#What was he thinking while replying

[hkthatgffan]

WHY DID ALEX HIRSCH HAVE TO REPLY TO THIS TWEET OF MINE OUT OF ALL OF THEM, LMFAO?!

[ash-and-starlight]

The world needs more Yue and Zuko friendship, I squeal just thinking abt the parallels. They deserve a life changing field trip together and if u have abt ideas I’m all ears 👀

Hiii anon this ask fermented in my inbox and in my brain for so long,, so take this??? Post canon yue lives/no war au arts?? Anyway aside from the Parallels and their political position & their duty before hoes grindset I think they could learn a lot from each other. With zuko learning the gift of patience & diplomacy from yue & Yue learning that allowing yourself to feel anger and speaking up can actually be Good.

anyway hypothetical life changing trip outcome: zuko takes an intro gender studies class and yue says fuck

(oh and also must not forget the crush on sokka)

[inkskinned]

one of the things that's the most fucking frustrating for me about arguing with climate change deniers is the sheer fucking scope of how much it matters. sweating in my father's car, thinking about how it's the "hottest summer so far," every summer. and there's this deep, roiling rage that comes over me, every time.

the stakes are wrong, is the thing. that's part of what makes it not an actual debate: the other side isn't coming to the table with anything to fucking lose.

like okay. i am obviously pro gun control. but there is a basic human part of me that can understand and empathize with someone who says, "i'm worried that would lead to the law-abiding citizens being punished while criminals now essentially have a superpower." i don't agree, but i can tell the stakes for them are also very high.

but let's say the science is wrong and i'm wrong and the visible reality is wrong and every climate disaster refugee is wrong. let's say you're right, humans aren't causing it or it's not happening or whatever else. let's just say that, for fun.

so we spend hundreds of millions of dollars making the earth cleaner, and then it turns out we didn't need to do that. oops! we cleaned the earth. our children grow up with skies full of more butterflies and bees. lawns are taken over with rich local biodiversity. we don't cry over our electric bills anymore. and, if you're staunchly capitalist and i need to speak ROI with you - we've created so many jobs in developing sectors and we have exciting new investment opportunities.

i am reminded of kodak, and how they did not make "the switch" to digital photography; how within 20 years kodak was no longer a household brand. do we, as a nation, feel comfortable watching as the world makes "the switch" while we ride the laurels of oil? this boggles me. i have heard so much propaganda about how america cannot "fall behind" other countries, but in this crucial sector - the one that could actually influence our own monopolies - suddenly we turn the other cheek. but maybe you're right! maybe it will collapse like just another silicone valley dream. but isn't that the crux of capitalism? that some economies will peter out eventually?

but let's say you're right, and i'm wrong, and we stopped fracking for no good reason. that they re-seed quarries. that we tear down unused corporate-owned buildings or at least repurpose them for communities. that we make an effort, and that effort doesn't really help. what happens then? what are the stakes. what have we lost, and what have we gained?

sometimes we take our cars through a car wash and then later, it rains. "oh," we laugh to ourselves. we gripe about it over coffee with our coworkers. what a shame! but we are also aware: the car is cleaner. is that what you are worried about? that you'll make the effort but things will resolve naturally? that it will just be "a waste"?

and what i'm right. what if we're already seeing people lose their houses and their lives. what if it is happening everywhere, not just in coastal towns or equatorial countries you don't care about. what if i'm right and you're wrong but you're yelling and rich and powerful. so we ignore all of the bellwethers and all of the indicators and all of the sirens. what if we say - well, if it happens, it's fate.

nevermind. you wouldn't even wear a mask, anyway. i know what happens when you see disaster. you think the disaster will flinch if you just shout louder. that you can toss enough lives into the storm for the storm to recognize your sacrifice and balk. you argue because it feels good to stand up against "the liberals" even when the situation should not be political. you are busy crying for jesus with a bullhorn while i am trying to usher people into a shelter. you've already locked the doors, even on the church.

the stakes are skewed. you think this is some intellectual "debate" to win, some funny banter. you fuel up your huge unmuddied truck and say suck it to every citizen of that shitbird state california. serves them right for voting blue!

and the rest of us are terrified of the entire fucking environment collapsing.

[sysig]

How far did you get? (Patreon)

[spenglerstwinkie]

30 days to train aka 30 days for kars to cyber bully joseph

[hyohaehyuk]

He got affairzoned (x)

The video interview is called Jacob Anderson and Sam Reid share all of the details on their series Interview With The Vampire S2 - People Interview

So in the interview they ask them what they would do in a day off and Jacob mentioned that spending his day off with his wife and kid is his happy place and Sam reaction just broke my heart.

Sam was trying so hard to have a normal reaction but I think he had a reality check and either he realized he was the mistress or that jacob is not interested on him at all romantically.

Like, call me delulu how much you want it but i bet any other cast member wouldn't even had bat an eye at Jacob' answear but Sam was clearly affected and couldn't keep a poker face (dude you are an actor. Do smth 😭).

To be frank i dont know if at that time they was aware of each other feelings (i dont even know if they are now) but if they was, then Jacob was really cruel answering that question in front of Sam*, especially bc in the previous one, about what it would be their last meal, Sam said the one he had in Prague with Jacob every single night and a bit later Sam even admitted he didn't liked the food which just meant what he liked was the company. Jacob, honey, read f*cking the room

*i dont know, he could just have said something more simplified with the same meaning, like "spending time with family and friends".

[northern-passage]

i've shared some of Alex Freed's narrative writing advice before and i recently read another article on his website that i really liked. particularly in branching/choice-based games, a lot of people often bring up the idea of the author "punishing" the player for certain choices. i agree that this is a thing that happens, but i disagree that it's always a bad thing. i think Freed makes a good case for it here.

...acting as the player’s judge (and jury, and executioner) is in some respects the primary job of a game’s developers. Moreover, surely all art emerges from the artist’s own experiences and worldview to convey a particular set of ideas. How does all that square with avoiding being judgmental?

[...]

Let’s first dispel–briefly–the idea that any game can avoid espousing a particular worldview or moral philosophy. Say we’re developing an open world action-adventure game set in a modern-day city. The player is able to engage any non-player character in combat at any time, and now we’re forced to determine what should occur if the player kills a civilian somewhere isolated and out of sight.

Most games either:

allow this heinous act and let the player character depart without further consequence, relying on the player’s own conscience to determine the morality of the situation.

immediately send police officers after the player character, despite the lack of any in-world way for the police to be aware of the crime.

But of course neither of these results is in any way realistic. The problems in the latter example are obvious, but no less substantial than in the former case where one must wonder:

Why don’t the police investigate the murder at a later date and track down the player then?

Why doesn’t the neighborhood change, knowing there’s a vicious murderer around who’s never been caught? Why aren’t there candlelight vigils and impromptu memorials?

Why doesn’t the victim’s son grow up to become Batman?

We construct our game worlds in a way that suits the genre and moral dimensions of the story we want to tell. There’s no right answer here, but the consequences we build into a game are inherently a judgment on the player’s actions. Attempting to simulate “reality” will always fail–we must instead build a caricature of truth that suggests a broader, more realized world. Declaring “in a modern city, murderous predators can escape any and all consequences” is as bold a statement on civilization and humanity as deciding “in the long run, vengeance and justice will always be served up by the victims of crime (metaphorically by means of a bat-costumed hero).”

Knowing that, what’s the world we want to build? What are the themes and moral compass points we use to align our game?

This is a relatively easy task when working with a licensed intellectual property. In Star Trek, we know that creativity, diplomacy, and compassion are privileged above all else, and that greed and prejudice always lead to a bad end. A Star Trek story in which the protagonist freely lies, cheats, and steals without any comeuppance probably stopped being a Star Trek story somewhere along the line. Game of Thrones, on the other hand, takes a more laissez-faire approach to personal morality while emphasizing the large-scale harm done by men and women who strive for power. (No one comes away from watching Game of Thrones believing that the titular “game” is a reasonable way to run a country.)

These core ideals should affect more than your game’s storytelling–they should dovetail with your gameplay loops and systems, as well. A Star Trek farming simulator might be a fun game, but using the franchise’s key ideals to guide narrative and mechanical choices probably won’t be useful. (“Maybe we reward the player for reaching an accord with the corn?”)

Know what principles drive your game world. You’re going to need that knowledge for everything that’s coming.

[...]

Teaching the player the thematic basics of your world shouldn’t be overly difficult–low-stakes choices, examples of your world and character arcs in a microcosm, gentle words of wisdom, obviously bad advice, and so forth can all help guide the player’s expectations. You can introduce theme in a game the way you would in any medium, so we won’t dwell on that here.

You can, of course, spend a great deal of time exploring the nuances of the moral philosophy of your game world across the course of the whole game. You’ll probably want to. So why is it so important to give the player the right idea from the start?

Because you need the player to buy into the kind of story that you’re telling. To some degree, this is true even in traditional, linear narratives: if I walk into a theater expecting the romcom stylings of The Taming of the Shrew and get Romeo and Juliet instead, I’m not going to be delighted by having my expectations subverted; I’m just going to be irritated.

When you give a player a measure of control over the narrative, the player’s expectations for a certain type of story become even stronger. We’ll discuss this more in the next two points, but don’t allow your player to shoot first and ask questions later in the aforementioned Star Trek game while naively expecting the story to applaud her rogue-ish cowboy ways. Interactive narrative is a collaborative process, and the player needs to be able to make an informed decision when she chooses to drive the story in a given direction. This is the pact between player and developer: “You show me how your world works, and I’ll invest myself in it to the best of my understanding.”

[...]

In order to determine the results of any given choice, you (that is, the game you’ve designed) must judge the actor according to the dictates (intended or implicit) of the game world and story. If you’re building a game inspired by 1940s comic book Crime Does Not Pay, then in your game world, crime should probably not pay.

But if you’ve set the player’s expectations correctly and made all paths narratively satisfying, then there can be no bad choices on the part of the player–only bad choices on the part of the player character which the player has decided to explore. The player is no more complicit in the (nonexistent) crimes of the player character than an author is complicit in the crimes of her characters. Therefore, there is no reason to attempt to punish or shame the player for “bad” decisions–the player made those decisions to explore the consequences with you, the designer. (Punishing the player character is just dandy, so long as it’s an engaging experience.)

[...]

It’s okay to explore difficult themes without offering up a “correct” answer. It’s okay to let players try out deeds and consequences and decide for themselves what it all means. But don’t forget that the game is rigged. [...]

Intentionally or not, a game judges and a game teaches. It shows, through a multiplicity of possibilities, what might happen if the player does X or Y, and the player learns the unseen rules that underlie your world. Embracing the didactic elements of your work doesn’t mean slapping the player’s wrist every time she’s wrong–it means building a game where the player can play and learn and experiment within the boundaries of the lesson.

[liquidstar]

oc req i got from a friend on cohost for these two hanging out! which eventually turned into me thinking "what if this is just saiph walking up to ramus unprompted on Guild Beach Day, but ramus fully forgot who he was since they last met" and that concept was funny enough to me that thats what the drawing became

but still, here's an edited (technically original) version under the cut bc i think eventually they start to talk for real anyway lol

[novella-november]

Is this fanfic friendly? I feel like an outlier.

I guess this is my sign it's time to throw together a FAQ post to link to lol.

Yes, every event for this blog is fanfic friendly :D

Though as I mentioned on my Ominous October post, for events that include multiple short stories, I encourage everyone to flex their creativity and take one of their planned short story fanfics, and at least *attempt* to turn one of them into something entirely original; rebuilding a character and story from the ground up to stand on its own two legs is no easy feat, and that is what makes it so fun!

It really gets your creative gears turning, to make an "au of an existing material" to be something entirely original, and you can be pleasantly surprised about the things you come up with!

As a few people say, its not just a matter of "filing the serial numbers off" -- you have to add in just as much *or more* as what you take out when you are turning a fanfiction into something that is original and completely divorced from its original source material / inspiration, and that is a hard, but very rewarding challenge!

Obviously, this is not a requirement (there's no hard requirements for any of the challenges, other than no cheating, including no using AI),

but if you would like an extra challenge for the short story events and you're planning on doing entirely fan-fiction, I highly recommend trying it out at least once, and seeing where it leads you--

you may find yourself pleasantly surprised by what you find down that rabbit hole!

[waywardsalt]

rough rough draft of chapter 1 of the bellum x linebeck fic

Though the storm had passed and the sun finally shown upon the sea again, Linebeck felt gloomy. He leaned against his ship’s rope railings and stared at the horizon. The night before, the pounding of the rain had put him at ease. Now, the bright afternoon had brought back that familiar anxiety. After some thinking, Linebeck pushed himself away from the railing and resolved to begin his morning chores.

                As the only person on his ship, it was up to Linebeck to take care of it- and he wouldn’t have wanted it any other way. He knew his beloved steamship like the back of his hand, and he collected a bucket as he blinked the last of the sleep from his eyes. Firstly, he gathered seawater to dump into the engine’s storage tank. The ship was drifting at the moment, but once Linebeck would turn it on, the heat would build up in the engine and the water would boil and evaporate and build up steam to get the wheels moving.

Linebeck knelt at the lowest edge of the deck and dunked the bucket into the water for the ninth- tenth? - time. He’d have to do some extra engine maintenance before he got moving. He’d been traveling during the entire storm, likely pushing the engine to its limits. But after the water gathering, Linebeck checked the hull for barnacles and scratches, checked the railings for damaged rope, checked his food and water supplies, barely giving himself a moment of rest while he went through the familiar motions.

Since he began sailing, Linebeck’s life had been altogether monotonous and unpredictable. His ship was one he had designed himself, and knew better than anyone else how to take care of and operate it. He had no desire to take on a crew, and knew from experience that they’d only hold him back- trying to teach new people how to work his ship was incredibly tedious and often led to them making mistakes and doing more harm than good. The last bastard he’d temporarily hired and bothered to teach about his ship- Linebeck scowled and shook his head. Not even worth thinking about, now.

The storm had replenished his fresh water supply. It had been bad enough to obscure visibility across the sea, so Linebeck had done some fishing. If he cared for gods, he would have thanked one that he made it through without getting sick.

He didn’t need a crew. Linebeck hadn’t had a long-term crew member for what- seven years now? They just made him feel uneasy and he could never muster up the patience to put up with them.

Or maybe he kept finding the wrong people. That had certainly happened before. He was never particularly good with other people. Linebeck was almost certain that he’d made a good few new enemies just in the last month. His eyes scanned the horizon as he walked back out onto the deck. Linebeck tightened his grip on his mop’s handle. He was totally alone. And yet his skin prickled with unease.

“…No point worrying,” he mumbled to himself. He started mopping the deck, forcing himself to keep his eyes trained on the wood. His last chore of the morning was always the most soothing. He moved slowly and rhythmically, beginning at the prow and slowly making his way back to the cabin. His ship was small, though large enough to be comfortable for him. The deck sloped upwards a few feet from the cabin and plateaued, about a foot higher and better to accommodate the rooms and machinery beneath.

The air was warm and humid; Linebeck brushed his hair out of his face and behind his shoulders. He considered removing his coat, but he was nearly done mopping- no point in wasting the time. The heat was never a big issue for him. He was perfectly suited to the sea, and Linebeck felt more than confidant handling every aspect of this life on his own. No problems whatsoever. No good reason for the anxiety that refused to leave his mind.

Maybe there was a good reason, the same reason why he kept scanning the horizon.

Finished mopping the deck, Linebeck turned to admire it. The storm had cleaned it well enough, but now that the sky was clear he wasn’t just going to cut out part of his morning routine.

With everything done for the morning, Linebeck gathered up his mop and the bucket and moved to put them away. The bucket would be dumped out and left with other containers in the storage room, the mop left in the engine room… and then the engine would need to be started up. The nearest inhabited island was two days away (with good conditions), so while Linebeck had no need to get going right that moment, he felt safer with the engine running.

To get the engine started, Linebeck pulled a lever by the wheel up and waited a moment as he heard the hissing of steam start, and then stop. He knelt down in front of the storage tank. Enough water for the day, that was for sure. He withdrew his matchbox from a pocket in his coat and struck a match, humming idly to himself as he tossed it in the space below the water. It would only be a few minutes before the ship could get going; over the years, Linebeck had gone back and forth on the design of the engine, and managed to make it especially efficient with different materials and methods, and was quite proud of it. While the water heated up, he shut the tank door and sat back, resting a moment.

He’d gotten… some sleep last night. He’d dreamed briefly, and didn’t feel as terrible as he usually did. Some sleep. Better than no sleep at all. Linebeck laid down on the floor and stared up at the ceiling. He stared at the winding pipes at the tops of the walls and then shut his eyes. If he was lucky, he could perhaps find a few minutes to nap. Just a few minutes…

The ticking of the machinery around him slowly faded in as the engine properly started up. The sound melted into with the noise of the ocean outside, and Linebeck felt his anxieties ease. The familiarity of his daily routine eased his mind like nothing else.

The next island was north of his position… Linebeck let out a long breath. He’d have to at least position his ship facing north, and get started within the hour. He sat up and stretched. If he got started now, he could reach the island by late tomorrow. The engine was ready to go, and Linebeck smiled to himself as he fiddled with some of the smaller levers and switches, listening to the subtle changes in the ticking and clicking around him.

He paused when he heard up an unfamiliar noise. Linebeck stilled his hands, suddenly feeling cold.

Without thinking, Linebeck kicked the engine into proper operation and after a moment, the wheels on either side of the ship started turning and he quickly steered the ship in the opposite direction of that odd sound. He heard it again, from outside his ship- the unmistakable sound of cannon fire, and Linebeck was not brave enough to stop and check to see if it was aimed at him.

It was usually aimed at him, anyways.

Linebeck steered his ship away and locked the wheel in place; he felt his heart pounding in his chest as more muffled canon fire reached his ears. One sounded closer than the rest, and he managed to tear himself away from the wheel and run up to deck. Running away was nice, but he needed to know where to run away to.

It seemed like he was getting chased more and more. Linebeck figured he ought to start a list of the crews that had it out for him; that was something to do once he was safe. He stumbled out onto the deck and leaned over the rope railing, staring at the southern horizon. Sure enough, he could see a pirate ship in the distance heading his way, and the wind was in their favor.

Linebeck gripped the railings until the rope started to dig into his skin. The hell did he do to them? He recognized the decorated sails as the sails of the ship that’d been pursuing him before the storm. Their captain was one he’d cheated out of several hundred rupees in poker- or was that a different crew? No time to think it over while they got closer and closer. More cannon fire rang out, and Linebeck jumped back as the cannonball splashed into the water dangerously close to his ship.

Sailing in a straight line was a terrible idea. Better to leverage his steamship’s advantages and focus on disrupting their aim. Linebeck wildly looked around. No rocks or islands in sight. His best hope was to run for it and hope that either they’d run out of cannonballs or the wind would die down. He raced back inside.

He was just one man; why did all of these pirates decide that being slighted by him once marked him as the biggest threat to them on the entire Great Sea? Pirates were so petty. He flinched when he heard a muffled splash and felt the ship rock. Linebeck gripped the wheel tightly and started turning the ship west, his sweaty hands almost slipping off. He gritted his teeth as the cannon fire sounded closer and the ship rocked again.

The last time he’d been pursued like this, a cannonball had burnt his hull and cost him several days of sleep. Linebeck turned the ship far enough around to spy the pursuing pirates again; the moment he heard the cannon fire again, he spun the wheel to sail in the opposite direction. Turning was slow, but his ship never stopped moving. He’d had nightmares about one of the wheels being damage, and Linebeck felt weak in the knees just thinking about it.

As the pirate ship slipped out of view, the waters around his ship were more violently disrupted, and Linebeck yelped as his ship was more violently rocked by the waves. There was no cannon fire, no sound of a cannonball hitting the waves- and the water was clearly churning too violently for it to have been a cannonball. He clung to the steering wheel for dear life, his knees nearly buckling underneath him, and the cacophonous sound of an especially large wave made him wince. The ship rocked again, but still no cannon fire. Instead, Linebeck picked up a new muffled noise.

…Splintering wood?

The wood of his own ship was fine, there was no motion asides from the violent waves rocking his ship, but the distant splintering continued, and with it, faraway screams. For the second time in barely five minutes, Linebeck’s curiosity prevailed over his fear. On shaky legs he stumbled up onto his deck- slick with water that had poured onboard, and nearly fell over the railings when he reached them.

The pursuing pirate ship was being torn apart by something. Something had pulled the main mast down and split it in half, tearing through the sails and ripping the vessel in half. Linebeck squinted, hardly seeing anything that could be causing it, then caught a glimpse of what looked like a thick black rope curled around the prow, tearing it clean off and dragging it into the sea. The way those ‘ropes’ moved; Linebeck slowly slid down into a crouch as he realized that a sea monster was what was attacking that ship.

One pirate jumped from where the prow had been, likely trying to escape and swim away, but a black tentacle shot out of the water and grabbed them midair and yanked them below the water. Linebeck felt frozen to the spot, more than grateful that he wasn’t the creature’s target, but he feared that if he took advantage of the chaos and sailed away, he would be attacked next.

The pursuing ship began to sink, and the sharp cracking of wood was piercing as it reached Linebeck’s ears. The hull was torn in two, more tentacles appearing to crush them into unsalvageable wreckages. The fear that shot through Linebeck urged him to straighten back up. He started to hurry back into the engine room, but stopped in his tracks as the tentacles withdrew back into the water.

The pirate ship’s remains slowly sank, survivors clinging to any floating pieces. Linebeck stared at the water around his ship. That… thing had stopped. That sea monster that he and those pirates had the misfortune to disturb.

That sea monster- Linebeck had researched every possible hostile creature that had been seen on the Great Sea, and that certainly had to have been one of them. He grabbed onto his railing again, feeling too sick to move his gaze from the sinking ship down to the waters just below him. He stood at the end of the railing, steady on the sloping deck despite the way his limbs shook and his heart hammered in his chest.

There was a sea monster in these waters. It had just wiped out an entire pirate crew in hardly a minute. From what Linebeck could recall, that pirate crew was rather prepared and experienced, and their ship certainly wasn’t some glorified piece of driftwood. This wasn’t just an overgrown gyorg or some other typical sea monster- he was at the mercy of the kind of sea monster that had stories passed around. The kinds that endured for decades or even centuries and were either worshipped or feared. He’d never seen a regular sea monster that had those kinds of tentacles and was that quick and deadly.

One of the stranded pirates was suddenly and violently pulled under water. Linebeck lowered himself back down to a crouch, staring at the now-empty patch of water. After a few moments, a faint red hue bloomed from deep under the surface.

I’m going to die.

The thought seemed to echo in Linebeck’s head. It wasn’t a thought he was unfamiliar with, but it was much, much more frantic now than ever. He was going to drown or be eaten. Even if he got out unscathed, his ship likely wouldn’t, and that sounded just as bad as if he got injured. Linebeck shakily stared down at the water mere feet from him. Every tiny wave and ripple in the water heightened his anxiety, and his mind raced. Another pirate was pulled under the water, eaten, and the waters were still for a moment. Then, there was a subtle ripple further away from the wreckage and closer to Linebeck’s ship.

How do I get out of this?

Linebeck’s terror forced him to his feet, and he raced into his ship’s cabin. That monster was more than capable of catching up with that pirate ship, and Linebeck stumbled on his way down the stairs as his ship rocked slightly.

This monster was capable of killing and catching him with ease, and it tore apart that pirate ship with ease, and it was eating the survivors, and Linebeck was up next if he didn’t think fast. His feet brought him into his ship’s cramped kitchen, and he stood still in the doorway for a moment. His fear and quick-thinking seemed to crash into each other, and his mind went blank as he stared around. Linebeck switched his attention from his utensils to the fish he’d recently caught and had yet to clean to the cupboards. Why the hell had he run here?

The sea monster killed all of the pirates. It was probably chasing after him now. It tore apart the ship, and… ate the pirates. Ate the pirates. Linebeck stared at his recently-caught fish. There were a pair of smaller amberjacks he’d picked up during the storm, a seabass he had a few different plans for, and then a large loovar he’d been planning to sell. He suddenly felt itchy looking at that loovar. He was going to sell it. It was a large, pristine loovar, with sleek, undamaged scales and was over five feet long and took up the entire counter that fit in the narrow kitchen. It was valuable and would net him a good sum of rupees at the next island he docked at.

Linebeck’s ship rocked again, violently enough to knock him off balance. The terror finally mixed with his quick thinking and he grabbed and yanked the loovar off the counter, stumbling a moment under its weight. He slung it over his shoulder and hauled it up the stairs, his shoulder aching before he was even in the engine room. Goddesses, his coat was going to reek if he made it out of this alive.

He paused to grab his mop and tuck it into the crook of his elbow and stumbled a bit, stubbornly keeping the fish from touching the floor. The ship rocked under his feet again, and Linebeck shuddered and hurried out onto the deck. The water around his ship’s hull ripped every few moments, and Linebeck didn’t hesitate in letting the loovar drop onto the wood. He kicked it off the deck, and it fell unceremoniously into the water and floated barely a few inches from the hull- too close.

With the mop he prodded at it and sent it floating slowly away from his ship. And so, Linebeck huddled at the edge of his deck, leaning against his mop for support. For just a moment, the waters were still. The loovar bobbed on the water’s surface and the sunlight glinted off its scales. Linebeck exhaled slowly. For all he knew, the monster could have already left. He could probably grab the loovar if he was careful.

Linebeck started to reach back out with the mop, but drew it back as the water around the loovar suddenly started to ripple. The rippling grew more furious, and the water began to bubble and small waves started rushing out from around the fish- a dark shape was just barely visible deep in the water. The shape rushed to the surface, and Linebeck only got the quickest glimpse before falling backwards onto the deck as the largest waves yet set his ship violently rocking.

It was huge, easily half the size of his ship, and a stunning yellow. For the split second he saw it, Linebeck couldn’t discern any detail, but he didn’t miss the mouth full of sharp teeth that engulfed the loovar. Linebeck had fallen onto his back and didn’t dare move as the sea calmed down, the blurry image of the beast burnt into his mind. He stared up at the sky and realized that the fear in his chest had eased. Had he appeased the creature? The rocking of his ship slowly stopped, and he felt he was in no hurry to get up.

There was a slight splashing, and Linebeck jolted upright. He stared off the edge of the deck, at where the loovar had been floating. It stared back at him. The sunlight glinted off its yellow body, greenish in some spots, and golden in others. Under the water, the rest of it was just a murky shadow. In its mouth, encircled by those teeth, was an eye that stared back at him, the tiny pupil within a burning yellow and orange, surrounded by deep black. A monstrous eye, and one that Linebeck could’ve sworn he’d seen somewhere. Something about the thing’s unblinking gaze made a sense of visceral horror return to Linebeck, and before he could think it through, he scrambled to his feet.

The creature didn’t move in the water, but its eye followed his movements. Despite the hammering of his heart, Linebeck couldn’t tear his gaze away from that eye. His limbs felt locked in place, and his breathing came in in ragged gasps and he realized just how bad his situation had gotten. There was no way that loovar was enough to save him. He’d seen the way the creature had torn apart that pirate ship. He’d seen the way it had grabbed and killed those pirates. There was nothing keeping it from killing him next.

Then, without any sound but the sounds of the water, the creature sank down into the ocean and out of sight.

Linebeck immediately hurried back into his cabin, just barely remembering to snatch up his mop.

He wasted no time in getting his ship up and running again, and set a course for the island before even thinking of relaxing. Linebeck anxiously surveyed the sea as he steered the ship away, but spotted nothing out of the ordinary.

…Maybe the loovar had satisfied that… thing. Linebeck tried not to think much about it. But his nerves were still shot by the encounter, and he stiffly steered until the sun began to set.

He didn’t anchor the ship until stars glittered in the sky. Linebeck moved gingerly around his ship, half expecting that monster to return. But the evening was quiet, and Linebeck eventually felt relaxed enough after doing his rounds. He collected every book he had that mentioned sea monsters and went out on deck to read and rest.

Linebeck rested against the prow. He set the books in his lap and started flipping through each one, quickly skipping through what turned out to be a catalogue of common seafaring enemies, and finding a short collection of short stories based on powerful creatures around the world. As the sun dipped further below the horizon, Linebeck finally reached a much more informative book- one that had been gathering dust at the edge of the shelf- and flipped through more slowly, inspecting each illustration. Dragons, sentient plants, fish creatures, and Linebeck slowed down upon reaching the chapter reserved for deities. It didn’t take long for him to turn a page and find a familiar illustration.

It was little more than a collection of sketches, but that eye was unmistakable. Linebeck leaned over the book with a small spark of triumph in his heart. He was right- it was one he’d heard of before, a creature named ‘Bellum’. Apparently a powerful, demonic sea monster.

Linebeck felt a faint shiver down his spine and he sat up and stared off across the sea. He shut the book and gathered up the rest. Back in the cabin, he locked the door out, and hesitated with his hand on the knob. That nearby island was his destination, a small island with a small town that he’d been for. He needed supplies, needed to restock on food and parts and whatever else eluded him at the moment.

He double-checked the lock and silently headed down into the storage room. Linebeck left the volume with the information on Bellum on the table, and put the rest back on the bookshelf behind the thin bar that kept them from falling out.

Bellum.

Linebeck turned and stared at the book on the table. In the dim light of the few lit lanterns in the room, the book seemed almost ominous with its dark cover and elaborate spine. Where had he picked this one up? Was it one from home, or something he’d bought on a whim a while ago? Either way, it was worth reading through and taking notes on- even if the information he wanted seemed to only take up two pages.

Linebeck idly rubbed his hands together. The only indication of his lingering anxiety was the thin layer of sweat on his palms. Most sea monsters were known through shared stories and rumored sightings. Once he got all he could from the book, he could start asking around at islands. With any luck, though, he wouldn’t have to see that thing again.

[cienie-isengardu]

Bi-Han when talking to his (story mode) allies who also are enemies of Kuai Liang

MORTAL KOMBAT 1 (2023)

Havik: Aid me and I'll destroy the Shirai Ryu. Bi-Han: That is *my* privelege, Havik.

Shao: If I *ever* see your brother --- Bi-Han: You won't unless you visit his grave.

Shang Tsung: Kuai Liang's betrayal cost us dearly. Bi-Han: He will bleed for it, sorcerer.

BONUS: Noob Saibot [Mortal Kombat 11 (2019)]

Geras: Bring your brother to Kronika. Noob Saibot: The dead are my clan now. Geras: Do you serve or do you not?

[pynkhues]

I love that the beat where he drops his head is repeated when Louis drops his own in the finale too.

YES. I love that Louis recalls Lestat's expression in that moment of realization and realizes for the first time that Lestat MEANT it -- he wasn't just being chaotic and apologizing in the middle of trying to kill them, he truly meant everything he said, so he's truly different from what Louis had thought he was.

(x)

Totally, and I think what really gets me about it is that it's almost this moment of realisation of how far apart you are from someone? I'm sorry if I'm repeating myself here, because I thought I posted something about this the other day but I can't find it so maybe I just was thinking about it, haha, but to me that beat is also just this moment of Louis realising just how broken the thing is between them?

He's just spent two weeks telling Daniel about this unbreakable cord between him and Lestat, about the maker's bond, that they share a heart, that he felt Lestat in that building before he ever stepped foot on stage, but then, there, in the moment of it, what did it matter when he didn't even realise that Lestat was as much a prop as they were? He's spent close to a century believing a lie about a person he always thought he knew better than anyone else, close to a century distrusting a moment of grief and pain and honesty from someone who hurt him, yes, but loves him, and close to a century with a man who'd use that hurt and distrust to keep him.

If that's not distance, if that's not an almost tangible depiction of how far apart they've let themselves become, how far Louis would push Lestat the man away, even as he pulls the memory of him close, I don't know what is. In that little tiny beat though, I just feel that really profoundly. It's such a brilliant performance from Jacob (always), but also just a really masterful cut from the editor.

[itissadbutitsmy-artblog]

THATS WHAT IVE BEEN SAYING not aloud BUT

if i had a nickel for every time there was a cool-toned antagonistic teenaged cyclops character with terrible hair in a kids show who had just the most awful things happen to them, ended up paralyzed and stuck lying there on the ground for a while at some point, and just wanted to save everyone but couldn’t save anyone, i’d have two nickels. which isnt a lot

but it’s weird that it happened twice

[sysig]

You’re gonna die if you keep that up (Patreon)

[fudge24-7]

Ok while I do agree what caine did is messed up, I don't see anyone coming to his defense with this point, and I feel like it should be considered more

Tadc spoilers ahead for episode 2 if you don't have the tags filtered:

Caine didn't have any way to know gumigoo was centient, I know it was easy to forget that when we as the audience could clearly see it, I did too for a moment but, when you think about it, he didn't see gumigoo become self aware like we did. Like he's said he only has eyes on the circus, and while I don't 100% trust every word he says, the fact he didn't just close the portal the moment gumigoo approached, or hell intervene the moment pomni mentioned bringing him back, Instead just seeming surprised when he noticed gumigoo there, it shows to me that he really doesn't see what happens there, so he most likely didn't know. from his perspective pomni just got way too attached to a character he created, he had no way to know why she did or that he was more then what he made him now

[codacheetah]

I keep thinking of how I want to taxonomize Siffrin and Loop bc it feels significant to me that Loop and Siffrin both have inherently diverged from the same Traveler Mold they came from. But because I am like a 7 year old I keep sagely nodding to myself going "ah yes... just like mega mewtwo"