond, but he's still a kid in their eyes. It's in the way he has an abundance of free time like he doesn't REALLY need to work at his dad's shop. It's in the way he sees Fadel beat 3 guys up with ease, starts wondering if Fadel is an assassin or a hitman, and is completely unfazed like he doesn't quite have a handle on reality.

It's in the way his best friend is a man who has no qualms about lying to him and putting his life in danger, and how Style seems to have no other friends or people (aside from his dad) in his life.

@wuxian-vs-wangji made a comment to me about Style being desperate for a meaningful connection, and I think she hit the nail on the head. Because along comes Fadel, a mysterious stranger with a suspiciously versatile set of skills who is also very hot and keeps giving Style these wonderfully complex reactions? Who sometimes wants nothing to do with Style, but at other times seems to be at war within himself about desperately wanting him? Who treats Style with anything but apathy?

This is catnip to Style; he never had any hope of resisting this.

Breaking news: Style is a complex and imperfect character...

Here's the thing, though: he was never going to try. The show has been incredibly upfront about who Style is as a person. Regardless of whether I'm correct about why he is this way (ie. that he is very much the product of the environment that didn't know how to handle a kid with Style's personality), episode 3 shouldn't have surprised anyone about Style. He's been incredibly consistent and true to himself.

He wants Fadel and he's "crazy" enough to go all in, no holds barred about it, and the Support Group was the biggest doorway to finally discovering something REAL about Fadel.

And its not just about sex or to prove his superiority anymore. Because if it was just that, then Style would have reacted very differently to their first time.

In this scene, Style is pleased and evidently enjoying himself, but he isn't exuberant. He isn't overcome with joy. If anything, he was more happy and excited when Fadel let him help out in the diner (I mentioned this in the tags in this post too) than he was when Fadel is literally fucking him. He lets Fadel set the pace; barely moves to touch Fadel except to hold him close. Almost like he doesn't want to accidentally mess this up, like he's worried he'll take too much, so he'll take what Fadel gives him and no more (please appreciate @braceletofteeth's amazing tags on this post). For a character that has been so aggressively on the offensive, this is shocking until you realise that sleeping with Fadel - while it's a step in the right direction - isn't Style's end goal anymore.

And he makes that abundantly clear in this episode:

Does Style even fully realise the weight of this desire? I doubt it. But I do believe that Style is in earnest. He doesn't fully understand his own feelings, but he also doesn't really care to either. All he knows is that he wants Fadel, wants his attention and his passion and his focus and his heart.

...but Style is also kind of, sort of, perfect.

Because he's exactly, precisely, breathtakingly exactly what Fadel needs.

Because Fadel is hurt and broken and bleeding inside. Because Fadel is barely holding it all together for Bison's sake, but has already given up hope for any true happiness for himself. Because Fadel can't trust anyone or anything in his life, when he's been used and used and used by the family who should've loved and cared and protected him.

Because it's going to take nothing short of this kind of unwavering, unshakable, uncomplicated determination to give Fadel even a chance of healing and opening his heart to love again.

[arsenicflame]

It's a time-honoured tradition- every time Sam comes across Izzy (and Ed) in their travels, he asks Izzy to marry him. And every time, Izzy turns him down.

At this point, Sam is asking more for the sake of it than any belief Izzy will ever say yes, a remnant of childhood dedication touched with 30 years of heartbreak and regret- though even now, a small part of him still holds out hope. Sam's promises have only got more extravagant over the years, from a job as his first mate, to a captaincy, a fleet at his command, a whole fucking island if that's what Izzy wants- but he knows it isn't though, not really. If Izzy was ever going to agree to marry him, to leave his life and go with Sam, it wouldn't be for anything Sam could offer him. Izzy never did care for flashy shows of wealth, for a ship or to be captain. The only thing that ever mattered to him was loyalty given, and loyalty shown in return. 

It all comes to a head after Stede left and came back, after Izzy lost a toe, lost his leg. Sam hasn't seen him since before things with Ed started to really slide off the rails, before stress permanently set into the lines of Izzy’s face. So, when he sees a dishevelled man with a hoof for a leg in a no-name port, he doesn't even consider the idea that he might know him. It's only when he turns towards him, and Sam catches a glance at those oh too familiar tattoos, he realises this is Izzy, his Izzy, that stands before him.

Knowing Izzy's discomfort with pity, he doesn't treat him any differently than he would in years gone by, positioning himself in Izzy's line of sight before approaching and sweeping him up into a bone crushing hug. 

“Israel-goddamn-Hands!” he exclaims, as Izzy grumbles back a begrudging “Samuel-fucking-Bellamy”, a tradition almost as old as their friendship itself. Izzy might not hug him back, but he can’t keep the corner of his mouth from twitching, just for a second.

(If Sam holds Izzy a little tighter and a little longer than usual, well. That's his business)

By the time Sam lets go, most of the crew has appeared in the town square, drawn in by the commotion. They may have given Izzy his leg and welcomed him as one of them, but still there’s an underlying tension, with nobody quite ready to set aside everything that happened before the Kraken. Seeing him cosying up to an unknown man sets everyone on edge, unsure whether to come to their first mate’s aid, or to assume that they've been betrayed once again.

When Ed sees that the yelling was Sam, his hand goes tense where it's held in Stede's. He knows the routine, has seen it more times than he can count, but as he watches them part he realises that this is the first time in a long time he's unsure of what Izzy's response will be.

Knowing that something’s different, knowing that Izzy's feeling vulnerable already, Sam doesn't go for the same flashy proposal he’s been giving for years. He doesn't promise Izzy the world, he doesn't cause a scene (or, any more of a scene than he already has, anyway). He looks at the fractured man in front of him, takes his face in his hands, and says the exact same thing to him he said when they were little more than boys. “Israel, I have to ask you. I know what you'll say, but I have to try. Come with me. Marry me and sail away with me. I'll keep you safe”

And Izzy… hesitates. He glances over at Ed, at Stede, and says to Sam “...We’re staying in port for a week. Ask me again then”

That's the moment Sam knows there is something deeply, horribly, wrong. He's not just looking at an Izzy who got seriously injured in a fight and is struggling to cope, this is something so much bigger than that- and that Ed has something to do with it. Izzy wouldn't even be considering leaving if he didn't. Whether it was negligence or something more sinister, Sam doesn't yet know, but he intends to find out.

[lixel-5]

my dealer: got some straight gas 🔥😛 this strain is called "fatal familial insomnia" 😳 you'll be zonked out of your gourd 💯

me: yeah whatever. i don't feel shit

5 minutes later: dude i swear i saw some gnomes back there

my buddy pacing the gas station: the dark god is coming