#Woke up like. What

[noodles-and-tea]

Returning home

[thecmaly]

can't even cat nap in peace 😾

-

more windbreaker comics

[anctherdayofsun]

t.s - the tortured poets department🌙

[spam-extemporal]

Dcxdp where Danny has been working with a hero team (did Bruce adopt him? Did he help the teen titans and got told to join them? Idk) for less than a year, maybe they knew eachother for longer, but Danny has been living with them for some months.

Now, I imagined this as a "Danny has to flee to a different dimension after a giw attack/reveal gone wrong" but it can work with other scenarios, the important thing is, death days are important for a ghost's wellbeing, but nobody knows/remembers Danny's deathday or that it's important to commemorate the dead. Maybe he hasn't told anyone yet cause he doesn't want to be a bother, or doesn't trust them enough yet.

So Danny takes the matter on his own hands, each year he goes to a quiet corner of the local graveyard, where he has a piece of marble and a small vase, he usually buys some flowers for his memorial grave and makes some fudge as an offering.

This year wasn't gonna be different, he told his team/family that he was gonna spend the day out, he chose an elegant but comfortable outfit, made some fudge, and saved it on the fridge with a note that said "phantom, do not eat".

The next part might work better with a young hero team, cause despite the note, someone took a bite of the fudge for breakfast.

Danny clearly gets mad, they didn't know, but they just ate an offering, a great offense to the dead it was offered to.

It all ends in a big fight, Danny doesn't want to admit that it was an offering for himself (it just hurts to admit that nobody remembers his death), and the other person thinks he's just having a tantrum over some fudge, like, c'mon, they can make you some if it's SO important to you 😒

And I don't know how to end it cause it came to me while falling asleep and don't remember more T-T

[lilybug-02]

Patience and responsibility....that's a promise....right?

Part 27 First || Previous || Next

--Full Series--

An exorcism? In my family-friendly Deltarune? It's more likely than you may think. The backgrounds here were very interesting! Much more complex than how I usually do them (especially that computer).

Player POV:

Feral energy.

[sunderwight]

It's actually kind of hilarious to contemplate the prospect that the genre shift in SV means that Luo Binghe's harem go the queer route as well and start largely pairing off into lesbian ships with one another.

Mostly because of the sheer scale of Bingge's harem, and the fact that a lot of it was comprised of the members of politically influential families.

Can you imagine the freak-outs that various lords and kings are probably having over the fact that their daughters keep eloping with one another? The practical ones are probably going to be like, well, a political alliance is an alliance, welcome to the family Random Demon Princess! But a lot of them are probably going to be pissed that their bloodline's liable to die out, and that the perfectly suitable match (read: asshole cannon fodder Bingge did away with in PIDW) they arranged for their daughter got interrupted by some lady cultivator kidnapping her from her wedding instead. Imagining several prominent nobles in various realms furrowing their brows together and just being like, is it something in the water? Did some plant do this? Is it like it a cultural ripple effect, the Demon King is gay so now all the youngsters are too?

[doctorsiren]

Day 15 of Sirentober / Doctober

Portal / Lost

Oh Stanley ☹️

Available as a print on my Etsy Shop

[morganbritton132]

Steve Has Older Siblings AU: Robin Edition

In an ideal world, Steve’s family life is completely separate from everything important. But in an ideal world, monsters don’t exist so, you know.

1. Technically the first of Steve’s siblings that Robin meets is Jason because he came into Scoops Ahoy to be an asshole. Robin liked to see King Steve knocked down a peg or two more than the next person but not by a forty year old (he’s 32) loser who has nothing better to do on a Tuesday afternoon. Robin sees him knock Steve’s hat off his head and then informs him that they had a zero tolerance harassment policy (they don’t) and they can and are denying him service. “So leave, now.”

2. The first time she is aware that she’s meeting one of Steve’s siblings is after Starcourt burns down. They were drugged, tired, and Russians took Steve’s car keys so it felt like a good idea to just lay back on the hood of the Beemer and watch the smoke swirl in the air until they come up with what to do.

They never think of anything, and she is startled awake the next morning hungover and dehydrated by someone laying on their horn. Robin looks at the car and then at Steve, and then asks, “Is that your dad?”

Steve - looking somehow worse than yesterday - just blinks in the direction of the car like, “Richie?”

“Get in the car,” Richie practically seethes, barely lets them get in before he starts asking questions like, what the fuck and are you high, right now?”

“I don’t dooo drugs, Dad,” Steve spat out annoyed and Robin, in the backseat, felt compelled to adds, “Drugs do me.”

They both start giggling and can’t stop even when Richie tries to lecture them.

3. Robin meets Jason again when he attacks her.

She doesn’t remember much about the car ride back to Loch Nora or how Steve convinced Richie not to take them to the hospital, but she remembers flopping face first onto Steve’s cloud of a bed. She remembers him taking her shoes off for her and pulling the covers up.

Then she is rudely woken up by a hand yanking her out of bed and big arms wrapping around her head. They’re barely there before Steve is shoving them off her like, “Fuck off, Jason.”

“Carver?” She asks but, no. It’s the dick from the mall. She is ignored while Jason prattles on about how it’s not his fault that Steve looks so much like a girl that he confused him with one. Then he’s whistling about how Steve has a girl in his bed and how surprising that is to them considering they all thought he was a queer.

Robin stiffens beside him. New queer ally, Steve Harrington, not wanting her to be uncomfortable, blurts out, “What if I am?”

And the room goes quiet. Steve’s quiet. Jason’s frozen. Richie, coming in through the door, wasn’t moving. This family doesn’t really paint a picture of unconditional love and acceptance so Robin throws her entire (unsuccessful) theater career into use and slugs Steve in the arm with a snort like, “Yeah, right. With all the girls you flirt with? Ha!”

And everything comes back to life. The hospital conversation comes up and morphs into an argument immediately. Robin is just happy to fade into the background and observe.

4. Robin probably should’ve met Claire that day too but the hospital was an apparent disaster. She actually meets Claire randomly at Family Video.

She sees a woman who’s kinda cute come in and peruse the shelves. She comes to the counter where Robin is on register and Steve is stocking candy right next to her.

She’s carrying The Muppet Movie and makes small talk about watching it with her kids, and never looks twice in Steve’s directly. She’s not in the system and just laughs, “It’s probably under my maiden name, Harrington.”

Robin gives her a tight smile and finishes the transaction. Claire leaves with barely a ‘bye’ to her brother and Robin decides right there that she hates them all.

[doydoune]

something something about mentors and cycles and mentors and cycles

[thoriffix]

yes. yesss

[bluerosefox]

Bellatrix Star

A TaliaxDanny idea that came to me.

Damian, Bruce, and the rest of the bats discover the Talia al Ghul they had been fighting against, the one that cloned her own son, had the clone kill him, plant a control device in him when he broke his spine, etc etc was actually not the real Talia al Ghul.

Turned out Ra's had cloned her and killed the original when she discovered his little plans to take over Damain's body and she confronted him about it. Ra's had to make a clone when after tossing a dead Talia into the pits but never returned (he meant to kill her as a warning, as a "you may be my blood but will not hesitate to end you Talia.") It explains so much to Damian when remembers how out of nowhere his mother changed, her training him changed from harsh to deadly, the soft motherly love she would give him when behind closed doors suddenly stopped, the tales she would spin for him about his father no longer whispered to him for bed.

How this was find out?

Well it's hard to ignore the facts that when your foolish grandfather in his quest for immortality summons an eldritch being known as the Ghost King into the Mortal Realm and uses Damian as a sacrifice while his (not) mother watches emotionless.

When the being appeared, plunging the room from green glowing flames and the glow of the Lazarus Pits into darkness before a cosmos exploded to life, its glowing green eyes snapped open in the stars and stared at them all. Making every single one of them feel small, so very small.

It took a single glance around the room before stopping on the al Ghul's. It's eyes widen before a steel and firm look entered them. Just as quick as the cosmos sprang to life, it suddenly swirled away into a ball, putting them all back into the Lazarus room,and reformed in front of them to a more humanish height and body.

When the body, around the height and build of Batman, was done forming it took a step forward and suddenly as one blinked a man stood in front of them. Or rather floated. Snow white hair that flickered and wisped towards a crown made of fire and ice, glowing green eyes that held none of the madness but all of the power the Lazarus Pits could give. His clothing were tailored made that were tastefully a mixture of black and white with some silvers and greens, clothes fit for a King one would say. The cosmos that once engulfed the room had shifted into a cloak that hanged around his body, on one side more than the other (think like how CW wears his only the hood is down).

This, this was no doubt the Ghost King, he stood tall and regal and made everyone in the room feel the need to look down, to bow ones head for even just a moment. Even Ra's had trouble disobeying the urge to do so.

"Well..." the being said, his voice deep but not as gravely as Batman's was "What an interesting way to meet my In-Laws and Step-Son..."

He has said that as he looked towards the al Ghul's. Damian flinched back with a frown of confusion and disbelief while Ra's looked panicked for a second when the words registered into his mind, meanwhile Talia... looked emotionless and barely even twitched.

"What the fu-?" Someone began only to stop when the King lifted his hand and with a snap of his fingers a green portal appeared, it looked almost like the Lazarus Pits but it felt... cleaner? Less angry?

"My Bellatrix, my warrior star. I believe I've been summoned to your home dimension. And judging by the looks of it your father created a barely functioning Mirror of you and planned on using your son as a sacrifice to me." He spoke out towards the portal before holding his hand out.

A hand appeared from the portal, a slender hand and with green and black painted nails manicure to perfection before someone walked through it as they took hold of the Ghost King's offering hand.

Standing in front of them was another Talia, only this one looked a tad older than the one in the room. She wore clothing that matched the King to a T but even then, as always, Talia looked deadly in it. Beautiful but very deadly. From the heels she wore to the crown upon her head, a crown made of not ice and fire but of stars and black jewels. Her eyes were sharp as she stared at everyone in the room, frown on her painted lips, but her eyes lit with a small soft joy when she saw Damian only for them to turn poisonous when they landed on Ra's and the other Talia nearby.

"I should had know you would had created a Mirror of me instead of admitting to my son you killed me Father." Queen Talia spat out. "The least you could had done was not make my Mirror so cheaply, it doesn't even have a proper soul attached to it."

[everytimewetouch-dot-mp3]

had a dream that to censor the maigu ridge scene in svsss, mxtx replaced it with a comic acted out entirely by muppets.

muppet sqq was lying in muppet lbh’s arms and saying ‘i know you’ll hurt me, but it’s the only way!’

and muppet lbh was crying and shaking him, but eventually did what needed to be done. he smacked muppet sqq over the head with a giant eggplant, killing him instantly.

then muppet lbh fell to his knees and screamed ‘SHIZUUUUUUN!!!!!!!’

muppet sqq sat up, looked up at him, looked to camera, looked back at him, whacked him with his fan, and said ‘keep it down! that hurt; i’m trying to sleep.’

[the-inner-musings-of-a-worm]

i bet the aftg universe youtube videos of "neil josten and kevin day having the greatest exy friendship for 12 minutes" slapped severely

[slfcare]

dealing with embarrassment is not about erasing the moment, but rewriting its impact. consciously decide to not care as if it's really that easy and after enough practice, you'll find that it actually will be.

[canine-economy]

On Swansea’s (often understated) role in Mouthwashing

I say this as a big swansea fan but I don’t rlly understand why ppl are acting like he’s not also complicit in what happened to Anya? AUs where “Anya tells Swansea” and he jumps to violently defend her don’t make sense to me because canonically she does tell him, as he admits to Jimmy. But swansea represents another way of interacting with the capitalist heteropatriarchy that ALSO harms victims: holistic jadedness and resignation.

Swansea is across the board unkind to the Tulpar crew. We can’t forget that he calls anya a “so-called nurse”

and says this to Jimmy, which (if unintentionally) reiterates Jimmy’s own warped perception of Anya’s usefulness and competence. This allows Jimmy to feel justified in his imagination of the nurse’s inferiority. Swansea’s clear lack of respect for Jimmy does less to hurt Jimmy than his lack of respect for Anya harms Anya, because at the end of the day, Swansea’s attitude is contextualized by the violent culture it exists in and he does nothing to reconcile with that when Jimmy becomes the captain. His resignation can thus be weaponized even by Jimmy, a man who Swansea disrespects but whose power he doesn’t try to meaningfully jeopardize, because his across-the-board disdain punches people already marginalized by the environment twice as hard as it does those with power.

Swansea doesn’t position himself as an ally, he positions himself as willfully uninvolved in everything, an observer to the shitshow ride to hell. Just because he dislikes Jimmy doesn’t mean he aligns with Anya. He makes it clear that he’s not on her side, either. After a life of doing what he felt was expected of him, Swansea on the Tulpar looks out for Swansea and Swansea’s comfort. In trying to situate himself outside of the politics of it all as an older white man, he simply allows them to play out. The toxic culture keeps existing, playing out in the microcosm that is this freighter, and Swansea in all his experience recognizes that shit has hit the fan and elects to coast through it, even explicitly numbing himself to it by breaking his sobriety. It is, of course, hard to force yourself to be sober—to see clearly. But had Swansea forced himself to get involved sooner, he might have set a precedent for Daisuke to recognize Jimmy’s abuse, which could have saved Daisuke’s life as well as created a safe space for Anya. But Swansea’s inaction forces both victims to confront an abuser on their own, unable to reap benefits from his privilege and experience.

Jimmy is clearly intimidated by swansea in a way he is not by Anya, Daisuke, or a post-crash Curly (Swansea, for example, physically manifests as an aggressor in Jimmy’s “responsibility sequences”, and Jimmy ties Swansea up to avoid what he sees as the real possibility of pushback that he doesn’t conceive of Anya being able to do). Swansea has a power he does not act on or with until it is far, far too late. In fact, he acknowledges in his final monologue that he was dissatisfied with the discomfort with opening his eyes and living an exemplary “good man”s life. The best days of his life are ones in which he’s belligerently drunk—days in which he didn’t have to hold himself accountable. He regrets the life he spent performing for higher-ups and we watch him reject it by scorning Captain Jimmy, but he also doesn’t want to be held responsible for helping other people when it’s their turn to endure the expectations and violence from similar (if not the same) higher powers. Tragically, he possesses the hindsight to recognize that how he acted on the Tulpar consequently wasn’t what Daisuke needed out of a role model, leading to Daisuke becoming a victim. His hands-off approach to emotional engagement with his young male intern (another symptom of patriarchal gender norms) may have been to avoid Daisuke turning out miserable and jaded like himself, but it doesn’t actually indicate to an already-confused Daisuke what the dangers of that attitude are. Swansea never admits his own shortcomings in a tangible way which, had they come from a man with experience and prestige like himself, may have shifted that culture that failed Anya. She comes to him with the story not because he has situated himself as any earnest friend, but likely out of desperation on a ship Jimmy now controls.

When we allow “the machine” (Swansea’s own words) to beat us down to the point that we don’t find it productive to challenge unjust power dynamics, we become complicit. I think too many people get hung up on his disdain for Jimmy and Jimmy’s fear of Swansea as a marker of allyship with Anya, but the truth is that Swansea. Is a bad ally. He’s hardly one at all. His long stint in the demanding capitalist environment molded a perfectly complicit result out of him, as it aspires to do, even if Swansea bitterly recognizes that. Jimmy’s overt violence from a position of power is a different and much more brutal approach to abuse enabled by people who have been left too tired and bitter to care that he does it. A man who could’ve intimidated and even threatened Jimmy is too resigned to try until there is literally nobody but himself left to fight for, which is an attitude carefully cultivated among the lower rungs of hierarchies to keep the top safe. Swansea in particular seems very unhappy with the capitalistic, patriarchal expectations laid out for him as a father, husband, and laborer. This becomes particularly resonant when you realize the symbolism of his role as mechanic: a job that can be deeply unpersonal, tasked with keeping the ship (the machine, if you will) itself going while other roles are more focused on managing the humans inside of it (e.g. nurse, captain). His decision to just stop trying and spare himself the grief instead of questioning why those expectations exist and how they would hurt the others onboard only delays him being directly targeted by Jimmy and doesn’t interrupt the latter’s violence.

Not a single man in mouthwashing is innocent in Anya’s victimhood. This is a statement tentatively uninclusive of Daisuke, because I think the game very deliberately positions him outside of manhood through his youth and thus struggling with the concept of “fitting in” to the patriarchy. Curly, Jimmy, and Swansea all represent different failures that ultimately perpetuate Anya’s suffering and force her to defend herself and finally take her life into her own hands. A holistic analysis of rape culture in MW necessarily engages with all three of them. Only not being a friend and ally to rapists and other male abusers isn’t enough, and Swansea proves it.

[theloveinc]

sugar daddy Bakugo is so funny b/c if he's paying your tuition he's getting mad if you don't go to class