#after so many years of competing

[aflawedfashion]

[kyojuuros]

knowing communication is vital to a healthy relationship but never knowing how to start a conversation or holding back because you don't want to burden them with your emotions or say/do something that will push them away and just generally being socially inadept is such a fun time! :)

[kandicon]

Actually I can't stop thinking about Tim gaining a bit of weight during her time as Persephone and it's killing me now

[g00seg1raffe]

Obi-Wan Kenobi's net worth at the height of the clone wars - 52,365,000 credits. yeah... that's a lot.

general. my good sir. obi wan. why do you smoulder so hard these are mug shots

can you control yourself for like 20 seconds this is serious you are a war criminal

[apocalypticdemon]

I would say I have no explanation for this, but uh. I really do. Behold: the first ideas for a Terror IndyCar AU that has possessed me for the last 36 straight hours. It would not leave me alone until I put some of it to paper.

Behold: Crozier as an established, relatively liked, if cynical, driver, upstart rookie James Fitzjames, and Hickey, who is, as always, totally normal and not causing problems.

The art is rushed, but I needed to purge the demons as fast as I could

[dracimexidae]

Jasmine in the draw with Aryna, Elena and Qinwen 💀

[bugmistake]

ive gotta. get it together a little bit i think. holy shit i really did not mean for the tags to get THAT long

[eurovision-del]

And with that, all the national finals have been completed! Tonight has been good for me, with both results going my way! I couldn’t watch Melodifestivalen live, but I was happy to find out Marcus & Martinus will be representing Sweden, they were my pick to win! I think they’ll be a great host entry – even though the lads are technically Norweigian, Unforgettable as a song is very standard for Sweden, it’s a great slice of Swedish pop and I do enjoy it. The staging is a big part of it, I watched the winners reprise and it’s definitely weaker without the full staging, but I do think the song has merit, and in the end it’s the whole package that matters. They’ll put on a solid show in Malmö, and I think they’re a host entry that Sweden should be proud of.

Following Sweden, Portugal have also decided and iolanda will represent them with Grito! I’m thrilled with this result – she was just as good in the final as in the semi to my ears, and the song is really something special. I was very happy also to see João Borsch get recognition from the public with him winning their vote, and I’d love to see him back in a future year, but personally I’m glad it was iolanda who won in the end. On the surface it might fill a similar niche to Serbia and maybe even Ukraine’s entries which are competing in the same semi, but I think there’s more than enough space for all of them in the final. I really want to see Portugal do well at Eurovision with this song!  

[cementcornfield]

Saw people saying that Justin wants to play for the Chiefs because he said Mahomes at #1 😂 For real, if he goes to the Chiefs I’ll be heartbroken

i would both hate and love that. hate because oh my god the last thing pat needs is an all-star receiver like justin please no he's powerful enough! but love because a) justin deserves an actual quality qb and b) i'm sure it would result in the lsu trio playing each other more often. and i can only imagine how fun the trash talk would be between besties ja'marr and justin 💕

[starlight-storytime]

essay in tags :p

[corkinavoid]

DPxDC My Brother in the Mirror

Damian doesn't like mirrors.

He never mentioned the fact to other members of the family, but they are detectives and vigilantes, it's their job to be observant. Which, after so many years, becomes a habit.

Damian doesn't actively avoid the mirrors - he has a mirror in his bathroom, he didn't express any discomfort over going into a mirror labyrinth at some carnival they've attended (he expressed disgust over taking part in something so stupid, in his words, but that's a whole another story), and he actually spent a few minutes in front of the funhouse mirrors when no one was looking, watching his own reflection distort in various ways. He also has no problems with his self-image - he doesn't mind pictures of him taken at any time (unless it's Tim, but that's, again, a whole another story), he's drawn a few self-portraits that were rather accurate and he liked them.

He just doesn't like mirrors. For some reason.

His family, both close and extended, never questioned it. They did some gentle research to see if the dislike was caused by some kind of problem Damian was experiencing without telling anyone, but when they found no proof of that, they've just decided it was some quirk of his. Everyone has quirks. Dick doesn't like eating cereal like a normal person, Tim despises sleep, Steph is at war with any color other than purple.

That is, until one day, Tim witnesses Damian sitting in front of a mirror.

He is not even aware of it - the whole family is having a game night, and through some arguments and rearrangements on the couch, Damian ends up sitting on the left side of it, where his back is turned to one of the three mirrors in the room. Tim, who's lost the last round, is slumping in an armchair nearby, pointedly looking away from the screen where Damian and Jason are enthusiastically competing over the first place in Mario Cart. Of course, Tim can't just not watch it since he needs to know their strategies. But turning back around would also be admitting defeat.

The solution? Easy, watch the screen through the mirror.

Which is when he notices it.

Damian in the mirror doesn't act the same as Damian in the room. Out of the corner of his eye, Tim can see the real Damian moving around, shoving Jason with his elbow, fully concentrated on the game, and yelling something. Damian-in-the-mirror is sitting unnaturally still, the back of his head over the couch unmoving.

Tim forgets all about the game when Damian's reflection starts to turn around. Slowly and carefully, eerie in the way the horror movies are, the boy in the mirror turns his head around like an owl, his neck twisting inhumanely.

His eyes are green. Green like the toxic waste, like Jason's madness, like acid in cartoons, like the Waters of Lazarus.

Damian in the mirror smiles, his unblinking, gliwing eyes fixed on Tim, and his teeth are sharp and pointy, and there are too many of them, humans can't smile this wide.

"-im? Tim!" A hand nudges him in the shoulder, and Tim looks away from the mirror, finding Dick standing over him. The noise of the game room returns all at once, and, wait, when did it become quiet for Tim?.. He must have a strange expression on his face because Dick's easy smile falls slightly, and he frowns, "Is everything okay?"

Tim looks back to the mirror, but the green-eyed boy in the mirror is gone, and the mirror only reflects Damian as he is: sitting on the couch.

"Yeah," Tim shakes his head and forces a smile on his lips, "I just zoned out."

"Okay," Dick pats him on the shoulder and gives him the controller, "It's your turn now."

Tim takes the controller and turns around, facing the screen. Tim throws a quick glance at Damian, who had slid down on the couch so his head would not be in the reflection anymore. Tim sees the cold, warning hint to his eye, a clear do not speak of it message.

Tim doesn't like that the mirror is now behind him.

[literaryvein-reblogs]

Writing Notes: Children's Dialogue

Language is extremely complex, yet children already know most of the grammar of their native language(s) before they are 5 years old.

BABBLING

Babbling begins at about 6 months and is considered the earliest stage of language acquisition

By 1 year babbles are composed only of the phonemes used in the language(s) they hear

Deaf babies babble with their hands like hearing babies babble using sounds

FIRST WORDS

After the age of one, children figure out that sounds are related to meanings and start to produce their first words

Usually children go through a holophrastic stage, where their one-word utterances may convey more meaning

Example: "Up" is used to indicate something in the sky or to mean “pick me up”

Most common first words (among the first 10 words uttered in many languages): “mommy,” “daddy,” “woof woof,” “no,” “bye,” “hi,” “yes,” “vroom,” “ball” and “banana”

WORD MEANINGS

When learning words, children often overextend a word’s meaning

Example: Using the word dog to refer to any furry, four-legged animal (overextensions tend to be based on shape, size, or texture, but never color)

They may also underextend a word’s meaning

Example: Using the word dog to refer only to the family pet, as if dog were a proper noun

The Whole Object Principle: When a child learns a new word, (s)he is likely to interpret the word to refer to a whole object rather than one of its parts

SYNTAX

At about two years of age, children start to put words together to form two-word utterances

The intonation contour extends over the two words as a unit, and the two-word utterances can convey a range of meanings:

Example: "mommy sock" = subject + object or possessive

NOTE: Chronological age is NOT a good measure of linguistic development due to individual differences, so instead linguists use the child’s mean length of utterance (MLU) to measure development

The telegraphic stage describes a phase when children tend to omit function morphemes such as articles, subject pronouns, auxiliaries, and verbal inflection

Examples: "He play little tune" or "Andrew want that"

Between 2;6 and 3;6 a language explosion occurs and children undergo rapid development

By the age of 3, most children consistently use function morphemes and can produce complex syntactic structures:

Examples: "He was stuck and I got him out" / "It’s too early for us to eat"

After 3;6 children can produce wh-questions, and relative pronouns

Sometime after 4;0 children have acquired most of the adult syntactic competence

PRAGMATICS

Deixis: Children often have problems with the shifting reference of pronouns

Children may refer to themselves as "you"

Problems with the context-dependent nature of deictic words: Children often assume the hearer knows who s/he is talking about

AUXILIARIES

In the telegraphic stage, children often omit auxiliaries from their speech but can form questions (with rising intonation) and negative sentences

Examples: "I ride train?" / "I not like this book"

As children acquire auxiliaries in questions and negative sentences, they generally use them correctly

SIGNED LANGUAGES

Deaf babies acquire sign language in the same way that hearing babies acquire spoken language: babbling, holophrastic stage, telegraphic stage

When deaf babies are not exposed to sign language, they will create their own signs, complete with systematic rules

IMITATION, REINFORCEMENT, ANALOGY

Children do imitate the speech heard around them to a certain extent, but language acquisition goes beyond imitation

Children produce utterances that they never hear from adults around them, such as "holded" or "tooths"

Children cannot imitate adults fully while acquiring grammar

Example:

Adult: "Where can I put them?" Child: "Where I can put them?"

Children who develop the ability to speak later in their childhood can understand the language spoken around them even if they cannot imitate it

NOTE: Children May Resist Correction

Example: Cazden (1972) (observation attributed to Jean Berko Gleason) – My teacher holded the baby rabbits and we patted them. – Did you say your teacher held the baby rabbits? – Yes. – What did you say she did? – She holded the baby rabbits and we patted them. – Did you say she held them tightly? – No, she holded them loosely.

Another theory asserts that children hear a sentence and then use it as a model to form other sentences by analogy

But while analogy may work in some situations, certainly not in all situations:

– I painted a red barn. – I painted a barn red. – I saw a red barn. – I saw a barn red.

Children never make mistakes of this kind based on analogy which shows that they understand structure dependency at a very young age

BIRTH ORDER

Children’s birth order may affect their speech.

Firstborns often speak earlier than later-born children, most likely because they get more one-on-one attention from parents.

They favor different words than their siblings. 

Whereas firstborns gabble on about animals and favorite colors, the rest of the pack cut to the chase with “brother,” “sister,” “hate” and such treats as “candy,” “popsicles” and “donuts.” 

The social dynamics of siblings, it would appear, prime their vocabularies for a reality different than the firstborns’ idyllic world of sheep, owls, the green of the earth and the blue of the sky.

MOTHER'S LEVEL OF EDUCATION

Children may adopt vocabulary quite differently depending on their mother’s level of education.

In American English, among the words disproportionately favored by the children of mothers who have not completed secondary education are: “so,” “walker,” “gum,” “candy,” “each,” “could,” “wish,” “but,” “penny” and “be” (ordered starting with the highest frequency).

The words favored by the children of mothers in the “college and above” category are: “sheep,” “giraffe,” “cockadoodledoo,” “quack quack,” the babysitter’s name, “gentle,” “owl,” “zebra,” “play dough” and “mittens.” 

BOYS / GIRLS

One area of remarkable consistency across language groups is the degree to which the language of children is gendered.

The words more likely to be used by American girls than by boys are: “dress,” “vagina,” “tights,” “doll,” “necklace,” “pretty,” “underpants,” “purse,” “girl” and “sweater.”

Whereas those favored by boys are “penis,” “vroom,” “tractor,” “truck,” “hammer,” “bat,” “dump,” “firetruck,” “police” and “motorcycle.”

Tips for Writing Children's Dialogue (compiled from various sources cited below):

Milestones - The dialogue you write should be consistent with the child's developmental milestones for their age. Of course, other factors should be considered such as if the child has any speech or intellectual difficulties. Also note that developmental milestones are not set in stone and each child is unique in their own way.

Too "Cutesy" - If your child characters are going to be cute, they must be cute naturally through the force of their personality, not because the entire purpose of their existence is to be adorable.

Too Wise - It’s true kids have the benefit of seeing some situations a little more objectively than adults. But when they start calmly and unwittingly spouting all the answers, the results often seem more clichéd and convenient than impressive or ironic.

Unintelligent - Don’t confuse a child’s lack of experience with lack of intelligence. 

Baby Talk - Don’t make a habit of letting them misuse words. Children are more intelligent than most people think.

Unique Individuals - Adults often tend to lump all children into a single category: cute, small, loud, and occasionally annoying. Look beyond the stereotype.

Personal Goals - The single ingredient that transforms someone from a static character to a dynamic character is a goal. It can be easy to forget kids also have goals. Kids are arguably even more defined by their goals than are adults. Kids want something every waking minute. Their entire existence is wrapped up in wanting something and figuring out how to get it.

Don't Forget your Character IS a Child - Most of the pitfalls in how to write child characters have to do with making them too simplistic and childish. But don’t fall into the opposite trap either: don’t create child characters who are essentially adults in little bodies.

Your Personal Observation - To write dialogue that truly sounds like it could come from a child, start by being an attentive listener. Spend time around children and observe how they interact with their peers and adults. You can also study other pieces of media that show/write about children's behaviour (e.g., documentaries, films, TV shows, even other written works like novels and scripts).

Context - The context in which children speak is crucial to creating realistic dialogue. Consider their environment, who they're speaking to, and what's happening around them. Dialogue can change drastically depending on whether a child is talking to a friend, a parent, or a teacher. Additionally, children's language can be influenced by their cultural background, family dynamics, and personal experiences. Make sure the context informs the dialogue, lending credibility to your characters' voices.

Sources and other related articles: 1 2 3 4 5 6 7 8 9 10

Writing Notes: On Children ⚜ Childhood Bilingualism More: Writing Notes & References

[classic-toxic-medicine]

The young man who wore his reading glasses is currently sitting at a secluded table with stacks and stacks of paper on it. He had a cigarette in his mouth and a pen in his hand as he wrote line after line of code, looking rather focused. He would input it by hand later to comb through the details, but for now, he was writing.

It would be a rather familiar code to those who knew of the project he was working on. To those who didn't know it would look incomprehensible.

These were the codes to how the Respawn Machine worked that he would iron out with his team of Engineers.

He tapped his ashes into the ash tray he had close by, inserting the cigarette back into his mouth.

[methoughtsphantom]

HELL YEAH CROWN PRINCE PHANTOM whose ectoplasmic signature readings are obviously higher than that of his dad’s, who’s still filtering the corrupted ectoplasm and that takes time, (which is why he only wears the crown and not the ring.) So imagine, imagine that the imaginary of the vengeful angel was only visible to Danny, just like the crown, like imperceptible to human eyes kinda thing. To Batman Red Hood is just another ecto-entity who caught him off guard, and so he has to be better prepared. He goes see the JLD to ask for more information about these entities. They tell him one is the ghost king. Cuz mages can get a read in signatures and one is off the charts level powerful, or maybe Batman just had a scanner I dunno, point is Batman wrongly deduces whose the ghost king in this situation. After all, only one was able to actually display a tangible supernatural form and readings that remained steady during the scan. ((Jason’s are unreliable, funky if he’s not trying and bitch-you-better-start-running if he is.))

So. Batman wants to summon the ghost king. He doesn’t see a reason to involve the JL, just him and Constantine, who’s like ?? I heard there was new management, but…so new that the king’s a literal child?? okay I gotta see this. im putting a bunch of binds and spells so the ghost won’t be able to cross the summoning circle. Like Constantine just has Batman’s initial assessment and a power chart. Bruce’s detailed report indicates the kid has no experience on battle combat and instead just heavily relies on his powers (list of known powers not conclusive), but is still a threat that knows his and his associates secret identity. Curiously, the Bat also put that the kid is heavily suspected of being emotionally compromised.

Anyways

They expect a child.

They get the Red Hood.

Red Hood, who is still a bat, and still trained with assassins. Motherfucker whose ectoplasm readings are again so funky he can pass through the summoning’s restrains and binds as if they are not there. He’s such a little shit about how he’s sprinting the whole thing. He’s ghost adjacent enough he can turn intangible. He’s an expert on combat who can fucking predict what the bat’s planning to pull because he fought alongside him. Dramatic bitch saw Batman and immediately went to throw hands. Especially when the the Bat tries to pull off a gun on him.

Jason: oh so you’re using guns now??? you’re really such a hypocrite!!

Batman: I’m not the one whose letting a child cover for their criminal activities!!

…

Batman, at some point: I would never hurt my own son!!

Jason:

Jason: 🤡

…

Batman: how do you know our identities???

Jason, who didn’t know B knew he knew and who also had a pretty hardcore pretty little liars phase ✨: two can keep a secret if one of them is dead. bitch.

Batman:

Batman: this is confirmation. a dead figure from my past told him i’m Batman

…..

Batman, who’s still trying to see an angle to the Red Hood: You are obviously unfit to take care of a child

Jason:

Danny, 15 and thoroughly done with everyone's crap, steals the Crown of Fire and the Skeleton Key and uses the later to find a suitable new High King for the Infinite Realms. The key (also known as Deaths kay) acted like a sort of Infi-map but lacked the limitations of needing a natural portal to spawn in that time/location and could get you past any wards/protections no mater how powerful.

The key spawns him just in front of the form of a sleeping Jason Todd, and Danny decided he wasn't going to question the magical keys judgment and just plops the crown on a bleary and startled Jasons head.

The crown burned for this guy, signaling that it found him worthy and that was more than enough for Danny.

With no context whatsoever, Danny looked Jason in the eye, burning neon green meeting with wide greenish blue, "You're our king now."

Then he vanished.

Jason later finds that the Lazarus entity left behind a handmade pamphlet. It was immensely unhelpful.

[angelseraphines]

ೃ⁀➷ gods and monsters ˗ˏˋ꒰ 🦢 ꒱

╰┈➤ hwang in-ho x wife!reader imagine

a/n: i would like to give a special thank you to @lumillsie for the layout of this post and for the filter used on the header!

˚ ༘♡ you cherished your husband, your family, and the life you had created together. hwang in-ho was a man of contradictions, capable of immense love and devotion. he treated you with such care, as though you were the most precious thing in his world. his adoration was tangible in every gesture, every lingering glance. yet beneath that tenderness was a darkness you struggled to reconcile. this same man, who held your hand with precious affection, was also the masked overseer of the squid game, a series of merciless challenges where the desperate competed, often at the cost of their lives, for a staggering cash prize.

˚ ༘♡ you could never truly fathom it. the man who pressed sweet kisses to your forehead at night was the same monster who orchestrated a spectacle of death and suffering. he claimed no pleasure in it, but the mere fact of his involvement unsettled you. the gleaming black mask, the command he held over every horrific detail, it was a world so far removed from the comfort of your home, yet it belonged to him all the same.

˚ ༘♡ only once had he asked if you wished to attend, to see what he called “his other life.” the question had terrified you to your core, your lips parting in silent dismay. you hadn’t needed to answer. the way your expression shifted, the way fright and disapproval glared across your pallid face, was enough. he never brought it up again, never risked shattering the fragile balance he had created between his two identities.

˚ ༘♡ you were a mother to a healthy three-year-old son, who filled your days with laughter and energy, and you were carrying another child, though you had yet to tell your husband. the news remained a quiet secret, one you turned over in your mind during the solitude of the evening. it wasn’t fear of his reaction that kept you silent. hwang in-ho adored his family, there was no question of that, but the thought of bringing another life into the shadow of the games unsettled you.

˚ ༘♡ you tried to focus on being the woman you wanted to be, a loving mother, a supportive partner. in many ways, you succeeded. you tucked your son in every night with whispered stories and soft lullabies, kept your home warm and welcoming, and met your husband’s gaze with as much love as you could muster, even when doubts crept into the corners of your mind.

˚ ༘♡ when your worries became too much to bear, he would sense it, always. he would take your hands in his, his voice calm, his tone measured. “think of me as two men,” he would say, his words a plea for understanding. “there is hwang in-ho, your husband, your partner, the father of our children. and then there is the front man, a role i play, a mask i wear.”

˚ ༘♡ you wanted to believe him, to hold on to the idea that the man who kissed you tenderly each morning could be separate from the one who orchestrated so much pain. but no matter how you tried to comprehend it, there were nights when the thought of who he was beyond your shared walls kept you awake, your heart aching with questions you couldn’t bring yourself to ask.

˚ ༘♡ you tried with all your might to separate the two sides of the man you loved, the front man and your husband, hwang in-ho. but when he told you he wouldn’t be able to contact you during this year’s games, the delicate balance you had worked so hard to maintain crumbled. the weight of his words refused to settle, tearing at you, and you couldn’t bring yourself to simply let it go.

˚ ༘♡ “every year, you’ve managed to visit after the game for the day. what’s different this time?” you asked, your voice trembling with desperation.

˚ ༘♡ at first, he deflected, his tone dismissive as if your concerns were unwarranted. but as your worry grew, it became impossible for him to ignore. the strain in your expression, the way your voice cracked when you spoke, it was enough to wear him down. even your son had begun to notice, his small hands tugging at your sleeve, his innocent eyes filled with confusion at the tension that filled the air.

˚ ༘♡ with a frustrated sigh, in-ho finally relented. his hand enveloped yours, warm and steady against your trembling fingers. “i will be there this year,” he admitted, his voice hushed and measured. “as a player.”

˚ ༘♡ the words sent a chill through you, and your breath caught in your throat. “what? why?” you asked, your disbelief slicing through the tension.

˚ ༘♡ his gaze locked onto yours. “there is someone returning to the games this year,” he began, his tone careful. “a former player, a winner in fact. he’s likely to cause complications, and… i can’t deny the intrigue of watching him. this year will be different. i’ve decided to stay close by instead of observing from a distance.”

˚ ༘♡ fury and agony surged within you, and your hands shook as you lightly struck his chest, the beating driven by hysteria. “you idiot!” you yelled. “you can’t guarantee you’ll be safe! have you even thought about your family? what about our son?”

˚ ༘♡ he caught your wrist gently, his grip cautious, his face softening as he pulled you closer. “i will not be in danger,” he said, his voice calm but insistent. “i promise you that.”

˚ ༘♡ still, his assurance wasn’t enough. it didn’t stop the knot in your stomach from tightening or the ache in your chest from growing far more intense. the words you spoke next tumbled out before you had a chance to think them through. “if that’s true, then you won’t have any problem with me coming along!”

˚ ༘♡ the declaration hung in the air, sharp and sudden. even you were startled by it, your heart pounding in your chest as the misery of your demand settled between you. fear and anger had driven you to say it, but now it was too late to take it back. you searched his face for a reaction, your pulse racing.

˚ ༘♡ “don’t speak such nonsense again," he said firmly, his tone cutting through the tension in the room. "you have our son to think about. i am going, and i’ll return in a week. this is final."

˚ ༘♡ “no!” you shot back, the tremor in your voice betraying your growing panic. “if you’re going, then i’m coming with you. you told me it’s safe.” your eyes darted toward your son, who had long fallen asleep, blissfully unaware of the battle unfolding. a wave of guilt swept over you, tightening your throat. “he can stay with the household staff for a week. do you think i could take care of him properly while i’m sick with worry about you?”

˚ ༘♡ his brow furrowed, the sharp lines of irritation creasing his weary face. “you’re being unreasonable,” he said, his voice hard, though it faltered slightly as he began pacing the room. each step was measured, purposeful, as though he were trying to walk away from the argument itself. “this is dangerous enough without you there complicating things.”

˚ ༘♡ “and you’re being infuriating,” you countered, your tone rising as desperation overtook your earlier composure. “do you think I’d forgive myself if something happened to you while i stayed here and did nothing? you’re asking too much of me.” your voice cracked, the weight of your despair spilling into the room.

˚ ༘♡ the argument carried on into the late hour, a nightmare of clashing scorn and unresolved fears. he tried to dismiss you, to shut you down with reason, but you refused to back down. your agony, raw and untamed, eventually drove you to the brink. “if you go without me, i’ll leave,” you said, the words spilling out before you could stop them. “i’ll take our son, and i’ll leave.”

˚ ༘♡ the silence that followed was deafening. he froze, his gaze snapping to yours, searching your face for the truth. you hated the lie, the hollowness of your own threat, but it was all you had left. leaving him wasn’t something you could ever do, but the thought of him walking into danger alone was unbearable.

˚ ༘♡ he exhaled sharply, his shoulders sagging under the burden of his dilemma. “fine,” he said at last, his voice clipped and low. “if you’re coming, then there are conditions… rules that have to be carefully followed.”

˚ ༘♡ your relief was immediate but short-lived as his words settled over you like a heavy cloak. “what conditions?” you asked, your voice softer now, cautious.

˚ ༘♡ “we’ll need to use false identities," he explained, his tone deliberate, each word chosen with care. "to everyone involved, we’re strangers. no one can know who we are, not even that we’re connected."

˚ ༘♡ the practicality of his demand sent a shiver down your spine, even as you nodded in agreement. the idea of pretending he was nothing more than a stranger felt unnatural, wrong, but you couldn’t argue. “i understand,” you murmured, though the knot in your stomach tightened with every passing second.

˚ ༘♡ he didn’t respond immediately, his gaze lingering on you as though considering whether you truly grasped what you were stepping into. when he finally looked away, you felt no sense of victory, only the forthcoming horror of what lay ahead.

˚ ༘♡ the games were set to begin in exactly one week, and each passing day left you feeling more unsettled. every time your husband pulled you into his arms, the unease lingered beneath the surface, making it difficult to fully surrender to his warmth. though you tried to find comfort in his presence, the thought of what lay ahead clouded every shared moment.

˚ ༘♡ you had entrusted your son to the most reliable and loyal members of the household staff, ensuring that he would be cared for in your absence. you also took great care to conceal any sign of your pregnancy. if in-ho discovered the truth, he would never allow you to join him, and staying behind was not an option you could accept.

˚ ༘♡ he had laid out the plan with meticulous precision. the two of you would arrive after the chaos of the first game, red light, green light. as he explained it, a large portion of the participants would undoubtedly be eliminated once they grasped the deadly reality of the games. the aftermath of that horror would provide cover for your entrance, allowing you to integrate without raising suspicion.

˚ ༘♡ your husband would take on the identity of player 001, an unassuming participant with no visible ties to you. your alias would be player 077, your stories carefully crafted to fit the narrative. his fabricated reason for joining the games was both haunting and ironic, he claimed he needed money for his pregnant wife. when he first told you this, a wave of panic washed over you, thinking he might have discovered your secret. but as you studied his expression, his calm demeanor revealed no hint of realization.

˚ ༘♡ for your feigned story, he decided you would play the role of a young woman drowning in debt, struggling to pay off the burdens left behind by your late father. the lie felt strangely fitting, yet it unsettled you all the same. every detail he crafted for your cover seemed so calculated, so detached, it was as though he had rehearsed this for far longer than he let on. this game of life and death was nothing more than a facade for him.

˚ ༘♡ you nodded along as he explained the plan, his voice unwavering. though the words were spoken with care, they failed to soothe the growing tension within you. each step of the plan felt cold, clinical, designed to strip away any sense of the life you shared outside these games. with every passing day, the distance between hwang in-ho, your husband, and the front man became more glaring, and you wondered if you could truly separate the two when it mattered most.

˚ ༘♡ you knelt by your son’s bedside, planting a soft kiss against his forehead. his small hand clung to your finger, and for a vanishing moment, you felt the crushing weight of guilt threaten to undo you. you whispered promises you weren’t sure you could keep, telling him you would be back soon, that everything would be fine. as his breathing slowed in sleep, you lingered a minute longer, memorizing the curve of his face and the delicate skin of his tiny hand before slipping away with your husband.

˚ ༘♡ the player uniforms were a tight, oppressive reminder of the role you had agreed to take on. the white and forest-green fabric felt rough against your skin, the stitched numbers, 001 on him, 077 on you, marking you both as part of this wicked charade. the air between you was dense with unspoken tension as you followed his lead into the heart of the games.

˚ ༘♡ the aftermath of the first game hit you like a physical blow. scarlet-red blood smeared the walls, the metallic stench thick enough to taste. lifeless bodies were being dragged away by masked figures, their uniforms pristine against the carnage. your stomach churned violently, and you had to bite down hard to keep from retching. your husband walked ahead, his pace measured, his face a mask of icy detachment.

˚ ༘♡ yet, even as he feigned indifference, you noticed the subtle tension p his clenched fists and the hard line of his jaw. no matter how disciplined and resolute he was, pretending you were a stranger clearly cost him some of his will power.

˚ ༘♡ you entered the massive dormitory, a cavernous space where the remaining players huddled in groups, their expressions etched with terror and disbelief. the room was alive with murmurs, frantic whispers of confusion and distress as they tried to process what had happened. the realization of the deadly nature of the games hung over the crowd, suffocating and inescapable.

˚ ༘♡ abruptly, a piercing voice broke through the calamity, commanding and filled with urgency. all eyes turned to player 456, a man whose presence seemed to dominate the room. his words were bold, calling for a vote in accordance with the consent clause, a chance for the players to decide whether they would continue or abandon the games. the idea rippled through the crowd, igniting faint glimmers of hope in some and deepening the despair in others.

˚ ༘♡ your husband moved slightly, a subtle shift in his stance catching your attention. his gaze flicked toward you, so brief it was almost imperceptible. then, with deliberate movements, he traced a small circle on the back of his hand, an action so precise it disturbed you. he turned away before you could react, his focus now on the masked enforcers who were setting up the voting station.

˚ ༘♡ it took you a moment to understand the message. he wanted you to vote in favor of continuing the games. the realization landed suddenly. you clenched your fists, your nails biting into your palms as you tried to steady yourself. the thought of condemning the remaining players to more death and suffering was unbearable, but you understood what his silent gesture meant. if the games ended now, everything he had planned, every risk he had taken, would amount to nothing.

˚ ༘♡ the apprehension caused your chest to tighten further as the masked figures prepared the voting station, their movements mechanical and precise. the voices of the players rose, some pleading for an end, others arguing to stay. you felt your pulse quicken, the enormity of what you were about to do pressing down on you as you prepared to cast a vote that would decide not only the fate of the players but the course of your husband’s dangerous mission.

a/n: the winner of the fanfiction vote, but i will definitely be writing for cho sang-woo as well! i hope you all enjoy reading! let me know if you have anymore requests! 🤍

[suguann]

tags. fem!reader, boss/employee relationship, stupidly domestic, little wife kink in there somewhere, nanny reader, single dad gojo, breeding kink [18+ only]

You sometimes find yourself wistfully imagining having a family of your own—a soft and sweet little bundle to cuddle and someone strong and capable (competent) at your side. But you can’t think of the last time you’ve been on a date where that person had the same interest in something more serious than casually sleeping around. 

Nannying seemed like the natural conclusion, especially when you’re still settling in a new city and barely scraping by for rent and student loans for a degree you don’t use. 

You pick up a few jobs just to get a feel for it: parents going away for a honeymoon, a last-minute call-in, a weekend business trip. Then a friend of a friend says she makes enough to afford one of those picturesque apartments that overlook tall high-rises and iridescent lights, the very ones you’ve dog-eared in real-estate magazines.

All it takes are a few phone calls and an interview until you’re packing up your apartment and taking the freeway outside of the city to somewhere remote and expensive, your car looking almost out of place parked beside the shiny new one in the long driveway.

You rap on the front door before you lose your nerve, and a few moments later, it opens, and you’re unsure who looks more out of place: this man with a smile too big, dressed for work, immaculate suit dampened by the baby rag slung over his shoulder and what looks like drool on his crisp collar, or you in your scuffed shoes and second-hand store clothes, standing in front of the nicest house you’ve ever seen.

“The nanny?”

“Yes,” you mutter, licking your lips. “That’s me.”

“Good, Ren just woke up from his nap,” he says, opening the door a little wider with a creak. The darkness behind him is almost comforting.

You take a deep breath and pass over the threshold into his home.

The entire time, his hand stays on the small of your back to steer you toward the nursery, and a shiver threatens up the length of your spine.

Three months. That’s how long it takes before your employer poses a problem.

It’s not that he’s a terrible boss; in fact, he’s quite the opposite. He lets you take over one of the many spare rooms in his massive house, pays you double the regular rate, and gives you time off when you ask for it.

It also helps that Ren is cute, only a year old, and still so sweet and tiny. 

Perfect.

The problem lies in that you know what he sounds like first thing in the morning, that he knows how you like your coffee, that he helps you fold laundry in the living room while the baby naps, how you catch him staring anytime you hold his son—his expression shuttered, a foreign thing that you can’t read. It’s all so terribly domestic. 

Terrible in that you think it’s a horrible idea to develop a crush on your boss, that you can’t help but get flustered anytime he so much as looks your way, even if it’s fleeting. How a sleepy smile before he retires to his room for the night can turn your thoughts into a scattered, ill-defined mess of what they used to be until all that’s left are words like spun sugar melting on your tongue.

But also, it’s not normal, at least not from your experience. 

You were lucky in the past if your employer even wanted to know about their kid’s day. Barely saying hello once they walk through the front door before sending money to your bank account.

Satoru—because that’s what he asked you to call him one afternoon while you were in the middle of feeding Ren mashed banana, a lazy smile curling the edges of his lips after you say it for the first time—wants to know everything: what Ren ate, if he laughed, how your day was, if you finally got your hands on that book you’ve been meaning to buy. 

“You don’t have to ask about my day,” you tell him shyly, accepting the glass of wine he proffers you after spending the past hour trying to put a teething baby to bed. “To make me feel better, that is.”

“Would it be so bad if I said I want to? You live here, too.”

You try to separate the two: that he cares as your employer and not for any other reason, and how you sometimes catch the soft look in his eye whenever he looks at you could make you believe otherwise.

Cool fingers cup your chin gently, thumb caressing the top of your cheek, now close enough that you catch a few of the warm notes of his cologne, a move that’s probably very inappropriate between a boss and an employee.

“I never say anything I don’t mean.”

You swallow, nodding, slightly shaky, breath caught in your chest. “Okay.”

“Good girl.” He retreats to his office before witnessing how those two words knock the wind out of you.

He starts saying things like our shopping list, our car—because he gave you the keys to the SUV parked beside his car and hasn’t touched it since; for you and the baby, he said, plus it’s terrible on gas when I drive it to work—our house, our baby. You don’t think he means to do it; it's more of an easy slip in conversation.

But then, one morning, he’s rushing around the kitchen, hair still damp and smelling like his shampoo, as he grabs his coffee and briefcase from the counter, kissing Ren’s forehead first…and then yours.

You’re half convinced that you imagined it—that his lips hadn’t stayed there for a second longer than necessary—until he straightens his tie and heads out for the day with a ‘be good’ tossed over his shoulder, and you’re left wondering if he meant to say that to you or Ren.

It sets off a chain reaction of thoughts whirling away in your head, leaves you wanting and wondering—only ever allowing yourself to fantasize a little when the house is quiet and dark, the baby monitor humming on your nightstand, and images of your boss flit behind closed eyelids as you fit your hand underneath your soft sleep shorts.

In the morning, you worry he can tell what you did, his smile almost too sharp, too something—more teasing than what you’re used to—his hand resting on your lower back as he leans down to kiss Ren’s chubby cheek while you make breakfast.

“I have a meeting this afternoon, so I’ll be late. Want me to pick up some food on the way home?”

No, you think, there’s no way he knows.

You spend most of the morning cleaning and folding the array of graphic onesies Satoru has a penchant for dressing Ren in, and the later half walking around the pool because it’s warm and Ren enjoys splashing around in the water. It’s enough to tucker him out for bed early, unable to keep his eyes open while eating a plate of mashed potatoes.

It’s also the first time in weeks that you have the night to yourself, no baby keeping you busy, no Satoru to—well.

After a long shower, you step out of the bathroom, moving into the hallway. And there are many reasons why you felt confident walking the few steps it took to reach your bedroom. Most revolve around what Satoru told you that morning, so you don’t expect him to be standing there, shirtsleeves rolled up, piercing gaze sliding down the length of you wrapped in a towel and little else.

“I brought home those drunken noodles you like,” he says when his eyes focus back on your face, his whole expression softening into a smile.

A beat. “Thank you,” you whisper, unable to look away.

He tucks the wet strands of hair clinging to your cheek behind your ear. “Why don’t you get dressed, and I’ll join you downstairs?”

The noise in your brain goes static.

You’re unsure what causes it, but everything changes when he comes home early one afternoon and finds you and the baby napping in the nursery. He has this soft look on his face and something else you can’t decipher with his piercing blue eyes settled firmly on you.

Ren coos softly into your shoulder. 

When Satoru picks him up and settles him in the crib, then walks you to your room—here, let me help you—and when he hovers in your doorway, you let him in without question.

He doesn’t waste any time peeling off your clothes, eager to have you naked and splayed out underneath him. You cum on his tongue more times than you can count until you’re silently begging him to fuck you.

He laughs, large hands spread over your tummy. 

“Use your words, baby. I’m not a mind reader.”

You feel like you’re someone else watching you from somewhere else, another body rocking against the length of your boss’s cock, back arching every time you manage to find the friction you need. He’s hard against your back, thick in a way that makes you wonder if he did enough to stretch you out. 

“I-I want—”

All other thoughts are obliterated by the stretch and press of him against your cunt. 

“Think I’m going to keep you,” he rasps, lips dragging over your throat. “Keep this drippy little cunt spread open on my desk whenever I want while the baby naps. Would you like that? For me to fuck you full until you give me a baby.”

You clench, nerves shot.

“Gonna get all round with my baby, stay here forever,” he mumbles when he draws away, and you can’t tell if the words are meant for you to hear or slip out without him realizing. “Fuck—breed my little wife until it takes—”

Your eyes roll up, lost in the little promises he paints across your skin, body shivering over and over until you’re sobbing from it until he has to clamp a hand down over your mouth—shh, you’re going to wake the baby—going limp when he finally cums, pressing as deep as your body will allow, as if he can somehow imprint himself there. 

Wonders if maybe he’s been building up to this moment all along. 

It’s so easy to lay there after, blissed out while he litters kisses across your face and collarbones, letting him lift your hips up to slide a pillow underneath, even though the position is awkward when he tries to cuddle you afterward.

His fingers draw shapes on your stomach, giving you a wistful look, like he can’t believe he’s laying here with his cum still dripping between your thighs—no matter how many times he scoops it up and pushes it back inside you. “Do you think it’ll take?”

And you don’t have the heart to tell him about the little foil packet of pills tucked away in your nightstand.