#a lot of people struggle with it lol

[mamabirbsnz]

Tomodachi Life:

"Hold my beer..."

Just reminding everyone that this was literally a minigame in WarioWare and most people probably thought nothing of it

[bookalicent]

yeah so this was insane

[bambiraptorx]

Recently I found a list I made several months ago of Big Mama words that she uses in canon, so I thought I'd share it. (Note: this is not complete and the notes on meaning/use are limited by what I guessed from context.)

Biddily-boo: auction, bidding

Bimbally bugs: no particularly new meaning, her way of saying bugs

Contrapulation: complex object, contraption

Crackadoo: mess, disturbance

Dimbally door: no particularly new meaning, her way of saying door

Fantumptuous: very good, fabulous, amazing

Fizzy-winkle: mess, chaos

Fuggy-doodles: thieves

Hollydoo: apparently a sort of limb

Malutacious monsters: positive apparently

Meddle-doos: meddlers, irritants

Oh, giggily-pin: exclamation

Scramulent: good, pleasing (occasionally used sarcastically)

Scrumbulent: good, pleasing

Silly-billy: silly

Skanktonious: stinky, repulsive

Tissle-tassle: problem, possibly a little issue that gets bigger

Thrashy-diddle: fight

And I organized them alphabetically because it was fun. If anyone has more, feel free to add!

[burningcheese-merchant]

Wake up, BurningCheese/GoldenSpice babes, new poorly drawn blorbos just dropped

They look cooler in my head, I swear.

the images didn't show up the first time wtf lol

The kids are finally here, yay. I promised I'd show you them, and I finally stopped being an asshole and followed through. Almost got 200 followers and I'm very grateful for it - really, I'm nobody. I'm just some clown who says dumb stuff and makes dumb memes and writes cringey stories, and yet I convinced almost 200 people to tune in. Thank you all so much, users on here and anons in my inbox alike. As a token of appreciation, you can all endure my rambling about my OCs and witness a person in their early 20s draw like a 12 year old.

The boy is Pepper Jack (or Pepper Jack Cookie). He's the firstborn and older than his sister by a few years. He takes after his mother in a lot of ways, primarily in her appearance (save for nabbing his father's red eyes). He's incredibly bright (and a smartass lol), preferring to think his way out of conflict rather than fight his way out... not that he's above violence at all, if that glaive doesn't give it away lol. He harbors a deep sense of love and loyalty towards his family and his peoples, and carries the weight of his responsibilities and heritage with as much confidence and poise as he can muster. (There are/will be times where he stumbles, of course. He's not perfect. He struggles a lot more than he lets on, really. But he tries his best, for everyone's sake.)

The girl is Matar Paneer (or Matar Paneer Cookie). Again, she's the younger one by a few years. She was all but made in her father's image, save for inheriting her mother's eyes. She's a little firecracker: lively and fun-loving and stubborn as a mule. She doesn't ask "can I have/do this thing", she tells you "I'm going to have/do this thing". Golden is proud as anything to see her daughter be so greedy... until that greed comes into conflict with her and Spice's authority lol. But she's a good kid, despite being such a handful. She has an enormous heart and is not afraid to stand up for others/what's right, and she loves her parents and brother more than anything in the world. She might doubt her own capabilities, she might secretly fear that she's not strong enough to do what she needs to... but she keeps pushing anyway, because she'd honestly choose death over quitting.

Your eyes are not deceiving you, Pepper Jack's wings are blue lol. There's an actual reason for that. And that USO (Unidentified Sitting Object) in Matar Paneer's hair is a lotus (the cheese one in the GCK decor set lol). There's a reason for that, too. I thought it would be cool to give Jack a glaive and swap out the normal blade for that of a khopesh sword (glaives are not Egyptian, they only saw use in Asia and Europe, but I just HAD to give him a glaive), to add that Egyptian touch. Paneer's supposed to be wearing a pattu pavadai, it's a traditional Indian dress for young girls. It's a blouse plus a skirt. She's holding katar, Indian knives (Cilantro Cobra has them, too). And her hair's supposed to be in a low ponytail.

Merchant thinks that if they explain what their terrible drawings are supposed to convey, people will understand their intended vision and the pain will stop

I sat down and did research into both Egyptian and Hindu mythology for the sake of drawing inspiration for them both. I'll explain in detail in another post, but basically: both of them take after one Egyptian god and one Hindu god each. Golden takes after Ra and Spice takes after Shiva, so I figured I'd follow along that line.

Please flood my inbox with questions about them now. I've really been dying to talk about them for ages now. I've drafted extensive character sheets for them both, I even made up in-game descriptions for them lol. They're my little fankid blorbos and I love them :') I hope you all come to love them, too

(Also, I'm sorry they're on lined paper. I'm visiting family rn and that's the only paper my grandmother has in her house. I'd have to drive to a stationery to get printer paper and I'd really rather not drive in this particular country lol (shit roads, even shittier drivers). I'll doodle them on printer paper whenever somebody remembers to bring me some)

[tangents-within-tangents]

Thinking about the song "Ship in Port" by Radical Face and clones

Thinking about the line "Farewell to the chains we were born into" and what that can mean for the clones

Thinking about how "But I have always stayed in place/Under that old illusion that it's safe" could equally describe Hunter, Echo, and (s1+2) Crosshair's complete opposite approaches to the Empire and post-war life.

The way Crosshair clings to his identity as a soldier of the Empire

And Echo as a soldier of the Republic

But Hunter puts his identity as a soldier behind him

Crosshair fights for the Empire to gain purpose

Echo fights against the Empire to save his brothers

And Hunter decides the Empire is too strong to even try to oppose

"A ship in port is a safer one"

"but it's not the reason it was made"

"So forgive me if I wander off"

"And forgive me more if I just stay"

Thinking about what The Bad Batch could have been if it had more fully explored the differences between those ideologies

(Thinking about what The Bad Batch could have been if it had dedicated more screen time to the 'reg' clones within the Empire and the underground network's fight to free them , instead of just sidelining Echo and Rex for a hypothetical clone rebellion show we might never get)

[myopicry]

sometimes I think so much of "queer" discourse surrounds semantics and identity labels because people engaging in these spaces legitimately do not live life outside of the internet. I don't just mean they don't go outside or talk to real people, but the way they interact with real people is never truly free from the internet. I think this is just sort of how gen z are now unfortunately, so much of our lives are consumed by handheld devices and social media platforms, but I find it way more prevalent in artsy, liberal, tra-positive communities. (the amount of times I just hear people straight up quote popular tumblr posts or tiktok trends...)

and surrounding yourself in real life with people who frequent the same internet circles as you and thus hold the same beliefs is a great way to not end up experiencing anything actually real, and thus you never really learn anything from your life experiences or from other perspectives, much less experiences of relationships or sex or romance. leading to people caring way too much about words and perception with things like pronouns or microlabels or "validity." everything is about optics and holding the "correct" opinions because that's the state of the internet these days! of course they'd ignore the actual material aspects of oppression, what is the internet if not a breeding ground for consumerist distraction from dealing with the various staggering issues in society?

"touch grass" isn't even a good enough solution anymore. can you partake in any hobby without thinking of how other people would percieve it? can you have a conversation without parroting the words of a tiktok post? can you seek love and relationships without obscuring it in layers of branding? can you understand yourself, truly understand who you are, without obsessing over how it looks on a screen?

[doubleedgemode]

Happy summer, everybody!

This has been a big project to take and while there's stuff to improve I'm pretty happy with it. Be sure to zoom in the big picture for details and read the comic from left to right. (Needless to say, please don't try A.B.A's behaviour.. For your safety)

Bonus doodle:

[c-kaeru]

Jealuc skinny dipping shenanigans (that I drew 6 months ago)

[griancraft]

I'm struggling to word this but I'm finally ready to talk about it and I want people to listen.

I've noticed a type of racism in leftist communities I don't see talked about a lot. I am Quarter Japanese and I am visibly mixed, but a lot of leftists see "quarter" and assume that I don't have the right to an opinion on issues that effect me. The sentiment I've gotten from mostly white leftists is that I'm not "POC enough" for a lot of discussions.

There's this weird thing in a lot of leftist spaces where your appearance and percentage, not your experiences based on your race, are considered above all.

Meanwhile, in reality, all aspects of my identity are affected by my race and my family's experience with Japanese internment. An event which stripped them of any wealth they had acquired since moving to Canada over 50 years before the war.

An event that cause the intermarriage rate of Japanese-canadians and white Canadians to be over 90 percent post internment because we viewed proximity to whiteness as safety. An event which left them in severe poverty until my dad and aunt worked their asses off to get a degree. The generational trauma goes so deep my dad didn't want me transitioning because he was worried about what the government would do to me.

Because of my race I experienced negligence from authority figures related to pretty severe racially based bullying at 12. That negligence could have killed me. I've had to deal with microaggressions and straight up racism related to my last name on multiple occasions.

One time I was out with a friend and he grabbed my arm tight and dragged me to walk faster. A man wearing a white lives matter T-shirt was standing in the middle of the path looking directly at me when I turned around.

I'm pretty sure this wasn't based on me being feminine and goth that day, I live in a city with a decent amount of people in alt subculture and my friend was way more gothed up and queer than me. I was barely passing as a guy at that point so it wasn't because I was a man in a dress. I know this is a weaker point, but it made me realize just how unsafe I am in my own community even though I'm a mixed person in a heavily multicultural city.

Obviously, this isn't on the scale of someone who is less white passing than me and/or has more compounding marginalizations. However I've found that the fact I'm mixed race has been used against me to devalue my experience and knowledge regarding what it's like to be a POC in Canada.

I can assure you I am aware of how bad it is, and I am aware of how good I have it. I also want you to be aware that it's not all sunshine rainbows and bunny farts to be more white, it doesn't make the racism go away. It often just makes it more covert and easy to explain away because I'm "not really Japanese"

[prince-liest]

I just wanna gush bc omg I love the 666 series so much. I think it made me realize I might be... furry-ish? adjacent? I just find it so satisfying how you go into detail about the unique body features of both of them, the way it feels to have deer ears or kiss a TV and just generally how much thought is put into the way their bodies work, and I've realized that my interest in that kind of idea is a pretty good reason to partake in more explicitly furry media lmao. Anyways

I'm also really in love with how you maintain the balance of each of their personality traits. Vox is simultaneously so pathetic and cringefail (also your dialogue for him is perfect, I can hear it crystal clear in my head) but also he has vastly more emotional intelligence than Alastor, no doubt at least in part because he has to deal with Val, and he's able to marginally calm down with his obsession to deal with sticky situations, but even then he still retains his personality and bumbles things sometimes because of the flaws in said personality! It's great. I also really appreciate the balance you've struck with Alastor, I feel like often Alastor is either written to either soften up so immediately that it feels disconnected from his character or is written overly mean and heartless for my liking and the way you've written him is such a delicious balance between softer aspects such as the prey instincts or moments of vulnerability and his untouchable and manipulative self, and also the way this side of him is neither written as wholly a front or wholly his real nature and the complex ways this makes him struggle with his increasing vulnerability. TL;DR arghgr your characterization is so good it makes me go a little feral

Also while I'm here, I'm curious whether you can give an answer to the degree to which Alastor is touch-averse. There's obviously a lot of ways in which he fundamentally dislikes touch but it also seems like there's at least some kinds of touch where he doesn't dislike the touch itself so much as he's afraid of the way it brings about feelings of caring and/or enjoyment being cared for. I'm curious how much, in general, you would say his touch aversion comes from either cause and possibly what kinds of touch do/don't provoke those flavors of aversion

Omg, what a lovely ask to receive. Honestly, everything you said that you enjoy about how I characterize these two is very much what I've been actively gunning for, so it's an absolute delight to see it outlined back to me. Success!!! Thank you so much!

And ahaha - I'm not a furry but I fucking love inhuman characters. Being raised in the pits of Homestuck fantroll RP made me enjoy the whole "they're bug/fish aliens" thing and it definitely rears its head again any time I encounter characters with inhuman qualities. I love writing Vox's TV/computer-ness and Alastor's deer and radio bits, and integrating them into who they now are as people.

As for Alastor's touch-aversion: It's funny that you ask about this, because the next chapter of 666 is going to dive into it a bit. Specifically into the fact that it's not, like, a set of boundaries that is consistently defined, and I write him that way on purpose. The very first time he and Vox sleep together, Alastor bottoms. He becomes significantly less amenable to touch after he goes through an uncomfortable rut cycle that gets sexual. By the time Vox convinces Alastor to fuck him, Alastor would never let Vox do that again and frankly only agrees to topping because Vox gave him an option that didn't involve getting his dick out. Then in the next episode, they're having clothes-off sexual contact. So, what gives?

Things that play into Alastor's willingness to touch and be touched as far as Vox is concerned:

How does he see Vox at that point in time? Disgustingly entitled (ew)? Hilariously beneath him (haha who cares)?

Does he care about what Vox thinks of him? Does Vox touching him draw his attention to positive or negative assumptions he has about Vox's perspective on doing so?

What value has he attached to this particular touch in the power balance of their relationship? Is he humoring Vox? Does he assume Vox thinks he's owed this? Does he perceive it as something Vox is genuinely doing for him?

Has he tried this particular kind of touch before? He's pretty willing to experiment, but that doesn't mean he'll do something twice without a compelling reason if he didn't like it the first time.

Is he getting off on this situation sexually? If so, is it fully willing (read: not a byproduct of uncomfortable hormones) on his part? That only really happens when he's in a submissive role and Vox is hitting a few very specific kinks, a major one of which is basically CNC tilted 30 degrees to the left.

Is he enjoying the touch in platonic ways? How does he feel about that? Is it a vulnerability to want something? Is it feeding his ego to be catered to? Is he worried that what he enjoys platonically is being read into in ways he doesn't like?

Is he fucking drunk? Things that bother you when sober often seem like a non-issue when you're not, both on a physical and emotional level.

How much touching has been happening recently? Has he hit his limit? Did he deliberately put himself into a situation earlier to have his limit be hit and surpassed, and now he's in the aftermath?

He does have a certain fundamental purely physical dislike of touch, but it's something that is really affected by how he perceives each individual situation as well as his relationship with Vox at that time, and his previous experiences!

[snowflake-sage]

Pretty proud of how far I’ve come this year

[ricciardhoes]

from the bottom of my heart, thank you for everything. there will never be another like you. ever.

[shidoutsukiomi]

i think if you have to go to 'never seen a transandrobro that wasn't a zionist' then you're showing your ass that you do not know anything about anything. you can make your point without resorting to saying 'all trans men who are concerned about their oppression are complicit in genocide' just by the way. that's a thing you can do. it's not our fault that you've run out of ways to convince yourself you're in the right either

this sort of thing doesn't make you a friend to palestinians. you don't need to use their oppression as a gotcha. using real, human lives, past and present, as a gotcha in internet discussions about whether transandrophobia exists?

but, like, regardless, a bunch of trans men being zionists does not suddenly mean that every trans man is a zionist nor that trans men are, by design, uniquely evil or undeserving of having their concerns taken seriously. we've been through this with TERFs and trans women - yeah there are trans women pedophiles and that does not mean all trans women are pedophiles. but you, so-called defenders of trans women, are so, so, so close to repeating that exact rhetoric but, nay, it's okay cos you're doing it to trans men, who aren't really oppressed anyway, so it doesn't count.

[chryblossomjjk]

the thought of not seeing them for 18 months hurts my heart fr

[scificrows]

Is there a 300 page essay about Murderbot's armor (specifically the opaque helmet) as a not-so-subtle metaphor for masking in a clearly neurodivergent character already? Because I need it.

The way Murderbot is unvoluntarily without its opaque armor in All System Red in front of the crew (i.e. unmasking) and appears surprised at its own strong facial expressions and other people's reaction to it? The vulnerability that comes with that and how Murderbot spends pretty much the rest of the book wearing or actively missing its armor which keeps it safe from the mortifying ordeal of being known (yet sometimes other characters suggest it might help for it to not opacify the helmet in order for others to see it as a person and to trust it (and in the end idk if it would have achieved the rewards of being loved by its humans and have had its needs met if it hadn't unmasked in this relatively safe environment sometimes)).

Also there's the whole avoiding-looking-directly-at-people-and-using-drones-instead thing which Murderbot usually hides using the opaque helmet, but whenever it doesn't have that people notice it and many react negatively/confused. I think that's a whole neurodivergent-applicable situation in and of itself? Like damn

And then Mensah encourages Murderbot not to wear armor on Preservation station since it would not need it there, Murderbot is hesitant but ends up not wearing any (like 4 books later when we finally get to that bridge) (going for the comfortable clothes it chose for itself instead, with very strong feelings about the whole being able to make choices thing that I cannot go into further at this point because I would absolutely end up BITING SOMETHING OR SOMEONE).

And I'm not going to advocate for unmasking all the time in any setting because hell no, sometimes it absolutely sucks and people are irritated by Murderbot's now visible quirks and are afraid of what they don't know, but many GET TO KNOW Murderbot better and because there are other people that make sure Murderbot is safe and respected and are willing to get people fired for it if they disrespect it (Pin-Lee my beloved) Murderbot can experiment with this situation without being exiled to some abonded part of a planet and other people are forced to spend enough time around ot to learn to respect it and even like it. I just....... It must be so scary and Murderbot is handling so much at once and in this essay I will

PS sorry this is a disorganized mess but so am I and I have so many Thoughts and even more Emotions and so little patience.

[vynnyal]

Btw I'm basically speedrunning now