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#WOULD THEY EVEN BE ENDGAME
solemnlyswearnogood · 2 years
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NO STOP WOLFSTAR WAS THE FIRST SHIP I EVER GOT INTO WHY AM I STARTING TO LIKE BITCHKILLER LIKE WHY HELP WHAT
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lefthandarm-man · 4 months
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Steve Rogers // Captain America Captain America: The First Avenger (2011)
the way he looks at bucky (part 1, part 2, part 3)
(bucky vers.)
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mikeslawyer · 11 months
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i don’t know if we’ve talked about this but i need the m!leven break up to be either mike’s idea or a mutual agreement.
because imagine if it’s el who breaks up with mike and mike then tries to kiss will. will’s already spent the past three years convincing himself he comes second to el, he’s going to think he’s a rebound. and he will settle for it. i know he wouldn’t even question it because he’s used to not being able to ask for more and to just accepting what’s thrown his way.
hell no.
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Byler is endgame bc it's so obvious that there is no path Mike would rather take in life---nothing that could give him half as much purpose and fulfillment---as protecting Will, keeping him safe, and reminding him everyday that he's not a mistake. Mike wants to feel loved, he wants to feel needed, and it's so obvious that Will is his most important person and the person closest to him, who he wants beside him at all times. And some people really think that Michael "I think it'll be easier as a team" Wheeler would say "No thanks I'll pass" to WILL BYERS loving and needing him and wanting to spend the rest of his life with him??? Be so fr that's literally his God-given purpose for being on this earth lmao.
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hauntingsofhouses · 9 months
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Thinking about the crazy love triangle situation in Blue Eye Samurai and debating heavily with myself on how I'd like to see it conclude. And yeah this discussion can be thought of purely as shipping, headcanons, and fandom fun. But when analysing the show and engaging with it in a more in-depth, almost-literary level, it's impossible to dismiss who Mizu's potential love interests are and how different endgame romances would affect her character arc and the overall story and themes.
So in this post I'd like to look at the love triangle a bit more closely, and speculate on where the story will take this.
DISCLAIMER: It is my personal interpretation of the text that Mizu is non-binary—I use this as an umbrella term denoting any gender that does not adhere to the binary restrictions, norms, and expectations of what it means to be either a man or woman in a particular society; it's not just an androgynous "third gender" that exclusively uses they/them pronouns. Thus, while I personally believe Mizu is not strictly a cis woman, she does still identify with womanhood, despite definitely feeling a level of detachment from it due to living as a man for so long. With that being said, I will be using she/her pronouns for Mizu in this post, but please note that this is purely personal preference. Everyone is free to interpret the text the way they like. That's the fun of fiction. Now, without further ado, let's proceed.
Okay so, thinking about the pairings on a purely surface level, and even before i got into the show, I was pinning my hopes on some lesbianism going on between Mizu and Akemi, and the show does hint at this; in Ep1, during their first encounter in Kyoto, there is the famous slow-mo shot of their eyes meeting, Mizu's lips slightly parted as she is unable to tear her gaze away from Akemi, while sweet string music plays in the background. This is clear romantic framing, and a marker of attraction. If Mizu was a cishet man, there would be no question that this is a potential love interest.
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But then, in the same episode, we meet Taigen, who is introduced to us firstly from hearing Akemi's father describe him as "a fierce and undefeated young samurai", the "best swordsman in the best school" and "a fisherman's son from Kohama [...] whose rise reminds [him] of [his] own."
In the next scene, we meet him in person as Akemi's fiance, and he seems sweet enough. He even gives her sweets! In exchange, Akemi gives him gold, and he feels a bit ashamed that he doesn't have anything better to offer her. But Akemi accepts him and his gift wholeheartedly and flirts with him a little, which makes him smile kinda shyly.
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When Akemi confirms their engagement, Taigen is in disbelief because he has no status or noble background, but Akemi reassures him.
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So from these first few scenes, we're introduced to Taigen as an honourable and strong samurai, but also as a man who is sweet and gentle with the woman he is about to marry, as well as aware of his own inferiority when compared to Akemi's high station.
Our view of him then changes as his true self is revealed: he is an arrogant and smug bastard among his peers, but more importantly, he is the terrible bully from Mizu's childhood.
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And it is this side of Taigen--pompous jerk and unrepentant xenophobic bully--that we continue to see as the show goes on, and it's safe to say that this is his real self, sans any pretense of humility and modesty. Around anyone who isn't an outright superior in terms of class and power (ie. Akemi's father, the shogun), Taigen never hesitates to assert his own authority and "greatness."
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But as the show goes on, he gets caught by Heiji Shindo's men, and then tortured. And that's when we see, okay, turns out he's not that bad. He's honourable; "honour" is not just meaningless and superficial pedantry for him, but an internalised, guiding principle.
He was a cruel asshat throughout Mizu's childhood, but in a prejudiced and xenophobic society, he was just playing by the rules. As a child, he knew he was at the bottom of society, but when met with someone even lower ranked than him (Mizu), he can project all those prejudices and insecurities onto someone else. This way of thinking--"if you can't beat 'em, join em"--is what allowed him to climb up the ranks despite being some dirt poor kid from an abusive household*.
*Well, that combined with his cismale privilege of course, because this would not be an option for a woman in similar circumstances.
Thus, his upholding of honour also exemplifies how Taigen embodies the ideals and rules of his society. His insistence on duelling Mizu is another more blatant example of this. He doesn't want revenge like Mizu does. He wants to be accepted by society, within the bounds that society has placed, and that means that his only two options following his defeat at the Shindo dojo were to either chase Mizu down and get his damn duel, or kill himself for his humiliating defeat.
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Now! Moving on from Taigen, let's go back to the other end of this little love triangle: Akemi.
Mizu and Akemi only properly meet in Ep4. During their first meeting, when Akemi tries to poison Mizu in Madame Kaji's brothel, she compliments Mizu's eyes, calling them "beautiful."
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This seems to genuinely take mizu off-guard for a second before she coolly plays along. We know that Mizu recognises Akemi from the get-go, and thus sees through Akemi's ploy from a mile away. It's also safe to assume she'd expected false flattery, because Mizu understands full well that this tactic is how women get what they want: by using their 'feminine wiles' and playing up their naivety and innocence. But even so, it's interesting that Mizu actually seems surprised by Akemi's compliment.
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Then, after Mizu subtly taunts Akemi by lying about Taigen's death, she and Akemi have a bit of a scuffle, and then we get to Mizu saying this:
"Women in our world don't have a single good option. Except you, like some magical forest creature. You could have anything you want, but then you beg to eat trash."
(no screenshot because it's quite a long line but you get it)
Here we see Mizu's opinions on the marginalisation of (mostly poor and under-privileged) women stated outright, and underlying her words is also resentment. Because even though she and Akemi have shared experiences of female oppression, Mizu, unlike Akemi, was also poor, from a rural village, and is a racial minority. Mizu is triply oppressed, while Akemi only faces one primary form of oppression, and to someone as embittered by the world as Mizu is, to see Akemi "beg to eat trash" is a slap in the face, practically tone-deaf to the other injustices around her--injustices which Akemi has not shown much, or any, acknowledgement for at this point.
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Then, after this scene, Mizu kills Kinuyo, and this unsettles her to a degree we've never seen from her before. She is visibly distraught, and the entire sequence hammers the theme of this episode (and arguably, a large portion of the show) into our heads: women in this world suffer. And even though Mizu is well aware of this fact, to commit this act is so visceral that is shakes her to her core, and it's what ultimately leads to the ambush of the Thousand Fangs.
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But before the ambush, Mizu and Akemi talk a little again, and during this time Akemi taunts Mizu some more.
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Right now, Mizu is exhausted to the point where (I believe) she even downs some sake, despite not usually drinking. Thus, worn down, she cuts Akemi's ropes and tells her, "Just go." Akemi recovers from her initial fear of Mizu's blade and taunts her some more, accurately seeing through Mizu's facade of coldness, recognising the raw anger there, and says this:
"I thought you had to be something special. Your face isn't even so scary. You're just... angry."
At this, Mizu is amused and compares Akemi to Taigen ("I see why he likes you. You're just like Taigen when we were children. A fucking brat.")
The reveal that Mizu and Taigen knew each other in childhood surprises Akemi, but before either of them can say more, everything goes to shit.
That's when we get to Ep5. This episode focuses primarily on Mizu, the central piece of this love triangle, and does the most out of all the episodes to shed some light on her character and goals, fleshing her out to be more than just the vengeful, highly proficient samurai we've seen thus far (symbolised by The Ronin), but also a person who is capable of love, domesticity and gentleness (symbolised by The Bride). But in the end, Mizu rejects both these ideals, instead becoming an Onryo, who is neither guided by pride/honour, nor love.
By 'reincarnating' into an Onryo, Mizu is able to win the day and save the women in the brothel. However, as she has now fully embraced her status as an Onryo, and is exhausted physically, mentally, and emotionally, she lets the Tokunobu clansmen take Akemi away while Akemi's screams echo in her ear.
Mizu says this choice is for Akemi's own good, that Akemi's better off; because Mizu is jaded and weary, and cannot afford the luxury of idealism, and thus must always be strictly practical and realistic. So of course that's why, in her view, yes, Akemi should not be wasting her time in a brothel where women are exploited and abused, nor should Akemi be so naive to think that her marriage with Taigen is even still possible. However, regardless of Mizu's views, it is not for her to decide, because though Akemi is privileged in some sense, she is still trapped and voiceless, and deserves the right to choose her own destiny.
But as it happens, in the end, though Akemi did not choose who she gets to marry, she DOES get to choose her next move when Edo burns down.
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"I want to be great."
This one line is the key to her entire arc, which is only just beginning. We see she quickly has acquired the affection and good graces of the shogun's son after their wedding night and consummation, and with Madame Kaji and the girls now serving her, Akemi will only grow to become a prominent political player.
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NOW, only after analysing the characters as they are within this season, only can we speculate how their arcs will continue as the show progresses.
First and foremost, I will reassert the popular opinion that Mizu and Akemi are foils. The climax (pun intended) of Ep7 illustrates this as it parallels the turning points in both Mizu's and Akemi's arcs:
Mizu melts the steel of all her loves and shames, the people she's collected: the broken blade wielded by both Chiaki and Taigen, Akemi's knife, Ringo's bell, Master Eiji's tongs - this symbolises her beginning to accept herself, and in doing so, also accepting the help of others;
Akemi consummates her marriage with Takayoshi Itoh, gains his affection, and cements her position as a woman in the shogun's palace - this symbolises her taking charge of her situation, no longer playing the damsel, but using her position to her advantage, empowering both herself and the underprivileged women around her.
These are thus two directly contrasting, diverging journeys:
Mizu's arc moves inward (yin). It is an internal path of self-love and self-discovery, focused on finding peace and tranquility inside herself, and this involves allowing herself to let others into her life, opening herself up to friendship and empathy once more.
Akemi's arc moves outward (yang), it is an external path of growth, transforming from a naive, caged princess to a powerful woman and a force to be reckoned with.
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Akemi is always dressed in red, even her eyes are a bit of a reddish-brown rather than brown-black like most other characters, and in her penultimate scene she stands against a backdrop of flames. She is fire: quick-tempered, passionate, full of energy. Red is powerful, authoritative, and in eastern cultures, it is associated with prosperity.
Mizu is blue: her eyes, her sword, her clothes. She is also named after water; it's where she goes to recover, reflect and meditate. Water is fluid like a brook weaving around a stone in its path, always changing and adapting, it is graceful, it is beautiful and ruthless, tranquil yet swift.
Thus, in the future, I expect we will see plenty of political manoeuvring and intrigue in Akemi's plotline, where she fully embraces control of her life, and begins to take action to help others as well, realising that her own oppression is just one piece in a much larger picture. Her main conflict is with society.
In direct contrast, Mizu's main conflict is with herself. She must realise that her desire for vengeance is a projection of her own deep-rooted self-hatred. Her arc must move towards unpacking her feelings and trauma so she can be at peace with herself and allow space for love in her heart. Because as we saw in Ep5, Mizu had come extremely close to achieving peace and joy, as she had not only loved Mikio, but also had briefly believed that Mikio had loved her (and accepted her for who she is) as well.
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Thus, assuming the story is not planned as a tragedy, Mizu will likely end up getting her vengeance, but it will not satisfy her, because it is not what she needs. What she needs is to let go of the Onryo within her and to reconcile both The Ronin and The Bride within herself, as she is both a fighter and a lover, but not a monster.
(Edit: I recommend checking out this post by @stylographic-blue-rhapsody for a much clearer analysis about Mizu'a symbolism as Ronin, Bride and Onryo!)
And now that we've mostly covered each of the characters individually, we can finally get to the main point of this post: the love triangle.
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Let's talk about Option A: Akemi.
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As I covered extensively earlier, Mizu and Akemi are foils, a yin-yang pair. But while they play off each other very well in a thematic sense, I personally believe that a serious romance between them will be more complicated if they become endgame. This is because Akemi's natural resolution is to embrace a position of power and influence, where she has both freedom and control over herself and to make much-needed changes in a prejudiced society. Meanwhile, Mizu's natural resolution is the opposite; her happy ending would to find a peaceful life where she is safe and free from prying eyes, and able to be her true self.
Thus, it would make very little sense for Akemi to forfeit power and run away with Mizu and start a humble life together. Akemi wants to be great, and that is absolutely what she deserves. On the other end of the spectrum, it would also make little sense for Mizu to dedicate her life in service of Akemi, such as acting as a bodyguard or something similar, because a life in a palace full of court intrigue and conspiracies is far from what Mizu needs to be happy.
With that being said, if Mizu/Akemi is endgame, and assuming their overarching character arcs do not shift directions, their love story would likely be either tragic, doomed, or bittersweet. I do absolutely love this type of story because personally I'm a sucker for catharsis, so it would be very interesting if the writers do decide to take this route.
Also, as a note, please do not take this as me dunking on this pairing. This is just my personal opinion and analysis and I completely understand if you disagree!
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Then, of course, we have Option B: Taigen.
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Between Akemi and Mizu, Taigen is a bit of a free-floater here, because Season 1 leaves off at a point where his arc is very ambiguous as to where it's headed. While Akemi climbs for greatness and Mizu goes on a journey across the ocean to (presumably) discover more about her heritage, we have little clues about where Taigen is headed. And if I'm being honest, I'm sure he has no idea either! He still hasn't reclaimed his honour, so he would be unable to rejoin the Shindo Dojo; he's been rejected by Akemi; and while he showed loyalty to the shogun, the shogun is now dead, and all the shogun's men who had witnessed his "humiliating" death were left to die by Lady Itoh, who is now pulling the strings within the palace.
Therefore, Taigen has very few options here.
And when considering his role in the story is as Mizu's begrudging ally, his arc will undoubtedly be focused on unlearning his xenophobia and misogyny, the latter of which we have not seen yet, but is surely present. Now, whether he will do this in Mizu's presence or absence will be unknown until we see Season 2. Following the Season 1 finale, he might return to Kohama and wait for Mizu there as he learns humility and remorse over his past cruelty; or maybe he will follow Mizu to London, and the two of them will continue to butt heads until he finally admits to himself that he cares for Mizu more than he would like to admit. There is no room for doubt that his growing feelings for Mizu are more-than-platonic, because we all saw him get turned on by sparring with her in Ep7 lol. Thus, regardless of the exact choice he makes, I am sure that his overall arc will be focused on redeeming his character.
Now, when it comes go redeeming him, I know there are many who simply don't want him redeemed because he was such a jerk to Mizu, and while yes I agree he was awful, I do believe there is also nuance to his character.
Previously I've discussed in great detail the colour and elemental symbolism with Mizu and Akemi, but have yet to touch on how they relate to Taigen. So, let's talk about that for a second.
While Akemi is red and Mizu is blue, Taigen is green.
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Green is a complementary colour to Akemi's red. Complementary colours are directly opposite each other in the colour wheel; when mixed, they neutralise each other, but when put side-by-side, they form a pleasing and impactful contrast that boosts the brightness and prominence of both colours. This mirrors Taigen and Akemi's relationship. They are an "ideal" pair because they complement each other very well, and bring out each other's most prominent traits. Mizu's comment about their similar "brattiness" comes to mind here.
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Green is also an analogous colour with Mizu's blue. These colours are sitting right next to each other on the colour wheel; their natural similarity makes it easy for them to form a cohesive overall appearance, but using both in equal amounts will make a design overwhelming and too busy. Thus, the best way to use analogous colours is to make one the dominant colour, while the other will serve as an accent. I feel this also speaks to the dynamic in Taigen and Mizu's relationship. They came from the space place, both from nothing; they're both strong fighters who love the sport, and work well together when fighting side-by-side; however, they butt heads too easily, mirroring how analogous colours can be too overwhelming when used in equal amounts. Thus, to work together in harmony, one has to be the dominant colour, while the other serves as the accent. In this case, the dominant force would be Mizu, as she is the protagonist of the story, while the accent would be Taigen.
By fulfilling this role as an "accent" to Mizu, Taigen's character would easily be slotted in as a the love interest. This is in contrast with a Mizu/Akemi relationship, whereby Akemi is Mizu's foil before she is Mizu's love interest. This is because, by being a love interest, a character usually takes a backseat in the story, serving the plot and the themes by playing a purely supportive role, and this is not possible in Akemi's case because her character exists to parallel and contrast Mizu (red and blue), and not to support her.
It is possible to serve as a supporting love interest in Taigen's case however. And this is because he, unlike the other characters, does not currently have a definitive place within the story. He initially served the plot as an antagonistic force, but now as he is slowly unlearning his prejudices and becoming a better person, he can no longer serve the story by acting purely as a rival.
Instead, he will serve the story by literally supporting Mizu. And this relates to Taigen being earth, which is steady, firm and reliable, unwavering in loyalty and principles, hardworking and rooted in stability, which is seen in Taigen's staunch and inflexible obedience to the traditions and rules of society. These traits are what make him a perfect samurai, but not a good man. However, unlike most people in their world, Taigen is still capable of change and redemption, which is why Mizu says that he has the potential to be great. Not great by way of power or glory, but great in character. Already, he is honourable to a fault, and does not betray Mizu even after she technically robbed him of everything he was striving towards. And when he was shot by an arrow in the chasm, he did not hesitate a second to tell Mizu to use him as a human shield and save herself.
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The trigger for his redemption is Mizu. If she had never beat him in that duel, Taigen would live on to become a man like Akemi's father. Cruel, power-hungry, controlling, conservative. But through Mizu, Taigen's sharp edges are ground down, much like water that wears down the stones in a river.
Where Mizu and Akemi's possible love story would be a clash of wills, full of passion and even heartbreak, a possible love story between Mizu and Taigen would be the wearing down of souls. Mizu would make Taigen a better person, and in turn Taigen would dedicate his full respect and support to Mizu as his equal, thus getting her to slowly open up and love herself. Already, Taigen has grown enough to admit (begrudgingly, and in his own Taigen way) that Mizu is better than him; though, clearly, he still has a long way to go, as he still calls Mizu a demon shortly after that.
But basically, Taigen is a very simple man (his main goal now is "to be happy"), and Mizu has great depths that he cannot yet fathom. For this love story to work, it has to begin with Taigen changing for the better. If he succeeds in that, and is able to accept Mizu for all her complexities, I believe that they will make a formidable pair. And though he'd likely still throw a jab or snarky remark at Mizu every now and then, I think he'd come tl wholeheartedly admire Mizu as a brilliant swordsman and a kind soul. Thus, should things work out and this be endgame, Taigen would be able to provide Mizu with what Mikio could not: an idyllic life that is not built on a lie, but mutual trust, respect, admiration, and equality.
Or hey, maybe they could both make their own dojo together! I don't know.
(Edit: This post by @rinandsketches does a great job at delving into Taigen's character and a potential Mizu/Taigen relationship if you'd like to read more about this angle!)
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Now, as I move on from Taigen, there are a couple more options on how to resolve this love triangle and that includes Option C: Ringo.
In this option, Mizu does not have an endgame romance with either Akemi or Taigen. In this route, she finds peace and love through friendship, solidarity, and a found family between herself, Ringo and Master Eiji—a bunch of outcasts in society who make a strong trifecta of sword-makers.
Also, as an aside while I'm talking about Ringo, I'd like to point out that I believe his element is air and his colour is a neutral grey; he is talkative, easy-going, wise, curious, light on his feet (stealthy) and free-spirited, which are all traits linked to air, and traits that complement Mizu nicely, as he is capable of getting Mizu to open up and trust others again, while Mizu helps him reach his true potential for greatness.
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And finally, there's Option D: Polyamory.
This is basically an "all of the above" option, in which everyone wins and it's a super duper happy ending. It would also be awesome to get some polyamorous representation, and seeing the dynamic between Akemi/Mizu/Taigen play out would be very entertaining and refreshing. So, you never know, this just might be the true endgame!
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AAAAND with that, I close my extremely long analysis of what is essentially Mizu's love life. Whatever the final outcome of this love triangle though, I just hope it will be well-written and satisfying to all the characters' respective arcs. (Also I just want Mizu to be HAPPY goddamn it because she deserves the world and her coochie eaten out)
Now, I highly doubt anyone will read any of this (especially not until the end!) but that's fine. I just have so many thoughts and feelings about this show and I just needed to get this out of my system lol! But if by some miracle you did read this far, I wholeheartedly welcome any sharing of thoughts and ideas because man am I obsessed with this show! But of course, if we have an opposing opinions, please be respectful when letting me know; I am very open to friendly discussions.
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i feel like no one ever talks about this, but mike honestly looks like he is starting to tear up in the scene in season one where troy starts being disgusting towards will
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like ???? am i insane ??? or does he genuinely look like he could start crying ???
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i-dont-bite · 2 years
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"you're basically saying disabled people can't be in relationships!! you're ableist!!!" no i'm not you dumb fuck i'm saying a girl who's been a LAB RAT and ISOLATED FROM SOCIETY since she was born until she was TWELVE shouldn't be thrown into a lifelong relationship with a kid she just met a WEEK after she escaped from the lab when she could BARELY SPEAK and didn't know what a the word "FRIEND" MEANT
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stranger-theory · 29 days
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thinking about it now, why doesn't finn just share his opinions on Byler vs Mileven? i know he says he doesn't "ship" but you're bound to have some sort of preference for who your own character ends up with, even if it's just from the perspective of what makes sense for the plot. for Noah to be so open about how much he loves the idea of Byler, it's clear he's allowed to share.
it's not like anyone's immediately going "aha! byler endgame because Noah said he likes it" because obviously Noah's going to want what his character wants. so if it's so obvious that Mike is in love with El, why doesn't Finn just say he hopes they end up together? if his character is so head over heels for this girl, why is he always playing both sides?
"uh, i just- idk, i mean.. it, um- just leave it up to the Duffers... idk."
why is he so opposed to saying "well, Mike's not in love with Will"? why can't he say he thinks being with El is the most sensible option? why is he so against saying he wants what his character wants?
maybe that's not what Mike wants.
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zinniapetals · 8 months
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my fave chengxian reconciliation scenario is wei wuxian slowly realizing that the life of a wanderer isn’t actually what he wants and lotus pier is his home and more clearly, living in a world with jiang cheng but not actually being something to jiang cheng isn’t what he wants either
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thatgaymood · 2 years
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Increasingly convinced that the last songs on Will’s playlist will align perfectly with the ending.
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They practically gave Byler endgame away with this song alone.
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ghostlycleric · 3 months
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The phone booth scene is so special to me.
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(Pic from longbttms’ vol. 1 scenepack on Youtube)
Mike holding the phone for Will? Basically throwing it at Jonathan right after? I NEED to see whats going on in Mike’s head.
The camera literally spins slowly around the phone booth throughout the scene, and they specifically have Mike hand the phone to Jonathan when his reaction is in perfect view. He straightens up his posture, borderline tearing his hand away from Jonathan.
Just before that, the camera is in perfect view of Mike holding the phone for Will. He leans in, and he like carefully puts the phone up to his ear. Will tries to hold the phone, probably expecting Mike to let go, but he doesn’t.
They make sure that within seconds the viewer knows thats a mikeandwill thing and not a Mike thing. Will’s hand lingering on Mike’s too UGH WHY ARE THEY LIKE THIS
Little moments like these are my favorite. Just subtle moments where you can see how well they work as a team. Their season 5 scenes are going to be so cute.
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buddiebitch · 4 months
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WHY are BT shippers so vehemently against actually analyzing the symbolism and choices made for this show?
i mean i saw multiple people saying we were overthinking the vertigo poster. they were saying that it was weird to assume that Buck would fill the pining best friend role that Midge did in the original movie??? (haven’t seen the movie, i just read a few synopses)
i’m sorry, so you agree that he put Ryan Guzman in the main character and Devin Kelley as the love interest because they’ll fill those roles in the storyline, but we’re overthinking when we point out what role he put Oliver Stark in?
or when i bring up the possible symbolism of Tommy always calling him Evan, the only response i get from BT stans is “well he would tell him if he didn’t like it” or “i think it’s because he was introduced that way and that’s why” or even “i think he probably likes that Tommy calls him Evan” (all real responses i saw) and it’s like, yeah that’s cool, those are great headcanons for you, but that actually isn’t what i was talking about. nothing wrong with having a headcanon, but it doesn’t explain anything about the show or answer any of my questions.
i mean in s4 he corrected his PARENTS and told them his name was Buck, and in s6 it was used to emphasize the strangeness of his coma dream, how everyone was calling him Evan, the whole show him being called Evan has almost always been used to emphasize that someone doesn’t know him very well, how are y’all convinced that it’ll mean something different this time? i get that some people think it’s supposed to be growth, that he’s cool with being called his first name, but if that’s the goal it definitely isn’t reading that way to me.
like i wish i could see things through the same lens as these people so it could make sense to me, i just don’t get how you can willfully ignore SO many hints just so you can ship what you want.
no hate to the ship or the shippers obviously, i’m just baffled by the lengths they’ll go to in order to convince themselves that plot device man is endgame for Buck.
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phoenixduelist · 11 months
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The only S3 opening I accept is Izzy literally clawing out of the grave, yelling: 'None of you absolute TWATS bothered to check for a pulse??'
In a show where every tiny movement has 26280 meanings and possible interpretations, I refuse to believe that this death has absolutely none.
And I also hope after crawling out, his first half conscious journey is into Ed's and Stede's inn, sending both into a cardiac arrest
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anthurak · 3 months
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So this is a take that I imagine won’t make me a lot of friend…
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But this clip from the trailer is NOT actually Blitzo rescuing Stolas.
Really look at what this shot is showing and what it is implying:
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The shadow of a giant claw, likely created by Andrealphus or Stella (probably the former, given the other shot), coming down to crush Stolas and Blitzo. With what seems to be an injured and probably defenseless Stolas being held by Blitzo who in turn is also holding up a sword of some kind towards the approaching shadow in a defiant gesture.
The thing is, this is NOT a shot meant to convey strength from Blitzo but rather helplessness. It is showing Blitzo making a desperate yet clearly futile attempt to protect Stolas as they are both about to die.
This shot is not conveying Blitzo saving Stolas. This shot is setting up both Blitzo and Stolas to be saved by someone else.
I mean, we’ve all seen stuff like this before, right? The big ominous shadow of smashing coming down on its would-be victims, followed by a smash to black. Then a shot of said victims realizing they have not been smashed, followed by a reveal of whoever has jumped in at the last moment to stop the smashing.
So that just leaves the question of WHO is going to be saving these two?
A few options do come to mind: Octavia with the Grimoire displaying her newfound power as a Goetia, Loona with the Grimoire displaying the magical talent we’ve gotten subtle hints towards all series, Loona AND Octavia working together, Moxxie via headshotting Andraelphus with the blessed carbine he swiped from Striker all the way back in Season 1…
However, the option I find the MOST interesting, especially as it pertains to potential character development, is VASSAGO. Particularly if he’s already been set up as a potential love-interest for Stolas.
In which case him swooping in for a big dramatic rescue of Stolas (and Blitzo) could totally clench him as Stolas’ big rebound going into Season 3.
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[tw: SA and depression/mental illness] Will Byers's story is so mental illness-coded in addition to obviously being about SA, trauma, and traumatic experiences that are unique to being queer. Thinking back to the final shots of season 1 in which the Byers family is so happy and everything seems fine because Will is back, he's safe, it's all over; but that doesn't mean any of it is even remotely over for Will.
Will's POV in season 2 hits so hard because it reminds me of what it was like to be a young teenager navigating depression and other mental illnesses despite being externally happy and outgoing. Will is glad to be part of his friend group again, despite how traumatized he is, but the boys, by no fault of their own, simply can't relate and can't even begin to fathom what Will has been through, which obviously leaves Will feeling isolated. It's like, he's grateful of course for all of their friendship, but he still feels like he's going through it all on his own. He's thankful for the support and love his friends and loved ones can give him even though it's Not Enough.
And that's what mental illness so often feels like. You may have the overwhelming love and support of loved ones, but your mental illness makes you feel alone anyways, because those who are not experiencing what you're going through just don't have the tools, advice, or firsthand knowledge that is going to allow them to sympathize with you or make you feel better. There's also the secrecy element, as you'll rarely share with even your closest loved ones the full extent of your suffering. And of course, you feel like you're quite literally "going crazy" (wink wink), dealing with this intense suffering that makes you see and believe things that aren't true while everyone else around you seems fine, unbothered, and completely functional.
Even in s3 when Will is supposedly "well" again, he is isolated from the rest of the party, has completely separate priorities from them, and is simply disinterested in the fun, stupid drama they're getting themselves into because he is on a totally separate wavelength, trying to heal from trauma and learn to cope with what he's been through. And once again, his friends simply lack the tools needed to be able to fully be there for him, leaving him once again sidelined, processing things on his own. It totally reminds me of being told things like "I thought things were good now/I thought you were doing better now?" Most mental illnesses cannot "get better" or completely go away, you simply learn how to manage them and they get better sometimes and flare up badly at others. It's an ebb and flow. And Will's trauma and his entire connection to the Upside Down is a daily struggle that he successfully stays on top of some of the time but buckles underneath the weight of at others. And sometimes it's like people around him expect him to be able to "keep up" or function at the same level the rest of them are at, completely ignorant to how debilitating his condition is. He's always alone in a sense because no one else can truly relate to having been stuck in the UD all that time and also literally possessed and taken advantage of by the Mindflayer and Vecna.
And then Will's s4 story is so representative of what mental illness can make you feel and believe about yourself. Despite all of the suffering he's gone through, he doesn't believe he's worthy of the one thing he wants the most, which is Mike's love. He won't even allow himself to be a contender for it, won't even put himself up for consideration because he simply doesn't believe he deserves it. He feels like a mistake, and that's exactly how chronic mental illness makes you feel: that you don't deserve happiness or any of the things you want or care about.
All I know is that it will be SO cathartic to see my gay, traumatized, mentally ill boy actually find happiness and get the love he so badly wants with Mike!! The odds feel so stacked against his him, but Will Byers is going to be happy and beyond loved and taken care of by his man for the rest of his life.
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mech-bull · 5 months
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Sister: Why was a helicopter pilot firefighter wearing regular turnout gear and sooty…?
Me: who cares?
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