#actual scene from the manga

[incorrect-kttk-quotes]

Nomura: Are you a newspaper?

Ishikawa: No, why?

Nomura: Because there’s a new issue with you every fucking day.

[buttercupshands]

can you even call it a warm up if I'm going to bed without drawing anything big

and a sketch I made while sitting in the park today

[beaulesbian]

⚔️ ONE PIECE || Zoro smiling & being silly - Fishman Island Arc ⚔️

[sannin-three]

Okay but why does Oro look so much prettier in the manga version of the shower scene

The anime ruined their eyeliner!

[pacing-er]

I can't believe Mashita's canon reaction to Fan Service Yashiki was "You'd look better if you smiled more 😏" He calls Yashiki creepy all the time but he's making advances like a creepy male coworker XD

[hedgerlogs]

painted over a panel from dunmeshi 🍖

b&w version + this oldddd file from like 2019 that i gave up on. patience fans when you keep persisting

[daily-hanamura]

[akai-anna]

it's "i love kudou shinichi" day

[akkivee]

still one of my favourite bat interactions lmao kuukou treating jyushi gently and then teasingly threatening hitoya with ✨murder✨

[random-senpai]

With how well David Pro did the haircut scene, I just KNOW that this scene is gonna give me a heart attack when it's animated and voiced over.

[doctor-ciel]

I’m thinking about how in Blue Period, a part of the story was dedicated to the idea of the naked body and how the main character is ashamed of his, feels disconnected from it, thinks of it as just a pile of putty, how nakedness is extremely vulnerable and terrifying. And they talked about how close everyone is to death. And when he painted a live nude model, he recontexutalized all of these feelings about nakedness into seeing it as something beautiful.

And then later in the story, they introduced a character with him unveiling a fuckoff huge nude self portrait of him draped across a couch. What a effective and efficient way of telling everything you need to know about him as a person before he even says anything. Like, normally a character being introduced like this would be a quick way of saying "this guy's an arrogant asshole," but with the specific themes the story built about nakedness, it says that he's a very transparent and confident guy who knows himself well.

Also, they used the ocean to represent death during that arc, with it taking place in a hotel that overlooked the ocean, and he spends a lot of time there too fishing as a hobby.

Edit: I’ve been informed that that’s not himself he painted. But being this comfortable about nudity still shows more or less the same point. Also, I haven’t finished the manga, so I can’t say whether this ends up being an accurate assessment of his character, just that this was my first impression of him.

[longagoitwastuesday]

I am liking Jujutsu Kaisen, way more than I imagined I would, but I foresee it will let me down and it's keeping me from enjoying this as much as I could haha

I think the characters and dynamics are well set, and I think many of them have an incredibly good and deep potential, but I would be willing to bet they'll not get a proper development, enough for them to really hit. A well assembled set of gears is not enough to make the movement go, you have to wind the clockwork.

I think Gojo and Megumi have a fascinating and very complex dynamic, but I doubt it will be given the time and care that imo it needs to actually work. And it is going well enough for now! One could see the intimacy between them was deeper than the one Gojo had with, say, Yuji and Nobara ever since the very first few episodes despite the fact Fushiguro too was a first year. But the pieces forming what they have are extremely complex, and it just wouldn't be realistic if it doesn't show, even if in a not showing way, or if it doesn't have consequences or implications.

It's one of those dynamics that shape one's life, the way one regards the world, the way one establishes or not relationships with other people. It's one of those dynamics that could be full of fondness, gratitude, resentment, admiration, trust, and that imply intimacy, the good kind or the bad, even if in just the knowledge of someone who's been a constant through your life. It could, and would, imply a myriad of feelings, and probably in such a mix it could imply contradictory feelings too. Even the nothingness would weight, even the nothingness would be significant and meaningful.

Gojo took Megumi and his sister under his wing, the son of a man who murdered him, because of both selfish and selfless reasons. Megumi looks like Toji. What does Gojo feel about this? How does Gojo deal with this? How does Gojo go about taking care of Megumi? Would he walk him to school? Make him breakfast? Celebrate his birthdays making him blow candles? Did he take him to the zoo? Does the relationship between them feel professional or is it something more? Gojo appreciates his students, but is Megumi to him just another student? When Gojo faces Sukuna in Megumi's body, did he see the kid he raised, or does he just see Sukuna in one of his students' body? Did he have one faint wavering instant? And how does Megumi feel about this? Is he resentful of him? Resentful of the situation? Of the selfishness behind his actions? Does he feel like a pawn? Is he grateful? Does he resent feeling grateful? Would he rather not? Does he love Gojo? Does he feel nothing about him other than what he could feel about a teacher that sort of annoys him but knows he's reliable in his strength? Does he think it unfair, cruel or unfeeling that Gojo is close, closer perhaps, with Yuuji or Yuta, considering their story? When Sukuna slices Gojo in two, does the remnants of Megumi's soul tremble?

And not just Megumi and Gojo. Yuuji and Nanami, Gojo and Nanami, Yuuji and Fushiguro, Nobara and the boys, or Nobara and Maki, Todo and Yuuji or Yuta, Gojo and Yuta, Megumi and his sister. Gojo and Geto, even! If the pieces are well set, the dynamics are intriguing, interesting, and have potential to be deep, but then the characters have like two plot relevant scenes that punch you hard, but little more, it's not nearly enough. Especially not nearly enough for the enormity that is shonen dynamics and situations. And the potential existing at all, and then not delivering, makes it all the more frustrating when you're left with something mediocre that could have been so good.

The development of dynamics through not only a few plot relevant gut wrenching moving scenes, but also the smallness of life, is important. The friend who recommended this to me said that those things were just unnecessary filler, but I disagree. I think there's a big difference between a large amount of anime-only filler episodes whose existence is based on the fact they had run out of manga chapters to animate, and moments of quietness. The low stakes character-driven moments of quietness can be so telling and so insightful, and they are so satisfactory when brought back later in higher stakes situations. My friend teased me there was no scene of Gojo making breakfast to Megumi, that it would be an idiotic idea, but it would be so telling. How he makes breakfast, what they eat, if he tries hard or if it's all mechanised, if they have personal bowls or if they use whatever, if he just buys them some pastry on the way to school, if the way they have breakfast changes through the years, or if he doesn't make them breakfast at all! All that would be very insightful on their dynamic and its evolution. All that would give a glimpse on how they regard each other and why, even in the present. All that could become meaningful in tense situations and high stakes scenes.

These moments also let the plot breath; if a lot is happening all the time, if every character is always experiencing trauma after trauma, the entire story is so emotionally draining that at some point you don't even care all that much. Besides, these nothing moments or low stakes plot arcs, besides deepening and developing dynamics, also let some in-world time pass, which would make the intimacy and bond between characters more believable imo; between Yuuji eating Sukuna's finger and their last confrontation in December how much time has passed? A few months? Am I truly to believe these characters are so everything to each other in only a few months?

Without some smallness, some repetition, some daily life, some low stakes not plot-centric development, the dynamics don't hit, they don't truly feel fleshed out, and dynamics as complex as the ones Megumi and Gojo have, or as supposedly meaningful as the one Megumi has with Yuuji or his sister, should be fleshed out if they're going to exist at all. Otherwise they'd risk making the writing feel awkward and fake. Besides, if the dynamics felt well fleshed out and realistic, they would shape the way the characters interact and act, and how they deal with situations, thus being plot relevant.

The shonen genre has so much happening all the time, the stakes are so high, the dynamics are so rooted in big events and the relationships carry enormous weight and implications. Yet they barely get developed, and it feels so stupid, so plain, the absence of something so important noticeable like a constant void, a shapeless nothingness present in every scene. It makes the characters feel like cardboard figures. Jujutsu Kaisen is already getting a better job than many, but I doubt it will do enough for what I've heard, and I fear I am bound to feel let down, and bound to feel unmoved.

After all, if not enough time and care has been given to develop a dynamic, I am not going to feel pressured by the high stakes; if not enough time and care has been given to develop the dynamic between Megumi and Yuuji, as good potential as it has I am bound to feel little for this last confrontation between Sukuna and Itadori, and his effort in getting Megumi back.

[paint-it-dead]

hello berserk fandom this is my first time trying something like this and i cant figure out shading and digital art for the life of me sooooo

[13eyond13]

The fact that Light takes off his hat and puts down his hood so he can better dramatically say farewell to Raye Penber lol

[twentyfivemiceinatrenchcoat]

TODOOOOOOOOOOOOOO 😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭

[musicalmoritz]

LMAO there’s no way someone made a callout blog for TBHK, you people have way too much free time on your hands