#all these analysis and “oh look but here and here and this also” shows me you just hate trans people and try to untransify him so hard

[emilija04acer]

Jayvik fics list (pt 1)

(+ some Jayvikmel)

They are soulmates, Your Honor, whether platonic or romantic is irrelevant.

Firstly, here is an essay by isdisorigionale. Yes, they apparently wanted to write about a brotherly relationship. But it doesn't really read like that, in my opinion.

An Aroace Analysis of Jayvik—Not Necessarily Romance, Absolutely Not “Bros”

Their summary>

An essay I wrote in 90 minutes 2 hours after finishing Season 2 Act 3. Notably, those two hours were spent screaming to my friends on how fucking generational that Jayvik was.

Or: They obviously didn't need to make them make out to show how much they love each other, but I’m also pissed at how apparently this is being called a bromance like ?????

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Now onto the fanfics >

Green is my thoughts on the fics.

Those are shorter fics that I read...After the finale, fanfiction is helping me cope. I'll make a separate list with older and longer fics.

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You're Dreaming by Skullsz_Writes

Viktor & Jayce are researching in the library, but Jayce falls asleep...

Short and sweet fic about Viktor crushing on Jayce in season 1

An Epilogue by GwenEani

In the countryside of Demacia two men arrive one day, no one knows anything about them, no one even knows their names for certain. But they know one thing: they are partners and are here to stay.

What if Jayce and Viktor didn't die in each other's arms but were teleported away and were living domestic lives? There are a lot of these here, and rightfully so. They deserve some happiness.

to rot and ruin by ember360

The first words Viktor says to Jayce are immortalised on Jayce's wrist. The first words Jayce says to Viktor... are not what he thinks.

Soulmate AU for these two was a need. I love Soul Mark fanfictions.

Fortune Kooky by setbet

“And you end up with… a beard!” she exclaimed pointing at Jayce’s face.

Viktor rolled his eyes while Jayce looked on, amazed at her prophecy.

“And then…” she turned her gaze to Viktor. “You turn into a robot!” cried out the fortune teller, falling back in fear. “A terrifying robot bent on taking over the world!”

“Eh, sounds fake,” said Viktor.

“Viktor, don't be rude!” said Jayce, but starting to feel a bit doubtful at this point.

A fic about two academy boys visiting a completely accurate fortune teller.

Universal Constants. by Azurita25

“Yes, well… there is also the idea of constants, no? Universal constants. Gravity is always present, the Earth always spins around the sun–”

“And we always end up doing laundry together?”

“I do not think the laundry is the part that’s important,” Viktor stressed.

“So what is?” Jayce replied, making Viktor laugh, shake his head.

“You are.”

--Or, a glimpse into all the universes where Jayce and Viktor find each other.

wrong bedroom by a1sher

“Wait a minute, this isn’t my bedroom.” Viktor and Jayce tries to break into Heimerdinger’s lab only to end up in Viktor’s bedroom;)

What if Mel accepted Vik's excuse?

…And They Were Roommates! by draconabraxas

Mel Medarda never thought she’d go on a date with a taken man; homewrecking was beneath a woman of her standing.

In her defense, nobody in their circle seemed to know if Jayce and Viktor were together, either. So, how was she supposed to know?

Miscomunication and more miscomunication! Mel isn't a sidepeace!

Why Love Songs Exist by Slither

"All these timelines at our fingertips." Viktor pauses. He smirks in such a way that Jayce knows he has a silly idea. "It would be funny if I were a worm in an alternate universe," he says.

"I think you would be a cute worm," says Jayce—his Jayce—without hesitation, and then he shrugs. "I would put you in the best garden I could find and feed you the freshest fruits," he adds casually.

Giopara is silently mouthing the phrase "what the fuck" behind them, as Viktor's mouth falls open. "Oh."

Oh, he says, as if that did not remind him of everything Jayce revealed before they sacrificed their souls to contain the Arcane. Oh, that he was beautiful. Oh, that he was...

Desired?

Or Jayce basically confessed his love, but the specifics remained unclear to Viktor.

Kiss me like one of your Zaun Boys by setbet

“They’re making out in the lab.”

“Yeah, they do that a lot.”

“But they’re not boyfriends?”

“We don’t talk about it.”

The first time Viktor kissed Jayce, it was a quick peck on the cheek, followed by a casual conversation. The next time it's on the lips, but then it's back to talk about formulas. Jayce concludes it must be a cultural thing, and also starts to kiss Viktor back. Everybody else is confused.

A story of two friends kissing each other, who are definitely not boyfriends.

only you by babybirb

Jayce and Viktor don't quite cease to exist. Instead, they are side by side in each breath, in each droplet of blood, in each wave of sound and light. What seems to be the end, is only the beginning for them. And together, they pave their way forth.

An ethereal alternate after-ending to Jayce and Viktor and the love they hold for each other. With it, they exist within all possibilities.

not to me, not if it's you by brewstersbru

They were supposed to die, then, a better ending than Viktor expected. Far sweeter than he deserved. Jayce’s hand warm and broad against his neck, foreheads tipped together, breaths fanning over skin. It was neat. It was nice.

And then he woke up, splayed in a field, draped in the tatters of Jayce’s blanket. A groan rose from his left, then some pitiful shuffling before a final, loud thump, accompanied by a slight warble.

perfect imperfections by bbgghost

In his dying moments, Jayce revisits some important moments he has shared with Viktor. And makes some new memories along the way.

i knew you in another life (you had that same look in your eyes) by coefemi

Jayce shakes his head. “You don’t need to thank me. I’d do it for you. I’d do anything.” He sounds so earnest too, and Viktor believes him. He is safe with this boy, he decides. Jayce’s smile makes him feel like he can eat the world raw, and Viktor wants to hold onto it forever.

 When Viktor and Jayce's foreheads touch, all the infinite what-could-have-beens spill through their minds.

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2x7 AU\No Hextech AU

I'd love to see more of this AU and will also write fanfiction about it.

Quiet Resonance by Qakk281

Jayce rarely wakes up before Viktor, but on the rare mornings he does, he savors every second.

After the events of Act 3, Jayce and Viktor found themselves in a different timeline, where Hextech doesn't exist.

what could've been, would've been (what should've been you) by ghostlyecho

They got married in this universe.

Jayce grabs Viktor’s left hand, examining it. He looks at his own.

Twin rings adorn their fingers, Viktor’s golden, Jayce’s silver, both holding a fragment of blue crystal in the middle.

They’re married. They vowed their life to the other, they promised themselves to one another, they actually acted upon the deep-rooted emotions that coursed through the garden that was their relationship, that stubborn weed called love, that always came back no matter how many times you plucked it.

What if it was Jayce who got to see his life in an alternate universe

What Could Have Been by TheUnknownGoose

When Jayce woke up he nearly leaped out of bed when he realized bed? Why am I in bed? His heart was pounding against his rib cage as he looked around. He was in a bedroom, not his though.

Or Jayce sees what could have been if one thing had gone differently.

In Every Universe, It's You by AniresNevil

In an Alternate Universe, a young scientist Jayce loses his hopes and dreams when an explosion in his studyroom takes a life of an young girl. Dean's assistant Viktor still seems to find him in every lifetime, and together they accomplish something once again with the power of their partnership. And maybe with something more.

What happened to Jayce and Viktor in the Universe where Ekko traveled to in season 2?

Both arms cradle you now by Alexthestarlover

They're meant to be. In every timeline of any universe, throughout all the endless possibilities of actions and worlds. Their souls are intertwined. But is it possible that they're together in death too? 

there was something about you, but now i cant remember by DipitinPuddinggg

He held out a hand for a shake, "I'm Jayce."

At the edges of his mind, a familiar voice echoed through the walls of his skull. A voice that was the same but also not. A face that was so familiar, but too smooth at this point in time, not yet marred by years of labour and hardship that not even the strongest person in Runeterra could survive on his own.

"I don't even know your name."

Viktor smiled and shook it, "Viktor."

After getting sucked into the rune, Jayce and Viktor get transported to a different timeline without the memories of their previous life. Except, some things start seeping in.

you'll never shine if you don't glow by hexcorehomos

Viktor woke up, his fact was hot, sweat dripping down it. Where was he?

He looked around, it looked like Piltover. He slowly tried to get up, still confused. He should be dead, he exploded with the Arcane. That's when he figured out that his leg was back to normal. He groaned, falling face down into the grass. He wondered if Jayce was here too, oh, Jayce. What would Viktor do without him?

He saw a few people pass, but he got the courage to speak up when he saw familiar blue hair, almost like Jinx's. "Uh, miss.." he got her attention, turning towards him.

"Hello, sir?" she responded. She had gorgeous blue eyes. "I need- I need help. My cane is gone, and I cant walk without it." he lied, desperate for help.

♥––––––––♥♥––––––––♥

The Poly relationship>

Radical Violence Theory by begaydocrimes10001

When Mel Medarda realizes that she's completely ignored Viktor's potential as a scientist, as an academic, she quickly seeks to remedy that. He may not be Jayce Talis, but he has his own brain, and he seems to be far more useful than most think. She's a practical woman, after all- it would be useful to have another genius on her side.

And when she realizes Viktor is also in love with Jayce Talis, and Jayce loves them both? She's still practical, after all-- she sees an opportunity.

(Or, Mel and Viktor are more similar than one might think. That applies to who they love, but it applies to how they love too.)

Mel and Vik are platonic in this one, and I love it. Sadly, the positive interaction between them in Cannon is non-existent.

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Explicit> (some are 2x8 specific)

Wild Like a March hare by crow_brain

Wild are the glimpses of their life, hot coals burning the soles of their feet. They dance like animals, trying to close the gap between.

(Or the body worship Viktor's always should've gotten)

Cosmic Coitus by Wink_Wonk_Wank_Wenk

Now that there’s nothing but space around them, they can do whatever they want.

Inevitable Change by magisterpavus

Viktor isn’t the same when he comes back.

Jayce is determined to make it work anyway.

convince you by spectacularorange

after being rejected once, viktor must find a way to convince jayce to join him.

2x8

Partners. by lw192

Taking place during the fight scene in the councilor's room, Jayce and Viktor reconcile and realize just how much they need each other.

(Jayce and Viktor fuck on the councilor's table.)

Can I hold you? (Even if its just pretend?) by Issavandra

“My partner died in this room,” he ground out.

“Do I seem dead to you Jayce?” Viktor asked. Jayce could feel him moving closer, he swore he felt something brush his nose. “I have never been more alive.”

A cool, metallic finger passed over his bottom lip in a featherlight touch. It felt almost reverent. “Do you want me to show you just how alive I am?”

[sunllghtt]

Hi are you up for a messy scene analysis thing

Ofc it's this scene who do you think I am

I've been wanting to do this for God knows how long but I never had the balls and neither the words to (still don't) but I wanna try to properly talk about this scene. My primal instinct is to sit here and tell you how much this 30 second scene changed the trajectory of these characters in the next movies, how it made their friendship grow and develop and how much of a storytelling lesson it is (oh the so so deep understanding you need to have of your characters to have them say things so vaguely and still express exactly what they mean). I could also go down the emotional and subjective road and ramble about how much it means to me and how I resonate with it, but I've done that at least 837382 times and I think everyone knows it by now 😭 so!!! Let's get to the real thing

(I'm trying to keep it as analytical and straightforward as possible but please note that this is my favorite scene that's ever existed so neutrality is not really a possibility)

Rocket is a brat. He's restless, he's loud, he's always puffing up his chest and yelling at someone and picking fights with the wind cuz it was blowing in a way he didn't like and he's just an overall bastard. In this scene, though, we see him inside out. His head is low, his shoulders are slumped, he has his tail between his knees and he looks tired. He speaks quietly (curiously like he doesn't want anybody else to hear him), he's not deliberately insulting anyone and he's just..... defeated??

Up until that point I don't think we ever got to see Rocket like that. From what the movies have shown us he'd never had to. But in the past few days that led to this, Rocket had stolen batteries for no apparent reason (which we'll later learn why����), ruined their ship, got literally kidnapped by Ravagers, blew up a creepy planet-guy-thing and oh my god attended his friend's dad's funeral. At least half of these things were directly or indirectly his fault and he knows it.

I don't think he ever doubted it was (we see it earlier in the movie when the Guardians leave to "The Chain" by Fleetwood Mac and Rocket scowls and winces like he either stepped in a pile of shit or got hit in the face by regret), but he still argued with Peter even knowing he was in the wrong just to keep up apparences or hold on to a little thread of pride when he was already feeling ashamed for being caught red-handed stealing shit he didn't need AND destroying their ship etc etc, and he just kinda fucked up big time. And I think that's (besides the general exhaustion of parenting a tree and fighting a planet and Yondu's death) is what got him so devastated in that scene.

Ofc Yondu played an extremely important role in that. He was the one to open Rocket's eyes, to give him some sort of reality check and show him the only thing isolation is ever gonna bring him is regret and bitterness (or, in other words, Yondu). Rocket is most of all hopeless and tired and just sad like that because he knows he hurt his friends. He knows he's chasing them away, that he yells at them, that he's always mean and that he steals batteries he doesn't need. He knows he's not awesome to put up with and seeing what happened to Yondu and his former friends probably made him terrified it'd happen to him and the Guardians too. He's stuck in this cycle of pushing them away with everything he can (and we could get into all his trauma regarding betrayal and death and literally endless other things but it's all very clear at this point) and he knows patience doesn't last forever. He's just scared, he feels bad and he's tired.

Now on the other hand we have Quill. He's also destroyed, he lost two fathers (3 if you count what Ego could've been, what he wanted him to be), basically relived his mother's death and had to watch literally every single one of them die. He's also scared and tired, yes, but all he has left is this unstable family of weird idiots who are learning how to show care and he's... pretty much fine with it. He wants it.

And when what Rocket's saying clicks, when he realizes who he's talking about, Quill, who's usually all smirks and teasing and bickering and name-calling, looks at his best friend like this,

because

(From vol 2 script!! Won't even try to comment on that last part before Quill's last line but I also really like that Peter just "shakes his head" over and over like he's just barely listening until he realizes what Rocket really means cuz it also shows a lot about his character. He's naturally a little slow and downright stupid when it comes to this kind of hidden emotional thing and he's also exhausted and depressed from everything that happened and STILL he stops and just. Sees Rocket, and sees Yondu.)

He's not doing well. He's probably sore and hurt and sad and miserable and yet he takes his sweet time to look down at Rocket, let go of his resentment from before and see right through him. In order to understand this scene it's important to remember he most likely doesn't know what Yondu told Rocket at all, he doesn't know anything they said to each other and how Yondu showed him they're mirrors. He doesn't know any of that. He just knows his best friend and his father and how much they resemble each other. He puts up with Rocket's bullshit because he knows how to deal with Yondu.

He could've just ignored him or pretended he didn't know what he was talking about. He could've made Rocket swallow his pride and "teach him a lesson" by making him say what he means without hiding behind metaphors and vague self-deprecation, because Rocket was probably vulnerable and defeated enough to be honest in that moment. And yet, he just looks at his friend, who's usually a loud and mean and restless brat, and is now staring at the floor with his ears droopy and his tail between his knees, and just says, as a form of reassurance and tenderness that's just as subtle and shy as Rocket's insecurities, "Well, of course not."

(The kind and soft and sweet DETERMINATION on his face tho like no!!! No we're not ditching you even though you suck I'm!!! Serious!!!!)

[llilychen]

it’s really sad that i always looked forward to rhaenyra and/or alicent scenes last season but i now feel the urge to fast forward every time one of them comes on screen

- every alicent scene is her looking sad or crying or her with cole but nothing she does adds anything of value to the plot

- we get the same black council scene in which the men are undermining rhaenyra twice per episode and still nothing is done (i do believe she will make some progress in the next episodes but it’s just so boring to watch her have the same scene over and over again)

cersei and dany i miss you both so much

[steelycunt]

ridi im sorry i need to rant and i think youll get it 😭 like not to be a bitch but this fandom kinda going off the rails and annoying the shit out of me https://www.tiktok.com/t/ZTRbYASpf/ everybody in the comments unironically loving it,,, i mean wtvr ship who you want but its kinda getting delusional like ppl are just operating on thin air and pretty fancasts atp and i do Not understand or emotionally connect with any of it. at least w wolfstar theres so much material and foundation to explore but what is all the rest of this?? just hot celebrity fancasts and crack. to be fair part of me respects taking a terfs canon material and making everybody gay but the way it seems to be so oversaturating fics and the fandom that characters dont even feel like their original selves .. atp its all just surface level OCs

hello! yes! i'll be honest talking about things like this always make me a little nervous, and i feel obligated to preface anything i say with a disclaimer that none of it really matters, nothing i say matters, and you should do what you like, because--who cares. i am not an authority on--anything, frankly. my opinion holds no more weight than the next guy's, and all i'm doing here is giving it, so. essentially what im saying is--people are perfectly entitled to disagree with me, but people are not entitled to be mean to me about it xx

having said that. it is my personal opinion that s x barty is one of the worst fucking things i have ever heard lol. who even is barty who is that guy. why would s be interested in him at all. i do not understand it it does not make sense to me. from where are we sourcing the character traits and personality that we are giving barty that would ever endear sirius to him, because it objectively cannot be canon.

overall i do not get the new interest in barty + evan + pandora (+ regulus, but we won't go there)...at all, other than guessing that people were bored with the marauders and wanted a new version of them (and new celebrities to fancast) while simultaneously changing next to nothing about them other than superimposing them onto the first slytherin side characters they could rustle up. i expect ive become a bit of a broken record in regards to my dislike of the popular meow-meow-ification + complete absolution of regulus as a character in order to make him a loveable oc (just as i think erasing all the negative traits that r/s have in order to make them more likeable is just as boring), and all of that applies to those other guys as well (with the slight difference that they are, somehow, even less interesting and significant than regulus in canon), so i won't get into that too much. but i think what you say about having no emotional connection to any of it is exactly right lol--it is a sort of shift? i guess? in the fandom that is simply of no interest to me. they are characters that i just have no emotional investment in and admittedly struggle a little to understand why other people do. i am emotionally invested in, like, five characters overall (and even out of those--there's only two i'm really here for innit xx) and i personally cannot extend that investment to a creepy little side character who is mentioned maybe twice in the entire series.

and that is okay! i do not need to understand it. i don't want to say it annoys me because honestly--i don't go there, its nothing to do with me. if i dont like it i just wont interact with it, and the fact that it doesn't interest me has no bearing on what other people are into or want to do, and i couldn't give less of a shit what people do with the canon material, which is largely garbage anyway. take the bits you want from it, play around with those and ignore the rest. in that respect we are all doing exactly the same thing. but yeah i think s x barty is genuinely awful lol. hate it. very terrible. he's already got a loser werewolf boyfriend and he loves him so so much. leave him alone.

[hellaephemeral]

yamato is a man btw

[thestarrynightslover]

The Trials of Dating in Secrecy

Pairing: Harvey Specter x Reader

Word count: 2,374

Warnings: Discussion, yelling, some angst, workplace romance, nudity, and verbal sexual harassment (all very light).

Summary: Okay, so this one features a bit of work issues (workplace romance), and a bit of jealous!Harvey + Harvey taking care of his girl, as requested by Anon.

Disclaimer: I don’t own the show Suits, or its characters, also not associated with it in any way, or know anyone involved with it.

A/N: Well this is the first request I took and I’ll admit that it was a bit challenging, not cause it was particularly hard but because I wasn’t super inspired at first, nor did I have the time. Though, now, I think it worked? Idk, don’t feel like this was my best work either but feel free to leave some feedback, and thanks for reading!

(y/n) = (your name) (y/l/n) = (your last name) (y/n/n) = (your nickname)

| masterlist |

“Seriously, Harvey!” You let out annoyed. “I think I should probably go home now,” you said, thinking that if you did go home you could keep yourself from saying something you might regret later. 

“Oh, really? So now you're mad at me because I’m simply asking a bit more of this relationship?” He asked, looking ready to have a full-on fight.

“No, Harvey! What I’m actually upset about is how you’re making today all about yourself and your needs, when I’m the one going through it all!” You really didn’t wanna shout but the little bit of patience you had left vanished when his questions reminded you of the little stunt he’d pulled today.

Earlier that day, at the firm, you had been giving a consult to a prospective client on an intellectual property lawsuit he may be looking at and the guy seemed a bit disinterested in his own situation, giving you — and by you, you mean your body — most of his attention. But that was fineish, it was a regular occurrence, being a young woman in that field, so you didn’t really mind it anymore, at this point — after all, ignoring the occasional sexual harassment was usually the easiest route to advancing in your career. The problem was that the man started interrupting your professional analysis to hit on you, and eventually, he reached for your forearm, caressing it as he spoke. And that was exactly when Harvey, the man you’d secretly been dating for about 7 months now, decided to walk into your office. As he entered your office, you yanked your arm out of the man’s grasp but you couldn’t shut him up just as quickly, so your boyfriend got there just in time to hear a “So, if you really like yourself a sturdy stallion,” he pointed at a framed picture of you riding a horse on the wall behind you, “you should ride mine, someday. If you know what I mean,” he finalized with a wink, and how on Earth could you — or anyone hearing that — not know what he meant when he had said it so suggestively? 

“What did you just say to her?” Harvey’s voice came sharply, indicating he was about to get into a fistfight with the man who was probably not going to be your client now.

“Oh, we’re just chatting about- uh, who are you, again?” The shorter guy had the nerve to ask.

After that, Harvey was so quick to hoist the man up from the chair in front of you, by the collar of his dress shirt, that you didn’t even have time to react before he started punching the guy right in the face.

“I’m her boyfriend, that’s who I am! And you will be out of here before I take you out myself.” The man didn’t fall backward solely because Harvey had a hold on him, still, so he just stared at the other attorney in shock. “What are you looking at? Get out!” Harvey shouted once again, tossing the man towards your office door.

After that, you tried calming Harvey down but you barely had any time for it before Jessica and Louis barged into your office, revolted by their partner’s behavior and asking what had gotten into him to attack a prospective client like that.

“The prick was propositioning my-” But you cut him off before he could complete his sentence.

“He was harassing me during the meeting, and Harvey walked in and heard it, and, as a good colleague, he wanted to defend my honor, I guess,” you said with a short, humorless laugh while making air quotes with your fingers.

“A good colleague?” The tall senior partner asked quietly, hurt pooling in his eyes.

“Well… That’s terrible but you know better than to do this, Harvey,” Jessica told him.

“You know, I’d never thought I’d see the day you would act like such a caring gentleman for anyone, Specter,” Louis added, as always, eager to make things worse. “And, (y/n), at the very least you need to reach out to that man and take him out to an apology dinner. Because you are well aware of how important it is for you to get more clients.”

“Yes, I-” You stopped what you were saying mid-sentence because the man you loved was storming out of your office and all you wanted to do was chase after him.

“And now you’re gonna let him get off with that shit he pulled this easy?” Louis shouted, obviously trying to be heard by Harvey too. “I mean, this firm is turning into a complete mess, Jessica! It’s like you can’t control your office anymore! A junior partner who barely has her own clients and a senior partner battering prospective clients? We’re gonna go bankrupt like this, if not sued for malpractice altogether! And-”

“Louis, will you shut up, for God’s sake? I’m the managing partner and I’ll deal with both of them. Now go and let me talk to (y/n) alone!” Your boss responded, making you apprehensive about the conversation you were about to have with her.

As he left the room, Jessica motioned for you to sit on the couch with her. “(y/n), first of all, are you okay? Because if that man did something to you, then…”

“No, no! The harassment was just verbal,” not that that made it any better, you thought to yourself. “Harvey intervened before it could get to that.”

“Right. Well, that’s a relief.” She paused for an instant, giving one of those smiles she used when she was going to convince you of something unpleasant. “Now, as much as it pains me to admit it, Louis is right. You need more clients. I didn’t think it’d be good to tell you this after our conversation but the board has been pressuring me about making personnel cuts. Directed mostly to the partners who aren’t producing much. And you know that I like your work, and see your value to the company but those old men in suits only care about numbers, so if you don’t manage to bring in a new client by the end of the week… I am going to push for you to go after that man’s account again. Using whatever means necessary.” She declared, still sporting that smile. “Are we clear?”

At that, a defeated “Yes, Jessica” was all you could mutter. And then she left. And all you could think about was how you’d somehow managed to screw up both your professional and personal life, all at once.

Leaving work that day, after setting up four meetings with potential clients for the following days, all you could think about was making up with Harvey, so you went to his place to talk. And that’s how you got to the argument you were having now. He was upset about the whole ‘good colleague’ thing and you were upset because you could have handled the situation without burning that bridge with the guy, which was multiplied by ten when you remembered that you were on deadline to get more clients — something you hadn’t told Harvey.

“Making it all about-” He’d started saying angrily but stopped himself and his voice instantly took on a soft, caring tone, “wait, what do you mean you’re going through it all?”

Now you realized what you’d said.

“Uh, I meant nothing. I was just being dramatic, is all,” you stated unconvincingly.

“No, that doesn’t make any sense. If anyone is dramatic in this relationship, it’s me and we both know it,” he said, making you crack a small smile, thinking of how right he was. “So tell me, honey, what’s going on?”

“I, um, I’m being encouraged, or, better said, ordered to expand my client list.” There, you’d said it.

“What? Why?”

“You know why, Harvey. You just can’t be a partner at the firm if you don’t bring enough money in.” You told him, defeated.

“But… but you’re so good! You bring such good attention to the company’s name, your clients might actually be more satisfied with your work than mine, and they are very satisfied with my work,” he said matter-of-factly with a grin on his face.

“Yeah, maybe. But you might not know this because you've always been a man and Jessica’s protégé but for the rest of us, women trying to be successful at Pearson, the bar is just much higher, babe. And they're threatening to take away my partnership, maybe even my job altogether, if I don't get it done,” you finally finished your confession with teary eyes, even though you didn’t want to cry about it.

“That’s… that’s just unacceptable!” He let out, running his hands through his hair, “Did- does Jessica know about that? Because I can-” He tried to go on with his speech but you cut him off.

“She knows, Harvey. She says she likes my work but her hands are tied.” You let him know, sighing a little.

“But… that’s not… that doesn’t make any sense! It’s just not like Jessica to give in like that…” Harvey commented, starting to look defeated as well.

“Maybe when it’s about someone like you. But with me? She might not even be trying all that hard.” To which he responded with a mischievous glint in his eyes, perking up.

“Then, I’ll talk to her! I’ll tell her that, if she doesn’t secure your place in the company, I’m going to start listening to those offers I get all the time!” He said smiling widely this time.

“Harvey! You can’t do that!”

“Why not?”

“Because it’d be incredibly stupid, and unprofessional, and-” You didn’t wanna finish your sentence but you had to. “And, that way, she’ll know.”

“Know?”

“About us. That we’re dating,” you finished sighing again.

“She’ll kn-” he stopped mid-sentence, full of disbelief. “And what’s so wrong with that?”

“Harvey…”

“No, don’t ‘Harvey’ me, (y/n)! If you don’t want me to help because it’d be unprofessional, then that’s okay. I can understand that. But what exactly are you trying to tell me, huh? That our relationship’s never gonna see the light of day? Or are you trying to break up with me?” That last question came out of him in such a low tone you could barely believe had come from him.

“No! Of course I don’t wanna break up-”

“Then tell me what do you want? Because I don’t understand why I can’t tell the world that I’m your boyfriend. I don’t get what’s so wrong about your boyfriend telling off a prick who can’t keep his hands to himself around another man’s woman-”

“Do you seriously think now is a good time to be possessive?”

“Oh, honey, I am possessive by nature. Especially around you,” he stated coming closer to where you were standing. And you could do nothing but welcome his warmth, after all, it’d been a long day.

As you stepped fully into his embrace and rested your head on his chest, you told him “I love you, Harvey. I don’t wanna break up with you. And I want you to tell the world that I’m your girlfriend, even Jessica,” hearing that, his eyes lit up. “But, as much of a prick as that man was, you need to understand that I can handle myself and that you need to give me space to make my own way at work, just like you made yours.”

“You’re right.”

“I know,” you joked, trying to shrug your shoulders at him.

“And I won’t try to interfere at work anymore. But don’t think that I’m just gonna stand around doing nothing if I see someone trying to mess with my girl again.”

“Well, that-”

“I’m not done yet,” he said, silencing you in an instant, “you should also know that, when you’re home with me, you’re mine to take care of.”

“Yeah? And how exactly do you plan on doing that?” You asked him with a smug smile.

His only response was swiftly picking you up and taking you to his suite’s bathroom, where he gently sat you down on the edge of the tub, just to start running the hot water into the bath he’d already filled with delicious-smelling bathing salts. “Wait here, baby.”

A bit later he came back carrying some candles he started lighting with one of the matches from a box he had in his other hand.

“What are you doing, Harv?”

“Just come over here,” he said after having spread the candles all throughout his spacious bathroom. They were scented too, you noticed. The second you reached him, though, instead of holding you close, he started taking off your clothes, slow and gentle, piece by piece. Which he followed up with little kisses all over your now bare skin. After being satisfied with his work of making you forget everything, he picked you up again and, this time, carefully dipped you into the bathtub. “Now, you just lay back and relax, darling.”

“You’re not joining me?” You asked him hopefully.

“No, I’m taking care of your dinner,” right after he left, though, one of your favorite songs started playing softly on a speaker he’d set somewhere.

You probably dozed off in that tub, because before you knew it you were being held by your boyfriend in his bed, still completely naked. “Hey.”

“Good morning beautiful,” he greeted you with a grin, “you know, you were taking so long to wake up, that I was starting to think that the breakfast I made you was gonna get cold.”

“Wait a second, last night you were making me dinner and this morning you made me breakfast… two for two! What’s happening to you?” You asked, giggling like a child.

“Nothing, nothing! It’s just… I told you, at home, I take care of you, that’s all.” He told you while he guided you out of the bed, handing you one of his shirts altogether. 

“You know, you keep saying ‘at home’ but this isn’t really our home…” As you put on his dress shirt, you followed him towards his living room. 

“It could be…” And that’s when you saw a set of keys at the dinner table by the cutlery.

[tunemyart]

So I've just watched the finale and I'm feeling... Weird. I think part of it is because this show started with everything I like in a story (cool badass ladies, a queer romance, found family, redemption, etc etc) and ended up being... Not all that (most characters die, the romance is doomed, and I guess the redemption mostly happened but wasn't entirely satisfactory to me). Also, I'm someone who as Trauma (tm) with death so, I guess my brain's first reaction is "fuck that I just want them all happy and safe" and it takes me a while to accept when stories take these paths, however well written they might be.

Still, I thought it all went a bit fast in the last 2 eps, with parts of the show ringing just a little bit more hollow than I would have expected? I'm left feeling like the characters of Alice, Mrs Hart and Jen were treated a bit superficially (Lillia's story felt more complete). I also wished we had seen more of Agatha's past because spending centuries just conning witches then killing them is... a bit boring? (maybe we learn more about her in WandaVision, I haven't seen it). And obviously I wished we had seen more of Agatha and Rio. It's like the show couldn't decide if it was about Agatha or about Billy (partly because, I'm guessing it's setting up a 3rd show about him?), and with this short format we ended losing a bit on Agatha's part.

Anyway, curious of what you think of all that because your analysis are always super interesting, and like I said my own brain might be a bit biased towards resistance with this one. And obviously would love to read your fanfic(s) should you write any!

So, I've started and restarted a reply to this a few times, but I think what my answer boils down to is: we're meant to have multilayered responses to this finale. We're meant to sit with it. It's meant to change our experience of the show we've had to this point.

I think the best metaphor for this is the fact the revelation that Rio is Death. Bear with me, because I know this got spoiled for us way early on and we all knew it and were all just waiting for the revelation to drop - but imagine for a second that we didn't know that Rio, Agatha's ex-girlfriend and spooky fun vaguely-a-psychopath as played by the delightful Aubrey Plaza, is death. Your perception of Rio would have been turned on its head. Your perception of Agatha would have been turned on its head. Your perception of the Witches' Road and what we're even doing here with Death walking alongside us as a tourist would have been turned on its head.

Now, we all had an incredibly fun time even with the knowledge that Rio is death before we should have had it. But I think some of the power for what it meant for the story - and our perception of what was really happening - was muted.

Jen, at the beginning of 1.08, says, "She told us who she was from the very beginning."

Sit with that - because the same is true of this story.

---

It turns out that the Road is a metaphor for death. This isn't fully illustrated for us until Nicky, the author of the Ballad, walks down the road with Death's hand in his, and we go, oh. Oh.

Agatha tells us in the beginning that the Road doesn't exist, a rare instance of her giving anyone unbridled truth. And sure - the Road that our coven walked down doesn't exist. The Road that all the witches Agatha lured to the deaths believed in doesn't exist. It's a fiction. But it's significant that Agatha lured them all to the Road and killed them. They wanted to walk the Road. They died. Not "they died instead" - it's a two-fold statement. They wanted to walk the Road and they died. In a gruesome way, Agatha's been taking witches on the Witches' Road since the 1750s.

I don't think the significance of that is lost on Agatha, either, especially where we pick up at the beginning of 1.08. Lilia's dead, and everybody's reeling.

Perhaps Agatha more than anybody.

---

I also want to quickly take a look at Rio's accusation of Agatha regarding Billy.

"The bodies are really piling up." "Did you doubt me?" "Yeah, I did. I thought there'd be a trick in there somewhere. And there was! You were distracting me from him."

Because this is a revelation about Agatha's actions toward not just Rio, but any audience watching her - i.e., us the viewers. She's been distracting us! Not from who Billy is, we know that of course, but with regard to what the Road itself is. Agatha's known the Road isn't real the entire time. She's been protecting Billy from that knowledge. She's been protecting Billy from Rio. She's been protecting the coven itself from disintegrating. And, the biggest con woman move of them all, she's been distracting us - with less and less success as the show goes on - from the fact that she is not even the slightest bit in control.

---

So I definitely want to circle back to what you said about how the show started out with everything you like in a story, because oof, yeah, I felt that. I felt that hard in the finale. Coming off the impact of the incredible storytelling in 1.07, and the queer jokes and campy Wicked cosplay balancing out the sad, I think many of us spent the next week expecting some kind of emotional resolution that probably involved the remaining coven banding together in some more of that found family we've felt them becoming along the way.

Here's where things starts going wrong, right off the bat: they don't. Instead, they splinter. Not only are you aware of just how few of them are left (Jen, Billy, Agatha), but Jen and Agatha can't handle Lilia's death. Jen's distraught. The close up on Agatha running away out of the trial and back onto the Road, alone, shows her looking hunted and wild in her guilt. Everything that follows has its seeds in that moment of rending that began with Lilia's death.

From the beginning, the point has been that Agatha Harkness is a covenless witch. It's something we've seen her revel in - maybe simply because she has no choice but to own it. But the fact is that here, for the first time in centuries, she had a coven. She didn't intend to have one - she intended to kill them all in her basement and not think twice about them again. But events transpired the way they did. They became her coven. And one by one, they all died on the Road.

Rio, of course, has the words to cut right to the quick: "Your coven is shrinking," she teases Agatha cruelly. Agatha looks wild - because she's right. The worst thing is that she killed Alice - and she didn't mean to. She didn't want to. But she did, and in exactly the same way she'd intended to kill her at the beginning, the same way she's been killing witches for hundreds of years. "Your coven is shrinking," and it's Agatha's fault. It's Agatha's coven. It's Agatha's coven.

Hold on to that, too.

---

One of the things that I've been mulling over most is Agatha's character. She's so much fun in the beginning. We're all fucking charmed by her. We also don't have the full context of just how much of a serial killer she is.

So for me, at least, watching 1.08 and not only not getting found family, but getting an Agatha so far away from a "redemption" story that she only just barely is willing to not sacrifice Billy for herself, was kind of a rude awakening. Agatha's a lot more of a villain that I was prepared for. Surprise!

Agatha's so far away from "redemption", in fact, that she's only just barely starting to feel empathy for other witches. She's just starting to be affected by people who aren't #1. And that's a trauma response. And it's so, so, so deeply rooted in her that she's only just starting to be able to conceive of the idea of people who care for her. Of the possibility of being able to live in community. She's not ready for a redemption arc. There was no way that the kind of redemption arc she'd need could fit into nine episodes, because so much of it would for her be predicated on a mental shift that Agatha just hasn't arrived at yet. She's still so angry. She's still so traumatized. She's done almost none of the work. And even at the end, even with the final gesture of sacrificing herself for Billy, that's not a final act of redemption, oh Agatha's now a good person/forgiven/insert word frame of choice.

What this show did in terms of redemption for Agatha was set her up to be in a place where she might want it - where she might want to do and be better for Billy, and someday, for Nicky.

And it's significant that that point comes for Agatha in dying… and after death.

---

This show is about death. The Road is about death. Death is a character on the show.

Like, okay, you're saying. Fine. But what about my gay fun times? What about my queer romance, my found family?

And please know that I'm there with you.

I'm not hugely in touch with what the larger fandom is saying and how they're reacting because I have my little echo chamber here on tumblr and a few friends who have actual social media, but even here I get the sense that we're all kind of :/ for fairly similar reasons. What happened to the show I fell in love with?

And for me, the last few days, I think it's been important to realize that the fact that the show I fell in love with didn't suddenly become a different show. It didn't pull a bait and switch. No twists were in bad faith. Everything has been right here in the text of the show from the very beginning.

And I think it's important to see the story that Jac Schaeffer et al. were actually telling vs. our expectations of what they were telling, or worse, what we wanted them to tell. For just one example, I was convinced we were going to see Alice again - maybe Lorna Wu, too. I wasn't expecting it to be for the sole purpose of recognizing that not only is she dead, but to give Alice herself the space to say that it wasn't fair, that she wasn't ready, that she'd just broken her family's curse, that now she can really do something with her life! Because, ugh, yeah! It's not fair, for all those reasons! But that's also death. Likewise, Sharon's just dead, and worse, her death was pretty much meaningless. Lilia rediscovered herself again, and she chose her death to save everyone else - extremely meaningful. But at the end - she's just dead. We don't see her again. She's gone. She, like the others, walked the Road and away with Death.

I loved these covenless witches. I loved them finding themselves together. I loved them bonding around the campfire and discovering community. I miss them all, so so much. But they told us from the beginning how haunted by death all of them were: Alice and her mom, Lilia and her coven in Sicily, Billy and William Kaplan, Agatha and her son and her ex-lover. And of course, Death herself. Forget haunting these individuals - she came to actually join the temporary coven. Like, fuck. They told us what this show was about.

---

This show is about death, but it's more complicated than that: we'll take our cue from Rio again, who, in being Death, is also the original Green Witch. In short, this show is about Green Craft, "growth and decay in constant flow."

So yes - almost every single witch in the coven dies. Yes, it's permanent. No, the queer romance isn't resolved happily. No, Agatha doesn't have a redemption, satisfying or otherwise. And no, none of it follows what we've come to expect from found family story trajectories.

But the focus shouldn't be solely on the decay. There's a whole cycle of growth coming up after it, even now, and it's being made possible by the death and decay that we just witnessed. And most importantly, it's confirmed that this isn't the end of the story - just the end of "Agatha All Along."

---

I'll finish by actually answering your question - I've been sitting with the finale for a few days, because I also felt weird about it. And I think that's the right word: "Weird." Very spooky season-esque, first of all, but also not tipping all the way right into "bad".

The first thing to acknowledge is that no story is perfect - they were limited by nine episodes by what they had the space to show, and finales are really hard to get just right. The second is that you're allowed to not like any or all of it, especially when something happens that asks you to change your entire understanding of the story thus far, i.e. the Road isn't real, or when you have a particular trauma around death and it turns out that that's what the whole show is about in ways we hadn't fully realized. The third is that it's worth sitting with stories sometimes and seeing how they marinate and develop in your brain and your soul over time. All of these things can and should coexist.

This isn't my first go-round with a series finale that initially made me ???, so I was fortunate in that I felt like I had a cheat sheet. I've still got some marinating to do to see how this continues to change for me. But it's helped me to realize that my ??? reaction is what the story wanted me to have - that the characters are reeling right along with me. Not just Alice in shock about her death, but also Billy at the implications of his creation of the Road regarding his responsiblity for what happened on it. We're meant to feel this way… and then we're meant to reconsider the journey we've been on, the Road we've walked with all of them and the death we've died alongside them, and see it anew for what it really is.

[barblaz-arts]

Fellow Chaggie shipper, here and I wanted to ask you a question. Could you please do an analysis post on the Chaggie argument from Hello Rosie. I know this will sound weird but I can't get over the level of icy anger Charlie had towards Vaggie or how despite everything going on, Charlie is more hurt from Vaggie not being honest with her. Just angst all around.

Oh yeah sure I'd love to!

I'm not sure there's a lot I can say about that argument that isn't already super obvious, so I wanna talk about Charlie's anger because of something my brother said as we watched episode 7. He loved that episode apparently because "When they're separated, it's even more obvious that Charlie is the one who's more quick to lose her cool." Which, looking back, is actually true!(To an extent)

Vaggie and Charlie are both quite quick to anger. Charlie is just better at hiding it because she's a chronic people pleaser. Although Charlie wouldn't immediately show her anger at a person being a jerk to her specifically, she's immediately summoning fire and brimstone over anyone who hurts/insults her friends or the cause she's fighting for.

Love this lil bit in "You Didn't Know". How Vaggie is the one telling Charlie to calm down, as if she knows what's about to happen. She knows that if she doesn't at least try to reel in her girl Charlie would be spitting literal fire at a goddamn seraphim.

It would seem like such a surprising role reversal, but if you look at all the times Charlie would lose it whenever Vaggie's not there to tell her "babe, chill", then it makes sense.

But then when their fallout happens, Charlie's short temper is even more apparent. She calls Alastor an asshole to his face even though she considered choosing his support over her father's. She openly glares and rolls her eyes at Rosie when she jokes that her and Alastor look like an item even though she still kept things cordial with Valentino after he licked her arm. She flips the bird at some old lady even though she didn't take visible offense at all the demons that inserted their crude and rude selves in "Happy Day in Hell." While she was cold and subdued even when upset with Vaggie, she was explosive and in ur face when she was pissed at everyone else.

Vaggie reigned in both the girl in Charlie who dreams a little too big and the demon who's waiting to lash out in flames. It really makes me wonder if there's a difference in the kind of person Charlie used to be before Vaggie. Before she had friends to be angry on behalf of and a person to calm her down. And then, in the wake of their argument, Charlie is left with a lot of anger that is easy to ignite.

But I love love love that despite all that anger, Charlie can't bring herself to deny that she loves Vaggie with all of her hurt heart.

This little moment is one of my favorite parts in the series. My brother mentioned that this episode and episode three were his favorites because he liked the beats the dialogues followed. So he looked back--

(the man literally paused the episode to check the opening credits of ep 7 and 3. I was a little annoyed because I just wanted my Chaggie dammit! We'd make terrible youtube reactors with all the pausing and discussing mid-episode that we do...)

--and was satisfied to see that it was written by the same person, Ariel Ladensohn. Apparently she's in a sapphic relationship too and projected her own experiences whenever she wrote Vaggie and Charlie, and it must have paid off because the moments she wrote with them felt so real.

Charlie expressing her fear that even Vaggie's support and love could also be part of the lies she told was understandable considering the betrayal she felt. But immediately following that she goes "Oh that's a horrible to thing to think!" which I love even more. Even when she's understandably mad she thinks about how Vaggie would feel over Charlie thinking that of her. Because although Vaggie lied about who she is, Vaggie was always sincere about how she felt for Charlie. Vaggie's past may have been a lie, but the things she did for, to, and on behalf of Charlie were very real and held dear in Charlie's heart.

I dont have anything smart to say to conclude this. Sorry, I'm not even sure where I went here. Let's all just appreciate the smile Charlie has on her face when she thinks about Vaggie even when she's under a lot of stress I guess.

[dira333]

Big, butiful and nice - Fatgum x Reader

I have carried this idea with me for a while. This features a single Mom! Reader, so if kids aren't your thing, you don't have to read it. Pure Fluff. Tagging @missalienqueen @bbglay @pixiesavvy @itsyoursunshinebabe @marti-mp4

“UP! UP!” Chubby arms reach for him and huge eyes twinkle up at him over a row of missing teeth.

“Oh?” Toyomitsu reaches down and picks the little girl up. “Who are you?”

“Etsuko.” She tells him proudly, trying to reach for the zipper of his costume. 

“Hi, Etsuko. Where is your mommy?”

“Dead.”

He stills. Oh.

“Etsuko?!” A woman in a business suit rushes around the corner, spots the little girl and halts. “You can’t just run off!”

It’s only then that you notice him - not that he’s trying to hide in his big form.

“Oh! Oh, I’m so sorry, Mr. Fatgum, Sir! I was just showing Etsuko the on-site childcare when she ran off! Please, let me take her, I don’t know why she bothered you.”

“Big!” Etsuko explains simply. “I can see the world!” 

“Yes, you do!” Toyomitsu bounces her once, twice and revels in her giggles. “And don’t worry, it happens.” He transfers the little girl to your arms, watches with fondness as she immediately snuggles into your side. “Your…?”

“Niece, Sir. She’s my niece. I just… uh, I just transferred this week and this is all pretty new for us, but I promise we’ll be totally professional from now on.”

“Oh, please don’t.” He laughs, waving his hand, “That’d be boring, right?”

You look a little dumbfounded. It’s pretty, he notices, when your features soften. When you’re not constantly focused on looking all-serious.

“Boss?” A voice asks from the other end of the hallway. He turns to see Kirishima, all dressed up in his costume and eager to get going. Toyomitsu nods and turns back to you. 

“I guess I’ll see you around. And Etsuko,” he boops her nose, “Keep smiling, okay?”

-

“Mr. Fatgum, Sir?” Toyomitsu looks up from his Desk and the assortment of food spread across its expanse.

You’re dressed in a different suit this time, the dull grey color of it making you look like a banker coming to collect his soul. He shivers. 

“I have the analysis. Do you want to go over it now or later?”

“If you don’t mind me eating while you talk, we can go over it now.”

You nod and slip into the chair on the other side of his desk.

You’re a professional, he can tell. You stick out of their agency like a sore-thumb, but you’re probably also the voice of reason they need the most. 

Yes, he’s on Number 58, but he’s also too slack with his employees. Lord knows there are many things he could improve.

You show him charts and numbers, studies and graphs. You’re smart, he can tell, to the point that he can’t help but interrupt you.

“Did you just do that calculation in your head?”

“Oh… oh yeah, it’s my… it’s my Quirk.” You explain, seemingly embarrassed by it. “I’ve got a computer for a brain, basically.”

“That’s cool.”

You shrug. Your eyes flicker to the Takoyaki. He pushes them towards you, silently offering them.

“Oh, no, I shouldn’t.” You wave your hands but he shakes his head. “Take one. Tell me about yourself for a bit, will you? You transferred here from Endeavours Agency, right?”

“Yes.” You nod, still eyeing the Takoyaki. He picks one up and hands it to you, watching the emotions flicker over your face. Eventually, you pop it into your mouth and chew and he’s lucky to have been watching because happiness flickers over your face like a shooting star over the night sky.

“Another?” Toyomitsu hands you another one. It doesn’t take long for the dish to vanish.

You must have been hungry, or maybe it’s just your favorite dish, but the food has softened your features, blurred the harsh lines that you draw yourself in.

“My sister died unexpectedly. I don’t know who Etsuko’s father is, but my parents died when I was a teen and I’m the only one she has left. I did love working for Endeavour, I really did, but it’s no place for a single mother. I heard you offered on-site childcare, so I applied.”

“And what do you think of us so far?”

“Well,” you reach for your tablet again, but he stops you.

“Without the numbers, please?”

You hesitate for a second. “It’s… it’s warm, I guess. Everyone’s really nice here and no one minds when Etsuko runs off yet again, coming to find me in my office. I know it’s my job to look for opportunities to improve your brand and your agency, but I am constantly at odds.”

“Why is that?” 

“If you could have an Agency like Endeavour, would you do it if it meant giving up all the things that make you special?”

He considers it. If there’s no on-site childcare at Endeavour’s, and he’d have to give this one up, quite a few of his employees would fall away. Like Kuno-kun, who brings in his daughter and his wife’s homemade baking. Or Noda-san, who knits scarfs for everyone in the winter and who’s using the child-care for her grandsons. 

There’d be no longer the laughter of children heard in the hallways, no more drawings handed over at the end of a semester.

“No, I don’t think I’d want to give that up. At least not all of it. But we could find a compromise, I guess. Make the best of what we are. If that means we’ll stay at Nr. 58, I’m fine with that. Being a Hero doesn’t mean to have the highest rank, but to save the most people, right?”

Surprise flickers over your face. 

It’s gone as fast as it came but he likes to believe that he made an impact on you.

-

“How are you all doing today?”

Almost fifteen children surround him. The older ones are holding back in favor of the younger ones, he can tell, but they’re all so eager to tell him about their adventures.

“One after the other, okay?” Toyomitsu settles on a nearby chair. “But first we have to ask: who’s our newest member?”

Etsuko steps forward. Her hair is pulled up into little pigtails and she looks adorable.

“Hi, Etsuko. Do you want to sit on my lap today? You have to be careful though, because if you lean too much into me, I might suck you in.”

Her eyes widen, but the kids around her giggle. “Do it!” They tell her. “It’s so much fun.”

So she does, giggling almost hysterically as the fat absorption kicks in. Only her head’s left out, her pigtails whipping around as she shakes her head, giggling.

“If you want out, all you have to do is tell me, okay? No kicking.”

She nods. 

At the end of this month's visit to the children, he leaves with a hand full of drawings and one sucker, tucked into his hand by one of the older children. 

Toyomitsu’s almost down the hallway when he feels someone tugging at his legs. He turns to see Etsuko toddling after him. She reaches for him. 

“Up?” She asks and he can’t say no to her big eyes and her small pout.

If he walks around the agency for a bit with her sitting on his shoulder instead of directly taking her back, that’s his secret and his secret alone.

-

Months pass.

Toyomitsu implements the first of your proposals. His ranking moves, slowly at first, until he finds himself at Nr. 35. 

Etsuko has begun sneaking into his office once a week, handing him a drawing or a slice of fruit, left over from her lunch. Sometimes he lets her sit on his lap, listening to her talk about her day. 

Certainly, you must know about it. How else could she bring in expensive chocolates one day and have your handwriting on her drawing the next, clearly pointing out that the yellow blob is him? 

He’s been thinking a lot about you lately. 

More than he should about one of his employees. 

But he likes the way you talk, all serious one second, rattling down numbers and statistics, until he makes a joke and you can’t stop giggling, your voice suddenly smooth and soft.

He likes the way you look in the early mornings when Etsuko’s done her best to make you late, when your hair’s not done up perfectly and you’re missing your usual makeup. Or when you’d been with her for lunch and no one’s told you yet that there’s a sticky handprint on your blouse or your skirt is wrinkled, no doubt from Etsuko pulling on it.

You love your niece and he loves to see all signs of it, like an imprint you cannot wipe away.

So far, you haven’t shown any signs of interest in him.

You’ve started calling him by his last name, though, foregoing the “Sir” for most of the time. 

But that doesn’t mean that you’d consider a date with him, right? 

Or is he starting to get delusional?

-

“What do you think, Daddy?” Toyomitsu freezes. 

Etsuko’s sitting on his lap, fingertip moving over one of her drawings as she explains.

It had been a perfectly fine moment up until now.

“What did you just call me?”

“Daddy!” She looks up at him, grinning so wide it must hurt her face. “Because you’re my Daddy.”

“I… well…” He struggles. He doesn’t know what to say. “Etsuko, you cannot call me that.”

“Eh? Why?” She pulls at his shirt. “Are you not my Daddy?”

“No, Etsuko. I’m not your Daddy. I like you a lot and I want to be your friend, but I’m not your Daddy.”

Her eyes start to water and he can feel himself panicking. He’s normally not that bad with kids, but this… this is just catching him on the wrong foot at the wrong time.

“Look,” he tries to explain. “It’s like with your Aunty, right? She loves you a lot, but she’s not your Mommy.”

“But you’re my Daddy!” Etsuko’s hands are balled into fists now. “Mommy said that Daddy was big and butiful and nice! You are my Daddy.”

“Oh, Etsuko.” Toyomitsu pulls her in, realizing her mistake. She’s crying into his shirt now, her tears more fueled by confusion and anger than real sadness. He lets her cry it out before he picks her up.

“I think we need to talk to your Aunty for a moment about this, okay?”

-

He hadn’t thought your face could turn any more serious, but he’d been mistaken. 

There’s no softness left in your features as he explains. Etsuko’s sitting on your lap now, face snuggled into your blazer. He’s pretty sure that’s going to leave stains, but he’s also sure he shouldn’t point it out right now.

“I didn’t know,” you say. And “I’m sorry she bothered you this much.” And “I will make sure this doesn’t happen again.”

At some point he realizes that you’re no longer listening to him, ears closed off from his explanations. He can do nothing but leave you, wondering if he’s just ruined everything that could have possibly been.

-

For the following week, he gets no visits from Etsuko.

Toyomitsu does not dare to visit her in childcare either, unsure of what you want.

But he’s got an appointment with you on Thursday that he puts all his hopes on.

When you come in he can tell that you must have spent an extra minute preparing yourself beforehand, because there is no hair out of place and you’re wearing lipgloss like battle armor.

He feels wholly unprepared for this fight, even less so after losing a quarter of his body fat in yesterday’s fight.

But the sight of him, so much smaller and thinner than you’ve gotten to know him, seems to soften the resolve in your eyes.

“Are you okay?” You ask. 

“If you refer to my body, I will be. I have to eat a lot in the next few days to get back to my usual form, but it’s nothing I can’t handle. If you refer to something else… No, I’m not okay with how this played out.

“About that…” You gingerly sink into your chair, hands folded over your lap. You’re not looking at him. “I did some more research. I should have done that ages ago. I… I’ve found Etsuko’s father.”

His heart beats painfully.

“Who is it?”

“His name’s Kan Sekijiro. I don’t know if you know hi-”

“Vlad King?”

“Ah, yes. So you know him?”

“I know of him. One of his students interned here. He’s… did you contact him?”

“Not yet.” You purse your lips. Considering that all Etsuko knew about her father… I am sorry that she got you confused. I know this is highly unprofessional and-”

“I don’t care.”

You still. Your eyes flicker over to him.

“Look,” he leans forward, can’t help it. He needs you to understand this. “This isn’t just Etsuko’s doing alone. I like spending time with her. I could have stopped anytime, bring her back every time she came over to my office. I didn’t put a stop on it and maybe I should have, but I…”

“What?”

“I have to preface this by saying that I don’t want to make you uncomfortable, or… or put you in a tight spot because I’m your employer, but-”

“Spit it out.” Your words are harsh and rushed and he can tell you regret them the second they leave your mouth. But you’re right. He’s stalling.

“I am interested in you.”

Your jaw slackens, your features soften with that well-known dumbfoundedness. 

As you bury your face in your hands, he can feel his heart sink. Fighting criminals is so much easier than facing rejection.

“Are you okay?” He asks when your face doesn’t come back up. You nod into your hands.

“Are you sure? You’re not looking too good there.”

“It feels like my Quirk is overloading. I am…”

“Overthinking? I am familiar with that. Not that I suffer from it, but you’ve met Suneater, I guess.” He tries to joke, make light of the situation. It’s what makes you finally lift your head.

“If you’re serious,” you bite through your teeth, “About this. About… Etsuko and me. I… I’d take you out to dinner.”

Toyomitsu blinks. He’s expected everything but that.

“Are you serious?” He asks and you groan. 

“No, I mean yes. But… you know how much I eat, right?”

You huff, looking away. He’s not the worlds expert in flirting, but you do look kinda flustered. 

“I might have looked up All-You-Can-Eat-Restaurants ever since I’ve gotten to know you,” you mumble and the pout on your lips looks eerily like Etsuko’s.

-

“I’m home!” Toyomitsu calls out from the Genkan.

To his surprise, no tiny feet come running. When he peeks around the corner he finds you curled up on the Couch, an open book next to you on the floor. You must have fallen asleep reading.

“Hey,” he cards a hand through your hair to wake you gently. “Shouldn’t Sekijiro be back before dinner?”

“What?” You try to wipe the sleep from your eyes while snuggling into him. “Oh, no, he called before I took a nap. He’s bringing her back after Dinner. Apparently, they’re making pancakes.”

“Ah, did you tell him to bring leftovers?” He jokes, chuckling when you nod earnestly.

.

Life is good. 

He’s got a wife and a daughter and his daughter’s father has turned into a good friend.

He’s got a job he enjoys, a Quirk he can rely on and so far he’s been able to stay himself.

There’s not much he’d wish for nowadays. 

Well, except maybe some more food.

.

You’re still on the Couch when he walks into the kitchen, fully intending to make Dinner as soon as he’s gotten a little snack from the fridge.

But inside the fridge is a huge box. He furrows his brows and pulls it out. He recognizes the branding, but you only buy a cake at this bakery for important dates, like your wedding anniversary or Etsuko’s first day in kindergarten.

“Baby, did I miss an event?” He asks, flipping open the lid.

“Why do you ask?”

“There’s a cake in the fri-”

“Don’t open it!” You yell, rushing over. But the lid’s already open. The buttercream frosting is light blue and the icing a dark blue. Big, bold letters write out “World’s best Dad!”

“This is nice,” he says as you reach him, clearly out of breath and a little haggard. “But you didn’t have to buy an expensive cake to let me know. Not that I mind. Or is it for Sekijiro?”

“Ah,” your face is doing some weird contortions. 

His eyes flicker back to the icing and something in his head clicks at the color.

“Taishirou, I’m pregnant.”

[aromacaque]

Quick S5 Analysis and Theory

I AM GOING TO RAMBLE ANALYSIS BECAUSE THEY ARE DRIVING ME CRAZY

I cannot stop thinking about the way Wukong reacts to Macaque when he goes "oh no 'gee thanks for saving me macaque!...'" cause if this were before the S5E2, he would have snapped back at him, like he always does.

We know Macaque does this solely to rile Wukong up. It's how we're introduced to his character in S1E9 and he does it throughout the series. This is why he did it here too (or at least partially), BUT WUKONG DOESN'T TAKE THE BAIT THIS TIME.

While he's obviously still reeling from seeing the memory of their fight he was forced to watch,

you can still see that, for a split second, Wukong almost does snap back, but he instantly rethinks that and decides to be passive

Macaque, again, pokes at him trying to get a reaction, but this time Wukong doesn't even think about snapping back. He simply responds casually/lightly (before then realizing that MK is in danger)

This tells us possibly two really important things

Macaque sacrificing himself in S5E2 was a turning point for Wukong's perception of him. An increase in personal trust/faith/etc.

2. Seeing the memory of their fight made him rethink his behavior toward Macaque

For the rest of the season, they don't get a lot of moments because of, well, Everything, but we see Wukong is not only more willing to show concern for his wellbeing, but also seems to be more open/emotionally vulnerable in front of him than before (in little moments, anyway).

Granted that has been building up since S4E11, arguably before that but I'm not going to deep dive analyze season 3. He's being more communicative with Macaque in S5E1 about MK too. In other words, not completely shutting him out or pushing him away, which seems like their natural progression from S4E11 as well.

All of that being said, this brings me to The Scene. Which I am completely normal about because there's so much to unpack about it and I am so normal about that. Evidently.

First of all, they wanted to hold hands during their final moments. MK and Macaque are the two most important people in Wukong's life, I feel like that speaks for itself.

BUT it's Wukong who reaches out here.

This is Wukong's first major attempt to bridge the gap between them, at least in such a direct way. In my opinion, it's almost a wordless forgiveness on top of acknowledging how Macaque has changed and improved himself, as well as his reciprocation of that behavior. He wants to fix their relationship too, just as he has seen Macaque willing to do the same.

This moment being interrupted was actually a good thing. It's a good visual reminder that, despite them both wanting to reconcile, they aren't Quite there yet. There's still a lot left unsaid between these two, most importantly Macaque's death. (I'LL GET TO THAT. HOLD THAT IN YOUR BRAIN)

For macaque, this moment has another important meaning.

AND NOW I GET TO TALK ABOUT ONE OF MY FAVORITE WRITING TOOLS HELLO PARALLELS!!!!

In S2E7 we are introduced to this shot of Wukong on a pedestal over Macaque, turning his back on him and abandoning him. This is firmly established in that episode as one of the main reasons Macaque resents Wukong.

He is also portrayed as above him, subsequently nodding at Macaque feeling inferior to him.

In S4E11, we actually watch how this dynamic destroys their friendship. It is a MAJOR reason for their falling out. Macaque feels neglected, overlooked, ignored. Promises are broken and trust is lost. To him, Wukong is selfish, self-righteous, egotistical, uncaring, etc.

Obviously we as the audience are aware Macaque has a rather skewed perception of Wukong that seems to be influenced by his projection of his own insecurities, but that is a whole other analysis for a different time.

In S5E10, this shot is paralleled. Visually demonstrating that Wukong isn't forgetting about him this time. He looks for him. Macaque is being considered in a way he had previously believed was lacking in their friendship.

Not only that, but they are on level ground. Balanced and equal.

Macaque is reluctant to reach back out. His trust in Wukong is practically non-existent, has been for a while (understandably), so it's a little hard for him, but he reciprocates because, like Wukong, he's acknowledging that he has changed. He wants to try to fix this too.

TO RECAP!

They know they both want to fix things

They can see and have acknowledged changes in their behavior on both sides

Wukong seems to be less prone to arguing back, which will most likely make Macaque less likely to try and provoke him. All in all, they will be more civil with each other and most likely argue much less.

They are being held back by things left unsaid.

WHICH LEADS ME TOO...

WHERE DOES THIS LEAD THEM IN S6?

The obvious is they need to address Macaque's death. If they don't do it in this season it's bad writing and they are dragging it out for too long. It's the obvious natural progression here.

This is where they will have an actual, long overdue constructive conversation. It is literally singlehandedly the only thing preventing them from reconciling at this point.

Now, the problem, is how this would happen. Because we all know neither of them are going to randomly apologize out of nowhere. It's gonna take something to push them into that direction. And that should be how it happens otherwise it'd most likely feel forced in the script.

WHICH BRINGS ME TO A THEORY. A GAME THEO-

I'm not going to get into the nitty-gritty details of this particular theory, but just know that I am a firm believer in the "Macaque was consumed by his own powers and that's what killed him" theory. I do think Wukong played a substantial role in his death, enough for Macaque to reasonably believe Wukong killed him, but ultimately it was less Wukong directly killing him and more indirectly causing it and not saving him.

That being said, Wukong and Macaque's relationship is a major subplot in this show with a considerable amount of focus. They have been slowly building to their inevitable mending relationship since Macaque's first episode, which means that they're going to want to reach that climax in a pivotal emotional moment. Not a random conversation smacked into an episode.

And what is going to be plot-relevant next season??

MACAQUE'S CHAOS POWERS.

S5 built up to Macaque being an established member of the group

(Also the VO here being "change can be terrifying" is absolutely foreshadowing to some degree)

Now, there's also something else I need to address. Macaque has gone out of his way 3 separate times, 4 if you count the LBD fight, to save Wukong. On the other hand, Wukong obviously cares about Macaque, but ultimately hasn't had many opportunities or reasons to try to save him specifically.

With all of those details in mind, I think Wukong will need to take direct action by either saving him/protecting him/etc. because I think it would be a high-stakes moment that inevitably kickstarts an apology/conversation between them. Maybe it's something that reminds Wukong of their fight or that macaque can die (hence the chaos powers potentially harming Macaque in some manner or maybe a potential difficulty controlling them reminds Wukong of their fight, something along these lines).

Why this route?

Macaque has regained Wukong's trust. He basically says as much in S5E2. And while it's fairly obvious with Macaque's behavior and choices that he has learned from his past mistakes and is working on his faults, he definitely needs to acknowledge his wrongdoings. However, I think that would naturally happen during any conversation they may have (or the aftermath) regarding his death and their feelings.

That leaves Wukong because he made a promise to Macaque that they’d spend eternity together and that he would protect him and their home. A promise he broke multiple times and has not made up for yet. He needs to mend that and make it right to solidly regain Macaque's trust in order to reconcile.

[atrophiedemotion]

ivantill cafeteria scene analysis

keep in mind that this is fully just my personal opinion and interpretation of the scene okay cool

the cafeteria scene from round 6 has always been really interesting to me, and i've seen a lot of people take it different ways, so i just wanted to walk through my view of it because it's such a telling scene about their dynamic more recently than as kids

the scene starts with a shot of till during the round that looks to be from ivan's pov, showing us what he's seeing in the moment, and flashes back to one of ivan's memories from anakt.

considering the almost identical expressions till is wearing in both shots, it seems to be ivan thinking back to a time he saw till look the way he does in round 6- miserable, hopeless, defeated. like he's given up.

we then see ivan noticing till's apparent resignation and shitty mood (because of course he notices, it's his personal watching till time after all), then getting up to go bother him. i say 'bother him', and it definitely looks like that's what he's doing, but i don't think that's ivan's goal. i think ivan's goal is to comfort, or at least distract till.

despite their juvenile fights, we've never seen ivan actually want to cause till true harm. his lyrics in both black sorrow and cure are caring and reverent, making it apparent that ivan really does just love and care for him and just wants to be able to do things for till. this is furthered ofc by the whole post-club scene where ivan looks absolutely devastated seeing the state till is in.

i always reference back to my mirroring post bc it explains the way i imagine ivan's train of thought, and it applies here again. ivan does not know how to comfort till in a conventional way (probably for a few reasons; till is different from the other students, both in the way he acts and displays his emotions, and in ivan's opinion of him. till is special to ivan, he usually drops his mask around him so meaningless platitudes wouldn't be right) but he does know how to get till's attention on him and out of his own head.

all this being said- what ivan does next:

he swipes his hand across the cut on till's cheek. yeah, i know, definitely not what most people would consider 'comforting their friend' but that's what makes sense to ivan. 'how could i possibly distract him if he seems to ignore me most of the time?' (for now looking past the fact that till actually seems comfortable in ivan's quiet company, ivan's too single-focused to realize that)

and, well, i mean. he's right. till gets visibly disgruntled. he doesn't exactly look pissed as much as he looks caught the hell off guard, but it grabs his attention.

ivan, on the other hand, looks almost fond to me. i don't know, i just don't really think he looks smug even though i'm assuming that might be the general consensus. he almost seems a bit soft. to me, it looks like he's adoringly thinking, 'it worked. there, no time to be sad anymore, huh?' he probably is proud of himself for it, but not really in a selfish way.

till, of course, sees that it's ivan who's messing with him, and turns away.

i've also talked about this but at this age it really does seem like till's mindset when it comes to ivan is something along the lines of, 'oh, it's just ivan. he's fucking weird, that's just how he is' and more or less shrugs it off. he's used to ivan's "quirks" it seems.

this, till looking at ivan only to immediately look away, won't do. he only caught his attention for a few seconds, so i assume ivan's next logical move is to do something that will get an even bigger reaction. (ivan is a logical thinker, after all, at least in my perception of him)

so he. ya know. does that. which really seems like a great way to get himself punched, right? which honestly is also probably his plan. have till explode in anger, forget whatever happened for him to be injured in the first place, and ivan gets his undivided attention for a period of time. a win-win.

and you might be saying "oh, but couldn't ivan have just been doing that selfishly? we know his main goal is to get till to look at him." to which i say, yeah fair. i don't think this was done completely selflessly (i don't think anything ivan does is fully selfless but that's perhaps for another day) at all, he could've gone at it a different unconventional way if it was. but i think he probably sees it as mutually beneficial.

yes, it does seem like a way to show ivan wanting to keep till's eyes and attention on him. an example of how he seeks out till's attention no matter what, but the preceding shot of a hopeless till reminds ivan of this particular interaction for a reason.

there had to have been a motive behind what he did and why he did it then, and what we have to go off of for that is the first three shots. till wearing the same misery on two different occasions and ivan noticing. with that information, it's really not a stretch that this could be ivan's fucked up version of comfort.

[14buddy22]

Hey if you're looking for Hotch requests, what about Hotch dealing with a crush on a non-bau sunshine reader when he's still sad after the divorce/Foyet but he's so confused by his feelings because it's been so long that he doesn't know what's going on??

Like if it's case related, maybe he thinks reader is a suspect because why else would he be so on edge around her and it's just so painfully obvious to everyone else. Idk if that makes sense but I just think Hotch being so out of touch with his emotions despite being a profiler would be funny lol

Feel free to adapt and make it your own!! Thanks!!

Thanks for your request! I hope it lives up to your expectation!

You were the best damn bartender in Quantico, Virginia. At least, that's what you thought to yourself. You made work fun. You worked in a club environment so if you wore something scandalous, flirted with the customers a bit, you were sure to bring in a hefty tip at the end of the night.

But, you loved the hustle and bustle of it. You loved the interactions, loved singing along to the bands or the good music. You loved having conversations with the locals, loved celebrating parties for kids turning 21, people getting married, or hell, people getting divorced.

Then you met who you swore is your soulmate. Something in you stilled when you were bartending. You never froze up at your job. You were good at what you do. But seeing him walk through that door, looking all handsome in a suit, he took your breath away. You watched how he interracted with the bouncer.

You watched him show his badge to your best friend. FBI. An average Joe wouldn't just waltz into your bar, you knew he was a sophisticated man.

But when he locked eyes with you, you felt like the bar had heated up 100 degrees. Making his way over to you, you were trying to calm down. What had you feeling like this?

"Hi, I'm Agent Hotchner with the Behavioral Analysis Unit for the FBI. It's my understanding from the gentleman at the front that you are the lead bartender?"

You finished making your drink for one of the locals and asked your partner to manage the bar. Luckily it was early evening and the college kids had about another hour before they started flooding in so you knew you'd be okay leaving her by herself.

"Yes, I'm Y/n Y/L/N. It's nice to meet you. How can I help you?"

You shook his hand, and you swore you both held it for longer than you both intended.

All I could think was that she was beautiful. No, no, I can't think like that. My wife, ex-wife was brutally murdered a little over a year ago. Something's different talking to her, to-Y/n. Something I haven't felt in a while but I don't know what it is.

She's a bartender. I hear she's a damn good one. Maybe that's why she's about to be the suspect in a string of murders. Men have been killed shortly after they leave this bar. Traces of posion have come back on the tox screen. Bartenders have access to the drinks and alcohol before they serve, y/n's the perfect suspect.

But she's beautiful, and I haven't seen her stop smiling at all. She has a gorgeous smile. She'd be the sunshine on the rainiest days for the men that have been murdered. Before I know it, my thoughts and feelings consumed me, I'm still holding her hand. I could feel Dave's eyes burning a hole into me.

"Have you heard about the three men murdered around town?"

"Yeah, I have. It's very unfortunate. They were great men. At least to me. They tipped well and always had friendly conversations. They also stood up for me if some men coming in here for the first time were getting a little handsy with me."

Oh how I wished I could be the one to make sure no one got handsy with her. Wait, what am I saying? She's a suspect, she doesn't know it, but she is.

"How were they killed?"

Agent Hotchner's partner spoke up to answer your question.

"They were poisoned."

Ugh, these poor men. Had to die a slow pain, they didn't deserve it. They deserved justice now.

"We just wanted to come in to see if anything unusual has happened lately."

"I've seen a lot of crime shows with my ex-boyfriends before. You're really trying to see if I did it. Which I didn't. I don't think I have the heart to kill anyone. I broke up with my last ex because he hunted and I couldn't bare the thought of killing animals."

Of course you broke up with your ex because of that. But I have a job to do and I have to investigate further. Plenty of killers have lied straight to my face before.

"We'll be in touch Ms. Y/l/n, thank you for your time."

You smiled and shook their hands one last time before you went back to working your shift. Something about Aaron caught my eye. Maybe it's the way he was blushing like a school boy. You're not sure, but he was handsome.

Just when Aaron walked into the bar, you smiled at him, offering him a drink.

"Agent Hotchner, it's good to see you again."

Your smile never waivered. Maybe you would shoot your shot with him.

I can't believe I have to do this. Arrest someone this pretty. Arrest this girl who Rossi thinks I have feelings for. What? Feelings? That's an intense word, but I have to arrest her.

"Unfortunately I'm here to place you under arrest."

I watched all the color drain from her face. I watched her smile fall so fast. But it had to be her. Rossi and the team wasn't so sure, but I have a gut feeling it's her. Of course with it being my team, they weren't going to stop me. I took her sunshine away.

"Agent Hotchner, I, I didn't do anything."

Your manager saw what was going on, he was like your work dad. He took care of you like his daughter, despite him having sons, he treated you like his princess. You heard him say say, "Y/n, I'm getting you a lawyer, do not speak. I know you didn't do this. But I'll meet you where they're taking you."

You smiled back at him, tears filling your eyes. You wanted to make everyone happy, you never wanted to hurt anyone. How are you being arrested? You didn't do anything wrong.

Your ride back in Aaron's SUV was silent. How could you think he was your soulmate? Your soulmate would never arrest you. But you were still feeling something, you couldn't explain it.

I keep looking in the rearview mirror at her. I had to trust my gut. She poisioned those men. But why do I feel so guilty arresting her. From the time we had met her, been surveillencing her, up until I placed the handcuffs on her, she had smiled. Everyone spoke highly of her. I took away her sunshine. I did that.

As you walked into an interrogation room, Aaron sat you down in the seat, then took off your hand cuffs, handcuffing one hand to the table instead.

"We'll wait for your lawyer, do you need anything?"

"No."

You couldn't even look at him. How could her. You told him you didn't do it.

As I walked out, I was greeted with Penelope. "Sir, she has nothing on her record, not even a speeding ticket. I've looked through her social media posts and everyone spoke so highly of her. Friends were making special post to thank her for being a great friend. She took care of everyone. Sir, I-I know I'm not an agent, but I just can't believe it's her."

Penelope was cut off by my phone ringing, picking it up after viewing the caller I.D.

Morgan said, "Hotch, we got the wrong girl. It's Y/n's bartending partner. I just watcher her slip something into this guy's drink. I'm bringing her in, we can cut Y/n loose. You can be happy now. Y/n's not a killer. What that gut feeling is, is your feelings that you like her Hotch. You haven't felt that since Haley. I know it's been 20 years, but trust me man. Y/n is something special, according to the track record she has. She's the opposite of a killer. She's just the type of sunshine that you and Jack need in your life."

Aaron walked in and said, "I'm sorry, there has been a huge mistake. You are free to go. It was the other bartender you worked with.

"What? There's no way. She's amazing at what she does."

Aaron shook her head and said, "One of my agents was in the bar watching the entire time, he was undercover. He watched her slip something in another man's drink."

"Oh. Well, I'm glad you got the right killer. If, if you don't mind, can one of your agents give me a ride home? I don't have my car, obviously."

You didn't know how to feel. You knew you didn't do anything, but was Agent Hotchner always going to have a doubt in his mind that you were a killer?

You got in his car, this time sitting in the front seat. A storm was coming in, you enjoyed the rain and thunder, it calmed you. You two rode in silence, when he dropped you of at your apartment, he walked you up.

When you opened your door, you turned around to thank him, instead that didn't come out.

"I told you I didn't do it, ya know?"

"I know. I know. I'm sorry. I. There's something about you, y/n. I thought you were a suspect, but you should've never been one."

As your eyes were red and filled with tears, you looked at the man who you thought was your soulmate, instead, he had ruined you. Yes, you two didn't date, yes, you didn't hook up, but there was something there.

"Well then why the hell did you do this, Aaron? Why arrest me?"

"My ex-wife passed away a year ago. I haven't had feelings for anyone in nearly 20 years. My feelings for you confused me. I didn't know what I was feeling. I didn't know what these feelings were because I've been so out of touch with them. And it took me a minute to realize that these feelings are because I didn't think you were a killer, I thought you were beautiful. I think you're beautiful. But that gut feeling was that I think. I think I've found my soulmate."

As she stepped closer to me, I watched the sunshine fill her eyes again, her smile creeping up her face. God, was she beautiful and amazing, and from her friend's testimonies who I interviewed, she was a down right amazing person. Just the absolute sunshine to be around.

You were going to kiss Aaron. You were glad he figured out his feelings. This was going to be the start of something new. You didn't know what happened to his ex, you'd find out someday. You took the chance. You placed your hands on Aaron's hips and leaned in to kiss him. You were so happy that Aaron felt the same way. How did you know this? He placed his hands on your face and kissed you back like you were the only sunshine he'd ever see again.

[chiyuuchu]

Shoto’s for you page <3 (30th July 2024)

Shoto Todoroki x Reader

Prompt! The class tried to figure what a nonchalant boy like Shoto Todoroki would have on his tiktok for you page.

Class 1-A was abuzz with energy during a rare free period. As usual, the students found themselves immersed in various activities—some studying, others chatting, and a few engrossed in their phones. The topic of the day happened to be TikTok, as Mina proudly showed off the latest dance trend she had mastered.

"Deku, what's your FYP like?" Kaminari asked, lounging on his desk.

Midoriya blushed, rubbing the back of his head. "Oh, you know, mostly hero analysis videos, training tips, and a few cat videos."

Kirishima laughed. "Sounds about right. What about you, Bakugou?"

Bakugou scoffed, crossing his arms. "Explosions, fight scenes, and cooking hacks. Why does it matter?"

The class erupted in laughter, each person sharing snippets of their For You Pages, until the conversation naturally drifted towards the enigmatic Todoroki Shoto.

"Hey, Todoroki," Mina called out, a mischievous glint in her eye. "Do you have TikTok?"

Todoroki, who had been quietly reading a book, looked up with his usual calm demeanor. "Yes, I do."

The class fell silent for a moment, collectively stunned. Todoroki having TikTok seemed almost out of character for the stoic boy.

"Wait, really?" Jiro asked, incredulous. "What do you even watch on there?"

Todoroki shrugged. "Midoriya kept asking me to download it so he could send me videos. I thought it would be easier to just have the app."

This piqued everyone's curiosity. "So, what's your FYP like?" Kaminari asked, leaning forward eagerly.

Todoroki hesitated, an unusual expression crossing his face. "I'd rather not show."

The class exchanged puzzled looks. What could Todoroki, of all people, possibly have on his TikTok that he wouldn't want to share?

"Come on, Todoroki!" Mina pleaded. "We're all friends here. What are you hiding?"

But Todoroki remained firm. "No."

Suspicion and curiosity reached an all-time high. The students whispered among themselves, brainstorming ways to uncover Todoroki's mysterious FYP. Finally, Mina came up with a plan.

The next day, during another free period, Mina put her plan into action. She sent Todoroki a TikTok and approached him with a smile. "Hey, Todoroki, can you open your phone and check the TikTok I just sent you? I think you'll find it interesting."

Todoroki, unsuspecting, nodded and pulled out his phone. As soon as he opened the app, Mina lunged, snatching the phone from his hands.

"Mina, what are you—" Todoroki started, but it was too late. The entire class gathered around as Mina began scrolling through his For You Page.

The room fell into a stunned silence as the truth was revealed. Todoroki's FYP was filled with TikTok edits of Y/N. Clips of her during training, random shots of her around campus, and even some candid moments where she was just being herself—all meticulously edited with effects, music, and transitions.

“No way!” Kaminari wheezed as he took the phone from Mina. “Let’s check his favorites!” he said with a smirk.

And behold.. an edit of Y/n way back from the sports festival with an incredibly great velocity transition to the song ‘One Of The Girls’. And it was in fact very interesting.

“It’s not what it looks like—!” Todoroki pleaded in embarrassment.

The class, however, erupted into a mix of laughter and teasing.

"Well, well, well," Kaminari smirked. "Looks like someone has a crush!" he sing-songs as he swipes on the next favorite which happened to be an edit of Y/n playing the electric guitar during the school festival performance with the background music being ‘Heartbeat’ by Childish Gambino. The edit was indeed also very alluring with its flashing velocity and dim filter.

Kirishima clapped Todoroki on the back. "Didn't know you had it in you, man."

Even Bakugou couldn't help but chuckle. "You're more of a sap than I thought, Icy Hot."

“Don’t worry! We won’t tell Y/n.” Mina teases.

The class continued to tease Todoroki, but just then, the door opened and Y/N walked in, her eyes narrowing as she noticed the commotion.

“Tell me what?” she asked, crossing her arms and raising an eyebrow.

The room fell silent, everyone exchanging nervous glances.

“Uh, nothing!” Mina said, trying to deflect. “Just… hero stuff.”

Y/N wasn’t convinced. “Hero stuff? Really?”

Midoriya, ever the peacemaker, tried to step in. “It’s just that, um, Todoroki’s TikTok FYP is… interesting.”

Y/N’s curiosity piqued, and she looked directly at Todoroki. “Interesting how?”

Todoroki took a deep breath, deciding it was time to come clean. "My FYP is full of edits of you, Y/N. I hope this isn’t weird and… I do very much admire you."

The class held their breath, waiting for Y/N’s reaction. She blinked, processing the information, before a small smile spread across her face.

“You… admire me?” she repeated softly.

Todoroki nodded, feeling a mix of vulnerability and relief. “Yes. I didn’t know how to tell you, but I guess now you know.”

Y/N’s smile widened, and she took a step closer to him. “You could have just told me, you know. I’ve been trying to get your attention for ages.”

The class collectively sighed with relief and joy, realizing that this was the moment they had been waiting for.

“So,” Kaminari said, breaking the tension, “are you two finally going to go out or what?”

Todoroki looked at Y/N, his eyes filled with newfound confidence.

Y/N laughed, nodding enthusiastically. “I’d love to, Shoto.”

The class cheered, clapping and whistling as the new couple shared a shy, but happy moment. And as the buzz of excitement filled the room, Todoroki couldn’t help but feel relieved. What had started as a mortifying ordeal had ended in the best way possible.

[ghoastixx]

Yandere!Hannibal and Yandere!Will Graham, who are obsessed with the survivor of a serial killer, who has resurfaced again. So the reader needs to go into some kind off protection and now stays at Hannibal‘s with Will visiting regularly and Hannibal comforting her?

Yandere!Hannibal & Will Graham x gn!reader

synopsis above

Notes: Okay okay okay... as someone who used to read A LOT of yandere fics, i'm flattered to be writing one for such a thirsty fandom. But, I must admit, this is my first time actually writing one. So bear with me please. Also, YAY!! A WILL GRAHAM REQUEST!!! (I'm a stereotypical will graham lover boy) I do love writing edgy insane will graham :3

Author notes: Mentions the "ghost face" killer... sorry y'all at the end of the day im not original and scream 1 holds a dear dear place in my heart. Will is sort of creepy in this. Reader is broken but trying to heal, will and hannibal ruin that. Reader sort of takes Margot Verger's place in a way? Reader is a bit shallow and emotional, sorry chat.

------------------------------------------------------------------------------

The nightmare started two years ago. The ghostface murders happened every year or so; ever since that massacre in Woodsburrow when it all began. They popped up all over America. It wasn't a shock when a new copycat showed up in Maryland, Baltimore. A shame...sure. A shock? Not as much.

You weren't very worried. You lived a relatively boring life, a safe life. You were not final girl material. Well, that's what you had thought before someone in a ghostface mask stabbed you on the walk home from work.

You remember how exhausting the press was when you woke up alive, how nauseating the treatments were, how tedious the whole stay was. It was all boring and you were scared. Your face was all over newspapers, magazines, blogs, what if he came back to finish the job? The fear was too much, you fell into a deep pit of self pity and anxiety... One particular article though.. tattle crime. It pushed you over the edge.

People around you could sense the distress, you were referred to a psychiatrist upon your release. A Doctor Hannibal Lecter.

The first session had gone well, in your opinion. Of course, you hadn't been the most open of patients, but he was so patient with you, he was so understanding. You couldn't see how fond of you he actually was.

The first time you had walked into his office, he was amused. You had been the talk of the news, lately, and here you were now. Sitting in his office. You were interesting. A normal person, someone who had never really been bothered by much.. now utterly shattered. A beautiful vase put to waste, he would be the gentle hand to put you back together.

You met Will Graham almost a year later.

Your appointments were always right before Will Graham's. Of course, you didn't know that, but he did.

You had just finished up a session with Dr.Lecter, gently closing his door behind you, you were met with a shorter man looking intently at you. He had dark curls and his glasses were clinging to the edge of his nose. You stared back at him for a moment. He wasn't making direct eye contact, but he was looking.

"Excuse me...can I help you?" you murmured, a bit freaked out. He shook his head, snapping himself out of it.

"I'm sorry- are you Y/N L/N?" He asked, he had a nice accent that you couldn't place. You sighed, crossing your arms.

"Yes, what of it?" your annoyed tone made him look away from you.

"Nothing-I'm sorry- I just went over your case in my lecture this week,"

"Lecture?"

"Yes, I'm a professor."

"Oh.. what class, if I'm allowed to ask?" He smiled, shaking his head a bit,

"You can ask. A criminal analysis class." you nodded.

"That's very interesting Mister..."

"Will Graham."

You two began seeing each other a lot more while switching roles in Lecter's chair. Friendly smiles, waves, anxious nods.. and then Hannibal started to get into Will's head. His intentions turned to the computer. Researching about you. He reassured himself, he was just doing his job. Researching victims. Until he brought you up in a session.

"What seems to be on your mind Will?" Hannibal asked patiently.

"One of your patients." This caught his attention,

"Which one of my patients would this be?"

"Y/N L/N." Will leaned back in his chair, spreading his legs out. Hannibal straightened up.

"Y/N, I see." His voice was a bit firmer now. He had grown protective over you. Possessive. "what of them?"

So Will began talking about his newfound obsession with you. This pleased Hannibal just a bit, the idea that they both could have you.

So, with Hannibal's nonverbal permission, Will started to get more involved in your life as you both slowly started to succumb to Hannibal's manipulation.

Everything was going swimmingly. That was until you got a notification on your phone during work today.

"Ghostface killer resurfaces after two years!"

With trembling hands, you clock out and immediately go to your car. You sit in your locked car, shaking. As soon as you read the article, you turn off your phone, putting it in the console. You start driving.

You knock on the lavish door, your skin pale and your body shaking. You're so cold. You begin pounding on the door..faster.. why can't he just come out faster?

The door swings open, you almost hit the taller man in the chest. He was wearing a vest and a white button up shirt, dress pants. He had just gotten off work. His eyes held annoyance, but when he saw your rather fragile state, his face grew concerned. He ushers you inside, his firm arms around your shoulders, leaning your shaky form to a sofa. Sitting you down and making you explain to him what's wrong.

"He- he's back Hanni. He's gonna come back after me-" you manage to cry out, his hands softly going through your hair.

"My dear, you're okay.." His phone rings, which makes you jump. He glares at it before seeing it is Will. He answers it, a very frantic voice picks up.

"Hannibal- I can't get ahold of Y/N-"

"Will." he all but chided. "Our love is here, calm down."

"I'm coming over." he stated before hanging up. He sounded frustrated, which just scared you even more.

A few minutes later, a disgruntled Will walks in, immediately coming up to the sofa which housed you clinging to Hannibal for dear life.

"Y/N- I tried to call you- I was so worried." Once he saw your expression, he toned it down as he sat next to you. "Pup..it's alright, we're here."

Both men frowned when you shook your head. "No! He's back for me- he's gonna get me."

Hannibal responded with a 'tsk' sound, still playing with your hair. "My love, he will do no such thing." Will hummed in agreement, rubbing a hand over your back. "You'll stay here with Will and I, we'll keep you safe and sound."

Will was pleased when you caved into the demand, he honestly thought you would've denied it quicker. Both men dotted over you before pushing you to get some sleep. Sandwiching you in between them. Will waited til he could hear your soft snores before looking at Hannibal with a bit of a glare.

"I told you it wasn't a good idea." Hannibal looked at him with a false innocence.

"What wasn't a good idea, Will?"

"Poking the killer. Getting him to want to come back."

"It will all work out..we just had to..scare them into submission. You see? Hasn't it worked."

Will sighed a bit, "Yes..I still don't like it very much though.."

"Nothing will happen to either of you, Will. I wouldn't allow it."

Will did stop talking, not wanting to wake you. Besides, he knew Hannibal had a point. They did have you to themselves now.. and if everything went to plan.. you wouldn't be leaving.

[carlyraejepsans]

UTY!Flowey, "lore" and how to criticize a fan prequel without being an insufferable pedantic, a guide by Biscia.

(for my muskless fellows, here's a transcript of my thread on Undertale Yellow that I posted on Twitter. enjoy!)

There's this really frustrating attitude in fan spaces i like to call "lorepilling" where people are substantially more concerned with encyclopedic knowledge of details & minutiae (so called "lore") in place of full-text thematic/narrative analysis as if the two are mutually interchangeable.

It's especially common in large franchises and story heavy videogames, and it's like... Are You Treating This Piece Of Art Like A Trivia Battle Or Are You Treating It Like A Story

This is coming from a person who is also deeply autistic about UTDR trivia btw, I'm just saying that when it comes to transformative *stories*, depending on the impact it has on character, themes, and narrative structure... lore is expendable.

Ultimately this is why most of the UTY criticism i see (on twitter specifically) falls flat. What does it matter if "lore" means Flowey couldn't chronologically be there when the justice human fell, as long as the game narratively justified his presence in the story in a compelling way?

The real criticism, in the end, is that it didn't.

He's a plot central, main cast character from the canon returning in a cast of mostly OCs and what does he have to show for it? An admittedly sick boss battle in 1/3 endings, sure but... not much else. He has no significant "presence" in the story, no tie, interaction, or even just... an opinion on the rest of the cast. Which is a huge miss when Flowey's meta role is to be Thee completionist player mirror. He's the OG lorepilled UT fan! He's an opinionated little shit!

This isn't to say that UTY *didn't* engage w/ his metanarrative. When me and @a-town-called-hometown first started playing the game (we were both skeptical of Flowey's inclusion), he immediately said "It would be really cool if they made it so this has been going on for a while and Clover has no idea". Which is precisely what the game did in the neutral ending, and what I will openly say was the most well written & well executed part of this game's story...

...a part we almost didn't see, because the pacifist ending disappointed us so much we lost all will to replay.

To put it in the words of my friend Mel @clowwwnbytes, there's a deafening hollowness to UTY Flowey's motivations & core principles where his guilt towards Chara—and resulting black and white thinking—should be. You're telling me Mr Kill-or-be-killed, "sacrificing yourself to do the right thing is stupid", would stand there after 1000s of failed attempts to make Clover survive, look on as they make the same mistake Asriel he did, and fondly call them friend? Cue the guitar, roll the credits?

He would lose it. Oh my god he would lose his goddamn mind, he would throw the nastiest temper tantrum in the world. Are you serious? How dare you. How DARE you. All this effort, all my patience, and you just let yourself DIE for a few worthless idiots? I should've let you ROT!

*clears throat* sorry got a bit too into character. as i was saying.

I can understand a UT prequel wanting to distance itself from the canon Chara storyline in order to form its own identity, but then turning around and choosing Insane About Chara The Character™ for a sidekick is... far from optimal. In the end, Flowey comes across as underutilized and inconsistent, with a whole lot of wasted potential.

This is an issue I have with UTY's character writing (original AND returning) and story structure as a whole. Lots of inconsistent character arcs, tonal dissonance, overuse of situational sadness... it's an amateurish work, after all, and you can feel it. There's no shame in that.

(Though, there ARE some issues that i take more seriously with its writing, especially when it comes to its two main female characters—Ceroba's lack of narrative agency and depth borders on misogynistic writing imo. But that's a topic for another day)

Over all, UTY was an incredible piece of collaborative transformative work, with gorgeous art and a genuinely incredible OST, which... would have benefited from more experienced writers. But hey, you can only ever learn by trying!

For all it could've been a better story, it certainly did not fail to entertain: both when my friend was playing it, and after in our many discussions of its writing, its faults and how it could've been improved (royal scientist!ceroba character fix you will always be famous. to ME!)

I'm sure this project served as an incredible source of experience for the developers: as individual creators AND as a team. I look forward to their future projects!

but also if i have to see another person say UTY is better than Undertale i might turn into The Jonker.

end of the essay! really couldn't stand any of the pedantic ""criticism"" I'd seen of this fangame so far, so i had to say my piece as someone more versed in analysis. happy to elaborate on anything in the replies or in my inbox!

[adinfernumadinfinitum]

Welcome to my silly little fan theory @emmg:

How Raphael is the ‘Mastermind’ behind the plot of Baldur’s Gate 3…

…or how I give him more importance than I should.

DISCLAIMER:

In this ‘dissertation,’ I present my take on things based on Dungeons and Dragons 5e lore from the Forgotten Realms universe, along with fandom theories and headcanons where they suit me. This is NOT an in-depth analysis of anything, so I won’t be reciting specific quotes, etc.

I repeat, this is just MY take on things. If a similar theory already exists, feel free to reach out, and I’ll gladly tag the material!

Oh, and there are a lot of spoilers about, well, everything, so read at your own risk ⚠️

I thank the lovely @bitethedevil for allowing me to tag their posts, making it easier on me so I don’t have to write everything out! I also want to take this moment to appreciate their work and contributions to this fandom! ☺️

Introduction

Baldur’s Gate 3 is a brilliant, complex, multi-layered game filled with multiple villains, heroic figures, and a plot that weaves players in seamlessly. That’s why we love this game—at least, that’s why I do—the gripping storyline and its faceted characters.

The game is set in the Forgotten Realms with DnD lore and rules, while still adding and maintaining its own unique features and twists.

But what if we entirely take a look at it from DnD lore perspective?

Section 1: Raphael as the core character in Baldur’s Gate 3

Fans of the Emperor might argue with me here, but oh man, have you seen how many pies Raphael has his fingers in?

This narcissistic little shit of a cambion plotted his grand design to take the Crown of Karsus for over 2,000 years, planning everything with terrifying precision and putting in a staggering amount of effort—all to manipulate Tav or Durge into giving him the crown.

To understand just how far back his scheming goes, we have to start with the fall of Netheril. As Raphael himself tells us, this is where it all began, and when his father seized the crown, it became impossible for Raphael to obtain it himself.

Baator—the Nine Layers of Hell—has its own system and rules. The plane is aligned as lawful evil, and by its laws, anyone who breaks them is punished; in other words, theft is a crime (don’t try this at home edition).

Am I going to explain the system and rules of the Nine Hells? Hell no, or I’ll be sitting here until next Halloween. Sorry, maybe in a separate post sometime (or not) 😭

So Raphael had to get creative if he wanted to get his greedy claws on the crown.

You can read about how much Raphael’s involvement is actually found in the game Baldur’s Gate 3 here.

What’s relevant for this ‘dissertation’ are the following points, which all show how he orchestrates the plot:

1. Raphael, Vlaakith, and the Astral Prism —

Raphael even plots to capture Orpheus. Not personally, of course, but with the knowledge that it could benefit him and would even serve its purpose in the future. This is a crucial detail.

However, I don’t believe Raphael would craft or have someone craft an item like the Astral Prism, as well as the bindings of Orpheus (the mask, chains, and binding crystals) and the Orphic Hammer. It’s more likely these objects already existed in the Hells, with Raphael profiting by dealing with them.

Sadly there is no official information on that, I really find that interesting.

As for why the Orphic Hammer is called Orphic Hammer - why is Orpheus called Orpheus? He’s a liberator for his people, having inherited the power of Mother Gith, who freed the Gith from mind flayer enslavement. The character of Orpheus draws heavily from Orpheus in Greek mythology, a symbol of liberation, love, and the attempt to rescue a soul from the bonds of death. The term “Orphic” reflects this sense of breaking free from constraints or seeking transformation (of course, it has other meanings, too, but this one feels like what the developers were aiming for).

So the hammer’s name has both symbolic depth and a bit of pun, as it’s intended to free the character Orpheus from his chains.

ANYWAY

2. Raphael, Moonrise Towers, and the Gauntlet of Shar —

The amount of interwoven contracts Raphael has made in the Shadow Cursed Lands is suspicious, and each and every one of them is too , an important point.

Isn’t it just a bit too convenient that Ketheric’s misery plays right into Raphael’s hands? The Shadow-Cursed Lands—Reithwin, once ruled by Ketheric, formerly full of Selunite worshippers but ruined by schemes of the Dark Lady who turned a grieving worshipper of her sister into a Shar follower and leader of an army of Dark Justiciars—is a whole breeding ground for contracts and a stage for Raphael’s play.

Hold on, I’m not implying that I believe Raphael had a hand in Shar’s mischief here, but I do think Raphael handpicked Ketheric, a grieving and obsessed madman (a truly tragic character, honestly), to be an unwitting pawn in his schemes, without directly involving himself. To do this, he contracted with desperate beings like the Architect, Yurgir, and the last Dark Justiciar.

To understand why Raphael would even need Ketheric, we have to look a step further.

3. Raphael and my beloved raccoon boy, Gortash —

Raphael buying Gortash from his parents was a calculated move and the final piece in the Netherbrain plot scheme.

I believe Raphael specifically chose Enver Gortash, a boy with potential, for his plans to get the Crown of Karsus.

Look, Gortash is anything but dumb; in fact, he’s the exact opposite. He learned the ropes in Hell, literally imprisoned in Raphael’s House of Hope. All jokes aside about pot-scrubbing duty and overhearing Raphael and Haarlep getting it on, Gortash is a quick learner.

Raphael just had to watch as Gortash escaped the House of Hope with vital information about the crown. With this, Raphael set up an ambitious, cunning man with the drive to steal the crown.

And this is where Ketheric returns to the picture. Ketheric, the chosen of Myrkul; Gortash, the chosen of Bane; and Durge, the chosen of Bhaal.

As for how Raphael might have gotten his hands on Durge? I’ll leave that as the theory’s plot hole.

I could fill it with headcanons—like Gortash and Durge knowing each other even before Gortash was sold—but that feels a bit far-fetched.

Actually, all of this is a bit far-fetched, but hey, it’s my silly little theory.

But hey again, we’re slowly coming to a conclusion how Raphael is the mastermind behind BG3, do you see my vision?

All Raphael needed was patience. The chosen ones, Gortash and Durge, set the stage by planning the Netherbrain coup and, in stealing the crown, executed Raphael’s plan. All they needed was the third chosen, Ketheric, to carry out the rest of the plot: building the Absolute’s army, etc., the rest we know...

So, what was left? Just someone desperate enough to make a deal with Raphael and actually hand over the Crown of Karsus. And how would he pull that off?

✨The Tadpole Gang✨

Every single one of them fits the bill. Especially if the player chooses Durge.

The next question is: how could he manipulate the group if they were under the Absolute’s influence? Well, that’s where the Emperor comes onto the stage.

Because, hear me out one more time: isn’t it convenient that the Emperor, of all people, finds the Astral Prism? A figure obsessed with freedom and manipulation, ambitious and clever, who would serve perfectly as a kind of protection shield from the Elder Brain’s influence for the gang? And to that even a disposable figure as it is a mind flayer who would not be trusted in the end.

(Naturally, in the game the player is the ultimate executional force, making any kind of higher plan or scheme either perfect or useless)

Nevertheless, this is as far as I will dive into this specific pond.

I just think it adds up nicely.

But Björni, if you have a Section 1, what about a Section 2? you might ask. Well, here it comes…

… how this ‘dissertation’ is actually about Mephistopheles being the ‘Mastermind’ behind the plot of Baldur’s Gate 3.

Section 2: Raphael as the Scapegoat

DnD’s lore about fiends—and, specifically, cambions—teaches us that they’re doomed to fail from birth. While they may think they’re in control of their schemes, they’re actually playing into the hands of their fiendish parent.

Ever wondered why Mephistopheles would even bother devouring Raphael if we defeat him? Sure, cambion sons are nourishing (yum yum), but given Mephistopheles’ personality, I’d guess he does it to humiliate his son, even in death, for being a failure—a failure to retrieve the crown for his father.

But wait, Mephistopheles already had the crown—why would he bother plotting all of this just to get it back? Isn’t that a bit over-the-top, Björni?

Bear with me: it’s not officially written anywhere, but it’s more or less canon based on what we know of the Archdevils Asmodeus and Mephistopheles.

Asmodeus rules the Hells, while Mephistopheles, as the Archduke of the 8th layer, Cania, is arguably the second most powerful being in Baator. Mephistopheles has never stopped dreaming of overthrowing Asmodeus, even after repeatedly failing miserably. But if he openly tried to use the crown against Asmodeus, it would be a direct affront, and Asmodeus would have shut it down from the start.

Mephistopheles has other children besides Raphael, and Raphael isn’t exactly useless, he’s actually the complete opposite. Strategically, it wouldn’t make sense to discard such a puppet (call him son)—unless Raphael had done something atrocious. And for someone as mighty as Mephistopheles, controlling his little cambion son would be child’s play. So, then why does Raphael hate his father so much, and why is Raphael ‘residing’ in Avernus?

As we know, Avernus is the armpit of Baator, a plane for exiles and outcasts.

I think Mephistopheles intentionally filled his relationship with Raphael with hatred, so Raphael’s ambition to overthrow his father would ignite and one day serve him. When Mephistopheles got the Crown of Karsus, unable to wield it himself, he set the stage for his son’s scheme—by casting Raphael aside, Mephistopheles set him on the path to steal the crown, with Mephistopheles only indirectly involved in overthrowing Asmodeus. Raphael would do the dirty work—taking over the other layers—before ultimately facing his father, who could then just snatch the crown from him. And yes, I do believe Mephistopheles is arrogant enough to think he’d still be more powerful than his son, even with a god-like artifact. He has that bloated of an ego.

BUT (Nr. 36,252), what about Asmodeus? Wouldn’t he step in and crush the plan?

Here’s the thing: Asmodeus generally doesn’t mind if his archdukes fight for control of their layers, as long as it doesn’t threaten his supreme authority or destabilize Hell’s hierarchy. In fact, he encourages a bit of rivalry and ambition among his archdevils, as infighting serves his purposes.

And can you imagine THE Asmodeus being worried about an over-ambitious cambion?

However, this leads to the TRUE instigator and the true subject of this ‘dissertation’…

… how Asmodeus is actually the ‘Mastermind’ behind the plot of Baldur’s Gate 3.

Section 3: Asmodeus doing things, just because

Joke’s on you—it’s been about Asmodeus all along, because even if he’d lose (not that he ever would—he’s just that powerful), he’d claim at the last minute that it was his plan all along. Losing trusted allies? What a bunch of traitors—perfect excuse to clean house. Losing Baator? Finally, he was sick of the job.

All jokes aside, Asmodeus being the cunning bastard he is, would likely pull off everything mentioned above.

To understand why he’d even bother, let’s take a quick (really quick, this is already getting too long) dive into his background and shenanigans in DnD.

Throughout DnD’s development from 1e to 5e, Asmodeus has gone through quite the evolution, eventually becoming a Greater Deity, the Embodiment of Evil, and one of the mightiest beings in existence, rivaled only by Ao.

While 5e keeps things vague to allow player interpretation, Asmodeus has consistently been the most powerful entity in the Hells—a schemer, strategist, and supreme manipulator.

(Here’s the only quote I’ll reference:) “[…] His sinister machinations could take centuries, if not millennia, to come to fruition, and his master plans extended across the entire multiverse. His labyrinthine, insidious intrigues could seem inexplicable to most outside observers, for Asmodeus let even his own servants stew in fear of his next move. With all the planes as his board, the Lord of Lies maneuvered the forces of evil like chess pieces in his grand designs, slowly and subtly manipulating everyone from deities to, when needed, lowly mortals.”

He’s described as being a thousand steps ahead of everyone. And while most of his plans serve greater purposes beyond even godly comprehension, some things he does just because—just for fun.

CONCLUSION

Of course Asmodeus knew Mephistopheles had the crown. Of course he knew Mephistopheles would never use it openly against him. And of course he knew Mephistopheles would keep scheming to use it indirectly, bringing his cambion son Raphael into the game.

Why would Asmodeus let all this happen, and why am I saying he’s the real mastermind?

Like already mentioned, Asmodeus often (indirectly) encourages and manipulates his archdukes to scheme and fight among themselves as a means to reinforce his dominance, foster survival of the fittest, and test loyalty within the infernal hierarchy. However, he maintains strict boundaries, and any conflict that risks his supreme authority, disrupts Hell’s role in the multiverse, or leads to excessive chaos would be swiftly and ruthlessly quashed. In Asmodeus’s mind, such rivalries are a useful tool—as long as they remain safely under his control.

In my view, the Crown of Karsus was never a real threat to him; this whole plot served his entertainment, tested loyalties, or helped him gauge his chess pieces.

And that’s how Asmodeus is the real mastermind behind the plot of Baldur’s Gate 3.

Thanks for reading this mass of nonsense ❤️

Why I even bothered with all this shit? It’s one of the key plot points in my longfic, Ah, You Devil!