#Yes they have dogs and what about it

[papanowo]

i think dan should get to be a little weird too. as a treat

[puppetmaster13u]

Prompt 331

Demon twins? Demon twins. 

Damian? Good at the assassin side of things, at least for a four year old, but Danyal? He’s okay, but he’s far better at things like poisons and bookkeeping. Which is honestly? Okay. They’re the League of Shadows, and sure a majority of the members are assassins, but it’s definitely not all there are. So? Danyal starts getting medical training. 

Not to say that either of the boys don’t know their fair share of violence and healing- it’s just better to let them play to their strengths. One doesn’t keep a league over centuries if they just have one type of warrior, or even just warriors. A variety is needed. 

So one gets trained more towards the business side of things. Damian may be better at wielding the weapons and killing- even if neither have had their first kill quite yet- but Danyal shows far more proficiency at acting, at masking who he is and gathering information. 

Damian, when he’s first sent to their Father, doesn’t mention his twin. Not because he’s jealous or hates him or anything like that. You just don’t talk about someone in an undercover mission in the League, and it’s not something he realizes isn’t a rule everywhere. 

Needless to say, the Bats have more than a mild freakout the first time Damian mentions a twin who will be coming to the manor now that his mission is over. 

[tenpintsof-sundrop]

Derek being a non-tie wearer and Spencer wearing a tie all the time is further proof of my theory that any man who wears a tie just wants to be led around like a dog (consciously or unconsciously)

[poorly-drawn-mdzs]

WAKE UP!

[First] Prev <–-> Next

[secriden]

*cracks knuckles* Okay lets talk about the elephant in the room: Style going to the support group for those who've suffered loss and telling what appears to be a fake story about losing his pet dog.

I'm going to point out a few things that I think provide a framework for Style's actions here. Not because I think it excuses what he did, but because I think a nuanced read is what the character deserves.

Point 1: An irresistible opportunity

The subs put the "Support Group for Loss" on the image in the notebook, but I'm not sure there's anything to suggest that Style would've known that was what this image represents until he showed up and saw the sign on top of the door.

In episode 2, Bison says, "He plans everything down from years, months, weeks to days" and then tells Kant:

So Style is literally just going to addresses/locations at given days and times, potentially not knowing what to expect. And as much as Fadel is certainly attending this meeting as a response to having that heartbreaking flashback (😭), this is also something he attends regularly and has planned to attend way in advance. So Style has no reason to think Fadel is attending this meeting because of a recent resurfacing of his pain.

What we, the audience, and what the characters know are very different things.

Now, should Style have turned his cute ass right around once he realised what this meeting was? Of course he should. But that wouldn't have been true to Style's character. We've been told by his best friend that he is "crazy" and been shown repeatedly that he lives right up to that description.

Style is impulsive. He's all base instinct and he acts on his desires without thought or contemplation. And by this point he is desperate for a deeper connection with Fadel. He's fascinated, captivated by the mystery that is Fadel and this is an excellent opportunity to finally see behind the wall Fadel so carefully maintains.

When Style sees the sign above the door, Style looks at the notebook (which, again, shows nothing but people sitting in a circle with the words RISE UP) like he's just realising what it means. He then gets this amused, almost rueful look on his face (like he's thinking "am I really going to do this?") before it shifts to determination and he walks through the door.

(My soul for the ability to once again gif something because FUCK Dunk is doing SO MUCH in this show!!)

To Style, this is just too good of an opportunity to give up.

Because let's be real, Fadel is so clearly lying and hiding something:

Fadel is shady as FUCK. He is simultaneously actually a really good cook (Style finally tries his burger so he knows, now), and also has the skills to work at a strip host club, and also can take on 3 guys in a fight, and also can break a man's arm with his thighs. Can you honestly blame Style for losing his mind just a little bit about wanting to get his hands on something, anything, to figure this man out?

Style is being absolutely consistent in his persistence to understand Fadel. This isn't about the car or about finally 'winning' the fight (thank you @airenyah for giving such a detailed framework to understand what Style's been doing until this point) anymore. This is about Style wanting to know Fadel himself.

Point 2: The potential implications of the setting

Now, what might give us a bit of insight as to why Style is this way? I have a theory (albeit one that could prove to be very wrong, but hear me out). I think this whole entire show is set in what could potentially be quite a small town/suburb.

There's a few things that make this theory plausible:

(1) Fadel and Bison are in hiding after Bison blew their previous cover. They're probably on the run from some section of the authorities and so it makes sense to settle in a quiet/out of the way place.

(2) Style seems to be really familiar with the people in the area. Like he grew up there and its the kind of small town where everyone knows everyone and everyone is in everyone else's business.

(3) Style is clearly the darling of the market aunties and uncles.

Style just lost her a sale and potentially a loyal customer, and she's still rooting for him? In episode 2, when Style asks the uncle to let him borrow his cart, it takes nothing but his word for the uncle to give Style his entire cart of produce for his ridiculous scheme.

Style is so clearly someone they all know well and have great affection for, and a very plausible explanation for this is that they all watched him grow up and the entire market (town/village) is fond of him.

And honestly?? Yeah, we see the way Style is actually quite sweet in that careless, guileless, thoughtless way. He goes the extra mile to fix his mistake with Fadel by replacing his car parts for free in episode 1. He helps out by taking orders in episode 2 without being asked and takes it seriously. In episode 3, he tries to drive more business to Fadel's store (bless him, he so clearly does NOT understand how restaurants work, but he MEANS well!!), and can we all acknowledge that it works?? He understands how to appeal to potential customers in the area because he knows the people there. It's not (entirely) his fault that Fadel wasn't remotely prepared for an actual rush crowd and Bison was off getting kinky with Kant and not doing his (fake) job. He is so clear about not judging Fadel's host job and tries his hardest to help him (to absolutely NO effect, but still) when the 3 guys gang up on Fadel.

Style is so loved and more importantly so very loveable.

Point 3: What this could mean for Style's character

So, potentially, Style is someone who grew up in a small town, who has been well loved, potentially spoiled and coddled, but also very much kept within the confines of the narrow viewpoint that a quiet, country town places on you.

It's in the way his dad scolds him as if he was still a child when he's at least in his mid to late 20s. It's in the way Style was so mad at Fadel for scolding him ("thanks for the lecture, dad"), like that hit a sore point for Style. It's in the way no one in the market takes him seriously; they're fond, but he's still a kid in their eyes. It's in the way he has an abundance of free time like he doesn't REALLY need to work at his dad's shop. It's in the way he sees Fadel beat 3 guys up with ease, starts wondering if Fadel is an assassin or a hitman, and is completely unfazed like he doesn't quite have a handle on reality.

It's in the way his best friend is a man who has no qualms about lying to him and putting his life in danger, and how Style seems to have no other friends or people (aside from his dad) in his life.

@wuxian-vs-wangji made a comment to me about Style being desperate for a meaningful connection, and I think she hit the nail on the head. Because along comes Fadel, a mysterious stranger with a suspiciously versatile set of skills who is also very hot and keeps giving Style these wonderfully complex reactions? Who sometimes wants nothing to do with Style, but at other times seems to be at war within himself about desperately wanting him? Who treats Style with anything but apathy?

This is catnip to Style; he never had any hope of resisting this.

Breaking news: Style is a complex and imperfect character...

Here's the thing, though: he was never going to try. The show has been incredibly upfront about who Style is as a person. Regardless of whether I'm correct about why he is this way (ie. that he is very much the product of the environment that didn't know how to handle a kid with Style's personality), episode 3 shouldn't have surprised anyone about Style. He's been incredibly consistent and true to himself.

He wants Fadel and he's "crazy" enough to go all in, no holds barred about it, and the Support Group was the biggest doorway to finally discovering something REAL about Fadel.

And its not just about sex or to prove his superiority anymore. Because if it was just that, then Style would have reacted very differently to their first time.

In this scene, Style is pleased and evidently enjoying himself, but he isn't exuberant. He isn't overcome with joy. If anything, he was more happy and excited when Fadel let him help out in the diner (I mentioned this in the tags in this post too) than he was when Fadel is literally fucking him. He lets Fadel set the pace; barely moves to touch Fadel except to hold him close. Almost like he doesn't want to accidentally mess this up, like he's worried he'll take too much, so he'll take what Fadel gives him and no more (please appreciate @braceletofteeth's amazing tags on this post). For a character that has been so aggressively on the offensive, this is shocking until you realise that sleeping with Fadel - while it's a step in the right direction - isn't Style's end goal anymore.

And he makes that abundantly clear in this episode:

Does Style even fully realise the weight of this desire? I doubt it. But I do believe that Style is in earnest. He doesn't fully understand his own feelings, but he also doesn't really care to either. All he knows is that he wants Fadel, wants his attention and his passion and his focus and his heart.

...but Style is also kind of, sort of, perfect.

Because he's exactly, precisely, breathtakingly exactly what Fadel needs.

Because Fadel is hurt and broken and bleeding inside. Because Fadel is barely holding it all together for Bison's sake, but has already given up hope for any true happiness for himself. Because Fadel can't trust anyone or anything in his life, when he's been used and used and used by the family who should've loved and cared and protected him.

Because it's going to take nothing short of this kind of unwavering, unshakable, uncomplicated determination to give Fadel even a chance of healing and opening his heart to love again.

[yuwuta]

yuuta exhibits such previously abandoned, recently adopted dog behavior. incredibly anxious all the time, even though nobody’s out to get him or leave him behind. waits for you to return home or from school or from work excitedly, just to see you when you walk through the door. follows you around senselessly, hovering in your space just for the sake of companionship. initiates affection in prodding ways—starts off next to you, then a hand on your thigh, then deems it safe to lay all the way down, then slowly pushes his head into your lap. gets up whenever you need to get up, and resumes his position as soon as you’re ready. brings you gifts as a sign that he’s thinking of you, and maybe because he likes the affection it brings out in you, maybe because he likes the gentle affirming touches of a hand in his hair or a pinch to his cheek. rests his head on your stomach or his chin on your shoulder when he’s sleepy, stays there, immobile, and will not move unless absolutely necessary. sometimes he gets surprised when he hears you calling for him, there’s a moment of disbelief as he thinks “me? really? you need me?” but it’s very quickly overshadowed by this compulsive need to show up, to please, to do anything for you, which is why he always answers when you call. he doesn’t realize that he has puppygod eyes, especially when he’s excited or confused, but he does and it’s incredible endearing. very reluctant to share your space or attention after a while, considers that to be sacred and he won’t risk being let go or lost again, so as a safety precaution, he keeps himself right by you, waits for you always. 

[tunamayojazz]

the #1 hazard in their house is a sleeping toge and their very fat cat jiji

[fumifooms]

Thinking about them…

[sawboans]

the fact that i have seen so many disingenuous takes on harding's banter with a romanced emmrich is wild, and maybe it's because the banter is actually part of a set and people aren't triggering the full conversation? but (more so on other social media) the jump to villainize her is genuinely surprising to me because i thought she made it pretty clear that she was coming from a place of concern - specifically, she was worried about emmrich.

whether it's reflected in the game or not (imo it isn't but that's another can of worms), he and rook are apparently moving fast, and a relationship between an older person and a younger person does in fact come along with some real considerations. not just how other people will see them, and how much this will change about their lives, though those are both also factors. i think in the case of emmrich and rook they're on even footing in a lot of other regards, but the prospect of emmrich dying first is absolutely on the table and, yeah, are we sure the guy with A Well-Known, Debilitating Fear Of Dying has thought that through fully?

their argument near the end of the game tells me that no, he hasn't. like... rook clearly has. they're confused why the issue is getting brought up at all after so long of already being together. but emmrich spends the whole game talking about how real, lasting romance was a dream he never quite reached, and goes on about summer companionships and failed courting attempts, and says he and rook are just exploring things and the game uses words like paramour and companion, significantly not anything more permanent. he hasn't even reached the point of saying the big scary L word (and doesn't until basically right before the final battle). he has been avoiding thinking about the specifics of a long-term, committed relationship with rook and rook can call him out on it during their argument - it's because he's scared. and harding is pointing that out; that he jumped into this relationship because rook was just so exciting and now they're running at, as she says, full gallop without looking out for branches, aka the genuine considerations of what this will entail for them moving forward. even if the banters with harding had never happened emmrich was always going to have a crisis about this - she says he's been mopey and distracted, it's clearly been weighing on his mind, and the night before tearstone island is when it comes to a head because if they pull this off, if the threat of the gods is over, then what will he and rook do? plan for the future? god forbid. no wonder he's such a bitch during the argument, he's trying to get rook to cut things off so he doesn't have to (because deep down he doesn't want to, he's just trying to pull the emergency brake)

anyway tl;dr imo harding was showing real concern about how emmrich is approaching the relationship and was fair to point it out. if you bring the two of them around often enough to hear their banter, they actually seem like very good friends (they dig into each other's pasts and interests more than a lot of the other companions and harding asks him for quite a bit of advice, emmrich asks her in turn for a lot of reflection on her connection to the titans... he even starts to take care of her plants if she dies) and i would fully expect my friends to bring up this sort of thing if i was in his situation because it's coming from a place of care. you can interpret that as misguided if you want, but even if she's romancing taash it doesn't necessarily come across as hypocritical to me - maybe taash and harding have already discussed their circumstances and worked through it, but it's clear that emmrich has not.

[worshipfulmercy]

princess

[blackjacktheboss]

it’s wild that riordan could have so much time to think about this rewrite and how he would build his world in a tv show and all he seems to have done is make it worse

[fvedyetor]

american sigzai

[puppetmaster13u]

Prompt 317

IMAGINE THIS: Lil baby Damian, bored and being not quite old enough to start learning how to use proper weapons (curse these wooden ones, he wants true steel!) is wandering the base. This is not out of the ordinary, he’s the prince after all. What is out of the ordinary is that his shadow, his Akhi, is not here. 

Technically, he should be napping, but he woke up and neither his mother or his brother- who is quiet but gentle and isn’t a good speaker (mother said it was from a head injury)- is there. Which is how he finds his way to the Pit, which he’s not supposed to be at. Or at least not alone. 

But! His mother and Akhi are there! And- and Akhi is screaming and he’s never heard him scream like that, like he’s in agony- His eyes are green- they were blue, had, had Mother placed him in the Waters- 

And then the pool is bubbling- he should be running away, get assistance or something, he’s five, he shouldn’t be running towards it when everything is screaming to flee. But one moment he’s at the doorway, the next he’s clinging to his akhi as something writhes in the Pit, a mighty bellow echoing even as the Shadows take defensive positions. 

The water cascades, laps at their feet, splashes everywhere as a scaled form rises from the depths, wings like a bloodied sunset spreading as fur bursts into flames. Crimson eyes glare down at them all, pupils slits as they bare down at his Akhi. 

The creature- the dragon- dips its head down, its breath warm as it chuffs at his akhi, wings folding as though it is bowing. His akhi is clinging to Mother, shivering, several scars glowing as they fade and a burst of hair burned white. 

Oh. 

Oh.

@fairy-lights-and-blobs @f4nd0m-fun @hdgnj @radiance1 pspspspsps

[somegrumpynerd]

Y'know that one scene from Lilo and Stitch where they're at the pound adopting him and Nani's like "does it have to be this dog?" and it cuts to Stitch picking his nose with his tongue and then back to Lilo like "yes, he's good, I can tell"

That but it's Nightmare picking Killer

[rivalmelty]

they are fukuzawa’s boys, adopted twins, and menaces to the yokohama police

(pls do not tag as beast)

[aristocrating]

hey girl have you seen that canon kentparse timeline post? I swear I saw it floating around but now I can’t find it

this is the old guide we usually refer to but kvp90 did a recent version here: