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gothsuguru · 28 days ago

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omg I'm the anon who was talking about "black is the colour" ur so cute omds 😭😭 but no fr i felt like crying when I read it for the first time its genuinely so beautiful if that fic was a person I'd propose there and then. also YES I WAS TALKING ABOUT ANY RECOMMENDATIONS FOR FANFICS PLEASE FEED ME O FANFICALICIOUS ONE 🙏🙏🙏 also O M F G IM SO EXCITED FOR A PREMONITION OF LOVE DONTTTT GET ME STARTED IT MAKES ME FEEL LIKE GIGGLING AND KICKING MY FEET U DONT UNDERSTAND u are a really amazing writer yk like srsly those thoughts swirling in ur brain its like woah

WAHHHHHH I LOVE YOU SM ANON PLEASE KNOW IF THAT FIC WAS A PERSON THEY WOULD ACCEPT YOUR PROPOSAL IMMEDIATELY!!!!! <333 MWAH! AND OMG THANK YOU SM I HOPE I CAN WRITE IT WELL (i have soooooo many ideas and please… sniffles… you’re so sweet i swear the self confidence boost you gave me… it’s too dangerous friend 🙂‍↕️🩷) ALSO I’M ASSUMING FOR FIC RECS YOU MEANT FLUFF ONES BUT LET ME KNOW IF YOU EVER WANT ME TO DO OTHER RECS!

there’s are just a few fics that i love so much and truly all of these people are such amazing writers <333 i’ll put a couple down below — in no particular order! :D

“tuesdays” by my beloved io <3 — MY FAVORITE SATORU FIC AND POSSIBLY MY FAVORITE FLUFF FIC IN GENERAL OF ALL TIME RAHHHHHHHHHHHHHHH no one understands how much peculiar!satoru means to me… this is my favorite rendition of satoru EVER. there’s just something about how io dove into a facet of satoru’s personality that i never really thought about — aka his peculiarities — that just GENUINELY made my brain short-circuit in the best way possible. it was about his awkwardness, seriousness, silliness, & inability to read certain social cues/situations that made me really enamored honestly 😭 also reader was SO real and so fun and was there for satoru in terms of his personal growth! ALSO the story premise was just so unique in GENERAL omfg it was the first fic where i maxed out 30 tags like i didn’t know tumblr had tag limits until i read io’s fic and i just had so much more to say too 😭 WE WEREN’T MOOTS YET WHEN I READ IT BUT TRUST IF WE WERE I WOULD’VE RB’D W 10 PAGES MLA FORMAT ANNOTATED BIBLIOGRAPHY!!!!! BC I’M REAL LIKE THAT!!!!!! i wish i could read this fic all over again omfg io’s love for satoru and her writing prowess shines through massively in this fic <3 (i also love “strawberry fields” it’s another one of my FAVS NDNDNDJDJ satoru going on reddit and being clowned for date ideas by sukuna will always make me giggle like one thing about sukie… he’ll pray on a bad bitch’s downfall…) ok sorry this one got so long i’m just the Biggest Proponent of “tuesdays” it holds a very dear place in my heart :3

“two is never a crowd” by @mossmotif — ANOTHER ONE OF MY FAV SATORU FICS EVERRRRRRRR i can’t explain to you how much moss’ writing affects me………. okay i Can and Will . MOSS’ WRITING IS ONE OF A KIND I HAVE NOTHING TO COMPARE IT TO BC IT’S SUCH IN A LEAGUE OF ITS OWN!!!!! i think its the way that they have 1) the most interesting concepts & character dynamics first and foremost that gets me bc how does one even think of a stablehand!reader? and how is it that it fits so UNBELIEVABLY perfectly with a royal!gojo??? i remember reading the fic for the first time and i was just in awe of how it felt like i was THERE which leads me to point 2) the way moss uses settings to invoke emotion is insane……… from the blood and dark clearings and metal of knight!suguru to the purgatory of youth of suguru & reader and how they connect with sharing fruit to the quaint yet vast green openness of the fields where stablehand!reader works with their horses which then invites satoru in bc the reader just holds a Steadiness and Calmness that infiltrates everyone around them………… all of it is just delicious. JUST YUMMY. (also vamp!suguru? very cunty very sexy i need him CARNALLY.) also for moss… if you’ve ever read a fic of theirs you’re just gonna Understand how insane it is that he’ll just drop the most life-changing quote/paragraph and then go about the story like . Can I Get My Inhaler For A Second I Can’t Breathe……… i HEAVILY implore you to read any moss fic you can because you will get grittiness in one, nostalgia in another, fluff in one, and eroticism in another . just truly and honestly a league of their own when it comes to fic writing <333 this is an i love moss stan account idgaf

“weeping, carved open hearts” by @teddybeartoji — ONE OF MY FAV TOJI FICS EVER RAHHHHHHHHH this one is more hurt/comfort WHICH IS ONE OF MY FAVORITE TYPES OF FICS!!!!! i hold toji so close to my heart and mickey writes him so GENUINELY and so three-dimensionally — she makes him feel like a REAL person in the world with all his faults and insecurities and above all else — his LOVE! it’s like mickey plucks the beauty of the mundanity of real life such as a tree in a storm or a shampoo bottle or even a simple emotion like sadness and CURATES it into something so profoundly beautiful… genuinely he left me in shock & awe with how STUNNING this fic was and how REAL the emotions were from both reader & toji, it was like i was a fly on the wall just watching a true & genuine conversation play out! out of all the tags i have ever written on a fic, i’m most proud of the tags i left on mickey’s fic bc i think it’s the first time where i didn’t just regurgitate information and actually took in what was written by the author & made my own inferences and basically Used My Brain while also waxing poetic about mickey’s writing & the fic :3 ALSO YOU HAVE TO READ “I HUNGER TO COMMIT THE ACT OF TOUCH” . ALL PARTS YOU NEED TO READ ALL PARTS SO FAR AND GET YOUR LIFE CHANGED!!!!! the action the blood the yearning the eroticism the KNIGHTS. moaned loud as FUCK that’s my bad

“where you lead me, i’ll follow” by @twentyfivemiceinatrenchcoat — THE MOST BEAUTIFUL PROSE AND LIFE-CHANGING WRITING YOU WILL EVER READ! i remember reading this fic and being in complete and utter awe because it never once felt like i was READING something, it was like i was LIVING it! the conversations on that rooftop played out like a movie in my head and that’s genuinely the greatest compliment i could ever give — i felt like i was privy to a conversation that was so intimate between two people (suguru & reader) and i felt so CONNECTED to the writing and the emotions invoked through the writing! ari has such a beautiful way of showing the power of adoration/devotion within friendships/relationships and they just have such a strong GRASP on the characterizations of suguru depending on the vibes of the fic they’re creating. this fic especially talked about genuine feelings that people in their late teens/early twenties go through and idk i just felt so much better after reading it :’) all of ari’s writing invokes something in anyone who reads it, they truly have THE midas touch! <3 also i could add so many more fics underneath the fluff/sfw category but i highly recommend going through their masterlist and finding out for yourself how consistently amazing, thought-provoking, & gorgeously atmospheric their writing is! <333 definitely my favorite suguru writer on the planet 🫡 like genuinely just go through their entire MASTERLIST it’s ALL hits 🙂‍↕️

“metanoia” by @storiesoflilies — RAHHHHHHH okay for metanoia……….. if you have EVER read a lily fic you will KNOW how stunning her writing is. like you can’t help but just be so INVESTED especially because her love for toji shines through every word, you see the way reader talks about toji and fall in love with him AS you’re reading!!!! i think her grasp on his character is second to none in this fic especially for a younger toji — he’s shy & awkward & rough around the edges but at the end of the day, i think all he wants is love and reader is there to give it to him and vice versa :’) the beautiful ways that lily interspersed physics and romance………. when i tell you my JAW dropped. the quotes in this fic will have your mind reeling from how insanely good it is omfg… and YES the ending is a cliffhanger BUT she’s coming out with “hiraeth” soon and i was lucky enough to read it in advance and let me tell you………. you are in for a TREAT! ALSO PLEASE READ “CRIMSON REVERIE” IT’S REALLY AMAZING AND SO GORGEOUS <333 i love greek myth and then intersperse that with lily’s prose??? YAWPPPPPP

“i want to kiss you” by @arminsumi — okay i wanted to add this bc it is my favorite fic series of all time and i’ll tell you why… the absolute LOVE and ADORATION that satoru & suguru have for reader is astounding and the idea of a blossoming friendship between people from different cultures is so fucking precious… i genuinely have never read a fic w this premise/concept before and it is truly SO unbelievably beautiful :’) op does a WONDERFUL job of creating a soft, HUMAN atmosphere/friendship -> relationship between reader & satosugu :’) i can’t WAIT to read the next chapter hehe i truly recommend this fic series with every fiber of my being <333

#asks #anon #P.S. in order to read io’s fic i just put my rb of it on there :3 so you can still read the fic if you want! AND I HIGHLY RECOMMEND YOU DO!#i would add so much more but unfortunately i’m a YAPPER and this got long as FUCK and i only added a few people 😭#ALSO I NEED TO READ MORE OF MY NEW MOOTS FICS!!!!! that’s another goal of mine #AND ALSO some moots are more dark/angstier fic writers and don’t write too much fluff/i haven’t gotten to reading their fluff #BUT JUST KNOW THIS WOULD BE PAGES LONG IF MY BRAIN WASN’T MUSH!!!!!!#moots i love you . i am making smoochie faces through a window at you all rn #AND ANON SO SORRY THIS TOOK SO LONG . my brain is soup :3 please take this offering……… and READ these too!!!! show them some love :D #all these Dorks deserve it 🙏🏼🤨🤝

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thatscarletflycatcher · 7 months ago

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Tumblr isn't letting me find again @fictionadventurer's and my own posts on epistolary novels, but I have been thinking about it again, because I fell down a Goodreads review rabbit hall and I have thoughts again.

So many people dislike the style, and honestly, I don't blame them, because it's so often done... not well. It is in some aspects, a deceptively easy one, and in others, deceptively hard. And because I'm trying to write a novel with this format myself, I have been thinking about what makes or breaks an epistolary novel.

I talked yesterday about TGLPPS, because it is an interesting case to analyze. I have thought many times about it, and cannot think of a single non-merely-aesthetic reason for it to be told in an epistolary style. A lot of it depends on -British- people who have survived some terrible war conditions willingly opening up to a stranger about their experiences, and that's made... even more difficult if the medium is letters? typically writers will appeal to tropes like making the reserved character drunk, or have them share an extreme experience in isolation with the stranger to create sudden intimacy. None of this is possible in writing; if anything, one is much more self-conscious about the things one writes than the things one says; verba volant, scripta manent.

It seems to me the story would have flowed much more naturally if Juliet had been stranded on Guernsey for some reason -like the first author herself!- suddenly Dawsey commenting that he got a book from her library makes so much more sense! Yes, certainly, if you met a stranger out there, and they introduce themselves and you realize you have a book that once belonged to them, you would tell them so! And it is in this way that the epistolary format does violence to a story that would otherwise sound much less contrived.

Another problem is the large cast of characters and multiple settings. For all I complain about Dracula, Stoker manages this pretty well (of course he has the model of The Woman in White, but TWiW has fewer povs), at least on the first half, because structurally the storylines of the characters are converging, and that does a lot to guide the reader in the understanding of the character's relationships. TGLPPS's relationship structure is more of a multidirectional flow chart, and that becomes confusing really fast.

Another novel I read reviews for recently is one set in WWI, composed of back and forth letters between two lovers torn apart by war, and one common complaint was... that the climactic scenes, the times they meet, etc all happen... off-camera. It is a fair complaint, but also one I cannot really blame the author for, because that's what usually happens with real life compilations of letters of that kind. Sure, usually the editor/compiler will fill in the blanks sometimes and add an epilogue of sorts explaining what happened afterwards, and that is possible if you are writing it fictionally too, but some may think it spoils the effect of immediacy and whatnot, which, fair too.

But it makes me think of how aware Jean Webster was of these difficulties, and how deftly she managed them in both Daddy Long-Legs and Dear Enemy. Both novels have aged badly in terms of content and message, but they are very interesting stylistically.

DLL is a bildungsroman with a dash of romance; through Judy's letters to daddy long-legs we can see how she grows as a person, gaining independence intellectually and economically, and as a writer, as her grammar and vocabulary change and grow. Between making Judy an orphan who hates the orphanage where she has lived her whole life, and one where she lived past the usual age of being thrown into the world, Webster does away with the need for letters between Judy and her friends and family: all her friends and family are her college roommates and her benefactor, who is the person she writes to. The benefactor scheme also makes it so that she doesn't have to write dll's replies, which in turns makes it much more natural and acceptable for the reader when Judy writes him the ending's love letter describing the feelings and impressions of their finally meeting in person and in truth; Judy has become a writer, and she is so used to write to him as another person all the time, that it just makes sense for her to write to him one more letter at the point where her benefactor and her lover become one and the same person. She has written a novel where the core is the correspondence between lovers AND managed to include as well all the moments of their meetings that we would otherwise miss.

Dear Enemy is a similar, but longer and more ambitious story. Instead of one relationship-connection (Judy and Daddy's), we have Sallie as a nod of connections: she's Judy's friend, Jarvis' "employee", the boss of several characters, has a tense colleague-boss relationship with the visiting doctor, a boyfriend of sorts in Washington, and a family we have met before. It is, in that way, a similar setup to TGLPPS: a urban girl of means becomes a fish out of water in a different setting till she ends up assimilating to it, and settling definitely through marriage. But Webster does a few things differently to make it click.

For starters, it is clear to her that this is the story of Sallie's maturation -I have sometimes talked of Dear Enemy as a novel where a Mary Crawford-like character undergoes a transformation arc. The happenings and stories she meets and tells Judy about along the way serve this arc, besides standing on their own as case studies to illustrate the problems, ideology and solutions proposed to the secondary themes of the story (education and social reform). I feel like TGLPPS is much more interested in Guernsey's survival through the war, in which case Juliet's story is already a frame, which, again, makes the epistolary format cumbersome rather than complementary.

Dear Enemy adds more correspondents, but it is very austere/economical with them, and narrows the letters we see to only those Sallie sends. YMMV regarding if it was too much cutting or not, but the undeniable effect is structural soundness; you are never confused by what is happening or who is writing to whom. We can guess the Honorable Cyrus Wykoff probably wrote some indignant letters to Jervis, and those would be funny to read, but... would they be worth the break in the flow of the narrative? I don't think so. To this effect, just having Sallie write a line to the effect of "I expect at this point you have at hand an irate letter from the Hon. Cyrus" is enough to paint a picture for the reader. Perhaps a letter or two from Dr. MacRae would have helped develop his character more -definitely a first read of the story obscures how much misdirection there is in Sallie's narration to Judy, which in turns tends to create an impression of suddenness to the closing letter that doesn't come across well to the reader.

The choice of Sallie mainly writing to Judy is, IMO, a really good one too. It not only establishes a connection with DLL, but it also allows for the intimacy that makes disclosure believable (something TGLPPS struggles with, as I mentioned above). When you add a few letters to the doctor and Gordon and Jervis, you also get a better perspective of Sallie's personality, how she deals not only with a friend, but with acquaintances, romantic partners and coworkers.

From all this it is pretty evident that for Webster the main function of epistolarity as format is aiding in showing psychological and moral development. But that's not the only thing the format can be really good for: perspective is another, and Austen uses it to great effect in both Lady Susan and Lesley Castle.

Both stories deal with mainly static characters, but who have very strong perspectives of the same situation, and it is this singularity of setting and story that anchors the narrative to avoid confusion, while the variety of perspective brings interest. In Lady Susan, we are dealing mainly with the marrying off of Frederica and seduction of Mrs. Vernon's brother, Reginald. There where Lady Susan paints Frederica as an undisciplined, irrational and ungrateful daughter, her sister in law, Mrs. Vernon, paints her as a sweet girl and a victim of her mother's ruthlessness and lack of love. Both agree that Reginald is being seduced, but, of course, with opposite goals: Lady Susan wants him to succumb, Mrs. Vernon, to escape, and this is a delicious struggle for the reader to follow!*

Lesley Castle being an earlier effort, and unfinished, does show some of the defects I have mentioned before (mainly, the relative confusion of having several correspondents in separate storylines), but illustrates well this same perspective effect: Margaret writes to Charlotte about the new Lady Lesley, and the new Lady Lesley writes to Charlotte about about Margaret and her sister... and in these contrasts lies the main interest of the narrative.

Some conclusions to these musings, then:

Not every story is suited to the epistolary format.

The epistolary format seems to work the best when it is used for either A) showcase psychological and moral development B) to play with perspective on people and/or events.

One of the main difficulties of the format is finding a narrative element to anchor and structure the letters around.

It must have a core couple of correspondents, or at most, two. More than that will make it confusing (unless, perhaps, the story is very short and about a single event or two).

A delicate balance must be found so that the secondary correspondence doesn't cut the flow of the main one, and if possible it must feed into it.

*It is interesting how Love and Friendship, being such a delightful -and I sustain one of the best ever- Austen adaptation, is by force of the perspective switch towards a more impersonal third person, more about a love story between Frederica and Reginald than a struggle between Lady Susan and Mrs. Vernon. Which isn't dissimilar to how adaptations of DLL end up being more about the romance between the leads than Judy's coming of age in college; tropes aside, I feel like if the epistolary format is well embedded in the story, it's going to be nearly impossible to reproduce the effect in adaptation.

#writing #epistolary novels #Jane Austen #Jean Webster #Daddy Long-Legs #Lady Susan #Dear Enemy #Lesley Castle #Thinking about Percival and Nadine of course #and how in the end it is trying to be both a psychological and a perspective story #And that might be more than I can chew #But the story is definitely about growth and change in the main character and love interest #And perspective seems so necessary too #Eleanor is the last person alive Percival feels responsibility for #Of course he'd write to her in a light way with jokes and anecdotae #so that she doesn't worry about him #whereas in day to day life he does not have the energy to behave so towards others around him #and both things are important to understand him!#It's the other way around with Nadine #she keeps the cheery façade IRL but can relax when she writes to Beth #And both seem so necessary to me!#But then there *are* things neither tells to anyone and those I'm struggling hard with #I have considered adding journal entries as well back and forth #and remain unconvinced one way or another #anyways this is the way I'll spend 10 years writing an 80 page novelette at this point XD

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