#actually a dragon-like

[li-hellclaws-blog]

Have a Hell of a day! :) (in a good meaning!)

❤️❤️❤️❤️❤️💛💛💛💛💛🔥🔥🔥💜💜💜💜💙💙💙

Ugh, I finished this ref sheet after about 2 months, her anatomy here is so awful that I might be tempted to re-draw because I can't stand her old ass.

I can't even see her ass here! 😩

@lazy-egg4710

@jedimemories

@tinyflything

(I'm super bad at describing my ocs in a few words)

[franeridart]

more dragon

[zaahvi]

GLORY TO THE RISEN GODS

[lelianaslefthand]

im not exaggerating when i say i've thought about this dialogue at least once a day since the veilguard trailer dropped

[largishcat]

I’m not sure exactly how to articulate it but—there is this bizarre base assumption i see from people discoursing about children’s media, and that’s the assumption that children are somehow unfamiliar with negative emotions. Like, maybe you’ve managed to completely forget your entire life before you turned eighteen, but kids spend a lot of time being hurt, and scared, and angry. A lot of people had terrible fucking childhoods, and a lot of kids are having terrible fucking childhoods right now. When i was a child, and i read books where bad things happened to kids, that was in no way shocking to me, i already knew bad things happened to children. It made me feel more connected to those stories, not less, and it made it more impactful when those child characters overcame it all in the end. That’s important for children. A lot of them are in desperate need of a little hope, and they aren’t going to get it from nothing stories with no conflict. They put conflict in children’s media for a reason

Also i see some of you handwringing over child protagonists going through, like, the most basic hero’s journey. Please, for the love of god, realize that you as an adult are going to understand children’s media differently than the actual kids it’s intended for. Because you’re all grown up now, you aren’t going to be able to relate to a child protagonist. You’re going to see a child in danger. The children the story is meant for are going to see a kid like them who is able to face hardship and triumph

[kcrra]

it makes me literally sick to think about alicent's relationship to her children. like. they are all she has. she loves them more than anything and hates them just as much. each of them is a shackle around her neck. they are her babies even though she was a baby herself, forced to be their mother. she'll pick up a knife for them. they are her living prison. everything she ever does is for them. their very existence makes her sick. she understands them and yet doesn't know them at all. they are her future. they stole her past.

she was 15 years old tethered to a rotting body of a man entirely against her will, watching each of her children invade her body as a result of martial rape. how were they ever supposed to have a normal relationship!!!!!!!

[likeprongstostars]

james: can we keep them

*distant roaring*

regulus: sure if you survive their mother

[minionsuncle]

Blarmy!

[whitegownsandflowercrowns]

While I still don’t think it was done perfectly, the more I think about it, the more I think Blood & Cheese was done well. With no Maelor, the change to “which one is the boy” makes sense, and even Helaena offering up her necklace, which I really didn’t like at first, makes much more sense now that I think about it. Cheese(?)’s “does she look like a fucking prince to you” line and all their talk of sons makes it clear to Helaena that offering herself up is not going to do any good, and doing so might risk making them angry and just make them kill both children. So then of course she offers up her necklace, they have to be doing this for money and it’s the only thing that might appeal to them. Then, once they make it clear both kids are dying if she doesn’t tell them which one is Jaehaerys, she points to him. They know she’s telling the truth because she looks so guilty and horrified but she has no choice, at this point she can only save Jaehaera. Even her running out makes sense, being unable to watch the fate her son has been doomed to, saving who she can save and wandering around, not even being phased by Alicent and Criston because she’s so guilt-ridden and so traumatized and so stunned and so out of it that all she can do is collapse to the floor and say “they killed the boy.” Not even Jaehaerys’ name, they broke her so thoroughly that she can only speak like them. Okay maybe it was actually done well.

[edlucavalden]

Oh my god.. this post was cooking i had to..

[monstermonger]

I recently bought an art book on Caspar David Friedrich, whose emotional work stuck with me since I first saw it in a museum years ago. Over the course of a few weeks, I read about his life and at the same time did studies/interpretations of many pieces. It was a really enjoyable and fulfilling project; here's a good lot of them together :)

I was happy to see many people enjoyed Friedrich's work+my interpretations while posting them individually. It took way too long, but I FINALLY set up a print shop for some of these + some other pieces for those who expressed interest. Thank you so much!

[sketchytea]

"Whatever awaits us, my lady, I know only one thing--I would never have you face it alone."

[poorly-drawn-mdzs]

...Turns out gay sex actually was the solution.

(This is basically a redraw, come read the real deal over at Tiger Tiger)

[blondie-drawings]

Good lord this tomb is full of shitposts 😳😳 pt 1/pt 2

[kroovv]

My first D&D character redraw🐉

2015-2024

[000marie198]

I don't care how excited it might make some people, I don't like this remake