#all i see is pain

[itosevenito]

Rewatching the terror hurts. It just hurts. There were so many things first time viewer me missed and dear to God it hurts

[what-is-denial-if-not-fanfiction]

I feel like my parents just got a divorce

[willowtreehigh]

The eftpos is down at work

[redpapercraness]

to lose you

[holyblanchett]

I'm just thinking about Agatha telling Rio she didn't want to see her face again and now we know why. Nicky is Rio's literal twin and he's a perfect blend of them both. Rio really had to reap her own sons soul and afterwards she was rejected by her love. It wouldn't have mattered if Rio granted Agatha 6 years or 16. His death was always going to stand in between them. Let that sink in.

[lotus-pear]

clowns in court

[poorly-drawn-mdzs]

Ghouls night out

[First] Prev <–-> Next

[technically-human]

Hey, don't cry. Ghost yuri, okay?

(Now that you know the girls, they need to meet the boys!)

[dandelion-roots]

couldn't get it past your lips, could you? (aka the moment in the scene I knew pok was lying)

[ID: First image: a black and white digital drawing of pok gukgak sitting tied to a chair and bleeding from several wounds. we see him from the back. in front of him are two goblinoid but large demons saying, is there nothing you miss? do you regret dying? do you regret not seeing the life of your son? Second image: a sepia picture of a tiny riz sitting on pok's lap as seen from pok's perspective. pok is gently caressing riz's soft cheek with the back of his index finger. with his other hand, this one with a wedding ring on it, he's holding a big picture book that depicts a dog sherlock holmes. riz is grinning and excitedly pointing at the drawing with one hand while his other holds his dad's wrist to get his attention. outside the memory, pok is saying, i don't- i don't miss- and the words cut off. Third image: the drawing is again black and white. pok is back in the reality of being tied to a chair. he's staring forward with a blank expression, face battered, and saying, i don't know what to tell you. there are tears in the corners of his eyes. End ID]

[aq2003]

twelfth night main plot: haha bisexual love triangle that is gay in both directions! haha mistaken identity and gender fuckery haha

malvolio side plot:

[sublimerences]

Baton Pass!

[that-ineffable-devil]

The reason Charles doesn't register his feelings about the Cat King as jealousy was because they were the same flavor profile as anger.

And when he feels angry, he surpresses it however he can.

It's why, when Edwin asks "why are you getting so angry" in response to Charles' remarks about the Cat King in Ep 4, he shuts his mouth and clenches his jaw.

Because he doesn't want to be angry at Edwin.

He doesn't want to be angry at all.

He doesn't want to be like his father.

[benevolenterrancy]

("Always. Continuously. With increasing apprehension, and decreasing hope. I will love you if I never see you again, and I will love you if I see you every Tuesday. I will love you as a corpse loves the beak of the vulture. I will love you no matter what happens to you, and no matter how I discover what happens to you, and no matter what happens to me as I discover this." -- paraphrased from The Beatrice Letters, Lemony Snicket)

[demigods-posts]

saw someone point out that annabeth would have multiple streaks of grey in her hair since she held the sky for significantly longer than percy. and now. i'm imagining our girl with grey highlights threaded through her natural hair.

[cheesenchalk]

i never know how to phrase it but something about the way beatles biographers and people in general view paul's reflexive placating persona and determination to smooth things over as manipulative or duplicitous and john's reflexive barbed persona and habit of lashing out as brave and subversive despite both being equally defensive mechanisms to shield themselves from the world that resulted in them saying things that weren't true says more about how we culturally view kindness or friendliness as inherently untrustworthy or flimsy and anger and carelessness as more believable as someone's true nature than it says about either of them in actuality

[acepalindrome]

I think Mouthwashing is more interesting/tragic/compelling when you read Curly as a most good intentioned person who did care about his crew, AND DID SOMETHING HORRIFICALLY INEXCUSABLY AWFUL, than a monster like Jimmy who didn’t seem to have any redeemable features that he didn’t fabricate for himself to try to play the hero.

Because sometimes people who do awful things aren’t monsters. They’re just people. Maybe nice people! Maybe people who generally mean well! But that doesn’t make them immune to making horrible decisions, doesn’t make them immune to hurting others, and certainly doesn’t excuse their actions. Curly was told about the dead pixel and he couldn’t see it, just wanted to focus on the ‘big picture,’ smooth things over, descalate a conflict. Except all that meant enabling a rapist who intentionally crashed their fucking ship to try to cover up his crime.

And if you read Curly as someone who is generally decent, that makes his place in the story even more tragic. Because a decent person can make a horrible mistake, but now he can’t do anything to fix it. He’s stuck being cared for by the person he failed the worst, the person he promised to help and fucking didn’t, and he can’t even apologize to her now. He just has to watch the results of his inaction play out in front of him, just lay there in the guilt that he allowed this to happen. That’s the true punishment.