#a lot of published books came from this fandom

[chocolatepot]

OFMD fandom, consider TGCF

Tian Guan Ci Fu is a Chinese light novel with an English translation published by Seven Seas Entertainment as Heaven Official's Blessing. You might not have heard of it, but chances are pretty good that you've heard of Mo Dao Zu Shi, adapted by Tencent into a tv series that aired on Netflix as The Untamed. ("Sexy Times with Wangxian", yes.) That's by the same author, Mo Xiang Tong Xiu!

For roughly the year before OFMD first aired, I was in MXTX fandom, more focused on MDZS than TGCF, although I'd read and liked both. Recently, though, I've come back to TGCF in a big way - doing a full reread - and a number of parallels to OFMD have been jumping out at me, making me think, hey, maybe my friends would like this?

Canon m/m romance that is the emotional backbone for the story

Lots of humor!

Main character from a high status background ...

... who is derided as a laughingstock by his high-falutin' peers and by people on the ground

Love interest who is widely believed to be the most powerful evil being in existence

Despite the obvious aesthetic differences, the MC and LI get each other on a level nobody else does

Also despite appearances, both MC and LI are very much not young and spend a long time alone before they meet

You could even say there's a "slyly complicated butch/femme dynamic" (a phrase from an old article about OFMD that always sticks in my head)

MC's kindness and attention to people considered "worthless" often help solve the problem

Okay, curious? I'll tell you about TGCF in more detail behind the cut.

(I do want to be clear here, I'm stressing these points of similarity but these two canons are not The Same - I'm just saying, if these are aspects of OFMD that really resonated with you, you should think about giving TGCF a try!)

Okay, if you haven't really heard of MXTX novels before, I assume you might not be familiar with a lot of the genre conventions, so I'll step way back. TGCF is xianxia, which is a type of fantasy where people can gain powers and eventually ascend to immortality/godhood; in some xianxia books, the process of gaining or using those powers is the point, but here it's really just background for the story. These powers are gained through "cultivation", which can be a combo of meditation and martial arts practice. People who die are either reincarnated or turn into ghosts, depending on how much resentment they have going on.

The first volume opens with a prologue explaining that Xie Lian was a handsome and popular prince who ascended at seventeen; when his kingdom was beset with war and famine, he came back to help the populace but was unsuccessful. As a result, they burned his temples and stopped worshipping him, and he was also banished from the heavens with his powers cut off. Having to live as a penniless normal person (but still immortal) was some Real Bad Times, and when he ascended again, angrily, he was banished again. This time, he went back down and lived peacefully but in destitution as a wandering busker and scrap collector for several centuries. And then he ascended a third time.

That's where the story picks up! Xie Lian is now a god again and everyone appears to either hate him or think he's incredibly pathetic. He starts off in trouble by accidentally causing a lot of property damage, and to repay it he's sent to solve a mystery: brides in wedding processions that go by a particular mountain are being kidnapped. Part of his investigation involves dressing up as a bride as bait for the "ghost groom", and this is where the reader gets their first sight of Hua Cheng, taking bride!Xie Lian's hand and briefly guiding and protecting him. After the mystery is solved, Xie Lian finds out that the man who seemed very kind and attractive to him is actually a ghost who defeated and destroyed thirty-three gods - he's the ruler of Ghost City, someone everyone is terrified of.

I'm not going to go further into the plot because there are some big central mysteries that are so fun to uncover as you go, and I don't want to deprive you of that! But as the story goes on, Hua Cheng is involved more and more, and the adorable thing that I think will appeal to OFMD fans is the way everyone else is really concerned by AHH OH NO HUA CHENG while Xie Lian always feels safe with him. (And by the same token, Hua Cheng is always impressed with Xie Lian despite the way everyone else thinks he's obviously the crummiest god that could possibly exist.) There's also a lot of resonance with s1 of OFMD in the way that Hua Cheng, let's just say, has been following Xie Lian's ship before arranging a meeting, and also is well aware of his feelings for Xie Lian while the latter is considerably more confused.

The full translation has been pulled from the web as its translator collab'd with Seven Seas, but you can find some other people's translations of the earlier chapters still online via NovelUpdates. If this all sounds interesting to you but you're not sure about buying or can't find it through your library system, I'd recommend checking that out (although be aware that free translations are sometimes ... real bad, just run through Google Translate).

My last point, not really aimed at OFMD fans: I feel like a lot of people who say that canon queer romance can never match up to the fanon surrounding queerbait need to get into BL! It has a very fanfiction sensibility, all the drama and yearning and sex you could want. (Well, this one doesn't actually have sex in it. But in the MDZS extras Wei Wuxian has a canonical non-con kink, so.)

[funkyt-t]

It always baffles me how Tamsyn Muir writes the locked tomb series as if it's a fanfic. It's such a weird feeling, but I don't in any way mean it as an insult.

When you're reading tlt series there's always this presence of the author that you don't often get on other published books. Like, she'll make in jokes and references as if she's part of the fandom. Right when you're getting immersed in the world she'll pull out a "That's what she said" or "Jail for mother!" and suddenly you remmember that this is a book, with an author, an author really fond of puns and internet memes.

Tamsyn Muir writes like she's writting fanfiction to a small, nieche fandom where all the authors all kinda know eachother, and they've already deviated from canon so much that the stories are their own thing now.

It used to bother me a lot on my first read but now I'm just fascinated by it. It feels like you're reading a work made by a peer. A peer who is really good at writting, but a peer no less.

Maybe it's just that I grew up and have written some stuff myself, and now I can see things I couldn't before. But idk, it just really interests me the way Tamsyn just fucking writes shit like she's just trying to amuse herself or her friends. I came to respect it a lot.

I'm not as good of a writter so there's no conclusion to this really. Just postulating to the void like I'm Palamedes Sextus.

[cuckoo-on-a-string]

"Appropriate" responses to the Gaiman issue

TLDR: This isn't a Rowling situation, be wary of internalized purity culture.

He's a predator. I'm glad a proper journalist followed up where police have failed (and possibly given victims a better footing for future charges).

But I have a problem with the knee-jerk responses targeting the fandom.

Just to clarify, I'm not talking about insulting The Predator. This is about how you treat people who have/do/will enjoy the stories that unfortunately came into the world through his keyboard.

Fans aren't intrinsically evil/uncaring for continuing to participate in associated fandoms.

This is not another Rowling situation. Why? Let me clarify. The consequences of consumption are very different. Rowling is ACTIVELY using her popularity and income as a creative to target one of the most vulnerable minorities in the world. Buying official merch/books/movie tickets prove to the powers that be that she remains a good investment, so they'll give her even more money. This perpetuates the cycle - new movie/book deals, more income, more hate, rinse and repeat.

The push to avoid Rowling's work in full is driven by the fact that she has FACED NO CONSEQUENCES and is still powered by her creative properties. It's fandom/consumers trying to bring justice.

Gaiman, on the other hand, knew he was doing bad shit on some level because he kept his abuse hidden. His status and reputation let him get close to vulnerable fans and essentially intimidate authorities from going after a celebrity. He is FACING CONSEQUENCES. I would personally like to see criminal charges brought against him, but that's out of the fandom's hands. Things we could've influenced (his Disney deal appears to have gone to shit, he's been booted from the truncated final season of GO, and there's no news on Sandman 3) are already in motion. If his publisher doesn't drop him, I'd say avoiding his future works is beyond valid (I certainly wouldn't buy them). But I'm going to watch the new season of Sandman. And once I've taken time away, I'll probably finish my active fics.

"Judging" people who still enjoy his work stems from good intentions that grew out of the fetid ground of purity culture rhetoric.

Writing fanfic and enjoying shows that are already made do not make people soulless accomplices. The idea that unproblematic stories by saintly creators are the only things you're allowed to enjoy is not only flirting with censorship, but it's also impossible.

If you think people should have nothing to do with Gaiman's works, you better throw out anything Weinstein touched. That includes Jackson's LOTR trilogy, FYI. Also, anything his company officially produced (which still gives him money in some cases) should never, ever grace your screen. That includes some of the better Stephen King adaptations, The Orphanage (which was a breakthrough Spanish-language film in Western markets), The King's Speech, The Imitation Game, Woman in Gold, Paddington, and It Follows.

If you aren't willing to publicly announce your "disappointment" in anyone who continues to enjoy any of those films, then kicking up a fuss over how other people process and interact with problematic content from a fallen celebrity who is in the process of getting his dues is pure hypocrisy.

Personally, I'm maliciously complying with Gaiman's famous quote about how once a story is out there, it doesn't belong to the author anymore. Well said, Predator, these are mine now, and I shall fuck about with them as I see fit.

Attacking or snobbishly looking down your nose at the fandom also erases YEARS of beautiful critique and thoughtful exploration of existing, acknowledged problems in works like The Sandman.

People in these parts already know how to handle complex issues in complex pieces of media. Gaiman isn't our god. His canon is not our bible. He didn't teach us morality, as is apparently the case for a lot of people who grew up reading Rowling's works as a child.

If you have a problem with the censorship comment I made, I'd like to point out at least one writer friend is LEANING INTO the fandom as a way to process their own trauma. Suffice it to say they survived a very similar situation. They see it as empowering to take the stories away from the abuser and use the characters/settings to make something new.

I get the ick. I have it right now. But I'm not burning every copy of his work I own (full disclosure I have... *checks shelves* a copy of Neverwhere and The Sandman series). Doing so is totally valid, and if that helps you process and feel better - go for it!

But this is not the same as Rowling and the only ones you hurt by declaring your "judgement" is a complex group of individuals who are able to enjoy fiction, remain aware of potential social consequences, and found a place that doesn't align with your black/white morality.

With that said, judge away! I better not see any stories from Charles Dickens, anything in anyway associated with the Weinsteins, Nickelodeon shows, Charlie Chaplin references, or Francis Ford Coppola films touch your feed. If you scratch the surface, you'll find more things to judge others for enjoying, and they will inevitably find something to judge you for, too.

[regheart]

there's something i find particularly annoying in this fandom and it's the way purebloods are written as highly sophisticated extremely rich and straight up a rip off of regency period novels

i understand the choice of this specific portrayal, i can see it as an approximation to historical drama, where the social restrictions are compelling and are relevant to the story, and a good writer can make any concept believable and good

HOWEVER as much as the worldbuilding on wizarding costumes (and a lot of other things) is extremely inconsistent and gets progressively worse towards the later three books, the implications that i see don't point towards this version of a sophisticated performatic elite who interacts only with itself

while i tend to see the blood status in the harry potter universe as a distinction of class and not at all a distinction of race, i don't think the difference is, in practice, as marked as it is in real world contexts, mostly because of how numerically small and insulated the wizarding community is

this post is part of my personal vendetta against purebloods as charming aristocrats & what appears to be the necessity of writing each and all of them as so very well spoken and politically savvy and never-caught-dead-speaking-to-a-half-blood

for once, the sacred twenty-eight is extra canon information and is disputed IN UNIVERSE, because it was anonymously published and received backlash for the inclusion (weasley, ollivander) and exclusion (crabbe, goyle, potter) of certain names

the malfoys are the only extremely rich family we see in canon. extra canon information tells us they made money before the statute of secrecy by trading with muggles

compare that to the potters who are also very rich (there's no scale to tell us who is the richer family), but made most of their money from the invention of sleakezy in the 20th century

the blacks are also implied to be wealthy: sirius manages to live off his inheritance after buying harry an expensive broom, and he says his grandfather likely paid for an order of merlin

there's a lot to be said about the blacks (e.g. they should have at least a couple more properties other than grimmauld place), but the big picture and the similarity with the gaunts (not about the incest, stop fixating on that) suggest they were a family in decadence by the time sirius was growing up

i believe that the implication is that neither of them had a proper job, which creates a similarity with gentry, but gentry lived off rentals and while it is possible they had a country state i don't think grimmauld place was making a lot of money

lucius malfoy also didn't work and spent a portion of his time being a school counselor (and obviously not being paid for it, as it was a way to exercise his political power over the main learning institution in his community)

it's also extra canon that the nott family had equal footing with the malfoys, so we can assume that crabbe, goyle, parkinson and bulstrode were slightly beneath them, either in social standing or money, despite the later two being part of the sacred twenty-eight (or it could appear to be so because pansy and milicent are girls)

the weasleys are obviously the main example of a poor sacred twenty-eight family, as were the gaunts

the crouch family was most like rich (they could afford a house elf), but it's likely that most of that money came from mr. crouch having a high level ministry job. his family and connections were probably an advantage to getting the job, but it's possible he wouldn't be able to maintain the lifestyle without work

longbottom, prewett and macmillan are families that appear to be very traditional, but not remarkably wealthy

other working members of the sacred twenty-eight are: horace slughorn (school teacher, but it can be argued that teaching hogwarts is a prestigious position), garrick ollivander (wand maker and shop owner, but, again, the only wand maker, which holds a certain prestige in itself), mr. burke (shop owner), arthur weasley (ministry employee), frank longbottom and kingsley shacklebolt (both aurors). amycus and alecto carrow are also temporary hogwarts teachers

the blacks married out of the sacred twenty-eight many times (max, gamp, crabbe, potter)

all of these people and every single muggleborn goes to the same school, buys magical supplies at the same place, drinks from the same pubs, etc. that alone should serve as evidence that there aren't many exclusive pureblood hangouts around

the only place that seems to attract the malfoys (arguably the richest and most important pureblood family in the 90s) and not most other people, is the knockturn alley, which is hardly a high brow sophisticated spot

except for malfoy and flint, no slytherin quidditch player during the 90s is in the sacred twenty-eight, so that's hardly a criterion for making it into the team

mulciber is not a sacred twenty-eight name, they could very well be half-bloods

tom riddle and severus snape were half-blood students who formed ties with purebloods while in school and held blood supremacist views, assimilation to a certain level was possible

[noblecorgi]

2024: A Re-Entry to Fandom

I guess this is a thing? (Oh shit this brackets bit was written at the end and I appear to have emotionally vomited an essay. Sorry ���bout that.)

In late 2023 I experienced a personal tragedy and retreated to where I had always found comfort: books.

I read a series that had been recommended to me before, but I hadn’t had time to read it - The Simon Snow Trilogy by @rainbowrowell and it awoke a dormant-but-never-forgotten love of fanfiction in me.

In my teens and early 20s I wrote a lot of fan fiction on the ol’ FF net, all of it of atrocious quality I’m certain, which is why I haven’t tried to rediscover that account.

Instead I found AO3, and restarted regularly writing for fun instead of for work or study/research.

I didn’t do any summation for 2023 because I think my first fic was posted on like 10 December 2023, but AO3 tells me I wrote 4 works, all SnowBaz, at a total of 55,154 words.

In 2024, I’ve published 5 works, at a total of 94,323 words.

What truly blows me away (and honestly makes me a bit teary) is the 1013 kudos, 100 subscribers (inc 15 subscribers to just me rather than a fic!), and 222 comment threads on my works. 🥹

So: my 2024 works.

Use your words, SnowBaz, Rated: E, 3,930 words

A smutty lil gift fic wherein Baz teaches Simon how to sext.

Splendid Morons, SnowBaz, Rated: E, 12,886 words

Published for Erotic Grope Fest, aka Baz’s birthday. A collaboration with @alexalexinii and a story written to enable their amazing art of Baz in lingerie.

Precious to me for not only getting to work with Alex, but also for being the beginning of my relationship with Becky @rbkzz, my incomparable beta who has become one of the dearest people in my life.

On The Rocks, SnowBaz, Rated: E, 74,592 words (WIP)

My opus, as it were. It originated from a fluffy cute prompt of “what if Baz and Lady Ruth were work besties?!” And I came along like “YEAH! But with trauma, exploration of love in mental illness, and alcoholism!”

I began posting it in March and it’s about 2/3 done now. But for Becky it would be both an absolute pile of horse poop, and an abandoned WIP. Instead it has a clear direction and she found motifs that I’d repeatedly used by accident in my drafts and built imagery, greater meaning, and also debated me ad nauseam on my preference for spelt over spelled.

Immune Response, @lumosinlove’s Cubs, Rated: G, 1,421 words

I was a big consumer of WolfStar in my teens and was recommended Lumosinlove’s Sweater Weather and, like many before me, fell in love with the story, the original characters, and ice hockey itself (much to the surprised glee of my Canadian spouse, who for a decade has tried in vain to get me on board. Little did he know the key was obviously gays.)

This is a lil’ slice of life sick fic examining how each of the Cubs responds to getting sick.

I have a lot more unpublished drabbles about these characters and some fics that are being cocreated so stay tuned for 2025?

Preliminary, my dear Basil, SnowBaz, Rated: T, 1,494 words

A gift fic for @martsonmars as part of the Carry On Discord’s Secret Snowflake Exchange.

Among their suggestions was “Sherlock AU, but not BBC Sherlock, 19th century Sherlock” and it hooked me with the idea that Baz would absolutely fancy himself as Sherlock. I actually sketched out a plot to SnowBazify 4 of the Holmes stories, so maybe 2025 will see them unearthed.

There is one other published fic I worked on this year, but as a beta rather than a writer for @swoopswrites @rsbigbang piece Class A which was super fun to do (and got me to watch a great series - The Gentlemen on Netflix) and Swoops has a fantastic mind so I’d encourage you to to check it out.

Finally, I have always been a writer rather than an artist, but I do enjoy drawing, and the need to upgrade my iPad for work arose and so I also tried my hand at drawing again for the first time since I was 17 or so.

In order from the first one to the most recent one, the lil scribbles I did this year:

Penelope Bunce, Wolfstar on a train, Baz with coffee, cuddly Cubs, FinnLo being adorable, iconic Moony with a cane, emo Sirius Black.

And THAT was 2024 (and 2023).

@artsyunderstudy @asocialpessimist @angelsfalling16 @whatevertheweather @edenalix @emjaydellyone @erzbethluna @emeryhall @run-for-chamo-miles @raenestee @rimeswithpurple @roomwithanopenfire @thehoneyedhufflepuff @theearlgreymage @thewholelemon @lonleyhumanbeing @letraspal @you-remind-me-of-the-babe @youarenevertooold @iamamythologicalcreature @ichooseyousnowbaz @ic3-que3n @ileadacharmedlife @onepintobean @palimpsessed @prettygoododds @philaet0s @pacey-bunce-loves-joey @sorenphelps @skee3000 @stitchy-queerista @fiend-for-culture @facewithoutheart @fruitcoops @girlwithcurls96 @hushed-chorus @hihimissamericanbi @cutestkilla @cosmicalart @confused-bi-queer @noopienoopiernoopiest @messofthejess @monbons

[sweet-s0rr0w]

Day 1 of @hprecfest - First fic you read/first fic you remember reading

I started reading in the early 2000s, before HBP was published, so this is a tricky one to start off with! I vividly remember reading along to Cassandra Clare's Draco Trilogy and Maya's Underwater Light - both WIPs at the time, and neither freely available now 💀 if anyone else was around then, though, I have compiled a reclist of Vintage Drarry Fics (2001-2006, including such classics as Irresistible Poison, Beautiful World, Seamus is Seamus, and Love Under Will).

The fic I've chosen to rec today is the one that brought me back into fandom after a decade out; indirectly I suppose it's the reason I'm here at all, and so perhaps the lesson for any creators reading this is that you'll truly never know the impact your works have, even decades down the line!

Transfigurations, by Resonant : E, 71k, 2003 (MCD warning, but not for Drarry)

Summary: Five years after Voldemort's defeat, Harry returns to England to help re-open Hogwarts.

Excerpt:

"You're going to have to talk about it sooner or later, Harry," she said. "I know it's hard for you, but --"

"Hermione --" He looked over her shoulder, searching for something that would distract her.

He succeeded a little better than he would have liked. First he caught a flash of pale hair in the shadows behind the top table. Then the shape came clear. An expensively tailored robe, an expensively bejewelled hand, an expensively barbered head, an expensively curled lip --

Was he never going to be free of Draco Malfoy?

Hermione followed Harry's eyes, and then she straightened up suddenly, crying, "Draco!" and ran to clasp Malfoy. Harry stared dumbly after her. "Mother sent a book for you, and some biscuits, they're in here somewhere --"

"Never mind that," Malfoy said, hugging her roughly. Harry felt a pang of fury. Since when was Hermione so cozy with Malfoy? "What I want to know is, did Mrs. Spenser ever find Bratleigh's tooth?"

"Oh, yes, it turned out to be in his little brother's forearm -- but how are you getting on without mechanical pencils?"

"Musgrove's Magic Pencils are nearly as good, though not quite so satisfying to click ..." Harry watched their two heads bent together, the dark and the fair. They were exactly the same height, like a matched set of figurines. Something extremely strange must have happened while he was in Florida.

Malfoy was still affecting the look of a wizard-bard from a storybook, Harry thought scornfully: pale hair falling to his shoulders, deep-plum robe heavily embroidered in the same color around the collar, narrow hands heavy with silver rings. Harry hadn't remembered his mouth being quite so red.

He looked up and caught Harry looking, and something crossed his face that wasn't quite the expected sneer. Hermione was tugging him over by the arm. "Harry just got in today from America, Draco, he didn't tell anybody he was coming, I think he forgot how to write a letter --"

"He's forgotten a lot of things, I imagine," Malfoy drawled, but he offered a hand. "Potter. Welcome back."

Damn it, even his languid, lingering handshake felt as though there was an insult behind it.

Where to start with this fic? The premise is that following the war, Harry left for Florida, settling down with a group of Indigenous wixen as they worked to set up a new school of wizardry. He returns, five years later, to a Hogwarts in trouble, rife with traps and curses laid by Death Eaters long gone, and to his old friends, whose letters he'd mostly ignored during his time abroad. Many of the old faces are familiar, but the addition of Malfoy, now, inexplicably, best friends with Hermione and Professor of Muggle Studies, irritates Harry beyond belief. Worst of all, when it comes to Cursebreaking, Harry and Malfoy's magic works best in sync, so to their horror they find themselves paired together as they work to make the school safe on its reopening.

There are so very many things to love about this fic. The narrative tone feels very true to canon, as does Harry's voice; possibly a result of its being published while the books were still coming out, but unlike many of the other fics written back then, it has a very adult feel. It's set entirely in Hogwarts, and with a huge cast of supporting characters, including a sneering, dramatic statue of the deceased Professor Snape, sexy handyman Ron, COMC Professor Charlie Weasley, and some wonderfully endearing OCs. The writing's lovely and clean, sparing, but still very visual, and full of worldbuilding details so unique and rich you'll be thinking about them years later (trust me). And the relationship development is truly second to none; we come to love this Malfoy reluctantly, but so so deeply, along with Harry. Also, this fic has, to me, the original rushed sex in a bathroom stall scene, and one of the sexiest undressing scenes you'll ever read. I absolutely adore it, can quote huge chunks, and every single time I read it it brings back everything I love about the world of Harry Potter. Go and add it to your MFL, and you can thank me later <3

If you read it, and if especially you love it, please do let me know! And as always, please do take the time to leave the author a kudos/comment <3

[the-most-faithful]

New day, new discussion with a Snater who twists the canon to justify bullying Snape

The other day I commented on a Tiktok video listing James' good deeds (with fanon additions, as usual) to say that James was a good person and didn't deserve to die, I wrote this comment

Obviously I expected someone to reply, but some real gems came out xD

So follow the reasoning, because it's funny.

First let's discuss whether James has matured or not, that's fine, it's a matter of interpretation from the little we know from the canon but then we get to the point, Snape was a special case, he responded to James' attacks after seven years of bullying.

So according to this person if a victim of bullying responds then he is no longer a victim. Clear, right? If someone attacks you you just have to suffer and maybe even in silence. Realizing that the thing doesn't hold up he goes to the classic "But it wasn't bullying, they were rivals" But when I say that 2 vs 1 is not equal and cannot be rivalry then he changes again by putting in the field guess what?

ASSUMPTIONS

Death Eaters SA Mary. False, we don't know what Mulciber TRIED to do to Mary. In the fandom this Headcanon is very popular but it is indeed a Headcanon. But then what does what Mulciber tried to do have to do with the fact that Snape was bullied? Was James responding to something Mulciber tried to do by taking it out on Snape who had done nothing? This doesn't make any sense at all

And then of course we only see Snape's point of view so it could be different, maybe he wasn't the victim. Really? The Snaters don't know the canon. Memories are OBJECTIVE, we see the facts as they happened, the thoughts and feelings are Harry's watching.

Then strangely he didn't bring up the point "Snape cursed Muggle-borns" I hope this person has come to his senses and realized he said something non-canonical

Ma preparati perchè ora ridiamo:

"It wasn't always 2 vs 1" most of the time Snape was with Death Eaters gang.

WHERE? But when? This is another assumption, if Snape had been with others who defended him then James and Sirius would not have attacked him (because they are cowards)

But at least he admitted that Snape was the victim in this episode. So why continue, he admitted it, stop, and instead in order to blame the victim he puts forward other ASSUMPTIONS, Snape created the Sectumpsempra, so what? To curse James? We don't know why he created it (which I then wrote to him) But hey Sirius admitted that they were idiots BUT they bullied Snape (Another admission, they BULLIED SNAPE) because he was a racist. But this is also false

So it's never said that James never attacked Mulciber and others, so it could have happened? But of course, it's never said that Hermione isn't actually The Rock with a wig so she could be. But do they really do that?? Plus they wouldn't have attacked Malfoy because he was older? So they only picked on the weakest, just like real bullies

James and Sirius as the twins? Well on this point I have a lot to say, I know I've been saying it for months but I'll soon publish a chapter dedicated to this. Let's say that if the Twins had been Slytherins everyone would have called them bullies, so this similarity does not go in favor of the Snaters. But here comes a pearl

"Snape was attacking muggleborns"

Snape attacked muggle-borns? Dude, have you ever read the books? When, for Morgana's sake, would this have happened?

Let's see what he'll answer.

(and then he also brought up the fact that Snape was to blame for the attack on the Potters and that he only asked for mercy for Lily, but now this point is so stupid that I have an automatic answer)

[rustbeltjessie]

I haven’t made a pinned post in a while, but since it’s my birthday month and I’m struggling right now, I figured it’s a good time to make one.

First, let me introduce myself. I’m Jessie Lynn McMains, aka Rust Belt Jessie. I’m a writer (poetry and prose), artist, zine-maker, spoken word performer, occasional musician, small press publisher, and general jack of several creative trades. I’m queer—bi/mspec and nonbinary (I use they/them, she/her, and he/him pronouns). I’m disabled and neurodivergent, and the parent of two kiddos. Politically? Well, I consider myself an anarchist at heart, but I still vote in every election. I think everyone should be able to have enough food, and a safe place to live, and yeah, even a few ‘unnecessary,’ fun things, just by virtue of being alive. As for the rest of my beliefs, you can probably garner a general idea if you peruse my blog even a little.

Now, onto the nitty-gritty. We had about ten days between when our last month’s food money ran out and when this month’s came in. It has been refilled as of today, so I don’t have to worry about that for the moment, but because of that gap, I had to spend money I’d set aside for other stuff on food. I paid our rent and energy bill for the month, but I’m a couple months overdue on our Internet bill, and I don’t want to risk that getting shut off. And then, well, it’s December. I’m trying to buy my kids some Christmas presents, and it’s not just my birthday month—my youngest kiddo’s birthday is four days before Christmas. Because of all this, I’m also way behind on writing stuff. I owe my zine subscribers a new issue (I didn’t send anything at all in November), and I’m trying to finish up some pieces to record for my new spoken word EP, but I’ve had to focus on day job and side-hustle stuff that’s more immediately lucrative, so I haven’t been able to dedicate much time to finishing these projects.

If you’d like to throw some $$ my way so I can get some gifts for my kiddos, keep my Internet on, get back to my writing, and maybe have a less-stressful birthday month than I did last year, I have V*nmo (JessieLynnMcMains) and P*yp*l (coeur.de.fantome [at] gmail[dot]com).

But hey, hey, I’m not just asking for something for nothing! I have a lot of stuff available on Ko-fi (rustbeltjessie), including print books and zines, ebooks and zines, and pins, and you can also hire me as an editor or commission a custom mini-collage. And almost everything is sliding scale/pay-what-you-can, some with a minimum price, others starting at $0.

And that zine subscription? It’s still not too late to get in on it, even though the year is almost over. If you sign up now, you’ll receive all previous issues, along with this month’s when it’s finished, and the final two will be mailed out in January.

Or perhaps you’d like to buy or commission something I don’t officially have for sale. Maybe you’d like to buy one of my existing pieces of art? Or commission a custom pin, designed by me, based on the band/film/fandom/whatever of your choice? Or commission a custom postcard poem/art piece, on the subject of your choice? Or have me write you a custom mini-zine, on the subject of your choice? I can do all those things! DM me, and we’ll work something out!

Oh, and I mentioned above that I was working on a new spoken word EP? Go check out my full-length spoken word album, Self-Portrait With Ghosts and Trains, which was released by Hello America Stereo Cassette in July 2021. You can find it at helloamerica.bandcamp.com. (I do get royalties from that release periodically, but it’s not as immediate as if you purchase something directly from me.)

All that said, I know times are tough for most people right now, so please don’t feel obligated to purchase anything or otherwise send money my way. And, as always, even just a few dollars helps, as does reblogging/boosting this post. 🖤

[coffeeandstrawberries]

Good Omens and NG's fans are so baffled and annoyed some people only now are learning about the credible accusations against Gaiman and start questioning their devotion to a piece of media partially created by a disgusting human. How dare those people attack OG fandom when OG fandom had already processed it? And moved on? After all, the accusations came out the spring last year (it was summer, actually).

(Medium Is The Message. I wish more people read Marshall McLuhan).

Are you really that surprised an article from a serious publication is making more waves than a fairly unknown podcast? Like, for real? Because I fail to see anything suspicious in the fact that a lot of people are learning about NG's horrific actions just now, when a reputable magazine ran the investigation piece on him. Of course more people read New York Magazine and Vulture than are aware of Tortoise Media (no disrespect to the latter, just facts). Of course more journalists specifically take stuff published in New York Magazine more seriously.

There is no conspiracy behind the fact this story getting traction now. And yes, a lot of people are learning about it for the first time.

That is why GO's fans who are making it about them, about their god-given right to hyperfixate on a piece of media don't look great. Right now is not the time to profess your deep love to a silly little show or to mediore books.

Let people have conversation about power and fan culture and parasocial relationships and how all those things made the abuse possible. It is not about you.

[marshmellin]

Regarding the Eldar and Sexy Sex | Analysis of the Laws and Customs Among the Eldar within Tolkien's Lore

A.K.A Let the elves be horny. Textually, there is no reason they can't if we're creative.

The concept I am analyzing: An unfinished essay describes the Elven view of marriage vows which cannot be broken. In sum: Some have interpreted this text as saying that Elves can not/will not have sexual activity (“bodily union”) outside marriage.

The concept I have landed on: “Bodily union,” as described in this unpublished text can be interpreted as an intentional act that elven couples choose to perform. The term is not a catch-all for any or all types of sexual contact. In sum: I interpret that Elves can and could engage in a variety of sexual activities without creating marriage vows if they wished.

Below, I have shared how I came to this concept.

Mainly because I like to be canon compliant while letting elves get down.

Welcome to my TedTalk:

First, the facts:

“Laws and Customs Among the Eldar" (LaCE) is an unfinished, unpublished essay written by J.R.R. Tolkien. The notes and draft were published in Morgoth's Ring (Book 10), part of The History of Middle-earth compiled by Christopher Tolkien after his father's death.

LaCE is framed as an account written by Ælfwine, an Anglo-Saxon man. The text provides Ælfwine’s recounted views on various aspects of Elven life — and the BIG drama it creates in The Fandom™ is because of the traditions he recounts regarding marriage and childbirth, particularly. As mentioned above, the document declares that Elves who choose to marry do so once, and that due to their nature they do not commit adultery or even desire "bodily union" outside their marriage vows. Additionally, death itself does not override their vows. Partners will reunite in Valinor after leaving the Halls of Mandos.

AND SO: we must ask ourselves some questions about this Elf Sex document.

View the elf sex document here (it is in opposite of salacious. You may feel less turned on for 2-3 business days after reading it, idk.) Starts on page 289. Another section in the same PDF is the story of Finwë legal-argument-ing his way into bagging yet another unsuspecting baddie.

Let us assume the document is a relatively accurate depiction of Elven customs:

Portions from the text:

“It was the act of bodily union that achieved marriage, and after which the indissoluble bond was complete…but it was at all times lawful for any of the Eldar, both being unwed, to marry thus of free consent one to another without ceremony or witness (save blessings exchanged and the naming of the Name); and the union so joined was alike indissoluble. In days of old, in times of trouble, in flight and exile and wandering, such marriages were often made.” (emphasis mine)

Marsh’s Translation: 1) Witnesses are not needed, only the vows or bodily union. 2) This marriage-on-the-go situation was necessary even though the elves, as a group, agree not to marry in times of strife.….. as a race of beings, they do in fact get down bad enough to fuck and marry on the run while continents sink. Passion is there, ok.

“And the union of bodies in marriage is unique, and no other union resembles it.” (emphasis mine).

Marsh’s translation: Since bodily union in the context of marriage is specifically called out as both unique and highlighted as different from other unions, this suggests or, at the least leaves room for the interpretation, that there are other forms of touch and union that do not fall under this unique label of bodily union or consummation of marriage.

This leads us to the next logical question: what types of touch, connection and sensations (union) can occur between two Eldar that do not rise to the level of consummating marriage/a unique bodily union? Kissing? I can think of several ways to live a life worthy of an Explicit rating on AO3 and still avoid "bodily union" as Tolkien intends. And the Eldar have had a lot longer to think about it than I have.

“Nonetheless among the Eldar, even in Aman, the desire for marriage was not always fulfilled. Love was not always returned; and more than one might desire one other for spouse.” (emphasis mine)

Marsh’s Translation: ^^ romantic tension, baybeeee. Elf romantic triangles and quadrilaterals confirmed! But more seriously, I have several questions: firstly, Finwë how dare you.

Second point related to the above: since elves often do not err in choosing spouses, but two elves can love the same person, this suggests love and marriage =/=. We knew this already, but given the astounding number of random-ass elves who fall in love by sight in glades or meadows, I felt the need to be clear.

Third question re: elven love triangles. It the third unrequited person who isn’t loved in return just like….done with romance? RIP, buddy, your shot at intimacy was brief and sad. OR can they desire another again?

“…the Eldar would beget children only in days of happiness and peace if they could.” (emphasis mine)

Marsh’s Translation: ^^ They try not to marry or have kids during times of strife, cool we get that. But this is an interesting thing to highlight in the 8ish pages of “this is Elves and how they sex” that Ælfwine has room for. The note that they try not to have kids (tenuously) suggests couples may be able to control when they have children. I’m not sure if the elven pull out method is particularly proven (think not. looking at you Fëanor, get OFF her).

Additionally, I would not be surprised if, due to the amount of life force necessary to bring forth an elven child (again, Fëanor, damn, dude) the parents can choose to or choose not to conceive during bodily union within the confines of marriage. However, I want to note this one is a quite the reach on my part. Slogan suggestion: who needs the pill when you have the strength of will?

“They are not easily deceived by their own kind; and their spirits being masters of their bodies, they are seldom swayed by the desires of the body only, but are by nature continent and steadfast. Doubtless they would retain for many ages the power of generation, if the will and desire were not satisfied; but with the exercise of the power the desire soon ceases, and the mind turns to other things. The union of love is indeed to them great delight and joy, and the ‘days of the children’, as they call them, remain in their memory as the most merry in life; but they have many other powers of body and of mind which their nature urges them to fulfil." (emphasis mine)

Marsh’s Translation: ^^ they’re horny until they have kids and raise them and all. And then, because there truly are only so many positions and kinks to try over thousands of years, they start to pick up a new hobby and are generally less horny.

But does this does equate to, “and then, when the kids leave for Elf State College, all sexual energy dies and couples live in separate rooms until the breaking of the world because one parter has taken up elven embroidery and the other now practices music and they’re simply too busy learning French Knots and the French Horn to fuck? They're sexually repressed because of the embroidery and instruments, you see.”

I say nay. Less horny =/= never horny. Focus on other desires =/= abandonment of all previous desires. Saying elves get it on more during their sometimes 100+ years-long honeymoon period is like….yes. And sometimes, if you squint, you’ll notice that the sky is, in fact, blue. (An aside to this section: The elves who saved Ælfwine’s human butt on the shores of Tol Eressëa and filled him in on how Elves work did mention Finwë in their account, but our Anglodude decided to give us a separate account of that, using this to focus instead on "Noldor Wedding Customs." So apparently avert your gaze from the published account of how Finwë, first High King of the Noldor, married twice while in Valinor, despite one wife’s spirit still residing in the Halls and their marriage still being valid, just because he reeeeaaaaaalllllly desired another wife and to have more kids. Really. Really. Desired. It. So he lit'rally lawyered up in front of Manwë and co. to ask suuuuuuuuper nicely if he could marry this second woman he knows that isn’t his wife. He makes a few relatively odd arguments, and now his ass has two wives via special Valar Approved Adultery. This doesn’t, doesn’t count as something Noldor do -- nah, they don't desire more than one person, it's just that one dude….) Sure, Jan.

Let us consider couplings between the Eldar and other Children of Illúvatar or Ainur NOT discussed in the text:

We know those couplings are rare, but they do exist and lead to children (Hi, Elrond! Hi, Eldarion!). Do parings between Elves and Men/Maiar require vows for marriage, or, like between two Eldar, can “bodily union” alone marry them?

If “bodily union” alone binds the Eldar and the Edain, do the Edain know this/is this information regarding bodily union = vows readily available to all Children of Illúvatar? It would seem odd to not specifically mention that as an outcome to Men -- and yet, we have no other true textual support that the bodily union between Elves results in marriage. Like, if we take this at face value, do drunk one-night stands between a mortal and elf turn into “whoops, all marriage!” 😬

If “bodily union” between the Eldar and Edain does not marry these couples, are there Edain/mortal brothels for elves who are stressed tf out but do not seek marriage or "bodily union." For example, I dunno, maybe someone who happens to be a High King named Gil-galad? Or, perhaps, even, an Ereinion? (Yes. For full information, see my published works).

What about bodily union with an Ainur/Maia and an Elf? Did Thingol and Melian need to take vows? Or was Forest Eye Sex™ enough for them to be wed when they finally hauled their asses out of the enchanted woods and still failed to apologize to Círdan for literally causing him to be abandoned? 👀 Questions continue to abound.

Let us ask if the document is reliable in-universe:

The document is written in-universe by an Anglo-Saxon Man who was not related or married to a member of the Eldar, writing in 800something AD after managing to make his way to Aman. He heard this second-hand from other Elves. His b-day is not even close to the Year of the Trees. As readers, we should consider whether his narration is reliable or not for this reason alone. (“What’s your source? Trust me, bro?”)

Which brings me to my next point:

Unless we see other elven-generated sources or statements supporting his view, his research is unsupported — Oh but wait!! He HAS a source. A group of elves who saved him from a ship wreck shared some facts and he wrote them down after he got back so….about as good as being there, tbh. 😑 There's no way in hell an Elf would lie to a Man or play a joke on the weird dude asking invasive questions about your sacred marriage customs, right?

Let us question the document as it exists in our world:

It was published in “Morgoth’s Ring” (book 10) as part of The History of Middle Earth, Christopher Tolkein notes inaccuracies: “my impression is that my father had not fully planned its structure when he began”. Christopher also notes that it clear the document was written from the perspective of a Man and not a member of the Eldar.

Tolkien was wingin' it and he winged too close to the sun, so to speak.

Tolkien wrote this, but also noted questions in his own margins and some of his own logic is in conflict with other published works of his (Finwë, as always, is the exception of all exceptions along with Fëanor -- menaces, both). While many of the stories that Tolkien tells throughout LOTR about elves involve monogamy, we are not shown the other aspects of elven sexualities or lifecycles in those texts as in this unfinished LaCE text. This work remained unpublished during Tolkien’s time, in part, it would seem from Christopher Tolkien’s view, because the views in this in-universe texts did not fit smoothly into the world and relationships Tolkien had already built. (He didn't have it planned). This document did not come before, Tolkien was backing into it and he still was dissatisfied with it.

Finally, let us be frfr:

We all know Tolkien did not intend for the elves to have smutty, explicit times outside marriage. He likely didn’t plan for any of his characters to experience that within his world outside of a vow.

AO3 did not exist in his time. He didn’t know, folks. He didn’t know what we’d do and what we would write. (Side q: when was the word smut invented?)

^^^ To put a finer point on this that is less of a joke: Tolkien quite likely did not expect derivative works to be created from his universe. From an authorial point of view, he was less likely to view his work as what his narrative choices could or could not allow others to do with their own stories in his world. He rightly focused on whether his ongoing writing choices impacted the validity of his past stories.

If Tolkien chose to change something in his world, he had the final word on it (even if he was wrong with Gil-galad's parentage and I stand on that and so does Christopher amen). He was known for writing and rewriting maps, elven ages tables, parentages, etc to fit his vision as needed and as his fictional universe grew. The LaCE document is a draft and he did not finish it because he did not need the customs finalized for his other works to, well, work — he already wrote most of his elven characters as following this pattern of relationships, even if he did not have a document to define it.

Tolkien was an upper-middle-class Catholic Englishman writing from a personal lens; while his body of work is not a Catholic work, we can not fully ignore the author’s religion when analyzing a story that includes clear in-universe religious systems devised by a devoutly Catholic man. And, to be equally plain, is quite gah-damn clear what a man born in 1892 with JRR’s background, religion and education means to communicate to his audience when he says “bodily union”.….

But language changes. Context changes. Use changes. Meaning changes. AO3 has been invented.

Let. The. Eldar. Be. Horny.

Last Thots:

Many a writer out there *waves arms broadly* working with elves in Tolkien’s universe may feel the need to write them as a pretty straight-laced race of beings: no open lust, no sex outside marriage, unbreakable oaths. These are aspects aligned with the way Tolkien portrays elves, and so many fics featuring some of our faves will pair elves with others who are their betrothed or intended or spouse – a relationship that fits within the shown framework of elven sexuality. Sometimes writers will make some complex (and cool!) rationales to allow characters to move around the “rules”.

Love these fics. LOVE THEM. Give me all the betrothal and intended and sneakylink hijinks you can.

….but don’t keep these lovely people sexually repressed unless you want to. For fun 😉

[meltingpenguins]

Weird to see the old Good Omens fandom could absolutely Goncharov the new part of the fandom (those that came in with the show) about the book, because curiously a lot of new fans don't seem to have read it.

EDIT: Alright, to clarify: This is not meant mean-spirited, however I am a little curious:

Everyone new to the fandom who hasn't read the book / who has little/no idea of what is happening in it, which ones of these are a false statement about what happens in the book:

The 14th century was the most stressful 100 years Crowley ever experienced.

Crowley got his commendation for the Spanish Inquisition because he's been on a pubcrawl in Spain at the time.

Aziraphale's shop is right next to a porn shop

Hastur and Ligur attempted to build a car to get to Crowley.

Crowley can just manifest sunglasses at will.

Aziraphale is (accidentally) responsible for the Library of Alexandria burning.

Newt got a magazine staff arrested for espionage/treason (possibly)

Crowley has an entire collection of actual soul music.

Crowley's responsible for the cholera epidemic in the 1830s.

Aziraphale's initial instinct was to tell Crowley about finding Adam's address. He decided against it.

Anathema technically owes Aziraphale money cause Agnes never paid back money she borrowed from him to pay a publishing fee for her prophecies

Crowley's responsible for Manchester.

Adam has an older sister, Pepper has a younger one who is delighted to be put through a witch trial.

Now, which of these are false?

[batmanschmatman]

Book Rec: Coming Out Under Fire, by Allan Bérubé

Occasionally I see some discourse on Tumblr from folks in the HBO War fandom or different historical/history adjacent fandoms about how there weren’t that many members of the queer community involved in WWII, and I’d really like to point them and everyone else with an interest in queer history to this wonderful book. Originally published in 1990, Coming Out Under Fire gets into all the different ways queer folks DID participate in the war. It’s from an American perspective, so if you’re looking for other Allied experiences, unfortunately there won’t be much here for you, but it’s exceptionally well researched, and crucially a lot of the content comes from interviews with surviving servicemembers. There’s also a documentary based on the book, which came out a few years later and includes video interviews with some of the folks included in the text.

One of Bérubé’s main points in his introduction – and for writing the book in the first place – is the American government, history textbooks, Hollywood, etc. is able to paint the WWII-era military as an almost entirely straight military force because many queer people who participated in the war effort were silenced during their lifetimes, and were unable or unwilling to reveal their true identities. Some of this was from societal pressure – the post war period saw a huge surge in homophobic rhetoric and persecution in the name of fighting Communism, not to mention the ever present heteronormative pressure to get married and have kids – but also because so many queer veterans died during the AIDS epidemic. Bérubé was inspired to preserve the voices of those who were still with us and shed a light on some of the folks we lost. (Note that this was also an intensely personal issue for Bérubé, who lost friends and his partner to AIDS and thus saw first hand how devastating this was to the community in terms of robbing us of our loved ones, friends, elders, and history itself.)

In the book, Bérubé makes the point over and over again that queer people were involved at basically every level in the American military during the war. There’s stories about guys lying when asked “Do you like girls?” during enlistment, lesbians in the Women’s Army Corps being brought to trial for fraternizing, drag shows in POW camps and in reserve, front line combat veterans discussing losing romantic partners to enemy fire or coming out to foxhole buddies, who were supportive allies rather than hateful. One of my favorite stories that’s always stuck out to me is a guy who came home and decided to come out to his elderly mother, who was fully accepting and supportive of her son’s sexuality. I see so many people speaking in absolutes that there’s NO WAY you could come out to your family and be accepted in the past, and while that was certainly true for so many people, it’s also not an absolute truth.

Please note I am NOT giving blanket permission to make assumptions about real-life people’s sexualities or identities, nor am I saying Band of Brothers fics where half the company is dating each other are historically accurate, but it’s really sad to see folks on here (unknowingly, hopefully) perpetuating the myth that there really weren’t that many queer folks in the military during WWII. We were there, we just couldn’t be out the way we might have liked to be. After the war, the Red Scare, societal pressure, and a literal epidemic silenced countless members of the community about their time in the service. There’s no way to know how many people who fought on Guadalcanal or worked at stateside bases or sorted mail in France were queer, but it’s a lot more than you were led to believe.

As a member of the community and a historian (brief resume: MA in Public History, BA in American History, have published stuff and created exhibits for dozens of museums), I just want to remind folks that we have always been here, and our lives weren’t always miserable and tragic when we came out to people or decided to live as authentically as we could get away with. It’s not completely historically inaccurate to write fic or original fiction where your queer characters can come out to their families and not be shunned, or live with their partners and not be immediately murdered. Being queer wasn’t invented at Stonewall.

[blackberrysummerblog]

Hi all! I’m just out here being three weeks late with my 2024 Writing Round-Up, and thank you so much to @monbons, @forabeatofadrum, @confused-bi-queer, @rimeswithpurple, @nausikaaa, @prettygoododds, @ileadacharmedlife, @artsyunderstudy, @best--dress, @j-nipper-95, @roomwithanopenfire, @you-remind-me-of-the-babe, @imagineacoolusername, @mooncello, and @thewholelemon for tagging me! I hope I didn’t miss anyone, and thank you as well to everyone who’s been tagging me for Six Sentence Sunday and WIP Wednesday this month. Without getting too much into it, I am BURNT. OUT, and it’s making me retreat from even the things I enjoy the most, like writing and catching up on everyone’s beautiful fandom works.

But, I’m determined to make this round-up post, even if it takes me a couple of days to put together. There’s a lot here! Almost all of it was from COC, which I was hellbent on finishing this year, and did! Here’s the list, in chronological order, of all published writing for 2024:

The Field Trap, 1/2 (5272, M) This has been sitting unfinished for a bit, but I do anticipate it being completed. I discovered a real love for Watford-era fics toward the end of the past year, but it probably all began for me two years ago when I wrote Field Trip of Dreams, the prequel to Field Trap. At any rate, I haven’t forgotten the fic, and Field Trap may end up with an E rating in the second chapter.

Time Will Lie Down and Be Still (26,201, M) This is the fic I’m most proud of this year. It’s the result of my COBB collab with @rimeswithpurple, and it’s been such an inspiration to work with Arianna! I highly recommend the experience :D This fic has 3/5 chapters published so far, and I’m getting there with the 4th. I’ll share that Arianna finished the art for Chapter 4 the other day and it is STUNNING, so I need to get my part done! For anyone who doesn’t know, the fic is a retelling of the movie Practical Magic (I’ve never been able to get very far in the book, for whatever reason, so I wouldn’t count on the fic lining up with it). This one is close to my heart for many reasons, but I’ve especially enjoyed building Dev’s character and his relationship with Baz.

Absolutely everything else I published was for COC, and I’ll put it below a cut due to length. Thanks to everyone who read my work this year! As always, the output of this fandom is just incredible, and I’ve enjoyed being able to take it in as well as contribute a little myself. Happy New Year, everyone!

Something Old (1146, T) Simon finds something unexpected while clearing out space in the wardrobe.

Chosen (880, G) Agatha and Simon have just begun dating and Philippa attempts to engage her in a little friendly roommate squee. Agatha isn’t quite so sure.

I Hate You, Never Leave Me (2339, M) Simon and Baz have found a new and better way to settle their differences, by getting each other off all over campus. Will it evolve into anything more, however? (I love this one, honestly. Might have to someday write a more extensive version)

Greek (1565, T) Simon has to keep a very close eye on Baz in Greek class, for reasons.

Let Me See You (1205, T) Simon is the one to find Baz draining a deer in the forest instead of Agatha. His reaction is not what either of them was expecting.

Truth or Dare (2608, T) Does what it says on the tin—the gang play a game of Truth or Dare, and the dares reveal a little more truth than anyone expected. (Definitely not a groundbreaking take on the prompt, but I never really tire of reading truth or dare fics, and hoped readers would feel the same :P)

Gently, Gently (668, M) Simon and Baz spend the morning in bed, skiving off class and not regretting it at all. (I came to realize that an embarrassing number of fics I write either start out with the boys waking up in bed or that is the entire premise of the fic. “Waking up” is a weird fetish to have, but OK me, I guess)

Looking for Knives, Looking for You (1181, T) Baz reflects on all the wounds he and Simon have given each other over the years. (Despite the vicious sounding title and depressing summary, this one was meant to be sort of cute and sweet)

Hold You Safe (1015, G) At the start of Eighth Year, Dev and Niall’s relationship is still very new as they get some bad news from home.

Dinner (Guess Who’s Coming) (3525, T) It’s half term, and Baz’s parents want to take him to dinner. They invite him to bring a friend, but unfortunately for Malcolm, he pisses Baz off first, and Baz decides his guest will be Simon—the Mage’s heir, his family’s mortal enemy, and Baz’s undying secret crush. (As with nearly all my COC offerings this year, this fic was knocked out during my lunch break the day of, and it shows. It really could have stood to be longer and more developed, so maybe I’ll revisit it one day, since I did like the premise)

Stay with Me (878, T) It’s Eighth Year and Simon gets home late and injured from a mission. Baz arrives at a resolution. (I was a little baffled to get a comment about the Mage already being dead, since this fic takes place during the school year and makes mention of a very much alive Mage in multiple places. It was more of a statement than a criticism though, I think.)

A Charmed Life (1449, E) Baz and Simon have an utterly normal morning getting frisky in bed. (Again. Huh.)

A Horse Named Jane (736, T) Simon has that song stuck in his head again. The one Baz can’t stand. They work out a (sort of) compromise.

Sour and Sweet (3060, G) It’s Baz’s birthday and Agatha has just given Simon his walking papers. Oh no :P However, the breakup does little to lift Baz’s spirits. (This one has two chapters and filled two prompts, sour and sweet, natch. Chapter two’s summary is: Simon decides he needs to make something sweet for Baz’s birthday, even though he’s two days late and doesn’t know how to bake. Well, he’s got magic at his disposal, so things are sure to turn out just fine. :P)

Punk (828, T) Baz is making Simon join him for lunch with Fiona again, but Simon figures he’ll debut a new look & attitude. Will they actually make it to the restaurant? (I really enjoyed writing this one. Simon being frustrated with Fiona’s behavior and still being silly with Baz about it was just a happy place for me)

Surprise (733, M) Simon and Baz are engaging in one of their classic Mummers’ House tiffs. What will happen? :P (I did write a little surprise into this one, but it was very much in keeping with some of my favorite themes)

Cast in Fire (791, G) Simon comes to Watford and learns about how his roommate will be chosen.

Fluff and Nonsense (1627, T) The prompt is ‘fluff’ and did I once again take the opportunity to write a light-on-plot secret relationship fic about Watford-era Simon and Baz being cozy and silly in bed? Yeah, I might have. Simon is going home with Baz over the Christmas break. Not a lot going on here, they’re just really comfy and in love.

Pieces of Me (1557, M) Baz has been having nightmares. Simon comforts him and encourages him to open up.

The World Was Open (956, T) Agatha and Niamh attend Simon and Baz’s wedding, and Agatha overhears another guest making a snide remark.

Find Me (2374, M) Eighth year at Watford was unremarkable, and Simon and Baz last saw each other when they graduated. Seven months later, Dev and Niall drag a pining and protesting Baz out to a club for a night of drinking and dancing, but there’s a familiar face behind the bar. Simon Snow is serving drinks, and worse, he’s flirting with a Baz lookalike. What will happen :P (This was yet another fic that could have been developed a little more, but I was still happy with the result overall)

Warm Spell (1795, M) Goatherd Simon has been almost-encountering a beautiful stranger for several weeks now, but one hot summer day, they finally meet.

Lost and Found (575, G) The boys go shopping together and Baz temporarily loses Simon, but it’s all pretty plot-free :P

Truce (1101, M) Simon pesters Baz while he’s trying to study, and needs to learn a lesson. Will they be able to call a truce? (This one was where the trouble began—I changed my settings to allow comments from unregistered users, because I like to fuck around and find out, I suppose. And find out I did! Luckily, the rude comment I received took aim at some writing element that didn’t even make sense for this particular fic, and I quickly realized it was a bot. Not long after, I started getting comments on other fics as well, all very nonspecific to the fandom, characters, and genre. I’m so sorry because I know it upset a few readers who were very kind to clap back and reassure me, and I changed my settings back so that it wouldn’t happen again.)

Savour (1189, T) Simon has been away on one of his missions for the Mage, and Baz has been awaiting his return by leaving out plates of food in their room every night. (Bot’s review: “the worst fic in the fandom”. It’s not even the worst fic in my own oeuvre, so joke’s on you, guy XD)

We Were Always Together (2239, T) During cotillion class, Simon is forced to dance with Baz. The horror! (I flipping loved writing this. Full on had a blast and Would Write Again)

Let It Snow (925, M) It’s almost time for Christmas break at Watford, and it may not turn out as the boys planned. However, thanks to a spell gone wrong (or very right) it may yet work out for the best :P

Always (551, G) It’s Christmas Eve and Baz has just finished putting the kids to bed. Simon is putting the finishing touches on the Christmas tree.

Something New (990, T) Simon and Baz have a little tiff near the end of eighth year, but it’s not fated to last long. I’ve written a lot of secret!relationship Watford era fics for COC this year, some that could go together and some that were in separate universes. It’s been so much fun to write about the boys sneaking around, but this is…something new. :P (In which I was very pleased with myself for how I wrapped things up in accordance with the prompt. I really, really enjoyed COC this year :D)

Thanks for reading! I’m sure most everyone has already made their own round-up posts, but consider these no-pressure tags and hellos: @valeffelees @stardustasincocaine @bookish-bogwitch @facewithoutheart @c0nsumemy5oul @jasonfunderberkerthefrogexists @tender-ministrations @basiltonbutliketheherb @ghostpepperworld @larkral @letraspal @cows4247 @fiend-for-culture @palimpsessed @hushed-chorus @shrekgogurt @raenestee @cutestkilla @drowninginships @youarenevertooold @iamamythologicalcreature @beastmonstertitan @ic3-que3n @supercutedinosaurs @stitchy-queerista @alexalexinii @asocialpessimist @shutup-andletme-go @prettygoododds @ivelovedhimthroughworse @j-nipper-95 @wellbelesbian @bookishbroadwayandblind @orange-peony @papierhaikuphoto @martsonmars

[chocolatepot]

Saw a post about how you need to read original fiction and not just fic to write books, and I had some thoughts but they're not so much a direct response so I figured I'd make my own post ...

You do need to be conversant with original fiction to write it, but also - that doesn't mean that your fiction diet as you write needs to be primarily original fiction. If you want to write a book, you've probably spent a lot of your life reading original fiction even if you're in fandom now. That all counts. (Assuming what you want to write bears at least some resemblance to what you've read.)

Fanfiction really doesn't teach you to develop characters and settings on your own, it's true. It particularly lets you be lazy about not describing them physically, and not having to do any work for walk-on characters who exist in canon. You also can get used to writing romantic short stories that would be completely unmarketable if they were not fic.

However, fanfiction still can teach you a lot of transferable skills, if you want it to. You can write novels to stretch your ability to plot a longform story and follow through on 60k+ words. You can consciously work to improve your prose, your pacing, and/or your physical/emotional descriptions no matter what your subject matter. You can write a story that focuses on how a character changes and develops, and you can focus on a minor character from canon and do the work to make them three-dimensional. If you're into AUs, you can also work on worldbuilding or writing a believable historical setting. Literally the only thing you don't really have the opportunity to do is create your own main characters from scratch.

And I feel like that's actually the easiest part of writing. Sitting down and writing a story that lasts over 80k words or so, is compelling all the way through, has defined character arcs, etc. is way harder than making up the initial concept. If you're in fandom, you clearly Do Stories whether they're on the paper or onscreen, and so you probably have a lot of character types in your head already to start messing around with.

There was also a point in the post about how if you don't read you're not going to understand where your story fits genre-wise, and you're probably going to think that it's new and genre-breaking when it isn't - and that leads me to two thoughts. One is that not feeling able to place your own story if it crosses genres might be more common to writers than you think: it just came up in a Bestseller Experiment podcast ep I listened to the other day as a normal thing due to the writer being too close to their story. I have good comps for my novel (there's a T. Kingfisher that is incredibly similar in concept and key characters) and I still feel like "oooh ... is it more fantasy or more historical ..."

The other is that fic makes it so you're more likely to actually write something that genuinely doesn't quite fit in the boxes. That's something I've been thinking about since Winter's Orbit. That book, if you don't know, was originally written on fail_fandomanon's spinoff writing meme and posted on AO3. It was always original fiction, but it has a fic-like sensibility: there's a strong political intrigue plot alongside a strong queer romance plot between a playboy who's not really a playboy and a smol bean with trauma. If you read the GoodReads reviews from when it was published, you can find many sf fans complaining that the romance takes up too much space and romance fans complaining that there's too much plot outside the romance. I think now with the rise of "romantasy" there's more tolerance for that, but that label feels like it's getting less useful as it broadens to mean "fiction written by a woman that includes a romance" (and it feels very m/f to me but we don't have time for that now). Because so much of ficwriting fandom focuses on stories that heavily foreground romance but don't hit the traditional romance beats and also writing the characters figuring out who's committing industrial espionage or whatever. In a romance novel, the romance is absolutely the A plot and the whatever is very much B plot (if not somehow C). In sf/f and thrillers, the whatever is the A plot and the romance is around the edges. Fic teaches us to do them both equally, because the point of the story is to see the characters getting together (often not like canon, when it comes to m/m and f/f) while having a plot to deal with (like they have in canon). Also, in a lot of cases of genre-mixing, determining which one it "counts as" is really determining which one it will sell better under, and that's not something a person outside of the industry can generally tell, regardless of what they're reading on their own.

[multi-fandom-lunatic]

I just seen your post on JKR and then Rick Riordan, oh my gosh, where do I even start?

Sit down, I've brought the tea.

So I'm in my 30s, and as you may guess, I was reading Percy Jackson as the books were being published. I joined, I think, just as The Last Olympian came out. I was definitely here for The Lost Hero, and considered myself a longtime fan by then, so, as you may guess, I was in the fandom for quite some time.

I bore witness to everything Rick Riordan did, from fan harassment and bullying to racist remarks he made about his characters. I watched firsthand as he posted how happy he was with the movie casting choices as they slowly came out.

I was watching Supernatural at the time; it was the season where Michael and Lucifer were squaring off, Jake Abel was there, so Season 5 (it ended at Season 15), and I was happy that someone I knew was playing Luke.

Anyway, he was very happy; he would make posts about shooting, being on set. He only started openly hating the movie AFTER it flopped at the box office... I guess it didn't give him the fame and fortune he had expected? Shines a new light on that hate, doesn't it?

I haven't checked in a very long time, but I believe he has deleted those early blog posts where he praised the movie and the sets, taking pictures with the cast and saying they were all perfect. He even said Jake was exactly how he had pictured Luke. Come to think of it, he has buried his blog, as it is not at all easy to find anymore after the whole incident with that blog post on Gaza/Israel.

When I heard he was now making a TV show, I watched him and the cast carefully. The TV show seems to be a slight success, so he's very happy to praise and support it. But what if it flopped?

He would be slagging them all off. I think a lot of actors were put off Percy Jackson on disney as his reaction to the first movie was so unprofessional and he enjoyed letting everybody know how much he hated it.

Back to the fans now, I saw Rick Riordan every week blocking fans, then posting their usernames and pictures/screenshots of what they had said to be blocked by him. The majority of them were young fans telling him they had watched the movie and liked it. He was posting pictures of little kids' profiles and sending his fans out to hunt them down online and harass them. It happened all the time and he enjoyed it so much he even made a Q&A about it on his website (since took down) he knew about the fans bullying other fans too, he openly encouraged it.

I was actually one of the first people to start a Rick Riordan call-out group; this was when I was about 19 or 20. I was documenting his toxic behaviour back then, that was before the problematic aspects of his books came to light. The man has been vile for a very long time.

I am quite happy running a tutorial blog for gifs right now, but if I had the time, I would start a blog with all of my old content back. Sadly the older stuff is lost as it was on my original blog which has been dead for years, but anybody else around 30 who was online during the fandom's original run can tell you how much of a jerk he is. We used to call him Uncle D*ck and a friend of mine actually messaged him with a list of everything problematic he was doing.

He turned very nasty.

The nice guy act is just that, an act. His new Rick Riordan persona came out maybe four years ago now?

There's a reason he posted a lame ass post about harassment in book publishing and how he's going to self reflect upon his own actions when his buddy James Dashner was exposed a couple of years ago. There's a reason he ran from Twitter and there's a reason now why the official Percy Jackson book twitter is often set to private/public without replies... he can't hide his true nature much longer and people are once again waking up to him.

I would not allow my kids within feet of Percy Jackson, that's toxic shit right there.

Oh my goodness. That's some toxic shit right there.

I'm became a PJO fan in early 2023, for context (literally by reading Solangelo fanfiction) and I am beyond disappointed in other PJO fans for ignoring this and myself for not doing adequate research.

The whole movie/show drama is very interesting, definitely did not know about how he began hating it AFTER it flopped. Like, I've always seen it played as him hating it because its book accurate.

But it makes more sense this way. Honestly, I watched the show when it came out and it's not very book accurate at all. I've been scratching my head wondering why he was so kind to it when it was not even that good. But now it makes sense.

Thanks for telling me, anon. Good to know about this, sad it had to be this way.

[abigailnussbaum]

The Georgette Heyer Master List

Is it just me, or has Georgette Heyer kind of... gone away? Ten, maybe fifteen years ago, she was a name I'd hear quite often. Especially in the circles of science fiction and fantasy fandom that also overlapped with the avid readership of Jane Austen or Patrick O'Brian, she was often recommended as a sort of Austen methadone. Over at Tor.com, as it was then known, fantasy author Mari Ness did a whole season of reading through Heyer's voluminous back-catalogue. These days, even as romance writing—and especially Regency romance, the subgenre that Heyer arguably created—has gained enormous mainstream visibility, and as science fiction and fantasy romance has become its own wildly successful subgenre, Heyer seems to come up less and less. One might have expected the success of Bridgerton, for example, to inspire some film or TV adaptations of her books (it was, after all, the reason the Austen fanfic series Sanditon came back from being cancelled after its first season), but so far nothing.

This might be one of those cases where the answer is contained in the question. The reason fewer people are reading Heyer is that, although she more or less created Regency romance, there are so many people writing within it now that readers looking for something like Jane Austen, but not quite, have a lot of other options on offer. Which makes it easier to notice the problems with Heyer, or simply the ways in which her style has fallen out of fashion. There is no sex in her books (and no queerness, obviously), but there are poisonous sexual mores—all her heroes have had mistresses who are, quite obviously to them and everyone around them, not the sort of woman one marries, while her heroines, even at the moment of declaring their love to their HEA, feel obliged to "resist" any physical display of affection. Her books are rife with chauvinism, antisemitism, and most of all classism (and frankly, I think the only reason racism is absent is that everyone in these books is white), and while this is arguably more realistic than a lot of starry-eyed modern Regency romances, it is also a reflection of Heyer's own prejudices.

Still, I took in all those recommendations a decade or more ago, and while I may be slow I will usually get around to reading something if a lot of people tell me I should. In the last year I've ended up reading a lot of Heyer—mostly stuff I had in my enormous TBR, or found at a used bookstore, or at the local library, so there's not a lot of intentional choice happening here. I'm not here to say that Heyer is an overlooked gem. All those problems noted above are very much present in her writing, and in addition she has some favorite tropes that she goes back to again and again—in a mere twelve books, the plot strand in which one character is kidnapped across the channel to France, while another character pursues them, going deep into the logistics of finding them and catching them up, recurs a surprising number of times. But she's nevertheless a more interesting writer than I think is commonly acknowledged today, more likely to pay attention to the psychology of her characters (and not in the modern, sometimes quite exhausting, therapy-speak way), and more interested in her setting (Heyer also wrote historical fiction, and some of her romances shade into that genre). I dipped into some of Julia Quinn's Bridgerton novels this year as well, and I have to say, beyond the fact that Heyer is just a better writer, it's a bit more palatable to encounter nasty sexual politics in novels written in the 40s and 50s, than to have to accept that the implied threat of sexual violence is but a stepping stone to true love from a writer whose books were published only twenty years ago.

Below are some thoughts on the Heyer books I've read so far. I will add to them when and as I read new ones, though I think I will continue to leave the selection of those books to happenstance.

S-Tier

Cotillion (1953) - This is the first Heyer I ever read, and to an extent it has spoiled me for the rest of her writing by being such a high water mark. Kitty Charing has been informed by her guardian that she will be forced to marry one of his nephews, and instead decides to run off to the city to find her own match, with the help of gadabout Freddy. The two end up first pretending to be engaged, and then trying to throw Kitty in the path of eligible bachelors, while inevitably falling in love themselves. This is a great book first because it's extremely funny. Heyer had a great ear for the absurd slang of the fashionable London set, and gets a lot of mileage out of Kitty's cheerful refusal to let logic or common sense stop her, and Freddy's Regency himbo antics. More importantly—and rather rarely for Heyer's writing—Kitty and Freddy are true equals. They're both a bit silly and a lot sheltered, but also able to rise to the occasion when it's required, and they lock into each other's wavelength early in the novel and never let go. Inasmuch as they change each other, it's only in revealing that they are able to pull off audacious schemes when someone they care about needs them to, and you can imagine the two of them having a long, ridiculous partnership in crime for the rest of their lives.

Sylvester, or the Wicked Uncle (1957) - Informed that Lord Sylvester, who has a bad reputation that is only partly earned, is about to propose marriage to her, Phoebe runs off with her best friend Tom. When the two of them run into trouble on the road, they are rescued by none other than Sylvester, which throws him and Phoebe together for extended periods, with predictable results. This format—older, powerful man; younger, sheltered woman—is one that Heyer returns to quite often, but it works better here than in any other of her novels. Sylvester isn't cruel or a rake; he's arrogant and high-handed, though often with some justification (most of his bad reputation comes from his self-absorbed, thoughtless sister-in-law). Phoebe isn't a naif, but an intelligent woman with a hidden career as an author that she's quite devoted to. The two of them develop a compelling friendship long before they fall in love, rooted in the fact that they are often the smartest person in the room, and able to help each other steer a tricky situation towards calm waters. The twist that threatens their relationship—before meeting him, Phoebe wrote a novel in which the villain was a thinly-veiled version of Sylvester—is highly original, and the novel's final act, in which Sylvester must pursue Phoebe and his kidnapped nephew into France, is one of the most hilarious sequences I've ever read. By the time the two get together, it's obvious that they could only be happy with each other.

Good

False Colors (1963) - Returning from his diplomatic post abroad, Kit Fancot discovers that his twin brother Evelyn has disappeared, right before he was about to propose to Cressida Stavely. Persuaded by his mother to impersonate his twin for one night, Kit quickly finds himself hosting Cressida and a whole raft of other characters in his country home, while trying to keep up the charade and, of course, keep from falling in love with Cressida himself. This is a book that's interesting more for the background than the main romance—Kit and Cressida are quite sweet, but more because they're a point of calm amidst the chaos of all their relatives and friends. But it's that chaos—especially Kit's mother, an airheaded inveterate gambler whom Kit nevertheless adores— that is the real source of the novel's fun. The fact that Kit and Cressida are able to put all the various crises around them to rest is what convinces you that they will be a good couple, but it's not their further adventures that you'd like to follow.

Charity Girl (1970) - While visiting relatives, Ashley Desford encounters Charity Steane, the penniless ward of a family who are mistreating her. When Ashley later finds Charity running away, he convinces her to let him try to find her a respectable situation, and places her with his childhood friend Henrietta Silverdale. In any other novel you'd expect Ashley and Charity to fall in love (and indeed this is what several characters in the novel assume—when they're not assuming something more salacious). Instead, Ashley's efforts to untangle Charity's family situation, get the best of her odious relatives, and find a safe place for her are a method of throwing him in company with Henrietta, whom he has for years insisted is only a friend. It turns out that Ashley and Henrietta, having rebelled against their families' plan to marry them off at a too-young age, have been shame-facedly pretending that they haven't fallen in love for ten years, and it's only by becoming jointly responsible for Charity that they can work their way around this predicament. The stakes aren't particularly high, but the scenario is original enough (especially for Heyer) to make this a worthwhile read.

Interesting

These Old Shades (1926) - Infamous rake Justin Alastair encounters a runaway, Léon, on the streets of Paris and takes him in as his page. It doesn't take long to realize that Léon is actually Léonie, but the untangling of her convoluted family history—a tale of swapped babies, mistaken identities, and false heirs—is the business of much of the novel, during which, of course, Justin and Léonie also fall in love. The potboiler plot is quite fun, as is Léonie herself—having pretended to be a boy for years, she is at once indifferent to the mores she's expected to adopt as a respectable young lady, and immediately won over by fancy clothes and balls, which allows her to triumph over opponents in both high and low society. But this can't quite get around the problem that Justin is twice Léonie's age, and also a pretty bad person (the character previously appeared in The Black Moth (1921), where he was the villain, and a subplot in These Old Shades even throws Justin into the company a woman he had kidnapped in the previous book). Despite the force of Léonie's argument that she actually wants to be with Justin, this is a book better enjoyed for its rollicking, adventurous middle than its romantic conclusion.

An Infamous Army (1937) - Heyer was simply mad for the Napoleonic wars, and this is one of several books she wrote set in and around them. As aristocrats and officers await the arrival of Napoleon's army in Brussels, Colonel Charles Audley encounters Lady Barbara Childe, a widow with a scandalous reputation. The two feel an instant, powerful attraction, but end up having to navigate Barbara's habit of playing games with her suitors, and Charles's impatience with them, before the battle of Waterloo erupts and forces them both to confront more pressing issues while also realizing the depth of their feelings for each other. It's nice to have a central couple who are older, more experienced people, but An Infamous Army steps away from Charles and Barbara quite often. Sometimes this is quite interesting—the absurdity of 18th century warfare, with Wellington throwing balls for the who's who gathered in Brussels while everyone debates when to flee the city—and at other points quite tedious—several subplots in which Charles's extended family play forgettable matchmaking games. In the end, however, Heyer's interest is in Waterloo itself, with the novel culminating in an 80-page, blow-by-blow description of the battle. This can sometimes be quite moving, when it captures the sheer extent of the carnage, or the confusion of individual officers. But mostly it's just descriptions of military tactics, which is not what I signed up for when I picked up a Regency romance. By the time Charles and Barbara find their way back to each other, you'll mostly be feeling exhausted rather than overjoyed.

A Civil Contract (1961) - Adam Deveril is called home from the peninsula by the news that his father, a viscount, has died, and that the family finances are in such dire straits that Adam may be forced to sell their ancestral estate. The only solution, Adam is quickly made to realize, is for him to marry rich, to which end he's introduced to Jenny Chawleigh, the daughter of a fantastically rich but boorish merchant. In most books we'd expect Adam and Jenny to fall in love, and it takes a while to realize that this is not going to happen. Adam continues to think wistfully about Julia, the woman he had been attached to before his finances made the idea of proposing to her impossible, and the narrative is at pains to point out that he doesn't feel any attraction towards Jenny. What A Civil Contract is about, instead, is class relations. The complicated push and pull between Adam and Jenny's father Jonathan as they negotiate one's social position, and the other's wealth; the delicate negotiations between Adam and Jenny as she learns to understand the importance of tradition to him, and he realizes that she is actually capable of being a great viscountess if he just trusts her a little. The whole thing is a lot more Edith Wharton than Jane Austen, with some great scenes in which Adam is torn between genuine appreciation of Jonathan's energy and intelligence, and disgust at his determination to tear down everything old and replace it with whatever is newest and most expensive. In the end, however, it's all a bit too bleak, and Heyer doesn't quite have the courage to let us sit with that. She tries to assure us that Adam and Jenny have found a genuine partner in each other, and that this, too, is a form of love, but this is not very convincing. In the hands of another author, A Civil Contract would have been the half-tragedy it actually is.

Meh

The Convenient Marriage (1934) - Intending to propose to the eldest Winwood sister, who is already in love with someone else, the Earl of Rule is persuaded, by her younger sister Horatia, to marry her instead. That's basically the story—a marriage of convenience for both parties that turns into a romance. But while in other books Heyer has made a meal of this premise, The Convenient Marriage never convinces you of either its lovers being especially suited to each other, or the rather thin obstacles it places in their path. There are some interesting worldbuilding details—some information about how the invitations to Almack's used to work, or about the mechanics and norms of duel-fighting. And towards the end, there are some good scenes in which Horatia has to outsmart a kidnapper, or her brother has to arrange a highway robbery to retrieve a stolen jewel that might destroy her reputation. But ultimately, the fact that this is all in service of a couple who aren't particularly engaging (and whose age difference—35 and 17—is hard to get over) makes the whole thing a bit of a slog.

Cousin Kate (1968) - Kate Malvern is at the end of her rope, having been chased off yet another governess position by an employer with wandering hands, when a long-lost aunt invites her to visit her country home. When Kate arrives, she soon realizes that her aunt Minerva plans to pressure her to marry her cousin Torquil, and that there are secrets in the estate and the family that are being kept from her. This is Heyer working in the Gothic mode, complete with an isolated great house, a young woman being manipulated and lied to, and a dreadful family secret. It's reasonably well done for what it is, but there were better authors than Heyer working in the Gothic mode—by 1968 you could have read something like Mary Stewart's The Ivy Tree (1961) or Nine Coaches Waiting (1958), both of which do much more interesting, innovative things with the Gothic form than Heyer is even attempting. Finally, there is the fact that the dark secret being kept from Kate has to do with mental illness, whose handling is as tragic and sensationalized as you might expect from this author and era.

Yikes

Devil’s Cub (1932) - The sequel to These Old Shades, this book centers on Justin and Léonie's son Vidal, who has all of his parents' faults and none of their charms. After killing a man in a duel, he schemes to run off with a silly middle class girl, whom he of course feels no compunction about ruining. When her sister Mary takes her place, Vidal is shocked to realize that he has compromised a "respectable" woman, and tries to convince her to marry him. There are further twists, but none of them can get around the fact that the main character of this book is odious, and that the supposed love story between him and the girl he has kidnapped and ruined is highly unconvincing. Not helping matters is that an older Léonie periodically appears to explain that her son has done nothing wrong and that marrying Mary will obviously be the best thing for him, which frankly feels too much like the voice of the author for comfort.

The Spanish Bride (1940) - Based on the real experiences of Captain Harry Smith and his Spanish war bride Juana, this is another novel deeply rooted in the minutiae of the Napoleonic wars, beginning on the peninsula and culminating, of course, in Waterloo. In itself this might simply be boring, but right off the bat we get a scene in which Harry and other officers stand back while their soldiers, enraged after the bloody siege of Badajoz, murder and rape their way through the town for several days. Harry's marriage to Juana is arranged in the wake of this atrocity as a means of protecting her, despite her being only fourteen years old. The rest of the novel is spent careening between detailed descriptions of various battles, and cutesy interludes between Harry and Juana as they settle into their marriage—Harry often exasperated by Juana's stubbornness and emotional outbursts (I don't know, man; if you didn't want a wife who behaves like a child, maybe you shouldn't have married a child); Juana almost slavishly devoted to him but also prone to jealousy and anxiety. (Harry Smith left copious journals so one assumes his side of the story is fairly realistic; Juana Smith's feelings on the whole matter are, as far as I know, lost to history.) The whole thing is alternately boring and gross.

The Grand Sophy (1950) - Charles Rivenhall is informed that his family will play host to their cousin Sophy, whose diplomat father is being sent abroad. Accustomed to keeping house for her father, Sophy quickly takes over the Rivenhall household, rearranging her cousins' financial and romantic lives while a stunned Charles is at first outraged, and then won over. This is a solid premise, but the execution is appalling. Sophy is a bulldozer who interferes in people's lives not because she cares about them but because she always thinks she knows better, and eventually she comes to feel more like a bully than a savior. That Charles is attracted to these qualities might be taken as a defensive trauma response (or, in the hands of a more open-minded author, a kinky tendency), but at no point did I even begin to believe that Sophy had any romantic interest in him (there are a number of Heyer characters who would make a lot more sense if they were queer, but Sophy, in particular, is so clearly a lesbian that the very idea of her happily married to a man breaks one's brain). Adding insult to injury is a lengthy sequence in which Sophy "defeats" an odious Jewish moneylender—read, a collection of poisonous antisemitic stereotypes in human form—whom her cousin has borrowed money from and who, completely unreasonably, expects to be paid back until Sophy threatens him with a gun. I will no doubt ruffle some feather by placing this book—generally held to be one of Heyer's best—so low, but reading it nearly put me off her for life.