#all of the characters actually have SO much going on with their characterization and all sorts of little details

[miimo96]

Things I Do and DON'T wanna see in Sonic 4

⚠️SPOILERS AHEAD FOR SONIC 3⚠️ DO NOT READ yet

With the introduction to Sonic 4 being Announced, here something's I wanna see happen in the 4th Sonic movie, now keep in mind these are just things I wanna SEE happen in the 4th movie and not that I know they're GOING to happen, it's just something I think Paramount/ SEGA should decide to do if Sonic 4 is going to be PEAK

1 thing I would absolutely love to see adapted into the Sonic films is the inclusion of rail grinding, Since it's obvious that we're going to be getting a metal Sonic storyline and therefore possibly a time travel one, I think seeing Rail grinding in probably an Apocalyptic future setting would be absolutely an amazing thing to see in live action, especially since it's pretty much a staple in Sonic games and hasn't really been adapted yet. Another thing I would love to see is the inclusion of the iconic Soap shoes, since this movie was basically taking inspiration from Sonic A2, not including the soap shoes was surprisingly a shock to me, especially since they're so iconic in that game, However I understood their reasoning probably being that they're not just in style anymore and therefore wouldn't really be serving a purpose, other than just being fan service, HOWEVER, if they were to include them in the 4th movie being that we're probably going to be seeing a possible Apocalyptic setting, then seeing Rail grinding and Soap shoes would definitely be a possible thing, especially since the Soap shoes would Definitely fit in with the overall futuristic vibe

Next up is Sonic and Amy's relationship, tbh I HONESTLY do not want her to just be solely obsessed with Sonic, I get that's her character and all but there are so many different ways you can go about it, With how she's been characterized recently, I think she'll be more than just that but I really hope they actually go that route and change her, as much as I hate the show, I really love how she's depicted in Sonic Boom, her design is beautiful, her voice is on point, and her relationship with Sonic is just so damn cute because she's not just a damsel and is actually an effing fighter and leader, Also 1 more thing I whole heartily want to see, is Sonic to just be awkward around amy and actually have him experience/ fall in love for once, most Sonic games and shows like to keep him closed off from amy and kinda deny his feelings for her, i think it would be cool if they would break away from that trope and actually have him acknowledge his feelings for her instead, Maybe that's just because I'm such a huge Sonamy shipper and have been since the beginning but it's whatever lol

Finally one thing I DON'T want to see them do again for this film is bring back Dr eggman, I feel like This will be the absolute perfect opportunity to determine weather or not the Sonic movies are ONLY Successful because of Jim Carey. if they decide to not bring back robotnik and actually decide to focus on a whole New villain and are still able to succeed in the box office, then this will undoubtedly PROVE that the Sonic films are the BEST way to do a video game adaptation and were meant to be successful with or without Jim Carey, because let's be real, if it wasn't for Jim Carey's performance then the Sonic movies wouldn't be doing as nearly as good as they are now, that isn't to say they're BAD cuz they're NOT, it's just to say that they wouldn't do as good or as well if it wasn't for robotnik. Going forward without Robotnik I think would be a Great way to test the franchise and not only give a New Villain a chance to shine, but would also prove to Paramount, that they can still COOK with or without Carey, in my opinion, having Metal Sonic be the Main Villain of the next movie would not only give you the chance to adapt other Sonic villains in a unique way, but I think probably make THIS ONE the SCARIEST villain of all time, especially with Metal/NEO Sonic.

A Villain with No emotion, No motive, no remorse, No DEEPER meaning other than simply having the "I Want to KILL YOU" mindset and is just STRAIGHT UP Evil is something haven't seen done in a Long time, tbh you can probably make him the Ultron of the Sonic universe and have him JUST be evil and it wouldn't bother us at all as long as you write him well, Plus robotnik LITERALLY had the greatest character arc in this film, from wanting to take over the world, to ending up being the one who saves it, yeah it doesn't get better than that. I Guarantee you that if Robotnik DOESN'T come back and we Actually get a new Villain that will be the BEST move for the Sonic films as a whole and I think will have the chance to ACTUALLY expand on more of his cast from here out, anyway those are just my thoughts but whaddya think?

[destinygoldenstar]

Don’t pause your story to explain characters/character chemistry.

What I mean by this is putting your story to a halt to have a paragraph or two explaining who your characters are in sentences you use on character sheets.

Now I’m not saying don’t use exposition. It’s necessary after all.

But there is a way to get your audience to understand who your characters are without pausing the story progressing. You can tell your audience who they are without it feeling like you’re shoving the info in their face.

I’m going to show an example from one of my own works:

“Charlie Sue is the world of Fate’s well known Chosen One. Every week on Saturday Morning at the strike of twelve, it’s his job to go out on the town to hunt for crimes to fight and bring justice to. However, despite his fame status, he’s rather unenthusiastic of this action, and would much rather keep quiet and curl up in a book to read about the average life of the folk without destinies. But due to his status, he will still do the job and can’t say no.”

“Sherilyn Rosuto, his housemate, is quite the opposite. She loves these crime fighting outings. She’s an action seeking girl at her core, taking interest in the brawling going around town, sports or otherwise. She is loud, carefree, and impulsive in how she approaches things, so Charlie has to keep her in check.”

“Charlie and Sheri are childhood best friends. They care about each other very deeply and want each other to be at their best. Sheri is Charlie’s Number Two. Wherever he goes, she will always be thrilled to tag along. She keeps him motivated about the next outing, whether it be training, or her own enthusiasm. Despite destiny decreeing Sheri as merely a sidekick to Charlie, Charlie truly values her as a good friend he can’t do without.”

What’s WRONG with this?

Well, one, this is a character sheet from mine before I even wrote a draft.

These paragraphs are good at directly telling you who these two characters are and what their dynamic is.

BUT that’s all they do. They put the story in a screeching halt to give the audience this exposition. As a result, it’s telling you how you should feel about them, without actually giving you a reason to care about them or their chemistry.

You can get all this important information across through action and interaction.

Make some key lines implying who they are and what they’re thinking. Making it feel like they are who you want them to come across as.

In this case, two best friends who motivate each other.

So instead of using those paragraphs, I created a whole introductory scene of these two and their dynamic, setting up the action to progress the story.

What does this say about them? A LOT, ACTUALLY.

Everything in those paragraphs from earlier is established here, but it’s natural, and not pandering who they are. You SEE how good of friends they are and what their characterization is.

Now granted it’s not perfect, on a Google doc this scene is about 2 1/2 pages so it could be trimmed if you wanted it to be.

Charlie starts the scene lazily reading, establishing not only his interest in books, but what else he takes interest in on what he’s reading. It’s said what the title of the book is. So you get a picture on his interest in the mundane life outside of his current life.

Sherilyn is the one to bring up the time, AKA, what time it is they usually start their outing. And she spends this section trying to strike up a conversation with Charlie to get him to come along.

She also talks about a sports related event, showing she takes interest in that sort of thing. She is also a brawler of the two of them.

Sherilyn also smashes her mug to get his attention, showcasing her loose cannon personality. You can tell from that simple action that she’s not only the talkative loud type, but the impulsive type.

Charlie’s clumsiness is also shown here as he accidentally breaks a lamp throwing his book. (Lamps breaking is a running gag throughout this book btw)

Sheri also has ice powers. That’s shown as she uses it to take care of the lamp mess.

You also get a description of their sides of their room to get more sense of their personality. I personally love these sorts of setting descriptions, especially if they’re telling you something about their characters. Charlie has some more of those mundane books, again, bookworm into mundane stuff. There’s some trinkets on his nightstand, implying that Charlie likes collecting these mundane non-magical things. Sheri meanwhile is an artist, a spray painter to be exact, and she’s a bike rider and a boxer, those are the kind of things she does, and the sports she’s into.

Charlie also sarcastically cheers for the day at their dog, again showing he doesn’t actually like these outings.

Sheri then, playfully, gets them warmed up for this outing to motivate him. Which starts more of their banter and interactions to understand both their characters and how good of friends they are.

Charlie comments against not showing off his body, telling us he doesn’t like that kind of exposure.

Charlie mentions Sheri dreamed of getting muscle since her twelfth birthday. Indicating that these two have been friends for quite awhile. (They’re seventeen.)

Sheri also uses the dog to describe something world building wise. Weeklings. Which are implied in this scene to be monsters by Sheri’s playful description. Charlie also comments that Bridge (location) Dark Lords (character group) don’t usually carry the kind Sherilyn is describing. Telling us where they are on the worlds map and how low the threat level is where they’re at.

These two also have playful banter regarding weaponry, in a friendly way. Telling us Sheri doesn’t use weapons, and Charlie advices she try it, showing concern for her when he asks if her face counts as a shield.

Sheri gives some encouragement to Charlie. She understands him and that he doesn’t like these outings, indicating familiarity and that she’s known him for awhile. She cheers him up a bit by suggesting going to a movie afterwards. Not a bar brawl lol.

You also see how Charlie is the cautious one by speaking against taking a motorcycle to their outing. And Sheri is the athletic one and wants her friend in top shape.

SO MUCH INFORMATION AND SO MUCH CHARACTER, AND BARELY OF IT IS NARRATED DIRECTLY. YOU SEE IT NATURALLY.

This whole scene is meant to be a character establishing scene that helps you understand the main characters and to get the action of the story started. The crime fight outing they’re going to kickstarts the entire plot.

Show Don’t Tell. Move the story along.

If a scene isn’t progressing the story, it should be telling you something about characters and why the audience should care about them.

Your audience should be shown why they should care about your characters and their dynamics. By getting to know who they are and why they either care about each other or don’t.

[pendwelling]

hiii been getting interested in twsb, planning to read after looking at ur posts. would you recommend starting it with the novel or the manhwa first?

OH ABSOLUTELY THE NOVEL!!! Like Please. I am actually begging for most people to start the novel first before reading the webtoon hahaha........

I love the webtoon dearly, but there are very obvious problems with it (especially if you read the adaptation on the official WEBTOON platform—the translation team clearly have no idea what they're doing and don't seem to have a good quality checker on the team which leads to mistakes on the most basic things such as name romanization (which has already been provided for FOR FREE by the novel author on their Munpia page 😭) and the wrong use of pronouns/titles of address for several characters)... Many readers in the comments have even expressed confusion because of the botched "official" translation, and despite having gone on for several episodes, they haven't bothered to go back and correct these errors :')))

The adaptation also skips over many details, and while some changes do a decent job in reorganizing the narrative flow into a smoother visual experience format, TWSB is actually quite a lore-heavy and emotionally compelling story driven by a lot of the subtle relationship development between characters through their many, MANY interactions, and elevated through the inner narrations of the characters themselves (which is obviously tricky to translate into a visual medium). A lot of such interactions do unfortunately end up getting cut from the webtoon (especially in Season 2, although the art definitely captures the novel's atmosphere better than the first season), so webtoon-only readers unknowingly end up missing out a LOT on the very strongly built characterization and the setting of foundations for the relationships that will be so fundamental in the long run.

All in all, the webtoon is decent. It's not the best, it's actually quite enjoyable, but as an adaptation, it very unfortunately suffers in many aspects, and since the webtoon is often the first impression of TWSB that many new readers are introduced to, it often leads to the belief that TWSB is just some simple and silly story without much depth (it is very much NOT. If you are familiar with ORV, TWSB is actually quite similar, just thrown into a RoFan, directed towards a different target audience, and with the promises of offering a lighthearted fun story. Think ORV on light mode, with its own unique spin. "Kim Dokja" and "Jung Eunseo". You'll get what I mean.)

Anyhow, Season 1 probably adapts the novel the best in terms of the story and scenes, but the atmosphere leans more towards the silliness and doesn't capture the balance between comedy, tension, and drama as well as it should, and is very simplistic, leaving out many relevant visual details. Season 2 on the other hand is near perfect when it comes to visual design, mood, and atmosphere, but is lacking when it comes to adapting the story and character interactions, with a surprising number of important scenes being left out. Both seasons are good in their own ways, but both are still ultimately lacking when you know what you're missing out on..... 🥹

Oughhh sorry I kinda went on a rant, but my point is, the TWSB novel is actually very deceivingly complex. At first glance, it seems like a comedic and lighthearted story, but the more you read the more depth you find is actually present, many of which are between the lines or very blatant, but presented in an initially unassuming light which makes you take it at face-value (making rereads a very enlightening experience). The novel manages to balance several different kinds of tones and moods in a way that the webtoon struggles to juggle the fine line of, and I should note that throughout all 920 chapters of the novel, it is clear that, from the very start, the author has always had an extremely clear vision, direction, and ending for the story. Each character you meet is important. Each of their stories is important. It is actually quite meta, but, this is something you'll only fully understand upon reading the novel haha. Everything is written in confidence and as a reader, you can actually feel this the more you read, and it's frankly impressive because there are other fantasy stories that feel like they drag from one arc to the next leaving you wondering how the story will even be able end, but with TWSB, the structure and end goals are always there. The writing of the protagonists definitely contribute to this, as TWSB is, to its core, an very character driven story.

Oh and in addition to a great main cast, the way the story treats its supporting cast is also so impressive. Most of my favourite character are actually not even part of the main cast—but even though they're only in the background, supporting the protagonists from the sidelines or even the shadows, the story treats their roles with great importance and depth, and even though they're minor characters, their presences are absolutely integral in their own ways, and it's nice to see a story treat its characters with such respect (so it's a shame that the webtoon doesn't seem to place as much importance onto all of its characters, focusing mainly on the MCs). TWSB is so well crafted and it will always pain me to see that the webtoon cannot do full justice to the amount of care put into the universe..... TvT

But yes, please read the novel first haha... 🥹 The webtoon is fine on its own, but is somewhat superficial compared to the novel. It's lovely, and the artists have definitely worked hard on their project, but the adaptation writers truly cannot live up to the full original experience presented by Sookym themselves! So yes, I would definitely recommend the novel first 🥹🥹🥹👍

[lauralot89]

So I watched Nosferatu

poor Nicholas Hoult keeps getting tortured by vampires

also

that certainly was a penis

it has been years since I watched the original Nosferatu and I no longer remember what it did with any of its characters or plot so I will not be comparing this to that

so if you're going to do a Dracula/Mina romance (or in this case, Orlok/Ellen) and you're not going to base it around their shared hobby of reading train schedules, this is probably the best way to do it, because this isn't actually a romance. This movie gives Mina/Ellen the psychic sensitivity that Lucy/Anna has in the book, and establishes that Ellen has had mental connection with Orlok since her childhood, and he essentially groomed her. She even calls him out on it in the film. Yeah, there is one moment toward the end of the movie where she comforts him, but she isn't trying to save him or anything and also even in the original novel, Mina was the one who said Dracula deserved the most pity.

Yes, there was the scene where Ellen was saying Orlok loved her more than Thomas/Jonathan but she was clearly possessed

There is no romanticism of Orlok/Dracula here. He's the worst and he doesn't even have the illusion of civility that most adaptations provide.

also I was told by early reviewers that this movie was very horny and I think they must have watched a different cut than I did. I mean, sure, you see (flaccid) vampire dick once and some nudity throughout but the movie has two sex scenes and both are deeply unsexy in that in the first, you don't see anything and also both characters have gone out of their minds, and in the second, it's not even really sex. You can't just show me a dick that's not even in use and tell me that's horny. Come on, people. Raise your standards.

I don't say this to be mean but: I think the original Orlok makeup from the silent film was scarier. I get what they were doing here, I do, and the makeup was immaculate (as were the costumes, the set designs, etc. It's an Eggers film) but I personally find Original Orlok scarier, and this Orlok was most intimidating when he was kept in the shadows.

This movie felt very much like a fairy tale. It even sets up a "three nights" limit at one point sort of like the earlier versions of Cinderella. I find that Dracula adaptations, particularly in film, often put vibes above, say, characterization, and this movie felt pretty vibe-y.

If I were to make a complaint, it wouldn't even really be about the movie itself. But like, Nosferatu was originally made to be Dracula without paying for the rights to Dracula, wasn't it? You're not bound by the novel (not that most straight-up Dracula adaptations follow the novel all that closely either). You literally have a built-in excuse to do whatever you want, but it seems like what people want to do time and again in vampire movies is a highlights reel of the most famous moments in the book without ever really delving into the characters that made the novel so good.

Again, this is not a criticism of this movie. It's just that what I realized while watching this movie is that I really really want a Dracula adaptation that's a character study. Not even necessarily a character study of Dracula. If someone out there made an adaptation that focused the story on Jonathan or Lucy or Jack or whoever, I would love for that.

God bless Ralph Ineson's voice

Everyone in this film did well, but Nicholas Hoult's performance was probably my favorite. He emotes terror so damn well. And of course Dafoe is always a delight.

Did Original Orlok also favor biting people on the chest or was he a neck guy

[loregoddess]

some more thoughts I had while reviewing a few banters, that I can't quite fit into the analysis I'm currently writing...

In the "New Paper Plays" banter between Temenos, Agnea, Castti, and Partitio, Temenos mentions that he wrote and illustrated his paper plays himself, noting that he specifically tailored them to be appealing to children. This got me wondering about all the "mistakes" he makes while reading these plays to children, which I've wondered about a lot because Temenos is clearly very familiar with all the scriptures (to the point where he can share certain stories at a moments notice when he feels they're fitting for the situation), so it seems strange that he would mess up the details.

And then it hit me--Temenos is probably making the mistakes on purpose. This would achieve three things: 1) It allows the children to have fun learning the scriptures because they can laugh and correct Temenos on the details he messed up, 2) It helps the children to build their confidence because they feel smart when correcting him and aren't afraid to speak up and correct him, and 3) It teaches the children not to blindly rely on and trust others for things they either know to be true or could otherwise investigate and learn the truth themselves, even when (or especially when) the information comes from someone who should "know what is correct"--which is the core of Temenos's approach to his faith. The third point I feel is what Temenos is specifically trying to get at with his mistakes, since he is an "authority" figure, and if the children aren't afraid to stand up and correct him, then they may become adults who likewise aren't afraid to question and investigate things for themselves.

It's rather clever really, since Temenos isn't outright saying "hey, you should doubt things that are presented to you as true and told not to question". Instead, he's modelling the actual actions for the kids by presenting them with something they know isn't correct from someone who should "know best", and allowing them to question and correct him.

It's a very "Temenos" approach to teaching the scriptures, and considering that doubt and questioning and coming to one's own conclusions can be a form of faith, it isn't even antithetical to his role as a cleric. It's a really neat bit of characterization that I didn't even notice until I realized that Temenos clearly put a lot of thought into how his plays were constructed, and that his purposeful and careful thought process is central to a lot of his characterization, so of course the "mistakes" he makes while reciting the plays would be thought-out and purposeful as well.

[trans-leek-cookie]

listen I'm not gonna be a Curly apologist he did Fucked Up as captain but I genuinely recommend ppl watch a playthru that goes thru the game in chronological order. It kinda helps clear up the events and gaps between them, bc even tho u See the times, you still experience it out of order.

The stuff Anya says definitely sets off alarm bells but it doesn't seem like he Fully Understands what she means, and I'm going to be 100% honest I think she was trying to repress it herself. This isn't to say that she is AT ALL "at fault" for what happened after and she should've gotten help even if she wasn't ready to fully discuss the issue but I genuinely think she herself was still coming to terms with things, so she didn't necessarily process the full impact before talking to Curly, and a lot of what happens occurs after they're laid off- like this delves into personal interpretation but I genuinely think Anya only registered Jimmy as a serious danger after his outburst towards Curly. Ofc my interpretation is limited bc of the limited pov in game and not having gone through what she has, but it personally reads more akin to coercion over time than a singular Obviously Violent incident (like. Not to say that Sexual Assault isnt violent in nature, just that coercion often specifically works to obfuscate the fact it is a form of violence.) The layoff is a Massive catalyst for her bc of Jimmy, in that she now has a very clear understanding of his capacity for aggression.

To extrapolate a little from the "Dead Pixel" conversation, she starts by saying she Likes The Screen (even though it's fake). While Curly has his quotes about the pixel "not ruining the illusion" which. Y'know is Symbolic Of His Flaws. She doesn't say the pixel ruins it, just that she can't get it out of her mind.

If we take the pixel to represent her Or jimmy, either way the way she talks about it kind of downplays things, like it's a Minor Thing that's Slightly Upsetting, but she's still okay with the big picture. Idk I could be 100% wrong but that is my take

Besides that, Anya tells curly she's pregnant 2 days before the crash, and it isn't until she outright states it that he starts Putting The Pieces Together. I want to note, he says "I'd do anything" and "this doesn't have to go on our performance evals" 1. Before he knows shes pregnant 2. Under the assumption she might attempt suicide, and I doubt he even thought about her using the gun on anyone else before she brings that up. He says literally before the line where she tells him she's pregnant that "being laid off isnt a reason to hurt [herself]". Like I've seen ppl talk about the performance evaluation thing like it's about her and jimmy, but I think he's referring to (his belief) that she might attempt suicide or similar which might genuinely be a consistent thing he's seen her struggle with, given she's able to go through with it. Also just to note: assuming their society is like ours (hellish) reassuring her he won't blab Abt her mental health is like. Genuine reassurance- lots of mentally ill ppl will Not Open Up bc it could have long term consequences (like. For example. On employment) ANYWAYS I hope it doesn't come off like "Curly never failed Anya" but rather "Curly approached this specific situation without the context of why Anya is panicking and (possibly validly) assuming she's dealing with a very different issue"

Also let me say again the time frame is 2 days. We don't Really see what happens, but we know Anya tells Jimmy without Curly knowing. I genuinely believe he maybe didn't do a Great Job in those two days (the fact he says Anya should've talked to Him before telling Jimmy is uhhh. Mm. 1. Your job to create an environment where she comes to you my man 2. Weird to tell her what she should do with HER OWN PERSONAL INFORMATION) but like.

I get a lot of ppl want immediate consequences but consider that they can't really get rid of Jimmy (co pilot. Which is. Y'know it's Own Problems) but also like. Curly knows Jimmy, and we know that Jimmy tends to lash out. Curly should probably Not Confront Jimmy Unless He Knows Exactly How To Keep Him From Hurting Anya. Like I'm not an expert but this is something genuinely important- when confronting an abuser you NEED to take into account the impact it can have on their victim, and sometimes for the victims safety you need to wait until you have a Solid Plan. It sucks but it's important.

And theres discussion to be had about Curly kinda going along with Jimmy saying "well what if we all died" and like. I do believe he Didn't Realize What Jimmy Said. Like he was just processing/trying to keep the situation under control (and failing because he underestimated how willing Jimmy was to hurt everyone including himself).

Like he's definitely an enabler but I would say his problems are mostly before he understands the gravity of the situation, in that he's friends with Jimmy and assumes the best of a man with abusive tendencies, and fails to create an environment that can keep Anya and the others safe. Like, he definitely doesn't handle in game events perfectly (psych evaluation for one- he does do it instead of Anya which is actually helpful, but he still treats it like. Weirdly.)

Idk I have a lot of thoughts about this game and I don't necessarily want to defend Curly but more like. Anya's situation is very delicate (and light on details) so sometimes the way ppl talk Abt it feels like they aren't actually focused on what she wants and what it means to prioritize her safety y'know?

Edit bc I just now figured out kinda how I want to word it: curly is an enabler and making things worse bc he doesn't put a stop to Jimmy's BS, but in the specific scenario we see in game I think he's trying to use his Skillset of like, people pleasing not for Jimmy's sake but for the crews (like "if I nod my head and say I sympathize he won't lash out and hurt them") which like. There are situations which that is unfortunately the safest option (on an individual level yes, but sometimes it's also necessary to prevent abusers lashing out in response toward ppl who are more vulnerable) but it was the Wrong Choice.

It's like. I think Curly was trying and had good intentions, and understood that he needed to protect the crew, but he didn't have the toolset/experience to realize he can't Just go along with things and that he needs to be able to set hard limits, even for ppl he likes and trusts. Like he failed but the failure was "for want of a nail", where it began way before what we see (for want of an understanding of power dynamics I guess.) Again, don't think this makes curly more forgivable or whatever, I just think he's a good example of trying to make the right choices when you never realized you'd have to make these kinds of decisions and therefore are unprepared and/or unaware

Second edit: personally I don't think you can really incapacitate jimmy without there being serious risk (again he's the copilot) but curly should've given Anya the gun when she told him Abt the pregnancy

[vhvrs]

so many hcs for viktor feel like hcs for akechi i either was kinda too nervous to talk abt or were things i only talked abt privately... grateful i had that springboard to finally just go for it on a character i wasnt totally embarrassed to talk abt like that so when i did get back to akechi, i lost any of the shame holding me back. sorry viktor u become akechi but worse thru me tho.

[al-luviec]

still haven't moved on from zane in this episode (aka I hit tag limit again and am unhappy about it)

[that-was-anticlimactic]

i think it's about time that we acknowledge that, no, that character would Not change their name in a groupchat! especially not to that. and, no, that character would not change everyone else's names! especially not to that.

[thirdtimed]

unfortunately if i ever developed the lifeseries orv au in my head in earnest i would in no capacity whatsoever manage to be normal about it at all and like. i mean it

[volfoss]

my #analysis or whatever but its really interesting with how much they cut out of the Jon at the banquet 1x01 scene compared to (at least the leaked version online) the original pilot and book. like not to be like yeah grrm put this much detail in there for a reason but a lot of the detail that they removed really hurts jon as a character and its so jarring to see how much they cut to take the chapter down to about 3 minutes of the episode.

[orcelito]

Also remembering that I get to write wolfwood next chapter and I'm a widdle nervous bc this is a Big Moment and I only wrote him a little bit with Sentido and it's been 8 months since then

But im also REALLY excited bc I get to finally (FINALLY) start executing the vashwood concepts I'd thought up at the damned START of this fic

So much relationship development to get to. So much Wolfwood to get to. Very exciting things.

[automatic-midnight]

My biased, really unpopular take is that I think rit/su/maya is an objectively boring ship.

[rainbowresurrection]

I ended up reading The Price of the Phoenix and while it didn't make me want to bleach my eyes like Killing Time, I still didn't like it as much as I hoped I would. Don't get me wrong, the homoeroticism was intriguing to me, but the actual writing and storyline itself left me with a headache. I think I get my hopes up with these books, given all of the possibilities that the written word has for Trek, and it inevitably sets me up for disappointment lol

[bylertruther]

WAIT i want to complain one last time before i go to bed 💙 smth smth letting the demons out so u can have sweet dreams or whatever after, u kno. ahem. anyway.

girls when their dash is dying and they don't particularly enjoy the direction fandom is headed in bc unfortunately this fandom does move and act like a hegemony / hivemind a majority of the time and the canon compliant content that they do enjoy n look forward to is scarce but it's not like they can even go back to their personal blog for the time being because succession is literally ending forever in three days and hotd is currently filming yes but the tag for 2/3 of their fave characters is literally all either a ship they hate and/or character x reader smut fics and also it's depressing as fuck and the other media content that they enjoy is equally as fucked up which means they'd have no lighthearted Love Conquers All content in their rotation which isn't exactly good and and and—

[bonyato]

I already couldn't choose wether to watch the 2001 or the 2021 anime adaptation....and now I wanna switch to the manga too......Ughjoegh—!!