#all might hcs

[thelightcrystal]

I present for your viewing pleasure…

Renee and Andrew in the bathroom at Eden’s Twilight 🚨🤪

I’ve loved All For the Game for years, but this is my first time making art for it!!! (and also ANY type of fan art tbh). Click for higher quality I think 🤨 idk how that works lmaoo.

and don’t repost without credit thank youuu

Anyways pls interact so that I can find my people 🥰 okay love y’all bye

[cable-salamdr]

Geo stuff because I miss him and I’m salty about a lack of backstory so I’m putting him through my own backstory regiment instead: Misery

+ A vague timeline because I realized maybe making a solid ref for myself is… not that bad of an idea

- Geo’s hair getting dyed dark is like, to remove him from looking “too geckle” (I know that they don’t have hair shush) and they didn’t let him cut it because why would they?

- The reason why Geo is actually really strong is not only because of his genetics (the Munce side, I suppose) but also because he has literally been doing that for a long period of his life. I might make some more stuff that has to do with his backstory (and I’d love to hear what other people’s ideas are!!).

But the gist is. to me, Geo has come a long way to where he is when we actually first see him in DR.

[justanotheryellowsoul]

Oh. Oh.

Siffrin isn't just missing the trap switch or keys because they suck at their assigned job. He doesn't. Or at least- didn't.

They miss them because they only have one eye now. Siffrin has bad depth perception. He can't tell if a space in a drawer or book is a bit bigger than it's supposed to be. They can't tell if something is sitting oddly-

He keeps hitting that one table, because he clearly hasn't adjusted to the new depth perception. It's not their fault.

It was never their fault.

[v4mpiirew1tch]

what if i told u that,,,,,,little uraraka is little bakugo's other older sister. second to mina

[zuzu-draws]

Rest Easy, He's in a good mood right now.

[devilart2199-aibi]

I suppose I should finish one of these now hm? :3c 🌱🫘

[leathfaic]

My favourite hot take is that Simon adapts way better to being a civilian than Johnny does.

Johnny went and left for the army the second he could do so, relentlessly pushed his career and is, most likely, rarely not on base unless he's been told to fuck off or move his arse home (by either his superiors or family).

Simon on the other hand finished school and then took up an apprenticeship before joining the army. Even then he came home, took prolonged leave to help his family out. He spent way more time just living that reality. And even post Roba he was at home for a while before everything went to hell. He might not take a lot of leave since, because he has nothing to come home to, but he still knows to adjust to it.

If they take leave together Ghost settles remarkably well, still keeping an eye open but he's an adult who had time outside the forces to properly adjust to life.

Soap struggles. He gets by with his charm and bright blue eyes, and that's a good thing because he's too explosive, too intense for most normal social interactions.

He's caught somewhere between the 18 year old boy and the hardened SAS soldier and never spent enough time away to really grow into just John MacTavish. Not Sergeant, not Soap, not the FNG. Just him as a person outside of the military.

He navigates this part of his life like its a minefield. Making it through but boy oh boy, it's not looking graceful.

Ghost helps him mellow out in that regard, pointing out the messy weird mechanics of normal civilan life to him. Teaches him to enjoy that and not let his job ruin him. Simon who knows how quickly it can all fall apart can't help to see the beauty in the peace most people get to experience. He'll be damned if he can't share that beauty Johnny. Even if it's always just for a little while.

And because it's Ghost, who never steered him wrong Soap let's himself be led. Allows himself experiences outside of work and his family. And while he might not be eager to admit it, it makes him a better person.

And years down the line when they both made it out, last mission just one too many that was too close for comfort, all of that helps John MacTavish to adjust. Sure he mourns his life in the military, someone like him is bound to, but he's not too worried. He knows how to get by now. And even the days where he feels very out of his depth, he can approach with ease. Because he still has Simon at his side to show him the way forward.

[ruporas]

invisible scars (referenced previous talk here)

[ID: A colourless, digital Trigun comic of Vash and Wolfwood talking about Wolfwood's scars. They're both laying in bed and topless. Vash lays on top of Wolfwood, playing with the rosary around his neck. Then, Vash kisses a spot on Wolfwood's chest. Wolfwood asks, "What are you doing?" Vash smiles sadly, "You got shot here. In the last town we visited. You didn't even bother moving."

Vash props himself up over Wolfwood, who frowns slightly. Wolfwood is quiet for a moment before he says, "You remember that, huh?" Vash grabs Wolfwood's left wrist and brings it to his face. "And here." He kisses another spot there. "When you helped free the hostages from that robber..." Wolfwood dismissively says, looking away, "Was a lucky shot." Vash huffs, “Don’t brag. Jeez.”

Half of Wolfwood's expression is shown, eyes returning to Vash who is now sitting up, continuing to say, "And..." Vash goes on and kiss Wolfwood's right palm. "You got cut here, even though that girl was aiming at me." A moment from the past flashes, of Wolfwood grabbing a knife aimed at Vash, his hand bleeding.

At present, Vash moves down and puts another kiss on Wolfwood's right shoulder. "And here, from watching my back." Another memory flashes of Wolfwood and Vash back to back. Vash looks back as Wolfwood grins while holding Punisher, bleeding from multiple gunshots in his shoulder.

"And," Vash combs up Wolfwood's hair to reveal his forehead, "Here." A final memory shows Wolfwood with a regeneration vial in his mouth while getting shot on his temple. The next panel is framed in blood with Vash at the center, eyes wide and stunned in horror. The next panel is a closed up shot of Wolfwood's eye, locked on Vash's face.

Back to present, Vash’s head is bowed down as Wolfwood raises a hand to his nape and says, “Spikey.”

Wolfwood looks serious and frowns as he says, "We talked about this. Those were my decisions. They're not there anymore. Forget about them." Vash looks very sad before he smiles ruefully and says, "I still see them. All the time." He leans down so they touch foreheads. Wolfwood’s sorrowful expression can be seen as Vash says, "You protect so much. I could never forget what you've done to me. And many others..."

In the last image, they're drawn more cartoonishly. Wolfwood sweats and asks, "You don't actually remember every wound, right?" Vash points at a spot on his chest. "Kuroneko left a scratch here 7 times." Wolfwood, startled, says, "Why the hell are you keeping count—" End ID]

Credits for ID here and here

[isuggestwishcraft]

i think isafrin dynamic, especially postcanon, is so funny to me because (among other things) isabeau is the notorious Gets Scared When The Horrors Appear type of dude, but also happens to be madly into a guy who, for lack of better words, can be aptly described as The Horrors

[dredgesnails]

I love to imagine the magic mountain bases all actually existing completely separately from each other in completely different time periods (almost), despite being physically in the same location.

In the ancient world, pyramids are constructed at the base of a huge volcano to honor the dead and worship old gods. A wide path leads to an entrance into the volcano, far enough in that the heat gets dangerous. Inside, sacrifices are made to the gods, to their king, offerings given up for the benefit of them all. The king is kind and forgiving, loyal to his people, asking for little and giving as much as he can. The gods however, are cruel, and all civilisations must fall eventually. For this one it's after a great eruption, one that shakes the earth with all the fury of the gods, that the pyramids become abandoned, left alone for centuries to erode. Over time new life grows, and thick jungles begin to hide the pyramids from view, until eventually, they’ve become a part of the natural landscape. Venture far enough in, however, and you might find remnants of the ancient civilisation: old writing in a language no one knows anymore, praises given to their old king; the remnants of ancient weapons and armour; the shapes of people who once lived forever preserved in ash and pumice.

~

It's the start of the industrial revolution, and rumours start spreading of an eclectic man and his steamrail full of exotic animals from across the globe. He’s a travelling zoo, of sorts, appearing in the strangest of places (as long as there's a railway line, he'll be there), areas it logically shouldn't be able to reach. He’s got all sorts of animals, from dolphins and turtles to strange, mysterious beasts. Where does he keep them all when they're not on the train? Some say he doesn't exist. others insist he does, that he lives underneath a mountain no one dares to visit. It's an active volcano, they say, dangerous to go near. If anyone dared to explore they might stumble upon the largest, most diverse collection of animals they've ever seen, and, most bizarrely, a large steam locomotive that runs on its own railway track, seemingly on a loop through the volcano itself. The tunnel is so dark the train disappears into it entirely. a young exploration group decide to find out for themselves, years later, and at first they think there's nothing there, until one of them stumbles upon the obvious remnants of a railway line, no longer in use but not so old that it's started to break down. Maybe he did exist after all...

~

In the late 1800s, a small fishing community establishes itself by the mountain. Electricity is new, and with the new machines and motors available to them the community quickly grows into a small village. Something is wrong, though. The rocks embedded in the mountain appear to resemble a skull more and more by the day, water streaming from one eye socket as though it’s crying. Underground passages and tunnels are found by the new residents, all leading to strange chambers. There's something in the water. A young man, one of the first in the village, disappears for a month, and when he returns, he's changed. He insists the ocean speaks to him, to everyone through him. He fishes for hours, days, weeks on end. When his madness begins infecting others, most gain the sense to stay away from him, but not everyone does. There's something in the water.

By the mid 1920s, the small fishing village is still standing, although most of the residents from four decades ago have since left. A young woman, traveling alone in her tiny fishing boat, docks at the village in need of repairs. What was meant to be a one night stay turns into days, then weeks, then months, as she begins to notice strange happenings in the village. A local artist has locked himself in his house, gone mad from something he found in the ocean. A scientist is experimenting with strange materials, and sometimes at night strange noises come from her house. There's something in the water. An older man speaks in tongues, driven mad by the sea. There's something in the water. The young fisher sees him occasionally, staring through her, unseeing. She's begun dreaming of ancient monsters in the depths of the water below her, reaching their long arms out and crushing her and everyone else. When she looks into the sea she can't see anything. It’s just inky blackness.

(No one knows how the village gets destroyed. One day it's here, and the next it's turned to rubble, razed to the ground by forces beyond human perception. It appears no one survived, but strangely, there's no trace of the small fishing boat the young woman had arrived in, nor of her body, and if anyone stopped for long enough in the wrecked city they might hear mumbling at night from underground, the mad ramblings of a man who has seen too much.)

~

Magic mountain row thrives in the early 2000s. They’ve beaten the Y2K bug (it really wasn't that much of a problem, anyway), business is booming at all the independent stores, and the local economy is better than ever. It doesn’t matter that not many people want to live here because new tech keeps Big Ron busy, and Willie Jr is old enough to start working at his father's shop, preparing himself to take over the business. The safe storage containers are always a little open, but nothing ever really goes missing, because no new people means everyone knows everyone. A young boy visits his neighbours for the last time before he leaves with his family; his dad's got a better job somewhere far away and they have to leave now, and besides it’s safer not to live by a barely-dormant volcano (it’s not as cool, though). His new neighbourhood has a lot more kids his age, but he can't help but miss the eccentric nature of his old neighbours. He returns to his childhood home twenty years later to find it empty. Most of magic mountain row is empty now, actually. There are a few places still open: Big Ron refuses to close up shop because Willie Jr, who has taken over the business now that his father's passed, still needs his help from time to time. Anyone still living here is merely clinging to a past they remember so fondly they can't adapt for the future. They're happy, though. They’re happy to remain here until it's their time to go.

~

In the not-so-distant future, a dense city is formed on the mountain. It started out as a smaller town, with traditional architecture and shrines dotted around the place, but as technology advanced and society progressed it grew and evolved into towering skyscrapers, holographic billboards, a rail system that winds through buildings and above streets. Elements of the past still remain - lush gardens lined with cherry blossom trees, the old shrines and temples still standing, a mark of the city's history and longevity. The city stands the longest, weathers the strongest storms, grows and evolves and changes, but all must come to an end, eventually. A rumbling in the earth, a once-dormant volcano waking from its slumber. They have the tech to know it's coming, now, so they all flee before it can hit. Only one man stays behind. This is his city. This is his home. He built this entire place from the ground up, and he’s not going to leave it behind. He makes his way to one of the shrines. Praying to his goddess, he leaves her one final offering, and when the ash settles all trace of him is gone.

~

The apocalypse happens in a future beyond our reckoning. A city lies, abandoned by most, on top of the ruins of civilisations that came before. Once a lively hub of activity and tech and innovation, the city has become a ghost town, occupied only by the artificial intelligences that had driven humanity out. They wander aimlessly, mimicking the behaviours of the humans they used to watch and help, protecting the inner core of their city that keeps everything, including themselves, alive. The humans reside elsewhere, in a bunker resembling the old world, with more vegetation and life than the city had despite being hidden underground. The city’s architects reassure everyone that they’ll be able to return someday soon. The one who designed the robots, a man more cyber than human by this point, just needs to fix a few issues with their programming. He doesn’t want to destroy them but he might have to. His partner, who designed most of the city, will need to commence repairs before anyone can live in the city again. So they leave, vowing to fix the city so that everyone can return to society. No one knows they will never return.

[karokawwo]

be the change you want to see in the world i guess

i've always felt a bit let down by the lack of body diversity in ts so i took matters into my own hands + other itty bitty modifications

[faytears]

percy is middle eastern (specifically lebanese) argue with god

are headcanons about percys ethnicity still cool in 2023. idk im forcing you all to look at it anyway

no way in hell would the entire fucking country look at a little 12 year old white boy and be like "yeah I definitely believe that this child is a terrorist" like they did in TLT

described as looking 'Mediterranean', tans easily

not uncommon for ppl in the levant to have the dark hair/complexion + light eyes combo

also not uncommon for (non-muslim) swana ppl in the US to have vaguely western-sounding names. his last name was anglicized don't ask questions

fun nod to civilizations like the phoenicians being seafarers, poseidon's multiple connections to phoenicia in greek myth + historically being worshipped in the area

he would use the heinous insults that exist in arabic as casually as one would talk about the weather. he doesnt even actually know arabic he just knows how to say fuck you in all its iterations.

just realized how funny this hc would be in light of that comment he made in SoM shitting on hummus LMAOOOOOO

[phonification]

weird hsbc adjacent ii au doodles ,,

[claitea]

"Seeking to ease the burden of solitude, lonely Trainers tell Zoroark to show illusions to them."

[boxofshadows]

How Pro-Heroes would react to y/n getting attacked by a villain and ending up in the hospital

✦Includes: Midnight, Eraserhead, All Might, Ms. Joke✦

A/N: sfw!! requests are open if your fav isn't here! I'll write for anyone~★

Midnight

Midnight is incredibly good at hiding her emotions, I believe. Shes used to wearing a mask 24/7 in her hero role, so when she finds out you'd been hospitalized by a villain, she puts on a mask of levelheadedness. She would feel guilty if you had to comfort her after you'd just been traumatized.

Course, you aren't used to this side of her, so you assume she doesn't care. You end up breaking down and asking if she even cares.

"Of course I care, love, did I make it seem like I didn't?" "I'm so sorry baby, I just didn't want to stress you more."

After that, things smooth out. If you don't mind the eventual scar, she'll make it into a joke and flirt about it. "Y'know, I always thought scars were attractive~" and similar things.

If you don't like the idea of a scar, she offers comfort, and a way to hide it until you're more comfortable. "If you want, I can help you hide it and minimize it."

Shes very affectionate the entire time, she doesn't leave the hospital until you basically force her to go check on your cat and get some actual sleep.

Secretly blames herself for not being able to protect you.

After you get out of the hospital she doesn't treat you like glass, persay, but she does NOT let you do anything against your doctor's orders.

She also helps you sign up for therapy and reminds you that whatever happened wasn't your fault. (Hypocrite much?)

Kisses you and reassures you 24/7

It takes a bit for her to stop blaming herself, but you work together:)

Eraserhead

Most emotional man I know of. "logical" my ass.

Aizawa is immediately at your side. Like he will run across rooftops to get to you. He has NO chill. Part of me believes he gets to the hospital at the same time as you.

Clingiest motherfucker alive. Every ten minutes in the waiting room it's "Can I go in yet?" To the nurses. He doesn't sit down once.

Once he gets to you literally nothing is capable of getting him away from you.

He comforts you whenever you need it, deep down he knows there was nothing he really could've done to get there sooner. He's completely and totally focused on you.

When your other friends get the clear to see you, Joke takes pictures of you and him sleeping in the most awkward position

Brings your favorite blankets and foods

Makes you a playlist of classical music to help you sleep

Anything you need, bro is on it immediately

Once you're released he refuses to let you do anything strenuous. He opens the car door for you, helps you get buckled, etc etc.

He does take the hint when you ask to shower alone, and backs off a bit after that.

He offers to ask Recovery Girl to heal you, and brings you painkillers when you need them.

He understands your paranoia after the incident and helps you learn basic ways to keep yourself safe.

All Might

Would get to the hospital as soon as he could, but knows that you'd want him to stay and finish any responsibilities.

If he's in the middle of something, he finishes it as fast as he can and then gets to the hospital.

He gets there just as you're being taken to a room

Instantly asking if you're okay, if you need anything. The second you say you need something he's on it.

Also a clingy motherfucker

But he knows how to distract you from whatever hurts with dumb jokes and pictures of his student's progress.

Knows how to fill dead air basically. Doesn't really ask about the villain unless you bring it up, just to make sure he doesn't potentially trigger anything.

Listens empathetically when you tell him about what happened.

Offers to get you food, but you're both indecisive so it's just a back and forth of:

"what do you want to eat?"

"idk, I'm good with whatever, what do you want"

"you're the one in the hospital bed, what do you want?"

"you have to go get it, so-"

"fine, (food you hate) it is."

"..."

Won't treat you like glass, he knows what it's like and fuckin hated it.

Still offers to help you though, he just doesn't want to suffocate you

Takes you on drives across the coast to get a break from the city

Ms. Joke

Tries to act like she wasn't worried and knew you'd be fine the whole time

She didnt

She had to call Midnight to calm her down

Makes jokes about you "being apart of the club now" (having been attacked by villains) and then apologizes for what happened

Brings you treats and things to make you smile (comfort items, silly things she saw at the store, etc)

Has Nemuri smuggle your guy's tiny dog in and out like twice

Sits in silence and watches you sleep

Brings you headphones to drown out the annoying beeping

A little over protective afterwards

Clingy, but not Shouta clingy.

"you should go home"

"why, is something wrong?"

"you haven't left the hospital in a week, you clown."

"oh yeah. Oops!"

"..."

"ok ok I'm going!"

Showers, but also washes the exact same clothes and rewears them just to fuck with you "you didn't say I had to change"

"tell me you washed those, em, or you're on the couch and the dog gets your pillows."

"Of course I did!"

[cicada-candy]

WORSTIES I cherish them. </33