#YOURE TALKING ABOUT DIFFERENT THINGS!!!

[fisherrprince]

some of what’s up with this guy

edit: can you pretend I wrote “after” instead of “before” THANX

[i-know-how-my-story-ends]

Intellectually, before I had trouble walking, I knew that there were widespread accessibility issues for disabled folks basically everywhere.

However, living with mobility issues myself has brought me so much more awareness of the multitude of difficulties disabled folks face. There's little things everywhere-- the lack of space between tables in restaurants, the items on store shelves that are hard to reach, the long walk between elevators-- that I would never have noticed on my own if I hadn't been forced to navigate them.

If someone pointed it out, I would have noticed that these were accessibility issues. On my own, without experiencing those problems myself, I probably wouldn't have.

I don't think that's a bad thing, necessarily. I think it's a human thing. If something is outside the scope of your experience, it's not something you instinctively pay attention to.

I don't expect my friends to instinctively avoid stairs, for instance. I just expect them to listen to me when I tell them I need to take the elevator.

So, in summary: you won't always understand or notice systemic accessibility problems if you aren't affected by them. That's okay! Just listen to those who do experience/notice them and try to adjust your behavior appropriately.

[sforzesco]

DO NOT BE AFRAID

this is combining Ovid's Heroides and the Excidium Troie because I can't stop thinking of Hermes telling him not to be afraid. what the fuck!! Ares is wearing the crown that Paris gave him.

I have. thoughts. about Paris. he's almost got this Troilos parallel in my mind, that the event that defines him in detail exists in a lost narrative that we don't have (the Cypria), but everyone else knew. the event that defines Troilos is his death (murdered, butchered by Achilles, the violence of which haunts everything after. Achilles, child killer, you can't escape that!), and the event that defines Paris is the Judgement. what's a lost text but a kind of grave!!

idk I don't think that Paris before the Judgement would recognize himself after bc when you become god touched, it rearranges your guts. you become transformed in the worst way possible! how could you recognize yourself! but I also think that all the Parises after the Judgement would recognize each other because that event is so locked into the trauma of war and the scar it leaves on the land, it's like a scar on the narrative too. it exists like this forever, over and over again, so you exist like that forever too. Troy collects grief and despairs.

Troy as trauma: Reflections on intergenerational transmission and the locus of trauma, Andromache Karanika

and Paris is like. a miserable little god/corpse-puppet or something, like a match for the gods to throw onto gasoline.

The Excidium Troie + Ovid's Heroides:

Excidium Troie, trans. Muhammad Syarif Fadhlurrahman

Ovid, Heroides 16 (trans. Harold Isbell)

a collection of things regarding Paris that made me go 😬 but under a cut bc this is getting. very long.

The Divine Twins in Early Greek Poetry, Corolla Torontonensis

Iliad 24 and the Judgement of Paris, C.J. Mackie

Elegy and Epic and the Recognition of Paris: Ovid "Heroides" 16, Elizabeth Forbis Mazurek

Ennian Influence in "Heroides" 16 and 17, Howard Jacobson

Paris/Alexandros in the "Iliad", I. J. F. de Jong

[s0fter-sin]

god the way ghost’s voice drops when he tells soap, “you’ll need to improvise to survive”

before that, everything he says is steady but when he acknowledges that soap’ll have to do something outside his skill set, something he intimately knows to be difficult, his voice wavers. he does the same when he says, “welcome to guerrilla warfare”; it’s sombre and serious in a way he doesn’t act for the rest of the mission. if you read into it enough, he almost sounds apologetic; like he knows exactly what soap’s about to go through and wishes he didn’t have to

he keeps soap going; poking at him and making jokes, giving him tips and asking about his progress. he never lets him stop and take a second to think bc he knows the moment he does is the moment it'll all hit him; the betrayal, the pain, the fear, the deaths, all of it will drown him and if that happens, soap won't make it

he needs him to be a soldier through and through and he knows this is one of the worst kinds of battlefields you could end up on

and the only times he slips is when he acknowledges that fact

it happens again when he says, "tryin' to get you here alive and in one piece". his jovial dark humour facade drops for just a moment when he has to face the potential reality of losing soap. then he tries to pick it back up again with, "one of us has to survive to tell the tale"; completely discounting himself as a survivor to try and rally soap and make him think it’s all down to him

and soap does the same thing

when he's calling out for ghost on the radio, he's tentative, testing the frequency, then when he doesn’t get a response, he grows desperate; "ghost, this is 7-1, do you copy?"

then when ghost answers, he smooths out his voice; he hides the pain, the fear, and no matter what response you give to ghost asking if he’s injured, soap brushes it off (“i’m good”, “what’s the difference?”, “i’m not a medic”). soap decides it’s in ghost’s best interest to hide the extent of his injuries

he doesn’t know where ghost is, if he’s secure, if he has any weapons; he doesn’t even know if he’s in las almas until he says, “there’s a church, i’m headed to it”. for all he knows, he could’ve run in the complete opposite direction. if ghost knows he’s hurt, then his attention would be split between his own survival and soap’s

and soap, who lets himself be poked and prodded towards the church, needs to hide his own doubts. maybe he needs ghost to believe he'll make it so he himself can believe it ("what are my odds?" "don't make me bet against you", "think i'll live that long?" "probably not")

he all but begs ghost to tell him he'll get through it and if he knows just how bad off he is, maybe he'll change his mind. maybe he'll think he won't make it to the church

maybe he'll leave him alone for good

"you injured?"

"i’m good"

"let's find out how good you are"

[ratatatastic]

Vanha Kauppahalli date: en full, a 2 minute 50 second masterpiece...

Primetime Panthers | 11.6.24 (x)

[listen-to-the-inner-walrus]

Okay listen, I'm real tired of seeing that post that's like "actually bell hooks was talking about how we raise boys" and other miscontrusions of what it is that The Will to Change is about.

So directly from the source, from bell hooks herself in the preface:

"The Will to Change: Men, Masculinity, and Love is about our need to live in a world where women and men can belong together. Looking at the reasons patriarchy has maintained its power over men and their lives, I urge us to reclaim feminism for men, showing why feminist thinking and practice are the only way we can truly address the crisis of masculinity today. In these chapters I repeat many points so that each chapter alone will convey the most significant ideas of the whole. Men cannot change if there are no blueprints for change. Men cannot love if they are not taught the art of loving.

It is not true that men are unwilling to change. It is true that many men are afraid to change. It is true that masses of men have not even begun to look at the ways that patriarchy keeps them from knowing themselves, from being in touch with their feelings, from loving. To know love, men must be able to let go the will to dominate. They must be able to choose life over death. They must be willing to change."

I ain't wading headfirst into the discourse here. This isn't to state some opinion, but to correct the record about what bell hooks was talking about.

No one is saying you have to agree with her, but don't misconstrue what it is she wrote about to make it look like she agreed with you. The Will to Change is not solely about how we raise boys; it is also about men and the will of men to change.

[aflamboyanceofflamingos]

In order to turn a very embarrassing moment of my life into something funny have this stupid Timbern au:

The Drakes are alive so Tim is still on track for being the heir of D.I. but is interning at W.E. for the summer because Bruce offered a position

Bernard has been interning at W.E. as well, for volunteering hours

The both work in a small, newer branch of W.E. that focuses on cultivating more information about Gotham’s history

Bernard’s there because it's the most teen focused thing and Tim’s there because he wants to figure where exactly the Lazarus pit is under Gotham so he can mess with Ra’s

They are currently stationed at an old house that was made into a museum which is managed by Wayne Enterprises, but since most of it is a museum there are only a few rooms to actually work, however it being a teen thing it’s very much choose your own hours so that prevents too many people from being there at once

Tim, who doesn’t want someone to come in a see the fact that he’s already finished cataloging all of the 2023 Donations to the museum and is instead using the time to further research the numerous curses in Gotham and/or watch Demon Slayer, is very happy about this fact and only comes at either the earliest or latest times so he gets a room to himself and only has to pretend to be going through boxes when someone checks on him

Bernard immediately messes up Tim’s plan

He’s always there- morning, night, even when Tim changes up his schedule

And no matter how many how many empty rooms there might be he always finds Tim and sits with him, even the time Tim tried to hide in the attic under the guise of organizing a couple boxes up there

Being the paranoid idiot that he is Tim assume that Bernard is a from the League of Assassins and enacts a 46-step plan to figure out what he’s planning (read: stalks him) and in the course of it ends up falling in love

Meanwhile on Bernard’s side, the first week of the internship he walked into the room Tim was in and wanted to be friends with the cute boy

The reason that he kept finding Tim was that he was talking to Dick Grayson, his gymnastics instructor, and Dick had realized that the boy in question was his honorary little brother and told Bernard that “Timmy’s shy, you just have to break down his walls to get to know him” and tells him when Tim’s going to the museum

Dick is well aware of what Tim thinks the situation is because he’s the one Tim rants to, but he thinks it’s funny and will make for a great story to tell at their wedding

[snek-eyes]

See you in hell.

[ID: A series of gifs from the Good Omens 2.2 minisode "A Companion to Owls."

Sitis looks disbelieving as she says, "…No. God wouldn't!" Crowley gives an exaggerated frown and replies, "Are you sure?"

Sitis looks horrified and says, "But they've done nothing! They're innocent!" Crowley nods impassively: "So were the goats." Sitis stares at him in horror.

In the cellar, Aziraphale looks back over his shoulder, seeming offended. "God's [side], of course!" Crowley reclines, raising his eyebrows and nodding. "Oh, really. Same God that wants me to whack the kids?"

Aziraphale looks very uncertain, and slowly says, "…Yes. But…" Crowley grins slowly, gesturing to Aziraphale and saying, "That's just how it started for me."

Back in the house, Sitis looks devastated and desperate. "If my children are dead, then… I will curse God, and—"

Crowley swings abruptly around the doorframe and rushes over to interrupt Sitis. "WHOA! That never ends well."

At the cliff's edge overlooking the sea, Aziraphale looks on the verge of tears but determined. "Well. I'm ready to go." Crowley asks: "Go where?" Aziraphale swallows. "To hell."

Crowley sits down on the rock and says, "I'm not taking you to hell, Angel." Aziraphale looks over at him, his tearful expression turning confused. "Why not?" Crowley replies mildly, "Well, I don't think you'd like it."

End ID.]

[beebeedibapbeediboop]

May I reblog one of your art pieces?

I am referring to "the rainy day" piece.

Reblogs are more than appreciated :)

Reposts on the contrary, are forbidden and I can't say it enough to stop doing it xD

But reblogs have never been problematic!

[whollyjoly]

hot in the day, hot in the night, hot as the coal coming to tread, light on your bed, here we go oh, listen whistle roll (baby the, the sun is getting low)

the bucktommy cowboy au nobody asked for part two (part one) (part three)

(song insp.)

[cosmossystem]

personally i think you should be legally required to have discovered your plurality and learned to function as a system for at least three full calendar years before being allowed a voice in syscourse. because when you don't, we end up with newbies regurgitating the same dumb fucking takes over and over such as "children can never have alters" or "endogenic systems were invented last year" or "your trauma wasn't bad enough to cause xyz" or even my personal favorite "there is never any overlap between DID/OSDD and MADD/BPD/literally any disorder"

[libelelle]

seeing someone complain about silvers 06 personality is enough to make a man homocidal

[cupiidzbow]

we’re autism4autism have i ever mentioned that

[atopvisenyashill]

since i’m rhaegar posting i do think it’s likely that “being in love” will be part of the story just the same as george likes to refer to dany & drogo as a romance. i think george likes these kind of,,,,romantic abusive situations where a young girl will fall in love with a man who is older & obviously harmful to her because he likes to explore the sort of mindset you’d have to be in to force yourself to fall in love in that case.

but the same way that the line about “she had just turned 14” is there to freak you out for a REASON, the same way Sansa loves “Petyr” but doesn’t enjoy “Littlefinger”, I think that Rhaegar is going to have several motivations as to why he makes off with Lyanna and they won’t be particularly romantic! I think they will be prophecy related, and deeply disturbing, and I think by the time Ned finds Lyanna in the Tower of Joy, her opinion on this and on Rhaegar will have changed significantly! And regardless of how the characters feel about each other,,,,,,,this is still a horrific and terrible thing that Rhaegar does to Lyanna and his “love” for her does not matter to me when it winds up getting her killed! Love is not an excuse!!

[daisybell-on-a-carousel]

Still very wild to me when people try to gotcha Jason with the whole "if you can kill other people for being evil why can't they kill you" when jason is like. One of the most passively suicidal characters I've ever seen. What if man

[oscargender]

Heartbreaking: “problematic” danmei everyone told you to avoid is actually pretty decent and has mildly interesting things to say about poverty and class