#album retrospectives

[coulson-is-an-avenger]

Starset really is the funniest band ever, they didn’t establish a fanbase before going off with their lore like most do, they dropped one (1) single in 2013 and then a year later, with no fame and one established song, walked up to the music scene like “hey we’re a secret society with a scifi message about a dystopian future, the only answer is to make science accessible and to fight against fascism and rock out” and then dropped the greatest cinematic rock album in history. unbelievable

[she-posts-nerdy-stuff]

Grishaverse text posts I made based on things my friends and I have actually said. In real life.

(Part 29, I’m pretty sure, but honestly I lost track)

Jesper: There is nothing funnier than falling down the stairs

Wylan: *unconvinced*

Jesper: It’s so funny! Have you never experienced falling down the stairs?

Wylan: Yeah, remember I broke my foot falling down the stairs!

Jesper, laughing: Well maybe that’s why you have a negative experience of it

Wylan: Yeah, MAYBE!

Jesper: Mm. Well just know that even if you’re deathly injured I’ll laugh if you fall down the stairs

Nina: I’ve decided I’m ignoring the weather and committing to my outfit choices based on what I want the weather to be. The gladiator sandals are coming out!!

Nina, later that same day: I have lost blood circulation to my toes

Nina, later that day when it’s sunny again and she’s discovered her feet are covered in blisters: I can feel my feet again, but at what cost?

(This was me but I stand by my actions bc those sandals are cute as heck)

Jesper: Maybe I could write my thesis on evidence that the Scythians were the original horse girls

Jesper: Time to listen to Take That’s Greatest Hits and hide under a table until my problems go away, I fear

[wavesoutbeingtossed]

But I still don't know how did it end? 😩

[silverzoomies]

That Peter x Reader fic you're working on atm looks DELICIOUS. Tell me more!!!!

oh man oh man oh man im so glad you asked bc i really love that one !! basically, concept is - it's the 90's and Peter's depressed for...reasons. lots of reasons. the fic will explain. but while he's depressed, he goes on this trip to miami with his boys. he meets reader at a club there and immediately assumes they're an escort. but they're actually, like...a hardcore fangirl. anyways, as usual, it eventually gets filthy.

it's a dreary, melancholy club vibe with lots of 90's neon and black lights and shit 👍👍👍

[radionotfound]

"American Idiot is special to me for many reasons. It’s not only the album that made me a fan, but it also came at a pivotal moment in my life. I was 15, finding my own identity and becoming more aware of the injustices in our world. I was forming my own beliefs, and questioning what I saw around me. This album echoed what I was feeling: restlessness, anger, sadness, angst. It encouraged me to forge my own path, fight for my beliefs, and speak out against society’s ills. It pushed me to keep moving forward when it felt like the world was trying to stop me. Whether it was following my passion for writing or standing up for myself, Green Day was there cheering me on."

Read my new retrospective on American Idiot and 20 years of loving Green Day on Green Day Authority.

Link in source.

[tayfabe75]

"End of era. I can't make retrospective statements. It's why I've been filming this documentary for 12 years. Every single time a statement ends, the idea to follow that with a retrospective statement, something that looks back, something that is celebratory of a previous thing, blargh, it makes me wanna crawl out of my skin, I hate it. I just wanna go forward. This is the only record where I do look back a little bit. I mean, I think the only time I specifically do it is in 'Guys'. 'The moment that we started a band, was the best thing that ever happened'. It's quite sad. It was also one for the homies, you know. I wanted to write a love song for friends. People don't have that very much. I love that idea. And even if it was the fact that going through the DNA of who we were, to make this record, there's so much reference to old emo core, or house music that we were growing up with. It feels like we went right back. We went and found all the old photos, you know, of where we came from, is almost how it felt to make this record. When I made this record, I was like, '[beep], this is the last 1975 record, for ages'. Not the last 1975 record, but this is definitely us stopping making music for a bit. There's essentially been lots of different album out, for this record. We live in a world of, you know, iTunes uploads six months before the record comes out. Someone's like, 'we needed a piece of artwork,' and I keep going, 'Okay, 'I'll give you our piece of artwork'. The artwork changed every week. The artwork now is basically the most minimal version, example, of what we've had, and it's all been based on texture, and the concept of wabi-sabi. The record's been about deconstruction. The record feels like it should be just in a paper bag. I wanted to steal The Durutti Column idea. The Durutti Column, one of my favorite bands of all time, they made one record, the vinyl cover was sandpaper, so it destroyed any record that it was next to. I mean, oh my God, how [beep] badass is that shit? That is so my vibe. I wish that I had of done it, but the thing is I love that idea so much that I couldn't have passed it off as my own. I grew up in punk and hardcore. The most punk person that I have ever met in my life is Greta Thunberg. She gave me a sense of hope, do you know what I mean? We're all kind of wallowing in nihilism, and what's the point? And when you meet her, she don't give you a pat on the back, I'll tell you that much, but she [beep] means what she's talking about. We were talking about the Sega Mega Drive startup sound of The 1975, and we were talking about how that happens every time, and we were like, 'What is the most modern version of that?' And then the conversation became, 'Well, what is the most modern thing? What is the most modern statement?' And it was Greta Thunberg, we realized, we get Greta Thunberg to sing it. 'We are facing a disaster of unspoken sufferings for enormous amounts of people'. That idea was obviously exciting, immediately. Using that platform is a great thing to do, and it's also creatively exciting. The moment she's deemed, she's one of the most important figures of our generation, but I really like the idea of formally encapsulating that in a piece of music that therefore exists in pop culture, in the way that music does, and goes on a record. You know, no one's gonna find a tweet about Greta Thunberg in the rubble, in a thousand years, do you know what I mean? But if in a thousand years they found that record, that would move somebody in a thousand years, who finds that in the rubble."

May 22, 2020: Matty explains The 1975's Notes on a Conditional Form album. (source)

[aeolianblues]

Kings of Leon: 2003 and 2008

Here are some of the Kings of Leon albums we were sent promotionally at my campus radio station.

July 2003, a promotional CD of Youth And Young Manhood, with the band's silhouette in a shiny embossing, which on digital versions is just replaced with a grey negative space.

In October 2008, we were sent Only By The Night, the album that truly broke Kings of Leon out of the realm of campus, indie and underground radio, and put the band on the commercial and national airwaves.

Up until this album, the band had been the dark horses of the indie scene: too alternative for commercial and rock radio, but too uncool for an indie scene synonymous with NYC nightclubs, haircuts on the front page of the NME and alternative city boy fashion. In a world of Karen O's style, Julian Casablancas' melancholy, Alex Kapranos' sharp dressing sense, Russell Lissak's hair and Pete Doherty's volatility, the Nashville band seemed a little out of place.

Then came the singles, Sex On Fire and Use Somebody, and suddenly the brothers (and friend) were in heavy rotation on commercial indie radio. Or so I'm told by my cohost, who has been a radio DJ through all those crucial early Kings of Leon years. Me, I was in primary school and didn't care for indie music, that's why I'm on campus radio right now.

Anyway, figured I'd post these since Can We Please Have Fun just came out. This one's for the Kings of Leon fans!

[drdemonprince]

Oh, my heart will fantasize of Eden

My love, my dream, make love to me

Surrender your spirit, sing my eulogy

Oh, my heart is chained to thee, my angel

You haven't seen the last of me, my love

I give you everything

[shinygoku]

Retrospective of my Beatles Albums Retrospectives

I'm not sure how to write a snappier title than that! Anyway...

12 Albums, 4 Bugs, 1 Band. And me, having a look, listen and a think at their work and writing it up~ However, while I successfully got each review out in time for the First of each month, I can't say everything was necessarily up to the standard deserved by such a body of work. But then, I also think most of what I said still holds, so this is also a summary as well as a few little corrections or instances where I may've changed my mind on individual songs. I wanna keep my original, possibly flawed, ones unedited to better compare now, and possibly again in the future ;3

Here's a link for each instalment:

Please Please Me

With the Beatles

A Hard Day's Night

Beatles for Sale

Help!

Rubber Soul

Revolver

Sgt Pepper's Lonely Hearts Club Band

Magical Mystery Tour

The Beatles (The White Album)

Let it Be

Abbey Road

And now I'll summarise each, with the Moniker I assigned them with each review. Which I now see was originally to indicate the quality, and became more esoteric and tailor made in time lmao XD;;

Please Please Me – Decent!

Decent feels a bit like faint praise for my liking, and if I were trying to arrange the Albums by quality order, PPM would not be the lowest! It's charming and impressive and I docked too many points on the covers just as they didn't write 'em. As someone who can never see a live performance by 'em, let alone a Cavern Era type gig, this is all the more novel and valuable <3 Therefore I'm bestowing upon it a new moniker of Foundational !

With the Beatles – Improvement

Again I'm annoyed at how simplistic that is, and its not giving due credit to either it or PPM. The same flaws with my approach to covers apply too, but at least 3 of those are actually stand outs on this assortment (Please Mr Postman, Till There Was You, Devil in her Heart), and the Originals that I like most, It Won't Be Long and All My Loving, are absolute bangers. As with PPM, I will give it a new one-word summary... this shall be Elaboration

A Hard Day's Night – Uneven

Yeah, that one still holds up, and it does still irk me how the weaker half of the album drags the iconic and really nice songs down. And part of it is the passage of time and standards shifting, but there's a quiet undercurrent of spite, even in the prettier songs, which I find a little irksome. Like how If I Fell, in the midst of a serenade, finds the time to comment on how the Ex will suffer..... yay? Oh, John!

Beatles for Sale – Burnout Album

I mean, that's literally what it was XD;; However again I have a lot of fondness for it, and the covers ain't all my cuppa tea but I dig several anyway. However I kinda wanna drop 8 Days A Week from my Best 3 grouping and instead put I'll Follow The Sun there. Ironic as IFTS has a similar surprise spite section but 8 Days is indeed more paint by numbers for these here Bug Boys.

Help! – Promising

I think this is where The Beatles reach the perfection of "Old Beatles" style. The themes aren't that distant but everything's refined. The only song I outright think is out of place is Dizzy Miss Lizzy, and I think that was brought in as a quick replacement when they couldn't get Wait up to standard, everything else seems more intentional, even if I'm not wild on all of them. The titular song is bizarrely underrated for a well known number, and Yesterday foreshadows the more varied instrument use and genre dabbling.

Rubber Soul – Amazing

This might be my favourite of the albums, albeit not The Best and some of the numbers here are outclassed by later songs with the same theme, and yet I really dig this Experience. I came down pretty hard on Run For Your Life, but the tedious truth is that it's still an absolute banger, just one where I feel I gotta write an apology to Women after grooving to it. It's the first album I'd consider No-Skips, the first to use a Sitar (for better or for worse lol) and also the first song with a Girl Main Character, so there's lots of fun to be had here :3c

Revolver – Revolutionary

While Revolver leaves a high water mark, it's one I find to be polarised between songs I absolutely love and ones which I kind of dislike. And of course, this is the point where the Sounds become newer and less orthodox and more noteworthy. Unfortunately I am still not impressed by George's whopping 3 songs here =w=;;; – But I find it quite telling that a fab bit of rock in the form of And Your Bird Can Sing gets lost in the shuffle of other landmark songs from one album. So like, a very valid fave album for many, but I prefer a couple others~

Sgt Pepper's Lonely Hearts Club Band – Intelligent

This one is a bit of a paradox. It's a very strong, impressive album. However for some reason it was the one most touted as The Greatest, which I would disagree with. But, the backlash to the hyperbole also goes too far and doesn't give this fun musical experiment and proto-Concept its flowers, which it does actually deserve! Not as The Greatest Of All Time, but as a look at The Beatles, Edwardian Style, and Liverpool itself, through glass coloured by cool and varied music. And getting robbed of Strawberry Fields Forever and Penny Lane is a shame, but this does still have A Day In The Life as the grand finale!

Magical Mystery Tour – Eclectic .....oops

I... didn't notice at the time that I used the same Snappy One Liner for two albums! In a row! Oh my god!! (In my defence, it does fit both, but the idea was to have a different one for each! Fuck!). Retconning this one as Esoteric instead ^w^;;;;;

Anyway yeah. The MMT (Soundtrack Album) got pumped up with two incredible singles, and All You Need Is Love, and also Baby You're A Rich Man [which I've warmed up to a bit since, but not fully lol]. But they weren't really supposed to be there... As for the songs that were part of the Strange TV Special's soundtrack, it's pretty harmonious and themed, with interesting choices like a lyricless (but not vocal-less, there seems to be A Cappella chanting) song in the form of Flying, and a horrible dirge that I can't stand listening to with Blue Jay Way. But the Paul and the John songs here shine very brightly~

The Beatles [The White Album] – Eclectic

Yeah, I mean. This is the very definition of Eclectic, ain't it? Like Revolver in the polarised song types, but MOOORE. More songs, more wildly varied tones, more duds that I outright avoid, but still more absolute bangers. But!! More duds, or songs that jar so harshly with my own musical preferences, at least, that I have a harder time with this one. If I was feeling more generous, I'd say there's more for everyone, but I also like the Beatles when they make songs that sound Good, y'know? Not to box them into a genre but this feels like Quantity at the cost of Quality.

Let it Be – Sombre

HOWEVER all the criticism I have for the White Album is pretty minor compared to this somewhat underwhelming assortment. Which would have sounded a lot better if it didn't have a deranged, vile, disgusting, scummy, moronic, abusive, terrible excuse of a human being and record producer pissing all over it. BAD.

Y'see, some of the songs are really nice, some are just alright but, ghhhhh, I actively avoid listening to this whole thing and the stupid ass "wall of sound" claptrap. 'Oooh let's cover all the actual music with loud blaring orchestra so the actual compositions are hidden from ears' ...you can tell The Industry was up its own ass that drowning out the real music was seen as a good move. Insane, and not in a fun way, it just makes me angry and sad.

Abbey Road – The Best

Fortunately, the REAL last album by The Beatles is a tour de force of amazing, uplifting, thoughtful and indeed very catchy numbers~ I've only talked about it recently, and at quite a length too, so I won't repeat myself too much here. But it really is their strongest Whole Album of the lot, so even the songs I find weakest are still extremely popular (Maxwell's Silver Hammer, which I think is overrated lol) and enjoyable. And, god, what a Beautiful finale it is!!

💎✨

But before I wrap this up, I wanna highlight the Hidden Gems (or in some cases, most underrated song) of each album... using the Cool Taglines I made for said albums [don't worry, it's in the same order too lmao] !!

Foundational: Misery

The world is treating me baaaaaad, Miiiisery! And yet this is so dang catchy it doesn't feel like a downer, even when the lyrics are very explicit XD An early Original, written for someone else but not taken up, and I think the Bugs made their own version more uptempo than the song as originally presented.

Elaboration: Devil In Her Heart

But her eyes they tantalize! A strong showing from George and a really catchy song. Prolly partially overshadowed as it's a cover (as I've been guilty of too lol), but I always dig this one and the unorthodox cadence to the lyrics.

Uneven: I'm Happy Just To Dance With You

I don't wanna kiss or hold your hand... See, I don't have any Anti-George bias, just the sitar leaves me cooler lmao – but anyway! THIS song is sweet and warm, the only time John wrote a song specifically for George to perform, and something I think oughta have been done more! But this deserves more of a spotlight~

Burnout: No Reply

I know that you saw me, cause I looked up to see, your face ! I wondered if the first song on an album could qualify as Underrated, but I think Beatles For Sale as a whole is, and what attention it does get is pooled mostly into I'll follow the Sun, so yeah, I'm giving this its flowers! I'm A Loser also deserves more attention, for the record.

Promising: Act Naturally

They're gonna put me in the Movies, they're gonna make a big star outta me! Another incredibly strong cover, seemingly tailor made for Ringo to sing, given his charisma on the screen, his Catholic-Stained-Glass Sad Eyes and his own fondness for the Country and Western style. And it's one I go to often as I think he has a lovely singing voice and this is Peak Ringo <3

Amazing: Wait

'Till I come back to your side, we'll forget the tears we cried. I don't have that much to say, but knowing Wait was meant to be on Help! but they postponed it, I think it was worth the........ [title drop]. The drums here are also super underrated, and the maraca sure makes itself known~

Revolutionary: And Your Bird Can Sing

You tell me that you've heard every sound there is, and your bird can swing... This is, in my opinion, THE most underrated, overlooked song on an extremely popular record by the most famous band ever, and yet it's absolutely flawless. The guitar shredding and harmonies are insane here, in a very good way!

Intelligent: Lovely Rita

In a cap, she looked much older, and the bag across her shoulder, made her look a little like a Military Man... Innuendo heavy as this may be, there's oodles of charm in this one. It's hard to pinpoint an underrated song on this album, but this has a good balance of being really strong and yet getting less airtime.

Esoteric: Your Mother Should Know

Let's all get up and dance to a song, that was a hit before your Mother was born... That's right, this song is a strangely endearing spin on "your mom" lines. Well, that and connecting with the Older Generation for knowledge that's otherwise easily lost... so while the lack of lyrical variation may seem simplistic, it has enough hidden depth and infectious rhythm that does indeed make it easier to get up and dance to~

Eclectic: I Will

Will I wait a lonely lifetime? If you want me to, I will. This one is (quite rightly) loved by those who have heard it, but it seems to avoid a lot of Radars too! Maybe as White Album's overly long list of songs makes people black out between the more famous or infamous instalments. This is a song that many long to be longer... but oh god, the lyrics hit different when thinking about the Beatles Meta ;~;

Sombre: The Long And Winding Road NAKED

Literally any song and version without Shitty Wall Of Sound. Sorry. The better songs are well known already and the lesser songs are lesser for good reason :v but for the one I selected, yeah it's one of Paul's most emotionally raw and yet beautiful works, as it's supposed to be presented and yet the defaced one gets more airplay, undeserved as it is. So this version is of it is massively slept on. The wild and windy night, that the rain washed away, has left a pool of tears, crying for the day...

The Best Album: Because

Because the wind is high, it blows my mind... Hey look, a thematic link to my previous one! Again, every song here is a strong one, even real dark horse selections like Sun King, or ones that were in the medley like Golden Slumbers. I'm selecting Because as both another John song for a more balanced list, but also it is one that kinda slips between the cracks, compared to ones about The Sun, or Hammers, or Octopus Botany. And of course, it's beautiful in its own right~

🪲🪲🪲🪲

Well, that's 5 pages of retrospective and elaboration! It was more in depth than I expected lmao, but it was a lotta fun to revisit, all the moreso when the PPM stuff was written a whole year ago...!

Neeeext time on Bug Boys 2025: I'm still not sure to be honest XD;; - I think it's between Early Singles and the film version of AHDN, but I won't tie myself to one just yet. Still, as always I want it to be posted on the First of the Month, so tune back in when February begins~

[minnarr]

favorite kpop albums of 2024: 1. whu is me: complex - hui / 2. the winning - iu / 3. appendix: of all we have lost - billlie / 4. with you-th - twice / 5. haute couture - misamo / 6. i sway - (g)i-dle / 7. if this is love, i want a refund - kino / 8. rewrite - yerin / 9. [virtuous] - dreamcatcher / 10. bxx - purple kiss .

[i-cast-zone-of-truth]

I’ve been trying to remember the name of this artist / album for months!!! And in fact i did not remember but going through my cql tag i found my wwx x lwj playlist which had one of their songs on it!!!!

Hammock — Afraid to Forget

It’s an album about/for grieving. It’s very gentle with you.

[gxbtx]

The Internet - A Retrospective on the Odd Future Splinter Project

In the early 2010s, Tyler Okonma, or ‘The Creator,’ banded together an experimental hip-hop group of young black artists, naming the group ‘Odd Future.’ While the brand is highly recognizable and respected in today’s world, it was not always this way. This new sound of black artists creating art tailored to the (at the time) dominantly white skate culture led the group to face the discrimination of being called ‘weird’ and ‘gay.’ However, this group persisted in committing to being themselves, serving as an incubation period for many reputable artists we know today. Tracks such as ‘Oldie’ and ‘White’ introduced many of the popular music artists in today’s musical landscape. Odd Future curated the talent for the likes of Tyler, The Creator, Earl Sweatshirt, and of course, Frank Ocean.

In 2011, OF members Syd ‘tha Kyd’ and Matt Martians ventured off to create the splinter project dubbed ‘The Internet,’ introducing their discography with the album “Purple Naked Ladies.” Two years later, “Feel Good” introduced Patrick Paige II as the bassist and Christopher Smith as the drummer, tailoring new elements to the foundational sound PNL created. In honing their signature style, they experimented with Raliegh Ritchie in a few remixes such as “Free Fall” and “Stronger than Ever.” Syd stepped up confidently to the role of lead singer, reaping the soothing vocals that represented her undeniable swagger; additionally, her assistance in engineering early 2010s albums such as Goblin by Tyler, the Creator, Doris by Earl Sweatshirt, and Ali by Mike G built up her reputation as a talented music engineer. Paired with Patrick’s admirable bass skills and Matt Martian’s dreamy keyboard presence, the band would come to put out projects establishing their contribution to the new sounds of R&B.

LOVE SONG - 1

This short, simple ballad of a break-up holds a steady beat throughout the piece, with a short verse delivered by Syd. Syd’s soft, yearnful analysis of the state of her affair represents a common struggle of figuring out when to give up on the relationship. What is uncommon about this piece is the signature dreamy keyboard harmony, notably introducing a signature element that would come to identify this new band in future projects to come.

STRONGER THAN EVER - THE INTERNET REMIX

In a remix of several tracks from the Game of Thrones actor Raliegh Ritchie, The Internet brings an electronic buzz to the table that electrifies the heartfelt lyrics of resilience. The echoing of every verse resonates with the notion that the hardships associated with the constant strive to succeed can feel like shouting into a tunnel that lacks a response. Towards the end, Ritchie raises his tone and intensity, reaching a breaking point of feeling lost and alone, revealing he is driven mad by the implication of no resolution. However, the melody, “I fall but when I rise I’ll be stronger than ever,” is repeated to remind him of his resilience that will allow him to persevere. I connect to this song as I too have felt the struggles of reaching success, and like the melody, I have to remind myself what I am capable of to drive myself to succeed.

In 2015, Steve Lacy joined the group as the leading guitarist, graduating high school that same year. Steve’s relationship with the strings represented an incredible symbol of talent, taking inspiration from artists such as Jimi Hendrix, Thundercat, and the Neptunes. Combining these elements into the artistry of The Internet led to the production of the critically acclaimed “Ego Death,” breaking through the R&B world with unheard combinations of funk, jazz, indie rock, and R&B. Tracks such as Get Away and Girl challenged the very idea of what R&B can offer, with Tyler’s feature at the end reminding us of the humble beginnings. Rightfully so, the album was nominated for Best Contemporary Urban Album in 2016, as well as winning two BET awards.

GET AWAY

Lowering the tone to a deep bass sound, this provocative track begins Ego Death with a new concept of what The Internet can produce. Syd’s lyrics make the track portray themes of ostentation, calling on her same-sex affairs to create a unique singing dynamic about a girl in the articulation of an R&B woman singer. The low and slow beat still contains those dreamy elements in every Internet song, with Steve Lacy strumming a soft and light riff during the melody. The bittersweet theme is found in the lyrics of using drugs to escape the worries of committing to a relationship and is reflected accordingly in the instrumentals.

SPECIAL AFFAIR

This irreverent track mimics the sounds of nature; the dark and tense motif continues the character of a heartbreaker embodied by Syd. Syd’s soothing confidence creates a comfortable environment for the listener, while the deep bass lines and light, dreamy elements of Steve Lacy’s riffs continue throughout the track. The lead singer’s presence endures privilege, as the lyrics signify that she’s purely interested in intimacy without feelings. This provocative piece uses the sounds of nature to enhance the track’s tenderness, serving as an excellent nocturnal sound to accompany night drives.

GIRL (w/ KAYTRANADA)

The Internet continues to provide impressive collaborations, as Kaytranada's role of electronic/house producer registers a mesmerizing track that pulses a vibe unheard of. Kaytranada’s trippy yet tender sound paired with Syd’s vocals creates a gentle presence that makes the listener feel at ease. The lully track serves as a testament to the themes of yearning Syd creates, which can be misleading as conceived in previous tracks. The pulsing of the guitar riff alternating in and out of the beat, along with the small balance of bass, comes together to form a contemporary jazz track that few can pull off.

PALACE/CURSE (w/ TYLER, the CREATOR)

Palace/Curse ends Ego Death on a chill note, with Tyler’s accompaniment creating a whimsical ode to the girl. In Palace, a crowd is present to create an atmosphere that gets the listener hyped as if they’re actually in the crowd. The metaphoric Palace Syd sings about refers to the idea of seducing someone into her life of luxury, in accordance to the theme of the album. Transitioning into the low and slow “Curse” creates a feeling of daze, allowing the daydreamy elements of this band to shine. In the repetition of Steve Lacy’s repeating melody, ‘Baby I’m under your curse,’ and Matt Martian’s hypnotizing keyboard element to end the album on a jazzy note, this track entails as the perfect wrap-up of the incredible work that is Ego Death.

In 2018, the band created their last studio album under the name The Internet, dubbed ‘Hive Mind.’ More coverage of talent that Steve Lacy obtained peeked through, allowing the development of a new audience for his solo career. Before the release of this album, several members put out their own solo projects, such as Stevy Lacy’s ‘Demos’ and Syd’s ‘Fin’, alluding to the direction the band would go after the album. This final album serves as a more conscious reflection on the growth of the members throughout the years and the effect that music had on the process.

LA DI DA

Launching with his groovy guitar riffs, La Di Da allows Steve Lacy to shine through his vocals on the melody. Elements of the band’s signature style persist throughout this track, with added elements of funk. The fresh sound transforms into a softer jazz improvisation with a saxophone ending the track.

IT GET’S BETTER (WITH TIME)

If you’ve ever heard the track from Lil Uzi Vert, ‘The Way Life Goes,’ you’ll definitely be reminded of the same message Uzi presented to the listener. This tender track uses a bendy guitar riff to interact with a steady foundation of percussion, to which Syd’s lyricism provides a hopeful message of healing through hard times. Syd’s higher register in this track creates a satisfying comfort to the intended audience and is accompanied by an unexpected conscious verse from ‘Big Rube.’ His message of ‘The easy path rarely leads to what the heart truly desires’ comments on the discomfort required towards the pursuit of happiness. The track ends with a sunny jazz background to accompany a story from bassist Patrick Paige, who ardently explains his struggle with alcoholism and how he persevered through what seemed like a never-ending battle.

Overall, The Internet left an impact on the R&B world leaving a lasting impression. The contemporary elements the unique members contributed honed a signature sound of lulling comfort accompanying passionate and tender lyricism. This splinter project created an outstanding representation of the talent Odd Future would end up making, shaping these artists to be highly respected members of the musical community. While the band may no longer be together, their core values of passion for music bleed through the discography of The Internet, leaving the listener with a concept of how we can use music to truly create an emotional atmosphere.

[asukiess]

something about listening to an album from your past—a really important record—and remembering lyrics that you haven’t sung to yourself in a decade, they come back before the singer gets to it. I can remember I’d listen to this song before work, I’d listen to this at night when I felt lonely. I can remember the parts that were my favorites—but it doesn’t hit the same. but it’s got old me all over it.

[wavesoutbeingtossed]

I should leave this in a tag post so it's not on main but whatever, I'm in a mood and listening to "peace" for the first time in awhile along with this rambling mess from the other night puts me in my feelings because "[you know that I'd] give you my wild, give you a child" is such a vulnerable, raw, honest confession to share with someone (let alone put in a song on a Grammy-winning album) and I don't know how much clearer the pipeline from there to the events on TTPD could be but just. It's heavy, but obvious and understandable (to me). And I'm not about to delve into why because of reasons and also don't want to come across as projecting or speculating or whatever but. Once again I think if you're in a certain age bracket and life stage so much of this just makes sense inherently.

[ninalapotatoes]

A little 2023 retrospective

[malscare]

extremely not to be a hater and ik i have a few specifically vinesauce/red vox mutuals but like the weird art credit issue i had w him has really been bothering me lol. like the first thing ppl usually say when i show them is like "oh cool he should be crediting you too?" and like. yeah he should lol. its what he said he'd do but like the most he even did was like retweet a quote tweet from a different band i do work for shouting out the merch w my handle 💀 NOT EVEN MY OWN TWEET................... and its so bizarre because like he's had no problem crediting other artists either so like why am i different.