#a sequel to one of my previous posts

[asortofqueerfeeling]

Gender? More like, give me EXACTLY what Alex Winter and Keanu Reeves have (*in a totally non-threatening way*)

[ineffablelunatic]

unserious tma fanart part 3: the sapphics (and the admiral)

[thegothicchangeling]

Police: We have the place surrounded! What are your demands?

Tim: (from chair he's tied to) Tell them I want orange chicken.

Jason: (cocking gun) We want orange chicken!

[cockroachesunite]

happy valentine’s day to Edward Little & his miserable hopeless crush on his boss <3

[sassypantsjaxon]

My fault

[nwarrior777]

The problem with fatfetish is not in it existing, but in not-exsisting of alternative positive image of fatness in media, and not-exsisting of range of narrative in depicting fatness as something sexy in kinky images.

It's like media have two options for fat characters: 1) background comic relief in mass media 2) fatfetish art in internet niche. with not much of smth else

Respectful representation of fatness is big important topic for it's own discussion, but focusing on kinky art - fatness presented as smth sexy there, but it's almost always one narrative (usually food related)

And, i think, if we would have more ways of depicting sexiness of fatness, especially in kinky art, and bring sexiness of fatness in mass media, it would be easier to accept for people, that having kink for big bellies & softness is same as kink for muscle body, 6 packs, bdsm or any other kinks which are people fine with (kinks is smth totally ok to have, for the record)

Like, there are """cringe""" art of muscle kink too, and people have a little laugh about it sometimes, but nobody says that loving muscles is bad or disgusting - yes, because of fatphobia, but why are people so fatphobic still? Because they are not used to see positive images of fatness around and taught from childhood, by media narrative too, that fatness = bad. And they see all the scenarios you can imagine of muscles or thinness being sexy around, in media all scales. It's chicken and egg situation - one thing boosting another: we don't have positive image of fat > people learn "fat = not normal, bad" thought > they don't even think about questioning it because all the world around them is keeping this rule > a lot of people becoming media industry workers, and > they keep media not-including fat characters, keeping status quo > new generation, repeat.

In result we have this vicious circle. And we can break it, by making more fatness inclusive media, and going back to kink talk - we need more ways of depicting fatness as something sexy: new narratives, new plots in films, new lyric in songs, new art aesthetics.

I mean, you can have great time daydreaming that food scenarios, but wouldn't it be also cool to see sexy fat characters in other roles? Imagine - Sexy Fantasy Fat character, who got so much power that their body has to be bigger to keep all that. People went all horny then Detroit Become Human released - imagine cool fat robots, so fragile and complicated in their core parts, that they need big fat parts made of smth soft to prevent damage if they fall. Or fat characters in art, in just usual hot images narratives, but they drawn in a way, which make their fatness looking like hot detail, or even hot focus of the art.

I know we have progress and there are more and more examples of that i say. It just still few. So, let's go work hard and make more

[kitsumidori]

The magical girls of Borderlands!!!!

I was up until almost 3 am finishing this. A showcase of both the siren's and some of the psychic users.

And if anyone asks what the hell is the thing behind Maya, I'll give you a hint: It only shows up in my most despised mission in BL3.

Also I gave Moze a cosmic bear companion, her name is Usagi and she's a real sweetheart.

(click for better quality)

[stairset]

I realize this could get me crucified in certain circles but as good as Andor was I really do think its fans can be truly insufferable.

[soyoursoulisgreen]

15 and 32

15. Do you prefer writing one-shots or multi-chapter fics?

I tend to prefer writing one-shots! I love to read multi-chapter fics, but I always get so worried that I'll lose motivation and just, never come back to it :') My first fic on AO3 is loosely a multi-chapter, in the sense that I've left it open to return to someday, but haven't had any interest to pick it back up in years lol. There's something very punchy about one-shots as well - I have a pretty solid split between short and long one-shots, but it's so satisfying when I Finally have a long one finished!

I also like making connected one-shots, or sequential one-shots, but letting them stand on their own so?

32. What’s a fic you’d love to write, but probably never will?

I think I had a Vargas fic idea at one point that I so badly wanted to read but didn't want to write, and made some concept sketches and an outline for and everything lol - something with the Jake/Edgar/Scriabin dynamic ♥ I do know that someone made a missing scene-fic about Scriabin and Jake's first interaction that I've been quietly making eyes at - next time I'm into Vargas for sure 👀

As for love to write, hm... Probably this overly-convoluted Osmosis Jones NTR fic that I've had in my back pocket for way too long honestly lol - ever since I learned about netorare they were my first and only choice but it's so all-hurt-no-comfort and kinda dark and sad and while it sounds really fun, the self-consciousness monster in the back of my head is like "Really? The White Blood Cell Movie? For that?" lol

[pencil-n-pen]

I’M STILL TRYING EVERYTHING

⋆° 𐙚 ₊🧦☕🧸₊°⋆ ೀ₊°⋆

previous | kofi | masterlist

post prison!spencer reid x fem!reader

₊ ⊹

I'm still trying everything to keep you looking at me.

-mirrorball, taylor swift

₊ ⊹

summary: you’ve never had a date or a relationship that either didn’t work out or end in disaster. now that you have spencer, you’re determined not to let it happen again

cw: referenced bad past relationships, very very vaguely referenced past domestic abuse that honestly could be taken a different way, referenced child abuse (readers parents are STILL not it) again this is a criminal minds fic so references to graphic violence

tags/tropes: hurt/comfort (do i even need to say this? you all know who i am) insecurity, like one line of misogyny and it’s in the past and not brought up again, spencer being soft n worried, HEALTHY COMMUNICATION, spencer is just as gone for reader as she is for him honestly he's just a sap

a/n: back by popular demand !! seriously guys, you have no idea how much the support and comments and reblogs and asks means to me 🥹 the overwhelming amount of love for the first fic made me so happy when people started asking about a sequel i knew i had to !!

read the crossword on the collage for a surprise :)

this one goes out to all my girlies who’ve ever felt like they needed to be less in order to get a boyfriend or keep one. we’ll have our soft love just the way it was meant to be

⋆⭒˚.⋆

Spencer is a really good boyfriend.

Like… a really good boyfriend. You’re not sure if this is how having a real boyfriend is or if Spencer is just like this.

He’s so good to you. He’s just so- so him. You can’t explain it. Can’t put it into words.

He’s very patient with you. You’ve never explicitly stated it, but he’s picked up on your previous relationship experience- or more accurately, your lack thereof. The morning after you’d gone home with him, night consisting of nothing but easy sleep and warmth, he’d asked you out for real. Asked you if you’d go on a date with him, and you’d agreed, a giddy smile fixed firmly on your face.

But you still worry.

All it takes it one conversation with your parents to push things over the edge.

“Yes, dad. He’s very good to me.”

A laugh crackles over the line. “I tell you, your mother and I never thought we’d see the day.”

The words twinge uncomfortably in your chest. “Hey, I’m not that bad. I’ve just been focused.”

“More like uptight.”

“Dad—“

“You know, you still haven’t come out to visit your poor old parents since getting this so-called cushy job. And now you’ve got this boyfriend. You’re too young to settle down. Don’t you think we should meet him?”

Sometimes conversations turn so quickly they leave you stranded— scrambling to pick up pieces of what you thought was going to happen and piece them together to make something new. Something for the new route the conversation has taken.

You couldn’t hold back your sigh if you tried. “We haven’t been dating for that long dad, I don’t want to spring this on him—“

“Sweetie, if we don’t meet him now, why might never meet him. Who knows how long he’s gonna stick around?”

(Sometimes, in moments like these, for just a split second, you wonder how a father could say something like that, to his daughter. You wonder why, wonder what you did wrong. And then, you imagine Hotch saying those same things, and you can’t, and it almost makes you feel a little better.)

Your blood runs cold. “What could you possibly mean by that?”

“Well, you know how things have ended in the past. I’m just saying I’d like to meet him before he’s gone."

You don't dignify his words with a response.

"Come on, honey. I'm just joking with you."

"It's not funny."

"Don't be like that--"

"Goodbye."

You hang up, snapping the phone shut with a sigh.

The older you've gotten, the more conversations with your parents end up like this. You suppose it's the way you 'wasted your potential' or 'never made something of yourself.' They've always held resentment ever since you decided to become an agent. So you know not to take what they say to heart, because their words only come from a place of disappointment and displeasure. It's not a reflection of who you really are or what you've really accomplished.

Or at least, that's what Hotch told you when he'd overheard one of your phone calls. It meant more than you'd let on.

But your Dad's words linger in your head. They're irritating and sharp where they claw around in your head because they're true.

You can count on one hand the amount of romantic endeavors you've had. And from those, they all ended horribly. Your parents lost sympathy towards the end of your attempts, muttered words of needing to try harder to keep them, that you should be satisfied that somebody wanted you at all, that you should try to be less... you.

Try to be less... you, dear. The books and the facts- nobody wants those. Put some more effort into your appearance. Otherwise you'll end up all alone.

You'd tried to take their advice, of course. But the relationships that were fathered your parents direction were not loving. There was nothing soft or gentle or warm about them. You'd never felt more unlovable.

So when the incident with the shooter happened and you were lying on the lecture hall floor, blood coloring the carpet deep scarlet, you'd vowed to never let it happen again. That you were going to use your intellect and wit and passion for what you wanted to do- you'd promised yourself that if you survived, you would try to make your life your own, one step at a time.

This, of course, is easier said than done.

It's easy enough to refuse to let yourself get involved with men who are clearly only interested in your for your badge or your body --though the latter happens so rarely you really don't have to worry about it-- because you don't care about them. They're blips on your radar.

But Spencer? Sweet, sweet Spencer who makes you hot-cocoa and binge watches Doctor Who with you, even the later seasons, which you know he doesn't like as much but you love. Spencer who always has a grounding touch to offer, or a quiet command when you need him. Spencer who puts you first.

But there's a limit to these things, right? As far as you've seen, romantic relationship's are transactional, or conditional. Sometimes both. He can't just... keep doing this forever. It's too kind. Too sweet. It'll come to an end soon. Like, like the honeymoon era in early relationships. That's all it is. Plus, he's older than you, and you have no illusions about your unavoidable impulsiveness and naivety.

You've been told that your standards are too high before. "Struck by the hopeless romantic's arrow," your brother had said once, back when you were still in school, crying over a boy who'd told you that he didn't want to date you because you were too smart for a girl.

"That's not being hopeless romantic. There's no such thing as being too smart for a girl."

"There isn't," He'd amended, "But you're not going to have an easy time finding a guy. You of all people can't really afford to be picky."

He'd been right, in the end. So you're just... having a hard time figuring out how genuine Spencer's actions are. Guy's don't really act all romantic in the context of you. You've been told your whole life to be happy with what you get, and what you've had in the past is decidedly not lining up with how Spencer treats you.

It's a nasty little thing in your ear. Is it real? Does it matter as much to him?

When is it all going to end?

--

Rossi make's an offhand comment during a mission that you talk a lot when you're excited about the subject at hand.

JJ agrees. "It's a little unnerving when the subject is the bruising patterns of strangulation."

That little voice comes back.

Too much too much too much too much too much--

"It's useful," You protest, mouth dry.

JJ snorts, "I'm not sure about that. We need to know that the victim was strangled, not what happens to the body during blunt-force asphyxiation."

You'd grown quiet then, let the chatter and musings of the rest of the team wash over you.

Is that something Spencer finds annoying? You have always found things other's view morbid and disturbing fascinating. But JJ is right. No one wants to hear about that.

You brush the comment off, square your shoulders, get back on with the case.

Be better. Try harder.

You don't seen the furrow of Spencer's brows from where he's been watching you, or the quick look he shares with Hotch.

--

You'd never really thought about how clingy you can be before Emily makes an offhand comment about it while the two of you wait in line at a coffee shop. There's a couple in front of you, the girl all over her partner, kissing and giggling and hugging them close.

"Ugh," Emily groans once the two get their coffee and move on. "I could never understand the appeal of all that. I mean doesn't it feel stifling?"

A little stab of ice in your stomach.

"I don't know. I think it's nice."

"No, thank you. If I were her partner, I'd feel smothered."

You think about that conversation every time you take Spencer's hand or lean into his simple touches. They're invasive little things, the thoughts. It's not hard to pull back on all the touching. You never really ask for them in the first place- always too nervous to come off clingy. But you suppose just taking, taking, taking is just the same.

A quick shake of your head, not leaning in, a quiet "I'm fine." and that little nagging fear of smothering begins to quiet. It doesn't leave, but it does get quieter. For a little while, at least.

--

The hard part is trying to be less without noticeably being less. Spencer's smart- and he's a profiler. If you pull back too much too quickly, he'll notice, and you don't want to talk about this yet. You just need to make sure he'll stay. That things won't—

That you won't find out too late that you don't mean as much to him as he does to you.

That's the kind of thing that can't happen again. But ascertaining his true feelings and desires is difficult, because this is all kind's of new territory for you. You want to believe it's real. You really, really want to believe it's real.

But it's never been real before, so why would it be real now?

--

You've asked around (subtly and carefully, of course) about the type of girl Spencer's dated or drifted towards in the past. You know he said he wanted something soft and sweet, but you can't help but think that you're not really either, nor are you in line with his type. All things considered, you're a mess. Something tired-eyed and hollow is how you feel most days. Some sort of creature perhaps? You're honestly not sure what you are. You've spent your entire life being singled out or otherwise othered- always too smart or too different or too weird or too much or too loud or too quiet or too shy or too, too, too. Always too something. You have never been called soft or sweet. In a demeaning way, sure, but never with the quiet reverence that Spencer said it with that night.

It feels like a balancing act, a bit. Holding all those too much parts so close to your chest with one hand and shoving the ones you think Spencer wants with the other hand.

You could probably drop the one hand. The one holding the bad parts. But you're just not convinced he'll stay. You're not sure that he won't look at them with some form of disgust or pity or something else terrible.

You know the balancing act isn't sustainable— you'll fall eventually, and everything will come crashing down, but until then, you just keep trying. Trying to see if he'll stay, trying to see what to do if he won't. How to ensure he will, if that's something that's possible.

--

The act does not hold up for as long as you hoped it would. It comes crashing down with a glass. Literally.

You and Spencer are in the kitchen on a rare weekend off, cooking and drinking wine and swaying to some little old love song.

It should be perfect, except you're worrying that you look ugly while you're dancing, and you're probably singing off-key, and he maybe wants you to shut up so he can hear the song or dance in peace.

He reaches towards you and you just— your brain shrieks for a moment, all senses going into overdrive and you jerk backward, and your elbow knocks into your wine glass, and it falls, shattering behind you with a deafening crash.

Your entire body tenses, waiting for yelling or sighing or something, because you broke the glass, there's crystalline shards everywhere, the wine red and it looks like blood, maybe it is, maybe you're bleeding because the glass was really close to your foot when it fell but you're not sure because you can't really feel your feet or your fingers or—

"Don't move," Spencer says, voice serious, and tears well in your eyes, because this is when it all ends isn't it? "I don't want you to— honey?"

"Yes?" You croak.

His eyes are swimming with concern as he takes in your hunched shoulders, shallow breaths, and scared expression.

Understanding flickers in his features, and you resist the urge to hold your breath.

"Nothing is going to happen to you because of the glass, okay? Everything is fine. We're fine. I'm not mad. See? I'm not mad. I just don't want you to cut your feet on the glass. I'm going to clean this up and get your slippers, okay?"

"Okay." You breathe, voice hoarse. You wring your hands nervously as he leaves to retrieve the necessary supplies to clean the mess, heart beating so fast and so hard you're shocked you can't see it through your shirt.

He's not mad. He's not mad. You're not in trouble. Your parents aren't here. You're not grounded. You're not in trouble. He's not mad.

You're silent while he cleans, focused on getting your breathing under control while he babbles quietly about the history of glass making and the significance of types of wine glasses. The facts and history wash over you in steady waves, easing the tension in your shoulders bit by bit.

"I didn't think you were going to hit me, Spencer."

He continues cleaning. "It's okay if you did. I would never blame you for that."

"But I don't," You say, suddenly desperate, "I know you wouldn't, I've never been hit, not like that."

He's quiet for a few minutes. "Does this have something to do with how you've been acting recently?"

You freeze. "What do you mean?"

He looks up, leaning back on his knees. Making himself smaller, you realize. He's trying not to scare you again.

"You're dating a profiler. Also, I speak fluent you, and you've been chewing all your hangnails again. You only do that when you're stressed and pretending like you're not."

Your finger's twitch at your sides.

His hands come up slowly, and he rubs the length of your waist and hips. "We don't have to talk about it right now, but I think we should soon. I don't want you hurting all by yourself. You've had enough of that. That's what I'm here for."

He finishes cleaning up the glass, and finishes cooking dinner- he'd assured you he'd turned off all burners when the glass hit the floor, so nothing's burnt.

Once you've both eaten, he steers you towards the couch and wordlessly puts on Doctor Who.

The Pandorica is just about to open when you finally decide that if you don't start talking, you never will.

"My parents think you're going to leave me."

Spencer makes a wounded noise in his throat. "Why do they think that?"

"Because it's happened before. I'm, um. I'm not very good at getting into relationships. Or keeping them."

"But that's not your fault."

You sniff hard, rubbing your face with your sleeve. "It is though, isn't it? At least a little. I know I can be a lot. I know I'm not easy to—"

You cut yourself off, but the words hang in the air anyway; unsaid.

I'm not easy to love.

"Anyway," You say, pushing through the lump in your throat. "I just thought. I don't know. I was worried that you'd get fed up with me."

"No," He whispers, voice raw and full of something a lot heavier than fond. "No, no baby. I like that you're clingy and you ramble when you get excited, because it means that we get to talk about something together."

He shifts on the couch, sitting criss-crossed, ducking his head down to catch your gaze. "You know what else I like?"

You scoot over, mirroring his position. "What?"

"I like that you always know when I need you. Even when I don't think I do, you're there. Because I do need you. This isn't a one-way street."

His words hit you straight in your chest. "Oh."

He smiles, brows a little scrunched, brown eyes a deep pool of fondness and a splash of concern. "Yeah. And I'm thinking you need me a little more than you want to let on."

The seam of your pajama pants suddenly becomes the most interesting thing in the world. Amazing, the wonders of a sewing machine.

"Maybe."

"Mmm," He hums, "So if I need you, don't you think that you're allowed to need me?"

Your fingers pick and twirl a loose thread around. "...Yes?"

A large, firm hand covers your thigh, giving it a quick squeeze. "Yes. Not only are you allowed to need me, I want you to need me. Cause you know how you're always worried about being the best girlfriend? Well, I'm always worried about being the best boyfriend."

That makes you look up. "Really?"

He chuckles again, a little puff of air fanning your face. "Yes, really. I assure you, contrary to your past experiences, this is one of those bare minimum things in a relationship."

"That does not," He continues, immediately catching the brief flicker of doubt and shame on your face, "Mean that it is your fault at all for how you were treated in the past. You wouldn't expect me to suddenly become an expert in veterinary medicine just because I've been to the vet's office a few times, right?"

"When did you go to the vet's—"

"Shh, I'm being a good boyfriend," He holds up a hand, lips quirking up when you can't suppress a tiny giggle, "But seriously. You had no frame of reference, right? And you were being told it was your fault. But it wasn't. You didn't deserve that."

He lets his words hang in the air for a little while and allows you time to process this new information.

"What do I do now?"

"Well," He leans in, brushing his nose against yours, curls tickling your forehead, "You've got a pretty sweet deal here. Just three things. You have to keep letting me need you, let yourself need me, and one last little thing."

"What?"

You're so close your breaths are mingling.

"Let me show you what this is supposed to look like. How a man is supposed to treat a pretty girl. His pretty girl."

"Oh, well," Heat rushes to your cheeks, your stomach doing flip-flops, "That sounds pretty hard. I don't know how I'll hold up."

His hand comes up to hold the side of your face, his thumb sweeping strokes under your eye.

"You say that now, but I know what happens to you when I get romantic. You swoon."

You laugh. "I do not swoon."

"You will."

He leans down, capturing your lips in a soft, gentle kiss. It isn't a kiss-kiss. He's kissing you just to kiss you; just to let you know that he's here, that you have him.

It's sweet and perfect and exactly what you need.

--

Letting yourself need Spencer is marginally easier now that you know he needs you. Now that you know you're not going all in for someone who isn't.

He also starts needing you a bit... louder.

It's late evening, and most people have gone home except you and a couple other members of the team, all still working on paperwork.

Except Spencer, who's decided to drape himself over your shoulders like a cat, his chin resting on your head.

"Don't you have work to do?"

"Either finished it or it can be done later."

You shift your shoulders, smiling at how his grumbles vibrate against your back.

He moves his head, pressing his cheek to your head instead of his chin, heaving a deep sigh.

"Your hair smells good."

"Like what?"

"You're shampoo. Yours always smell better than mine."

You continue to work through your paperwork, Spencer a continuous and solid weight against your back.

"Is this even comfortable for your back at all?"

"Doesn't matter. Need girlfriend time."

He can't see it, but you're sure he knows how hard you blush.

--

Spencer's cooking the two of you a late breakfast in the kitchen of his apartment, hair still all mussed from sleep. He's quite the sight. You can't stop staring.

You're sitting on the counter, still dressed in your pajamas, legs swinging.

"You wanna know something cool?"

"You know it,"

"Butterflies and moths can drink blood and tears. There's nutrients in them. Purple Emperor butterflies are especially known for this. It's called mud-puddling."

"So you're telling me I should make sure I bandage any open wounds before I go to a butterfly house?"

"I guess. I can't imagine they'd be able to drink enough blood to actually cause any damage."

"Maybe we'll have to go to a butterfly house. For research."

"Should we get dinner afterwards?"

"We'll deserve it, you know, for all the hard research we'll have done."

"Hmm. Yes, I suppose so."

--

Spencer's bed is infinitely more comfortable than your bed. You're pretty sure it's a combination of the fact that it's the only thing in the entire world that smells so much like him and the fact that he spent part of his large FBI paycheck on a fancy mattress. Back support is very important to him.

You're doing a little reading before bed, shamelessly sprawled all over him while he does his own reading. You've got a leg hooked over his hips, the other tangled with his legs, and your arms and head pillowed on his chest. You move a little every time he takes a breath, and more than once you've paused in your reading, mesmerized by the feeling.

He shifts under you, setting his book down on his night stand and making himself more comfortable.

"Should I move?"

"No," he says, voice deep and gravelly with sleep. He wraps his arms around your waist, pulling you flush to him, face pressed to the crook of your neck. He breathes deep, scruffy stubble scratching against your skin. "Like you close. Good for sleep."

Even with the lamp on, and your book in your hand, you fall asleep soon after him.

--

It's an ordinary evening for the two of you. Discarded dishes sit on the coffee table in front of the t.v, neither of you paying them any attention, wrapped up in each other and eyes glued to the screen.

You look up at Spencer who's watching Doctor Who with the focus of a man who's never seen it, even though you know for a fact he's seen it before, several times in fact.

"I want to know the things you like," He'd said simply, the one time you'd asked why he takes your nightly Doctor Who watching so seriously.

And tonight's no different. Tonight, he looks... well, he looks like Spencer. His face illuminated by the TV screen, his hair all mussed from you running your hands through it earlier.

And it just kind of all hits you at once. You know.

"I love you."

He looks down at you, his expression soft and surprised. When your words register, his expression is so sickeningly fond and happy you can't help but lean in, burying your face in his chest. He rubs your back consolingly, then presses a little kiss to the crown of your head.

"I love you too."

⋆⭒˚.⋆

taglist: @topsecret101 @slowdownpal @leeknowpegger @sunbl3achedfly @hiireadstuff @paige0103 @private190104 @beautyb1ade @coraline-jones353 @pleasenter-sandman @sttvrdustt @gluchie @thomasintheshadows @dessamira1001 @bbleeeeh @hufflely-puffly @bippityboppityboob1tch @buggys-space @redxfangirl @liauchiha147 @dreaming-potato @meandyoulollz @jobrosimp

[tcustodisart]

A sequel to one of my previous posts that showed Astarion regularly stealing and reading Tav's journal. I had this idea that Tavatko draws in his journal. Stuff like herbs, critters and sometimes people. Of course he'd have drawings of his companions in it so my following thought was - what would be Astarion's reaction upon seeing a sketch of himself for the first time. It was so much fun to be drawing this the past 4 days. Hope you'll like it. Oh, and word of advice - don't draw your comics in a reverse order. The quality of each panel is not dropping dkghfjghd

[transbookoftheday]

Trans Horror Podcasts

My post about trans horror books last year was much more popular than I expected, and since I've recently fallen in love with fiction podcasts and audio dramas, I thought I'd make a post about trans horror podcasts as well.

If you like trans horror, please give these a try - especially if you enjoy listening to audiobooks!

Hello From The Hallowoods:

Come walk between the black pines! In this award-winning queer fiction podcast, an eldritch narrator follows the increasingly connected residents of the forest at the end of the world. It's a bittersweet story that explores queer identity, horror genre tropes, and finding hope in humanity's last moments.

Hello From The Hallowoods is my absolute favorite podcast! If you only listen to one podcast from this list, please make it this one - it's so beautifully written and super queer! Also: season 4 starts today!

Trans main characters include:

our nonbinary eye-affiliated podcast host

a nonbinary "Frankenstein's creature"

a transmasc ghost

a genderfluid storm witch

a trans woman who can visit other people's dreams

multiple characters using neopronouns

Camp Here & There:

Good morning, campers! Camp Here & There is a weekly horror comedy podcast tuned in to the loudspeakers of a small midwestern sleepaway camp plagued by supernatural terrors and natural disasters. Sydney Sargent, resident camp nurse, cheerfully reports on all the terror we must face with a big smile. Let’s hope there’s nothing weird about that!

Sydney is a trans man.

Dos: After You:

Things have changed. Deck has fallen in love with someone who isn't human, and leaves a hungry house behind to see him again. Will he be waiting for you? The world has changed… but what about him? Dos: After You is a queer urban fantasy/horror audiodrama available in both English & Spanish

Deck is a trans man.

Jar of Rebuke:

Follow Dr. Jared Hel's journey as he works to re-discover his forgotten past and finds his place within the small Indiana farm town of Wichton and the cryptozoological organization he works for called 'The Enclosure'. These audio journals, and other recordings, dive deep into Midwestern US cryptids and folklore while also telling a mystery about identity, queerness, neurodivergence, and community.

Jared is nonbinary.

Spirit Box Radio:

Spirit Box Radio is an award winning, horror audio drama podcast about a radio show for enthusiasts of all things arcane. Follow Sam Enfield a former postboy with no experience in the arcane arts, who finds themselves forced to take over running the show, following the disappearance of the previous host. Sam soon discovers there are more than ghosts haunting the show, and finds himself amidst a mystery which threatens everything he knows about the world beyond his tiny basement broadcast studio, and maybe even himself.

Sam is a trans man.

The Silt Verses:

Carpenter and Faulkner, two worshippers of an outlawed god, travel up the length of their deity’s great black river, searching for holy revelations amongst the reeds and the wetlands. As their pilgrimage lengthens and the river’s mysteries deepen, the two acolytes find themselves under threat from a police manhunt, but also come into conflict with the weirder gods that have flourished in these forgotten rural territories. This is a world where divine intervention takes place through prayer-markings scratched into stumping-posts, and offerings are left squirming to die in the flats of the delta. This is a world of ritual, and hidden language, and sacrifice. This is folk horror, and fantasy, and a dark road trip into the depths of unusual faith.

Faulkner is a trans man and Paige is a trans woman.

The Magnus Protocol:

The Magnus Archives 2: The Magnus Protocol is the prequel/sequel/”sidequel” to the internationally renowned Magnus Archives podcast. The Magnus Institute was an organisation dedicated to academic research into the esoteric and the paranormal, based out of Manchester, England. It burned to the ground in 1999. There were no survivors. Now, almost 25 years later, Alice and Sam, a pair of low-level civil service workers at the underfunded Office of Incident Assessment and Response, have stumbled across its legacy. A legacy that will put them in grave danger. If this intrigues you then it is our pleasure to welcome you to the Office of Incident, Assessment and Response. Make sure you pick up your badge at desk and report to your line manager before sitting down. Oh and stay away from I.T., seriously.

Alice is a trans woman.

[greenfiend]

The Significance of Lover’s Lake and Byler (Theory) Part 2

Sequel to this post

(Warning: mentions of sex and drugs)

Okay so first of all, if you haven’t seen my previous post on my theory involving Lovers Lake and Byler, please read it first. I go over my theory and predictions for Byler and the heart shaped lake. This is a secondary post to it, outlining some VERY interesting details involving the owner of the lakeside house, the lakeside house itself, and all the romantic and sexual elements present. I’m saving the best for last here.

Let’s start with the owner of the lakeside house.

Reefer Rick

So I recently made a silly post arguing that the most queer coded character in Stranger Things is not Mike nor Will (nor Robin, Henry, Eddie etc), and I stand by this statement. The most queer coded character is: Reefer Rick. Now, I know we never see the guy, but literally all the information we have on him is either queer coding or drug references.

Synonyms of his name are literally f*g Dick, with a shared last name with the famous tea company founder who so happens to have been a homosexual: Lipton.

We know he doesn’t have a family, thus he’s a single man who occasionally has his buddy/fellow dealer Eddie stay over. Hm, not very heterosexual of him.

Then we have his movie list.

Now, as many of us know, the movie “Fast Times” is used within Stranger Things as a way to gage if someone is attracted to women or not. We have Steve, Dustin, Lucas, and Vickie all confirmed to have enjoyed this movie… specifically for that shot at 53 minutes and 5 seconds. Sure, Reefer Rick rented the film, but why is it the only movie he rented that was returned on time? For context, he’s the only character who had films listed as “late” returns. So, he obviously enjoyed Cheech & Chong a lot more. Two guys doing drugs is more interesting to him than a sexy lady. Okay, noted.

Now, how is he perceived by the people of Hawkins?

Oooof. Okay. He’s not well liked it seems. He apparently is causing some fear and anger amongst the Hawkins residents. Kind of similar of a reaction these people would have towards an openly gay man during the 1980s.

Also I have to include @/conflictofthemind ‘s excellent point that injectable drug use and unprotected sex (specifically between two men) were both commonly associated with HIV/AIDS… a major epidemic during the 80s and a major subtextual theme within the show.

Now, where’s this guy live while outside of jail?

I don’t blame the guy for “hiding” when the town is not too fond of him. Of course he is a drug dealer so there’s that as well. But interesting they used the word “hide”, which has been associated with queerness within the show already (plus this line was said by Robin (featured in the middle of the shot!!!) who is queer herself).

(Both of these screenshots are from 1x02 interestingly enough.)

Wouldn’t it make sense for these two “hiders” to hide out in “a perfect place to hide” together? Seeking refuge in a fellow gay man’s secluded house?

I will say it’s also worth noting that he does not have any women featured on the walls within his house. Also, he has a phallic shaped bong (we’ll get back to that soon).

Phew okay so that’s Reefer Rick. Are you still with me? Hopefully I didn’t bore any of you with this. I promise you this all leads back to Byler.

So, moving on to his house.

So as @/therainscene kindly pointed out, this poster with the smiley face can be related to rave culture and ecstasy in the 1980s. So a drug reference, in a drug dealer’s house… shocker I know. But I gotta say, ecstasy is also a term often related to sex. I also have to add this little tidbit from one of our favourite directors of Stranger Things, Shawn Levy. Keep in mind, he knows what’ll happen in the next season… and he’s directing episodes after 3 and 4…

Interesting word choice, no?

So, back to the symbolism within (and near) the house.

Let’s talk about the phallic symbolism that appears in pairs in these shots. It’s a choice, isn’t it? With two males in each shot. We know the Duffers love details and foreshadowing… I doubt it’s a coincidence. Also, anyone else notice that phone in the background? Just had to mention it, since our boys are frequently associated with phones and calls.

Then, of course, I gotta bring back this shot.

The bed. Blue meets yellow. You know it! We all heard it a thousand times by now. Let’s look at what else is in the shot. A closed closet. Another reference to our boys. To the right, you’ll see a toilet paper roll. Now, if you have a brother, you might see the same thing in his room. Sure it can be used as a tissue for your nose but let’s just say there’s usually another use for it. I’ll call it “self love”. So, basically, another sexual reference.

To sum up this house: lake/water, drugs, and ecstasy/smiley face. Now, let’s go back to a scene featuring our boys with all these elements in the background.

Makes you wonder doesn’t it?

I must also point out the “Paris” poster in the background. City of love, anyone? Plus the fireworks. They’re really trying to tell us something here.

Also, @/foodiewithdahoodie pointed out how Paris specifically was one of the first places to decriminalize sodomy.

You know, I also wouldn’t rule out every aspect of Murray’s prediction here.

Shout out to the Hylers out there!

Perhaps after a lot of stressful days of fighting interdimentional demons, these boys want to wind down and de-stress in their hiding spot. I can see Reefer Rick as a fellow Nintendo player, leaving his console behind, as well as his weed, for our boys to use. I also wouldn't be surprised if Eddie left a few of his beers behind. I mean… Murray has a pretty good track record for predictions. This would also really double down on the message that Mike and Will “aren’t kids anymore.”

Also, wouldn’t it be fun to look back at Murray’s predictions and realize that they’ve all come to be?

Okay, now let’s finally get to the romance elements!

First thing I want to start with is this shot:

So… they had to show us a mailbox, didn’t they? With that name “Lipton” which as I mentioned in my previous post… is associated with Thomas Lipton who had a lover named William Love.

1 point for #lettergate

And…

“Hope Our Love Lives/Lasts And Never Dies”

WWII solders used the acronym H.O.L.L.A.N.D. to convey a love message in a letter. The whole love letters association with Mike and Will never end, do they?

2 points for #lettergate!

As for the “2121”, I think it’s possible that it’s referencing multiple things… number references are tricky like that in my opinion. But I will say that @/thestrangestthing89 brought up the fact that “2121” could be a reference to “Twin Flames” which is yet another reference to romance.

Continuing on with the romance…

Let’s return back to the scene where Reefer Rick is first mentioned. After Max mentioned him, we are cut to Steve talking about a movie.

A movie filled with action and romance, you say?

So… Doctor Zhivago.

Basically a tale of two people in love during a difficult time (Russian Revolution) being separated, with other people, then finally reunited. Not completely unlike our boys. Notice how the “adult” sign is noticeable in the background. Not kids anymore.

He mentions action, which I’m sure there will be some of as well at the famous lake.

Okay enough with the silly details, let’s stop and look at the bigger picture.

Our beloved lake. Look how gorgeous it truly is. Plus the fact that it’s a literal heart? You can’t get more “on the nose” than that.

Now, who else is known as a heart? (Tough question I know…)

This boy is, without a doubt, narratively tied to the lake. He is “the heart”… he is THE LAKE (symbolically).

Thank you to @/everaster for bringing attention to the fact that after Mike was pushed to deliver that monologue to El by Will, Max “died”, then the gates opened WIDE. One of those gates, as we know, is located within Lover’s Lake… known was “watergate” (term coined by Dustin).

So, as of now in this story… Lover’s Lake is literally broken in two. A broken heart in need of mending.

Who better to accomplish that task than the boy who has known him for a decade and loves him completely and selflessly?

💌📬❤️‍🩹

Hope you enjoyed these posts as much as I enjoyed making them! It’s honestly so much fun looking for evidence and finding such interesting stuff. Some of it may be reaching, and that’s okay because it’s all in good fun! That’s what fandoms are all about.

The level of attention to detail in this show never ceases to amaze me! There’s so much depth and clues to look for and play around with. I hope to have sparked some inspiration and creativity for some people! 💛💙💚

As always, would love to know your thoughts!

[lizzybeeee]

DATV Spoilers - The Handling of Previous Story/Lore In DATV

Quick PSA: If you’ve read my post on the lore/story threads dropped – it’s not a list of what I expected or even wanted to see addressed/answered in DATV.

It’s pretty much a given that Kieran and the Architect were never going to come back in any meaningful way, I understand that. Questions about what happened to Anora, Anders, Cullen’s clinic etc...never expected to get an answer about them – at all. The line of succession in Ferelden and Orlais? I expected that sometime down the line it would have to be streamlined into one option for both nations, not a problem – there’s so many choices it’s impossible to account for, and I understand that.

This is just a list of plot threads left unanswered that will, most likely, remain unanswered.

There’s no DLC planned – the team is working on Mass Effect 5 now. There’s no conclusion to the fate of the south of Thedas outside of some codex entries and some dialogue. They can patch the Executors cutscene out, maybe - perhaps they could even do the same to anything relating to the south of Thedas. Yes, these areas were not completely destroyed by the Blight – they can rebuild – but it comes across as being so meaningless that I ever cared for these places in the first place. To learn that after ten years of waiting all we cared for get devastated and left in limbo...it’s hard to put into words the bitterness I felt at that realization, and seeing that final cut-scene drove the nail into the coffin of how foolish I felt for even caring in the first place.

A codex entry or letter would have been nice – but my expectations for DATV was solely for a good story that added to the lore and world of Thedas. Instead, it felt entirely reductive – glaringly so when you account for the ‘Executives’ twist.

The world of Thedas has been watered down and its worldbuilding/lore diminished - slavery in Tevinter is non-existent, the Crows being an organization that indoctrinated children is never touched upon, any mystery of ancient Tevinter and the elves is answered (badly!), the Dalish have effectively disappeared and become the Veil Jumpers...it all feels so hollow, so shallow, that I ever cared about these things in the first place.

The issue is that the dev’s gave us only three choices, told us that as the story was contained to the north of Thedas – that our other choices weren’t relevant to the rest of the game with their intent being to not effect anyone's head-canons...before doing so with ‘the blight has devastated most of everywhere you went previously’.

These were story/plot threads that were woven throughout the narrative of the first three games – the things that made me care and become invested in the world of Thedas to begin with. In a game that was set-up to be a direct sequel to Inquisition and Trespasser I hoped that, at least, what was brought up in Inquisition would be mentioned.

Perhaps my list is a little too detailed with plot threads and issues – if anything that can be attributed to the incredible world-building done in the first three games! I love those games, I love the world of Thedas...which is why this game utterly baffles me with its choices.

Dragon Age: The Veilguard is a good game but not a good Dragon Age game.

----------------------------------

Edit: DATV absolutely has a lot of problems outside of its handling of the lore and story of the previous games. I would not say its a good rpg in any sense, but as a weird 'action-adventure rpg lite' game I did have some fun moments and enjoy myself. Would I recommend it to anyone? Absolutely not.

I heard someone describe it as a 'junk food' game and I very much agree with that statement. I found enjoyment in it, but to do so I usually had to turn off my brain, which is not a compliment towards DATV.

The game released very well optimized (especially considering how most companies are content to release half-baked games and patch them later) and did create some really interesting visual set-pieces like the Battle of Weisshaupt. But those moments I enjoyed were few and far between, and far overwhelmed by the negatives of the game - such as story, lack of conversation/conflict/role-play options, bad character writing etc...

Calling the game 'good' is, perhaps, a stretch, and I totally get that. Calling it 'mediocre with some good parts' may be more accurate.

[allergictocolor]

The Addams Family Through the Years

Before I get into character profiles, let me first do a run-through of the incarnations of the Addams family through the years.

As I wrote in my first post, Charles Addams created the nameless, bizarre family in some of the many comics he drew for The New Yorker starting in 1938. Morticia and Wednesday were named in 1962 when dolls of them were released. Charles Addams was asked for a list of names and descriptions for them and the other family members when the TV show was in development in 1963, but had little other involvement with the show.

The show ran for two seasons from 1964 to 1966, totalling 64 episodes. This was the same time that a similar show, The Munsters, was also on the air. Both shows were about wacky families of monstrous weirdos living in American suburbia. Both were in black and white, and both were canceled in 1966, possibly due to the rise of color television.

After a cross-over with Scooby-Doo, Hanna-Barbera produced a 16-episode animated series in 1973 which featured the family on a road trip in a creepy camper that looked like their mansion. It featured the same actors who played Lurch and Fester voicing their previous characters, and a 10-year-old Jodie Foster as the voice of Pugsley!

There was a reunion special in 1977, which reunited most of the cast of the show, called Halloween with the New Addams Family. The original show had remained popular, running in syndication for years. It was especially popular in Australia. According to one fan, this was because the Addams family was “less American” than the Munsters. 

In 1991, a feature film was released after a tumultuous production. Raul Julia became the new face of Gomez Addams in the popular consciousness. It was followed by a sequel called Addams Family Values in 1993, and in between there was another animated series. John Astin reprised his role as Gomez in that animated series. 

There were plans to continue the film series, but Raul Julia suffered from stomach cancer and died suddenly in 1994, canceling those plans. Although both films performed poorly at the box office, they gained a loyal following on home video and remain popular to this day. In 1992, an Addams family pinball machine was produced featuring original voice acting from Raul Julia as Gomez and Angelica Huston as Morticia. It became the most popular pinball machine of all time, selling over 20,000 units.

In 1998, a TV movie called Addams Family Reunion was produced by Saban, featuring Tim Curry as Gomez and Daryl Hannah as Morticia. The only returning actors from the 1991/93 movies were Carel Struycken and Christopher Hart's hand, who played Lurch and Thing, respectively. I have not seen it, and can not attest to its quality, or lack thereof. That movie was also meant to be the pilot for a TV show called The New Addams Family, but most of the cast was different. It ran for 65 episodes, none of which have I seen. (Hat tip to @tenthirtyone for pointing this out.)

After a try-out in Chicago, a musical debuted on Broadway in 2010. I was lucky enough to see that for my birthday that year. It starred Nathan Lane as Gomez and Bebe Neuwirth as Morticia. It was pretty entertaining. It would have been better if Lane wasn’t trying to be Raul Julia. He did a very fake Spanish accent, and it was terribly distracting. The musical was panned by critics and didn’t last long, but it was popular enough that it is now performed by high schools across the country. In fact, my friend Sarah and my cousin Charlie were both involved with different productions of it this past Spring.

That same year (2010), the rights were purchased by Illumination Entertainment, and they announced that they were going to produce a stop-motion film with Tim Burton. However, he decided to go with computer animation instead. That eventually turned into the 2019 film, after Tim Burton dropped out. This version was the closest in appearance to the original comics. Although the characters are rendered in 3D, the animators aimed to make them look as much like Charles Addams’ drawings as possible.

You’d think Tim Burton had been involved since at least the 1991 movie, but he hadn’t. Black and white stripes? Bats? Other goth things? That sounds like Tim Burton, but oddly enough, he actually hasn’t been attached to any Addams Family property until the Netflix show in 2022. It’s a natural pairing, and perhaps he would have been great friends with Charles Addams, had he been born several decades earlier. 

Now the Netflix show, centered on Wednesday, is in production for its second season after its first season was one of the streaming service's most popular shows to date. It's not the first time the Addams family has spawned a viral dance sensation. Way back in the 1960s, the original TV show started a dance craze called “the Lurch”.

In coming posts, I’ll go into how Charles Addams originally portrayed each of the nine characters in the Addams family pictured above (Gomez, Morticia, Pugsley, Wednesday, Fester, Grandmama, Lurch, Thing, and Cousin Itt) and how they evolved, or didn’t, over time.

[emeryleewho]

My latest book is live on Kickstarter with a full cover reveal!

Here are 10 Reasons you should pledge to my kickstarter (or at least reblog this post!)

If less than 0.5% of the people who've bought my previous books pledge to the paperback tier, this book would be over-funded, so it's a very doable project but I need help finding those readers again!

I launched this Kickstarter because despite being award-winning and making impressive sales, I wasn't offered a living wage for my next YA book (which went to auction) so it felt counterintuitive to sell this adult book to a publisher that doesn't appreciate me.

The book is VERY queer! It's literally a drag queen romcom. Like, come on.

If you read Meet Cute Diary or Café Con Lychee, you'll get to revisit some characters you love in this one! If you haven't read either, you can still enjoy this one because it technically stands alone!

If we get enough backers, I can upgrade everyone's copies to include more art and higher quality editions!!!

Despite doing this entirely independently, the DDTO eBooks are MUCH cheaper than what's offered for my first two books by a major publisher, and if we get this Kickstarter fully funded, I should be able to offer my paperbacks cheaper too! More access, woo!!!

Helping indie creators achieve their goals is just cool. It's innovative.

The book has Studio Ghibli references and other nerd culture! I get to name drop Lil Nas X! It's just a fun time okay!

There is a nonbinary, trans masc character that I am 99% sure Tumblr is going to lose its absolute mind over, but WE'LL NEVER KNOW IF THIS DOESN'T FUND!

Seriously, let's just stick it to the multi-billion dollar corporation that begged me for my "Meet Cute Diary" sequel only to not even offer me a living wage, like how funny would that be y'all?

Anyway, we only have until Friday October 11th to get this funded so spread it far, spread it wide, spread it through the countryside, just help me get the word out pretty please? <3