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theraprism · 2 months

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Class subtext thoughts on Gatsby, Flatland, and Bill.

So broadly speaking, we've had some idea of what Bill's home dimension was like since the 2015 in-character AMA, when the idea that it was nearly (if not fully) identical to the world of Flatland was first introduced. During the Weirdmaggedon 4-parter, we finally learned that Bill had obliterated his home dimension and called it liberation. (From what I recall the fan concensus on this information was that it was a malicious act of evil on Bill's part -- up until the Book's release, I don't think the idea that it was a tragedy or accident ever had much ground to stand on.) Journal 3 picked up on this again when it established the existence of Exwhylia, which (importantly!) also reinforced the hierarchical nature of existence that Flatland presents.

I'll own up to the fact I've never read Flatland myself (it is on the neverending list of classics that I still haven't gotten to yet) and will be instead be relying mainly on Wikipedia and Sparknotes clones for this analysis, but the good news is that canon Gravity Falls materials have given us the basics of how Bill's home dimension operated at this point, and so knowledge of the work seems less required and moreso recommended. Similarly to Gatsby (the book as well as the character). More on that later.

To be more specific, the important info that Hirsch has given us about Euclydia is that it was repressive in the extreme. The exact ways that it maintained this are left up to the imagination, to an extent (e.g. there is no evidence of the upper echelons of Euclydia carrying out public executions against the lower classes, as there are in Flatland), but the Book does directly pull an image from Flatland that illustrates the class hierarchy there.

Since Flatland was written originally as a satire of the stratification in Victorian society, the work goes to great lengths to specify and elaborate on the different social roles of each shape (for example, women as lines, though the gender stratification isn't relevant in Bill's case). More relevant is the way that the work considers upward mobility through generations, and the fact that isoceles triangles (working class) are considered among the lowest beings in existence, just above irregular shapes. Bill has been referred to and drawn inconsistently as both isoceles and equilateral, but based on what we learn from Exwhylia in Journal 3, it's possible that this distinction is not relevant in the GF multiverse's reinterpretation of Flatland. See:

I'm sure a part of this reduction of the hierarchy in the original Flatland has to do with the work needing to be at least somewhat accessible to younger readers, but it does textually ensure that, regardless of the specific details of Bill's geometry, he comes from a background where, in spite of his exceptional ability to see the third dimension, he saw those around him receive resources more freely. His singling out of irregular quadrilaterals reads to me as a form of internalized classism; he needs someone to punch down to.

And earlier:

He describes his regular shape as an out-and-out "power". Bill explicitly carries with him the classist ideals and values of his home dimension despite its destruction. The way he internalizes different ideas about himself and who he is is probably a subject for another post, but the point is that these qualities Bill is emphasizing aren't simply a matter of arrogance. Bill is trying to sell himself as a gentleman, a respectable individual from an upper-middle class position.

This is where Gatsby becomes relevant, because The Great Gatsby is all about a man who wants more than anything to cross the threshold of inborn greatness and become a true upperclassman. Bill appealing to his innate biological qualities as evidence for his own greatness relates back to the notion that such greatness is an ontological trait which cannot be given, but can also not be taken away. Note what he explicitly says here about the themes of class in Gatsby:

If you walk up to any college English professor and ask them what Gatsby has to say about the American Dream, I really do not think you are going to hear them say the word "bittersweet". The American Dream is a false idol and illusion; Gatsby himself is utterly miserable and meets a miserable end. There is nothing "sweet" about it.

At the same time, it makes sense that Bill would describe it as bittersweet, because for all his powers of sight, Bill cannot imagine a future where he is happy. Throwing crazy parties every night (for Gatsby at his home, for Bill on the Earth's remains), staring at an unreachable desire far out in the distance -- that's his end goal. He emerged from a position where he was repressed and since then his life has been a steady climb/crawl in the direction of power and control. Both Gatsby and Bill seek to reclaim a lost sense of fulfillment and purpose through this ascent, and both seek to become untouchable as gods are, but both are brought down in the end due to the consequences of their own actions, stemming directly from the violence they bring into their worlds of their own volition. In case you've forgotten, or if you've never read it, Gatsby's money is not clean. We may not see Bill use money, but his social currency is not clean either.

I think it's telling that Flatland can be understood as it relates to Bill's character through summary, but with Gatsby, there is so much subtle incentive to actually read the thing. From the GIF originally posted by Hirsch that I included at the top of the post to the PDF link on ThisIsNotAWebsiteDotCom.com to the fact that the gag in the Book itself goes on for multiple pages when it could have ended after one or two, the intertextuality is paramount. I think that's really cool. It's rare to see intertextuality this well-considered in genre fiction, and I think it makes the whole analytical process more fun.

#i was going to bring up the eye medication re: the repression point but decided to save it for a dedicated post abt his medical trauma #bill cipher #the book of bill #gravity falls #my meta

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raven-at-the-writing-desk · 1 year

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“red flowers”: fae, vargas camp 2, and glorious masquerade

THERE’S SOMETHING IN VARGAS CAMP 2 THAT MADE ME DO A DOUBLE TAKE 👁️ 👄 👁️

So in 2-2, the pixies of the forest are trying to put out the campfires. The boys then talk about how there was a miner's campfire a while back that caused a forest fire, which naturally spooked the local fairies. AND THEN VIL GOES AND DROPS THIS DOOZIE OF A LINE:

EXCUSE ME, VI L SIR??????? ?? ? ???? ? ? ?? ? ? ? Did you just say RED FLOWERS? Is that not similar to the CRIMSON FLOWERS/LOTUSES that ROLLO tried to use to establish a magicless Twisted Wonderland in Glorious Masquerade?!

ADDENDUM: I learned recently (very shortly after this post went live, actually!) that the “red flowers” may also be a reference to what the animals in the live action Jungle Book call fires. I’m not personally familiar with this film, so I’ll be running with the crimson lotus/Glorious Masquerade connection for the duration of this post!!

Looking at how the phrases are written in Japanese, they use the term 赤い花 ("akai no hana"/red flower) in Vargas Camp and 紅蓮の花 ("guren no hana"/crimson lotus flower) in Glorious Masquerade. Crimson is basically a specific kind of red, and lotus is just a certain type of flower. Even more damning is that fact that in 3-8 of Glorious Masquerade, Malleus EXPLICITLY describes the spreading crimson flowers as having "a brilliance like that of fire". You can see from images of the crimson lotus that they do, indeed, seem to glow like fire.

If you look at the real life timeline of these events releasing, it also coincidentally lines up!! Like, the original release of Vargas Camp 2 (for JP server) was in mid to late SEPTEMBER 2022. Then Glorious Masquerade would come out mid to late OCTOBER 2022. Vargas Camp 2 was literally the new story event that came out RIGHT BEFORE Glorious Masquerade... WAS THIS FORESHADOWING??????????????? And even more importantly than that... What does this mean for fae??????

One could call "red flowers" just a poetic way for the pixies to label something they don't understand. But what's confusing is that there are clearly also fire pixies living in the forest; we see several of them in Vargas Camp attacking the students. It's not as though the fairies are unfamiliar with fire itself, so why not just call the campfires 'fires'?? What if... (and stick with me here) the pixies named the campfires thus because it's potentially a reference to something far deadlier (than even the forest fire) that they experienced or heard of in their history? In the time period of ~400 years ago shown to us in book 7, we learn that human invaders drove fae out of their homes and began mining their land for resources. This, more specifically, impacts the Briar Country up north, who are fighting against humans that arm themselves with iron (something which appears to repulse the fae). These humans are also known to use deceptive tactics, such as distracting the messenger team of Lilia and co. while they launch an assault on Mallenoa's castle, where she and her unborn son are. So... what's to say they wouldn't resort to other underhanded means as well? Mean such as... utilizing a flower known to suck out the magic from living beings :))) like maybe the... crimson lotus, perhaps?

In Glorious Masquerade, we learn that the crimson lotus has been extinct for a long time now. They were destroyed by humans centuries ago because of how dangerous they were to mages. We don't have an exact number of years, but "centuries" is enough to land it in the rough ballpark of the human-fae war. Malleus himself, who is canonically 178 years old, didn't even recognize the flowers at first (as very few records of them exist in modern times); this could imply that the crimson flowers were around before he was born, which further supports that they were present during the war era.

What's more, if we look at Maleficent: Mistress of Evil (ie the second live action Maleficent movie), we see a VERY strong parallel to the crimson lotus flower. In the film, we are introduced to the Tomb Bloom, a flower that just so happens to also be red and glows a little like fire.

UNCANNY RESEMBLANCE, NO? 🤡

Tomb Blooms are said to grow on the graves of fairies, and, when mixed with iron, creates "red dust". This red dust is considered deadly to fairies upon contact--and in the film, a fairy-hating queen lures a bunch of fae into a wedding venue to eliminate them en masse with the stuff. The crimson lotus flowers of TWST, meanwhile, are deadly on their own, draining the magic out of any magical being they touch (and permanently depriving them of magic once all the magic has been taken out of someone). For fae, who rely on magic for basically everything (travel, cooking etc.), it would be a miserable existence symbolically synonymous with death.

(Side note: in hindsight, this somewhat explains why Malleus is part of the Glorious Masquerade SSR trio. If the crimson lotus flowers were, in actuality, inspired by the Tomb Blooms (something which was weaponized against Maleficent and her kind), then it just makes so much sense for the antagonist of the event, Rollo, to utilize similar plants against Malleus, who is twisted from the Mistress of Evil herself.)

OKAY, now knowing all of that, here's what I propose as a possible timeline of events if we consider all of what I just said: ~400 years ago, crimson lotuses were plentiful. When the human-fae conflict escalated, the human side decided to play dirty to eliminate those pesky fae--because even the great Draconias would be susceptible to the magic-leeching properties of the flower. However, they discovered, upon repeated experimentation, that the flower could also harm their own mages, so they had to reformulate. Maybe this was when they learned that they could combine iron with the powdered lotus (increased surface area, and therefore also increased potency) to create something even more deadly to fae (like in Maleficent 2). Alternatively, this could contribute for the reasoning for the iron armor they wear in battle; iron repulses fae, but it could also protect them from the crimson lotus flowers due to how much of the skin it covers. For example, the Dawn Knight is said to wear a helmet that completely cover the face, and many Silver Owl NPCs do the same. There is little skin visible, unlike the armor of the Briar Country fae. But anyway, the point is that, some way or another, the humans abused the crimson lotus during this time. Once the war concluded (or in the period of reconstruction that followed), fae and humans came to an agreement to destroy all the lotuses as a part of their peace treaty/negotiations, agreeing that it was mutually beneficial to all magical creatures and mages. Humans were mainly responsible for this extinction, as there was a larger population of them that were magicless and could therefore handle the flowers without consequences. Because of the war engulfing an entire continent, fae in other parts of Twisted Wonderland would have heard about the events, fae migrated out of Briar Country to get away from the conflict, OR the conflict itself was a Twisted Wonderland-wide issue, not just contained within Briar Country. Any one of these could explain why eventually pixies on Sage's Island, in the Silent Woods (where the boys went camping), would know of the calamity caused by the crimson lotuses of the past. When they come across wild campfires, the pixies may be frightened by them due to their resemblance to the crimson lotuses and the trauma associated with war because it's human outsiders that are invading their home and propagating these 'fires'... the same situation as the human-fae war. There was the literal manmade forest fire that was far more recent, yes--but again, this doesn't fully explain why the pixies, who should be familiar with fire, would call it a "red flower" instead of just 'fire'. The association with "red flowers" being dangerous may be a result of what they recall from the war--that crimson flower which sapped away their strength and robbed them of their magic. Then, in modern day, we have Rollo somehow stumbling across seeds and breeding crimson lotuses of his own in secret for his own nefarious purposes. History (mayhaps???) repeating itself??????? ?? ? ????? ??? ??

DKJNsfhbvoqef32ygtr69r137fbofasib IDK, MAYBE I'M JUST TALKING OUT OF MY ASS AND EXTRAPOLATING TOO MUCH FROM LITTLE DETAILS 🤡 I just think it's kind of a fun theory, even if the whole timeline ends up being thrown out the window in the next main story update... Don't mind me, I'm still on my "Rollo will come save us all in a cruel and ironic twist of fate" copium--

#twst #twisted wonderland #Malleus Draconia #Rollo Flamme #Rollo Flamm #disney twisted wonderland #Vil Schoenheit #notes from the writing raven #twst theory #twst theories #twisted wonderland theories #twisted wonderland theory #Maleficent #Maleficent 2 #Maleficent: Mistress of Evil #spoilers #Jungle Book

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bucketsquid · 3 days

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An Exhaustive List of Octarian F.A.Qs... and Answers!

There's one thing I've noticed about the Western Splatoon fandom.... and that's the weird amount of misconceptions, mistranslations, and misunderstandings about the Octarians.

For some reason it's often lore about them, surrounding them, or about their activities that always seems to have this happen. And so I want to help correct that! They're a super cool faction and I want to work on people hopefully understanding them better, while helping to correct misconceptions about them.

This will be long, there will be many citations and pictures both. Shoutout in particular to Inkipedia and inkfish translator rassicas, and the hard work of both, for this.

If there's any common lore misconceptions that I left out, please let me know! I'm including every single one I can think of, but I probably missed something somewhere.

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General Octarian Questions

Q. How are Octarians made? And are Octolings made the same way?

A. Octarians are made from severed Octoling tentacles (The Art of Splatoon + SplatoonBase) that are then somehow animated. Ones with more tentacles are "more intelligent"; they're sapient, either way.

Octolings are not, to our knowledge, created like this. The existence of SashiMori's Paul suggests that Octolings undergo the same life stages as Inklings do. (Similarly, Diss-Pair's Warabi has lore that mentions having parents.)

There is concept art in HaikaraWalker (the Octo Expansion artbook) that depicts Octolings mutating from Octarians... but it seems to just be concept art.

Q. Did Octavio brainwash the Octarians into obeying him? Wasn't music used to make them obey?

A. No, they were never brainwashed. Octavio uses his music to keep the Octarians in order and to keep their working rhythm correct-- like a military march. Inkipedia compares the Onward! jingle to "a call-and-response clapping rhythm used by teachers to grab students' attention in elementary schools". It does sound like that...

Now, if you want to say that Octarian propaganda is brainwashing, yes, that does exist.

Q. We've only ever seen feminine Octoling soldiers. What's with that?

A. The "rival Octolings" we meet in the story modes are all part of a special military unit that's female-only. They're referred to as "Takozonesu" in Japanese, a mashup of "tako" (octopus) and "amazons". Not every female Octoling can be one of these, and this group isn't completely representative of Octolings in the military.

There are male Octolings, they're just not part of this one group. (Fun fact, did you know that these Octolings are voiced by Callie and Marie's voice actors?)

Q. What's with the green sclera on Octarians?

A. There's no confirmed canon reasons. Octolings are very inconsistent about it, as well; Octavio has it and so do many enemy Octolings, but not other Octolings of note.

It could just be that the whites of their eyes are really reactive to stuff in general, since sanitized Octarians have black sclera. The green color could also just be something that happens with age while living in the domes.

Q. In Octo Expansion, Marina calls Octarian society "oppressive"-- how oppressive is it really?

A. This descriptor is actually inaccurate to the original Japanese, and was added in localization. (The Splatoon 2 Retranslation Project has a more accurate version over here! Thanks @shiverhohojiro for the link.) Octo Expansion has some notorious details that were added in localization, like Craig being more racist than usual or the omission of Commander Tartar's chatter about humankind.

That said. The domes are an isolationist* military-centric society, with emphasis on meritocracy. Octolings go into professions for things they're good at, not necessarily for what they want to do. Resources like electricity are limited, so they have to structure life around that detail, and strictness logically follows. The military doesn't tolerate slackers or nonsense, but talented people seem to do well for themselves based on how Marina's life was. Even so...

A lot of music, culture and artwork gets made down there! And they have things like beachside domes, bowling-themed domes, amusement park domes and even circuses... so it's not completely strict. There's a lot of room for silliness, it just needs to be in the right place.

So, to be totally fair? We don't know much. It's not perfect, but it's also not a hellish place to live if you wanted to stay. * They trade with Salmonids, but don't seem to do so with anyone else.

Q. Can they respawn? Are we killing them when we splat them?

A. Yes, they can use respawn technology in the same way Inklings and Octolings do. The only situation where an Octarian explicitly dies is, potentially, during the escape phases in Octo Expansion!

Q. Where/how did they make the domes?

A. Leftover human technology, meant to be similar "last resort shelters" made by humans. Think Alterna, but on a smaller fragmented scale.

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Questions about DJ Octavio

Q. Why do we always see him in octopus form? Can he shapeshift?

A. Octavio can't shapeshift because of an injury from the Great Turf War. He was able to do so before and during it, however!

Q. We know Octavio leads the Octarians, but what is he? A king, an emperor, or what?

A. He is a Japanese shogun, as referenced by his title in the first Splatoon: "DJ Takowasa shōgun". We don't know if he was appointed by an emperor, if he was part of the previous shogun's family, or if he just sort of... took up the mantle (haha octopus joke) after the Great Turf War.

Q. Did he brainwash Callie?

Based on the information we have... I am inclined to say, no, he didn't brainwash Callie.

Callie was in an extremely stressful period of her life, Octavio reached out to talk, and... we don't know what happened next. But the context feels like Callie might have joined willingly. In reference to the Hypnoshades, it's important to note that hypnosis as a concept is incredibly variable, with one argument made that "you cannot hypnotize an unwilling participant".

"But, didn't he say--"

He likes music puns. He's a DJ. It's supposed to be funny, why aren't you laughing? (What this line was in JP, I wonder...)

... But, I feel like the evidence stacks up. It suggests that Callie wasn't kidnapped or brainwashed or forced to join the Octarians. It was probably an escape from fame and loneliness for her-- the Hypnoshades helped her get away from that and just have a good time. But with Octavio being a guy to hold a grudge, nothing got to be that simple, and Callie was ultimately weaponized against the New Squidbeak Splatoon.

It remains very up-to-interpretation because we don't know, exactly, what happened behind the scenes. But Callie fosters zero ill will towards the Octarians, even after being rescued... and if fiery, outspoken Callie doesn't seem to be angry about it, what does that say about the matter?

Q. Why do all the tentacles piloting the Great Octoweapons have the same scar as him?

A. Because they're directly cloned from Octavio and are then made to pilot them, presumably because they have the muscle memory to operate as pilots. Octopuses have very complicated brains and neural centers that extend out into their arms.. so this cool bit of sci-fi checks out.

Q. How old is Octavio, really?

A. We don't know. But the narrative often parallels him with Craig Cuttlefish, who mentions in Octo Expansion that he's 130 years old. It would be fair to assume Octavio is also, at least, 130.

Q. Why is he so gigantic in Splatoon compared to the other games?

idk man, you tell me. I think this is much funnier and cooler than later games, though.

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Octo Expansion + Octarians Questions

Q. It's suggested that there were thousands of test subjects before Agent 8. Where did Kamabo Co. get all of these people?

A. Not only is it suggested that the Deepsea Metro may be accessible from other train lines, but it's also plausible that the subterranean networks that the Octarians use could be connected to the Metro. (Thank you for your hard work, Dodo.)

Test chambers always reminded me of Octarian domes, anyways, with the large amount of highly versatile space they have, and how it'd only make sense underground.

After all, Commander Tartar offered a glimpse of "the promised land", and that plays very specifically into the Octoling desire to see the surface world again. ("A utopia of light beyond your wildest dreams".) Its appearance as a telephone even seems to evoke an Octarian's face, which they're more willing to trust.

Q. Are sanitized Octarians a hivemind?

A. They're something like that, being hollow shells that have lost their memories and identities while submitting to a higher force. (This can be fixed, as we've learned.) They seem responsive to being assigned roles, what with Acht being made to produce music while other sanitized Octolings act as enemies in test chambers.

Commander Tartar's ideology revolves around a lot of "giving up one's individuality for the greater good" and "joining something bigger than yourself". To "eliminate the general idea of the individual" for "a harmonious world"... "becoming one with existence".

I think that carries a lot of interesting implications. You can draw your own conclusions, since there's no explicit canon answer.

Q. Was Acht sanitized willingly or unwillingly?

A. Public twitter info suggests that they were sanitized willingly, to "get rid of doubts and conflicts involving production" and to commit completely to music. But in Side Order, Acht says that it wasn't done willingly.

There's a lot of ways to interpret this. Maybe they wanted to at first, had a last-minute realization that they got tricked, and ultimately didn't want it. Maybe they committed completely and don't want to say it. Maybe social media is lying to us completely, in the same corporate word-twisting ways that Grizzco also uses, to make Kamabo Co. seem better. So... who knows?

Q. How does the Kamabo Corporation have clones of the Octo Canyon bosses?

A. Uh...

... I don't actually know. Clearly they have pretty advanced technology going on, so maybe they actually did manage to replicate and clone these bosses perfectly?

Or, maybe, it's just a psychological recreation of Agent 8's memories. Octo Expansion has a lot of stuff like that, so it feels pretty possible!

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Anyways, that's all... for now. I'll probably only edit in more sources and tweak details on this post, but it's completely possible that I might need to add more things later.

#splatoon #splatoon 3 #splatoon meta #worldbuilding #reference #i worked for 3 hours on this :D hope you appreciate it + do reblog if you think it's helpful!#got a source for Octo Expansion dialogue tysm!!

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oldbookist · 1 year

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how to make readers think you're an expert on 19th century france

or quick and dirty tricks for writing canon era, because sometimes you just need a convincing historical backdrop for your angsty one shot.

Be specific about your time period! It may seem counterintuitive, but picking a specific year for your fic to take place in actually makes the research part easier. Even if the year isn't relevant at all to the plot and won't be mentioned. Let's say I need to add a political debate to my fic for plot purposes, but I've got no clue what to make them argue about. I'll pick 1828 as my year. I can just pull up the Wikipedia page for "1828 in France" and under "Events" it tells me that there was a new prime minister that year. Wikipedia says he was a more moderate royalist that replaced an ultra-royalist...a perfect topic for debate!

In fact, want to sound really knowledgeable? Sure, you could always have your characters complain about the king, but consider having them talk about the prime minister instead. (eg. Down with Polignac!) The ministers and their governments were powerful but not usually long-lasting or especially popular during this time period. Presumably, Enjolras hated all of them.

...and if you do mention the king, be specific! Louis XVIII, Charles X, or Louis-Philippe? Again, this is easily done by simply knowing what year it is.

Just talking about "The Cause" or "Revolution" (generic) makes it sound like you don't quite know exactly what you're talking about. Luckily, even if that's true, there's an easy fix. Use "the Republic" instead. (That's what "The Cause" is, and what the "Revolution" is for.) Also, unless they're actively revolutioning, it's generally better to refer to Les Amis as "republicans" instead of "revolutionaries," as republicanism is their actual political ideology.

The July Revolution of 1830 is a thing that happened. This is a useful event to reference. Use it to your advantage.

Just namedrop! Look up some operas or books that came out that year. Find some French Romantic authors Prouvaire could be reading. I'll admit it, I'm easily impressed when a fic references Lamartine or Hernani or whatever.

Don't use the word "homosexual." Didn't exist yet. Also, sodomy was decriminalized during the French Revolution...it's a whole complicated thing, but it is not illegal in our time period.

Make them do activities other than writing pamphlets? Writing pamphlets is a time-honored staple of canon era fic. Still, that doesn’t mean we can’t occasionally branch out. Some suggestions: recruitment, mutual aid, posting bail, gathering arms and ammunition, also Les Amis are outwardly a society for “the education of children”!

This is obviously not an exhaustive guide to writing canon era. You might notice that much of this advice boils down to “be more specific,” which is really the trick to seeming knowledgeable. The more specific you can be, the better it’s going to sound. If you do want to do more in-depth research, check out my resource collection!

#les mis #les amis de l'abc

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blitheringmcgonagall · 1 year

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Someone was asking me did I think Sirius was cunning or had lots of Slytherin traits.

I don’t think so at all.

The Slytherin traits are essentially:

Cunning - this is not the same as intelligence or cleverness. It’s the quality of being astute or sharp in practical matters; the ability to find and pursue the most advantageous course of action, sometimes at the cost of moral compromise. Canny, crafty, weighing up the possibility and deciding based on what’s going to be in your best interests. Someone who is cunning has the ability to achieve things in a clever way, often by deceiving other people. When was Sirius like this? I’ll tell you who is cunning and shrewd, it’s Albus Dumbledore.

Ambition where in canon was Sirius ambitious? If he was he’d have pretended he was a good, obedient son and not run away and gotten blasted off the family tree. He might have stayed on and lied to them all, then if he was also cunning he might have brought Voldy down from the inside. Sirius like this? Nope!

Resourcefulness he’s pretty resourceful fair enough

Pride where in canon is he proud? Pride is a feeling that you respect yourself and deserve to be respected by other people; Pride can also have a negative meaning and refer to exceedingly high self-regard. Sirius is shown as racked with guilt about making Peter secret keeper, doesn’t believe Harry will want to live with him when he offers, didn’t try to leave Azkaban for 12 years because he believed he deserved to be punished for being responsible for the Potters’ deaths. He’s kind and thoughtful to Harry and his friends and to animals. He can be cutting towards others that he dislikes but that’s not pride. He’s rude to Kreacher but it’s not because he thinks he’s superior to house elves but because Kreacher hated Sirius and adored his mother and brother.

Self-preservation Sirius scores -10 points!

Shrewdness as above, not a talent of his

The Gryffindor traits are:

Daring To be daring is to be bold, adventurous - a quality possessed by people who tend to take risks. The fellow who became an animagus as a teenager and risked Azkaban every full moon to run wild with his pack. The guy who joined the Order at 18 to risk his life fighting against the bad guys. “What’s life without a little risk?” Now you’re talking!

Nerve Some common synonyms of nerve are audacity, cheek, chutzpah, effrontery, gall, hardihood, and temerity. While all these words mean "conspicuous or flagrant boldness”. The fella who got millions of detentions with his best mate, who loved breaking rules, who nearly got arrested by muggle policemen for his antics, while wearing a stupid, brazen phoenix t-shirt, who converted a muggle motorbike into a flying machine? The guy who taunted his psychopathic Death Eater cousin? Who told Snape about the Whomping Willow… Ah, yep, that’s him!

Chivalry - polite, kind, and unselfish behaviour, especially by men towards women. As noted above, he’s very much like this to Harry and the other children. He tells Hermione she’s the brightest witch of her age. He buys Ron a present of an owl. He’s caring of Buckbeak, he’s great pals with Crookshanks. He risks the dementors’ kiss to buy Harry his Firebolt and watch him play Quidditch and help him fight Dementors. He was polite to Molly despite the fact she told him he wasn’t there for Harry growing up (when he was innocently imprisoned in Azkaban!!) which was very upsetting.

Courage - courage is taking action in spite of the fear you feel. Standing up to his family, fighting against Voldemort in the first Wix war despite being outnumbered 20:1, fighting in the second Wix war to try to protect and save Harry etc etc

Sirius: "What was there to be gained by fighting the most evil wizard that ever existed? Only innocent lives, Peter!"

Peter Pettigrew: "You don't understand! He would have killed me, Sirius!"

Sirius: "THEN YOU SHOULD HAVE DIED! DIED RATHER THAN BETRAY YOUR FRIENDS, AS WE WOULD HAVE DONE FOR YOU!"

Bravery the quality or state of having or showing mental or moral strength to face danger, fear, or difficulty. It wasn’t just the above, it was also agreeing to live in Grimmauld Place so he could let the Order use the safety of the house, despite the painful memories of a bad childhood and the death of his brother, despite sounding depressed/PTSD/drinking heavily during that part of the book. Resisting Snape goading him for sitting in the house and doing nothing.

“I don't like being back here...I never thought I'd be stuck in this house again.”

😭😭😭

Determination managing to become the first prisoner to escape from Azkaban etc

#Sirius is all gryffindor sorry #he’s really not a slytherin at all #other people have slytherin qualities like Snape Reggie and Slughorn #he doesn’t #neither does James #marauders era #Sirius Black #sirius deserved better

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basilknell · 4 months

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Vasily's Literacy

I’ve been asked a couple times about Vasily’s literacy, so here’s a quick overview of stats and pertinent information laid out regarding that idea. I’ll make my statement on my own opinion towards his literacy at the end, but for now I’ll focus on exact numbers and stats without interjecting opinion.

While this post primarily pulls specific stats from When Russia Learned to Read by Jeffery Brooks, I’ve read a couple papers and other books regarding these subjects I pull general statements from as well. Please note, though, that there were no large scale official census in Russia until 1897 so some of these stats from previous years could potentially be skewed.

Source Material

First and foremost: do we ever see Vasily read or write in the series?

No. However, this can be explained quickly away. Until running into Tsukishima, Vasily was likely (incorrectly) assuming that not only did none of the Japanese characters speak Russian, but they did not use the same writing system either. It would have been a waste of resources (paper) to attempt a conversation where a drawing could suffice. Additionally, there is no other scene in the series involving him and Tsukishima that would have warranted him writing to Tsukishima either. At least, none that we see. So, him never being seen writing does not necessarily prove he is illiterate.

Vasily’s Age

With that out of the way, there’s another important piece of information we need to pin about Vasily before we continue: Vasily’s age. While Noda specified he’s the same age as Ogata, Ogata is unfortunately given no age range. But, unlike these two, Usami does have a canon age: 26. We can use Usami as a frame of reference because Noda stated Usami is, in fact, older than Ogata. Thus, this means Ogata is 25 and so Vasily is also 25.

Now, I personally tend to make these two older, but for a frame of reference we are going to pin Vasily at 25 years old. The reason this is significant is to pin down exactly when Vasily went to school. If in 1907 he was 25, then the age he was deemed ‘school age’ (8 - 11) would be around 1890 - 1893. Of course, he always could have attended school at an earlier or later age, but for conjecture’s sake, we will use the average age such as these.

As I said previously, an official census was not published in Russia until 1897, but any previous information before that typically begins around the 1870s. So it would benefit us to default to 1897 statistics, but keep in mind that the stats are skewed a tad higher than they would have been.

Rural Literacy

Literacy in the late 19th century was not nearly as bad as people make it out to be (at a rate of around 21% in 1897), but only because rural numbers brought it down. For example, in industrialized cities such as Moscow, 70% of men were regarded as being literate. There were also a plethora of schools dotting the country, from Zemstvo-funded schools, to church schools, to state schools. It was often not the lack of schooling availability that caused a decrease in rural literacy compared to urban children, but rather social aspects.

I am unable to find exact stats for rural literacy rates around the year 1890, but literacy rose from 6% in rural populations in the 1860s to 25% in 1910. It’s also best to keep in mind, however, men were far more likely to be literate than women, and the young more likely than older populations as well. So, if we were to take an increased decade raise (rounding up to about 4% every 10 years), and exclude the population numbers from including women which will be about half the population, we get around a 36%* base chance Vasily is literate when he is from a rural population (of which he is – he is from Yeleninka, a rural town in the Orenburg voisko), still not excluding elderly populations.

This is still not a very high chance, but there’s some other factors to discuss. Firstly, would have to be involving his background. The reason literacy was so low in rural areas was because, although parents did place value on literacy because it allowed for social movement and potentially higher wages, parents simply could not afford the lost labor of their children attending school. If a family had several children and could afford the loss of labor, then a child was much more likely to attend school. So, even if Vasily’s family had been described as being poor by Noda, this had no bearing on Vasily’s likeness to attend school. Given Vasily is almost entirely assured to be in the military through conscription, he very likely had brothers. And if he had brothers – he was very likely to attend school compared to single children families.

Another factor involves his family’s occupation. Families dependent on agricultural work were less likely to send their children to school because it was expected for them to work on that same farm when they were older, thus limiting their need for literacy. But, if Vasily’s family were artisans or practiced some kind of craft alongside agriculture, parents highly valued literacy in comparison, and were more willing to spare the labor loss for schooling.

Religion also played a role. Specifically, those of the Old Believer faith tended to be more literate and push to educate their children regardless of their occupational status compared to regular Russian Orthodox peasants. Aside from a general cultural insistence on preferring literacy, there is no other reason why this occurred, as the only major difference between Old Believers and Russian Orthodox peasants was a matter of ceremony (excluding some fringe Old Believer cults). If Vasily came from an Old Believer family, they'd push for him to be literate regardless of the labor loss they'd experience.

Finally, some parents preferred to send their sons to school to lower their military conscription length. While university students conscripted only had to serve 1.5 years of the required 5 year length, those who completed at least 3 years of any schooling had that length lowered to 4 years. If a family had several sons, which meant their sons were eligible to be drafted by the lotto, they would be more partial to educating said sons.

For some stats: unfortunately I could only find the rate of attendance of boys in school for 1911. Please examine these stats with a critical eye that they should be lower. 88% of boys in rural areas attended school for at least 1 year, but by year 3 this percentage dropped to about 38.5%.

*My math numbers will be off because there were a decent amount of women who were literate, just at a noticeably lower rate compared to men. For ease of math’s sake, I removed them from the population entirely, though the original percentage statistic did include them. They originally were likely less than 1% of the literate population in the 1860s statistic I used as a base.

Soldier Literacy

While it is useful to look at literacy stats of Vasily’s background (being a rural resident), what’s more useful is the literacy rates of the army for when Vasily was serving.

By the 19th century, Russia realized the value in literate soldiers – but unfortunately for Vasily, schooling for soldiers that the government had originally created in 1855 was abolished across the 1890s. But this did not mean literacy still did not rise in the military, as certain soldier ‘uncles’ brought it upon themselves to educate other soldiers. In fact, literacy in the army rose from about 21% in 1874 to about 68% in 1913 – rounded up to about a 6% increase in literacy every 5 years. Vasily would’ve been conscripted into the army by 1902, and applying the rate of increase, there was about a 51% literacy of the army in 1899, and 57% literacy in 1904. A higher than half chance for Vasily, who we see actively still in the army by 1907.

There are other factors to consider as well: Vasily’s rank and station. While the illiterate often went to the infantry units, specialized units had much higher rates of literacy. As I’ve discussed in the past, Vasily might have been in a specialized unit – an RIA unit continually supporting the Cossack border guards, or the Special Border Guard Corps. His literacy chance rises higher due to this factor, as literacy was especially preferred because of the ability to read topographic maps and telegrams.

It is not Vasily’s presence in a specialized unit that also increased his likelihood of being literate – it was his rank as well. While Noda removed most telling marks from Vasily of his rank, such as shoulder straps, there’s two glaring tells. Firstly, are his and Ilya’s binoculars. Ilya appears to be to be a Feldwebel (equivalent to an American First-Sergeant, British Sergeant-Major) given his position of ordering the other soldiers, and that he has binoculars which were only used by officers. He is, like Tsukishima, a Non-Commissioned Officer (NCO). Vasily himself also has binoculars, though one could argue this does not inherently make him an NCO because Ilya has at least two traits marking him as an NCO. After all, Vasily could have stolen his binoculars and his overcoat is one that a private would wear (Ilya does wear a private’s coat as well. Though, I have addressed before that the uniforms of the border guards gang are completely incorrect regardless of rank, so I am unsure of how much weight this should be given).

That second tell is actually Vasily’s cockade. The cockade worn on the hats of soldiers denoted generally their rank and status. So, while Vasily lacks any other visual clothing tells, his cockade can give a general idea if he is of a lower or higher rank, which does indeed change his literacy statistics.

[Pictured are 3 cockades. The far left is the cockade of a lower rank soldier, while the cockades in the middle and far right are cockades of officers. Thank you to @rdstrpv for this image!]

This information is important because NCOs were almost demanded to be literate. It was essential for their occupation, as being able to read maps was one of the most important skills for an NCO to have. If Vasily was an NCO, which his cockade would indicate, he almost assuredly would be literate, or at the very least incredibly good at faking it.

[Pictured are the 3 different ways Vasily’s cockade is drawn.]

While in the anime Vasily’s cockade is given the appearance of the average lower-rank soldier, and typically this is how people place him. However in the manga, Vasily’s cockade is more ambiguous. When referencing it to the cockades above, it could pass as both a lower-rank or an officer’s cockade. The final example is of Noda’s detailed Vasily illustration that was not outsourced by an animation studio, nor constrained by swift time spent on manga panels. In this, Vasily clearly has on the cockade of an officer.

Obviously, given the anime drawing Vasily with a lower-ranking cockade and the manga is ambiguous, you could still make the argument he’s a low ranking soldier. Nonetheless, one should also consider that the government likely would’ve preferred to send a group of officers to apprehend a Tsar’s killer over, perhaps, privates, giving more credence to him being an NCO. That, and because Vasily was an experienced sniper in the war, it'd be especially strange he'd not received some promotions at the end of the war. And thus, Vasily’s literacy likeness goes up to almost-guaranteed. There were occasional examples of NCOs not being literate, but there were few and far in-between, making it unusual that a young NCO was illiterate in 1907.

Cossack Literacy

Of course, Vasily was not necessarily in the RIA. He could have instead been a Cossack. While the idea of an NCO and cockade still apply to Cossacks, I will still discuss Cossack literacy in the case you find Vasily to be of a lower rank.

Unfortunately exact statistical information regarding Cossack literacy has almost never been tracked before the Soviet period. Still, by the 19th century the Imperial Russian government had a special vested interest in educating their Cossacks, more so than their peasantry. There were many Cossack schools that taught everything from literacy to combat that children were almost required to attend. In fact, once entering the military at 21, Cossacks were required by the military to be literate unlike other soldiers, and if they were not literate they were mandated to pursue education while they were deployed.

This is not to say there were not illiterate Cossacks – one could finish their entire service as a Cossack without properly pursuing their literacy if they were crafty about it, similar to illiterate NCOs. But, again, this was unlikely. In comparison, Cossacks were far more likely to be able to read than that of the ordinary peasant in the army.

Final Thoughts

I’m of the opinion Vasily actually is literate, regardless of him being in the RIA as an NCO or a Cossack. He’s a very prideful character, and it slowly became a limiting stigma that one was illiterate in Russia, even in 1907. This is not to say Vasily can’t be illiterate – many of the stats I gave showed that there was a decent chance for illiteracy, especially if he was a first-born son to a farming family and only low-ranked. But in my opinion of all the facts culminating, I find I prefer the idea of him being literate. Have fun with this information regardless, and may it help you in whatever you intend to write or draw in the future!

A big thank you to @rdstrpv for her help in answering a couple of my questions to make sure I wasn’t misrepresenting information, and for her images. She's always a big help.

#not art #vasily pavlichenko #golden kamuy #my yapping disease strikes again #i might move to post these blogs on ao3 cuz i was told tumblr read more requires and account to open #if my math was wrong please god correct me. ive never taken a stats class in my life

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bambiilooza · 2 months

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HI I SAW UR DT17 RANT AND I AGREE SO HARD. i love gandra but i HATE fendra and the writers just genuinely did her so dirty (and im gonna say it. she was way more interesting as an antagonist). and re: gladstone and fethry, FUCKING YEAH. it makes me so fucking sad how fehtyr is treated in dt17 and the fact that its never properly acknowledged just makes it even worse :( THEY LEFT HIM AT THE BOTTOM OF THE OCEAN FOR 4 YEARS???? ALONE??????? AND THEN GOT ANNOYED WHEN HE ASKED FOR THEIR COMPANY?!?!?! BE FR MAN!!!!! and while i'm on this topic, what ESPECIALLY stings is how donald dislikes both fethry and gladstone in '17. one of my fave things about the comics is the friendship between donald, fethry and gladstone. like sure, donald and gladstone have like a rivalry going on but they're still buddies at the end of the day!!! theyre FAMILY!!! and fethry is just straight up always pals with donald and gladstone. and yeah i feel like the absence of their friendship in '17 is such a missed opportunity espcially since we also have della in the show!!!! the cousin trio couldve upgraded to the cousin quartet but nooooo!!! anyway yeah the show's cast is too big. for a long-running comic series a cast of this size is fine because you can give each character a decent amount of spotlight, but for 3 seasons of an animated show it's less ideal

totally agree with you!!

this is also a badly structure rant

with fendra, u always know it's gonna become canon cuz it's a het ship that was introduced in one of the character's debut episode but the lack of build up is actually so lame. i like gandra and i like fenton but like their canon relationship just happens. and it's like oh i guess this is a thing now?

and we're expected to be a ll invested cuz gandra getting captured by FOWL and her working against them is supposed to be a plot point and cool i get what ur doing but also what? where is the build up?

and i liked her as a villain and she was actually an antagonist which is what makes her sudden flip so weird for me. we're welcoming her to be a part of our family!! um yea ok but she did help the guy that wants to end said family. she needs more screentime simple as.

sidenote: i also wish they focused on her hypocrisy more. 'i follow nobody' and she has worked for both mark beaks and FOWL. i get why and she has her reasons with needing the resources and stuff but that kind of hypocritical behavior in 'cool' ppl is smth i see a lot in ppl and i wish it was explored more. that's an interesting duality to her character.

and omg on gladstone and fethry. HOLY SHIT THEY DID THEM DIRTY. THEY ARE BARELY IN THE SHOW AND IT MAKES ME SAD.

yea i haven't seen the og show but have read the comics and i love them. they're really funny and don's dynamic with his cousins is great!! i hate the simplistic, actual hatred they gave donald towards gladstone and gladstone's characterisation makes a lot of ppl hate him - and i get why but i don't. and i hate that cuz he's a really fun, oringinal idea with the luck motif and they don't do anything substantial with him!!

and do not get me started on fethry. i love dt17 donald but when ppl call him the unproblematic one, i point to his treatment of fethry. dt17 fethry did NOTHING wrong and they LEFT HIM THE OCEAN I HATE THAT SO MUCH. AND THE ONES THAT LEARN THE LESSON ON ACCEPTANCE ARE THE CHILDREN NOT THE GUY HE GREW UP WITH AND THE OLD FUCK THAT SHOULD'VE KNOW BETTER

those two barely feel like family to the main characters and their inclusion in the picture in moonvasion is cute i wont lie. but i wih i'd seen more of it. like scrooge straight up HATES gladstone and fethry, why are those two included in his group of kids? i like that they are and i want them there but there is no build up.

they're supposed to be the huey and louie of the cousins but donald hates them? they're not a reference to the triplets like they were intending, and the intention makes sense and i like the idea, they're JUST there. honestly gladstone and fethry can be seen as louie and huey if they didn't have a good relationship with their family. i think that's interesting too.

and i just wanna say i get why ppl dislike dt17 gladstone but i like him because 1) i think he's wasted potentional in the show 2) i like gladstone in general in the duckverse. his whole luck concept is fun and he's like a preppy kuzco. and 3) he has the mr peanut butter voice and that's realy funny to me

and finally, yea the cast size is insanely big and it feels like there's a new character every episode and like ik why. we wanna see new interprtations but like, they did not have enough time to give all of the characters enough screentime.

#dt17 #ducktales 2017 #gandra dee #gladstone gander #fethry duck #justbambiithings #rant

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aboxthecolourofheartache · 1 year

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box- youve got me interested in trigun but alas i have no idea what it is, pls help me understand

Oh god, my sincerest apologies ^^;;;

Trigun is a space Western and a thinly veiled allegory. It’s about a pair of twins, Knives Georg and Belts Georg, who are ideological opposites (except when they aren’t; they’re both extremists). This would be fine, except they are also insanely powerful interdimensional biological generators/space angels, making their conflict one between essentially minor gods. So they make their trauma Everybody’s Problem. One of them (Knives Georg) has set himself up as a cult leader with the intent of obliterating the human race because humans keep other, less independent, interdimensional biological generators/space angels captive as tools somewhere between Star Trek replicators and batteries. He gives this several goes, first by sabotaging humanity’s fleet of spaceships and crashing everyone onto a barren planet without resources in a painfully obvious reference to the expulsion from Eden/fall from Heaven, then by making his brother blow up a city, and lastly by stealing as many of the dependent generator angels as he can and trying to kill humanity via depravation and war crimes. His brother (Belts Georg) is a pacifist gunman who has internalized his trauma differently and does not want to obliterate humanity. In fact, he wants to stop his brother doing that, so he makes multiple badly-planned attempts to end the conflict until one of them sticks. He also lives on the run as a reviled, hated outlaw and a legend after Knives Georg made him blow up a city. The story is one long, intense interrogation of pacifism as an ideal, the consequences of taking or sparing lives, and answers the age-old questions: if nuclear bombs were sentient and afraid of exploding, could/would they love us? And: what would a traumatized angel do with a gun?

Come for the aesthetic, stay for the blatant biblical references and the gut-wrenching tragedy.

And yes, there are, in fact, three guns. One’s a species of Colt (.45 Long Colt?? I do not remember off the top of my head) or the bastard offspring of a Colt and a cinder block, the other is a prosthetic arm, and the last one is a flesh arm that’s actually a biblically inaccurate angelic energy-missile launcher. (OR they are two matching Colts and a spiritual bazooka with a bonus prosthetic arm gun. Depends on the version. As of now, Stampede (2023) only has two guns. The third is much anticipated.)

There are three versions of the story, too. The manga (personally my canon of choice, explains nothing and yeets events at you, incomprehensible fight scenes, emotionally devastating in ways the other two cannot even begin to touch), the 1998 anime (very good, made while the manga was still being written, has its own thing going on, suffers terribly from 1990s anime-itis aka bizarre sexism), and the 2023 anime (very good, mix-and-match canon that turns the timeline into pretzels, suffers from 12-episodes-long-itis with too much happening and not enough time to explore things).

#Stampede also has the MOST GLARING nephilim subplot #makin’ artificial space angel/human children #very normal very not a reference to anything nope #Box attempts Trigun

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bnhaobservation · 10 months

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BNHA Observations, speculations and assorted info: The facts taking place during the year that ends with Rei's hospitalization and Tōya's assumed death

So, in order to write my fic, I spend much time observing canon scenes, comparing the manga and the anime version, take note of details, translations and info in them as well as finding out how are some things called.

Since what I noticed/speculated/found out can be of use for other fic authors I thought to share as well.

Resources:

Chapter 31 The Boy Born with Everything (全てを持って生まれた男の子 Subete o Motte Umareta Otoko no Ko) Chapter 39 Todoroki Shōto: Origin (轟焦凍：オリジン Todoroki Shōto: Origin) Chapter 44 Relaxing Day Off (休め振替休日 Yasume Furikae Kyūjitsu) Chapter 93 One For All's Ember (残り火ワンフォーオール Nokoribi One For All) Chapter 166 Be Proud, License Trainees (ホッコれ仮免講習 Hokkore Karimen Kōshū) Chapter 187 Flaming Roar! vs. Nomu: High-End (燃えよ轟け！VS脳無：ハイエンド Moeyo Todoroke! Versus Nōmu: High-End) Chapter 188 Your Father, the Number One Hero (父はNo.1ヒーロー Chichi wa Number One Hero) Chapter 192 The Todoroki Family (轟家 Todoroki-ke) Chapter 202 Match 3 (第3セット Daisan Set) Chapter 204 Tuning Up (チューニング Tuning) Chapter 249 The Hellish Todoroki Family (地獄の轟くん家 Jigoku no Todoroki-kun-chi Chapter 250 Ending (エンディング Ending) Chapter 290 Dabi's Dance (ダビダンス Dabi Dance) Chapter 302 The Wrong Way to Put Out a Fire, Part 2 (火の不始末後編 Hi no Fushimatsu Kōhen) Chapter 350 Bound to a Fiery Fate (エン En)

Episode 19 The Boy Born with Everything (全てを持って生まれた男の子 Subete o Motte Umareta Otoko no Ko) Episode 23 Todoroki Shōto: Origin (轟焦凍：オリジン Todoroki Shōto: Origin) Episode 25 Todoroki vs. Bakugō (轟VS爆豪 Todoroki versus Bakugō) Episode 49 One For All (ワン・フォー・オール) Episode 88 His Start (始まりの Hajimarino) Episode 90 Vestiges (面影 Omokage) Episode 95 Match 3 (第３試合 Daisan Shiai) Episode 96 Match 3 Conclusion (第３試合決着 Daisan Shiai Ketchaku) Episode 105 The Hellish Todoroki Family (地獄の轟くん家 Jigoku no Todoroki-kun-chi) Episode 106 The Unforgiven (許されざる者 Yurusarezaru-mono) Episode 124 Dabi's Dance (ダビダンス Dabi Dance) Episode 130 The Wrong Way to Put Out a Fire (火の不始末 Hi no Fushimatsu)

Series 4th Outro2 "Shout Baby" by Ryoku Oushoku Shakai

My Hero Academia: School Briefs I (僕のヒーローアカデミア雄英白書 I Boku no Hīrō Akademia U.A. Hakusho I) - Part 2 Notice from School My Hero Academia: School Briefs V (僕のヒーローアカデミア雄英白書祝 Boku no Hero Academia Hakusho Iwai) - Part 3 Awkward Year's-End Soba

OBSERVATIONS, SPECULATIONS AND ASSORTED INFO:

Fundamentally the year that lead to Rei's hospitalization and Touya's death is narrated into two different moments, chap 31/39, in which we've a retelling of how bad it was from Shouto's point of view and chap 290/302, in which we learn instead of Touya's side.

However, there's a fundamental difference in the two narrations. When the story tackles Touya's side, we can more or less pinpoint the dates of when this is happening, the same can't be said for when the story tackles Shouto's side. There's probably a narrative reason for this, Touya's whole story (which covers much more than just this year) is a progression of things going from good to terrible, while Shouto's story is likely meant to narrate the constant horror in which he and his mother lived until Rei lost it. So there's not really a need to pinpoint when a scene took place because that scene likely kept on repeating in similar variants for days, until Rei became unable to take it any longer.

As a result I'll narrate some fact that are part of Shouto's side first, so as to give the idea they likely repeated over and over through that year, while I'll follow the timeline of Touya's side of the story more closely.

So anyway let's dig on what happened that year.

Warning: as tumblr now has an image limit (no more than 30 per post), I had to turn more images into a single one so as to show the full scene. The result is that the image quality in some scenes is pretty low... Please, use the images solely as a visual reference of which scene you need to look at and, for the text check your own copy of BNHA.

TIMELINE

January 11: Todoroki Shōto is 5.

January 18: Todoroki Tōya is 13.

April: Todoroki Tōya starts his second year at Middle school - Todoroki Fuyumi starts Middle school - Todoroki Natsuo starts his 3rd year at Elementary school. - Todoroki Shōto attends preschool.

[Preeschool in Japan isn't mandatory but we know Shōto attended to it as Chap 166 shows on its cover the photo taken at the preschool entrance ceremony... the photo might not be necessarily taken in this year as kids can start preschool from when they're 3 but it just confirms Shōto went at it]

Sometime during the year: Endeavor and All Might talked for the last time.

A note on the translation:

‘Chō hisashiburi! 10-Nen mae no taidan furi ka na! ? Mikaketakara aisatsu shi tokou to omotte ne.’ 「超久し振り！10年前の対談振りかな！？見かけたから挨拶しとこうと思ってね。」 “It’s been a long time! It's from the talk/conversation show from 10 years ago, right! ? I saw you and thought I'd say hello.”

Endeavor and All Might's conversation is called ‘taidan furi’ (対談振り) where ‘taidan’ (対談) means “a discussion between two people which is usually set up as a special occasion and whose topic is set in advance”… while ‘furi’ (振り) is “show”. So basically, 10 years ago they didn’t have a casual chat but ended up together in some sort of talk show / combined interview. The anime makes it even more obvious because in it the sentence is:

‘10-Nen mae, media de taidan shite irai ka na! ? !’ 「10年前、メディアで対談して以来かな！？！」 “I think it's been since we had a conversation on the media 10 years ago!?”

During the year: Shōto watches All Might on television when his father isn't around [shown in chap 39 and 206. We see that Shōto's clothes are different in the two scenes and so is his position, meaning he did it more than once which "School Briefs" also confirms]

“You always were a fan of All Might, weren’t you, Shōto? But you had to wait until your father wasn’t around to watch those video clips in secret. Remember?” [Rei from "My Hero Academia: School Briefs I"]

During the year: Shōto's training is so severe it causes him to throw up. Rei tries to get in between him and Enji protesting he's only 5 and gets hit. [shown in chap 39, 202, 204]

Actually we don't know if Chapter 202 & 204 are placed in this same year (Shōto is still small but Rei isn't present and Shōto and Enji are dressed differently so it's not the same time as chap 39... and likely chap 202 and 204 show two different scenes as well since in one Enji has his moustaches on fire while in the other is his beard... never mentioning in chap 202 Shōto already has his scar so this likely happened post him being burn and could as well take place in the following year, though the fact that Enji has long sleeves might imply it's still winter...) but they seems to show other scenes of Shōto's training which still sees him throwing up and crying, which surely confirm an abusive pattern.

A note on the translation:

'Tōya wa oshikatta. Ore ijō no karyoku o sonaete irunoni. Rei no taishitsu o motte shimatte… Aitsu wa… oshikatta' 「燈矢は惜しかった。俺以上の火力を備えているのに冷の体質を持ってしまって… あいつは…惜しかった」 “Tōya was close/disappointing/something I feel regret for/deserving better. Even though he has more firepower than me. He had Rei's constitution… That guy… was close/disappointing/something I feel regret for/deserving better.”

Oishikatta (惜しかった) has quite a bunch of meanings like to feel regret for, to find something a pity/pitiful, to mourn but also to cherish, to love dearly, to be precious... and is used to express pity/regret of an "almost but not quite" situation, in "a damn it, you were so close" kind of way.

Very likely the emphasis in the sentence isn't that Tōya could almost do it, but that it was so unfortunate Tōya couldn't do it.

This doesn't necessarily mean Tōya was already dead because it was decided Tōya couldn't fulfill Enji's ambitions way prior his death and way prior Shōto's birth.

BTW, Tōya started burning himself before Natsuo was conceived. In order for their age difference to work, it means Enji started training Tōya when Tōya was 3 (yeah, it's possible he started earlier than this age but I find difficult that a child of 2 could pull it out successfully). As a result it's possible he started training Shōto at that age as well. In case someone doesn't remember it, Quirks don't appear when one is 4 but can appear even earlier (luminescent baby anyone?), Shōto could freeze his own snot as an infant and it's implied that Enji knew Tōya had a fire Quirk when they conceived Fuyumi (meaning when Tōya was 2 months or younger) so starting their training before 4 wasn't impossible.

During the year: While Shōto is scared at the idea of becoming like his father, someone who abuses his mother, Rei comfort him saying he can decide who he'll become. [Chap 39... I pieced back the scene for better visual]

During the year: Tōya is desperate because he can't figure his reason to exist and search comfort in Natsuo [Chap 290]

Likely in sprind, anyway prior to July (as Natsuo isn't 9 yet): Tōya, Natsuo and Fuyumi play together while Shōto can only watch them. Enji refuses to let him join them saying he needs to train and they belong to different worlds. [Chap 302 & 39 & 250]

July 1: Todoroki Natsuo is 9.

Likely summer, though it could be still spring: Natsuo refuses to listen to Tōya’s complains during the night, telling him to go talk with Fuyumi. [Chap 302]

August 8: Todoroki Enji/Endeavor is 36.

Likely autumn (Rei's sleeves are longer): Rei tries to stop Tōya from leaving the house and the two have an argument. [Chap 302]

During the year: Rei begins to break starting to cry way too often to the point Shōto will end up remembering her solely crying and will forget her smiling. [Chap 31]

December 6: Todoroki Fuyumi is 13.

Winter: Tōya’s flames turn blue. [Chap 302]

A note on the translation:

'Hayaumare no chīsana karada ni yōyaku otozure hajimeta nijiseichō’「早生まれの小さな身体に漸く訪れ始めた二次性徴」 "Secondary sexual characteristics have finally begun to appear in the small body of the hayaumare.”

'Hayaumare' isn't a premature kid but someone born between January 1 and April 1. In Japan this is relevant because in order to start school you need to be 6 by the time the 2 of April comes around, meaning the Hayaumare are the youngest kids in the class as they're born in the year following the one in which the other kids, or ‘Osoumare’ (遅生まれ "born in between April 2 and December 31"), were born.

Winter (likely in a different day as the black bars on the corner hint at time passing by... possibly because when Tōya came back home Enji wasn't there yet?): Tōya asks his father to come to Sekoto Peak with him his next day off. [Chap 302]

Winter (likely in the same day): Todoroki Enji/Endeavor hits Todoroki Rei for not stopping Todoroki Tōya from training. [Chap 302]

Winter (the morning of another day as Todoroki Shōto has just woken up): Rei snaps and burns Shōto. [Chap 31, 39, 249, 302]

“Shōto?” he said, facing the sliding fusuma screen. No response. Natsuo slid the screen aside, not expecting to find his brother inside, but there he was-fast asleep on the Futon that he’s clearly plopped down onto without much care, all askew. Moving quietly so as not to wake Shōto, Natsuo crept over and peered at his brother’s face. He looked surprisingly young, despite the burn scar that sat heavily on his face like a shadow. Having been abused by Endeavor-who’s been fixated on his own ambition. Todoroki Rei had snapped one day and thrown scalding water in Shōto’s face. Natsuo would never forget the pair of tear-filled screams he’d heard that day. How painful it must have been, he thought. Natsuo caught himself extending a finger toward the scar but quickly curled it away when he realized what he was doing. Shōto’s scar probably wouldn’t exist if only the boy hadn’t inherited aspects of both his parents’ Quirks. Maybe Shōto could have enjoyed a normal childhood, full of carefree days playing with his siblings. And yet I couldn’t do a thing… Natsuo had been in elementary school when it had happened. Their father, Endeavor, had ignored his family well-being in pursuit of his ambitions-ambitions he’d projected onto young Shōto. Even now, Natsuo would beat himself up over how he used to be before the abuse really began, recalling the period in his life that had made him feel pathetic and ashamed. Before Shōto was born, Natsuo had sought his father’s love and care, and when Endeavor was around, he would turn into an excited ball of energy, eager for attention. But that love never came. It was only thanks to his warm and caring mother that Natsuo had survived those early years and learned to cope with rejection from his other parent. But after Shōto was born, even their mother grew distant, though not out of indifference. Natsuo could sense how much energy she had to devote to protecting her youngest, her baby, from her husband’s so called training-which most would label abuse- but at that age, Natsuo couldn’t help but feel that his mother had been stolen from him. After witnessing his mother and brother crying and screaming on that horrible day, Natsuo had been overcome with crushing shame. [My Hero Academia: School Briefs V]

Winter (the same day or the one after it... Shōto's clothes are different but he might have had to change because he got wet... on the other side it's also possible that Rei's hospitalization wasn't done the same day but Enji had to do preparations for it): Rei is consequently hospitalized and put in isolation. After learning about his mother's hospitalization Shōto decides to blame his father for this. [Chap 39]

A note on the translation:

'Omae ni kigai o kuwaetanode byōin ni ireta. Mattaku… daijina tokida to iu no ni…' 「おまえに危害を加えたので病院に入れた。全く…大事な時だと言うのに…」 "I put her in a hospital because she hurt you. Good grief... even though it's an important time..."

Enji is actually more specific in what he says to Shōto about Rei's fate, saying he put her in a hospital and didn't call her a fool but uses an expression of general exhasperation 'mattaku'.

Winter (likely on Todoroki Enji/Endeavor’s day off, Tōya's clothes are also noticeably different from the ones he had when he asked his father to go with him on Sekoto Peak): Tōya goes on Sekoto Peak, waiting for his father. When his father doesn’t arrive and the lights go down he ends up setting himself on fire losing his lower jaw before he manages to enter in a stream. He is then found and taken away by All for One. Enji reaches Sekoto Peak but can’t find his son except for a piece of his jawbone. Tōya is assumed dead even if Enji at first claims he didn't want to accept it. However this will lead him to focus even more on Shōto. [Chap 291, 302, 350]

Winter (after Tōya's death): After Rei's hospitalization Shōto will never visit her until he'll be in U.A. High school. Rei's psychological condition will get worse. Fuyumi, despite knowing about her family's sad situation was and will remain too scared to do anything beyond keeping up appearances. Natsuo will gradually forget things but will keep on resenting Enji for what happened to his mother and to his siblings. [Chap 39, 187, 250, 302]

TIMELINE CONSISTENCY PROBLEMS

Either Horikoshi didn't plan the Todoroki timeline or decided to change things along the way as, occasionally, what the characters say happened in a chapter get contraddicted in another... or make them seem uncaring of Enji's neglect of Natsuo (and Fuyumi) and of how he eventually casued Tōya's death.

Mind you, I'm sure they all cared about Tōya's death and about the neglect Natsuo and Fuyumi suffered because otherwise the characterization wouldn't make sense. This is likely a problem in the narration, not an attempt of the narration to deny the care.

Anyway I'm gonna list the problems in narration now. Do with them what you want. I'm sure plenty of people has headcanons that solve them just fine. This though isn't a page for theories so I didn't list any of mine either.

Not all of the problems are terrible (the only ones really bad are the ones that consistently change the timeline/why things happened) but some of them can undoubtedly confuse a reader about the characters' feelings.

Let's start with chap 350.

For start this establishes that Tōya assumed his father didn't come to him on Sekoto Peak because he was too busy with work... so the fire took place not after the discussion they had (which fits with how the timeline decided Rei needed to be hospitalized before Tōya were to burn) but neither on Enji's free day apparently... unless Tōya assumed his father gave up on his free day to work some more which is something he had already done in chap 301, when Enji left and refused to train Tōya even though it was his day off... and this can be Tōya's own way to excuse his father for not coming to Sekoto Peak.

However, after this the chapter has Tōya say he has to go back home because he did and say some awful things so he should apologize to his mother and the others and shows his father what he can do.

The problem is... we didn't really see him doing something awful. Yes, he argued with his mother but this was PRIOR to his flames turning blue, as for his siblings his argument with Fuyumi dated to PRIOR Natsuo's birth and the one with Natsuo to PRIOR his argument with his mother and wasn't even a real argument. He just begged his little brother to hear him out.

If there was an argument that day before Tōya left for Sekoto Peak... if he did something... well, this is completely discharged by the plot. It won't even be mentioned when he and his siblings will meet again... not even mentioning his mother was hospitalized and put in isolation PRIOR to him going on Sekoto Peak, so if he had an argument with her we didn't see, it still was way prior to that.

And the same goes for whatever he did of awful... as I've hard time thinking he's referring to accidentally burning down the peak.

Even his discussion with his father doesn't seem to fit the description and if he blames himself for how his father hit his mother... well, that just feel messed up especially since he wasn't even shown being there to see.

Going on.

Chap 39 said Shōto didn't visit Rei because he blamed himself, while chap 250 says it was due to Rei's psychological condition worsening after Tōya's death... to go back on chap 302 volume version which said she was put in isolation PRIOR to Tōya's death (and therefore likely couldn't see anyone even if she wanted to) and then, AFTER Tōya's death she got even worse.

In the magazine version of chap 302 Horikoshi had Rei state that Enji basically became abusive AFTER Tōya's death, and this is what eventually lead Rei to snap and be eventually hospitalized... the whole thing was corrected in the volume version so now the volume version too agrees that Rei was hospitalized FIRST and then Tōya died.

While the thing got 'fixed', the whole correction was done in a sloppy manner... it would have worked much better if the dialogues in whose two scenes were swapped because, if Rei was already hospitalized and put in isolation, she wouldn't have known if, after Tōya's death, Enji got worse. It's hard to think she's referring to the time prior Tōya's death because it feels like a non sequitur since they were talking of the time AFTER IT.

Since the narration was changed retroactively it's possible that in the first planning for the chapter Tōya's flames turning blue, him telling his father, his father abusing Rei and him running to Sekoto Peak (instead than waiting for Enji's day off) took place all in the same day... or better all in the same night as it's dark when Tōya's flames turn blue and it's dark when Tōya burns on Sekoto Peak.

This however becomes impossible when it was decided Rei was hospitalized PRIOR to Tōya dying.

It doesn't help how Rei in chapter 39 focus especially on how she shouldn't stay with Shōto due to his left side being repulsive to her, when chap 302 magazine version also implied Natsuo's look was repulsive to her and the volume version instead change things and made it all about the way they looked at her (but Shōto never looked at her in such a way though okay, she might have been losing it but she should have still worried more about Tōya who glared at her like Enji and also about Natsuo). Of course the problem of chap 39 is likely that what happens in chap 302 was likely not planned and the story was possibly meant to focus solely on Shōto so, of course, she wouldn't want to be near him and wouldn't be troubled by the other kids.

Shōto is supposed to be kept isolated by his siblings, which is also why Natsuo had no idea Shōto liked Soba as, evidently, they never ate together before. However, when Enji attack Rei from the furniture we see they seem to be all in the same room, the television one.

In chap 291 Enji claims he kept searching for Tōya, unable to believe in his death... but chap 302 presents him as resigned and completely focused on Shōto.

Either because Tōya's storiline wasn't planned yet or to keep the secret, the story in its early stages avoid mentioning him... with confusing results.

Shōto, in chap 39, won't mention to Midoriya how his father might have lead to his older brother's demise. The manga will try to excuse it by saying

'Sotsu-sen shita hanasu mon ja nēdaro' 「率先して話すもんじゃねエだろ」 "I wouldn't take the initiative to speak (about it)."

Only... during his first discussion with Midoriya Shōto:

Asked Midoriya if he was All Might illegittimate son

Told him about his father buying his mother for Quirk Marriage

Told him about his mother's depression and how she ended up burning him

Told him about how he was raised to fulfill his father's expecations and how he hated it and how he'll deny his father by refusing to use his Quirk

That's quite a lot he decided to mention, but the fact he didn't mention how his father also lead his oldest brother to his demise made it seems as if Shōto didn't see Enji responsible for it... which also seems confirmed by how, when Fuyumi asks Shōto how he feels about Enji, he replies he blames him solely for his scar and driving his mother to madness, not a word for his dead older brother or for how his siblings suffered of neglect even if Natsuo made clear he still suffers for it.

Shōto is a VERY caring boy. This narrative choice seems to imply he didn't care about his siblings when it's likely the opposite. He cared for Natsuo and likely for Tōya and Fuyumi too. The way the story is told though, is misleading because it makes him look like he only cares about himself and his mother when I don't think that's the case.

Probably though, back in chap 31 Horikoshi either hadn't planned Tōya's storyline yet or wanted to keep it secret and here he didn't want to repeat the whole narration or give too many hints about Tōya's death so he had Shōto skip it and focus on Rei. It's a choice... but it's not a great one.

Enji also for a long while won't show concern for how he caused Tōya's death.

In chap 93 Enji thinks at how his despair lead him to ruin his family... only again there's no mention of Tōya not even visually, again likely because Horikoshi either hadn't planned Tōya's storyline yet or wanted to keep it secret. Still it seems as if Enji doesn't care he lead his son to death for his own ambition.

Chapter 188 is a little better as, at least, Tōya is shown along with his siblings... but it's still not great because, even though Enji is in the middle of his attempt at being a better person, here he worries about his overheating and seems to focus solely on how he married Rei and with her he had three kids who didn't have the Quirk he wanted and then to a kid who had the Quirk he wanted to fight the over heating, and doesn't concern at all with how, in the process, he also abused his family, lead Rei to madness and Tōya to death, but it can work narratively... even if it's not so great because it remarks something we already knew and doesn't focus on his regret (which would have been more important since Enji is trying to be a better person). But okay, it can work.

Probably the worst part is chap 192 because by then Enji is making clear he plans to atone but when he worries about the lives he had cut short, even though Tōya was mentioned, the visual shows us only Rei, as if she were the only life he had cut short (as she ended up in a hospital), skipping the one of his son WHO DIED.

Yes, this is probably to keep the mystery about Tōya but it's still not a great choice since he doesn't seem concerned.

Also probably because Horikoshi either hadn't planned Tōya's (and Natsuo's) storyline yet or wanted to keep it secret in "Ultra Archive" it was said Fuyumi became a teacher solely because she felt bad about the mistreatment Shōto suffered, apparently not caring about the neglect Natsuo suffered or of how Tōya ended up dead.

Fuyumi is also showed 'not caring' when no changes are done regarding to her in chap 302.

In the magazine version Fuyumi saying "I knew our family was broken" with an image of Enji dragging away Shōto and her mother trying to stop it, can be read as "(After Tōya's death) I knew our family was broken" and this allows her to sound like she's in pain for Tōya, Shōto and her mother.

However when the manga version changes things and have Rei hospitalized before Tōya's death, showing her having a flashback of how Enji was dragging away Shōto and her mother trying to stop it, remarks she knew her family was broken PRIOR to Tōya's death but not her feelings in regard to it. This combines negatively with how it was said she became a teacher for what Shōto suffered and paints her as uncaring for what Tōya suffered.

Again, I'm sure Fuyumi cared. It's just when "Ultra Archive" was written either Horikoshi didn't think about this part of the storyline or we weren't meant to know about it so he skipped it, and in chap 302 he merely adjusted things poorly so they ended up having implications he didn't plan.

Shōto going to preschool, where other children are, but being kept isolated by his siblings because they aren't part of the Hero world, seems a contraddiction in the story. While part of it can be due to Tōya's actions when Shōto was a baby, even after Tōya's death it will be said Shōto was kept apart from Natsuo (it's unclear if the same applies to Fuyumi) but then we see that when Shōto is in U.A. he's free to also go out without supervision so it becomes weird how (or why) Enji managed to keep him apart from his siblings, when he was allowed to spend time with whoever he wanted outside of his house... and even in his house he apparently wasn't controlled.

It also doesn't speak so great of Natsuo never attempting to connect with his little brother even if "School Briefs" tries to excuse it by saying it was due to Natsuo's grief.

When giving the green sign to "Vigilantes" Horikoshi likely completely forgot that All Might and Endeavor supposedly didn't meet for 10 years as, in chap 122, the two will cooperate to stop a Villain attack. Since “Vigilantes” takes place AFTER All Might and All for One’s big fight that injured both, it can’t be more than 6 years at the very best but, much likely, it’s less as this takes place at the end of “Vigilantes”. It’s true they didn’t really talk but still, they met.

Also both the anime and the coloured version of the manga give him red hair when, by then, his hair were while.

Credits when it's due though, I don't know if Horikoshi is behind the coloured manga version or another person does the colouring and that person took the anime as inspiration. In the black and white version Horikoshi's design for Tōya is consistent as his hair aren't coloured (while he colour red hair in black), so this could be not Horikoshi's fault.

The anime seems to confirm many scenes took place during night (except for Endeavor searching for Tōya after Sekoto Peak burned)... clearly no one was keeping an eye on Tōya if Enji never noticed how late his son got home and Rei, despite knowing Tōya went on Sekoto Peak to train, never worried about her son being up on a peak alone till late at night...

That's all I could remember/find for now.

The Todoroki storyline remains my favorite in the manga but there's no deny it was handled in a way that ended up contradicting itself, likely sometimes by mistake and sometimes due to change of plans or plot reasons. It's still a great story so don't think I believe the fact it has shortcoming means it's not enjoyable.

#boku no hero academia #bnha spoilers #Todoroki Enji #Todoroki Rei #Todoroki Touya #Todoroki Shouto #Todoroki Fuyumi #Todoroki Natsuo #All for One #bnha observations

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