#Which isn’t as bad but still

[chameleon8]

told one of my friends about Fablehaven/Dragonwatch today and I was like “but don’t read it tho” So they were like “what’s wrong with it?”

(Now they often read books that make you wanna throw them across the room, so they’re used to that sort of thing) And I was like “Do you want me to start with the first book?” long story short I think I traumatized them

[leenfiend]

sometimes good things take a while

(two slow dancers - mitski)

[x-enocyon]

Over the years the Fallout fandom definitely has slowly crept further into a “moral high ground over suspension of disbelief” space. I see a lot of people discussing their opinions of Fallout through the lens of their own personal morals that they’d apply to their own life, which is… Strange to me. I feel like dystopian media especially is not the sort of thing you should be judging by your own real life standards. Most things in Fallout are extreme. Most of the factions do extreme things. A lot of the things people do in Fallout would be considered inhumane, cruel or uncanny by modern standards. Because it’s a post-apocalyptic dystopia.

This isn’t me saying “everyone in Fallout is evil, stop expecting otherwise,” because I don’t believe that to be the case. Even good-willed people in Fallout do shit that would be considered extreme by modern standards. I just see a lot of people shying away from discussing the “grittier” aspects of the franchise because it might for whatever reason imply you condone those things in real life.

[anotherhumaninthisworld]

Historians having takes on frev women that make me go 😐 compilation

Sexually frustrated in her marriage to a pompous civil servant much older than herself, [Madame Roland] may have found Danton’s celebrated masculinity rather uncomfortable. Danton (1978) by Norman Hampson, page 77.

The Robespierres sent their sister to Arras because that was their hometown, the family home, where they had relatives, uncles, aunts and friends, like Buissart who they didn’t cease to remain in correspondence with, even in the middle of the Terror. There, among them, Charlotte would not be alone; she would find advice, rest, the peace necessary to heal her nervousness and animosity. Away from Mme Ricard, who she hated, away from Mme Duplay, who she detested, she would enjoy auspicious calmness. It is Le Bon that the Robespierres will charge with escorting their sister to this neccessary and soothing exile. […] If there is a damning piece in Charlotte Robespierre's case, it is this one (her interrogation, held July 31 1794). She seems to be caught in the act of accusing this Maximilien whom she rehabilitates in her Memoirs. She is therefore indeed a hypocrite, unworthy of the great name she bears, and which she dishonors the very day after the holocaust of 10 Thermidor. Charlotte Robespierre et Guffroy (1910) in Annales Révolutionnaires, volume 3 (1910) page 322, and Charlotte Robespierre et ses mémoires (1909) page 93-94, both by Hector Fleishmann.

Elisabeth, as she was popularly called, was barely past her twelfth birthday, younger even by three years than Barere’s own mother when she was given in marriage. On the following day the guests assembled again in the little church of Saint-Martin at midnight to attend the wedding ceremony of the handsome charmer and the bewildered child. Dressed in white, clasping in her arms a yellow, satin-clad  doll that Bertrand had given her — so runs the tradition — she marched timidly to the altar, looking more like a maiden making her first communion than a woman celebrating a binding sacrament. Perhaps the  doll, if doll there was, filled her eye, but certainly she could not fail to note how handsome her husband was. Bertrand Barere; a reluctant terrorist (1962) by Leo Gershoy, page 32.

The young nun who bore the name of Hébert did not hide her fate. She did not wish to prolong a life stifled from her childhood in the cloister, branded in the world by the name she bore, fighting between horror and love for the memory of her husband, unhappy everywhere. Histoire des Girondins (1848) by Alphonse de Lamartine, volume 8, page 60.

Lucile in prison showed more calmness than Camille. Before the tribunal, she seemed to possess neither fear nor hope, she denied having taken an active role in the prison conspiracy. What did it matter to her the answer they were trying to extract from her? They said they wanted her guilty? Very well! She would be condemned and join Camille. This was what she said again when she was told that she would suffer the same fate as her husband: ”Oh, what joy, in a few hours I’m going to see Camille again!” Camille et Lucile Desmoulins: un couple dans la tourmente (1986) by Jean Paul Bertaud, page 293.

What did it matter to Lucile whether she was accused or defended? She had no longer any pretext for living in this world. She was one of those heroines of conjugal love who are more wife than mother. Besides, Horace lived, and Camille was dead. It was of the absent only that she thought. As for the child, would not Madame Duplessis act a mother's part to him? The grandmother would watch over the orphan. If Lucile had lived, she could have done nothing but weep over the cradle, thinking of Camille. Camille Desmoulins and his wife; passages from the history of the Dantonists founded upon new and hitherto unpublished documents (1876) by Jules Claretie.

Having been widowed at the age of 23 [sic] years, Élisabeth Duplay remarried a few years later to the adjutant general Le Bas, brother of her first husband, and kept the name which was her glory. She lived with dignity, and all those who have known her, still beautiful under her crown of white hair, have testified to the greatness of her sentiments and austerity of her character. She died at an old age, always loyal to the memory of the great dead she had loved and whose memory she, all the way to her final day, didn’t cease to honor and cherish. As for the lady of Thermidor, Thérézia Cabarrus, ex-marquise of Fontenay, citoyenne Tallien, then princess of Chimay, one knows the story of her three marriages, without counting the interludes. She had, as one knows, three husbands living at the same time. Now compare these two existances, these two women, and tell me which one merits more the respect and the sympathy of good men. Histoire de Robespierre et du coup d’état du 9 thermidor (1865) by Louis Ernest Hamel, volume 3, page 402.

Fel free to comment which one was your favorite! 😀

[artemisxrose]

FUCK Liam Payne! I will no longer support OT5 and I don’t even want a 1D reunion anymore. It’s so disgusting how so many of you defend these boys actions, but especially Liam, in light of everything that has come out. Maya Henry has every right to speak about her experiences. And it’s gross that I’m seeing literal threads and tweets upon tweets of people calling her a liar and saying all these horrible things. You’re proving Liam right! “No one will believe you anyways and the fans will always defend us!”

Is that not absolutely horrifying to yall? That this man is weaponizing his fanbase against women that he has treated poorly? And yall continue to enable him! Everything Maya said in her recent TikTok was true! Yall defend this abuser because of boy band nostalgia? What the fuck is wrong with some of yall? It makes me sick. It’s always “believe women” “believe victims” until it’s your fave, right?!

We don’t know these people! “He would never do that…” YOU DONT KNOW HIM! These parasocial relationships are going too far.

What’s scary is based on some of the stuff Maya said, I wonder if this is only the tip of the iceberg with Liam. He’s probably done so much shit we don’t even know about. Maybe even the other boys???

I know I’m ranting and no one probably cares but some of the tweets I saw defending Liam were so triggering and upsetting. Trending hashtags like #FreeLiam and #WeLoveYouLiam when a woman CONFIRMED that he abused her is just so sickening. This is why women don’t come forward. This is especially why victims of celebrities and people in power don’t come forward. Because this is how they’re treated. Maya literally even confirmed that Liam and his team have tried to silence her and didn’t want the book to come out. I just… there are no more words.

This whole situation is so triggering… I’m so angry and upset.

Fuck Liam Payne and Fuck all of yall defending him.

[dykesynthezoid]

I think the funniest thing about scogan to me is that if you try to imagine it in practice it actually ends up much more compellingly fulfilling some of the tropes that the comics have seemingly always been trying to push with Jean/Logan. Which is just. Hilarious. Like the supposed (very old, tired, romance novel ass) dynamic they’ve often tried to push w Jean/Logan (esp in the new xmen era) is that of Logan representing some sort of… wildness or freedom to Jean’s restraint. That her “giving in” (yuck) to him is also her embracing… idk? Some sort of more natural, unrestrained version of herself and her power.

But it falls really flat with Jean not just bc of the misogyny inherent in the trope but also bc. She’s literally already done that. Like several times in fact. It’s sort of her whole thing. She doesn’t need to fuck Logan to step into her unrestrained power. She already, as a character, is supposed to be a vibrant, impossible, wild manifestation of pure creative/destructive will. (And really it’s kind of everyone else— and the writers’ latent misogyny— that keep fucking that up for her).

Scott on the other hand. Well. He kind of is the high powered female romantic lead obsessed with her job who gets sent on a work trip to a rural town where she’s forced to loosen up a little. Like for better or worse that’s kind of exactly him. He would fit alarmingly well in that sort of push and pull storyline. Which is so… good to me. That Scott, of all people, makes more sense on the cover of a Johanna Lindsey novel than Jean does. That him having that kind of dynamic with Logan actually feels way more interesting bc Scott is restrained to a fault, he is an insufferable, neurotic little headcase who would rather die than tell a waiter they got his order wrong. And yet he’s also the guy who’s admitted to actively enjoying riling Logan up bc part of him just wants to see what will happen. Which I’m pretty sure is called chemistry

[caeslxys]

Zephrah actively postpones ruidusborn births. It is believed that the actual number of ruidusborn in exandrian history is much larger than has been officially recorded because the stigma of it was so intense that people lied about it. Alyxian, one of the few recorded ruidusborn heroes of the calamity who received direct blessings from three different prime deities (our very own Changebringer, the Archheart, and the Moonweaver) , has been all but forgotten (read: likely erased) by history.

The Archive of knowledge that revealed the truth of Predathos and Ruidus was never some forgotten thing—it was intentionally hidden by the elites in Vasselheim. And we have no idea how long they have been operating with that knowledge. We have no idea what they have been doing with that knowledge, what silent wars have been waging for years or decades or centuries. But we saw what they were willing to do, in Hearthdell. We saw the violence and suppression they were willing to commit. We saw the pettiness of the exandrian pantheon in the Dawnfather’s response to Deanna’s: “Are you worth saving?”. In the Changebringer’s manipulative change of course in her pleas to FCG. In the Wildmother’s rejection of Opal. In the knowledge we have that Imogen spent so much of her miserable time in Gelvaan begging the gods to aid her to no avail—just for Kord to reach out only to demand that she not let them down.

Liliana’s point that Vasselheim and the other faithful elite of the world will hunt ruidusborn down to negate even the potential of this happening again isn’t new, it isn’t something this solstice and the machinations surrounding it caused, and it isn’t some unsubstantiated, fearful claim—it has been happening.

The vanguard—and Liliana—are unequivocally wrong in their means. But can you really fault them in their desire? Can you really fault the conclusions they have drawn from the experiences they have lived? If you spend your entire life being rejected by the people and the pantheon of your world for means you could not possibly control, would you not seek out someone and somewhere that would accept you? And if you found it, if some being that has been connected with you your whole life welcomed you home and wrapped you in an embrace that felt like your mother’s and says that it is starving; well, aren’t you, too?

There is likely a holy war brewing. At the end of it all, is it truly the sole fault of the people and not the organizations and society that expelled them?

[moonshynecybin]

i did like that they let paddy be wrong this season… like in season one even at his most impulsive and volatile all of paddy’s actions are vindicated. paranoid about the germans in the free french well he’s right. beat up his commanding officer well that guy is a homophobe. send the squad on a suicide mission where half of them die well they eventually blow up those planes so it’s justified. like the writers are all very concerned with him being ultimately correct in every situation that i feel like it gets in front of all the ways that being paranoid, contrarian, violent, and suicidal can like. suck. which is more interesting anyways

[teavocationmagic]

hi, 18+ post but i refuse to stop thinking about gale teaching you a spell that requires concentration, and using it almost exclusively as foreplay where he takes his hands off you whenever you stop concentrating on the spell. you cast dancing lights, and it only flickered for a moment, but gale just tuts as his hands slide off of your thighs, and he’s smiling the way he does sometimes when he’s actually teaching you magic, because he really does want you to learn.

“is it really that hard for you, starlight?” and just the pads of his fingers ghosting along your hip makes you swallow a sigh, wishing your underclothes covered more than they do - but he caught you unawares once you’d undressed for the night, kissing you long and gentle while he backed you towards the cushy armchair in the corner of the bedroom.

“i don’t mean to be rude,” and he does, he absolutely does and you know it, “but i was casting this before i was old enough to attend the academy. they’re just lights, darling, surely you can do it.”

and you gesture, you show him the silvery lights swirling around each other, the cosmos captured and glowing inside your home, illuminating his condescending little half-smile as he watches you.

“i’m trying,” you say, and gale’s laughing as he paces to stand behind you, his hands gliding down the wooden back of the chair, careful not to graze your arms as he leans over you.

“i think you can try harder.” he touches his pointer finger to your inner arm and glides it up towards your chest, stopping just shy of your collarbone.

“that was an invitation. try harder.”

and it’s like a war between how desperate you are, and how infuriatingly calm and in control your wizard is, because he is so fucking annoying when he gets really into games like this. he wants you to fail, because hearing you whine is more than a little fun, but he wants you to win just as much, he wants to see you succeed and shine and cast just as well as he can. it’s hot to him, not just because it’s magic, but because i think gale likes competence, he likes someone who can outsmart him and show him up and prove their mettle.

and he likes seeing that person, so capable and intelligent, turn themselves over to him and trust him with their failure and their weakness, no matter how silly.

the next time the lights flicker, he’s pulling his hand from between your thighs, and he’s stifling laughter against your shoulder as you swear up a storm that makes the lights flare blinding and then blink out of existence.

[ahalliance]

this is how guill talks about étoiles tbh

[noveltybee]

Imagine putting your heart and soul into a project because you love the source material, but have to work around certain scenarios because they won’t really translate well to screen, which is fine because you’ve gotten help/blessings from the ORIGINATOR of said source material so you’re feeling really good about everything. Maybe you wish you could change somethings, but you’re proud of the story that you’ve told and how true it is to the HEART OF THE STORY…

Only to then read that some of the fans of said source material think the show is awful and (somehow??) worse than the bad movie adaptations that disregarded the heart of the material (the actually STORY), all because of a casino and either adding or dropping minor story beats.

Wow. Just wow.

[clegfly]

Getting REAL sick and tired of how omori TikTok views sunny.

Like, they view any scene of him being emotionally vulnerable, affectionate, or even just making an expression outside of just being completely neutral as “mischaracterised”. He’s not some cool, stoic, unwavering badass, he is a traumatised teenager. Don’t cry whenever he dares to give his friend a hug or (god forbid) be SAD about something??? Isn’t like. Part of the point of his development about him allowing himself to break down the repressive walls he built when he shut himself in? And being able to rely on his real friends instead of imaginary versions? And isn’t the game like. Meant to SHOW that he still cares about them despite isolating himself?

It’s really stupid to get mad at a character like that showing emotion or affection personally, especially since he’s not used to expressing it properly after so long. But that’s just me

[farosdaughter]

I’m sorry but TROP season 2 as a whole was stale fast food fare compared to S1’s organic homemade feast and I’ll die on this hill lol

[skywalkr-nberrie]

Trying to argue that Padmé’s unwavering faith in Anakin is just the story’s way to default on her character because she didn’t hate Anakin for the Tusken Raider massacre, otherwise the story doesn’t care for her “agency” in that way is actually a stupid take I’d block anyone over.

[kittykatninja321]

I can’t get into 90% of “Dark (Character X)” fics because I find that it usually means that the character in question is behaving less like themselves and more like a stereotypical evil seme/mustache twirling villain and often just being used as a prop to whump on Character Y. But every once in I do come across that 10% that feels real and beautiful and true and makes me go “while I don’t think that they would do something that fucked up if they did that’s exactly how they would do it”

[robotwrangler]

Time to be a 24 year old <3