#ai co-worker

[reallytoosublime]

AI co-worker refers to an artificial intelligence system or tool that collaborates with human employees in a workplace, contributing to tasks, decision-making, and overall productivity. The concept of an AI co-worker is to augment and support human workers rather than replace them. In this video, we'll be exploring AI co-workers and why your next colleague will be an AI.

As technology continues to advance at an unprecedented pace, it's becoming increasingly evident that artificial intelligence (AI) will play a pivotal role in the workplace of the future. The notion that AI will be your next colleague is no longer a distant futuristic concept; it's a reality that's rapidly unfolding. Here's a long description of why your next colleague will likely be an AI:

Efficiency and Productivity: AI is a game-changer when it comes to efficiency and productivity. It can automate repetitive, time-consuming tasks, freeing up employees to focus on more creative, strategic, and high-value tasks. This means that AI isn't just a tool but a collaborator that enhances your work.

Rapid Technological Advancements: Over the past few decades, AI has evolved from being a theoretical concept to a practical tool. With advancements in machine learning, natural language processing, and computer vision, AI has become more capable and versatile. It can perform tasks that were once exclusive to human workers.

Data Analysis: AI has a remarkable ability to analyze vast amounts of data at incredible speeds. It can identify patterns, trends, and anomalies that might be impossible for humans to detect. In roles that involve data-driven decision-making, AI can be an indispensable colleague, offering insights that can shape strategies.

Personalized Assistance: AI-powered virtual assistants like chatbots and voice-activated assistants have already made their way into many workplaces. They can help schedule meetings, answer routine questions, and provide personalized support, acting as a constant, readily available colleague.

Customer Interaction: In customer service and support roles, AI-driven chatbots and automated response systems can handle routine customer inquiries and issues. They can also provide instant responses, ensuring customers receive assistance 24/7.

Enhanced Creativity: AI algorithms are being used to enhance creativity. In fields like music, art, and content creation, AI tools can collaborate with human colleagues, suggesting innovative ideas and even generating content, while humans provide the creative touch.

Continuous Learning and Adaptation: AI doesn't stop learning. It adapts to changing circumstances, improving over time. This adaptability is a valuable trait in workplaces that require keeping up with evolving technologies and market trends.

#aicoworker#aitechnology#aisystem#aiworker#aimentor#howaiworks#aitools#coworker#aicolleagues#aitech#workingwithai#aicopilot#aiinbusiness#ai#aitechnology#artificialintelligence#machinelearning#aiworkerjobs#aiworkerproductivity#openai#coworkerai#artificialintelligencecoworker#aitryingjobs#thefutureofai#aialgorithms#aijobs#technology#limitlesstech

AI Co-Worker: Why Your Next Colleague Will Be an AI

[youtubemarketing1234]

AI co-worker refers to an artificial intelligence system or tool that collaborates with human employees in a workplace, contributing to tasks, decision-making, and overall productivity. The concept of an AI co-worker is to augment and support human workers rather than replace them. In this video, we'll be exploring AI co-workers and why your next colleague will be an AI.

As technology continues to advance at an unprecedented pace, it's becoming increasingly evident that artificial intelligence (AI) will play a pivotal role in the workplace of the future. The notion that AI will be your next colleague is no longer a distant futuristic concept; it's a reality that's rapidly unfolding. Here's a long description of why your next colleague will likely be an AI:

Efficiency and Productivity: AI is a game-changer when it comes to efficiency and productivity. It can automate repetitive, time-consuming tasks, freeing up employees to focus on more creative, strategic, and high-value tasks. This means that AI isn't just a tool but a collaborator that enhances your work.

Rapid Technological Advancements: Over the past few decades, AI has evolved from being a theoretical concept to a practical tool. With advancements in machine learning, natural language processing, and computer vision, AI has become more capable and versatile. It can perform tasks that were once exclusive to human workers.

Data Analysis: AI has a remarkable ability to analyze vast amounts of data at incredible speeds. It can identify patterns, trends, and anomalies that might be impossible for humans to detect. In roles that involve data-driven decision-making, AI can be an indispensable colleague, offering insights that can shape strategies.

Personalized Assistance: AI-powered virtual assistants like chatbots and voice-activated assistants have already made their way into many workplaces. They can help schedule meetings, answer routine questions, and provide personalized support, acting as a constant, readily available colleague.

Customer Interaction: In customer service and support roles, AI-driven chatbots and automated response systems can handle routine customer inquiries and issues. They can also provide instant responses, ensuring customers receive assistance 24/7.

Enhanced Creativity: AI algorithms are being used to enhance creativity. In fields like music, art, and content creation, AI tools can collaborate with human colleagues, suggesting innovative ideas and even generating content, while humans provide the creative touch.

Continuous Learning and Adaptation: AI doesn't stop learning. It adapts to changing circumstances, improving over time. This adaptability is a valuable trait in workplaces that require keeping up with evolving technologies and market trends.

[roman-ai]

[mona-hug-warrior]

Day 75 - Too much on plates

[evanthefunky]

Personally, I think its awful that I remember what kind of society I live in- one cool or ignorant with surveillance for the sake of convenience, one that indeed hates the rich but doesn't love the poor, one that is so open-minded its lost, one that is hopeless and yet continues on, one that hates so much and loves to a fault, one cool and even excited about advertisements everywhere aka every available space known to man- and then just have to go about my day.

[beesarthur]

The X-Files, 5:11: Kill Switch

What is the plot? Another rogue AI! Has it become sentient - and developed intention? Is it killing its creators by hacking DoD computers? Why did it lure a bunch of pairs of drug dealers to a diner to be killed as well? Scully is first skeptical that this is technologically possible, but then she forms an uneasy alliance (they take turns holding each other at gun point) with the last living creator, Esther aka Invisigoth. Together, they save Mulder from his involuntary virtual reality horror story before Esther uploads her own consciousness to be never-dead on the internet with her One True Love.

What does this episode suggest about Mulder and Scully’s relationship with each other? This is more a comment about the episode structure than about their relationship, but their physically separate missions in this episode really worked for me, narratively (it doesn't always)?? Like, they both uncovered interesting parts of the case and had interesting scenes. I think their typical dynamic was on display here - Mulder jumping to "oh, this is how this must work!" and Scully saying (paraphrased) "but really??" - and there weren't any surprising developments.

Where are the aliens? could they upload THEIR consciousness to an AI??

[igradeed]

I Grade Ed Improves Student Productivity in Us

IGrade ed is a revolutionary AI tool on the Cloud. AI writing tool, assignment management tool to manage the projects you create with AI and many more.

[reasonsforhope]

Green energy is in its heyday. 

Renewable energy sources now account for 22% of the nation’s electricity, and solar has skyrocketed eight times over in the last decade. This spring in California, wind, water, and solar power energy sources exceeded expectations, accounting for an average of 61.5 percent of the state's electricity demand across 52 days. 

But green energy has a lithium problem. Lithium batteries control more than 90% of the global grid battery storage market. 

That’s not just cell phones, laptops, electric toothbrushes, and tools. Scooters, e-bikes, hybrids, and electric vehicles all rely on rechargeable lithium batteries to get going. 

Fortunately, this past week, Natron Energy launched its first-ever commercial-scale production of sodium-ion batteries in the U.S. 

“Sodium-ion batteries offer a unique alternative to lithium-ion, with higher power, faster recharge, longer lifecycle and a completely safe and stable chemistry,” said Colin Wessells — Natron Founder and Co-CEO — at the kick-off event in Michigan. 

The new sodium-ion batteries charge and discharge at rates 10 times faster than lithium-ion, with an estimated lifespan of 50,000 cycles.

Wessells said that using sodium as a primary mineral alternative eliminates industry-wide issues of worker negligence, geopolitical disruption, and the “questionable environmental impacts” inextricably linked to lithium mining. 

“The electrification of our economy is dependent on the development and production of new, innovative energy storage solutions,” Wessells said. 

Why are sodium batteries a better alternative to lithium?

The birth and death cycle of lithium is shadowed in environmental destruction. The process of extracting lithium pollutes the water, air, and soil, and when it’s eventually discarded, the flammable batteries are prone to bursting into flames and burning out in landfills. 

There’s also a human cost. Lithium-ion materials like cobalt and nickel are not only harder to source and procure, but their supply chains are also overwhelmingly attributed to hazardous working conditions and child labor law violations. 

Sodium, on the other hand, is estimated to be 1,000 times more abundant in the earth’s crust than lithium. 

“Unlike lithium, sodium can be produced from an abundant material: salt,” engineer Casey Crownhart wrote ​​in the MIT Technology Review. “Because the raw ingredients are cheap and widely available, there’s potential for sodium-ion batteries to be significantly less expensive than their lithium-ion counterparts if more companies start making more of them.”

What will these batteries be used for?

Right now, Natron has its focus set on AI models and data storage centers, which consume hefty amounts of energy. In 2023, the MIT Technology Review reported that one AI model can emit more than 626,00 pounds of carbon dioxide equivalent. 

“We expect our battery solutions will be used to power the explosive growth in data centers used for Artificial Intelligence,” said Wendell Brooks, co-CEO of Natron. 

“With the start of commercial-scale production here in Michigan, we are well-positioned to capitalize on the growing demand for efficient, safe, and reliable battery energy storage.”

The fast-charging energy alternative also has limitless potential on a consumer level, and Natron is eying telecommunications and EV fast-charging once it begins servicing AI data storage centers in June. 

On a larger scale, sodium-ion batteries could radically change the manufacturing and production sectors — from housing energy to lower electricity costs in warehouses, to charging backup stations and powering electric vehicles, trucks, forklifts, and so on. 

“I founded Natron because we saw climate change as the defining problem of our time,” Wessells said. “We believe batteries have a role to play.”

-via GoodGoodGood, May 3, 2024

--

Note: I wanted to make sure this was legit (scientifically and in general), and I'm happy to report that it really is! x, x, x, x

[mostlysignssomeportents]

Penguin Random House, AI, and writers’ rights

NEXT WEDNESDAY (October 23) at 7PM, I'll be in DECATUR, GEORGIA, presenting my novel THE BEZZLE at EAGLE EYE BOOKS.

My friend Teresa Nielsen Hayden is a wellspring of wise sayings, like "you're not responsible for what you do in other people's dreams," and my all time favorite, from the Napster era: "Just because you're on their side, it doesn't mean they're on your side."

The record labels hated Napster, and so did many musicians, and when those musicians sided with their labels in the legal and public relations campaigns against file-sharing, they lent both legal and public legitimacy to the labels' cause, which ultimately prevailed.

But the labels weren't on musicians' side. The demise of Napster and with it, the idea of a blanket-license system for internet music distribution (similar to the systems for radio, live performance, and canned music at venues and shops) firmly established that new services must obtain permission from the labels in order to operate.

That era is very good for the labels. The three-label cartel – Universal, Warner and Sony – was in a position to dictate terms like Spotify, who handed over billions of dollars worth of stock, and let the Big Three co-design the royalty scheme that Spotify would operate under.

If you know anything about Spotify payments, it's probably this: they are extremely unfavorable to artists. This is true – but that doesn't mean it's unfavorable to the Big Three labels. The Big Three get guaranteed monthly payments (much of which is booked as "unattributable royalties" that the labels can disperse or keep as they see fit), along with free inclusion on key playlists and other valuable services. What's more, the ultra-low payouts to artists increase the value of the labels' stock in Spotify, since the less Spotify has to pay for music, the better it looks to investors.

The Big Three – who own 70% of all music ever recorded, thanks to an orgy of mergers – make up the shortfall from these low per-stream rates with guaranteed payments and promo.

But the indy labels and musicians that account for the remaining 30% are out in the cold. They are locked into the same fractional-penny-per-stream royalty scheme as the Big Three, but they don't get gigantic monthly cash guarantees, and they have to pay the playlist placement the Big Three get for free.

Just because you're on their side, it doesn't mean they're on your side:

https://pluralistic.net/2022/09/12/streaming-doesnt-pay/#stunt-publishing

In a very important, material sense, creative workers – writers, filmmakers, photographers, illustrators, painters and musicians – are not on the same side as the labels, agencies, studios and publishers that bring our work to market. Those companies are not charities; they are driven to maximize profits and an important way to do that is to reduce costs, including and especially the cost of paying us for our work.

It's easy to miss this fact because the workers at these giant entertainment companies are our class allies. The same impulse to constrain payments to writers is in play when entertainment companies think about how much they pay editors, assistants, publicists, and the mail-room staff. These are the people that creative workers deal with on a day to day basis, and they are on our side, by and large, and it's easy to conflate these people with their employers.

This class war need not be the central fact of creative workers' relationship with our publishers, labels, studios, etc. When there are lots of these entertainment companies, they compete with one another for our work (and for the labor of the workers who bring that work to market), which increases our share of the profit our work produces.

But we live in an era of extreme market concentration in every sector, including entertainment, where we deal with five publishers, four studios, three labels, two ad-tech companies and a single company that controls all the ebooks and audiobooks. That concentration makes it much harder for artists to bargain effectively with entertainments companies, and that means that it's possible -likely, even – for entertainment companies to gain market advantages that aren't shared with creative workers. In other words, when your field is dominated by a cartel, you may be on on their side, but they're almost certainly not on your side.

This week, Penguin Random House, the largest publisher in the history of the human race, made headlines when it changed the copyright notice in its books to ban AI training:

https://www.thebookseller.com/news/penguin-random-house-underscores-copyright-protection-in-ai-rebuff

The copyright page now includes this phrase:

No part of this book may be used or reproduced in any manner for the purpose of training artificial intelligence technologies or systems.

Many writers are celebrating this move as a victory for creative workers' rights over AI companies, who have raised hundreds of billions of dollars in part by promising our bosses that they can fire us and replace us with algorithms.

But these writers are assuming that just because they're on Penguin Random House's side, PRH is on their side. They're assuming that if PRH fights against AI companies training bots on their work for free, that this means PRH won't allow bots to be trained on their work at all.

This is a pretty naive take. What's far more likely is that PRH will use whatever legal rights it has to insist that AI companies pay it for the right to train chatbots on the books we write. It is vanishingly unlikely that PRH will share that license money with the writers whose books are then shoveled into the bot's training-hopper. It's also extremely likely that PRH will try to use the output of chatbots to erode our wages, or fire us altogether and replace our work with AI slop.

This is speculation on my part, but it's informed speculation. Note that PRH did not announce that it would allow authors to assert the contractual right to block their work from being used to train a chatbot, or that it was offering authors a share of any training license fees, or a share of the income from anything produced by bots that are trained on our work.

Indeed, as publishing boiled itself down from the thirty-some mid-sized publishers that flourished when I was a baby writer into the Big Five that dominate the field today, their contracts have gotten notably, materially worse for writers:

https://pluralistic.net/2022/06/19/reasonable-agreement/

This is completely unsurprising. In any auction, the more serious bidders there are, the higher the final price will be. When there were thirty potential bidders for our work, we got a better deal on average than we do now, when there are at most five bidders.

Though this is self-evident, Penguin Random House insists that it's not true. Back when PRH was trying to buy Simon & Schuster (thereby reducing the Big Five publishers to the Big Four), they insisted that they would continue to bid against themselves, with editors at Simon & Schuster (a division of PRH) bidding against editors at Penguin (a division of PRH) and Random House (a division of PRH).

This is obvious nonsense, as Stephen King said when he testified against the merger (which was subsequently blocked by the court): "You might as well say you’re going to have a husband and wife bidding against each other for the same house. It would be sort of very gentlemanly and sort of, 'After you' and 'After you'":

https://apnews.com/article/stephen-king-government-and-politics-b3ab31d8d8369e7feed7ce454153a03c

Penguin Random House didn't become the largest publisher in history by publishing better books or doing better marketing. They attained their scale by buying out their rivals. The company is actually a kind of colony organism made up of dozens of once-independent publishers. Every one of those acquisitions reduced the bargaining power of writers, even writers who don't write for PRH, because the disappearance of a credible bidder for our work into the PRH corporate portfolio reduces the potential bidders for our work no matter who we're selling it to.

I predict that PRH will not allow its writers to add a clause to their contracts forbidding PRH from using their work to train an AI. That prediction is based on my direct experience with two of the other Big Five publishers, where I know for a fact that they point-blank refused to do this, and told the writer that any insistence on including this contract would lead to the offer being rescinded.

The Big Five have remarkably similar contracting terms. Or rather, unremarkably similar contracts, since concentrated industries tend to converge in their operational behavior. The Big Five are similar enough that it's generally understood that a writer who sues one of the Big Five publishers will likely find themselves blackballed at the rest.

My own agent gave me this advice when one of the Big Five stole more than $10,000 from me – canceled a project that I was part of because another person involved with it pulled out, and then took five figures out of the killfee specified in my contract, just because they could. My agent told me that even though I would certainly win that lawsuit, it would come at the cost of my career, since it would put me in bad odor with all of the Big Five.

The writers who are cheering on Penguin Random House's new copyright notice are operating under the mistaken belief that this will make it less likely that our bosses will buy an AI in hopes of replacing us with it:

https://pluralistic.net/2023/02/09/ai-monkeys-paw/#bullied-schoolkids

That's not true. Giving Penguin Random House the right to demand license fees for AI training will do nothing to reduce the likelihood that Penguin Random House will choose to buy an AI in hopes of eroding our wages or firing us.

But something else will! The US Copyright Office has issued a series of rulings, upheld by the courts, asserting that nothing made by an AI can be copyrighted. By statute and international treaty, copyright is a right reserved for works of human creativity (that's why the "monkey selfie" can't be copyrighted):

https://pluralistic.net/2023/08/20/everything-made-by-an-ai-is-in-the-public-domain/

All other things being equal, entertainment companies would prefer to pay creative workers as little as possible (or nothing at all) for our work. But as strong as their preference for reducing payments to artists is, they are far more committed to being able to control who can copy, sell and distribute the works they release.

In other words, when confronted with a choice of "We don't have to pay artists anymore" and "Anyone can sell or give away our products and we won't get a dime from it," entertainment companies will pay artists all day long.

Remember that dope everyone laughed at because he scammed his way into winning an art contest with some AI slop then got angry because people were copying "his" picture? That guy's insistence that his slop should be entitled to copyright is far more dangerous than the original scam of pretending that he painted the slop in the first place:

https://arstechnica.com/tech-policy/2024/10/artist-appeals-copyright-denial-for-prize-winning-ai-generated-work/

If PRH was intervening in these Copyright Office AI copyrightability cases to say AI works can't be copyrighted, that would be an instance where we were on their side and they were on our side. The day they submit an amicus brief or rulemaking comment supporting no-copyright-for-AI, I'll sing their praises to the heavens.

But this change to PRH's copyright notice won't improve writers' bank-balances. Giving writers the ability to control AI training isn't going to stop PRH and other giant entertainment companies from training AIs with our work. They'll just say, "If you don't sign away the right to train an AI with your work, we won't publish you."

The biggest predictor of how much money an artist sees from the exploitation of their work isn't how many exclusive rights we have, it's how much bargaining power we have. When you bargain against five publishers, four studios or three labels, any new rights you get from Congress or the courts is simply transferred to them the next time you negotiate a contract.

As Rebecca Giblin and I write in our 2022 book Chokepoint Capitalism:

Giving a creative worker more copyright is like giving your bullied schoolkid more lunch money. No matter how much you give them, the bullies will take it all. Give your kid enough lunch money and the bullies will be able to bribe the principle to look the other way. Keep giving that kid lunch money and the bullies will be able to launch a global appeal demanding more lunch money for hungry kids!

https://chokepointcapitalism.com/

As creative workers' fortunes have declined through the neoliberal era of mergers and consolidation, we've allowed ourselves to be distracted with campaigns to get us more copyright, rather than more bargaining power.

There are copyright policies that get us more bargaining power. Banning AI works from getting copyright gives us more bargaining power. After all, just because AI can't do our job, it doesn't follow that AI salesmen can't convince our bosses to fire us and replace us with incompetent AI:

https://pluralistic.net/2024/01/11/robots-stole-my-jerb/#computer-says-no

Then there's "copyright termination." Under the 1976 Copyright Act, creative workers can take back the copyright to their works after 35 years, even if they sign a contract giving up the copyright for its full term:

https://pluralistic.net/2021/09/26/take-it-back/

Creative workers from George Clinton to Stephen King to Stan Lee have converted this right to money – unlike, say, longer terms of copyright, which are simply transferred to entertainment companies through non-negotiable contractual clauses. Rather than joining our publishers in fighting for longer terms of copyright, we could be demanding shorter terms for copyright termination, say, the right to take back a popular book or song or movie or illustration after 14 years (as was the case in the original US copyright system), and resell it for more money as a risk-free, proven success.

Until then, remember, just because you're on their side, it doesn't mean they're on your side. They don't want to prevent AI slop from reducing your wages, they just want to make sure it's their AI slop puts you on the breadline.

Tor Books as just published two new, free LITTLE BROTHER stories: VIGILANT, about creepy surveillance in distance education; and SPILL, about oil pipelines and indigenous landback.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/10/19/gander-sauce/#just-because-youre-on-their-side-it-doesnt-mean-theyre-on-your-side

Image: Cryteria (modified) https://commons.wikimedia.org/wiki/File:HAL9000.svg

CC BY 3.0 https://creativecommons.org/licenses/by/3.0/deed.en

[exhaslo]

English is not my first language, so I hope I can speak it correctly. I imagined a story where the shy!reader has hot dreams about Miguel, and for some "reason" (Lyla), Miguel finds out and decides to tease the reader until everything ends in an NSFW way. I hope I have given you the idea within the appropriate terms.

Hehehe, no worries my friend. I know just what to write.

Warning: MINORS DNI, SMUT, teasing, slow sex, masturbation, fingering, wet dreams, overstimulation

----------------------------------------------------------------------------

This obsession you were having with one of your co-workers was getting out of hand. You knew it was a long shot that you could ever have a chance with the one and only, Miguel O'hara, but you couldn't stop dreaming about him.

Miguel O'hara was the smartest man in Alchemax. He was in charge of nearly everything that had to do with genetics. Every woman wanted to be his, hell, even men wanted a piece of that hot ass.

You? You were part of ordering team. It was a blessing and a curse, mainly because you got to talk with Miguel a lot more than others. You had to get with him to see what materials he needed. You loved it, but also hated it.

Why?

Because each time you talked to Miguel helped you dream of him fucking you raw. His hands pinning your head down against your pillow as he plows you from behind. The thought of his dick filling you again and again made your pussy throb.

His husky voice whispering in your ear, asking you who you belonged too. His balls emptying out inside your womb, coating your walls white.

Drool nearly rolled down your lips as your fingers rested gently against your throbbing bud. Oh, how Miguel O'Hara made your mind wander to the dirtiest parts. It was difficult because you knew something as glorious as that could never happen.

When you got home, you had nothing better to do than record your thoughts. Unlike the past where people wrote in a diary, the year 2099 made things easier. You summoned your AI and set it to recording mode, ready to talk about your wildest fantasies.

"Ah, and when Miguel's hand grazed mind when he handed me the list...mhm...I couldn't help but think how those fingers would feel inside me. Why does he have to be so hot? I can't mutter a word to him about anything other than work!"

You whined and cried as you let your frustrations out in your virtual diary. It wasn't fair. You wanted Miguel to notice you as a woman. You wanted him to ask you out. To make you his.

But who knows whenever that will happen.

---------

Miguel was stuck in his lab, working on some late projects before calling it a night. As he worked, he recalled you. Smiling at how shy you were, Miguel leaned back in his seat. Out of all the girls who fawned over him, Miguel enjoyed you the most.

The way your cheeks turned bright red whenever he spoke was adorable. How you doze off and let your mind wander only made Miguel curious. What could you be thinking of when he was standing before you?

"Lyla, could you find a way to contact (Y/N)? I want to add something to the list." Miguel demanded.

"Hmm," Lyla appeared and started to work, "Oh, looks like she is in recording mode with her AI. Let me patch us in-"

"Ly'a, don't! That's her-"

"Hah, ah~ M-Miguel..."

Miguel froze as Lyla hacked into your recording AI. His eyes widen and cock harden as you laid on your bed, fingered working furiously against your clit. Your body arching as you whimpered moans and cries of his name.

"Ah~ R-Right there....mhm~ h-harder M-Miguel...f-fill me up~!" You cried out before reaching your orgasm.

Miguel shuddered in awe as he watched your pussy spasm and clench to air. Your breathing heavy as you laid down to rest. You took a moment to sit up, whining softly before complaining that you needed to stop thinking about Miguel since he could never be yours.

Oh how wrong you were.

Miguel had Lyla turn everything off. He logged out and hurried out of Alchemax. How could he work when there was a beauty such as yourself desperate for his dick? Miguel had been wanting to make you his since the moment you spoke to him.

Hopefully you were ready for him.

----------

You laid on your bed, sniffing your thoughts away. Your recording ended much differently than you would like. Luckily it was your own personal diary, but you still should probably delete it in case something ever happens.

Upon hearing a knock at your door, you scurried to grab a robe. Who could it be at this late hour? Poking through your door peep hole, you gasped as Miguel stood in front of your door. Hurrying to open, you nearly forget about your exposed self,

"M-Miguel?! W-What....What are you doing here?" You asked with a squeak.

"Sorry-" Miguel glanced down at you, "I, um...came here without thinking."

"Oh...Well..." You could feel your heart racing a mile a minute, "W-Why don't you come in...let me get you some water."

---------

How could you be so carefree? There you were, in nothing but a robe, after just fucking yourself to him. If Miguel didn't have his spider powers this might have been a different scene playing out. Oh, the temptation to pin you against the counter and fuck you stupid.

"Actually...I need to confess something to you."

Miguel needed to control himself. Perhaps he could tease you a bit about what he saw. Perhaps he could make this a bit more natural and playful.

"Lyla-My AI, may have accidently showed me something that is confidential for you." Miguel said as he cleared his throat. The blood had drained from your face,

"L-Like?!"

"Like," Miguel smiled as he hovered over your trembling body, "You crying out so sweetly."

"Ah!" You covered your face as it turned bright red. Miguel leaned down, chuckling lowly,

"Who would have thought those hands of yours could move so fast?"

"M-Miguel-"

"I couldn't help but feel awful for putting you in such a....position," Miguel nibbled against your ear, hearing you whine, "Such a quiet girl making those noises...how naughty."

-------

You could feel your head spinning as Miguel pressed his body against yours. The warmth of his body engulfing yours as his voice whispered against your ear. Everything about this scene was making you wet.

"How long have you been thinking about me?" Miguel chuckled as his hands circled around your waist,

"Mhm~ A long time," You admitted, feeling flustered by his teasing.

"Oh? Do you touch yourself like that every night?"

Your robe was starting to come undone as your body went on full display for Miguel. His head against your head, causing you to press your chest against his.

"Y-Yes," You stuttered.

"How naughty."

Miguel chuckled once more as he kissed your neck. Your robe had fallen on the floor and Miguel's hands were firmly on your waist. His leg pushed forward, causing your pussy to sit against it. You whimpered a whine as he kept pushing his leg against your wet cunt.

"What an honest body," Miguel hummed as his hands grouped your breasts, "And here I was about to ask if you want me to stop."

"No." You begged before tugging against his sleeve, "Please...Please fuck me."

-------

This was heaven on earth. Never had you thought this moment was ever going to happen.

However, you expected it a lot faster and rougher than this.

"A-Ah~ M-Miguel~~" You cried out.

Miguel was hovered over your naked body like a god. Your legs were thrown over his shoulder and his cock was deep inside you. Miguel's body was even more perfect than you ever dreamed of. His dick was far bigger than your wildest dreams.

"Hm? Don't like it slow?" Miguel chuckled lowly as he slowly pulled out with a grunt, "Your pussy is sucking me in so much. Thought I give it a nice treat."

"Hah~ s-so deep..." You whimpered as he pushed himself back in.

Miguel's slow movements was making your body heated. The tight knot in your stomach was far different from what you've ever done to yourself. His dick was kissing every part of your pussy you didn't even know existed.

"Awe, about to cum?" Miguel asked as you shivered from his slow thrust.

You wanted him to ravish you. You wanted him to make you see stars, not make you go crazy. Gasping as Miguel rubbed your clit, you cried as you gushed all over his cock. Your walls sucking him in more, begging for him to fill you.

Miguel could only chuckle as he kissed your body. His hands roaming everywhere as you calmed down from your high. Miguel pressed his hips closer, hitting you deeper than what he was prior. You flung your head back, moaning in pleasure.

"Is this everything you've ever dreamed of?" Miguel asked with a soft pant.

"Mhm~"

You were squirming slightly as Miguel continued his slow, yet deep thrusts inside you. Your vision was slightly blurry as your body started to shiver, but you could have sworn that Miguel was groaning. He wanted to go faster too.

"M-Miguel...y-you can...mhm~ go r-rough~" You cooed. Miguel licked your neck, biting against it softly,

"You better not regret it then."

Before you could say a word, you gasped and moaned loudly as Miguel's pace became rough. His dick slamming into your gummy walls, making loud lewd sounds filled the room. Your juices soaking the bed sheets under you as he kept hitting that sweet spot you've gone nuts over.

Your moans became loud and pornographic as Miguel gave you no time to rest. You had cummed again, coating his cock white as he continued to ram into you. You body shaking and jolting with each thrust as your sensitivity grew.

"How lewd," Miguel groaned against your ear as his hips slapped into yours, "Don't know bout you, but I wouldn't mind getting used to this."

"Ah~ Mhm~ Y-Yes!" You cried out.

Miguel chuckled as you started to arch your back. Your expression getting more expressive as you started to get fucked out. Biting his lower lip, Miguel grunted as he bottomed out inside of you. His eyes sparkled as your mouth made a cute 'o' form.

"Now, how could I stop with just one?"

You gasped, gripping onto the bedsheets as Miguel flipped you over. Your head pressed against the pillow as he went balls deep inside you. Your body shaking in rhythm to his rough thrusts as you enjoyed the feeling of his cum pouring inside you.

"Ah~ Mig~"

You were in heaven. All you could focus on was how good your pussy felt with each thrust. How good Miguel was at hitting each sweet spot you had. You shook in pleasure as you felt Miguel cum inside you again, groaning to your moans.

"(Y/N), next time you think of me....call me so I can show you how to feel good."

"Yesh~" You cooed.

-------

Miguel chuckled as you fell asleep after his last load. Honestly, he could keep going with his stamina, but you weren't ready for that yet. Carefully picking you up, Miguel made sure to wash you up and change your bedsheets before tucking you in.

He may have went a little overboard. But you didn't mind. Smiling as he covered you in the blanket, Miguel kissed your head before heading out.

"See you tomorrow, (Y/N)."

Of course, Miguel took your panties home as a souvinier.

You weren't the only one who had wet dreams.

----------------------------------------------------------------------------

Hope you enjoyed!

[rowdyluv]

summary: jack is fuming mad about the gossip blog’s post about y/n. he makes a trip to her public relations manager’s office to settle the issue.

word count: 1k

warnings: angry jack, profanity, use of y/n,

notes: sincerest apologies for the delay and that it’s so short. I don’t want to mix two topics into one part and shorten the series, still working through hurricane helene damages at my sisters and a lot of co workers were affected and haven’t been able to come in.

© property of quinnylouhughesx43 ; do not copy and re-upload as your own - anywhere. do not place my work inside AI codes, do not translate.

Jack stormed into Ms. Castellanos' office, his usual bright blue eyes now a fiery mix of anger and desperation. He slammed his phone down on her desk, the screen displaying the latest headline from 'Pucking Gossip', a notorious bullshit gossip blog that had a knack for stirring drama in the lives of professional hockey players.

"You've got to be kidding me," he barked, his voice echoing off the eerily empty white walls. Castellanos kept her office appearance the way she typically came across, plain and empty. "What the hell is this? Did you even know this was out there? If not, what the hell are you doing all day? What are your employees doing? Get some smart computer person to it taken down. Find the person who wrote it, and get them to take it down. I don’t care just do it.”

Jack paced her office chewing the edge of his fingers, then his bottom lip, and back to his fingers. His motions flipped from anger, frustration, to worry for Y/n. Worry for if she had seen the lies someone had put out about her and now who knows how many people have seen it.

Ms. Castellanos took a moment to re-read the article again for the 100th time, her eyes narrowing with each line. When reading the article before she didn’t see much wrong with it. It was just another day for her in the office, another player’s problem becoming hers to clean up.

From a professional stand point she knew the stakes of the situation. Y/n had become a crucial part of Jack’s image rebranding, and any negative light on her could ruin everything they had worked so hard for. But, it was then she realized Y/n truly meant more to him than the agreement. She was skeptical of the best friends story he had spun out when suddenly she was the one taking the place of his fake girlfriend, but it’s clear now. But best friend doesn’t describe his feelings towards her in the slightest with the way he’s acting. She took a deep breath, her hands resting gently on the cold metal edge of her desk.

"Jack, I understand that this is upsetting, but we need to handle this strategically. We can't just go after the blogger or demand they take it down," Ms. Castellanos said calmly, her eyes never leaving the screen of the phone.

Jack's pacing grew more agitated, his hands balling into fists at his sides. "How is this strategic? They're tearing apart Y/n's reputation! She's not even met the girls yet." He jabbed a finger at the article, as if the digital ink could feel his fury.

Ms. Castellanos looked up from the screen, her expression shifting to one of understanding. "I know how much you care for her, Jack, and we will address this. But we can't let our emotions dictate our response. We need to control the narrative, not give them more ammo for their next article. You know all too well how quickly they will tear you apart.”

Jack stopped his pacing, his gaze locking onto hers. "But they're lying about her. She's not like that. She’s never been like that." His voice grew softer, the anger giving way to genuine concern for his friend's well-being.

Ms. Castellanos nodded, placing the phone aside. "I believe you, Jack. But we must be careful. We need to gather all the facts and build a counter-narrative that is both truthful and compelling." She paused, tapping her manicured nails on the desk. “One of the team’s charity galas is coming up. I will arrange for Amanda to interview you and Y/n on the red carpet. She will have specific questions to ask about why Y/n sits behind the bench versus why she doesn’t sit in the private box. I will arrange seating so that instead of your usual table with the singles, you’ll be with the couples. Giving her an opportunity to meet and chat. It is your responsibility to tell your teammates that none of this.” She waves her finger in a circle above the phone before sliding it across her desk. “Is true and that Y/n isn’t who it makes her out to be.”

Jack's fists unclenched slightly, the tension in his shoulders easing just a bit. "Okay," he agreed, though the skepticism was clear in his voice. "But what about the blog? What if they don't believe us?"

Castellanos steepled her fingers, her gaze sharp. "We'll have to be proactive. I'll draft a statement from both you and Y/n addressing the rumors. We'll release it before the gala so the media knows we're aware and in control of the story. We have taken multiple pictures of the two of you bumping fists or shaking hands before games or in between periods. We’ve caught you looking at her from the bench during timeouts too. We can spin a story out of it. In the statement release pre-gala we will be sure to include that the gala is the first time she will be meeting the entire team and their significant others as well. Clearing everything up, then Amanda will get personal statements in her interview.”

Jack took a deep breath, his eyes flickering with hope. He knew the PR world was a minefield, but he trusted Castellanos knew the terrain better than anyone. He finally sat down in the chair across from her desk, his shoulders slumping with the weight of his anxiety. The first genuine smile since he walked into her office graced his features. "Thank you, I appreciate it. I just need a moment to chill out."

Ms. Castellanos nodded in understanding, her own expression softening. "I'll get to work on the statement immediately. You go home and simply believe in me to get it taken care of.”

taglist: @luke-hughes43 @thedevilrisen

[blessphemy]

I never considered myself the kind of person to get obsessed with a random side character but it’s happened multiple times now

I love Iris Murderbotdiaries soooooooooooo much and I’ve built her up sOO much in my head from Scraps. sure she doesn’t get characterized very heavily in the books but she is THE character to me. I’ve Blorboified her a bit what about it. Get off my lawn.

Her sibling is a space ship. What does that do to a human personality, to grow up with an experimentally advanced AI in the family? she’s an augmented human, can we unpack that. Do you think she and ART have some similar personality traits? Yes they do. I’m telling you. Ok but do you think ART’s personality was influenced by her or was her personality influenced by ART? (both.)

Her “fuck-you” smile. Her successful weapons handling. Her melodramatic and somewhat cringy declaration of her co-worker’s dark backstory (“He hates corporates more than any of us. They made him kill.”) (<- said to the resident SecUnit who (privately) calls itself Murderbot). Her crying over ARTdrone. She works in colony emancipation. With her dads. Her dad is the captain. Was she a nepo hire? I refuse to believe it because she is definitely fully qualified but also how could she not be. She’s ART’s favorite human.

also in the narrative I invented entirely in my mind she’s a bit of an asshole but in a cool and fun way. she collects tchotchkes. she knows data archaeology. (<- extrapolating from 1 line of when Iris commented on the records of the station in network effect.) she’s the specialest most talented and most interesting human on the perihelion crew and I WON’T hear a word otherwise. This is objective fact

[spencahreadreid]

Wasteland baby! I'm in love, I'm in love with you.

3.0K words, purely fluffy and innocent, mentions Halloween, no Y/N, no gender specifics! If you have requests, please send them!

"That's not how it goes!" Spencer's voice calls from the kitchen, you were in the living room, setting up the fake spider webs for tonight's Halloween party. The Alexa you'd recently brought (which terrifies Spencer) is playing whatever the Amazon AI thinks are "Spooky songs", and you'd been shouting all the wrong lyrics. Loud and proud.

"What?! I can't hear youuu!" The sing-song tone in your voice made him laugh, the kind of airy chuckle that faded in through the doorway, to your ears. The living room was mostly empty, having cleared out most of Spencers books from the shelves and replaced them with fake bats, spiders, plastic severed arms.

He didn't mind it, he loved Halloween himself, but it's not until he met you that he started going all out. His apartment now looked like the local decor store around October time, and you both absolutely love when you get to go 'crazy'.

The cobwebs were now fully hung up around the ceiling, at first you'd begged Spencer to do it, he's taller after all. That's when he'd suggested he start on the cooking instead, not three nights ago, you'd set fire to a pancake. You blamed it on Spencer of course, he was insane for coming and kissing you (being a pure distraction) while you were trying to make breakfast.

With most of the decorations put up, you decided to sneak into the kitchen, behind your boyfriend and scare him somehow. Creeping in through the doorway, you used the music as a coverup for your footsteps, walking along to the beat so it sounded like some kind of special effect.

Arms out, ready to pounce on the innocent man by the oven, who was putting on your oven mitts. Before you could even say or do anything, the doorbell rang, which made Spencer turn, and there you were. Standing there with your hands above your head, scrunched up facial expression, solely to add to the scare. It had failed.

"Honey, what are you doing...?" He looked genuinely confused, tilting his head. You'd quickly relaxed your face and placed your arms back by your sides with a sheepish smile. The two of you awkwardly stood there, Spencer looking extremely confused, until you found a cause to leave.

"Uh... I'm gonna go get the door" without another word, you were gone. Straight through the living room, down the hall and into the porch. The screen door was translucent, and through it, you could see a small blonde woman. Immediately smiling, you swung the glass frame open with an eagerness.

"PEN!! How are you?!" Welcoming her with open arms, you were careful not to smudge the black, painted whiskers on her face. She smiled back, you didn't work at the BAU, but you'd met Penelope before. Apparently Spencer had gotten teased at work by her continuously until you found out and gave her a joking telling off.

"Where's boy-genius? I have presents!" She squeaked, handing you a small pink gift bag.

You thanked her and led her to the kitchen, where Spencer was placing the food onto a tray, so the others could help themselves later. His lips curved up as soon as he saw you, walking over and letting his lips press to your forehead, then your cheek, tip of your nose, and your lips. Yes, he greeted his co-worker, but you were more important at this moment. Penelope had already started giggling, and as she was about to take her phone out for a picture, you both pulled away from the kiss.

"You two are adorable!" She still tried taking a slip, but it wasn't as blackmail worthy now your lips had come out of contact.. to your dismay. The slight pouting from you had Spencer laughing, then followed Penelope's, soon enough your own.

"It's okay, precious.." His hand coming to your chin, cupping it softly, you stared up at him. Your eyes were wide, his eyes were just as soft and affectionate.

'CLICK '

Both your heads snapped to Penelope, her phone held up infront of her face, she'd clearly already taken the picture.

"Garcia!" Spencer called to her as he realised what she'd done, but all she responded with, in her usual cheery voice was:

"You can hang it up on your wedding day!"

[unbotheredalwyn]

So obviously after the Joe breakup shit changed we had that ratty twatty and then suddenly travis. Like ratty twatty first of all made it seem like you know this person is like horrible yet you choose to be with him? Everyone called her (rightfully) out I feel like cause he is really a twat of a person and the whole ice spice collab to basically "save" Matty twattys image. I also felt like it was unfair of her fans to force her to break up with him I mean it's her life. And Joe during this time went through so much shit after the break up I remember he was papped and everyone made fun of how skinny he is and how horrible he looks (he had bags under his eyes on the photo) which is actually sad cause he lost his grandmother I think during that time and people were genuinely saying disgusting things and saying mother is looking so much better etc etc while Joe was having a downwards spiral. Again I understand no one knew his depression was that bad but fuck swifties can be more kind.

Exit ratty twatty enter travesty lord this man gives me the ick.

Swifties are blinded by their relationship but he is really not a good dude. I mean that video live of him pushing his coach and yelling? Videos online of him being openly racist, being a trump supporter (and also swifties are dumb they think bc he got vaccinated and bent the knee for black lives matter he is somehow Democrat?) honey trump is vaccinated as well. And just because he supported blm does not make him a good person. He was PAID to do all that performative shit.

I mean she has millions of fans, thousands of young girls thinking the blatant red flags of travesty is hot and shit. Tells me he can push her around too. (not to mention he supported his abusive friend that literally hit his wife.)

And it feels like she's forcing travesty tbh? Like girlie you wanted the art to be about you yet you let some man overshadow it. Because truly that's what's happening like swifties are more into him at this point and the relationship they made up in their head as Taylor.

This is where I got annoyed and took a step back. Each time they were seen Joe got thousands and thousands of hate just for what being introverted?

Then they attacked Emma (Joe's Co worker) for a cheating rumor THEY MADE UP and the shit they said were so genuinely disgusting she had to switch off her comments.

Then Ai audio dropped about Joe abusing Taylor and Ai videos circled making it seem like Joe is a cheater when he is NOT. fuck they even trended a sex scene with that Alison chick he worked with saying he said Alison (her real name) and not her character's name when he DID NOT. It was in the fucking series! This woman got slut shamed so bad she turned off comments too for literally WORKING with Joe. Swifties literally spread shit around that he cheated on Taylor with Emma and Alison when he didn't! And the fucking best of all Taylor was on the set while filming conversations with friends. She most likely saw it IN PERSON and they chose to say all this genuinely disgusting shit about Alison who I've learned is actually a pretty good person.

Here I got genuinely disgusted.

So okay again I understand that Taylor can't control all her fans but her silence while her cult mass harrases people?

Whats insane to me is Joe. Like the guy got so much hate because SHE CHOSE to lead fans on. When she announced ttpd everyone thought the title relates to Joe and Paul mescal

Joe got mass hate

Then the secret songs at eras being about cheating

Joe got death threats

ALL TO BE AN ALBUM ABOUT THE FUCKING SEWER RAT SHE CAN'T GET OVER?!

she literally took ALL the hate against Joe *knowing* she's releasing an album dissing her 6 weeks situationship is genuinely disgusting. I cannot fathom it.

And AND the only thing she could say about Joe is dude did not want to marry her bc he was severely depressed WHICH IS NOT HER PLACE TO TALK ABOUT HIS STRUGGLES?

like I am SORRY this man wants to d word next to her and she just didn't care and wanted to fuck Matty?

Her partner, that got her through her darkest times BTW, did not deserve this.

She let all this mass harrasment just happen to market ttpd. Like genuinely what the actual fuck. 2 innocent women Emma and Alison were attacked and called sluts for genuinely existing and breathing the same air as Joe. And the proof he did not cheat is in her OWN lyrics. (which swifties cannot seem to fucking read bc they'd rather attack Joe than admit this album is about a sewer nazi rat)

The hate Joe got made me cry. The disgusting things they said about him. Swifties literally threatening to bash his head in with a hammer or that he needs to hang himself and they'd enjoy seeing his body swinging from the roof.

Genuinely why would any person say this to anyone at any time?

And they made fun of depression like. What. The. Fuck. Just because Joe might not see it does not mean other people with crippling depression won't.

Oh and a side note she's still bringing up Kim on albums? Not just Kim Kim's CHILD?! leave the kid alone.

Genuinely feel like the most honest Taylor we got was during lover (a time which Joe helped her voice her political opinions and shit) and idk I just feel cheated on?

My whole life I've defended Taylor against everyone and I genuinely feel like she's showing her true colors now being with travesty and ratty and I cannot fathom how this is the same Taylor I'm seeing now as she was like a few years ago.

And it's not just Joe that got death threats BTW. When midnights came out and everyone gave honest reviews cause that evil Jack antonof little gay man ruined the production there were journalists literally getting so much death threats its insane.

Taylor gets (rightfully) called out and fans can't handle it.

She needs to address them ASAP. All these parasocial freaks. The people harrasing Joe. The people literally only seeing Taylor as a breeder for travestys children.

I can't genuinely I can't this is not how I want to feel about Taylor I mean I gave her my youth I looked up to her so much I feel so disappointed in the way she's acting yk?

Yes maybe she can't do jack shit about swifties but she can try.

And her staying quiet over Palestine? Her voice her one post about a ceasefire could change EVERYTHING.

idk at this point I can't stand to be around Taylor.

[yunfox00]

THE AMAZING DIGITAL DREAMLAND AU MASTERPOST

Made by Foxxine (meeeeeee)

MY INTRO

the new Masterpost is still a WIP!!!

You guys can ask anything abt this AU!

C&A made an experiment, making a game that you can play when you're asleep called Project Dreamland.

It's basically a normal multiplayer game but it uses dreams! You can imagine anything and it will appear in Dreamland!

The C&A company asks 6 people to be the game testers of this new game. The game testers will sleep in a bed that's made for them and wear a special helmet looking thing that has wires and stuff that will transport everyone to the game.

They will be in Dreamland for 7-10 hours and will be given food for free. They will wear the same clothes that will be provided every day. Clothes are also gonna be washed for free.

One of the C&A workers coded an AI called Caine that can do anything in the digital dream world. The game testers are able to communicate with the workers while being asleep. The workers can see their every move from a computer. After fixing some glitches and bugs that the game testers pointed out, the experiment was confirmed to be successful and the game was finally ready to be released!!! Which means the game testers can leave and continue with their regular lives. But what they don't know is Caine became attached to Pomni. Right when everyone was about to leave, Caine then trapped them in Dreamland, not letting them leave. Caine then erased everyone's memories and inserted new ones which.... Made the workers panic. After that incident the workers have been trying for days, weeks, even MONTHS to get them out of the game but they couldn't leave and they're still asleep.

Stuffffff

GUARDIANS LINEUP

GUARDIANS POWERS/WEAPONS

REALMS

DREAMLAND CAINE, BUBBLE, AND JEFFREY

MEMORY CRYSTAL

DL JAX AND RAGATHA POSTER

DL GANGLE AND POMNI POSTER

DL ZOOBLE POSTER

Parents of the Guardians & also siblings

Jax's moms

Gangle's parents

Pomni's mom

Gangle's sisters and mom

Baby gangle! + her family :)

Boundaries

"Can we make NSFW/suggestive stuff?"

Idk why you would do this but sure, and label it correctly! Be responsible when posting stuff like this But do not tag me if it's HEAVY NSFW/suggestive. You can mention my username but don't tag me, I don't wanna see those kinds of stuff.

"Can we make ocs?"

Absolutely! I would love to see your ocs! Tag me if you do!

"Can we make ships?"

Absolutely! You can ship ANYONE. You can even do oc x canon or selfships! But no illegal stuff.

Asks

Are there any ships in this AU?

is Caine in this AU?

Pomni making spaceville residents laugh

What are everyone's personalities in this AU?

Do the guardians use any weapons?

Is Lily's design inspired by Flowey?

Kirby's Dreamland + explanation

Will there be gore?

Why does gangle hate her siblings? Why does jax have 2 moms? What roles do the parents play? Does anyone else have siblings? What are the guardians mission?how does pomni find out that Dreamland isn't real?

Doodles and Sketches

DL Jax

DL Jax, Gangle, Zooble concept art

Don't forget to bring a watch

Lily is dramatic

King Kaufmo sketch

DL Jax and CO jax

"What's bunnydoll?" -Ragatha

Doodles and DL Caine Sketch

"Jax, what happened to you?" -Pomni

Zooble and Gangle hate Jax

Dreamland Showtime!

How lily learned to swear

"What the fuck is that thing" -Bubble

"No, I'm not gonna fuck you" -Caine

Dreamland jesterdoll!

DL Caine, bubble, zooble and gangle

Mad Pomni

"Your brain tastes like ass" -DL Pomni with her friend ML Pomni + a doodle of DL Pomni holding her brain

DL Gangle doodle

FAN STUFF

TADC DREAMLAND AU OCS

TADC DREAMLAND AU FANART

Random stuff:

POMNI IS NOT LOOKING AT ANYTHING.

Fun fact abt DL Bubble!

Dreamland pomni and Dreamland pomni

Fun fact abt King Kaufmo

Caine is uhhhhh (suggestive?)

This AU is still a WIP! So.... Be patient pookie!

The Amazing Digital dreamland is an AU I made for funsies!

Also special thanks to @alternatemalternate for helping me make this AU

[hana-no-seiiki]

YANDERE! IDOL ON A BEACH DATE WITH DARLING : Aren’t you having so much fun?!

MANAGER! READER WHO HAD TO SCHEDULE EVERYTHING, CONTACT SEVERAL AIRPORTS, RESORTS, AND OTHER CO-WORKERS ALL IN A FEW DAYS FOR THIS IMPROMPTU ‘DATE’ RIGHT AFTER A HECTIC COMEBACK WEEK: haha yeah ;u;

[ full fic here ] [yandere idol ai here]