#YOU’RE ALL COMING DOWN WITH ME

[youngjusticeshitposter]

you have single handedly forced me to get back into my yj era again

thanks xoxoxo

[hypershocked]

oughhhhhh

[thehenchmansjournalpod1]

FOR ANYONE WHO IS READING THIS, HEED THE CALL!

If you're reading this...

go write three sentences on your current writing project.

[cairafea]

On the idea of Theseus's Ship: in the end, it's still his, isn't it? It was known as Theseus's, and it will continue to be known as Theseus's.

Even after he has returned to the ground which grew the wood of the hammer used to nail the ship's frame, Even after generations of new wood have rotted and the sails are rags clinging to threads, Even after millennia,

it will still be Theseus's Ship.

Thank you for bringing us home.

Goodnight, Phosphophyllite.

[littlenastieswewhispered]

“buffy ended the show single :)” ok but only because her current love interest just DIED!! (he near quite literally died in her arms! in sacrifice for her!) her last words of the entire series were telling him she loves him and then saying his name in admiration. she isn’t single; she’s a widow.

[starwarrior18]

Ok I wanna get this out. I thought of it, you thought of it, we thought of it. We as well be honest with ourselves

Credit: IBarrakiI (r/Transformemes)

I found this on twitter. It fit me to a T when hearing this theory. I’m scared for my BumbleBaby.

Edit:

I just saw some of the reblog hashtags and well-

If I’m suffering, YALL ARE COMING WITH ME!!

[i-really-like-phrogs]

When someone else’s art is so good you physically can’t look at it because of artistic jealousy

[tabithatwo]

do you think shauna learned that cells turn over completely in seven years thing in high school biology and latched onto it and had an existential crisis meltdown of nuclear proportions when it was coming up on seven years since she’d consumed jackie because none of the cells in her body were born out of the energy she got from jackie’s flesh anymore?

[designernishiki]

it’s kinda funny to me how that dumb scene in kiwami 1 of majima getting shot and left for dead in the harbor was basically just added as a half-assed way to explain majima not being around for a bit of the plot, but they accidentally(?) just made it seem like start of a chain reaction where majima ended up feeling slighted and heartbroken after being abandoned like that and then lashed out about it via smashing a big truck into the building kiryu was in. and yeah that isn’t inherently a romantic thing as-is but then they go and add the part where majima grabs a hostess and performatively hits on her as in-kiryu’s-face as possible, she says she’s already in love with someone, and majima lets her go immediately, no questions asked, making a big fucking point of it just to say see THAT kiryu? I appreciate when people are HONEST about their FEELINGS. people who won’t just BACKSTAB someone who CARES about them to save themselves. is that so crazy kiryu?? huh??? anyway make it up to me get down here and fight me right fucking now

[tojiscrack]

the dancing scene in the most recent chapter of liar, liar, MEGUMI BLUSHING FOR THE SECOND TIME AS HIS HANDS COLLIDE WITH HER WAIST, i’m crying so much rn. i have NO ONE to speak to about this fic, maybe it’s my period but i can’t get enough of them.

i don’t want them to go through angst, i just want it all to be fluff fluff fluff y’alllll. someone needs to make a fanclub or SOMETHING because it’s killing me how i have no one to speak to about this 😭😭😭

‘liar, liar’ masterlist here:

ik this message was sent in as early as yesterday, but i’ve been out all day and i’ve finally got the time to respond to it. apologies if i’ve left you waiting ☹️💓

i wanna start off by saying you’re literally the sweetest person to ever grace this planet. as i write this slice of life rom-com, i was hoping for the rom part of this com would take over in that scene, and if it’s got you squealing and giggling, ik my mission’s been accomplished 😇

“i have NO ONE to speak to about this fic” — YOU HAVE ME!!! 😤

message me, send me your theories, comment, like, reblog your thoughts, SPAM ME IF YOU MUST, i encourage all of it 😩 !!! i want to see long and juicy comments. small ones are amazing too, but ofc, the more, the merrier! it’s the best part about writing — and it helps me piece out what you like and don’t like so i can make this ride as enjoyable as ever 😗

you beautiful anon, this is the fan club. it’s a small little family of liars we have rn, but still a family nonetheless. don’t forget that 🥹 it does seem like a wonderful idea to talk about ur theories with each other so i can just spectate and laugh to myself about it all, but if you’re shy, you always have me, the writer, who will always respond to ur silly comments and goofy thoughts 🩷🩷🩷

[thebroccolination]

BOUNPREM FACT THAT WILL MAKE YOUR BRAIN SPARKLE WITH PAIN

Hello! I’m here to commit violence against my community! :)

This is Prem:

Prem is twenty-six (26) years old.

This is Boun:

Boun is twenty-nine (29) years old.

Boun and Prem met in 2019.

Boun was twenty-three (23) years old.

Prem was twenty-one (21) years old.

Would you like to know what that means?

Would you?

:)

That means that Prem is currently three years older than Boun was when they met.

:)))))

Time is fun, huh?

[cravingpepsimax]

listening to against the kitchen floor and WOW this is EXTREMELY stancest. specifically post-canon and from ford’s guilty pov. goddamn

[ao3userforgets]

i need to mutter into the void so i’m going to post under the cut the trials and tribs of my current clegan fic writing experience so no one including (especially) me has to make eye contact with it. it’s basically a diary entry. god bless anyone that reads it lol. love and light 🫶

goddamn writing this fic is kicking my ass. it was just meant to be an angsty gale introspective. then i started another and that was meant to be them just fucking absolute nasty style. now i fear they have combined, morphed, metamorphosed, and it’s becoming a monster. goddamn. what does one do in this situation? it would be my first time posting in this fandom and my second time posting fic at all. i’m shaking in my boots about it. there is so much wonderful fic being posted for this pairing and so many approaches and styles. i would love to get mine out and see it amongst those works. i’m just not sure how to go about constructing this fic and how to post about it. i’d like to post some bits and pieces and maybe someone will see it and tell me it’s worth it to finish it but first and foremost i’m really writing this for myself, because it’s the type of fic i love to read and also i feel like i need to be writing it so my mind is creating something. and it would feel like a waste to me and a let down for myself if i never post it. also i’m projecting very hard onto it and onto gale as a character, so it feels kind of personal in some parts? which can’t totally be avoided but because of that and because the way i write is also very personal to me it’s making something that should be fun to post about feel quite daunting. but i want to push myself so badly because it’s been years since i’ve done that, maybe i’ve never done that. and Of Course it’s wwii yaoi that’s gotten me to this point.

anyway, y’all ever think about gale identifying as a more feminine being than is expected for a man like him in the time he’s in, thus manifesting itself into years of repression he’s not entirely aware of until he meets and grows closer to bucky, and how he comes to terms with being awakened in such a way that has laid dormant until he’s in the literal u.s. military, and eventually in one of the least survivable theatres of the war, and in suffocating proximity day in and day out with one john bucky egan? and how he navigates his bond with marge, now in contrast to how he feels for john? and how even his childhood and the lives of his parents is being pushed forwards in his consciousness in relation to his sense of self and his place in the lives of others? oh and also how absolutely Biblically he wants john, in the most unconventional and all encompassing ways? all while he has no context for queerness and sexuality as it relates to himself? i dunno what freak would be into writing or reading that 👀 🚬💀

[sincerely-sofie]

Y’all are the nicest people without even knowing it.

[seaweedstarshine]

Hi! Long time no yap but I've been really bothered by this thing and I know you're just the person I can go to with this (even if we don't always end up agreeing at times).

I got into a tiff with someone in a comments section of a post that was about Amy (Which character do you think deserved to become a villain? or something similar). They brought up Amy's abuse of her boyfriend. I may have tried to defend Amy (key word is tried. I am officially rubbish at debating) but then I may have said something? Because they said that I (and apparently a lot of other fans) was excusing Amy's abuse because of her trauma. It got me stumped because isn't young Amy's treatment of Rory rooted in her trauma? Did I miss the memo where we separate trauma and abuse? Am I missing something?

That statement bothered me a lot because if there's one thing I never want to do it's defend an abuser. So here I am, humbly asking and hoping to clear the muddy waters.

Your really confused and disturbed moot, Tia 💌

TIA!!!!! Thanks for the ask 💌 , and I send you all the hugs.

Discussion of abuse, trauma, ableism, infidelity, and unhealthy relationship dynamics beneath the cut.

(First off… while I really appreciate your faith in my explaining skills <3 <3 <3 my passion for traumatized characters and mentally ill+neurodivergent rights doesn't make me especially qualified to fully clear muddy waters especially not knowing the full context, but I feel you, and what follows is my informed perspective!)

Speaking generally first, harm done in media is best examined by the impact on the audience, with a different lens than harm done to real people. While relatable experiences in media can be useful and validating and incredibly important, you can’t be “defending an abuser” when the abuse is fictional. It's actually normal for traumatized/ND/mentally ill people to project onto mentally ill villains, when villains are the only significant representation for those stigmatized symptoms in a media landscape that excludes and demonizes us simply for existing. RTD can't stop people who hallucinate from reclaiming the Master's Drums and projecting onto the Master, for example — 90% of the best Doctor Who psychosis fic by psychotic authors is about the Master, whether RTD likes it or not. It's not true crime.

(This is speaking generally. Amy Pond is very much not the Master.)

Abuse is a behavior, and there can be many reasons for it, but reasons based in trauma don’t make it not abuse (some forms of generational trauma can propagate abusive parenting styles, when the parent thinks abusive parenting is normal, or lives entirely vicariously through their child). This absolutely should not be taken to mean trauma correlates with abusive behavior; rather that abusive behaviors from traumatized people are more likely to present in specific ways.

Abuse is also a targeted behavior, based in control — not consistently displayed C-PTSD symptoms as seen in Season 5 Amy Pond through many aspects of her life. Mental health symptoms don't become abuse just because they hinder one partner from meeting the other partner's needs. Any life event can do that.

Without knowing the context of the arguments, this is the aspect of their relationship I've seen you talk about before (which I also feel strongly about), and what I assume is what you were debating? So, here I will talk specifically in regard to Season 5.

We all know Amy — she's never attached to Leadworth because she never wanted to leave Scotland, no steady therapist because none of them stick up for her, can't stick with one job yet her first choice is a job that simulates intimacy because her avoidant behavior (a known trauma response) isn't sustainable to her wellbeing. Rory knows her fears of commitment stem from her repeated abandonments, it’s why he’ll always wait for her, and it's why he blames the Doctor “You make it so they don't want to let you down.”, who apart from having caused a lot of her trauma, has actively taken advantage of her being the “Scottish girl in the English village” who's “still got that accent,” because he wants to feel important, so yeah, I think interpreting Amy's issues (and how Amy and Rory transverse them) as Amy abusing Rory indicates a fundamental misunderstanding of their relationship, as well as a misunderstanding of the (raggedy) Doctor’s role in Amy’s formative self-image (which of course she works through in Season 6, but I am sticking to Season 5).

Abuse is always based in control. That just doesn’t fit here. While Amy's detachment from her real life includes things like calling Rory her “kind of boyfriend” (which she is upfront about to his face; differing commitment levels isn't abuse, though it can be a relationship red flag for both parties IRL) — her Season 5 disregard of Rory’s feelings occurs only in response to the fairytale embodiment of her trauma. It's never a response to Rory; it's a response to the Doctor, who stole her childhood and led her by the hand to her death. She cheats on Rory with the Doctor in her bedroom full of Doctor toys, drawings, models, she made from childhood to early adulthood.

(And yes, like many repeatedly-traumatized people, Amy is prone to being sensitive and reactive. Take her “Well, shut up then!” line in The Big Bang; but given Rory responds to this by hugging her, clearly he doesn’t take it as her actually dismissing him. He knows her better than that.)

And by no means do I meant to imply this is fair to young Rory, poor Rory, who's left struggling with the feeling that his role in her life is in competition with the role of her trauma (aka the Doctor). But not every unhealthy relationship dynamic is unhealthy because of abuse. Labelling Amy's treatment of Rory in Season 5 more accurately isn't the same as excusing her harmful choices — but making mistakes is part of being human, Amy's mistakes are certainly understandable, and she works through them out of love for Rory.

If there's one thing to say about Moffat women, it's that Moffat allows his female characters the same grace that the male characters *coughTENcough* have always had, to hurt and struggle and make realistic mistakes and overcome those mistakes and to heal without being demonized.

Amy isn't perfect, but she is a fully realized character, and her story gives us a resonant depiction of childhood trauma.

[highfiveheroes]

Your tags really get at something I've been saying a lot about KLCK and specifically the pure maddening Lovecraftian horror of realizing you're in a narrative but not understanding it, like at least in the literal Neverafter sense you can grasp that's how things work but to recognize those narrative walls without comprehending them it's like the universe is gaslighting you.

YES exactly like. i think it must be more common than i think because when i was a kid i thought something was wrong with me for expecting everything to run like a tv show. like there are supposed to be plots and threads and characters you root for that don’t fundamentally change. and i think kipperlilly is aware of that, and at some point she became aware she was someone nobody in the audience even noticed, and instead of deciding to make a spin off she went straight for the throat (whoops) and decided to take the spotlight by becoming the antagonist, because fuck her personal life if she gets to be top bill on the show right?

except that’s not how life works, because there’s no author and no plot and no viewers, and sometimes you’re just average enough to not get accolades and other people are extraordinary enough to become literal heroes and gods, and it’s hard to compare yourself to that when you know there’s nothing you can do to change it. you can’t make an au for yourself and give yourself better backstory and better advantages. sometimes you’re just a fucking person and when you want the glory bad enough it will drive you fucking insane.