#Why Were They There

[eddieshellscape]

look who I ran into on mcc island today!!!

[zestiewestie]

What the fuck

I was just scrolling on hot topics website looking for the ghost merch, and i saw an ad for their hoodies. I was looking at the hoodies when I noticed who was modeling them.

HOLY SHIT, IT WAS NIKI, SAM, AND COLBY.

AAAAAAAAAAAAAAAAAAAA-

[whereconfusionisarhyme]

recently (finally) saw spring awakening for the first time ever !! it was a very good production, a million cheer to the cast and crew. but,,,and i’m sorry to ask,,,but literally what was up with those random queers??

[ravenkings]

[hjartasalt]

One time I was working as a waiter at a burger joint where the fries were tossed in salt and coriander and as I was bringing food over to the table for these two huge beefy guys one of them asks what the green stuff is so I go "it's coriander" and his friend goes very seriously "he can't have coriander" and I'm thinking shit ok maybe he's allergic and guy 1 starts pulling up his sleeve to show me something and I'm thinking shit shit shit he's probably breaking out in hives rn and it's my fault but he just shows me his arm and he has this huge cursive font tattoo that just says "I fucking hate coriander"

[problemnyatic]

the steven universe hate is insane bc people are (or at least were) more upset that fictional war criminals got fictional hugs than they recognize that it singlehandedly advanced queer rep in children's media by lightyears and then straight up ate heavy retaliation for the nerve.

It does have real flaws that are worth discussing, but it also put their male protagonist in dresses and skirts and played it straight and even empowering, they aired a lesbian wedding on television, it was a genuinely queer, genuinely diverse piece of media through and through. It did a lot of real good for the real world.

But also the fictional characters caused fictional harm to other fictional characters, and didn't get an onscreen firing squad sentence. So, you know, it's basically ontologically evil in real life.

[eonars]

Last summer I was on a very expedited acid come up at a music festival and my entirely unaware mother thousands of miles away was at costco and texted me incredulous at how they already had halloween stuff out for sale in the summer but all I saw was a message preview of a giant 10 foot tall skeleton with glowing eyes and "can u believe it??"

[gibbearish]

love when ppl defend the aggressive monetization of the internet with "what, do you just expect it to be free and them not make a profit???" like. yeah that would be really nice actually i would love that:)! thanks for asking

[goldiipond]

if there's anything i've learned from the current state of social media it's that this is one of the worst possible notifications you can receive upon opening an app

[carbonateds-oda]

fake ass idgafer. I saw you gazing off into the distance like you were looking at something far away, something no one else could see but you

[fanaticalthings]

Bruce Wayne except he texts like an ominous boomer

wdym you can't tell if he's threatening them?

Based on this post by @mysterycitrus :)

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Bonus:

Happy birthday, Tim 🥰

[shepscapades]

I wish you coulda seen the look on my face when I glanced at Bdubs’ comment section for his wild life ep2

[eydilily]

gem n joel the strongest duo (family) that you are

and of course. her

[serial-unaliver]

I can't read one report on air strikes without thinking there are people whose job is creating these weapons and they make six figures or more doing it and their family will live a comfortable life on that money. It will never leave my mind that this is an industry

[hamletthedane]

I was meeting a client at a famous museum’s lounge for lunch (fancy, I know) and had an hour to kill afterwards so I joined the first random docent tour I could find. The woman who took us around was a great-grandmother from the Bronx “back when that was nothing to brag about” and she was doing a talk on alternative mediums within art.

What I thought that meant: telling us about unique sculpture materials and paint mixtures.

What that actually meant: an 84yo woman gingerly holding a beautifully beaded and embroidered dress (apparently from Ukraine and at least 200 years old) and, with tears in her eyes, showing how each individual thread was spun by hand and weaved into place on a cottage floor loom, with bright blue silk embroidery thread and hand-blown beads intricately piercing the work of other labor for days upon days, as the labor of a dozen talented people came together to make something so beautiful for a village girl’s wedding day.

What it also meant: in 1948, a young girl lived in a cramped tenement-like third floor apartment in Manhattan, with a father who had just joined them after not having been allowed to escape through Poland with his pregnant wife nine years earlier. She sits in her father’s lap and watches with wide, quiet eyes as her mother’s deft hands fly across fabric with bright blue silk thread (echoing hands from over a century years earlier). Thread that her mother had salvaged from white embroidery scraps at the tailor’s shop where she worked and spent the last few days carefully dying in the kitchen sink and drying on the roof.

The dress is in the traditional Hungarian fashion and is folded across her mother’s lap: her mother doesn’t had a pattern, but she doesn’t need one to make her daughter’s dress for the fifth grade dance. The dress would end up differing significantly from the pure white, petticoated first communion dresses worn by her daughter’s majority-Catholic classmates, but the young girl would love it all the more for its uniqueness and bright blue thread.

And now, that same young girl (and maybe also the villager from 19th century Ukraine) stands in front of us, trying not to clutch the old fabric too hard as her voice shakes with the emotion of all the love and humanity that is poured into the labor of art. The village girl and the girl in the Bronx were very different people: different centuries, different religions, different ages, and different continents. But the love in the stitches and beads on their dresses was the same. And she tells us that when we look at the labor of art, we don’t just see the work to create that piece - we see the labor of our own creations and the creations of others for us, and the value in something so seemingly frivolous.

But, maybe more importantly, she says that we only admire this piece in a museum because it happened to survive the love of the wearer and those who owned it afterwards, but there have been quite literally billions of small, quiet works of art in billions of small, quiet homes all over the world, for millennia. That your grandmother’s quilt is used as a picnic blanket just as Van Gogh’s works hung in his poor friends’ hallways. That your father’s hand-painted model plane sets are displayed in your parents’ livingroom as Grecian vases are displayed in museums. That your older sister’s engineering drawings in a steady, fine-lined hand are akin to Da Vinci’s scribbles of flying machines.

I don’t think there’s any dramatic conclusions to be drawn from these thoughts - they’ve been echoed by thousands of other people across the centuries. However, if you ever feel bad for spending all of your time sewing, knitting, drawing, building lego sets, or whatever else - especially if you feel like you have to somehow monetize or show off your work online to justify your labor - please know that there’s an 84yo museum docent in the Bronx who would cry simply at the thought of you spending so much effort to quietly create something that’s beautiful to you.

[marisatomay]

twitter is hell but i really hope it doesn’t actually die because this is in contention for the funniest thing i’ve ever read in my life