#all the ultimate self stuff always has

[kozzax]

ok im having fun ill say it. again im only to ch20 of meat but im having FUN. im enjoying this experience. are there parts that ick me out yes but theres a lot more thats just really fun to read. i think maybe trying to read it the first time in an epilogue-negative space was bad for me. im having fun!!!

[milfronin]

.

[hannahchronism]

i saw. an edit on tiktok (yeah i know) of someone who had compiled a bunch of pictures they took when they started to feel like the thing they were doing wasn't real and that sort of. boxed me into acknowledging that that should probably be. the minority feeling. if it happens at all.

[dottyistired]

The missing Journal 3 pages in TBOB are so interesting to me in further contextualizing Ford's mindset of shame regarding Bill. We'd gotten a snippet of it in the original J3 release:

But Bill shows us the less pragmatic motivations behind his actions, the mushy feely stuff he was too embarrassed to properly journal, putting certain series events into new context. Particularly this scene where after a whole episode of dancing around it, he finally opens up to Dipper about the nature of their relationship:

"Bill wasn't always my enemy, Dipper. I used to think he was my friend, long long ago..."

But does he really tell the full truth here? The cat's out of the bag, Dipper knows they had a deal, there's no reason not to tell everything. But Ford proceeds to explain his reasoning for summoning Bill as a purely practical, scientifically-driven one.

"I had hit a roadblock on my investigation of Gravity Falls. Until I found some mysterious writing in a cave. Ancient incantations about a being with answers. It warned me not to read them, but I was desperate."

Desperate...for what? Ford would have us believe it was for the sake of knowledge. Yet TBOB shows us that this is the entry immediately preceding his and Bill's first meeting.

Ford isn't some unfeeling robot powered solely by knowledge, he has human needs. He was lonely, lonely enough to summon a demon for companionship. A companionship so intimate, he describes his meeting Bill as the best day of his life, and laments the periods of absence from him.

That desire for intimacy is ultimately what drove him, and even with all his dirty laundry laid out he can't admit that part to Dipper. Maybe he doesn't even realize it himself, at least not until the post-Weirdmaggedon sections of TBOB:

Under the shame of unleashing Bill Cipher's destruction on the world, there's a much deeper shame: that Stanford Pines is not a lone-wolf, unfeeling sci-fi hero, but a fallible human being, capable of illogical sentimentality and longing for approval and (in)human connection. The exact nature of this sentimentality and longing is left to interpretation, but the efforts he goes to to conceal it make me lean towards something beyond platonic. Alex Hirsch's own words might support this:

"I think he is deeply, deeply hiding from his real feelings about things, because at some point early on, he decided that he could run from hurt by achievement and by creation, and has dug that hole so deep that he has no relationships. He doesn't have friendships, he doesn't have romantic relationships, he is someone trapped in a tower of his own mind and estranged. Ford shows none of that. He has sublimated himself romantically so, so deeply. (…) I really thought of Ford kind of like Tesla in that realm.”

TL;DR Ford is up in his feelings about Bill and repressing hard. This is also eerily reminiscent of the self-blame abuse survivors engage in, the hesitance to tell others, and shame over persisting feelings for their abuser.

[parkerluvsu]

nsfw alphabet for art donaldson.. not requested but i wanted to do it so.. enjoy it!!! <3

A = Aftercare (what they’re like after sex): i think that art definitely feels the pressure of society to be the dominate person in a relationship, so he does all the classic stuff, cleaning you up, brushing your hair cuddling with you.. but as he gets more comfortable in your relationship i think that he is open about the fact that he wants to be taken care of too.. he wants aftercare to be mutual, and he wants you to clean him up and tuck him into bed just like he does for you <3

B = Body part (their favorite body part of theirs and also their partner’s): art definitely isn't one to toot his own horn.. but if he was being honest i think he'd say his abs! he's worked so hard for them, training everyday + he likes when you rake your fingernails down them <3 for his partner.. i think he would say their hands! i think that art just generally runs cold, so having his partner warm him up with their hands would be like... a dream. also he just loves getting shoulder massages and getting his hair played with! (and all the other good things you can do with your hands) <3

C = Cum (anything to do with cum, basically): the one thing challengers fandom can agree on... art cums a lot and is loud. he always wants to jerk off but the cleaning after is a total buzz kill! whether he's humping his pillow or fucking his hand, the amount of cum he has to clean up is frankly.. embarrassing. he's also extremely loud.. he's just very sensitive and can't help but whine and moan and pretty much cry when he cums <3

D = Dirty secret (pretty self explanatory, a dirty secret of theirs): when he was younger, arts dirty secret was definitely jerking off, growing up in a strict household made it seem like masturbation was taboo.. but now that he's older, he definitely keeps his kinks close to his chest, so id say his secret is that he enjoys being dominated, yet again he feels pressure to be the dominant one in a relationship but there's nothing he enjoys more than being dominated and taken care of by his partner <3

E = Experience (how experienced are they? do they know what they’re doing?): i think that by the time he's in college, art has had his fair share of girlfriends but has rarely had sex with them, he just feels like sex is the ultimate connection with someone.. and it makes him nervous to do it with someone he even has a bit of doubt about. art is actually naturally gifted at sex for some reason, the first time you're together, you get ready to give him a little tutorial on eating you out, but he immediately gets to work, doing exactly what he should do <3

F = Favorite position (this goes without saying): any position in which he can see your face is arts favorite, he's a classic guy and he loves missionary, and he loves when you ride him too (you may be able to convince him to let you do a freaky little amazon position too) <3

G = Goofy (are they more serious in the moment? are they humorous? etc.): art is totally serious, he just gets very nervous that he's gonna mess something up or embarrass himself or hurt you, that he couldn't make a joke even if he tried! <3

H = Hair (how well groomed are they? does the carpet match the drapes? etc.): college art definitely shaves everytime he showers, he just hates the feeling of body hair on him, and he loves the way his body looks soft and shiny when he is shaved. older dilf! art definitely gets waxed, he makes regular appointments because it's easier than shaving for him, and it still makes him feel pretty <3

I = Intimacy (how are they during the moment? the romantic aspect): art is romantic to a fault, he absolutely puts you first in every aspect of your relationship, especially when being intimate so he tries to set the mood as best he can, being sweet and romantic (more than usual) almost like the first time you had sex, every time <3

J = Jack off (masturbation headcanon): art jerks off a lot. he just has a high sex drive, and it relaxes him, there's nothing more he wants to do after a long day than hump his pillow and fall asleep <3

K = Kink (one or more of their kinks): i think that art only explores his kinks when he feels really comfortable in a relationship and they kind of come out one by one.. first he says he like to be dominated.. then he amps it up to say maybe he wants you to rim him.. then it's pegging and before you know it he's calling you "mommy" <3

L = Location (favorite places to do the do): in bed. seriously the only place he'll do it. once, he got a little too tipsy and you guys did it on the couch but never again. he sees sex as a private thing, and that's what a bedroom is for! <3

M = Motivation (what turns them on, gets them going): literally just looking at you.. i mean you could just be sitting doing your homework at your desk and he'd only be thinking about you sitting on his cock <3

N = No (something they wouldn’t do, turn offs): many things i can think of.. but mainly he isn't into anything "gross" aka bodily fluids, or pain, the occasional love bite or hicky is okay with him, but i think he just can't really wrap his head around why you would want to hurt him during sex in the first place, after all he'd never hurt you <3

O = Oral (preference in giving or receiving, skill, etc.): art could 100% go both ways, eating you out pretty much gets him off too (you can't count the number of times he's came in his pants just eating you out), but the feeling of your hot mouth on him is as close to heaven as he thinks he'll ever get <3

P = Pace (are they fast and rough? slow and sensual? etc.): at the start, art goes slow and deep, really angling his hips to find that soft and squishy part in you that makes you scream. once he gets closer to his orgasm.. it's like he's in his own world, he doesn't even really pull out to thrust anymore, mostly just humping into you faster and faster until he does one last push of his hips to get his balls as snug as they can be against you when he cums <3

Q = Quickie (their opinions on quickies, how often, etc.): art doesn't like quickies, he prefers to do all the romantic parts of sex, like kissing, making out, foreplay etc. you can't really do that in a quickie, it leaves him feeling unsatisfied <3

R = Risk (are they game to experiment? do they take risks? etc.): in any part of his life, art likes for others to take the lead and make decisions, so you'd have to be the one to bring something up, and you'd really have to encourage him to be honest, because it's in his nature to say yes to everything in order to please you, even if he maybe doesn't want to do something <3

S = Stamina (how many rounds can they go for? how long do they last?): art is completely drained after one round, he just gets so overstimulated and sensitive after that it would just be painful to go again, he'll totally eat you out after sex though, if you're still not satisfied <3

T = Toys (do they own toys? do they use them? on a partner or themselves?): i firmly believe that patrick got art a fleshlight for his birthday one year and.. art didn't leave his room for a week. but once he has you, he doesn't really see the need for toys for himself, and it would take a little bit for him to see your toys as partners instead of competitors <3

U = Unfair (how much they like to tease): art is not a teaser at all, i mean he will get on his knees for you at any time, especially during sex, so he's never be able to tease you about something since he's just as eager as you are <3

V = Volume (how loud they are, what sounds they make, etc.): like i said before, art is loud. he moans, whines, pants, every noise under the sun. "mmmf.. more.. more" "fuck 'm gonna melt you're so warm" "'s feels so good" "k-keep squeezing me like that.." "fuck 'm close.. please- please keep going" "i wanna cum.. i needa cum for you.." <3

W = Wild card (a random headcanon for the character): as a birthday present, patrick got art a pack on flavoured condoms but art had no one to use them with so art just fast tested them by himself 😭 <3

X = X-ray (let’s see what’s going on under those clothes): i think that art is average thickness, maybe a little on the long side, like 6.5 inches, nothing too uncomfortable. a cute pink tip that drools pre and gets almost purple when he's about to cum.. and pretty round balls that slap deliciously against you and feel great to suck on <3

Y = Yearning (how high is their sex drive?): art is horny 99.999% percent of the time, he just can't help himself. but for art, horny doesn't necessarily mean he wants to have sex with you, it just means that he wants to be close to you, i mean he gets a boner every time you're around, so it's just his way of saying i love you <3

Z = Zzz (how quickly they fall asleep afterwards): art gets extremely tired after sex, if he could just stay inside you after sex and go right to sleep he absolutely would. but he's responsible.. so he cleans up, forces you to go pee and then presses his face into your chest and is out like a light in approximately 5 minutes <3

[shouts-into-the-void]

Just read screenshots of the Aaron extra chapter and I have so many thoughts, so here they are:

It's always so funny to me to be reminded of the fact that the animosity between Aaron and Neil is mostly one-sided. Like, Neil finds Aaron frustrating, but all the antagonistic stuff he does to him is ultimately in service of helping him in some way and while he's angry when Aaron provokes him, he otherwise regards him with disinterest and even expresses the desire to see what he's like when he's relaxed and enjoying himself during the party with the Vixens. Meanwhile Aaron just really hates that man.

I really appreciated Nora using this chapter to clear up some of the gripes a lot of the fandom has had with Aaron's character in the past and confirm that Aaron's comments to Nicky have to do with his cousin making graphic and unwanted sexual advances on their teammates, and his accusations towards Neil were from a place of concern for his brother. I also liked that it was pointed out that of course he would have at least some internalized homophobia due to being raised by religious zealots in a conservative area, but is unlearning it due to Nicky.

On a similar note, I'm glad that we were provided the context that Nicky's inappropriate behavior is a defense mechanism to weed out people who might hurt him rather than legitimate advances, because I think the fandom tends to forget that he is also a character with extreme trauma written outside of the "perfect victim" stereotype. His actions aren't okay, but the entire point is that they are the result of what he's had to endure just like every other member of the team

The implication that Andrew specifically signed with the Foxes so Aaron could go to college

Aaron and Andrew have the same nervous habit of picking at loose thread

It causes me physical pain to see Andrew clearly trying to open up to Aaron about his self-harm, but because his way of communicating is less straightforward (he doesn't lie, but he because he stuggles to confront and be open with his emotions, he presents the truth in flowery, vague language) and because the two dont really know or understand each other, Aaron can't fully grasp the implications of what he's saying

On the subject of things that cause me physical pain: baby Aaron telling his mom that he wanted to be a neurosurgeon like the people on TV and her laughing and saying he'd never make anything of himself. Fuck Tilda Minyard, all my homies hate Tilda.

Andrew is so uncomfortable, someone Get Him Out of There.

Going off that and his nervous habits (that Aaron mentions he did often enough to be noticable as a habit premedication), I am highkey wondering if the reason Sober Andrew doesn't talk to anyone outside Neil is because he's just. Socially Awkward.

We get a little bit of insight into Andrew's "misogyny" (I personally think distrusting certain people as a result of extreme personal trauma is a little bit different than just being sexist, in the same way women distrusting men because they're used to being harassed and belittled isn't misandry, but that's up to your personal opinion) and that his distain for Katelyn comes from the fact that he thinks she's stringing Aaron along and will turn out to be awful like his previous girlfriends (there's also a notable implication that Aaron has the same self-destructive tendencies as Andrew, and may be why he went out of his way to get him into college and on the straight-and-narrow) also see that this extends to Bee as well despite their close relationship, with him being so afraid that she'd reject him for being gay that he can't even look at her while talking about Neil, probably made worse by the fact that she's a maternal figure for him, which is where this trauma response originates.

Aaron is the only person on the team who's aware that Andrew hasn't slept with Neil, and the only one to grasp the significance of the fact that they've gotten close to that point already despite Andrew's trauma, outside of Renee

It was overall really interesting to see inside Aaron's head (I actually wouldn't mind a book from his perspective, he has a similar way of thinking to Neil but much more grounded) and to see Andrew through the lense of someone who just views him as Just A Guy

[lackadaisycats]

Hey Tracy! Have you heard about the new Ai called Sora? Apparently it can now create 2D and 3D animations as well as hyper realistic videos. I’ve been getting into animation and trying to improve my art for years since I was 7, but now seeing that anyone can create animation/works in just a mare seconds by typing in a couple words, it’s such a huge slap in the face to people who actually put the time and effort into their works and it’s so discouraging! And it has me worried about what’s going to happen next for artists and many others, as-well. There’s already generated voices, generated works stolen from actual artists, generated music, and now this! It’s just so scary that it’s coming this far. 

Yeah, I've seen it. And yeah, it feels like the universe has taken on a 'fuck you in particular' attitude toward artists the past few years. A lot of damage has already been done, and there are plenty of reasons for concern, but bear in mind that we don't know how this will play out yet. Be astute, be justifiably angry, but don't let despair take over. --------

One would expect that the promo clips that have been dropping lately represent some of the best of the best-looking stuff they've been able to produce. And it's only good-looking on an extremely superficial level. It's still riddled with problems if you spend even a moment observing. And I rather suspect, prior to a whole lot of frustrated iteration, most prompts are still going to get you camera-sickness inducing, wibbly-wobbly nonsense with a side of body horror.

Will the tech ultimately get 'smarter' than that and address the array of typical AI giveaways? Maybe. Probably, even. Does that mean it'll be viable in quite the way it's being marketed, more or less as a human-replacer? Well…

A lot of this is hype, and hype is meant to drive up the perceived value of the tech. Executives will rush to be early adopters without a lot of due diligence or forethought because grabbing it first like a dazzled chimp and holding up like a prize ape-rock makes them look like bleeding-edge tech geniuses in their particular ecosystem. They do this because, in turn, that perceived value may make their company profile and valuations go up too, which makes shareholders short-term happy (the only kind of happy they know). The problem is how much actual functional value will it have? And how long does it last? Much of it is the same routine we were seeing with blockchain a few years ago: number go up. Number go up always! Unrealistic, unsustainable forever-growth must be guaranteed in this economic clime. If you can lay off all of your people and replace them with AI, number goes up big and never stops, right?

I have some doubts. ----------------------

The chips also haven't landed yet with regards to the legality of all of this. Will these adopters ultimately be able to copyright any of this output trained on datasets comprised of stolen work? Can computer-made art even be copyrighted at all? How much of a human touch will be required to make something copyright-able? I don't know yet. Neither do the hype team or the early adopters.

Does that mean the tech will be used but will have to be retrained on the adopter's proprietary data? Yeah, maybe. That'd be a somewhat better outcome, at least. It still means human artists make specific things for the machine to learn from. (Watch out for businesses that use 'ethical' as a buzzword to gloss over how many people they've let go from their jobs, though.)

Will it become industry standard practice to do things this way? Maybe. Will it still require an artist's sensbilities and oversignt to plan and curate and fix the results so that it doesn't come across like pure AI trash? Yeah, I think that's pretty likely.

If it becomes standard practice, will it become samey, and self-referential and ultimately an emblem of doing things the cookie-cutter way instead of enlisting real, human artists? Quite possibly.

If it becomes standard industry practice, will there still be an audience or a demand or a desire for art made by human artists? Yes, almost certainly. With every leap of technology, that has remained the case. ------------------ TL;DR Version:

I'm not saying with any certainty that this AI blitz is a passing fad. I think we're likely to experience a torrential amount of generative art, video, voice, music, programming, and text in the coming years, in fact, and it will probably irrevocably change the layout of the career terrain. But I wouldn't be surprised if it was being overhyped as a business strategy right now. And I don't think the immensity of its volume will ever overcome its inherent emptiness.

What I am certain of is that it will not eliminate the innate human impulse to create. Nor the desire to experience art made by a fellow soul. Keep doing your thing, Anon. It's precious. It's authentic. It will be all the more special because it will have come from you, a human.

[silverwhittlingknife]

So you're a go to source for all things Dick&Tim bros and you tend to write primarily from Dick's POV. So, odd question, but if you were to summarize their relationship from his POV in FIVE panels which panels would you pick? Keeping in mind that one specific aspect of their relationship that you love needs to be clearly represented by each panel (loyalty, trust etc). I hope this is a fun challenge and not an annoying question so if you don't want to answer that's cool! Have a wonderful day!

No more talk. The same thoughts run through two minds... (SotB 29) / You're my equal. My closest ally. (RR 1) / I can't stop thinking how much I rely on him. (GoG 3)

25 Feelings Dick Has About Tim

This was such a kind ask & a cool challenge which I totally failed; here are TWENTY-five panels of Dick's POV on Tim sdfdsfds Look, I got carried away! Marcia and Cindy! The boys!!

OKAY SO BEFORE I GET TO THE PANELS A FEW NOTES:

WARNING THAT THERE ARE SOME NEGATIVE EMOTIONS IN HERE because I love conflict but but but you gotta remember those are not the final word!! They are complicated people and sometimes they get mad at each other BUT ultimately their relationship is so hugely important in both their lives & they love each other and rely on each other so much -!!! <3

Also I have CONCLUDING THOUGHTS at the end about what Dick's POV leaves out (mostly: a lot of Dick defending & protecting & supporting Tim, which Dick does instinctively but isn't very self-aware about most of the time)

I have loosely organized my list into 5^5 format (5 categories with 5 examples each!), so if you want to skip to a relevant one, here are the categories!!

Below the cut:

I hate him and find him infuriating (#1-5)

On second thought, he's endearing & fun (#6-10)

Grief is complicated & he's all tangled up in mine (#11-15)

I love him & think highly of him (#16-20)

I rely on him & though it's hard for me, I trust him (#21-25)

I hate him and find him infuriating (#1 - 5)

1) He thinks he’s so smart and can psychoanalyze me and Bruce, but he doesn’t know me at all, he should get lost (New Titans 61)

2) He thinks he’s so smart and can psychoanalyze Bruce but he doesn’t know Bruce at all, he should get lost (Gotham Knights 26)

3) He is so nosy about stuff that is MY business (Robin 0)

4) He sounds like an insincere suck-up half the time... but okay, fine, if you push him he's got a sense of humor about it (New Titans 65)

5) I'm sure he's a better vigilante than me. It's my fault for being a failure, but I resent him anyway. (Nightwing 9 - Dick's having a nightmare)

On second thought, he's kinda endearing (#6-10)

6) He worries too much and gets anxious so easily, but it makes him fun to tease (Robin 67)

7) I'm not that competitive - okay, so maybe I'm a little competitive, I gotta make sure he doesn't get a swelled head (Prodigal)

8) I'm supposed to be his favorite! It is not cool for him to be fanboying over my not-girlfriend's not-boyfriend!! (Birds of Prey 19)

9) We have fun together. I can kick back and relax when it's just the two of us. Plus I get to boss him around a bit. (Prodigal)

10) He’s always trying to reassure me, and I guess it's a little comforting, but also he doesn’t really get it. Or me. He makes excuses that he shouldn't, because he doesn't understand that I suck. (Nightwing 64)

Grief is complicated and he's all tangled up in mine (#11 - 15)

11) He reminds me of everything I try not to think about. Sometimes the memories are so strong it hurts to look at him. (Batman 441)

12) WHY IS HE BEING IMPOSSIBLE ALL OF A SUDDEN??? THIS IS SO FRUSTRATING (Nightwing 139)

13) We're the same. He says all the things I don't let myself think about. It's like arguing with myself. (Nightwing 139)

14) He thinks he gets to tell me what to do but he doesn’t, fuck him (Battle for the Cowl)

15) Life sucks, so what. I sucked it up so he should too (RR 1)

I love him and think highly of him (#16 - 20)

16) He’s the closest thing to a brother I’ll ever have.  If someone hurts him I will hurt them harder. (Nightwing 6)

17) I can't handle the idea of losing him. (Nightwing 97)

17) He’s so good and I’m not. I'm afraid I’m bad for him. (Nightwing 110)

18) He’s better than me, and it’s kind of a relief because I know no matter what he’ll be okay. (Gates of Gotham 3)

19) In my head he’s the responsible one.  (Gotham Knights 10)

I rely on him, and though it's hard for me, I trust him (#20-25)

20) I know I have to trust him but I'm afraid he'll make the wrong choices and get hurt (Nightwing 139)

21) I'm sure I know what he should do because I see myself in him - not that I can take my own advice, but he should (Blackest Night 3)

22) I trust him.  When I’m losing my grip on things, he pulls me back. (Gotham Knights 10)

23) I want him to trust me (Red Robin 12)

24) He can tell when I'm lying. Sometimes he sees my weaknesses better than I wish he did. (Detective Comics 874)

25) He’s always there when I need him. (Teen Titans / Outsiders Secret Files)

Final rambling thoughts:

TIM: Uhh, okay, so I'm just skimming this list - do you really trust me? you're not just saying that? - but anyway, I'm confused because you left some stuff out? Like some stuff that's kinda important? DICK: No? I think I got everything? TIM (starts counting on his fingers): The time I was having a bad day but then I called you. The time I got captured by Two-Face but then you saved me. The time I fell off a train but then you saved me. The time I fell off a building but then you saved me. The time I fell off a different building - DICK: I feel like you're trying to make some kind of point but I'm not sure what it could be.

SO THE THING IS, I put 25 panels in here and not a single one has Dick catching Tim when he’s falling!!! But I think that's a central motif of their relationship from Tim’s POV, not Dick’s. I love Dick, but in some ways I think he is spectacularly un-self-aware.

And I think he especially has a lot of blind spots about Tim. He kinda intermittently gets that Tim admires him, and he enjoys it in a playful I-get-to-boss-you-around way. But Dick tends to consistently underestimate all of his own good qualities & skills, and he meets Tim at a point in his life when he's especially down on himself & his abilities. And so he's unable to see his own influence on Tim, & therefore unable to fully understand a lot of Tim's priorities and loyalties and motivations, because you can't actually understand Tim without understanding Dick's impact on him. There's a fascinating moment in Bruce Wayne: Murderer when Dick's completely blindsided & upset to discover that Tim doesn't entirely trust Bruce, even though this has been a definitive fact of Tim's whole thing ever since he showed up with his Batman needs Robin theory, and Barbara has to actively remind Dick of the obvious-to-everyone-except-Dick fact that a lot of Tim's loyalty is to Dick, and Tim loves Bruce but feels free to be more wary of him. (And to give Bruce credit: this is not something he ever begrudges.) But anyway Babs points this out, and Dick manages to sorta process it for about five seconds, but he cannot actually accept it into his worldview so instead he discards it at the speed of light and goes off and has an argument with Tim instead sdfsfdsf

All of Dick's virtues - Dick's kindness at the circus and Dick's determination to fight through grief and Dick's rigid sense of morals and Dick's vigilante skills and every time Dick has ever backed Tim up or listened to him or protected him or saved him from something or just been casually kind to a stranger in Tim's presence etc etc etc - all these things loom really large in Tim's mental story of Who Dick Is, and What Dick And Tim's Relationship Is. Tim meets Dick before he meets Bruce, trusts Dick more than Bruce, aspires to be Robin instead of Batman. And so in Tim's default version of the story, Dick is the super-special and admirable hero and Tim is... nobody in particular, a tagalong outsider who's barely managing to be a hero, not part of Dick and Bruce's family and not part of their story, who, if he's VERY LUCKY and tries REALLY HARD, might be able to fight his way to proving himself and offering something to Dick that Dick will value, if Dick doesn't get fed up with him first.

But that's not Dick's version of the story!!!

Dick's version of the story is almost the exact opposite, a story where Dick's an outcast failure black sheep who's screwing up everything he tries, and meanwhile Tim is The Sudden New Perfect Robin Who's Better Than Me And Probably Bruce Loves Him More And Probably They Gossip About What A Loser I Am, mixed with a complicated edge of Tim Thinks He's So Smart But He Doesn't Know Me/Us At All. Dick gets much more attached to Tim over time, and Tim gets unnervingly better at the know-it-all psychoanalysis so then Dick gets to have complicated feelings about him being right instead of just annoyance at him for being wrong, plus Dick's relationship with Bruce improves a lot, so Tim stops feeling so threatening. But Dick never fundamentally changes his basic theory of their relationship in which Tim is highly impressive and capable, and Dick is not so much.

And so asking Dick about Tim is kinda like if you asked George Bailey to tell you about Harry Bailey in It's A Wonderful Life; like, you'll be there for five hours while he tells you how great Harry is, and how accomplished Harry is, and how he doesn't really get how or why Harry does the things he does, and maybe George does feel a little resentful or jealous sometimes, but that pales in comparison to all his admiration and trust for Harry who he loves so much, who's better than him in so many ways, and he's not gonna openly gripe but secretly he can't help but feel sometimes like he's such a failure in comparison to Harry, a perfect person who emerged fully formed from Zeus's head with all the virtues and also all the accomplishments, etc. etc. etc. --

-- and he will not actually remember the part where he changed and saved Harry's whole entire life unless you literally send him to an alternate timeline in order to force him to remember it. <3

[xamag-draws]

BBR thoughts 2024

Since I mentioned that I finally dusted off an old project of mine and was ruminating on how I'd remake it, I thought I'd elaborate a little, now that I've solidified some concepts. For funsies

This is gonna be a bit of a long and unfocused one, but I don't share my personal thoughts here often, especially the stuff about my projects I always marinate in. And for once it's something that people have existing context for, so hey why not

So for anyone who hasn't been following me for a gajillion years, The Black Brick Road of OZ was a webcomic that I posted around 2013-2015, back when I was in highschool going on college (which is kinda crazy to think about). It was sort of a darker twist on The Wonderful Wizard of Oz, although I definitely leaned a lot more into dark humor more than anything in those first few chapters

I don't think it's available to read anywhere anymore, and I know people have been asking me about it. So here's the full proper archive of BBR, as full as it can be with deceased Flash

I totally used it as an excuse to shamelessly and self-indulgently experiment. It had interactive pages and GIFs and was wayyy too overproduced for what I could handle or what was necessary, but I did have great fun making it while it lasted

Unfortunately, that excess and the fact that I've changed too much as a person by the time I was in college is what ultimately killed it. The direction I wanted to go in was practically unrecognizable from the original idea started back in 2011, so there were many old hold-ups that I felt ruined it

At the time I kinda wished I could start/rewrite it all over, but considering that I pretty much had the entire script done at that point, it felt like a pointless sisyphean task. So I just put it on a shelf and didn't look back for about 8 years, because I didn't know what else to do

Now to be fair, the nature of my art has always been iterative and cyclical; when I feel like my creative juices have run dry I prefer to leave a project to marinate and move on to something else; cycle through other old things and bring in new skills and perspectives into the mix when I'm ready again. Not very productive, but it is what makes me happy to work on my OCs; I'm doomed to hit a wall with them eventually and I need some time to be able to find a new direction

So that said, I'm glad that BBR was left to marinate for that long. I don't think I was prepared, emotionally or intellectually, to tackle it again until now. The Wizard of Oz book (and the entire series of them, really) has always been near and dear to my heart, but there's a lot of context around it that I'm only unpacking now that I'm older

I think I always inherently feel negatively about the stuff I've made in the past, like its faults always jump out to me more than the positives, especially the more time passes. I've never liked that, and I do really appreciate the kind things people have to say about BBR to this day. The fact that it still can be recognized and remembered is very sweet

When I left it, I already found it "kinda cringe", and that feeling only deepened with years. When I took my first look back at it, asking the question "how would I rewrite it now?", at first I took a very cynical approach, as in "everything would have to be torn down"

But the more I sat on it, the more I found that I still see some merit and charm in the ideas I was putting out; I just didn't know how to execute them at the time (not to pretend that I know what I'm doing now, but I certainly know more at least). Turns out a lot of my old concepts could be changed substantially with just a few small tweaks. So I'd say that's a nicer way to think about my previous work

If you haven't seen yet, I posted a first draft of my new designs for some of the characters (the main group, the Goods and the Wickeds). Definitely subject to change, but more or less how I see them now

I'm just playing with these concepts; by no means would I attempt to remake BBR right this moment. Call it a pipe dream among my other ones. But just for fun, this is the direction I'd like to take:

Nowadays I'd probably make it a visual novel, with more emphasis on the visual part than the novel because I'm no English prose writer by any means. It'd still let me play a little with the interactivity while helping cut some corners on the drawing part (only some, I imagine I'd go hog wild anyway)

I've always intended for some events inspired by the sequel books to take place in BBR's past. Stuff like Jinjur's revolt or Ozma's rule preceeds the main events here. So I think it would be fun to follow the past of a few key characters alongside the main story. One chapter focusing on the present quest to see the Wizard, then one focusing on the past events (that are maybe reflective thematically); rinse and repeat

I'm also sticking a little closer to the original text in some regards. Not everything that I enjoy from the books would be translated here, it's still just a very loose fantasy on the material; but I'd like to be closer in spirit at least

I like mature, wise and powerful Glinda, I like kind and vulnerable Tin Man, I like the Wizard being a pathetic yet loveable liar, so I'm sprinkling in more of that for example

I'd like to keep some whimsy, but make it more grounded and a bit more serious to be coherent in tone. I think the original TWWOOZ book was a more realistic fantasy in some ways, even for the standards of the time; I like its simple but vivid tactile descriptions and details like bringing attention that Dorothy needed to eat and sleep

I find it funny that Baum specifically was averse to making his books scary or unpleasant, finding that unnecessary for telling a compelling kids story, but they still can get pretty dark and disturbing, at least for our modern sensibilities. Let's just say that I intend to use the Evoldo and Chopfyt storylines for my purposes. In that way, I feel like a "darker" Wizard of Oz retelling can still mostly be tonally in line with the original and balance it with enough heart and occasional humor

I slowly grew to appreciate the quaint old-timey quality of the original series, as well. The first book is both timeless and very much a product of the 1900s. Originally I tried to give it a little modern or at least anachronistic spin, but it was moreso because it's what I knew best, so these days I'd rather intentionally lean into the time period. Still not fully historically accurate by any means, but at least directly acknowledging the influence

The events of the story span across 40 years of these characters' lives, so I'm drawing inspiration from the entire so-called La Belle Epoque: the time period around 1880s-1920s. Basically I'm cooking, and my soup is old Victorian fashion morphing into Edwardian fashion and slowly inching towards flappers

Some new Dolly outfits

Lots of crazy things, political changes and innovations were happening at the turn of the century, which I think is noted and reflected by Baum in the books as well; the character of Tik-Tok might not blow any minds now, but he was one of the first robot characters in literature at that point; and don't even get me started on Jinjur, etc. Plenty of really interesting stuff one could lightly ponder in an Oz adaptation these days

Aesthetically, art nouveau has always been a big artistic influence for me, and it'd definitely be its time to shine here. John R. Neill's illustrations of the Oz books often keep me company as well. Nouveau architecture in particular fits that fairytale whimsy extremely well imo

I'd allow myself a little bit of art deco here and there, but ultimately its intimidating geometrical splendor is an antithetical to the flowery nature of nouveau and I associate it with a completely different era. Definitely fitting some characters like my Wicked Witch of the West, but shouldn't be overused

One of my main problems with the original BBR was that eventually I lost track of what it was even about; and the original ending felt too mean and unfulfilling to be worth it. Now I'd like to stick to the theme of home and family as my main theme, but in a different, more bittersweet way than in the book

An interesting connection I made is that a lot of my aforementioned older key characters (the Witches, Jinjur, the Nome King, etc) all came from the same reformatory as kids, that's how they know each other. In my recent research I learned that in those reformatories it was usually frowned upon to release the children back to the families, which were seen as the original corrupting influence regardless of the circumstance. The reformatory did everything in its power to cut that connection and make itself the only family those wayward kids were supposed to know and love. That's an unexpected tie into the theme of home that I'd like to explore as well

So yeah that's the current state of it. I have a bunch of outfit concepts I'm slowly cooking, although I'm now sure whether I'd post them... But I do miss these funny guys, and I'm glad some people still do as well :)

[morbus-mlm]

Gravity Falls Headcanons/Things I Think About Often (1,2)

⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋ ⍋

- Mabel's modern artist who we heavily associate her with is Chappell Roan, especially her with the song HOT TO GO! Dipper deserves the same treatment but with Conan Gray okay. I need to see an edit of this silly guy set to Lonely Dancers.

- Pacifica lets her natural hair out once she leaves her family. It's closer to an ash blonde

- Wendy has always been a horror movie girlie, she's seen it all.

- Some of Wendy's friends made those "summoning ___ at 4 am" videos because they were bored, what else is there to do around this town anyways?

- pacifica is a youtuber, she's also a pretty sucessful pro-gamer. She is canonically very good with fps,

- dipper creates some sort of mystery solving/ghost hunting/conspiracy analyzing show. It's a continuation on stuff he did in childhood (Dipper's Guide to the Unexplained).

- Mabel cannot be contained by a job title, she has done everything and anything creative. I feel like her main job would be something like a tattoo artist but on the side she sells sweaters on etsy, does drawing comms, animated, made music, she has her hands everywhere.

- Mabel, Paz, & Dipper will sometimes visit each other when working. I like the idea of Paz guesting on an episode of Dipper's mystery show, Mabel trying to play fps with Paz, Dipper visiting Mabel's tattoo shop and getting pierced there.

- Soos' keyboard getting decorated by the people he considers family. It starts with Mabel putting on like, five stickers on the bottom of it. Stan & Ford both carve into the sides of it. Dipper draws on it in marker. Melody writes words of affection on the sides/an inside joke between them. Abuelita is the one who etches Soos' name onto the keyboard case. Wendy writes like a cool, motivational quote on the case.

- the Hand Witch, her whole situation is looking towards the better. She and her man read as that one meme, "my witch gf" "me letting her do whatever the hell she wants"

- Wendy modifies her furbies. She is absolutely one of those people who makes long neck furbies and puts lights in their eyes/ears, she gives them hands.

- Emma-May & Fiddleford do not reconnect. Emma doesn't know about Fidd's work in the portal, but she does know about him losing his sanity. She does feel sympathetic and understanding towards his situation, but ultimately she doesn't want to force a romantic dynamic with him.

- There are parts of her that have moved on, there are parts of her that still feel anger, and sadness over what happened between them. She's happy that he's in a better state now and reconnecting with their son. Emma-May writes to Fiddleford, hoping that he has a good recovery.

- Fiddleford writes a single letter to her. He writes that he is sorry for not being their to support her, to help her raise their child. I feel like he would be very apologetic but not self-aggrandizing.

- There are parts of him that are still angry at himself, and ones that still wish to avoid dealing with such a difficult and messy situation. But he is a man who moves forward. He writes that he's grateful for Emma-May's wishes, and he wishes her well in return.

- Although their romantic bond with each other has severed, their relationship ends on a kind note.

- ford plays the fiddle, fiddleford plays the banjo.

- If Ford and Fidd were in a romantic relationship, those two would be reserved in public, but real tender in private. Those two read to me as more reserved with their romances.

- Stan after a while just tunes out their calls to each other. They will get in the fucking, "no you hang up" loop, or the "ily" loop

- they’re both pretty healthy when it comes to communication, boundaries, stuff like that. Ford drops the banjo curfew/cutoff when Guck lives at the shack/sets up his trailer next to it.

- Ford unlearns a lot of things instilled in him as a child. the ideas of him being the golden boy or something special (both in the positive and negative sense), are something he now recognizes as ideas, not reality.

- this realization really sets in for him due to a lot of reading, him catching up on modern sciences, including psychology. (it's mostly him almost losing stan)

- Stanley is trying to do the same with his own thoughts of being the screw up, the scapegoat, it's hard for him in different ways. Stanley is a person who, "would insult himself first before anyone else could get to it" without his bravado+con-man persona.

- But they both put in the work. They're good brothers, they help each other.

- both the grunkles favorite sweet after all these years is saltwater taffee, 

- I feel like Pacifica connects well with the adults in the town who aren't her parents. She doesn't exactly see any person as a parental figure, I think she just absorbs advice and experience from the people around her yk. Like her and Lazy Susan definitely have a stronger bond than Paz and her mom.

- Bill never really comes back, he just speaks like he has. In TBoB he acts like he's tough shit, but ultimately he's still in the psych ward-- like. This being has no real authority. I like to think therapy is working out for him, he has good days and bad days.

- Just based on my recollection, McGucket is a very agile man. He seems to be able to crawl up & down surfaces not built for climbing.

- I like to think that post series he takes up mountain climbing/hiking because by this point, he's less scared of supernatural beings compared to when he first came to Gravity Falls.

- McGucket dressing himself, McGucket finally being in a position where he can afford different clothing other than his slacks, him feeling present in his own body again. McGucket in green cowboy wear, (look i really like this Appalachian man, i would very much like to see him old and happy).

- Mystery trio (Stan, Ford, & Fidd) post-cannon. The twins travel the world, occasionally bringing Fidd along for the ride. Fidd is their guy in the chair, the person creating tech on the fly, their #1 man. These three men are absolutely on their way to adventure.

- the X-Men movies hold a soft spot for the Pines Family. They have all of them on DVD, usually the collectors editions. All of the Pines have a crush on Logan. The Stans both love older Logan—

- Mabel's room/home would be filled with little collectables (like tchotchkes or sonny angels)

- Stanley meets the Peanuts artists/goes to Knotsberry Farm. Stan gets a hug from Snoopy and he starts bawling.

- Shermie. I do not care if he is the elder or the younger, all I know is that he is the calmer sibling of the three. Is he well adjusted, (no, you kinda can't be if you were raised by Fillbrick), but he is the most normal.

- Stan's art is clearly influenced by the Peanuts, Ford's art influences are 80s sci-fi + realism. Shermie, his is Hanna-Barbera.

[freakingholland]

freakingholland's batboys headcanons part 1

A/N: Hi cuties! After posting some dc comics related imagines over the last couple of years I've decided to finally post a list of my own headcanons for batboys! Just a disclaimer - these are based on multiple dc related media (comics, shows, fan-made content) as well as just my imagination. I do not mean any harm with these! Also if you agree/disagree with these let me know in the comments/asks/rbs because I'm super intrested in what you guys think and your own fanons! Stay whelmed xx questions/ideas here! - rules here my wattpad archive is here my AO3 archive is here If you enjoyed my work: Ko-fi.com/freakingholland masterlist

Dick Grayson (25-29ish yo)

Wears contacts all the time when he’s out. His sight used to be perfect up until puberty. Only wears prescription glasses when he knows he’ll spend the entire day wearing sunglasses – has prescription on them (he does have an emergency pair of regular glasses though).

Has a deep set of dimples. More visible when he’s a dehydrated raisin of a human being. He has a special bottle for just water to force himself to drink more.

Is left handed. His siblings bother him for that matter when he accidentally elbows somebody while eating.

Is “silently” addicted to energy drinks. Has tried to switch to other beverages but ultimately always goes back to energy drinks.

Sings in the shower, has a genuinely good singing voice. Pretends to be shy when people suggest doing karaoke.

Has chronic wrist pain due to a bad fracture.

Is a minimalist. Hates clutter and frequently gets rid of things like clothes, unnecessary gadgets, kitchen utensils etc.

Loves rock climbing and bouldering.

Has pockmarks on his cheeks. Had tried different products to make them fade away, but gave up and accepted his fate.

Uses a lot of post-it notes around his apartment.

Jason Todd (22-24ish yo)

Jason is the only one with brown eyes. You cannot convince me otherwise. Don’t try to.

He’s the best cook out of all the guys. Finds it very therapeutic. Genuinely enjoys making meals especially if others can stop by for dinner or pick up his food. (always makes me think of those pics of him and Dick in the kitchen in Gotham Knights!)

Has type 1 diabetes, uses a pump. (As mentioned here!)

Has a private library stamp for his book collection because any time someone visits him, somebody borrows (steals) books from him.

Plays the violin, self-taught as an adult. It’s his “safe” hobby that convinces his neighbours that he’s just a regular guy.

Has a full arm tattoo sleeve, it’s his way of dealing with body dysmorphia and body image issues. His tattoos include book references, fav movie characters and different symbols for all of the siblings (not their super hero stuff though, for safety reasons).

Has reading glasses. (As mentioned here!)

Hates arugula, loves Italian cuisine. He is not afraid of carbs (his glucose monitor states otherwise) and makes noodles often.

Has wavy hair but doesn’t use proper products for his texture.

Has veryyy straight teeth naturally. Others are jealous.

Tim Drake (20-21ish yo)

Journals. Even when he’s severely sleep deprived. It’s his way of dealing with heavy stuff, but also his archive in case he goes missing.

Has a nintendo switch. Doesn’t really use it but he knows that Damian steals it that’s why he keeps it instead of selling it.

Has a proper skin care routine. It includes dying his hair dark every 4 weeks cause he has gray hairs due to stress.

Uses ktape regularly. Struggles with chronic back pain and uses a foam roller.

Is vegan. Doesn’t try to convince other peeps to switch to veganism knowing that they are barely capable of making food for themselves. Will make an exception and eat meat if it’s a meal prepared by somebody close to him.

Is a huge music fan, listens to music often. Mostly metal, but also pop, rap. Doesn’t really discriminate music genres.

Loves playing board games. Is the type to bring board games to social meetings of sorts in case people want to play.

Has a very pleasant, contagious laugh. Rarely laughs out loud, but those who know his laugh try hard to make him laugh for that matter.

Has really sparse facial hair. Would like to grow out a stache or beard but cannot.

Blushes very easily. Doesn’t like it. Despises cold temperatures for that matter.

[samwinchesterism]

in re: “cas knows dean better than sam”

“cas sees dean as a whole person and sam just sees dean’s façade as his big brother slash parent” but like how and where. outside of your fanfiction. season and episode. scene and line. if it’s so obvious and apparent you should have at least 3-5 concrete examples right? “sam doesn’t know dean carried him out of the burning house” yeah but did cas? outside of a footnote in the angelic manila folder they gave him between seasons 3 and 4 so he could better manipulate him and sam into doing heaven’s bidding? like if you’re going to say “cas knows dean better than sam” than you need to show how cas succeeds where you perceive sam to be failing at the very least. but even your perceptions of how sam doesn’t measure up are so warped, blinkered, and moronic that it wouldn’t even be worth much if you could provide the textual evidence, but at least you’d have a semblance of a point. like say anything without going “as an eldest daughter…” “well my relationship with my sibling isn’t…” please say anything without fucking projecting your own self-pitying crybaby bullshit onto your little woobie dean and using the actual canon text of the show. I’m literally begging you.

like the thing of it all is and always has been that you’re so hell-bent on twisting the sam and dean relationship to fit into this narrow and almost entirely inaccurate mold which is the basis upon which you build the entire Destiel Mythos that you literally lose all sense of media literacy. you don’t even miss the forest for the trees, you miss the trees for like, the pretend invisible things you’re seeing in between the trees, the forest is a whole long way away from your current level of perception. because the Destiel Mythos is based entirely on the fact that dean is Not Seen and Not Appreciated and Not Loved and Cannot Be Himself until cas comes along, and that Family (read: sam) Is Only A Burden on Him That He Must Be Freed From In Order to Flourish, so you keep trying to warp the sam relationship into something that is only one dimension of it – and keep ignoring the ways in which dean is seen, loved and understood within it, because you need to keep lying to yourselves that there is a narrative need to emancipate dean from something that he has never wanted emancipation from because it is ultimately a net good for dean in the particular circumstances of their lives. it’s also profoundly unhealthy, codependent, evil and toxic etc. (a lot more dean’s fault than sam’s but I will nawt be getting into all that right now) but that doesn’t change the fact that sam and dean both know and understand and feel deeply that they are each other’s person – that they know the best and love the most in the world. but that – which IS true canon fact – is incompatible with the Destiel Mythos so it must be ignored and all good sense must be thrown out the window in order to do it.

anyway i digress there are two main categories of Bad Thinking that i will be addressing below

childhood/ “parent/child” / blah blah blah

every single thing people are saying in favour of the deeply stupid thesis in the title of this post is proof positive of the very silly form of ‘analysis’ I just described. a few things:

“wah sam didn’t know that dean carried him out of the burning house :( this means that dean withholds things from sam to protect him because he is a PARENT and sam can only know things about him in the context of him being a PARENT to him” – what the fuck are you on about genuinely. first of all reducing the sam/dean relationship exclusively to parent/child is in itself foolishness for so many reasons that I don’t have time for right now. but also, it’s clear that this is just something that happened when sam was a baby that just never came up. in the scene (1.09) where this is brought up, dean is mildly surprised that he or john never mentioned that detail and then states that sam knows the rest of the story (i.e. the actual traumatic stuff) just as well as dean does – which is true, demonstrably whenever they talk about it.

obviously there are some things that happened to dean in their childhood that sam doesn’t know about (or didn’t know about, until told in whatever episode they come up in). equally, there are things dean doesn’t know about sam’s childhood, e.g. the fact that he was so lonely he needed a zanna (11.08). or how dean didn’t remember that sam was friends with barry cook until he mentions it when they go back to their old school (4.13). or about the nature of sam’s relationship with amy pond (7.03). these don’t mean that ‘sam withheld these things to protect dean out of parental love’ lol, it’s just that there are details and events in each of their lives that the other happens to not have been told about.

similarly “sam didn’t even know dean wanted to be a firefighter L” girl did dean know sam wanted to be a lawyer? in 1.01 he’s pretty surprised that sam has a law school interview. the point here isn’t “neither sam nor dean know each other well,” these are minutiae that aren’t relevant to how well you know someone as a whole, and very poorly demonstrate the bad and inaccurate point that dean withholds things from sam the way a parent does a child (on a constant or regular basis). obviously the way they were raised, sam was deemed too young to know about certain things until he got older and dean had to keep that secret, but as shown in 3.08 flashbacks, most if not all of this is eventually revealed throughout their childhood when sam is still fairly young.

or possibly the dumbest one is that “wah sam doesn’t even know that dean reads books L” whenever that was he was also obviously joking because in more serious moments (e.g. 8.14) he admits that dean is smart/a better researcher than he is, literally remembers dean reading to him as a kid (8.21) so like. clam down  

one of the extra annoying variants of this type of ‘proof’ covers things that are very clearly novel pieces of information about dean that dean, sam, and the audience are learning about dean in real time. like if you’re actually watching the show to comprehend it as it was intended to be comprehended, instead of funnelling everything through the Destiel Machine until it’s unrecognizable slop that fits neatly into your pre-ordained molds that Make Destiel Necessary In the Narrative (when it actually isn’t, at all) it’s abundantly clear. the top two worst offenders:

“sam didn’t even know that dean is good with kids :( he doesn’t even realize that dean raised him :(” first of all you people need to understand that parentification does not literally create a parent-child dynamic between siblings but I digress – this doesn’t make any sense bro. in 1.03 dean admits he doesn’t know any kids as an adult. dean being good with his own kid brother when they were both kids is to any reasonable person not necessarily linked with him being good with other random kids when he’s an adult. in 1.03 it’s clear that dean himself is a bit surprised that he’s able to connect w/ lucas so well because he’s clearly not dealt with a lot of kids since sam grew up. the whole point of this is that dean, sam, and the audience are all sort of seeing a new side of dean. who again is just 26. after this very early episode, there’s no question from sam that dean is able to connect w kids. sam being a bit surprised by this also has absolutely zero connection with him not understanding or realizing that dean looked out for him when they were both kids – sam is standing there at 22 years of age talking about adult dean and children – of fucking course he doesn’t mean himself are you stupid.

from the very first season, sam is very clearly aware of everything dean ~did for him~ when they were kids, see e.g. 1.21: “Dean...ah...I wanna thank you. […] For everything. You've always had my back you know? Even when I couldn't count on anyone I could always count on you. And I don't know, I just wanted to let you know, just in case.”

and 1.06: DEAN: Well, I’m a freak, too. I’m right there with ya, all the way. (SAM laughs.) SAM: Yeah, I know you are.

and then possibly even more stupidly, the one where it’s like “wah sam doesn’t even know dean can cook :( he doesn’t even know that DEAN was the one making him food as a babe in arms :(” – when sam is surprised that dean made something fairly gourmet and from scratch literally the first time they have ever had a permanent living space with a functional kitchen. in this VERY scene (8.14), dean himself points out that they haven’t had a kitchen before and when sam remarks on the irregularity of him doing serious cooking, he says “I’m nesting”, clearly showing that this is a novel development because they now have a kitchen, and that it’s irregular relative to past behaviour – both of them acknowledge this. because real proper in-depth cooking and making box mac and cheese for sam until he was like 11 and old enough to be left alone are two different things, which sam understands because he’s smart, unlike whoever chooses to make this point. dean never showed significant signs of liking to cook before this, which is what the exchange is about, but he did have to prepare food for them both when sam was too young – of course sam knows he had to, there are childhood memories referred to (e.g. 14.11) where sam is mentioned to literally help dean do the cooking as kids lol (and yes, genius, sam says ‘I didn’t know you knew what a kitchen was’ or something to that effect, but if you think he’s being 100% literal there I have an oceanfront property in Kansas to sell you)

again, obviously there are pieces that sam doesn’t know about dean, e.g. when he’s talking about his response to mary dying in 1.03. but again, Sam is 22, dean is 26, the last time they were in regular contact was when sam was 18-20, these are things that happen when people grow up, they’re able to reflect and share on childhood experiences if they’re close with their siblings as adults. it’s clearly not something that 26 y/o dean wanted to hide from 22 y/o sam. yes sam didn’t know everything about how dean felt when they were young, but that’s equally true in the other direction, and it’s such an irrelevant point in this discussion when, crucially, sam does learn these things about dean mostly fairly early on in the series (i.e. when they’re really not that deep into adulthood yet). cas was also not magically blessed w/ knowledge about dean, he also had to learn whatever it is that he knows, but somehow sam has to know everything about dean from age 7 or it doesn’t count when it’s sam lol.

“sam doesn’t know the One True Dean / doesn’t see through his facades”

the next branch of defending this flawed thesis is invariably that sam has little idea of the fronts and facades that dean puts up and is content to just believe them, whereas cas digs deep and sees the One True Dean that stupid sam always misses. there is nothing in the text that demonstrates this is true. multiple times, we see sam being very knowing of the fact that dean puts up fronts and facades. sam is also knowledgeable of the way dean perceives himself, and – demonstrated in multiple episodes before such sam lines were very poorly recycled and regurgitated into cas’s dialogue in 15.18, but keep acting like that was the first time anyone ever showed that they knew the One True Dean.

Obviously there are times where sam teases dean when he’s being more touchy-feely than usual, but 9.99 times out of 10 (as a conservative estimate in case there's something i'm forgetting otherwise i would say every time) that’s very clearly coming from a place of knowing the real dean vs. the façade he puts up because that’s the whole joke. and it’s allowed to be a joke because they’re siblings and that’s what siblings do lol. esp since sam and dean have touchy feely moments at the end of like every episode.

examples of all of the above off the top of my head (there are more than these, but these are the ones I can think of):

2.02 (about John’s death)

Sam: “I mean this ‘strong silent’ thing of yours, it's crap. […] I'm over it. This isn't just anyone we're talking about, this is Dad. I know how you felt about the man.”

Dean: “You know what, back off, all right? Just because I'm not caring and sharing like you want me to.”

Sam: “No, no, no, that's not what this is about, Dean. I don't care how you deal with this. But you have to deal with it, man. Listen, I'm your brother, all right? I just want to make sure you're okay.”

2.03 (Sam to Dean, also about John’s death): “You know, you slap on this big fake smile but I can see right through it. Because I know how you feel, Dean. Dad's dead. And he left a hole, and it hurts so bad you can't take it, but you can't just fill up that hole with whoever you want to. It's an insult to his memory.”

Note that Dean essentially admits that Sam is right in these two instances in 2.04 bc I know yall have stupid shit to say about john too that has nothing to do with how anyone actually felt about him in canon

3.07 (about Dean’s demon deal – also proven true in later episodes)

SAM: Dude, drop the attitude, Dean. Quit turning everything into a punch line. And you know something else? Stop trying to act like you're not afraid.

DEAN: I'm not!

SAM: You're lying. And you may as well drop it 'cause I can see right through you.

DEAN: You got no idea what you're talking about.

SAM: Yeah, I do. You're scared, Dean. You're scared because your year is running out, and you're still going to Hell, and you're freaked.

DEAN: And how do you know that?

SAM: Because I know you! […] Yeah, I've been following you around my entire life! I mean, I've been looking up to you since I was four, Dean. Studying you, trying to be just like my big brother. So yeah, I know you. Better than anyone else in the entire world. And this is exactly how you act when you're terrified. And, I mean, I can't blame you. It's just […] I wish you would drop the show and be my brother again. 'Cause... (can't find words; tears in his eyes) just 'cause.

5.18 [Sam figures out what Dean is doing re: his plan to let Michael possess him, tracks him down, and eventually is the catalyst for Dean ‘making the right call’, which he predicts] – e.g.:

SAM: No, you won’t. When push shoves, you’ll make the right call

DEAN: You know, if tables were turned…I’d let you rot in here. Hell, I have let you rot in here.

SAM: Yeah, well…I guess I’m not that smart.

DEAN: I—I don’t get it. Sam, why are you doing this?

SAM: Because… you’re still my big brother.

8.14 (basically the o.g. version of whatever went on in 15.18 + sam intrinsically understanding the trials are a death wish for dean): “I'm closing the gates. It's a suicide mission for you. I want to slam hell shut, too, okay? But I want to survive it. I want to live, and so should you. You have friends up here, family. I mean, hell, you even got your own room now. You were right, okay? I see light at the end of this tunnel. And I'm sorry you don't – I am. But it's there. And if you come with me, I can take you to it. […] I AM smart, and so are you. You're not a grunt, Dean. You're a genius – when it comes to lore, to – you're the best damn hunter I have ever seen – better than me, better than dad. I believe in you, Dean. So, please – please believe in me, too.”

10.22 (understanding how much dean has ~done for him~)

SAM: I'm saving my brother.

CASTIEL: You told Dean—

SAM: —I know what I told Dean. Cas, look. I've been the one out there, messed up and scared. And alone. And Dean—

CASTIEL: He did whatever he could to save you.

SAM: Yes. I mean, it's become his thing. I owe him this. I owe him everything.

10.23 (basically the o.g. version of whatever went on in 15.18, x2 – from Sam to Dean): “You were also willing to summon death to make sure you could never do any more harm. You summoned me because you knew I would do anything to protect you. That's not evil, Dean. That's not an evil man. That is a good man crying to be heard, searching for... some other way. […] You will never, ever hear me say that you -- the real you -- is anything but good.”

11.13 (Sam understanding exactly how Dean feels about Amara being his ‘deepest desire’, and confirming that it doesn’t make him a bad person)

Dean: Why? Because if she is that means that I’m…

Sam: Means you’re what? Complicit? Weak? Evil?

Dean: For starters, yeah.

Sam: Dean. Do you honestly think you ever had a choice in the matter? She’s the sister of God, and for some reason she picked you and that sucks, but if you think I’m gonna blame you or judge you…I’m not.

Dean: You know that I want her ass dead.

Sam: Yes. Of course. And I know you’ve also probably beaten yourself up a hundred times over it, but where has that gotten us? (Long silence) Just how bad is it?

13.02 (Sam perfectly explaining Dean’s psyche to Jack)

JACK: Is that why Dean hates me?

SAM: Dean doesn’t hate you. It… Look, sometimes the wires in Dean’s head get crossed and—and he gets frustrated, and then he mixes frustration with anger, and—and fear.

JACK: Why would he be afraid?

SAM: Because Dean feels like it’s his job to protect everyone. And right now, we need to protect you. But we may also need to protect people from you.

14.03 [Sam assesses Dean’s psychological/emotional response to the Michael possession; end of episode, Dean confirms that Sam’s assessment was fully accurate]

14.10 [Sam is the only one able to snap Dean out of his weird Michael mind loop by using their code word]

14.11 [Sam figuring out that something is troubling Dean just based on the fact that Dean hugs him]

15.17 (self explanatory at this point)

DEAN: Chuck has to die. He has to! Otherwise he'll keep us tap dancing forever, and I can't live like that, man! I can't live like that! I won't!

SAM: I know you feel like that right now, okay. I know you do. But you gotta trust me. My entire life, you've protected me— from Dad, from Lucifer, from everything. I didn't always like it, you know, but... it's the one thing in the whole world that I could always count on. It's the only thing I've ever known that was true. So please... put the gun away. Just put it away, and we'll figure it out, Dean, we'll find another way, you and me. We always do.

like maybe there are some cas moments w dean along these lines too. i don't know, i don't remember what the guy says or does anymore it's been too many years and he is not memorable. but the point is where and in what capacity and based on what metric other than the amount of bad fanfic you've read does cas exceed sam in these respects.

so basically just. genuinely, what are you people literally ever talking about. go watch the show instead of saying stupid wrong stuff about sam on the hellsites all day. or watch another show (please for the love of god watch any other show this one is absolutely lost on you and it’s such a stupid one too i'm embarrassed for you)

[thatdeadaquarius]

Have some more language brainrot for your brainrot

Writer reader getting kind of insecure that even if they write something nobody will understand it, so when Al haithem askes you if he can keep a draft or two just for analyzing, there's hesitant agreement but ultimately you tell him to please burn the documents once he's done. They're too awkward to look at now...

Only he doesn't burn them, in fact he ends up recruiting several people close to the creator with knowledge of olden speak to analyze them. A funeral parlor consultant well known for his historical knowledge, a 500 year old shrine maiden who owns and runs her own publishing house, and a bard who somehow butted his way in on the project. None of them could resist the opportunity to witness the creator's sacred scriptures with their own eyes.

Needless to say, the papers ended up being fought over and have been making their rounds around your acolytes. It started with Ei, who insisted that as an archon she also should see the creator's work with her own eyes. Then once Ningguang found out, she ordered they be handed over to a team of literary analysts in order to be properly handled and deciphered. Things got really messy quick, but have luckily come to a halt as none of the acolytes want the creator to know their random writings are being fought over.

Especially when it comes to the creator's sullen additute. Their acolytes first have to convince their holiness that their inability to read and understand the creator's writing shouldn't prevent you from doing what you love. In fact... could they convince you to write some more?

WRITER OR READER WITH TALENTS HAS MY WHOLE HEART LIKE-

On one hand, same 💀 id be terrified for my all time fav skrunklies to see my bs

But at the same time i rlly wanna show them goddamit- THANK U FOR THE BRAIN FOOD IM RUNNING LAPS AROUND MY HOUSE THINKING ABT THIS-

Sun: Gender Neutral Reader (they/them), Writer!Reader

Planet: Language Shenanigans

Orbit: Scenario

Stars: Alhaitham mostly, some of Kaveh, mentions of other Sumeru characters

Comets & Meteors: Content Warnings: Insecure about craft/writing, anxious first pov (not serious),

& Trigger Warnings: Mild Negative self-talk, insecure perspective/reader “you”, possible anxiety depiction.

You were not a very confident writer.

This had been an avoidable feeling ever since you picked up a pen for the first time and were asked to write a story for school.

You were always anxious turning in essays, letting friends proofread them, anything that would expose your writing to more eyes, because you’d learned the hard way early on that as you get older and better at something, the stuff from the beginning… starts to look a lot different than you remember.

things you used to be proud of after having completed them in the moment, were something you struggled not to rip to shreds a year or two after you re-found it.

If it weren’t for other writers advising holding onto old work so you can see your progress over time, you’d have probably literally nothing older than one year on your ao3, wattpad, etc…

So when you had the fortunate luck (no it is not unfortunately, you are very happy to be here tbh) to fall headfirst into your video game you’ve been obsessed with lately,

You were not planning on showing them any of your writing.

Why would you, after all? You’ve got the weapons, the artifacts, everything they need to be more powerful. Why would you show them a silly little story you wrote? Fanfic or otherwise, not that theyll recognize any characters besides themselves, but still.

Alhaitham, bc ofc it was alhaitham, cocky, deviously aware bastard he is, caught you writing in your spare time first.

You’d gotten your hands on an old journal (if made you feel better than something completely new, a nice worn leather journal, sold at a secondhand shop from an old adventurer) and had started to write what you could remember about some of your ideas you’d had drafts for in your old world

After initially walking in on you writing in the House of Daena (it was the closest you could get to lofi girl, god u missed her lmao), you nearly jumped a foot in the air bc Haitham’s a nosy bitch and leaned over your shoulder and scared the absolute shit out of you, mans goes from asking politely, to begging you to let him read some of your writing over the course of 3 weeks (a month really)

Finally, after this 6 ft (about 180cm) man leans down one day (you’re sitting writing again), and gives you the most insanely good?? puppy dog eyes??? you’ve ever seen on a man???

you give in, revise a draft about 5 times in a row, lose sleep bc ur having a breakdown about alhaitham judging ur writing the night before you give him his copy-

and hand over a small short story for him to read. you specifically leave a little note not to judge you so hard for Haitham bc u werent used to people reading ur work/let alone someone as highly academic as him, ESPECIALLY since your speech is already so much more archaic than his/all of Teyvats-

His stupid green eyes with diamonds look into your soul (are they sparkling??) and he braces your shoulders after you give him his copy,

“Mine Greatest Guide, you hath deemed this one worthy of thy trust of your creations personally, I would be a fool to gaze upon it in jest. To take this work as anything less than a masterpiece in its infant stages.”

…you just leave him to it, and are nearly running out of there (u managed to be calm enough to just speedwalk),

and you make a point to not ask what he thought about it, or even bring it up at all

you’re kind of hoping he forgot tbh… and so nothing happens!

◇

Nothing happens… for 2 weeks after you gave Haitham a copy of your short story.

You still don’t know Alhaitham’s opinion when you see the advertisement, a sign saying something about, a new book? By YOU???

You nearly start a mob because the shopkeeper insisted you sign some copies, but you only signed a few before too many people overwhelmed you, and seeing it was that same draft- !! Oh god, you’d been agonizing over the spelling errors you’d missed when you gave it to Alhaitham, and now it’s just out there???

(luckily it seems the reviews are positive, but dammit you’ve been rereading ur story u gave him for days, and now ur positive it’s shit-)

You make a break for it, and are literally running (more like speed-walking after a while, since u got further away) thru Sumeru City:

you pass by the open patio of a restaurant, the scholars are heatedly discussing ur characterization-

you pass by Dehya, Candace, and Dunyazard, the merc is waving around a copy of ur book, the other two women look excited abt the conversation-

oh my god-

Nahida is relaxing in one of the many little gazebos thruout Sumeru, while Wanderer seems to be reading your story to her-

You fucking track down Alhaitham’s house like a bloodhound.

You are banging the infamous gay roommates’ front door, panting til ur throat burns raw.

“Yes, yes, alright, greetings to you too! I was simply visiting the Acting Grand Sage Alhaitham, tis why I’m here- Greatest Lord?!”

Kaveh is nearly jumps a foot in the air at the sight of you, but recovers, (you’re still not tho lmao)

and invites you in bc apparently, Alhaitham’s been meaning to talk to you about your draft you gave him!

Oh yeah, you’ve got some words to give Haitham after giving him that damn draft privately-

But when he sees you, the fucker just- smiles??

Like he’s done nothing wrong???

You’re about to tear into him when he speaks first to tell you the good news!

He grabs your hands at the table and gets down on one knee, ohhhh no.

Alhaitham is giving you those damn begging puppy dog eyes again.

“My Greatest Lord, Giver of Power, and Guide to All, your exquisite story has entranced all of Teyvat, might I please insist you write a sequel? It is an excellent literary piece to analyze… or perhaps, even better, share other stories you’ve written??”

…

….Motherfucker.

☆

Hello I’m alive! I just took a longer-than-usual break between posts from those last 2 mammoth pieces about gifts,

1: bc they were a lot to write in between writing other stuff like fanfics im already working on lol 2: I got busy with holidays and trying to apply to jobs!

Not that I’m still not doing that.. but you get what I mean!

Safe Travels Anon,

That being said, as you’ve probably noticed, I’ve made a kofi! so if you ever liked my writing (hot mess it is) and want to show me some love, feel free to leave a tip! :]

Iced coffee?? :0

💀♒

☆

♡the beloveds♡

@karmawonders / @0rah-s / @randomnatics / @glxssynarvi / @nexylaza / @genshin-impacts-me / @wholesomey-artist / @thedevioussmirk / @the-dumber-scaramouche

[etherfabric]

How to grow from your roots

Choose a pile by which picture you resonate with the most.

If your mind is too busy to clearly decide, take a few deep breaths, and use the finger of your non-dominant hand to hover over the images. One will give off the most subtle yet prominent signals, like tingles, a magnetic pull, or temperature. This is your pile. Multiples are also possible.

You are the ultimate authority over your life. I merely provide my perspective. Sometimes the Universe lines you up with something that doesn’t resonate with your truth, so you have contrast to find out what does. Never give away your power.

Pile 1

Judgment, The Devil

Be honest about what you really need - not what you could make do with if forced to by your fear of causing a commotion. You need to speak up about what makes your heart sing, what makes your belly full, your day a bright one instead of a dull one, your relationships something you cherish instead of feeling suffocated by them. No matter how big. But you can start small. "You want something to drink with that?" No, actually, I don't. Thank you. "Need anything from the store?" Yes, actually, this kind of tea, last time you brought the wrong one. I like the chamomile, not the nettle one. "Can I call you back?" Yes, but after 8PM I won't answer. I want to watch the new episode. "Can I borrow that?" No, I get scared when other people have it. Sorry.

It might feel like being a diva the first times around, and the anxiety about what people might think will tank the emotional gain initially - but wait until the smoke settles, and nothing dreadful actually happened. Plus - you got your thing! Yay! That's the stuff. Whoever shames you for that is just too accustomed to your placation, and will surely find another comfort soon enough.

Pile 2

The Sun, 6 of Swords

Believe that you deserve what you already have, then you will have no qualms expecting the next blessings. What seemed presumptuous in your old mindset is suddenly the only logical turn of events. Of course I will meet someone. Of course they will like me. Of course I will get what I need. Of course I will accomplish my version of health. If you feel comfortable with the idea, imagine roots or lightbeams shooting down from you into the core of the Earth. You belong here. Life gave you what you have. Of course you deserve it. You are part of all of us, and we want you to be content and fulfilled. It's safe to continue. It's safe to want more. Because there IS more for you. Just like you got everything you already have. It's yours to enjoy. Not your foundation is shaky - your knees are trembling. Find comfort, find relief, and see how it carries you like it always has.

Pile 3

7 of Wands, 6 of Swords

You have forgotten what you are actually capable of. The last season asked different things of you than what you need to bring to the table now. But it's nothing new, or necessarily complicated - you already got it in you. It's like you are not even looking in your closet for something appropriate to wear, because you just decided it's all shit anyways, so don't bother opening it. You got your defenses up, because being small was safe so far. But now, the old skin starts itching. Tear it apart! It's not as fragile as the fresh pink one you had to grow tenderly after the wound. This one is dry and flaky, and begs to be shed by movements you didn't dare to do for a long time. Find a situation where you can prove yourself to yourself. See it with your own eyes that you are a new version of your old self, and capable of everything former and beyond.

Pile 4

5 of Pentacles, Ace of Pentacles

Your darkest times are begging to be included in your story. Not to drag you down - to elevate you! Look at what you survived! What you came back from! You don't celebrate this enough. You live the life of someone else, someone ordinary, someone with only happy days. You should carry yourself like the force you are. You should command the respect you always had for yourself to keep fighting, trying again, getting up sooner or later, and be it just to go to the toilet. You don't know the weight of your life because you always carry it, but it would crush others. That is something to be proud of. That is something giving you the vigor you are looking for to get what you want, become who you see before your inner eye, and live the life that calls to you. You are not daydreaming - you are finally coming to your senses.

■■■■■■■■■■■■■■■■■■■■■■■■■■■■■■■■■■■■■■■■■

[whatbigotspost]

@ kayatoastforthesoul.sg

[Image is web comic, with 2 sections, both depicting a cute art piece of two characters, one is a human in blue shirt with light skin and black hair and the other is a big yellow blobby friendly monster of some sort. The first art panel has the human sad looking and the blob concerned. It reads “trauma says ‘people will get upset with you and you set boundaries with them.’” The second panel has the blob friend holding the human up on its shoulders and they are cheery. It reads “healing says ‘the only people who will her upset when you set boundaries are the ones benefitting from you having none.’”]

Friends, read this and then read it again.

You are not always stuck in relationship dynamics that don’t serve you. It’s ok to figure out you need new boundaries at any time.

Safe people may be confused and need a moment to adjust and understand if you shift your boundaries on them, but they will ultimately listen and respond favorably and NEVER make you feel bad about it.

If someone is upset about or unwilling to accommodate boundaries this is the definition of a red flag.

What do new and changing boundaries look like? Needing more time to your self than you’ve had. Not using certain nicknames or pet names you allowed in the past but actually hate. Saying no to sexual activities you previously consented to. Accepting someone else’s decision to go no constant with a mutual family member. Asking for advanced notice before showing up at your house. Not dropping in to visit you at work anymore. Saying “no” and it being heard, unqualified, full stop.

Literally anything.

In kind, we must accept the boundaries that others set with us. You don’t have to like that your sister doesn’t want you to talk shit her best friend around her anymore, but you need to. It’s totally ok for your partner to need time to decompress when she gets home from work before you start talking about your day to her. Your coworker’s wish to news of a required work day with advanced notice is reasonable.

Again little stuff usually…but it all drives at the big stuff. Basically just show some respect and see others as autonomous beings ❤️ I promise you, if we all committed to that, truly, we’d be set.

[blingblong55]

Snow at the beach- John "Soap" MacTavish NSFW

Based on a request: Hi there. I wanted to make a request for something a bit personal. All this week, my family has been criticizing my weight (which I have struggled with my whole life) and told me point-blank that no one would ever love me because of it. That being said, I would like to request a writing with Soap. Let's say the reader has been avoiding sex with him for a while. They'll kiss and stuff, but as soon as he starts pulling her shirt up, she pulls it back down and makes some sort of excuse. This goes on for a while until Soap confronts her about it. She basically then goes off, pointing out all her bodily flaws and how fat and hideous she thinks she is and asks him how he could ever think she was sexy. And all he says is, “How can I NOT?” And he makes love to her and every time she makes a complaint about her body or calls herself ugly, she shushes her, ultimately taking her in front of a mirror and making her look at herself and how sexy she looks taking him. And when they're done, Soap should talk about how she's not fat, she's cute and squishy. ---- F!Reader, smut, MDNI, 18+, established!relationship, self!degrading, body!issues, unprotected!sex, plus size/chubby!reader ----

A/N: anon, I hope you find love from family elsewhere, there words are not correct because love is not by bodies, its by hearts and emotions. Anyway, I got carried away in the smut...love you <3

Three weeks ago, the issue started. Your family decided to visit you and your boyfriend, and that's exactly when they commented how he must be lying to you about loving you. Surely a man like himself wouldn't be with a girl like you. "A girl like me?" you asked and your mother nodded. You know, big…fat and if we are honest, ugly because your body makes you ugly, honey," she feigns kindness as she says this. You don't let her see how terrible her words hurt, so when Johnny and your family were talking, you excused yourself and walked to the bedroom.

In the comfort of the room, you cried, wiped your tears and fixed your makeup. What if they were right? What if Johnny was just trying to pretend to love you to get with a woman who according to them is beautiful? It's funny, watching yourself cry in front of the mirror when just that morning, Johnny watched you smile as you applied makeup.

Once they were gone and the night took over the skies, Johnny found himself sitting on the bed, waiting as his bonnie got out of her shower. He looks around, impatient because he knows how naturally beautiful you look after your showers. If it were for him, he'd create a temple just to worship you, because to him your beauty comes from within.

When you two lay in bed, he turns to you, his hands caressing your sides as his eyes look over your lovely goddess-like body. He leans in, his lips capturing yours in an ever-loving kiss. He places himself on top of you, his hands wandering into your shirt as they always do. Usually, this would bring butterflies but with the conversations held during the day, those butterflies were long gone from your system. All you could think about was the truth that you believed from the serpents you call family.

"Sorry, I'm…tired, Johnny, not tonight, okay?" you say and he nods. He is a gentleman after all so if you say no, that's where it ends and he just cuddles you to sleep.

After the three-week mark, his patience runs thin. You avoid his neck and shoulder kisses, you no longer sleep in the comfy tank top you like. You begin to distance the intimacy of tough he would provide. Of course, he would respect your desire to not have sex but he knows there is something more deeper than tiredness or lack of lust for him.

"Lass, what's the matter?" he asks one night and you sigh. It was time the truth lay in bed with you both. "I don't think we should continue this," you say, trying to keep distance. It was common for you to do this with men you thought were too good to be true for you, you break it off and regret it later. But he is different; you never see life after Johnny because he is it for you.

"Naw, we're no' daein this. Ye cannae just expect me tae accept this," he says with hints of sadness. "Johnny, it's not fair if you say with me. You don't deserve to be with a girl of my size-" you say and he cuts you off. "Don't ye dare finish that thought, bonnie. Ye're this incredible, gorgeous girl an' I'm one lucky bastard tae hae found ye afore another man did. I love ye, I love that silly wee mind, I love wakin' up tae ye beside me," he says and leans in. Your eyes try to play strong against the floods of tears that threaten to drown your eyes.

He takes your hand into his, placing it over his heart, "Ye're this smart, funny, stupid at times," he chuckles and goes on, "..look, whit I'm trying tae say is, I love ye. I dinnae see myself with some lass ye think I deserve, whatever that stupid thing meant. I deserve a bonnie that holds me close when I come home frae work. The kind of lass that takes me tae quiet places because she likes them, the kind of lass that makes me laugh so hard, the kind of lass I see masel' in fifty years," he says before he gets emotional and clears his throat.

"My mum always said, find yer other half, worry about their looks when they are sick and dinnae tell ye. An' damn it, y/n, I worry when ye get sick and don't smile, I worry when ye look in that damn mirror and think tae yersel' that yer body isnae enough. So dinnae tell me yer not enough for me when every damn day I find masel' worshippin' yer body like it's my religion. I fuckin' love you," he says out of breath as he looks into your eyes. His gaze is full of sincerity.

You shake your head. "I'm fat, even if I wanted to, there are things I can't do, I prefer dim lights for sex…I limit your life of adventure by being this way," you say with tears finally falling. "Look at me, I'm just not deserving of you. A guy like you doesn't just magically fall in love with a girl like me!" you say frustrated in wanting him to understand.

"Cut the bullshit, bonnie! I rather die for ye than any other girl! Cannae ye see that ye have bewitched my heart and soul with those sweet eyes and lips? That yer laughter alone makes me a madman when I cannae hear it? I have fallen for ye over and over, and if it takes me lifetimes tae make ye realise I'm the one that needs yer soul attached to mine, then I'll sit and wait for ye tae understand that." he holds both your hands by now as he pulls you in.

"You don't get it-!"

"Maybe I don't, but god damn do I love ye," he says breathlessly and cups your face and without a warning, kisses you like there is no tomorrow.

"Ye are the love of my life. Skinny, tall, fat, short, stupid or smart, I love ye and I fucking love this gorgeous body of yours," he says between pecks to your lips.

Your tears staining your cheeks as he wipes them away and makes you walk to the mirror. "Look at ye, bonnie. Men used to worshipped women like ye,…still do," he mumbles the last part.

You look at him and he smirks. He closes the door and bends you over the sink. "Just look at how I make love tae ye, yeah? If you dinnae believe I love you the way ye are, break up with me," he kisses the back of your neck, taking grip of your hair and slowly parts your legs, undoes your clothes and spits on his fingers.

The euphoria and anticipation built up in Johnny as he let out a chuckle, his hand sliding up your leg to grab your ass. "Yer goin' to make me a madman, ye wee temptress," he whispered, tilting your head down to kiss him. His tongue slithered into your mouth, pressing you against him more, feeling your fingers stroking his hard cock.

His hand slid back to your ass, squeezing it before he turned you around. "Bend over the table and show me that ass," he demanded, his voice a mix of desire and command. He was losing control, thinking of how tight and perfect your ass was. 

Your body is the perfect temple for his every loving heart and it's time he worships it again but better this time.

"Fuckin' perfect," Soap praised, eyeing your wet pussy and puckered ass. His cock twitched, feeling his heart pound in his chest. He stepped up, taking one of the lube from the table, unscrewing the cap after squirting it on his fingers. "Ease back against me, lass," he ordered, spreading the lube on your puckered hole.

"Take my fingers," he commanded, coating two fingers in lube before slowly pushing them into your ass. Johnny groaned softly at the sensation, feeling your muscles clench around his fingers. "That's it," he praised, his other hand fondling your pussy, slick with your arousal. The scent of sex filled the air, heavy and intoxicating.

"Come on, lass… Tease me some more," he growled, pulling his fingers out, his cock aching to fill you. Johnny stepped away for a moment to roll a condom onto his cock, grunting with the effort of restraint. When he stepped back, his eyes were dark and intense. "Slip those wee cheeks apart…" He commanded eyes on your ass. "Ye're mine, Y/N."

"Nngh," Johnny groaned, the sight of you eagerly waiting for him driving him over the edge. "Alright, lass, take it," he growled, pushing his cock against your tight entrance. He lined his tip against your tight pussy lips, feeling you quiver even more.

"Ye feel fuckin' amazing, ye know that?" He asked jaw clenched as he slowly pushed himself inside you. Your tight walls engulfed him, sending shivers down his spine. "Such a perfect lass," Johnny moaned, grinding his hips, a bit rougher into yours. He grabbed your hips, holding them tightly, feeling that you were made for his cock.

"Fuckin' take all of me," he growled, pulling back slightly before plunging himself in deep, the sound of their clothes slapping together, your moans and his grunts filled the air. Johnny began to thrust into you, each stroke harder and more intense than the last. His grip on your hips tightened, feeling a roughness in him, a need to claim you. "Ah, ye like that, Y/N…don't ye?" He snarled, his voice bordering on a roar.

His hand snakes to your throat, forcing you to look at yourself in the mirror. Your body and his move in a cosmically beautiful passion as he makes love to you in the best way he can. Your eyes lock with his, the love he has for you is evident in the soft eyes he gives you. He fucks you like a whore but treats you like the princess you are, and that's what makes this all so beautiful.

Your whimpers, mixed with that beautiful face that is riddled with pleasure makes him chuckle a little. "Oh, ye're beggin' for it. Ye dirty kinky slut," Johnny hissed, his hands leaving your hips, only to grab your hair, yanking your head back into an almost uncomfortable angle. "Take it, take my cock, and scream for me, lass," he demanded, increasing his pace, his thrusts harder, leaving no time to catch your breath.

He leaned down to nibble your neck, "You make me feel alive, ye know that, Y/N? I live for this, for the way I lose myself in ye, for the way ye take my cock so perfectly." Johnny's breathing grew ragged, "Fuck, ye're so tight, so wet."

"I'm gonna cum, deep inside ye. I'm gonna fill ye up," he grunted, his thrusts becoming more erratic. "Cum with me, lass. Show me how you feel--" He didn't finish, unable to stop himself as they reached their peak together, his cock pulsing inside you, his cum filling your sweet pussy as he moaned your name, his pleasure ringing through the chamber. "Ah, Y/N…!"

You scream in pleasure his name, earning his pants to get rougher as he so gently kisses your neck. His eyes never leave that sight of you in the mirror.

"Nngh," Johnny groaned, his cock throbbing inside you as he waited for the aftershocks of your orgasm to subside. He waited for your body to steady, enough to pull out without making a mess. "Easy, Y/N," he whispered, slowly pulling out and tucking his spent cock away.

"Ye made me cum so hard, and I love every second of it," he praised, grabbing his clothes. Johnny lifts your chin to look at him. "That was… fuckin' amazing, lass," he admitted, unable to stop a grin.

He brushed the hair back from your face, placing a kiss on your forehead. "Ye always leave me breathless, Y/N," he chuckled, a feral gleam in his eyes. 

Your face cooling down as you lean to his kiss your arms wrap around him so beautifully. He lifts you and smiles, "Ye believe me now?" he kisses your cheek and you nod. A moment like this, where you can sit naked in front of him, where it feels like a realistic romance movie, where the girl finds the guy that was made for her.

He truly does love you, no matter the size or shape…or even if others whisper venomous words into your ear. He is the land of peace in which your body has found comfort, the one man that in a sea of snakes and evil standards makes you feel at home, even if you wake up looking like a mess. In this world, he and you stick together, not for the looks or the vanity the world tells you, you must fit in. His love is rare, comes every few lifetimes, it's beautiful and weird like snow at the beach.

A/N: at the end of the day, you need to love yourself, no matter your size of if you meet society's standards of beauty because you are your own standard of beauty. I love you, but I'm sure your love for yourself is stronger <3 (which it should be) Also, only tagged those that let me know they are comfortable with plus size!reader pics and those that I believe dont mind it

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