#WHAT DO YOU MEAN I HIT POST LIMIT

[usercelestial]

god but can you imagine buck and tommy go through surrogacy and through some unbelievable 911 type circumstances, every ultrasound completely missed the second baby somehow. so they only prepare for one baby, a girl. and they're thrilled. until their surrogate goes into labour prematurely and they have to rush to prepare everything. the doctors hand them their baby girl. and then suddenly, right out of nowhere, the other little baby buckley-kinard is like but wait, there's more! surprise! and boom, they have two babies, one girl and one boy, that they love more than anything in the world, even though they were slightly under prepared, but that's okay cause their family has plenty of love to go around <3

[anominous-user]

Double Indemnity, Veritas Ratio and Aventurine

This was originally a part of my compilation post as a short analysis on the Double Indemnity references, linking to this great thread by Manya on Twitter. However, I've recently watched the movie and found that the parallels run much deeper than just the mission name and the light cone itself, plus as the short synopsis I've read online. Since there isn't really an in-depth attempt at an analysis on the film in relation to the way Aventurine and Ratio present themselves throughout Penacony, I thought I'd take a stab at doing just that. I will also be bringing up things from Manya's thread as well as another thread that has some extra points.

Disclaimer that I... don't do analyses very often. Or write, in general — I'm someone who likes to illustrate their thoughts (in the artistic sense) more than write. There's just something about these two that makes me want to rip into them so badly, so here we are. If there's anything you'd like to add or correct me on, feel free to let me know in the replies or reblogs, or asks. This ended up being a rather extensive deep dive into the movie and its influences on the pairing, so please keep that in mind when pressing Read More.

There are two distinct layers on display in Ratio and Aventurine's relationship throughout Penacony, which are references to the two most important relationships in the movie — where they act like they hate/don’t know each other, and where they trust each other.

SPOILER WARNING for the entire movie, by the way. You can watch the film for free here on archive.org, as well as follow along with the screenplay here. I will also be taking dialogue and such from the screenplay, and cite quotes from the original novel in its own dedicated section. SPOILER WARNING for the Cat Among Pigeons Trailblaze mission, as well.

CONTENT WARNING FOR MENTIONS OF SUICIDE. YOU HAVE BEEN WARNED.

To start, Double Indemnity (1944) is a film noir by Billy Wilder (and co-written by Raymond Chandler) based on the novel of the same name by James M. Cain (1927). There are stark differences between the movie adaptation and the original novel which I will get into later on in this post, albeit in a smaller section, as this analysis is mainly focused on the movie adaptation. I will talk about the basics (summaries for the movie and the game, specifically the Penacony mission in tandem with Ratio and Aventurine) before diving into the character and scene parallels, among other things.

—

[THE NAME]

The term "double indemnity" is a clause in which if there’s a case of accidental death of a statistically rare variety, the insurance company has to pay out multiple of the original amount. This excludes deaths by murder, suicide, gross negligence, and natural causes.

The part of the mission in Cat Among Pigeons where Ratio and Aventurine meet with Sunday is named after the movie. And before we get further into things, let's get this part out of the way: The Chinese name used in the mission is the CN title of the movie, so there's no liberties taken with the localization — this makes it clear that it’s a nod to the movie and not localization doing its own thing like with the mission name for Heaven Is A Place On Earth (EN) / This Side of Paradise (人间天堂) (CN).

—

[SUMMARY OF THE 1944 MOVIE]

Here I summarised the important parts that will eventually be relevant in the analysis related to the game.

Insurance salesman Walter Neff, wounded from a gunshot, enters his office and confesses his crime on a dictaphone to his boss Barton Keyes, the claims manager. Much earlier, he had met Phyllis Dietrichson, the wife of Mr. Dietrichson and former nurse. Neff had initially wanted to meet Mr. Dietrichson because of car insurance. Phyllis claims her husband is mean to her and that his life insurance goes to his daughter Lola. With Neff seduced by Phyllis, they eventually brew up a scheme to murder Mr. Dietrichson in such a way that they activate the "double indemnity" clause, and the plan goes off almost perfectly. Initially, the death is labeled a suicide by the president of the company, Norton. 

Keyes finds the whole situation suspicious, and starts to suspect Phyllis may have had an accomplice. The label on the death goes from accidental, to suicide, to then murder. When it’s ruled that the husband had no idea of the accidental policy, the company refuses to pay. Neff befriends Phyllis’ stepdaughter Lola, and after finding out Phyllis may have played a part in the death of her father’s previous wife, Neff begins to fear for Lola and himself, as the life insurance would go all towards her, not Phyllis.

After the plan begins to unravel as a witness is found, it comes out that Lola’s boyfriend Nino Zachette has been visiting Phyllis every night after the murder. Neff goes to confront Phyllis, intending to kill her. Phyllis has her own plans, and ends up shooting him, but is unable to fire any more shots once she realises she did love him. Neff kills her in two shots. Soon after telling Zachette not to go inside the house, Neff drives to his office to record the confession. When Keyes arrives, Neff tells him he will go to Mexico, but he collapses before he could get out of the building.

—

[THE PENACONY MISSION TIMELINE]

I won’t be summarising the entirety of Aventurine and Ratio’s endeavours from the beginning of their relationship to their final conversation in Heaven Is A Place On Earth the same way as I summarised the plot of the movie, so I will instead present a timeline. Bolded parts means they are important and have clear parallels, and texts that are in [brackets] and italics stand for the names of either the light cone, or the mission names.

[Final Victor] Their first meeting. Ratio’s ideals are turned on its head as he finally meets his match.

Several missions happen in-between their first encounter and the Penacony project. They come to grow so close and trusting with each other that they can guess, understand each other’s thoughts, way of thinking and minds even in high stakes missions. Enough to pull off the Prisoner’s Dilemma (Aventurine’s E1) and Stag Hunt Game (Aventurine’s E6) and come out on top.

Aventurine turns towards Ratio for assisting him in the Penacony project. Ratio's involvement in the project is implied to be done without the knowledge of Jade, Topaz, and the IPC in general, as he was only sent to Penacony to represent the Intelligentsia Guild, and the two other Stonehearts never mention Ratio.

Aventurine and Ratio cook up the plan to deceive Sunday before ever setting foot on Penacony. Aventurine does not tell Ratio the entirety of his plan.

Aventurine convinces Topaz and Jade to trust him with their Cornerstones. Aventurine also breaks his own Cornerstone and hides it along with the jade within a bag of gift money.

[The Youth Who Chase Dreams] They enter Penacony in the Reverie Hotel. Aventurine is taken to the side by Sunday and has all his valuables taken, which includes the gift money that contains the broken aventurine stone, the jade, and the case containing the topaz.

Aventurine and Ratio speak in a “private” room about how Aventurine messed up the plan. After faking an argument to the all-seeing eyes of Sunday, Ratio leaves in a huff.

Ratio, wearing his alabaster head, is seen around Golden Hour in the (Dusk) Auction House by March 7th.

[Double Indemnity] Ratio meets up with Sunday and “exposes” Aventurine to him. Sunday buys his “betrayal”, and is now in possession of the topaz and jade. Note that this is in truth Ratio betraying Sunday all along.

Ratio meets up with Aventurine again at the bar. Ratio tells Aventurine Sunday wants to see him again.

They go to Dewlight Pavilion and solve a bunch of puzzles to prove their worth to Sunday.

They meet up with Sunday. Sunday forces Aventurine to tell the truth using his Harmony powers. Ratio cannot watch on. It ends with Aventurine taking the gift money with his Cornerstone.

[Heaven Is A Place On Earth] They are in Golden Hour. Ratio tries to pry Aventurine about his plan, but Aventurine reins him in to stop breaking character. Ratio gives him the Mundanite’s Insight before leaving. This is their final conversation before Aventurine’s grandest death.

Now how exactly does the word “double indemnity” relate to their mission in-game? What is their payout? For the IPC, this would be Penacony itself — Aventurine, as the IPC ambassador, handing in the Jade Cornerstone as well as orchestrating a huge show for everybody to witness his death, means the IPC have a reason to reclaim the former prison frontier. As for Ratio, his payout would be information on Penacony’s Stellaron, although whether or not this was actually something he sought out is debatable. And Aventurine? It’s highly implied that he seeks an audience with Diamond, and breaking the Aventurine Cornerstone is a one way trip to getting into hot water with Diamond. With Aventurine’s self-destructive behaviour, however, it would also make sense to say that death would be his potential payout, had he taken that path in the realm of IX.

Compared to the movie, the timeline happens in reverse and opposite in some aspects. I will get into it later. As for the intended parallels, these are pretty clear and cut:

Veritas Ratio - Walter Neff

Aventurine - Phyllis Dietrichson

Sunday - Mr. Dietrichson

There is one other character who I feel also is represented in Ratio, but I won’t bring them up until later down the line.

For the sake of this analysis, I won’t be exploring Sunday’s parallel to Mr. Dietrichson, as there isn’t much on Dietrichson’s character in the first place in both the movie and the novel. He just kind of exists to be a bastard that is killed off at the halfway point. Plus, the analysis is specifically hyper focused on the other two.

—

[SO, WHAT’S THE PLAN?]

To make things less confusing in the long run whenever I mention the words “scheme” and “plan”, I will be going through the details of Phyllis and Neff’s scheme, and Aventurine and Ratio’s plan respectively. Anything that happens after either pair separate from another isn’t going to be included. Written in a way for the plans to have gone perfectly with no outside problems.

Phyllis and Neff —> Mr. Dietrichson

Goal: Activate the double indemnity clause by killing Mr. Dietrichson and making it look like a freak train accident

Payout: Twice or more of the face value of the life insurance ($100,000)

Main Actor: Walter Neff    |    Accomplice: Phyllis Dietrichson

During the entire time until the payout, Phyllis and Neff have to make sure to any outsiders that they look like complete strangers instead of lovers in an affair.

Step-by-step:

Neff convinces Mr. Dietrichson to sign the policy with the clause without him suspecting foul play, preferably with a third party to act as an alibi. This is done discreetly, making Mr. Dietrichson not read the policy closely and being told to just sign.

Neff and Phyllis talk to each other about small details through the phone (specified to be never at Phyllis’ own house and never when Neff was in his office) and in the marketplace only, to make their meetings look accidental. They shouldn’t be seen nor tracked together, after all.

Phyllis asks Mr. Dietrichson to take the train. She will be the one driving him to the train station.

On the night of the murder, after making sure his alibi is airtight, Neff sneaks into their residence and hides in their car in the second row seating, behind the front row passenger seat. He wears the same colour of clothes as Mr. Dietrichson.

Phyllis and Mr. Dietrichson get inside the car — Phyllis in the driver’s seat and Mr. Dietrichson in the passenger seat. Phyllis drives. On the way to the train station, she makes a detour into an alley. She honks the horn three times.

After the third honk, Neff breaks Mr. Dietrichson’s neck. The body is then hidden in the second row seating under a rug.

They drive to the train station. Phyllis helps Neff, now posing as Mr. Dietrichson, onto the train. The train leaves the station.

Neff makes it to the observation platform of the parlour car and drops onto the train tracks when nobody else is there.

Phyllis is at the dump beside the tracks. She makes the car blink twice as a signal.

The two drag Mr. Dietrichson’s corpse onto the tracks.

They leave.

When Phyllis eventually gets questioned by the insurance company, she pretends she has no idea what they are talking about and eventually storms off.

Phyllis and Neff continue to lay low until the insurance company pays out.

Profit!

Actual Result: The actual murder plan goes almost smoothly, with a bonus of Mr. Dietrichson having broken a leg. But with him not filing a claim for the broken leg, a witness at the observation platform, and Zachette visiting Phyllis every night after the murder, Keyes works out the murder scheme on his own, but pins the blame on Phyllis and Zachette, not Neff.

Now for Aventurine and Ratio. You can skip this section if you understand how deep their act goes, but to those who need a refresher, here’s a thorough explanation:

Aventurine and Ratio —> Sunday

Goal: Collect the aventurine stone without Sunday knowing, ruin the dream (and create the grandest death)

Payout: Penacony for the IPC, information on the Stellaron for Ratio, a meeting with Diamond / death for Aventurine

Main Actor: Aventurine    |    Accomplice: Veritas Ratio

From the moment they step onto Penacony, they are under Sunday’s ever present and watchful eyes. “Privacy” is a foreign word to The Family. They have to act like they don’t like each other’s company the entire time and feed Sunday information through indirect means so that the eventual “betrayal” by Ratio seems truthful to Sunday. Despite what it looks like, they are closer than one would ever think, and Ratio would never sell out a person purely for information.

Step-by-step:

After Sunday takes away the bag of gift money and box, Aventurine and Ratio talk in a room in the Reverie Hotel.

Aventurine establishes the Cornerstones’ importance, and how he lost the gift money and the case containing the Cornerstones to Sunday. Ratio turns to leave, saying “some idiot ruined everything”, meaning the Cornerstones were vital to their plan. (Note that Ratio is not wearing his alabaster head while saying it to said “idiot”.)

Aventurine then proceeds to downplay the importance of the Cornerstones, stating they are “nothing more than a few rocks” and “who cares if they are gone”. This lets Sunday know that something suspicious may be going on for him to act like it’s nothing, and the mention of multiple stones, and leaves him to look up what a Cornerstone is to the Ten Stonehearts of the IPC.

Ratio points out his absurd choice of outfit, mentioning the Attini Peacock and their song.

Ratio implies that without the aventurine stone, he is useless to the IPC. He also establishes that Aventurine is from Sigonia(-IV), and points out the mark on his neck. To Sunday, this means that Aventurine is shackled to the IPC, and how Aventurine may possibly go through extreme lengths to get the stone back, because a death sentence always looms above him.

Aventurine claims Ratio had done his homework on his background, which can be taken that this is their very first time working together. (It isn’t, and it only takes one look to know that Aventurine is an Avgin because of his unique eyes, so this comment does not make sense even in a “sincere” way, a running theme for the interaction.)

Ratio mentions how the true goal is to reclaim Penacony for the IPC, establishing their ulterior motive for attending the banquet.

Ratio asks if Aventurine went to pre-school in Sigonia after saying trust was reliant on cooperation. Aventurine mentions how he didn’t go to school and how he doesn’t have any parents. He even brings up how friends are weapons of the Avgins. This tells Sunday that the Avgins supposedly are good at manipulation and potentially sees Ratio possibly betraying Aventurine due to his carelessness with his “friends”. Sunday would also then research about the Avgins in general (and research about Sigonia-IV comes straight from the Intelligentsia Guild.)

Ratio goes to Dewlight Pavilion in Sunday’s Mansion and exposes a part of Aventurine’s “plan”. When being handed the suitcase, Ratio opens it up due to his apparent high status in the IPC. He tells Sunday that the Cornerstone in the suitcase is a topaz, not an aventurine, and that the real aventurine stone is in the bag of gift money. This is a double betrayal — on Aventurine (who knows) and Sunday (who doesn’t). Note that while Ratio is not officially an IPC member in name — the Intelligentsia Guild (which is run by the IPC head of the Technology Department Yabuli) frequently collaborates with the IPC. Either Aventurine had given him access to the box, or Ratio’s status in general is ambiguous enough for Sunday not to question him further. He then explains parts of Aventurine’s gamble to Sunday in order to sell the betrayal. Note that Ratio does not ever mention Aventurine’s race to Sunday.

Ratio brings Aventurine to Sunday. Aventurine offers help in the investigation of Robin's death, requesting the gift money and the box in return.

Sunday objects to the trade offer. Aventurine then asks for just the bag. A classic car insurance sales tactic. Sunday then interrogates Aventurine, and uses everything Ratio and Aventurine brought up in the Reverie Hotel conversation and their interactions in the Mansion, as well as aspects that Ratio had brought up to Sunday himself.

Aventurine feigns defeat and ignorance enough so that Sunday willingly lets him go with the gift bag. After all is said and done, Aventurine leaves with the gift money, where the Aventurine Cornerstone is stored all along.

Ratio and Aventurine continue to pretend they dislike each other until they go their separate ways for their respective goals and plans. Aventurine would go on to orchestrate his own demise at the hands of Acheron, and Ratio… lurks in the shadows like the owl he is.

Profit!

Actual Result: The plan goes perfectly, even with minor hiccups like Ratio coming close to breaking character several times and Aventurine being sentenced to execution by Sunday.

This is how Sunday uses the information he gathered against Aventurine:

• Sunday going on a tirade about the way Aventurine dresses and how he’s not one to take risks — Ratio’s comment about Aventurine’s outfit being peacock-esque and how he’s “short of a feather or two”. • “Do you own a Cornerstone?” — Ratio talked about the aventurine stone. • “Did you hand over the Cornerstone to The Family when you entered Penacony?” — Aventurine mentioned the box containing the Cornerstones. • “Does the Cornerstone you handed over to The Family belong to you?” — Aventurine specifically pluralized the word Cornerstone and “a bunch of rocks” when talking to Ratio. • “Is your Cornerstone in this room right now?” — The box in the room supposedly contained Aventurine’s own cornerstone, when Aventurine mentioned multiple stones. • “Are you an Avgin from Sigonia?” —Aventurine mentioned that he’s an Avgin, and Ratio brought up Sigonia. • “Do the Avgins have any ability to read, control, and manipulate one’s own or another’s minds?” — Aventurine’s comment on how friends are weapons, as well as Sunday’s own research on the Avgins, leading him to find out about the negative stereotypes associated with them. • “Do you love your family more than yourself?” — His lost parents. “All the Avgins were killed in a massacre. Am I right?” — Based on Sunday’s research into his background. • “Are you your clan’s sole survivor?” — Same as the last point. “Do you hate and wish to destroy this world with your own hands?” — Ratio mentioned the IPC’s goal to regain Penacony, and Aventurine’s whole shtick is “all or nothing”. • “Can you swear that at this very moment, the aventurine stone is safe and sound in this box?” — Repeat.

As seen here, both duos have convoluted plans that involve the deception of one or more parties while also pretending that the relationship between each other isn’t as close as in reality. Unless you knew both of them personally and their histories, there was no way you could tell that they have something else going on. 

On to the next point: Comparing Aventurine and Ratio with Phyllis and Neff.

—

[NEFF & PHYLLIS — RATIO & AVENTURINE]

With the short summaries of the movie and the mission out of the way, let’s look at Phyllis and Neff as characters and how Aventurine and Ratio are similar or opposite to them.

Starting off with Aventurine and Phyllis. Here is where they are the most similar:

Phyllis is blonde and described as a provocative woman. Aventurine is also a blond and eyes Ratio provocatively in the Final Victor light cone.

Phyllis was put under surveillance after Keyes starts figuring out that the so-called accidental death/suicide may have been a murder after all. Similarly, Aventurine was watched by Sunday the entire time in Penacony.

Phyllis never tells Neff how she's seeing another man on the side to possibly kill him too (as well as how she was responsible for the death of her husband‘s previous wife). Aventurine also didn't tell Ratio the entirety of his plan of his own death.

Phyllis puts on a somewhat helpless act at first but is incredibly capable of making things go her way, having everything seemingly wrapped around her finger. Aventurine — even when putting on a facade that masks his true motives — always comes out at the top.

Now the differences between Aventurine and Phyllis:

Phyllis does not care about her family and has no issue with killing her husband, his previous wife, and possibly her daughter Lola. Opposite of that, Aventurine is a family man… with no family left, as well as feeling an insane level of survivor’s guilt.

Really, Phyllis just… does not care at all about anyone but herself and the money. Aventurine, while he uses every trick in the book to get out on top, does care about the way Jade and Topaz had entrusted him with their Cornerstones, in spite of the stones being worth their lives. 

Phyllis also uses other people to her advantage to get what she wants, often behind other people's backs, with the way she treats Neff and Zachette. Aventurine does as well (what with him making deals with the Trailblazer while also making a deal with Black Swan that involves the Trailblazer). The difference here is Phyllis uses her allure deliberately to seduce men while Aventurine simply uses others as pawns while also allowing others to do the same to himself.

Phyllis makes no attempt at compromising the policy when questioned by Norton. Aventurine ends up compromising by only taking the gift money (which is exactly what he needs).

The wig that Barbara Stanwyck (the actress of Phyllis) wore was chosen to make her look as “sleazy” as possible, make her look insincere and a fraud, a manipulator. A sort of cheapness. Aventurine’s flashy peacock-esque outfit can be sort of seen as something similar, except the outfit isn’t cheap.

Moving on to Ratio’s similarities to Neff… There isn’t much to extrapolate here as Ratio is more of a side character in the grand scheme of Penacony, however this is what I’ve figured out.

Neff has dark hair. Ratio has dark purple hair.

Neff almost never refers to Phyllis by her name when speaking with her, only as “baby”. The few times he refers to her as Phyllis or Mrs. Dietrichson is during their first conversations and when he has to act like he doesn’t know her. Ratio never calls Aventurine by his name when he’s around him — only as “gambler”, sometimes “damned” or “dear” (EN-only) gambler. Only in the Aventurine's Keeping Up With Star Rail episode does Ratio repeatedly say his name, and yet he still calls him by monikers like “gambler” or, bafflingly, a “system of chaos devoid of logic”.

Both Neff and Ratio committed two betrayals: Neff on Mr. Dietrichson and Keyes, and Ratio on Sunday and Aventurine. With the former cases it was to reach the end of the trolley line, and with the latter it was on a man who had put his trust in him.

As for the differences…

Neff is described as someone who’s not smart by his peers. Ratio is someone who is repeatedly idolised and put on a pedestal by other people.

Neff is excellent at pretending to not know nor care for Phyllis whenever he speaks about her with Keyes or when he and she are in a place that could land them in hot water (the office, the mansion when there are witnesses). His acting is on the same level as Phyllis. With Ratio it’s… complicated. While he does pull off the hater act well, he straight up isn’t great at pretending not to care about Aventurine’s wellbeing.

Instead of getting his gunshot wound treated in the hospital like a normal person, Neff makes the absolutely brilliant decision of driving to his office and talking to a dictaphone for hours. Needless to say, this is something a medical doctor like Ratio would never do.

Now here's the thing. Though it's very easy to just look at Phyllis and Neff in the movie and go "okay, Aventurine is Phyllis and Ratio is Neff — end of story" and leave it at that, I find that they both take from the two leads in different ways. Let me explain. Beginning with Aventurine and Neff…

Neff is the one who hatches the plan and encourages Phyllis to go through and claim the double indemnity clause in the first place. He is also the key player of his own risky plan, having to fake being the husband to enter the train as well as fake the death. Aventurine puts himself at great risk just by being in Sunday’s presence, and hoping that Sunday wouldn’t figure out that the green stone he had uncovered wasn’t the aventurine stone.

Adding onto the last point, Neff had fantasised about pulling off the perfect murder for a long time — the catalyst was simply him meeting Phyllis. Aventurine presumably sought out Ratio alone for his plan against Sunday.

Neff makes a roulette wheel analogy and talks about a pile of blue and yellow poker chips (the latter in the script only). I don‘t even have to explain why this is relevant here. (Aventurine’s Ultimate features a roulette wheel and the motif is on his belt, thigh strap, and back, too. And of course, Aventurine is all about his chips.)

Neff has certain ways to hide when he’s nervous, which include hiding his hands in his pockets when they were shaking, putting on glasses so people couldn’t see his eyes. Aventurine hides his left hand behind his back when he’s nervous: Future Aventurine says that "they don't know the other hand is below the table, clutching [his] chips for dear life", and in multiple occasions such as the Final Victor LC, his character trailer, and even in his boss form in the overworld you can see that Aventurine hides his left hand behind his back. And he is also seen with his glasses on sometimes.

Neff says a bunch of stuff to make sure that Phyllis acts her part and does not act out of character (i.e. during their interactions at the market), like how Aventurine repeatedly tries to get Ratio back on track from his subpar acting.

Neff is always one step ahead of the game, and the only reason the plan blows up in his face is due to outside forces that he could not have foreseen (a witness, Keyes figuring out the plan, the broken leg). Aventurine meanwhile plays 5D chess and even with the odds against him, he uses everything he can to come out on the top (i. e. getting Acheron to kill him in the dream).

Even after coming home on the night of the murder, Neff still felt that everything could have gone wrong. Aventurine, with his blessed luck, occasionally wavers and fears everything could go wrong whenever he takes a gamble.

Neff was not put under surveillance by Keyes due to him being extensive with his alibi. After witnessing Robin’s death with eyewitnesses at the scene, the Family had accepted Aventurine’s alibi, though he would be under watch from the Bloodhounds according to Ratio.

Neff talks about the entire murder scheme to the dictaphone. Aventurine during Cat Among Pigeons also retells his plan, albeit in a more convoluted manner, what with his future self and all.

Continuing with Ratio and Phyllis, even with their personalities and motivations being quite different, they do have a few commonalities.

Phyllis was a nurse. Ratio is a medical doctor.

Her name is Greek of origin. Veritas Ratio, though his name is Latin, has Greco-Roman influences throughout his entire character.

The very first scene Phyllis appears in has her wearing a bath towel around her torso. Ratio loves to take baths to clear his mind.

Phyllis was instructed by Neff to be at the market every morning at eleven buying things. Ratio is seen in an auction house with his alabaster head on so no one could recognize him.

Phyllis mostly acts as an accomplice to the scheme, being the one to convince her husband to take the train instead. She is also generally seen only when Neff is involved. Ratio plays the same role as well, only really appearing in the story in relation to Aventurine as well as being the accomplice in Aventurine’s own death. Even him standing in the auction house randomly can be explained by the theory that he and Aventurine had attempted to destabilise Penacony’s economy through a pump and dump scheme.

With these pointers out of the way, let’s take a closer look at select scenes from the film and their relation to the mission and the pair. 

—

[THE PHONE CALL — THE REVERIE HOTEL]

Before the murder, there is a scene with a phone call between Phyllis and Neff discussing the plan while Keyes is in the same room as Neff. Neff has to make sure that Keyes doesn’t think of anything of the phone call, so he acts like he’s calling a “Margie”, and says a bunch of stuff that sounds innocent out of context (“Can’t I call you back, ‘Margie’?” “What color did you pick out?” “Navy blue. I like that fine”), but are actually hinting at the real plan all along (the suit that Mr. Dietrichson wears.)

In a roundabout way, the conversation between Ratio and Aventurine in the Reverie Hotel can be seen as the opposite of that scene — with the two talking about their supposed plan out loud on Penacony ground, a place where the Family (and in turn, Sunday) has eyes everywhere. Despite being in a “private” room, they still act like they hate each other while airing out details that really do not make sense to air out if they really did meet the first time in Penacony (which they didn’t — they’ve been on several missions beforehand). It’s almost like they want a secret third person to know what they were doing, instead of trying to be hushed up about it. The TVs in the room that Sunday can look through based on Inherently Unjust Destiny — A Moment Among The Stars, the Bloodhound statue that disappears upon being inspected, the owl clock on the left which side eyes Ratio and Aventurine, all point to that Sunday is watching their every move, listening to every word.

Rewinding back to before the phone call, in one of the encounters at the marketplace where they “accidentally” run into each other, Phyllis talks about how the trip was off. How her husband wouldn’t get on the train, which was vital for their plan, because of a broken leg. All this, while pretending to be strangers by the passersby. You could say that the part where Ratio almost leaves because Aventurine had “ruined the plan” is the opposite of this, as the husband breaking his leg was something they couldn’t account for, while Aventurine “being short of a few feathers” was entirely part of the plan.

—

[QUESTIONING PHYLLIS — THE INTERROGATION]

This section is going to be a little longer as I will cover two scenes in the movie in a more detailed manner — Mr. Dietrichson signing the policy, and Phyllis being questioned — and how they are represented in the Sunday-Aventurine interrogation and the prior conversation between Ratio and Sunday in multitudes of ways.

Going about their plan, Neff has to make sure that Mr. Dietrichson signs the policy with the double indemnity clause without him knowing the details, all the while having Phyllis (and Lola) in the same room. He and Phyllis have to pretend that they don’t know each other, and that this is just the standard accidental insurance process, instead of signing what would be his downfall. To sell it, he gets Mr. Dietrichson to sign two “copies” of the form, except with Mr. Dietrichson’s second signature, he’s duped into signing the accident insurance policy with the respective clause.

You can tie this to how Ratio goes to Sunday in order to “expose” the lie that the suitcase didn’t actually contain the Aventurine Cornerstone, as well as there being more than one Cornerstone involved in the scheme. Ratio must make sure that Sunday truly believes that he dislikes Aventurine’s company, while also making sure that Sunday doesn’t figure out the actual aventurine stone is broken and hidden in the gift bag. The scheme turns out to be successful, as Sunday retrieves the two Cornerstones, but not the aventurine stone, and truly does think that the green stone he has in his possession is the aventurine.

This whole scene with Sunday is also reminiscent of the interrogation scene in the middle of the movie, where Phyllis was questioned by the boss (Norton) who was deducing that Mr. Dietrichson's death was a suicide, not accidental death. Neff, Phyllis, Keyes and Norton were all in the same room, and Neff and Phyllis had to act like they never knew the other. Phyllis acts like she knows nothing about what Norton insinuates about her husband and eventually, Phyllis explodes in anger and storms out the room, even slamming the door. Her act is very believable to any outsider.

Now back to the Ratio and Sunday conversation. One glaring difference between the movie and here is that his acting isn’t great compared to either Phyllis nor Neff. It never was throughout the Penacony mission. He even comes very close to breaking character several times, and is even defending Aventurine in a somewhat aggressive manner during his one-on-one conversation with Sunday, as in he literally tells Sunday to see a shrink. It’s very different from the way he was acting in Herta Space Station — like Ratio cares about Aventurine too much to keep his hands off.

It's also worth pointing out that Neff doesn't speak a word when Phyllis was being interrogated. Similarly, Ratio is silent throughout the entire scene with Sunday and Aventurine, with his only “line” being a “hm”. When Aventurine calls him a wretch to his face, all he does is look to the side. In fact, he can only look at Aventurine when the other isn’t staring back. Almost like him uttering a single word would give them away. Or his acting is terrible when it has to do with Aventurine, as he has no issue doing the same thing in Crown of the Mundane and Divine (Mundane Troubles).

So, Sunday finds out about the Cornerstones and reveals them to Aventurine, and reasons that he cannot give them back to him because Aventurine had lied. Note that in that same scene, Aventurine attempted to use the two murders that had occurred beforehand against Sunday to retrieve his own cornerstone. Similarly, when it was revealed that Mr. Dietrichson did not know about the accident policy and that the so-called “accidental death” was not, in fact, accidental, the insurance company refused to pay out the money.

Unlike the movie, this was all planned, however. The double-crossing by Ratio, the gift money being the only thing required for Aventurine’s real plan. All of it was an act of betrayal against Sunday, in the same manner as the meticulous planning as Mr. Dietrichson’s murder — To sign the policy, get him to take the train, kill him on the way, and to have Neff pose as the husband on the train until the time is right to get off and lay the body on the tracks. A key difference is that they could not have expected their scheme to be busted wide open due to forces outside of their control, while Ratio and Aventurine went straight down the line for the both of them no matter what.

From here on out, we can conclude that the way Ratio and Aventurine present themselves in Penacony to onlookers is in line with Neff and Phyllis.

—

[“GOODBYE, BABY” — FINAL VICTOR]

And now for the (in)famous light cone, Final Victor. The thing that truly kickstarted the Ratio and Aventurine ship in the fanbase, and the partnership between the two in general. It’s a direct reference to the final confrontation between Neff and Phyllis in the movie.

I’ll fire through all the similarities between the two scenes.

During the respective scenes, Aventurine and Phyllis both outsmart their partner one way or the other: Aventurine with his one-sided game of Russian Roulette, and Phyllis hiding her gun underneath the cushions until Neff turned away.

The guns are owned by Phyllis and Aventurine, not Neff and Ratio.

Phyllis couldn’t bring herself to fire any more shots after she realised she truly did love Neff. Ratio could do nothing but watch as Aventurine did what he did — he couldn’t even pull away if the LC animation is anything to go by him struggling as Aventurine firmly keeps the gun to his chest.

Neff says he doesn’t buy (believe) that Phyllis loved him. She then goes “I’m not asking you to buy […]”. The LC description has Aventurine ask Ratio “You don’t believe me?”, while in the LC animation Ratio straight up says “You expect me to believe you?” and Aventurine answering “Why not, doctor/professor?”

The visual composition of the LC and the scene are nearly identical, from the lighting to the posing to the way Aventurine looks at Ratio — Aventurine and Ratio are even wearing different outfits to fit the scene better. The background in the LC is also like the blinders in the movie, just horizontal.

In the shot where Phyllis’ face is more visible, the way she looks at Neff is strikingly like the way provocatively looks at Ratio. Even their eyes have a visible shine — Phyllis’ eyes brightly shining the moment she realised she really fell in love with Neff, and Aventurine having just a little light return to his eyes in that specific moment.

And now the differences!

Neff holds the gun in his right hand. Aventurine makes Ratio hold his gun in his left.

Neff is the one who takes the gun from Phyllis‘ hand. Aventurine is the one who places the gun in Ratio’s hand and fires it.

Three gunshots are fired. In the movie, Phyllis shoots the first shot and Neff the second and third. Aventurine unloads the gun and leaves only one bullet for this game of Russian Roulette. He pulls the trigger three times, but they all turn out to be blanks.

Phyllis does not break her façade of not smiling until the very last moment where she gets shot. Aventurine is smiling the entire time according to the light cone description, whilst in the animation, it’s only when he guides the gun to his chest that he puts it on.

So, you know how Neff meets Phyllis and it all goes off the rails from there. The way Neff goes from a decent guy to willingly involve himself in a murder scheme, having his morals corrupted by Phyllis. His world having been turned upside down the moment he lays eyes on Phyllis in that first meeting. Doesn’t that sound like something that happened with the Final Victor LC? Ratio, a man all about logic and rationality — a scholar with eight PhDs to his name — all of that is flipped on its head the moment Aventurine pulls out his gun in their first meeting and forces Ratio to play a game of Russian roulette with him. Aventurine casually gambles using his own life like it’s nothing and seemingly without fear (barring his hidden left hand). All or nothing — and yet Aventurine comes out alive after three blanks. Poetic, considering there’s a consumable in the game called “All or Nothing” which features a broken chess piece and a poker chip bound together by a tie. The poker chip obviously represents the gambler, but the chess piece specifically stands for Ratio because he plays chess in his character trailer, his Keeping Up With Star Rail episode and his introduction is centred around him playing chess with himself. Plus, the design of the chess piece has golden accents, similar to his own chess set. In the end, Aventurine will always be the final victor.

Furthermore, Neff had deduced that Phyllis wanted to kill her husband and initially wanted no part in it, but in a subsequent visit it was his own idea that they trigger the double indemnity clause for more money. As the movie progresses though, he starts to have his doubts (thanks in part to him befriending Lola) and makes the move to kill Phyllis when everything starts to come to light. It’s strikingly similar to how Ratio initially wanted no part in whatever Aventurine had in mind when they first met, but in the subsequent missions where they were paired up, he willingly goes along with Aventurine's risky plans, and they come to trust each other. Enough so that Aventurine and Ratio can go to Penacony all on their own and put on an act, knowing that nobody in the IPC other than them can enter the Dreamscape. The mutual respect grew over time, instead of burning passionately before quickly fizzling out like in the movie.

Basically, in one scene, three shots (blanks) start a relationship, and in the other, it ends a relationship. In the anan magazine interview with Aventurine, he says himself that “form[ing] an alliance with just one bullet” with Ratio was one of his personal achievements. The moment itself was so impactful for both parties that it was immortalised and turned into a light cone.

—

[THE ENDING — GOLDEN HOUR]

The ending of Double Indemnity that made it into the final cut has Neff continue his confession on the dictaphone until he realised that he wasn’t alone in the room. Keyes had come inside at some point, but none had said a thing, only listening to a dead man speak of his crime. When Neff sees Keyes, they talk for a moment, Neff says he plans on fleeing to Mexico. Keyes does not think he will make it. He tries to leave, only to collapse at the front of the elevator, Keyes following just behind him. Neff attempts to light a cigar but is too weak to do so, so Keyes does it for him.

Parts of the ending can still be attributed to the interrogation scene between Sunday and Aventurine, so I’ll make this quick before moving on to the conversation in Heaven Is A Place On Earth, Ratio and Aventurine’s final conversation together. Once Sunday mentions how quickly Aventurine gave up the suitcase, he inflicts the Harmony’s consecration on him, which forces Aventurine to confess everything that Sunday asks of. In a way, it’s the opposite of what happens in the movie — where Neff willingly tells the truth about the murder to his coworker. Aventurine does not like Sunday, and Neff is close to Keyes. Ratio also does not speak, similarly to how Keyes didn’t speak and stood silently off to the side.

Post-interrogation in Golden Hour, Ratio worriedly prods at Aventurine and asks him about his plan. He then gives him the Mundanite’s Insight with the Doctor’s Advice inside when Aventurine tells him to leave. Throughout Heaven Is A Place On Earth, Aventurine gets weaker and his head starts to buzz, until he falls to the ground before he can hand in the final gems. Similarly, Neff progressively grows weaker as he records his confession. Keyes says he’s going to call a doctor and Neff says he’s planning to go to Mexico. And when Neff collapses near the elevator, they talk one final time and Keyes lights Neff’s cigar as the other was too weak to do so himself.

—

[OPPOSITE TIMELINES AND DEVELOPMENTS]

Remember how I said the way certain events happen in the movie and the game are mostly opposite and reverse of one another? 

The Final Victor LC is the first meeting of Ratio and Aventurine, and Neff killing Phyllis is their final meeting.

Between that first and last meeting between Phyllis and Neff’s whirlwind romance, their relationship becomes strained which ultimately leads to Neff not trusting whatever Phyllis has to say at the end point of the movie. As for Ratio and Aventurine, the exact opposite had happened, to the point where Ratio trusts Aventurine enough to go along with his plans even if they went against his own ideals. The basis of the mission involved Veritas Ratio, whose full name includes the Latin word for “truth”, lying the entire time on Penacony.

Aventurine is sentenced to the gallows by Sunday after his unwilling interrogation. The movie starts and ends with Neff willingly confessing everything to Keyes.

It bears repeating, but I have to make it so clear that the trust between Ratio and Aventurine runs incredibly deep. Being able to predict what your partner says and thinks and plans in a mission as critical as the Penacony project is not something first-time co-workers can pull off flawlessly. All the while having to put on masks that prevent you from speaking sincerely towards one another lest you rat yourselves out. You have no way of contacting outside reinforcements from within Penacony, as the rest of the IPC are barred from entering. To be able to play everybody for fools while said fools believe you yourselves have handed your case on a silver platter requires a lot — trust, knowledge of the other, past experience, and so on. With Phyllis and Neff, the trust they had had been snuffed out when Neff grew closer to Lola and found out what kind of person Phyllis truly was on the inside. Phyllis did not trust nor love Neff enough and was going behind his back to meet with Zachette to possibly take Neff and Lola out. And the whole reason Neff wanted to perpetrate the murder was due to him being initially taken by Phyllis' appearance, which single handedly got the ball rolling on the crime.

Now then, how come trust is one of the defining aspects of Aventurine and Ratio’s relationship, when Phyllis and Neff’s trust eventually lead to both their deaths at the hands of the other? Sure, this can be explained away with the opposite theory, but there’s one other relationship involving Neff which I haven’t brought up in excruciating detail yet. The other side of Ratio and Aventurine’s relationship.

—

[NEFF & KEYES — AVENTURINE & RATIO]

Here is where it gets more interesting — while Phyllis and Neff are at the centre point of the movie, there is another character to whom Neff has a close relationship with — Keyes. It’s also the only relationship with no pretences, at least, until the whole murder thing happened and Neff had to hide his involvement from Keyes. Watching the movie, I couldn't help but feel there was something more to the two than meets the eye. I knew that queer readings of the film existed, but I didn't think too much of them until now. And though Aventurine and Ratio parallel Phyllis and Neff respectively, the fact that they also have traits of their opposite means that it wouldn’t be completely out of the question if parts of their relationship were also influenced by Keyes and Neff on a deeper and personal level. Let me explain.

Keyes and Neff were intimate friends for eleven years and have shown mutual respect and trust towards one another. They understood each other on a level not seen with Phyllis and Neff. Even after hearing Neff confess his crimes through the dictaphone (and eventually standing in the same room while Neff confessed), he still cared for the other man, and stayed with him when Neff collapsed at the front door. The only reason Keyes hadn’t deduced that it was Neff who was behind the murder was because he had his absolute trust in him. Keyes is also Neff’s boss, and they are always seen exchanging playful banter when they are on screen together. Neff even says the words “I love you, too” twice in the movie — first at the beginning and second at the end, as the final line. There’s also the persistent theme of Neff lighting Keyes’ cigarettes (which happens in every scene where they are face-to-face), except in the end where it’s Keyes who lights Neff’s.

Doesn’t that sound familiar? Mutual respect, caring too much about the other person, the immense amount of trust… Ratio says he’s even the manager of the Penacony project (which may or may not be a lie), and despite their banter being laced with them acting as “enemies”, you can tell that in Dewlight Pavilion pre-Sunday confrontation that Aventurine genuinely likes Ratio’s company and believes him to be a reliable person. From the way he acts carefree in his words to the thoughts in his head, as seen in the mission descriptions for Double Indemnity. Their interactions in that specific mission are possibly the closest thing to their normal way of speaking that we get to see on Penacony.

Not to mention, this is the way Neff describes Keyes. He even says (not in the script) “you never fooled me with your song and dance, not for a second.” Apart from the line about the cigar ashes, doesn’t this ring a bell to a certain doctor? “Jerk” with a heart of gold?

After solving the puzzle with the statues, Ratio jokingly offers Aventurine to join the Genius Society. Aventurine then goes "Really? I thought you’ve given up on that already", and then Ratio says it was, in fact, a joke. Solving the puzzle through brute force has Ratio telling Aventurine that the Council of Mundanites (which Ratio himself is a part of) should consider him a member. In the movie, where the scene with the phone call with Neff and Phyllis reiterating details of their plan happens, Keyes actually offered Neff a better job (specifically a desk job, as Keyes’ assistant). The two pairs saw the other as smart, equals, and were invested in each other’s careers one way or another.

Because of all this, the character parallels for this side of the relationship are as follows:

Aventurine - Walter Neff

Veritas Ratio - Barton Keyes

With the way I’ve talked about how Aventurine and Ratio take from both leads in terms, it does fit to say that Aventurine is Neff, and Ratio is Keyes in this layer of their relationship. Since we’re on the topic of Keyes, let me also go through some similarities with him and Ratio specifically.

Keyes says the words “dimwitted amateurs” in his first on-screen conversation with Neff. You can’t have Dr. Ratio without him talking about idiocy in some way.

Keyes almost only appears in the movie in relation to Neff, and barring a single interaction in Neff’s house, is also only seen in the office. Same with Phyllis, Ratio also only ever appears regarding Aventurine.

Keyes genuinely wanted the best for Neff, even offering to celebrate with him when he thought the case truly had been busted wide open by forces when Zachette entered the picture. You could say the same for Ratio, as he hoped that Aventurine wouldn’t dwell on the past according to his response on Aventurine’s Interview, as well as telling him to “stay alive/live on (CN)” and wishing him the best of luck in his Doctor’s Advice note.

Whether or not you believe that there was more going on with Neff and Keyes is up to you, but what matters is that the two were very close. Just like Ratio and Aventurine.

—

[THE ORIGINAL FILM ENDING]

Something that I hadn’t seen brought up is the original ending of Double Indemnity, where Neff is executed in a gas chamber while Keyes watches on, shocked, and afterwards leaves somberly. The ending was taken out because they were worried about the Hays Code, but I felt it was important to bring it up, because in a way, you can kind of see the Sunday interrogation scene as Sunday sending Aventurine to his death in seventeen system hours. And Ratio doesn’t speak at all in that scene, and Keyes doesn’t either according to the script.

Another thing that’s noteworthy is that Wilder himself said “the story was about the two guys” in Conversations with Wilder. The two guys in question are Keyes and Neff.

—

[THE NOVEL]

With the original film ending covered, now it is time to bring up the novel by James M. Cain. I bought the book just to read about the differences between the adaptation and the original source material, and to list a few more similarities and opposites I could gather. For this section alone, due to the changes in the (last) names of certain characters, I will be referring to Walter Huff (Neff in the movie) as Walter, and Mr. Dietrichson as Nirdlinger. The plot is pretty much the same as the movie’s apart from a couple of changes so there isn’t a need to recount everything.

From my two read-throughs of the novel, these are the following passages that stood out to me the most. Starting with Aventurine:

Walter, as a top businessman of the company, knows how to sway a deal and to get what he truly wants with what the other gives him. Aventurine is the same, reliant on his intuition, experience and whatever information he has on the table to claim the win. Him luring out Sparkle in Heaven Is A Place On Earth and his conversation with Acheron in the Nihility is indicative of that.

• "But you sell as many people as I do, you don't go by what they say. You feel it, how the deal is going. And after a while I knew this woman didn't care anything about the Automobile Club. Maybe the husband did, but she didn't. There was something else, and this was nothing but a stall. I figured it would be some kind of a proposition to split the commission, maybe so she could get a ten-spot out of it without the husband knowing. There's plenty of that going on. And I was just wondering what I would say to her." 

Phyllis, like in the movie, had been hiding her true intentions of talking to Walter in their first conversations, always saying things that she didn’t actually mean. In a similar vein, Aventurine consistently says stuff but almost never truly means any of it, which is all part of his façade.

• "And I could feel it again, that she wasn't saying what she meant. It was the same as it was the first afternoon I met her, that there was something else, besides what she was telling me. And I couldn't shake it off, that I had to call it on her."

When discussing the murder plan with Phyllis, Walter makes this comment, kind of like how Aventurine seems to operate in a way where he has a plan, but is ready to improvise and think fast when needed.

• "And then it's one of those things where you've got to watch for your chance, and you can't plan it in advance, and know where you're going to come out to the last decimal point."

Remember the roulette wheel line from the movie? In the novel, the gambling metaphor that Walter makes about the insurance business goes on for two paragraphs, mentioning a gambling wheel, stack of chips, a place with a big casino and the little ivory ball, even about a bet on the table. Walter also talks about how he thinks of tricks at night after being in the business for so long, and how he could game the system. Needless to say, insanely reminiscent of Aventurine.

• "You think I’m nuts? All right, maybe I am. But you spend fifteen years in the business I’m in, and maybe a little better than that, it’s the friend of the widow, the orphan, and the needy in time of trouble? It’s not. It’s the biggest gambling wheel in the world. It don’t look like it, but it is, from the way they figure the percentage on the oo to the look on their face when they cash your chips. You bet that your house will burn down, they bet it won’t, that’s all. What fools you is that you didn’t want your house to burn down when you made the bet, and so you forget it’s a bet. To them, a bet is a bet, and a hedge bet don’t look any different than any other bet. But there comes a time, maybe, when you do want your house to burn down, when the money is worth more than the house. And right there is where the trouble starts." • "Alright, I’m an agent. I’m a croupier in that game. I know all their tricks, I lie awake thinking up tricks, so I’ll be ready for them when they come at me. And then one night I think up a trick, and get to thinking I could crook the wheel myself if I could only put a plant out there to put down my bet." • "I had seen so many houses burned down, so many cars wrecked, so many corpses with blue holes in their temples, so many awful things that people had pulled to crook the wheel, that that stuff didn’t seem real to me anymore. If you don’t understand that, go to Monte Carlo or some other place where there’s a big casino, sit at a table, and watch the face of the man that spins the little ivory ball. After you’ve watched it a while, ask yourself how much he would care if you went out and plugged yourself in the head. His eyes might drop when he heard the shot, but it wouldn’t be from the worry whether you lived or died. It would be to make sure you didn’t leave a bet on the table, that he would have to cash for your estate. No, he wouldn’t care."

Returning home from the murder, Walter attempted to pray, but was unable to do it. Some time passed and after speaking to Phyllis, he prayed. Aventurine presumably hadn’t done the prayer ever since the day of the massacre, and the first time he does it again, he does it with his child self.

• "I went to the dining room and took a drink. I took another drink. I started mumbling to myself, trying to get so I could talk. I had to have something to mumble. I thought of the Lord's Prayer. I mumbled that, a couple of times. I tried to mumble it another time, and couldn't remember how it went." • "That night I did something I hadn’t done in years. I prayed."

Phyllis in the book is much more inclined towards death than her movie version, even thinking of herself as a personification of death. She’s killed ten other people (including infants) prior to the events of the novel. Something to keep in mind as Aventurine had mentioned several times that he attempted to kill himself in the dream, plus his leadup to his “grandest death”. Just like Phyllis, he’s even killed at least a few people before, though the circumstances of that were less on his own volition and more so for the sake of his survival (i.e. the death game in the maze involving the 34 other slaves where he was the winner and another time where he murdered his own master). Instead of Phyllis playing the active role of Death towards everybody else, Aventurine himself dances with Death with every gamble, every time his luck comes into play. Danse Macabre.

• "But there’s something in me, I don’t know what. Maybe I’m crazy. But there’s something in me that loves Death. I think of myself as Death, sometimes." • "Walter, The time has come. For me to meet my bridegroom [Death]. The only one I ever loved."

Moving on to Ratio:

Walter says several times that it’s hard to get along with Keyes, and how he says nice things after getting you all worked up. A hard-headed man to get along with, but damn good at his job. Sound like someone familiar?

• "That would be like Keyes, that even when he wanted to say something nice to you, he had to make you sore first."  • "It makes your head ache to be around him, but he’s the best claim man on the Coast, and he was the one I was afraid of."

Keyes sees Walter as smarter than half the fools in the company. Ratio can only stand the company of Aventurine in regards to the IPC.

• "Walter, I'm not beefing with you. I know you said he ought to be investigated. I've got your memo right here on my desk. That's what I wanted to tell you. If other departments of this company would show half the sense that you show—" • "Oh, he confessed. He's taking a plea tomorrow morning, and that ends it. But my point is, that if you, just by looking at that man, could have your suspicions, why couldn't they—! Oh well, what's the use? I just wanted you to know it."

After going on a rant about the H.S. Nirdlinger case (Phyllis’ husband) and how Norton is doing a horrible job, he ends it by saying that it’s sheer stupidity. “Supreme idiocy”, anybody?

• "You can’t take many body blows like this and last. Holy smoke. Fifty thousand bucks, and all from dumbness. Just sheer, willful, stupidity!"

Phyllis’ former occupation as a nurse is more elaborated on, including her specialization — pulmonary diseases. One of Ratio’s crowning achievements is curing lithogenesis, the “King of Diseases”.

• "She’s one of the best nurses in the city of Los Angeles. […] She’s a nurse, and she specialized in pulmonary diseases. She would know the time of crisis, almost to a minute, as well as any doctor would."

As for the murder scheme, they talk about it a lot more explicitly in the novel. Specifically, Walter mentions how a single person cannot get away with it and that it requires more people to be involved. How everything is known to the party committing the crime, but not the victim. And most importantly: Audacity.

"Say, this is a beauty, if I do say it myself. I didn't spend all this time in the business for nothing, did I? Listen, he knows all about this policy, and yet he don't know a thing about it. He applies for it, in writing, and yet he don't apply for it. He pays me for it with his own check, and yet he don't pay me. He has an accident happen to him and yet he don't have an accident happen to him. He gets on the train, and yet he don't get on it."

"The first is, help. One person can't get away with it, that is unless they're going to admit it and plead the unwritten law or something. It takes more than one. The second is, the time, the place, the way, all known in advance—to us, but not him. The third is, audacity. That's the one that all amateur murderers forget. They know the first two, sometimes, but that third, only a professional knows. There comes a time in any murder when the only thing that can see you through is audacity, and I can't tell you why."

"And if we want to get away with it, we've got to do it the way they do it, […]" "Be bold?" "Be bold. It's the only way."

"I still don't know—what we're going to do." "You'll know. You'll know in plenty of time."

"We were right up with it, the moment of audacity that has to be be part of any successful murder."

It fits the situation that Aventurine and Ratio find themselves in extremely well: For the first point— Aventurine would not be able to get away with simply airing out details by himself, as that would immediately cast suspicion on him. Having another person accompany him who not only isn’t really a part of the IPC in name (as the IPC and The Family have a strenuous relationship) but would probably be able to get closer to Sunday because of that means they can simply bounce off each other without risking as much suspicion with a one-man army. Which is exactly what Ratio and Aventurine do in the conversations they have on Penacony. Secondly — they knew how Sunday operates: as a control freak, he leaves no stone unturned, which is how he became Head of the Oak Family, so their acting required them to give off the impression that a. they hated each other, b. Ratio would go against Aventurine’s wishes and expose him in return for knowledge, c. there were only the two Cornerstones that were hidden. This would give Sunday the illusion of control, and lead to Sunday to lower his guard long enough for Aventurine to take the gift money in the end. The pair knew this in advance, but not Sunday. And thirdly — the plan hinged on a high-level of risk. From breaking the Aventurine Cornerstone, to hoping that Sunday wouldn’t find it in the gift bag, to not telling Ratio what the true plan is (meaning Ratio had to figure it out on his own later on), to Sunday even buying Ratio’s story, it was practically the only way they could go about it. “Charming audacity”, indeed.

An interesting aspect about the novel is that the ending of the novel is divergent from the movie’s final cut and the original ending: Phyllis and Walter commit suicide during a ferry ride to Mexico. The main reason this was changed for the movie was because of the Hays Code, and they wouldn’t allow a double suicide to be screened without reprecussions for criminals. There’s also a bunch of other aspects that differentiate the novel from the movie (no narration-confession as the confession happens in a hospital, less characterization for Keyes and instead a bigger focus on Lola and her boyfriend, the focus on the murderous aspect of Walter and Phyllis’ relationship instead of actual romance, Walter falling in love with Lola (with an unfortunately large age gap attached), etc.)

As for the ending, this wouldn’t even be the first romance media reference related to Aventurine and Ratio where both the leads die, with the other being The Happy Prince and San Junipero (in relation to the EN-only Heaven Is A Place On Earth reference), which I normally would chalk up as a coincidence, though with the opposite line-of-thought I have going on here (and the fact that it’s three out of four media references where the couple die at the end…), I think it’s reasonable to say that Ratio and Aventurine will get that happy ending. Subverting expectations, hopefully.

—

[THE HAYS CODE — LGBT CENSORSHIP IN CHINA]

I’ve brought up the Hays code twice now in the previous two sections, but I haven’t actually explained what exactly it entails.

The Hays Code (also known as the Motion Picture Production Code) is a set of rules and guidelines imposed on all American films from around 1934 to 1968, intended to make films less scandalous, morally acceptable and more “safe” for the general audiences. Some of the “Don’ts” and “Be Carefuls” include but are not limited to…

(Don’t) Pointed profanity

(Don’t) Inference of sex perversion (which includes homosexuality)

(Don’t) Nudity

(Be Careful) Sympathy for criminals

(Be Careful) Use of firearms

(Be Careful) Man and woman in bed together

What does this have to do with a Chinese gacha game released in 2023? If you know a little bit about miHoYo’s past, you would know that pre-censorship laws being upheld to a much stronger and stricter degree, they had no problem showcasing their gay couples in Guns Girl Z (Honkai Gakuen 2/GGZ) and Honkai Impact 3rd, with the main three being Bronya/Seele, Kiana/Mei (admittedly the latter one is a more recent example, from 2023), and Sakura/Kallen. Ever since the Bronya and Seele kiss, censorship in regards to LGBT content ramped up, causing the kiss to be removed on the CN side, and they had to lay low with the way they present two same-sex characters who are meant to be together. They can’t explicitly say that two female or male characters are romantically involved, but they can lace their dynamics with references for those “in the know” — Subtext. Just enough to imply something more but not too much that they get censored to hell and back.

So what I’m getting at is this: The trouble that Double Indemnity had to go through in order to be made while also keeping the dialogue of Phyllis and Neff as flirtatious as they could under the Hays Code among other things is quite similar to the way Ratio and Aventurine are presented as of now. We never see them interact outside of Penacony (at least up until 2.2, when this post was drafted), so we can only infer those interactions specifically until they actually talk without the fear of being found out by Sunday. But, there’s still some small moments scattered here and there, such as when Aventurine goes near Ratio in the Dewlight Pavilion Sandpit, he exclaims that “the view here is breathtaking” (he can only see Ratio’s chest from that distance) and that Ratio could “easily squash [him] with just a pinch”. Ratio then goes “If that is your wish, I will do so without a moment’s hesitation.” Not to mention the (in)famous “Doctor, you’re huge!” quote.

It’s not a coincidence that Ratio and Aventurine have three explicit references to romance media (Double Indemnity, Spellbound, Oscar Wilde’s The Happy Prince), possibly even four if you take the EN-only Heaven Is A Place On Earth as a reference to Black Mirror’s San Junipero. It’s not a coincidence that the storylines or characters of said references parallel the pairing, from surface-level to deep cuts. It’s not a coincidence that the CN voice actors were asked to “tone it down” by the voice director when it came to their chemistry. It’s not a coincidence that Aventurine has only flirted with (three) men throughout Penacony, even referring to a Bloodhound NPC as a “hunk of a man” inside his thoughts, all the while ignoring Himeko and Robin when it came to their looks — women who are known across the cosmos with a myriad of adoring fans. There are so many other so-called “coincidences” related to the two that you could make an iceberg just based on versions 2.0-2.2 as well as content miHoYo themselves have put out on social media. They absolutely knew what they were doing, and were trying to get their point across through subtle means — the extent they went to with the Double Indemnity reference while also keeping it under wraps from a “surface” level point of view is proof of this — the implications are there if you take the time to look for them, and are simply hard to ignore or deny once you do find them.

—

[CONCLUSION]

This was supposed to be short considering the other analyses I’ve seen were also pretty short in comparison, but I couldn’t get the movie out of my head and ended up getting carried away in the brainrot. I hope you could follow along with my line of thinking, even with the absurd length of this post, and the thirty-image limit. I tried to supplement context with some links to videos and wiki pages among other sources wherever I can to get around it.

I will end it with this though — the love in the movie turned out to be fake and a farce, going off track from what was a passionate romance in the beginning because of the murder scheme. Meanwhile, the whole reason why Ratio and Aventurine can pull off whatever they want is because of their immense trust in one another. What was initially shown to be distrust in the Final Victor LC grew into something more, for Ratio, someone who would have never put faith into mere chance and probability before this, put his trust in Aventurine, of all people.

TL;DR — (I get it, it’s over ten thousand words.)

Not only is the relationship between Neff and Phyllis represented in the deception and acting side of Ratio and Aventurine, but the real and trusting side is shown in Neff and Keyes. They have a fascinating, multi-layered dynamic that is extremely fun to pick apart once you realise what’s going on underneath the bickering and “hatred” they display.

Many thanks to Manya again for making the original thread on the movie. I wouldn’t be here comparing the game and movie myself if it weren’t for that.

By the way, I really do believe that Shaoji totally watched this movie at least once and really wanted that Double Indemnity AU for his OCs. I know exactly how it feels.

—

Other points I'd like to mention that didn't fit anywhere else in the main analysis and/or don’t hold much significance, have nothing to do with the Penacony mission, or may even be considered reaching (...if some of the other points weren’t). Just some potentially interesting side bits.

Phyllis honks three times to signal Neff to go for the kill. That, and the three gunshots in the confrontation. Aventurine is all about the number three.

The height difference Aventurine and Ratio have going on is close to Phyllis and Neff’s.

Phyllis had killed her husband’s previous wife and went on to marry Mr. Dietrichson, pretty much taking the wife’s place. Aventurine killed his previous master, and had taken certain attributes from him like his wristwatch and the rings on his hand and the “all or nothing” mantra.

When calling Ratio a wretch (bastard), Aventurine smiles for a moment. This is exclusive to the EN, KR and JP voiceovers, as in CN, he does not smile at all. (Most definitely a quirk from the AI they use for lip syncing, but the smile is something that’s been pointed out quite a few times so I thought I’d mention it here.)

Sunday specifically says in the CN version that he knew of Aventurine's plans the moment Aventurine left the mansion, meaning that he realized he had been played the fool the moment Ratio and Aventurine talked in Golden Hour

In the description for the "All or Nothing" consumable, teenage Aventurine says this specific line: "Temptation is a virtue for mortals, whereas hesitation proves to be a fatal flaw for gamblers." According to Ratio, this is Aventurine's motto - he says as such in Aventurine's Keeping Up With Star Rail episode. Note that in the anan interview he explicitly says he does not have a motto, and yet Ratio in the video says otherwise. They definitely have to know each other for a while for Ratio to even know this.

A big reason why Neff even pulled off the murder scheme in the first place was because he wanted to see if his good friend Keyes could figure it out, the Mundane Troubles Trailblaze Continuance showcases Ratio attempting to teach the Herta Space Station researches a lesson to not trust the Genius society as much as they did.

In Keyes’ first scene he’s exposing a worker for writing a policy on his truck that he claimed had burnt down on its own, when he was the one who burnt it down. Ratio gets into an Ace Attorney-style argument with the Trailblazer in Mundane Troubles.

Neff talks repeatedly about how it won’t be sloppy. Nothing weak. And how it’ll be perfect to Phyllis, and how she’s going to do it and he’s going to help her. Doing it right — “straight down the line”. Beautifully ironic, considering what happens in the movie, and even more ironic as Ratio and Aventurine’s scheme went exactly the way they wanted to in the end. Straight down the line.

[clown-friend-gt]

My g/t hot take that no one asked for:

Anything above 30 feet is not a mini giant. Sure, in comparison to other giants in fiction, that's not that big, but think about encountering, say, a 40 ft giant in real life. That is huge. You are the size of, like, a barbie doll to them. That is not mini.

Also, in my opinion, the fun part about minigiants is the unique size dynamic. They can fit in your house, but will still be too big for it to feel normal. They can't carry you in one hand, but they can carry you around like a stuffed animal. Encountering one isn't as inherently dangerous as encountering a regular giant would be, but they still have the potential to be scary if they aren't careful (or if they're trying to be). The dynamic is a little different with minigiants, and a lot of that nuance begins to fade above 30 feet.

Again, this is just my opinion, but it comes from my experience of writing different size dynamics. I think a lot of people tend to classify minigiants based on how big they are in comparison to other giants, when we should be looking at how big they are in comparison to a human, which is where all the fun dynamics come in to play.

Thank you for coming to my TED talk.

[beargregor]

Chef greg delivery just for you. it's a wonder I hadn't bearified him yet, he's my fave greg too 🔪

gays literally only want one thing (to be chopped up and eaten by a depressed man) and it's fucking disgusting

[mikesbasementbeets]

(bonus:)

[the-busy-ghost]

Alright uninformed rant time. It kind of bugs me that, when studying the Middle Ages, specifically in western Europe, it doesn’t seem to be a pre-requisite that you have to take some kind of “Basics of Mediaeval Catholic Doctrine in Everyday Practise” class. 

Obviously you can’t cover everything- we don’t necessarily need to understand the ins and outs of obscure theological arguments (just as your average mediaeval churchgoer probably didn’t need to), or the inner workings of the Great Schism(s), nor how apparently simple theological disputes could be influenced by political and social factors, and of course the Official Line From The Vatican has changed over the centuries (which is why I’ve seen even modern Catholics getting mixed up about something that happened eight centuries ago). And naturally there are going to be misconceptions no matter how much you try to clarify things for people, and regional/class/temporal variations on how people’s actual everyday beliefs were influenced by the church’s rules. 

But it would help if historians studying the Middle Ages, especially western Christendom, were all given a broadly similar training in a) what the official doctrine was at various points on certain important issues and b) how this might translate to what the average layman believed. Because it feels like you’re supposed to pick that up as you go along and even where there are books on the subject they’re not always entirely reliable either (for example, people citing books about how things worked specifically in England to apply to the whole of Europe) and you can’t ask a book a question if you’re confused about any particular point. 

I mean I don’t expect to be spoonfed but somehow I don’t think that I’m supposed to accumulate a half-assed religious education from, say, a 15th century nobleman who was probably more interested in translating chivalric romances and rebelling against the Crown than religion; an angry 16th century Protestant; a 12th century nun from some forgotten valley in the Alps; some footnotes spread out over half a dozen modern political histories of Scotland; and an episode of ‘In Our Time’ from 2009. 

But equally if you’re not a specialist in church history or theology, I’m not sure that it’s necessary to probe the murky depths of every minor theological point ever, and once you’ve started where does it end? 

Anyway this entirely uninformed rant brought to you by my encounter with a sixteenth century bishop who was supposedly writing a completely orthodox book to re-evangelise his flock and tempt them away from Protestantism, but who described the baptismal rite in a way that sounds decidedly sketchy, if not heretical. And rather than being able to engage with the text properly and get what I needed from it, I was instead left sitting there like:

And frankly I didn’t have the time to go down the rabbit hole that would inevitably open up if I tried to find out

[theheightofdishonor]

when I mean quit traumatising me with thoughts about a volleyball manga, I meant it. What am I supposed to do with the knowledge that Hinata knew his weakness from the start and seeking individual growth (greed being a positive thing) doesn’t make him any less of a team player? Or that their extreme love for volleyball is what isolated them until they found each other? (or how entirely besotted Kageyama was with Hinata right from the start lmao) But really, reading your posts give me a greater appreciation for the manga and I didn’t even know that was possible! Thank you for your analysis, although I will be suing for psychic damage every time I see your posts in my feed because I end up thinking about them too much. I really like that you love Haikyuu so much, that love is contagious and you make me like it more.

Dunno, personally I find it fun to inflict my brain rot on others. The joy of suffering together or whatnot.

As for what to do with it, you can always just spin all that around your head for eternity and spit it out in various ways the way I've been doing for like 2-4 years now. Or use it to extrapolate even more insane heartbreaking headcanons and aus. They're both fun!

(Re: kageyama being besotted for hinata, that reminds me I have a post somewhere about kageyamas canon three step journey of falling in love with hinata but idk where it is. If I have time to find it I'll repost it for you because it's a good post (they make me want to chew on glass))

Im glad that I make you love hq more because honestly, there's few things better than being able to share your love of something with someone else and when you can bond with other people over that shared interest. It's sooo delightful. And like personally, interacting and having conversations and talking at people makes me like it and think about it more. It's also the way that i flesh out my thoughts. Whenever I post something especially long on here, it usually because I talked about it recently to or at someone.

Feel free to sue me for psychic damage, I find the idea utterly delightful but also you're really to blame because your asks make my day and make me want to write more about hq and kagehina

[yaikat]

i hit post limit again last night btw

[foxgloveinspace]

oh my god you gave permission to send vids and i lasted all of 30 minutes before needing to send something 😂

BUT!!!

iv crying 🥺🥺🥺 the love for iii these last few shows has melted my heart and clearly the bands too

https://x.com/vesseltoken/status/1734391886901616999?s=46

i cannot suffer alone with this one i’m so sorry

Well, as I watch this and suffer. here, sleep token official instagrams account second to last pic…. Our boy AdamRosssi knows what we want, haha.

🥺🥺🥺

Oh no……

[redley-of-many-noodles]

*holding writhing bag of shitty memes*

I GOT THE MORBS, START UP THE GRINDER

[waywardsalt]

>:3

[sophiamcdougall]

I am never going to complain about Greek Duolingo again

I mean, I am. But still.

So, as some of you know, my family has been coming to this tiny Greek seaside village for several years. Just over a week ago I came out here with my mum, under the impression that early September, after the height of the summer heat, would be a good time to have a holiday. ANYWAY Storm Daniel had other ideas about that. Locally things are improving (I'm actually really pissed off about the disaster-porn tone of most English-language media coverage, but that's another post). The power is back on, there's running water most of the time, and though the latter is not drinkable, a truck from the government came and handled out free bottled water yesterday. But we are currently kind of stuck. Can't do tourist things. Can't go home. There aren't any local flights out until Saturday and the road to Thessaloniki is still closed.

So this evening, feeling kind of aimless and depressed, I go down to the nearest beach with a couple of binbags and start cleaning up in an effort to at least do something positive. I always try to do this at least once out here and obviously, after the storm, there's a lot more plastic and rubbish than usual.

At some point I find this large, round bit of metal - some kind of machinery part, I think -- that's too big for the bag, so I take it to the bins on its own, leaving the rubbish bag on the beach. And when I come back for it, something among the stones beside it moves.

Specifically, it pulls its head sharply inside its shell

So, meanwhile I've been trying to learn some Greek with the help of Duolingo.

I currently have a 33-day streak and... I have questions. Shouldn't I be able to use the past or future tenses by now? Shouldn't I be able to say "x is like y"? I can't do those things. But one thing I absolutely can say all day long is έχω μια χελώνα : I have a turtle.

This is far from the limit of Duolingo Greek's turtle-related content. "An obsession with turtles" is my mother's characterisation. I can inform you that the turtle is not a bird, and, improbably, that the turtle is drinking milk. I can introduce you to a turtle in company with a horse and an elephant. As far as Duolingo is concerned, it really is turtles all the way down.

Now this, you may be able to see, is not a turtle. It has claws rather than flippers. It is a tortoise. I know there are wild tortoises in Greece: my aunt once rescued a pair of them shagging in the middle of the road -- but that was up in the mountains. I've even seen one myself, but it was also on a road and very dead.

I am 95% certain they don't belong on beaches. There's nothing for it to eat, except, unfortunately, a lot of plastic. Even if it gets off the beach it will immediately find itself on a road where it could get hit by a car. I'm pretty sure it must have been washed down by the floodwater and has been just sitting there, dazed, ever since.

Now obviously the first thing I want to do on encountering this unusual animal is to go and tell my mummy, so I do. The tortoise immediately brightens her day. She agrees that the tortoise is not happy on the beach and needs to be taken somewhere safe. it gets surprisingly wriggly when picked up so we put it in a carrier bag with some grapes and cucumber and go looking for somewhere to rehome it.

We find a path leading up between the houses towards a likely-looking field, but before we get very far a dog in a yard goes berserk and a man's head pops over a fence and demands to know what we're doing. He does this in English, as evidently we're just that obviously tourists.

"I found a tortoise on the beach!" I explain. "We want to find somewhere to put it."

"A what," he asks.

"It's like a, you know," I begin and then to my astonishment I find myself saying... "μια χελώνα"

"Oh! A turtle!" he says.

"But from the land. δεν είναι χελώνα", [it is not a turtle,] I say, as I am worried he will tell me to put it back near the sea where I found it. As it turns out it actually IS a χελώνα, Greek does not distinguish between turtles and tortoises, but I don't know that; I can't even name the days of the week or identify any colours other than pink yet, give me a break.

The man's entire demeanour changes and thaws. He does not worry about my turtle-that-is-not-a-turtle conundrum. He knows where οι χελώνες come from and where η χελώνα μας belongs. He leads us through a gate into a courtyard area.

"[somethingsomething] μια χελώνα," he explains to the assembled onlookers, of whom there are, suddenly, a surprising number.

"ΜΙΑ ΧΕΛΩΝΑ!!!" crows the throng of delighted small children, who are, suddenly, everywhere.

"μια χελώνα!" I agree, accepting that at least for current purposes, that is what it is.

"Μπορούμε να δούμε τη χελώνα σας; [can we see your turtle?]" asks an adorable little girl, shyly, and I understand??

The children fucking love looking at the χελώνα and showing it to them is kind of magical?

I finally put the tortoise down on the grass of this wild area off to the side of the courtyard, and marvel aloud that it is weird that I barely know any Greek except how to say μια χελώνα.

"I think she will soon run off," a kind lady called Aspasia assures me, seeing I remain slightly anxious about its fate. "I don't know why I'm saying 'she'. I suppose because χελώνα is feminine in Greek."

"Yes! I know that!" I exclaim, thrilled.

"Well done!" she says. And also she asks if we are OK for drinking water after the storm and if we need any help with anything and is just generally incredibly lovely and now we know more of the neighbours!

So "μια χελώνα" has just become, by a long way, my most-used and most understood and all-around most conversationally successful phrase in Greek. So I guess I have to admit I was wrong to doubt Duolingo's wisdom: it is correct to be obsessed with turtles. And I concede that prior to learning how to count to ten or to distinguish right from left, the simple ability to yell the word TURTLE over and over again is, it turns out, a crucial element of the responsible traveller's social skills.

(I am pretty fluent in Italian and turtles haven't come up in conversation even once?)

[voyter]

NNN (NO NUT NOVEMBER) ! ... thanksgiving special

pairing. jeon jungkook x fem!reader

jungkook and his friends are all in on the internet's most ridiculous trend: no nut november. but you’re determined to make your boyfriend lose — and you know just how to do it.

word count. 8.9k warnings. stupid fucking nnn challenge. JUNGKOOK IS SOOO DRAMATIC IN THIS OML. competitive koo. oc being petty as fuck. oc a brat hehe. jungkook cannot lie to save his life. he fighting demons in his head. needy koo. slight crack. smut. oral (fem!receiving). MUNCH JK. dry humping. blindfolding (very brief lasts like five seconds). koo loves her boobies. unprotected sex. dom!jk (i dont usually like writing him like this but i didnt hate it).

ana's notes. happy (very late) thanksgiving !!! BETTER LATE THAN NEVER RIGHT. this was supposed to be posted after thanksgiving but i got so busy and then the writers block crept up on me :\ .. ANYWAYS i am so grateful for you guys and the support you have shown for my writing, it means a lot since this is a hobby that i love. heres a little silly smutty fic for the holidays !! keep your comments positive or say nothing at all <3

There was this utterly ridiculous trend that resurfaced on the internet like clockwork every year – No Nut November.

The viral phenomenon was a joke. Honestly, who in their right mind would actually take part in such a thing?  

Well... Jungkook and his friends would. 

Never ones to back down from a challenge, they had turned the trend into a full-blown competition: the last man standing would walk away with a cash prize collected from everyone who failed. And Jungkook? He wasn’t about to lose. Not to his friends. Not to anyone.  

It wasn’t like he needed the money. Jungkook was doing just fine in that department, thank you very much. But the satisfaction of watching his friends begrudgingly hand over their hard earned cash, faces red with defeat? Fucking priceless. Count him in.

Unbeknownst to you, the bet was in full effect. Therefore, in preparation for what promised to be a painfully unfulfilling month, Jungkook made the most of Halloween night. His desire was overwhelming as he pulled you into his arms again and again. By the time you were both utterly spent, he’d taken you three times — round after relentless round, ensuring he had no regrets before the clock struck midnight.

It was all part of his plan: to have you as many times as he possibly could before November hit and he couldn’t have you at all. He was dead serious about this challenge. Winning was secondary — what mattered most was that he didn’t lose.  

By the first week of November — just five days in — Jungkook had been doing surprisingly well. His restraint was impressive, and he’d managed to keep his touches brief and calculated. The physical contact between you two had been limited to sweet, innocent moments: the kisses you shared when he left and came home from work, the soft pecks exchanged before falling asleep, or the comforting warmth of cuddling. None of it lingered too long, and Jungkook was acutely aware of how easily even the smallest touch could spiral into something much harder to resist.  

But Jungkook’s plan didn’t seem to work so well after all. As the week drew closer to its end, you began to get eager.  

Your arms would wrap around his waist from behind, your chest pressing against his back as you left featherlight kisses against the nape of his neck. Each one sent a shiver down his spine, your breath warm and teasing against his skin. Your fingers trailed along his arms and shoulders a little longer than usual, like they couldn’t bear to part from him. When you kissed him, your lips lingered just a second too long, brushing against his with a softness that made his heart pound and his resolve crumble.  

And Jungkook — poor, stubborn Jungkook — felt the strain of holding himself back with every passing moment.  

The tension in his body was unmistakable. His jaw clenched, his hands fisted at his sides, as if anchoring himself in place was the only way to resist you. But it was getting harder. Your every move — a tilt of your head, a brush of your fingers, the soft hum of your laughter — was a calculated test of his willpower.

There were times where his thumb hovered over the group chat. His mind screamed at him to type out the words, to admit defeat, to let it all go so he could have you the way he so desperately craved.  

But he didn’t.  

He kept his composure, though it was a battle he felt he was losing by the second. Temptation clung to him like a warm, enticing embrace, your every move a test of his self control. You were irresistible, and he knew it. Hell, even the fucking dickwad of a neighbor — the one who always found a reason to greet you while mugging Jungkook — knew it. But as much as he wanted to give in, Jungkook had to tread carefully. Ignoring you completely would be suspicious, and pulling away would be totally out of character. You’d see right through him.  

So he found a fine line to walk, a delicate balance: giving you just enough to keep you satisfied while keeping his own burning desires tightly in check. A heated makeout session here, his hand squeezing your ass there — little gestures that made everything feel normal. Just enough to keep you from noticing anything was off, but never enough to let things spiral out of control.  

The thought of explaining the ridiculous bet to you was out of the question — he wasn’t about to tell you he’d willingly signed up to not get his cock wet for a whole month. So instead, he silently resolved to endure.  

It wasn’t easy. Hell, it was torture. But the thought of losing to his friends? That was even worse. Their smug faces, the relentless teasing — it was unthinkable. Jungkook would rather give himself the worst case of blue balls imaginable than admit defeat.  

But just as the next week was about to begin, Jungkook’s willpower met its match.

At night, Jungkook stuck to his usual routine. He brushed his teeth, washed his face, and climbed into bed. He scrolled aimlessly through his TikTok for you page, waiting for you to finish up in the bathroom and join him. It was the same comforting ritual as always.  

Usually, when you slipped into bed, he’d put his phone down immediately. Without a word, he’d shift closer, press his chest to your back, tangle your legs together, and throw a protective arm over your waist. It was an unspoken rhythm you both loved, the closeness of his warmth pulling you both into peaceful sleep.  

But tonight, something felt different.  

It had been a long week — too long. You hadn’t had him, hadn’t felt his touch, hadn’t been able to drown in the comfort of him. And tonight, the ache of missing him was unbearable. You needed him, desperately.  

As you stepped out of the bathroom, the soft light from the lamp illuminated him sprawled across the bed. His focus was on his phone, completely oblivious to you — but your attention was elsewhere.  

The thin material of his sweatpants did nothing to hide the outline of his cock, pressing firmly against the fabric as he lay there in complete ease. It was almost unfair how effortlessly attractive he looked.  

And just like that, the last of your restraint snapped.  

You didn’t even try to play coy. Not tonight. Not when every fiber of your being screamed for him, for his touch, for his warmth.  

You crawled onto the bed with purpose, straddling his hips in one smooth motion. Jungkook tensed beneath you, his phone slipping from his hand onto the mattress. His dark eyes met yours, wide with surprise, but the second your lips captured his, you felt him relax into the kiss.

It didn’t take long for your lips to wander. From his mouth to his jaw, each kiss slower and deeper than the last. That’s when he knew.  

This wasn’t going to end with a few kisses.  

“It’s getting late,” he murmured, his voice breathy, like he was trying to convince himself more than you.  

“Mhm,” you hummed, your lips trailing down his neck, suckling gently at the spot you knew made him shudder.  

“We should go to sleep,” he tried again, though his words sounded more like a plea than an order.  

“Don’t wanna,” you whispered against his skin, your hand sliding down between your bodies, cupping the hardening length beneath his sweatpants.  

The guttural moan that tore from his lips was instant, raw, and uncontrollable. His reaction was visceral, his hands flying to your hips to still you, but it was too late. That single touch had ignited something primal in him.  

With a sudden movement, he flipped you onto your back, his hands capturing your wrists and pinning them firmly above your head.

“Why do you never listen to me?” he said through clenched teeth. His frustration of trying to compose his restraint thinning. Why won’t you let him win? His face was so close to yours that the tip of his nose brushed against yours, his breath warm and uneven against your lips.  

“Love pissing you off,” you shot back, your grin wicked as your eyes gleamed with mischief. You tilted your head slightly, your voice dropping into something softer, sultrier. “Makes me wet.”  

“Brat,” he spat. His grip on your wrists tightened just slightly, his jaw clenching as if holding himself back took everything he had.

To you, it was all in good fun — a playful game, harmless teasing. But to Jungkook? It was sweet, unrelenting torment. Every kiss you pressed to his skin, every soft laugh that spilled from your lips, and every calculated touch you offered worked to chip away at his resolve, unraveling him one agonizing piece at a time.  

He wanted to be strong, to resist, to uphold his own ridiculous self imposed boundaries. But how could he? How could he lay down beside you and simply go to sleep when your every movement, every sound, every look begged him to surrender? His body betrayed him first, drawn to you like a magnet, unable to keep his distance. The tension in his muscles, the sharp hitch of his breath every time you touched him — it all screamed of a man teetering on the edge of self control.  

Jungkook swallowed hard, his gaze flickering over you, taking in the way your lips curled into a smile that was equal parts innocent and dangerous. He hated how much you affected him, but at the same time, he craved it. Every fiber of his being ached for you — your warmth, your softness, the way you felt against him. He knew he was doomed the second you whispered his name, voice laced with need.  

Giving in wasn’t just inevitable; it was everything he wanted. And as much as he’d tried to fight it, there was no denying you. Not now, not ever.

“Fuck,” he whispers, his voice raw, laced with a pain so desperate it borders on pitiful. His head drops, forehead pressing against your sternum, his breath hot and uneven against your skin. It’s as if he’s trying to ground himself, clinging to the fragile threads of control slipping through his fingers.

For a moment, he stays there, his breath warm against your skin, his body taut with tension. Then, slowly, he lifts his head, meeting your gaze with eyes darkened by lust and want, swirling with a need so intense it makes your stomach all jittery. His cheeks are flushed, the faintest rosy tint blooming across his face and staining the tips of his ears. He looks utterly undone, vulnerable in a way that steals the air from your lungs.  

Before he could think twice, his lips crashed against yours in a feverish kiss, devouring you like you were his favorite candy — sweet, irresistible, and utterly addictive. He poured everything into that kiss, every ounce of frustration and need, as if losing himself in you was the only thing that mattered.  

His lips began to trail south, brushing along the curve of your jaw before dipping down to the sensitive hollow of your neck. Each press of his lips left a trail of heat on your skin, and your breath hitched, a soft sound that sent a rush of satisfaction through him. He didn’t stop, didn’t falter as his hands moved to the hem of your shirt — no, his shirt. You always stole his shirts for bed, and as much as he teased you about it, he loved seeing you in them.  

He pulled the fabric up, lifting it just beneath your chin and exposing your bare chest. Your breasts, freed from the confines of the shirt, bounced softly back into place, and Jungkook’s breath caught. His dark eyes locked onto the sight, a low groan rumbling in his chest as his hands instinctively cupped them, squeezing gently, pushing them together as if appreciating every inch of you.  

Unable to stop himself, he buried his face in the softness, his nose stuffed in between your tits, breathing you in like you were the only thing keeping him grounded.  

“Kook!” you giggled, your voice light and teasing, pulling him back just slightly from the haze of his desire. Your hands reached down, cupping his face and tilting it upward until his eyes met yours.

“Prettiest titties ever,” he murmured, his voice low and reverent. He leaned forward to press a tender kiss to one breast, his eyes never leaving yours.

Your lips curved into a warm smile, and your thumb traced softly over the scar on the apple of his cheek. The tender moment was fleeting, though, as Jungkook’s mouth found its way to your chest, his lips wrapping around one of your nipples. His tongue flicked against the sensitive peak, drawing a sharp wave of pleasure through your body. You bit down on your bottom lip, trying — and failing — to stifle the moan that bubbled in your throat.  

Your hands moved instinctively, brushing back the dark strands of hair that had fallen over his forehead. Your touch was soft, almost reverent, as you gazed down at him. The sight of Jungkook — cheeks flushed, lashes kissing his cheeks as he lost himself in you, his lips tugging gently at your sensitive flesh — made your heart race and your body ache with want.  

He let out a low hum against your skin, the vibration sending a delicious shiver cascading down your spine. His tongue swirled around your nipple with a slow, deliberate rhythm, each motion igniting sparks of pleasure that left you breathless. His focus was unrelenting, his attention on you so singular it made your toes curl. The warmth of his saliva mixed with the heat of your skin, creating a sensation that was utterly intoxicating.  

You let out a quiet gasp, your fingers tugging gently at his raven hair, earning a soft groan from him in response. Jungkook didn’t stop, his lips worshiping you like you were the only thing that mattered.  

But as his mouth continued its ministrations, Jungkook couldn’t ignore the ache building in him. His cock throbbed, painfully hard and straining against his sweats, begging for relief. The urge to push everything aside and lose himself in you was overwhelming.  

Maybe he could lose. Maybe he could just not tell them.

No. That wasn’t fair, and Jungkook hated lying — especially to his best friends.

But fuck, you weren’t making this easy for him.  

With your pretty, soft boobs. Your sweet, irresistible lips. The way you tasted, the way you sounded.

He released your nipple with an audible pop, leaving your skin glistening and flushed from his attention. His lips lingered, warm and damp, as if tethered by an invisible string, reluctant to part. Then, slowly, he began his descent, tracing a line of soft, deliberate kisses down your stomach. Each press of his lips was unhurried, almost worshipful, leaving a trail of fire in its wake as anticipation tightened in your core.  

When he reached the waistband of your panties, his movements paused. His lips hovered just above the fabric, warm breath teasing your skin. He glanced up at you, eyes hooded and dark with want, as if searching your face for permission to continue. The moment felt suspended, heavy with tension, before he shifted his attention lower, redirecting his kisses to the delicate, sensitive skin of your inner thighs.  

His pace was maddening, each kiss a whisper against your skin, igniting every nerve and sending shivers rippling through you. His lips barely grazed you, his touch so featherlight it felt almost cruel, building the pressure inside you until it was nearly unbearable.  

Then he saw it. The damp patch on your panties. His movements stilled for a moment, the sight pulling a soft moan from his lips, thick with need.  

"Fuck me," he muttered under his breath, as if meant more for himself than for you. His voice was strained, low and raw, betraying the war raging inside him.  

You were blissfully unaware of the full weight of his internal struggle, the impossible battle between his ironclad resolve and the magnetic pull of you beneath him. But for Jungkook, this wasn’t just lust; it was a consuming craving, threatening to shatter the very challenge he'd sworn to uphold.

He hooked his fingers into the waistband of your panties, his touch firm yet tantalizingly gentle as he began to slide them down your thighs. The soft fabric dragged against your skin with agonizing slowness, leaving a trail of goosebumps in its wake. When the panties finally slipped off and landed somewhere forgotten on the floor, his gaze dropped to the apex of your thighs, and a deep, guttural groan rumbled in his chest.

Your pussy glistened in the dim light, your slick coating your folds, the evidence of your desire laid bare before him. Jungkook's tongue darted out to wet his lips as impatience flickered in his eyes. Without hesitation, he leaned in, starting with slow, deliberate licks, savoring the taste of you like a man starving.

Your breath hitched, a shudder racing through you as you glanced down at him. His dark eyes locked with yours for a brief, smoldering moment before he closed his lips around your swollen clit, sucking gently yet firmly.

A moan tore from your throat as your head tipped back, your fingers instinctively finding one of your breasts. You cupped the soft mound, your palm pressing into the supple flesh. The room filled with the sounds of your ragged breaths and the wet, sinful noises of his tongue working you over.

Jungkook's hand shot up, his fingers wrapping firmly around your wrist as he yanked it away from your breast. He possessively replaced your hand with his own. His large, tattooed hand cupped your tit, kneading the soft flesh with a firm yet reverent touch.

He lifted his head from between your thighs, his lips glistening with your slick, and his heated gaze met yours. Without a word, his free hand slid down, his middle and ring fingers gliding through your folds with expert precision. He paused for a moment, his fingers coated in your arousal, before pressing them slowly inside you.

Your breath hitched at the delicious stretch, your sopping wet heat greedily sucking him in with ease. A low, satisfied hum rumbled in his throat as he watched your body respond to his touch.

“So fucking wet," he whispered, voice thick with lust. His fingers curled slightly, stroking your walls with an unrelenting precision that had your thighs trembling.

Jungkook leaned back down, his lips latching onto your clit with a hunger that made your thighs quiver. He sucked and flicked his tongue over your sensitive bud, the wet, rhythmic sounds driving you wild. His fingers continued to thrust in and out of you, the steady, deliberate pace sending shockwaves of pleasure through your body as he curled them just right, hitting that spot that made you see stars.  

His other hand stayed on your breast, groping and kneading with a firm possessiveness that left you aching for more. His thumb brushed over your nipple, pinching and rolling it between his fingers, drawing a sharp gasp from your lips.  

He was everywhere — on you, in you, surrounding you. The intensity of his touch, his mouth, and his presence consumed you entirely, leaving you trembling under him as he worked your body like he was born to do it. You could feel the tension building, the coiling heat low in your belly threatening to snap as he devoured you like a man obsessed.

“Baby,” you whimper, your voice trembling, raw with need as your fingers twist into the sheets beneath you. “G- gonna cum.”  

Jungkook doesn’t stop. He doesn’t slow down or falter. If anything, your words fuel him, igniting something feral inside him. He needs this — needs to feel you fall apart on his tongue, to taste every shiver and moan you can give him before he has to deny you for the rest of this painfully long month.  

A low hum vibrates against your clit, and the sensation sends a fresh wave of heat surging through you, your body arching instinctively toward him. His tongue moves faster now, precise and unrelenting, flicking and circling as if the very act is his lifeline.  

His fingers thrust into you, curling just right, hitting that spot inside you that makes your legs tremble and your vision blur. The rhythm is perfect, practiced, like he’s mapping your body by memory, knowing exactly how to coax you to the edge.  

Another hum escapes his throat, deeper this time, resonating against you with an intensity that feels almost like a plea — an unspoken command for you to let go, to surrender completely to the pressure building inside you.  

And with each stroke of his tongue and every curl of his fingers, he pushes you closer, until you’re teetering on the brink, your body burning with the promise of release.

His hand on your breast squeezes more firmly, his thumb flicking and pinching your nipple with just the right pressure, as if he knows exactly how to push you over the edge. Your hand shoots up to grab his wrist, your nails digging into his skin, while your other hand fists the sheets desperately.  

Your head tips back, lips parting in a silent, breathless moan as the tension inside you finally snaps. Your thighs instinctively begin to close around Jungkook’s head, trembling as your release crashes over you in wave after blissful wave.  

Your body shakes beneath him, overcome by the force of your orgasm, but Jungkook doesn’t stop. His mouth continues its sinful work on your clit, sucking and licking with unrelenting precision, while his fingers maintain their steady thrusts.

Despite the painful, throbbing ache of his cock, Jungkook finds a twisted kind of satisfaction in giving you pleasure. The way your body arches, the sounds you make, the way your nails dig into the sheets — it’s intoxicating. It fuels him, spurring him on as though your ecstasy alone is enough to soothe his own torment.  

He doesn’t want to stop. Not when you’re trembling beneath him, your body so responsive to his every touch. But there’s a limit to how much you can take, and he knows it. As much as he loves pushing you to the edge, watching as you surrender completely to him, overstimulation begins to creep in, your soft whimpers turning into desperate little gasps.  

Still, there’s a reluctance in him, a battle between the unyielding need to give you more and the understanding that your body can only handle so much. Even as you writhe beneath him, pleading for reprieve, there’s a part of him that aches to keep going, to hold onto this connection for just a moment longer.  

But he’s Jungkook, and if there’s one thing he values more than his own desires, it’s you. The sight of you trembling, your chest heaving as you fight to steady your breath, tugs at something deeper within him. He takes a deep breath, the taste of you lingering on his tongue, and finally, he pulls back.  

His lips and chin are glistening with your slick, a sinful testament to his devotion. He doesn’t bother wiping it away; instead, he leans over you, his eyes dark and heavy with satisfaction as they roam your flushed face. 

“Munch,” you giggle, your voice soft and teasing as your fingers brush his hair back from his forehead.  

Jungkook chuckles, the sound deep and warm, scrunching his nose in playful protest. His pretty bunny-like teeth peek out in a smile so endearing it makes your heart skip a beat.  

Unable to resist, you lean in, pressing your lips against his. Your tongue brushes against his, exploring him as the taste of you still lingers on his lips. The kiss grows deeper, more heated, and you feel his hard-on pressing insistently against your thigh.  

Without a second thought, your hand slides down, grabbing his cock through the fabric of his pants. He groans softly against your mouth, the sound vibrating between you.  

“Mmm,” Jungkook hums, breaking the kiss as he pulls away, the warmth of his lip still lingering on yours. He stands, his movements abrupt, leaving you breathless on the bed. His lips, swollen and glistening faintly in the dim light, speak to the intensity of your embrace, but his gaze doesn’t meet yours. Instead, it darts away, like a guilty child caught red-handed. He scratches the back of his head, his posture stiff as he moves toward the bathroom door. “I think I’m gonna go shower,” he blurts out, the tension in his voice betraying his attempt at casualness.

Shower? Now? Really? His dick is literally straining against his sweats, the outline unmistakable, practically begging for attention. You can still feel the heat of him pressed against you, the way he twitched beneath you just moments ago.

He’s not serious. There’s absolutely no fucking way.

“What?” Genuine confusion coats your tone, your brows furrowed. “You always shower in the mornings.”  

“I- I know, baby,” he stammers, his pitch climbing an octave as his composure unravels faster than a poorly wrapped gift. Panic flashes in his wide eyes, and his mouth hangs open, grasping for an excuse he clearly doesn’t have.  

“Then what’s wrong?” you ask, your softer now, a thread of worry weaving through your tone. You sit up, the oversized shirt you’d stolen from him slipping down your chest, covering your boobs he wished he could stare at for just a second longer. “Is something going on?”

“I-” His eyes dart around the room like the answer might be written on the walls. “I’m just tired.”  

Your brow arches, skepticism written all over your face. “Tired?” you echo, your face scrunching in disbelief. “You’ve never not wanted to have sex.”  

Jungkook visibly winces, his ears turning a bright shade of red. Rising from the bed like it might help, he sits at the edge, his hand nervously brushing your shin. “I- I had a long day at work.”

You tilt your head. “But you love having sex after a long day,” you say, your voice tinged with confusion. “Jungkook, seriously… what’s wrong?”  

He freezes, like a deer caught in headlights, his lips parting in silent panic. “Nothing!” he squeaks, his voice cracking. 

You lean closer, your suspicion mounting. “Well it’s clearly something! Do I not smell good?”  

His head whips toward you, his face a mixture of offense and horror. “What? You smell amazing!” he practically yells, his voice high-pitched. “Honey, I could eat you all day if you’d let me!” 

“Then why are you running off like this?”  

“I’m not running!” he protests, though the crack in his voice suggests otherwise. “I just- uh- need to clear my head!”  

“Clear your head?” you ask, squinting at him. “From what?”  

“All the thinking I’ve been doing!” he exclaims, clearly grasping at straws. “It’s... exhausting.”  

You narrow your eyes, unconvinced. “Thinking about what?”  

His mouth opens, but words fail him. After a moment of floundering, he groans, throwing his head back and covering his face with his hands. “You’re impossible,” he mumbles, his voice muffled behind his palms.  

“And you’re a terrible liar,” you fire back. “Spill it. What’s really going on?”  

He exhales deeply, dragging his hands down his face in defeat before clasping them together in front of him as if in prayer. His eyes squeeze shut, his lips pressed into a tight line. “I’m trying so hard right now,” he mutters finally, his voice low and desperate, “and you’re not making it easy.”  

“Trying hard to what?” you ask, your curiosity piqued. 

“To not combust right now!” he exclaims, his voice rough with need. His eyes snap open, locking onto yours with an intensity that makes your heart race. “You’re killing me, babe. Just... let me shower first, and then let’s just have a good night, okay?” His breath hitches, barely able to keep his composure as he watches you, a mixture of desperation and affection in his gaze. 

You blink at him, your mouth slightly open, trying to piece together his words. Before you can say anything, he kisses you once more, the movement rushed and almost sheepish.  

“Go to bed, honey,” he says, practically bolting for the bathroom. “I love you!”  

The door shut behind him with a sharp, decisive click, followed by the distinct sound of the lock turning. It was jarring — Jungkook never locked the door. There was no reason to; it was just the two of you living together, no one else to intrude. The realization sank in quickly, a bitter confirmation that this time, he was actively shutting you out, trying to keep you from coming in and uncovering whatever was weighing on him. You sat there, frozen, staring at the closed door in stunned silence.

Whatever it was, one thing was clear — you weren’t letting this slide. You were going to figure out what was going on with your boyfriend if it was the last thing you did.

After that night, you kept your distance.

Jungkook hated it. He hated the silence, the lack of your warmth, the way you avoided his touch. But he couldn’t blame you. He knew he was the root of the problem — he had fucked up that night. He should’ve been smoother, handled it better, but he completely blew it. Jungkook was good at many things. Lying was not one of them.

For a few days, you gave him the silent treatment. When he leaned in for a kiss before heading to work, you turned your face, leaving him with nothing but a peck on your cheek. The lack of communication was agonizing, eating away at him every time he caught your cold glances. But you were petty as fuck, and he knew it. You weren’t about to kiss his ass — not when it was obvious he’d lied to you that night. If he didn’t want to talk to you, then you weren’t going to talk to him.

When you were alone — at work, lying in bed, or just lost in thought — your mind spiraled. What could he possibly be hiding? The thought haunted you, gnawing at the edges of your sanity. Was he cheating on you? The idea felt impossible, unthinkable. Your Jungkook would never… or at least, that’s what you wanted to believe. But his strange behavior, the evasiveness, planted seeds of doubt you couldn’t ignore. The very thought made you feel sick to your stomach, but the ache of curiosity refused to leave you alone.

You needed answers. And if Jungkook wasn’t going to give them to you, you decided to go to the one person who knew him best.

you [3:15 pm]: what is wrong with my boyfriend ??

jimin [3:17 pm]: That sounds like a question you should be asking your boyfriend, don't you think?

you [3:17 pm]: I KNOW YOU KNOW SOMETHING.

jimin [3:18 pm]: WHAT ARE YOU TALKING ABOUT???

you [3:18 pm]: whats her name

jimin [3:18 pm]: Who??

you [3:19 pm]: HIS SIDE BITCH

jimin [3:19 pm]: GIRL WHAT

jimin [3:19 pm]: You think he’s cheating on you?

you [3:23 pm]: is he ?? just tell me so i can save myself the humiliation pls

jimin [3:23 pm]: Bro no he would never

jimin [3:23 pm]: I’d chop his dick off and then kill the girl if he did

jimin [3:23 pm]: What makes you even think that in the first place?

you [3:24 pm]: hes acting weirdddd :(

you [3:24 pm]: i was trying to fuck him a few nights ago but he wouldnt let me touch him

jimin [3:25 pm]: First of all ew

jimin [3:25 pm]: Second of all

you [3:28 pm]: SECOND OF ALL ????

jimin [3:30 pm]: 😂😂😂

If you weren’t pissed at Jungkook before, you definitely were now.

After talking to Jimin, you finally learned the truth about the challenge. It wasn’t even the fact that Jungkook had hidden it from you that irritated you most — it was the challenge itself and his ridiculous competitive spirit. Why did he have to be such a sore loser?

According to Jimin, five of the seven participants had already been knocked out. Seokjin and Yoongi, being married men, didn’t stand a chance — they were bound to lose. Namjoon, like Jungkook, was in a committed relationship, but unlike him, Namjoon had the good sense not to put himself through that kind of pain just to preserve his pride. Hoseok and Taehyung? They were notorious party addicts — losing was inevitable for them. 

Now, it was down to just Jungkook and Jimin. And, of course, Jungkook’s competitive streak wouldn’t let him back down, no matter how ridiculous the stakes were. The thought made your blood boil. How could he have dragged himself — and by extension, you — into this mess?

You didn’t confront Jungkook about what you’d learned from Jimin, though you did drop the silent treatment act. Instead, you decided to take a different approach — one far more devious than simply ignoring him.  

Even with the heater running, the November chill still lingered in the air, but it didn’t stop you from dressing provocatively around the apartment. You roamed in short shorts, sometimes just your underwear, paired with a silk camisole that left little to the imagination. The thin fabric did nothing to hide your hard nipples, which poked against the material as you moved about. Jungkook would notice, of course — he’d grope your ass or give you a quick kiss goodbye before heading to work — but that was it.  

When he was away, whether at work or hanging out with his friends, you upped the ante. You sent him pictures of yourself in matching lingerie sets, always in his favorite color, knowing how much he loved them. Sometimes you sent something more daring — nudes that left nothing to the imagination. Usually, those photos had him texting back immediately, promising to deal with you as soon as he got home.  

But this time, his responses were different. Short. Terse. Instead of giving in, he’d simply tell you to stop.  

Frustration boiled over each time you read his dismissive replies. You groaned and threw your phone onto the bed in defeat. Why wouldn’t he just give in already? You wanted him so badly, and you refused to even touch yourself because what you craved was him — his hands, his mouth, his dick.  

If teasing him over the phone wasn’t working, you decided it was time to take things up a notch. One night, when you heard the shower running, you didn’t hesitate. Stripping off your clothes, you quietly stepped into the bathroom. The steam swirled around you as you opened the shower door and stepped in.  

Jungkook froze the moment he saw you. His wide eyes scanned you from head to toe, lingering on your curves as if he hadn’t seen them countless times before. His jaw tightened, his chest heaving as his restraint wavered. Then, with a groan of frustration, he threw his head back against the shower wall, his eyes squeezed shut as if trying to block out the temptation in front of him.  

Don’t give in. Don’t give in. Don’t give in. 

Despite his impressive self-control, his body betrayed him. His cock stood stiff and proud between you, a silent plea for attention. But no matter how much you pressed closer, your skin grazing his, or how boldly you touched yourself in front of him, he didn’t break.  

With a stoic determination that only fueled your frustration, he focused on washing off, his movements precise and distant, as though ignoring the tension hanging thick in the air. And just when you hoped he’d finally push past his limits, he’d step out of the shower, leaving you behind in the steam, your desire unfulfilled.

It was maddening. Teasing him was supposed to work — it always worked. And while you were determined to push him until he snapped, you had to admit, his composure was far better than you’d anticipated.

It was just days before Thanksgiving, which meant this painfully long month was finally nearing its end. But you were done waiting. Done teasing. The ache in your body had grown unbearable, a constant, gnawing need for him that no amount of patience could soothe.  

You were going to have him tonight, or you were going to actually die.  

Jungkook had a day off tomorrow, so he was sprawled on the couch, completely absorbed in his Nintendo game. His focus was unwavering, his brows furrowed in concentration as the soft clicks of the buttons filled the room.  

Dressed in a matching lacy black set that left little to the imagination, you moved silently behind him, your determination unwavering. Gently, you placed your hands on his broad shoulders, your fingertips tracing soft patterns over the fabric of his shirt. He didn’t flinch, didn’t even glance up, much too engrossed in the virtual world on his screen.  

But then you leaned down, your lips brushing against the side of his neck. The soft, teasing kisses trailed along his skin, featherlight yet deliberate, leaving a warm path behind. You felt the slightest hitch in his breathing, a telltale sign that despite his effort to remain focused, you were beginning to unravel him.

His eyes fluttered shut, his focus on the game completely shattered as his head tipped to the side, exposing more of his neck to your eager lips. His lips parted, heavy breaths escaping him, each exhale laced with a vulnerability you rarely saw.  

“Baby…” he moaned breathily, his voice low and strained, warning you.  

“Shh,” you whispered, your lips brushing the shell of his ear. Your voice was soft, commanding, and it sent a shiver rippling through him. You felt his resolve beginning to crack, the tension in his body shifting as your hands slid down, teasing the line between tenderness and temptation.

Pulling away, you reached for the tie you had stolen from his drawer earlier. With a deliberate slowness, you brought it up to his eyes, slipping it over and covering his vision.  

“What-” he began, his voice tinged with confusion as his hands instinctively moved to stop you.  

But you were quicker, gripping his wrists to still him. Leaning in close, your lips brushed against his ear as you whispered, “I know about your stupid challenge, Jungkook.”  

His body tensed beneath you, the air between you heavy with tension. His breaths came uneven now, a mixture of guilt, surprise, and something else simmering just beneath the surface.  

“Let me explain-” he started, his voice edged with desperation.  

“No,” you cut him off, your tone firm but quiet. “It’s too late for that now.”  

You secured the tie around his eyes, knotting it with careful precision. The soft fabric sat snugly against his skin, cloaking his vision completely. His lips parted as if to protest, but he stopped himself, seemingly caught between resisting and surrendering to whatever you had planned.

Rounding the couch, you reached down and plucked the device from his hands, setting it aside on the coffee table without a second thought. His body went rigid beneath you, his breath hitching as you settled in. The unmistakable hardness of his cock pressed against you, igniting a spark of satisfaction that curled your lips into a smirk. Slowly, you began to move, rocking your hips against his in steady, purposeful motions, grinding into him just enough to draw a reaction. 

“Do you know how much I missed you, Kook?” you murmured, your voice dripping with need as your lips hovered near his ear. “Missed your pretty cock… my fingers could never give me the satisfaction you do.”

His bottom lip was caught between his teeth, the silver of his piercings glinting under the warm light, drawing your eyes like a magnet. That perfect little mole just beneath his lip was on full display, a teasing reminder of how irresistible he looked like this — teetering on the edge of control.  

His lips parted as a soft, breathy moan escaped, the sound low and unrestrained. It sent a shiver straight through you. His hands, no longer hesitant, slid to your hips, gripping firmly as he guided your movements. Each roll of your hips against his was deliberate, his touch coaxing you to grind harder, deeper, until the friction was almost too much to bear.

You hooked a finger into the fabric covering his eyes, tugging it free with a teasing slowness. His lashes fluttered as he blinked, his vision gradually clearing — and then he saw you. Nothing but his favorite set of yours graced your body, clinging to your curves in all the right ways.  

A low, breathless please escaped his lips, muttered more to himself than to you, as if trying desperately to maintain his composure. His eyes squeezed shut, and he turned his head away, a feeble attempt to resist you.  

But you weren’t having that. Your hand shot out, firm but gentle, cupping his chin and turning his face back toward you. His eyes snapped open, dark and hungry, as you reached behind you, unclasping the delicate hook of your bra. The straps slipped from your arms, the fabric discarded behind you without a care.  

Your hands came up, cupping your bare breasts, teasing yourself as his gaze darkened. His restraint frayed before your eyes as his hips bucked up into yours, seeking friction, a desperate need taking over. His jaw tightened, and his tongue darted out to wet his lips, a clear sign of how much he craved you.  

Those should be his hands, not yours.

His hand twitched, reaching out instinctively, but you caught his wrist, guiding it purposefully down your body. Your gaze never wavered from his, locking him in place as you slid his hand beneath the waistband of your underwear. His fingers pressed against the soaked fabric, and his breath hitched when he felt just how wet you were. The slickness coated your plush lips, a testament to how badly you wanted him.  

“Honey…” he warned, his voice shaky and breathless, teetering on the edge of control.  

“Please, Kook,” you whispered, your tone laced with desperation. “Fuck me tonight, or I’ll lose my mind. It’s been weeks. Don’t you miss me as much as I miss you?”  

Your plea hung between you, thick with need and longing. His jaw clenched, and you could see the internal battle playing out in his dark eyes as his fingers twitched against you, his restraint unraveling with each passing second.

How was he supposed to get up and walk away with his cock straining painfully against his sweats, and you like this, laid out before him? His hand was still buried in your underwear, fingers sliding effortlessly over your slick folds, forming a V as they trailed up and found your clit. His jaw clenched at the way your body shuddered beneath his touch, the quiet moan slipping from your lips like a siren’s call.  

And then there was you — your smaller hands kneading your soft, perfect tits, the ones he loved so much, the sight alone nearly undoing him. The way you whimpered, the way your body responded to him, had his restraint crumbling to dust.  

This was it — his breaking point.  

He didn’t care about the fucking challenge anymore. Nothing mattered except you.

It was like a switch flipped inside him. In a sudden, fluid motion, he grabbed your waist, lifting you effortlessly as he laid you down on the couch. His broad frame hovered above you, the way you’d missed for so long. His dark eyes were locked onto yours, blazing with an intensity that sent a shiver down your spine. 

He didn’t waste time. You were already soaked, your body more than ready for him. No need for extra preparation — he knew he’d slide right in. With one hand, he freed his cock, giving it a few languid strokes, his eyes never leaving yours. He hooked a finger under the edge of your panties, tugging them to the side, baring your pretty, dripping pussy. He couldn’t wait to get inside it. The flushed tip glistened, teasing your entrance for a heartbeat before he pressed forward, the head sinking in.  

A sharp gasp escaped both your lips, the shared sensation so overwhelming it felt as if you were experiencing each other for the first time all over again. Jungkook moved slowly at first, his cock stretching you inch by inch, filling you with deliberate care. His brows furrowed, and his jaw tightened as he savored every moment, every inch of warmth he’d been denying himself for far too long. 

But restraint wasn’t his strong suit tonight. The need coursing through him was too much to bear. His movements quickened, his hips snapping forward with purpose. The wet, obscene sounds of skin meeting skin filled the room as his pelvis slapped against the back of your thighs. The steady rhythm of his thrusts deepened, each one more urgent than the last, driving both of you closer to the edge.

His upper body lifted off of you, and with a swift motion, he pulled his shirt over his head. The sight of his broad, muscular frame sent a jolt of heat straight to your core. He was absolutely stunning, every inch of him on display — his skin glowing under the dim light.  

His arm was covered in intricate tattoos, the ink curling around his bicep like a story you wanted to read. His chest was thick and broad, with a layer of muscle that made your fingers itch to trace every curve. His arms were solid and meaty, a strength you could feel even from just looking at him.  

You couldn’t help yourself. Your hand moved instinctively, running down the defined lines of his chest, your fingers grazing over the hard muscles of his stomach. His abs flexed beneath your touch, tense and firm, the warmth of his skin sending a wave of desire crashing through you. The simple touch made you want more, made you crave everything he had to offer.

But now it was Jungkook's turn to take control. With a swift motion, he caught your wrist, his grip firm as he seized your other arm and pinned it above your head. The dominance in his touch was undeniable, and you knew exactly what that meant. He always did this when he wanted to take over, to remind you who was in charge.  

His hands moved quickly, grabbing one of your legs and effortlessly throwing it over his shoulder. You gasped at the sudden shift, your body bent in half, your chest pressed against him, leaving you exposed and vulnerable. His face hovered just inches from yours, his breath hot against your skin as he studied you.  

A small whimper escaped your lips at the stretch, your body not as flexible as you'd like, but that discomfort was fleeting. It quickly morphed into something else — pleasure, intense and consuming — as his brutal thrusts began again, filling you completely.  

He was relentless, each movement pulling another gasp from you. His breath came out in ragged bursts, his voice low and laced with command. "You never listen to me, do you? Huh, you brat?" His words were a breathy growl, like a warning. "Just had to get fucked."

You couldn’t find the words to respond, your mind completely consumed by the overwhelming pleasure. Every inch of your body was alive with sensation, making it impossible to form coherent thoughts. Instead, soft moans and breathless hums spilled from your lips, your chest rising and falling rapidly as his thrusts deepened, each one hitting you harder than the last.  

Your body arched into him instinctively, eager to feel more, to give in to the rhythm he set. The tension was building, spiraling higher and higher with each movement, each sound leaving your mouth a mix of pleasure and need. You couldn’t think, couldn’t focus on anything but the way he was making you feel, his hands and his body taking you exactly how he wanted.

"You made this so hard for me, baby." His voice was breathless, low and laced with desire as his thrusts didn’t falter. "Can’t resist you. Too fucking pretty to not touch." He spoke as though he couldn’t control himself, his words slipping out between harsh breaths, his hands gripping your body with barely restrained urgency.

“M’already so close, Kook,” you moaned, your voice shaky with the intensity of the pleasure coursing through you. The pressure inside you was building, so close to release, but you needed him to push you over the edge.

“Yeah?” His gaze darkened, his hips snapping into yours with even more force. “Show me. Let me feel you, please.” His words were more than a plea — they were a command, a desperate need for you to let go so he could feel every inch of your pleasure. It’s been so long since he felt you. He wants to feel you. Needs to feel you.

With each punishing thrust, your breasts bounce uncontrollably, catching Jungkook's undivided attention. His hooded eyes are glued to them, pupils blown wide with lust, as if he's seeing something so utterly captivating it leaves him in a trance. The way they move, the way your body responds to him — it’s driving him wild. His tongue flicks over his lips as he lets out a low groan, jaw tightening, the need to mark you overwhelming every coherent thought.  

You gasp sharply, a broken moan escaping your lips as your orgasm slams into you with ferocious intensity. Your body arches off the couch, your hands still pinned above your head as waves of euphoria ripple through you. Your head tilts back, exposing the long, vulnerable line of your neck, and your chest heaves as you ride out the high.  

Jungkook growls when he feels your walls clench down on him, the tight grip almost sending him over the edge. “Oh, yeah,” he rasps, voice rough and deep, his hips grinding against you. “That’s it. Just like that... so fucking good.”  

But he doesn’t slow down. If anything, his pace quickens, the desperate need for his own release taking over. Each thrust is brutal, precise, and deliberate, as if he’s claiming every part of you, chasing that high he knows is just within reach. His grip on your hips is bruising, holding you in place as he slams into you again and again, the sound of skin slapping against skin echoing in the room.  

Finally, with a strained groan, he pulls out abruptly, his cock slick and throbbing in his hand. He strokes himself hard, the sight of your trembling, sweat slick body beneath him sending him over the edge. His release comes in hot, thick ropes, splattering across your stomach and tits in messy, deliberate streaks.  

He lets out a guttural moan, chest heaving as he watches his cum paint you like a masterpiece, dripping down your skin in glistening trails. His hand slows, and his eyes never leave the sight of you — glistening, marked, and utterly his.

Once he milks every last drop of his release, he does something that shouldn't be as devastatingly sexy as it is. Leaning down, his gaze locked onto yours with a feral intensity, he drags his tongue in a slow, deliberate stripe up your stomach, collecting his own cum. The heat of his mouth follows, traveling upward until he captures a nipple between his lips, sucking and swirling his tongue with maddening precision.

You giggle, your face flushing with heat as he releases your nipple and makes his way up to your lips. The moment his mouth connects with yours, you taste his cum on his tongue, and you can't help but moan softly into the kiss. He pulls back, resting his head on your chest with a contented sigh.

“Can’t believe you made me lose. I was so close,” he sulks, his voice laced with playful frustration.

“Jimin texted me. He gave in yesterday. You won,” you tease, your fingers softly running through his hair.

His head shoots up quickly, eyes wide like a dog hearing its name. “Seriously?”

You nod, giggling softly at his excitement.

Without warning, he stands up from the couch, pulling you with him. He scoops you up by your thighs, lifting you effortlessly into his arms.

You squeal, half-laughing, half-terrified, “What are you doing?!”

“Making up,” he grins, his voice low with promise as he strides toward the bedroom. “I’m gonna fuck you all night.”

The door clicks shut behind you, the remnants of your clothes scattered haphazardly in the living room, and the night unfurls into a whirlwind of heated kisses and passion that sweeps you both away. Jungkook’s teasing words and touch keep you on edge, but it’s the way he makes you feel — desired, cherished, and completely consumed by him — that transforms the night into something unforgettable. 

You knew that this Friendsgiving would be one for the books. Jungkook wasn’t going to let any of the guys forget it. Always the bragger, that one. He’d be sure to shove it in their faces every chance he got.

And he might have won the bet, but it’s you who’s the true victor tonight.

© voyter 2024, all rights reserved.

[tothechaos]

my friend you can reblog this as many times as your heart desires. this isnt twitter. you could reblog this a hundred times if you wanted to. be free.

college students are the most pathetic creatures in the world. source: i am a college student and i constantly have the vibe of a kitten that just got pulled out of a storm drain

[sceletaflores]

well, all right i’m bad, but then you’re no prize either…

pair: joel miller x fem!reader

wc: 8.6k

contains: 18+ SMUT MDNI, no ellie, general violence (only referenced), age gap (56/26), swearing, so many spacers lmao, not quite friends to lovers and not quite enemies to lovers but a weird other thing, kinda mean!joel for a good sec, dressing wounds, joel miller TUMMY, loss of virginity (reader is a virgin but she's not completely oblivious and weirdly infantile about it lmao), fingering (fem!receiving), p in v, unprotected sex whoops, size kink, belly bulging, pussy pronouns, porn with a tiny plot, no use of y/n.

nat’s note: well, i finally caved y’all. baby’s first tlou fic! this literally took me forever to write and even longer to post cause i was so terrified LMAO so please give me some grace if it’s shit and he’s ooc and timelines are a little fuzzy cause i barely know what i’m doing. thank you chickens love you mwah mwah mwah. kisses!

dividers by lovely @saradika-graphics!

joel found a lodge house…

You don’t know what you did to make Joel Miller hate you so much.

He's never outright said it, but you know it’s there—in every sharp glance, every clipped word, every deliberate avoidance.

Besides, his silence is worse than anything he could say. A quiet condemnation that settles in your chest like stone.

You tell yourself it doesn’t matter, that you don’t care what he thinks, but the truth is harder to swallow.

You do care—more than you want to admit. His approval, his respect, hell, even a sliver of kindness from him feels like an impossible prize you’ll never win.

And you hate yourself for wanting it. For needing it.

It's not just the weight of his disdain that eats at you, it's the not knowing why. God, do you wish you could ask him why.

What did you do to make him look at you like you’re some necessary evil he has to tolerate. Why does he hold some unspoken grudge that's manifested itself into something you couldn't dream of ever comprehending.

But the thought of confronting Joel feels like standing on the edge of a cliff, staring down into a void that might swallow you whole.

So instead, you do what you've always done. You keep your distance, try to match his indifference with your own, and tell yourself it’s better this way.

You were young when the outbreak hit, six years old.

You’re sure that’s part of it. That that’s how Joel sees you, as some bumbling, naive child who’s more of a hassle than anything else.

Another mouth to feed, another back to watch, baggage.

You've been with him for almost seven months now, traveling side by side when you may have well been miles apart. Trekking through abandoned cities, overgrown highways, and every godforsaken patch of wilderness in between.

In the beginning, you did everything you could to prove him wrong.

You pushed yourself past your limits, hunted, scavenged, fought, kept up. You did everything that needed to be done without hesitation.

All to show that you were more than what he made you out to be. It never seemed to matter much.

After you lost your parents in the early days of the outbreak, it was just you and your sister. She taught you everything you know, taught you how to survive.

It's because of her that you know how to shoot a rifle, how to skin a rabbit, how to start a fire with nothing but sticks and dried moss, how to snap bones and locate which vital arteries bleed out the quickest.

It's because of her that you've been able to hone some sick skill in the maiming of clickers.

A skill you never thought you'd need to use on her.

You were supposed to be safe in the QZ. You weren't supposed to be fifteen years old, aiming a gun at the one person you had left.

Your own flesh and blood wasn't supposed to be the very first in a long list of red tallies under your belt.

It’s been years and you’ve still never forgotten that day. December 19th, 2012, the date burned into your brain like someone took a branding iron to the tissue.

You can’t count the amount of times you’ve been ripped from your sleep drenched in a cold sweat with the tail end of a scream tearing at the skin of your throat.

The image of what was left of your sister, slumped on the ground lifeless as her blood painted the wall behind her flashing behind your closed eyelids. The sound of her last labored breath ringing in your ears louder than any shotgun blast.

You ran that same night, with the weight of her death on your shoulders.

Your entire world spinning out around you as you clawed through barbed wire fencing, not caring where you were going or what would happen to you—just needing to escape.

There was nothing left for you to do after that but survive. And that’s what you did, for years, scraping by in a world that had already chewed you up and spit you out a mangled mess.

You learned how to be ruthless because of it.

How to harden yourself against the loss, the pain, the brutality. But there were cracks, too. Cracks you hid well, buried deep beneath layers of stubbornness and distance.

The endless days blurred into each other. Empty houses, hollow streets. A life reduced to scavenging, hiding, and the occasional, fleeting moment of human connection that inevitably ended in loss. 

And then you found yourself with Joel.

You hadn’t exactly found him, though. More like crashed into his orbit by accident.

A few desperate days spent scavenging through the ruins of a small town, a chance encounter that left you both wary and unwilling to turn your backs.

But, inexplicably, you somehow became part of his traveling routine.

He wasn’t like any of the others you’d met before. At first, you thought he might be different. A man who seemed broken, but different nonetheless.

As the days turned into weeks, and weeks into months, you began to see the truth. Joel Miller wasn’t concerned with you. He didn’t need you. And, more than that, he didn’t want you around. 

You didn’t know what to do with that.

It’s a bitter kind of irony. You’ve survived all this time completely on your own, fought tooth and nail to stay alive, but with him, you might just crumble.

Joel found a lodge house. It's a small, weathered place tucked away in the dense trees of the wood surrounding it.

He only deemed it suitable after an extensive perimeter check and a thorough sweep of the interior.

It's not much—just another run-down place in the middle of nowhere—but for the first time in what feels like forever, it’s a roof over your head for the night.

The walls are sturdy, though the windows are cracked and half of the floorboards creak like they're about to give out at any moment.

You explored the second floor alone, creeping through the desolate rooms and taking in all that was left behind.

Old family photographs covered in thick layers of dust, worn clothes riddled with holes still hung in the few closets you stumble across.

The oddest of all was an old jewelry box tucked away in a dresser draw, tarnished silver dull and muddy.

The sound of familiar footsteps comes from somewhere behind you. The door creaks open slowly.

Joel. Of course.

He clears his throat, the sound abrasive in the quiet of the house.  

“Fire’s low,” he says, voice rough from its lack of use today.

You don’t turn around, not yet. You take the box in your gloved hand, running your fingers across the intricate design of the lid, touch trailing over winding vines and small roses.

“Okay,” you mutter, your voice coming out quieter than you intended. “I’ll grab some more wood later.”

Another beat of silence. Then, “It’s gettin’ cold out, I’ll go.”

Your fingers pause their ministrations, moving to flip the lid open. Empty.

“Suit yourself,” you reply after a moment, your tone just as neutral as his.

Joel doesn’t leave right away. You hear the floorboards groan beneath his weight, his presence lingering in the doorway. 

You wonder what he’s waiting for, or if he’s waiting at all.

Finally, he speaks. “Don’t touch anything.”

With that he turns and leaves the room, you wait until you can’t hear his footsteps trailing down the stairs anymore to let out the scoff festering in your chest.

You snap the jewelry lid shut with a little more force than necessary. “Asshole.”

Joel's been gone for a while now. Longer than it takes to chop a few logs for firewood.

You came down from the upstairs a few minutes after hearing the tell-tale sound of the heavy door opening and closing. The main room is quiet, save for the soft crackle of the dwindling fire.

You're perched on an old armchair near the entrance, peering out the dirty window that has the best view of the treeline as you nervously pick the skin around your nails.

You tell yourself not to worry. He’s probably fine, he’s been doing this a lot longer than you. And if Joel is anything, it’s annoyingly competent.

Still, a nagging doubt itches at the back of your mind. It's been at least half an hour, maybe more.

You’re just about to grab your own pack and go looking for him when the front door creaks open.

Joel stumbles inside, the frigid evening air rushing in behind him before he slams the door shut. At first glance, he looks fine—no more haggard than usual. 

But then you notice the way he favors his left side, the way his free hand is pressed against his ribs, blood seeping through his fingers and staining his torn undershirt.

You’re on your feet in an instant.

“Fuck,” you say, voice sharper than you expected. “What the hell happened?”

“Raiders.” Is the only explanation you get as he tries to brush past you like it’s nothing. The stiff way he moves and the tightens of his jaw betray him. “S’just a scratch.”

“Bullshit,” you snap, stepping in front of him and blocking his path to the fire. “Sit. Now.”

He gives you a look, one of those deep, withering glares you’ve seen him use to intimidate countless others into submission. But you stand your ground, chin raised and jaw set–defiant. 

His stubbornness finally meeting its match in your own. 

Finally, with a low growl of frustration, he drops onto the couch. “Happy now?”

"Not until you let me take care of that." You motion toward his side, where the blood is still spreading.

“I’m fine,” he mutters, lolling his head back to rest more heavily on the couch.

“Sure you are,” you snap, crossing the room to rifle through your bag. “And I’m the fucking Queen of England.”

"Said I’m fine," he bites through gritted teeth, but you’re already moving, heading back to him with the first aid kit from your pack.

"You want to bleed out on this ugly-ass couch? Be my guest," you shoot back, dropping to your knees in front of him. "Otherwise, shut up and let me help."

Joel surprisingly doesn’t argue any further, just sighs heavily and reluctantly sinks further into the couch cushions.

You push the front of his jacket open to slide it off his shoulders as gently as you can, peeling back the layer of his flannel next.

The smell of blood hits you immediately.

The gash is about five inches long, trailing the span of his ribcage. It’s deep—but not fatal—just an angry red and oozing blood.

Definitely not the simple 'scratch' he made it out to be.

Your stomach churns at the sight, but you push it down. No time for that.

“Jesus, Joel,” you mutter under your breath, reaching for the alcohol in your kit. “You really know how to underplay a situation, huh?”

He doesn’t respond, just watches you with those dark, calculating eyes of his. Always watching, always assessing.

It’s unnerving, but you focus on the task at hand, grabbing a clean cloth and soaking it with alcohol.

“This is gonna hurt,” you warn, though there’s a part of you that doesn’t mind the idea of causing him a little discomfort.

A petty, vindictive part that still stings from all the scorn he’s thrown your way.

“Just get it over with,” Joel grits out, his voice low and gravelly.

You don’t give him any more warnings as you wipe the soaked cloth over the wound. He flinches, a harsh curse slipping through clenched teeth, but he doesn’t pull away.

You work as quickly as you can, wiping away the blood and dirt with steady hands, your movements as gentle as possible given the situation.

You let out an annoyed huff when the torn fabric of his shirt gets in the way of your hands for a second time.

You lean back on your heels, glancing up at Joel. “You need to take your shirt off.”

Joel raises a brow at you, his lips pressing into a thin line. “That really necessary?”

“Yes, it’s necessary, Joel,” you huff, already losing patience. “Unless you want me to sit here and cut around every thread of this ratty thing while you bleed out, then by all means—”

He sighs heavily, cutting you off as he shifts forward and grabs the hem of his shirt. He tugs at the fabric, grunting in pain each time it strains his ribs.

You roll your eyes at how slow he’s moving, and your patience—already worn thin by the day's events—snaps.

“Jesus Christ, let me help,” you huff, reaching forward and grabbing the fabric.

Joel jerks back slightly, his hand shooting up to stop yours mid-motion. “I got it,” he growls, a sharp edge in his voice.

You glare at him, your hand still caught in his grip. His palm is calloused, his hold firm enough to make your pulse jump unexpectedly. 

For a moment, the two of you just sit there, locked in a silent standoff.

Then he releases your hand and pulls the shirt over his head himself, wincing as the movement pulls at his side.

You wait with your arms crossed, trying to ignore the awkward flutter of nerves in your stomach as the fabric peels away to reveal his chest.

Joel’s broad, solid frame isn’t new to you. You’ve seen him shirtless before—brief glimpses when bathing in rivers or changing in run down houses between stops.

But this time feels different, more intimate somehow.

You’re staring, and you know it.

The firelight cast shadows over his skin, illuminating old scars, faint lines of muscle, the barely there jut of his stomach over the hem of his jeans.

You had been getting more game kills recently, two hunters are always better than one.

Joel clears his throat, dragging your focus back to the present. “You gonna gawk all night, or can we move this along?”

You snap out of it, scowling to cover your embarrassment. “Yeah, yeah. Don’t get your panties in a twist.”

You finish cleaning the gash and grab the small needle and thread lying next to you.

“This’ll hurt worse than the alcohol,” you say, threading the needle easily.

Joel snorts, a rare sound. “Figures.”

The needle pierces his skin, and this time, you catch the smallest hitch in his breath. He doesn’t make a sound, but his jaw tightens, the veins in his neck standing out like cords.

His hands grip the edge of the couch hard enough that his knuckles turn white with it, but he doesn’t tell you to stop or slow down.

He’s too damn proud for that.

You shift closer, your knee brushing against his leg as you position yourself to work from a better angle. You feel his eyes on you, that intense, scrutinizing stare that makes your skin prickle.

“You’ve done this before,” Joel says after a moment, his tone less sharp than before. It’s not quite a question, more of an observation.

You shrug, keeping your hands steady. “Of course I have.”

“Who taught you?”

The question catches you off guard, Joel’s never shown much interest in what your life was before you met him. You glance up briefly, catching his gaze. There’s no malice there, no judgment—just curiosity.

You swallow hard, dragging your eyes back to stitches, half way done now. “My sister.”

You don’t elaborate and Joel doesn’t push.

Maybe it’s the sudden tightness in your tone or the look you know must be clouding your face that keeps him quiet.

You finish off the stitching, tearing the thin strand of thread with your hands before you’re leaning away again.

“Good as new,” you say, dabbing some more alcohol on your own hands to disinfect. “Try not to tear these open anytime soon.”

Joel leans back, strong arms spread across the back of the couch, his face unreadable as he peers down at the fresh stitching on his side. 

“Could’ve done it myself,” he mutters, but the edge in his voice is gone, replaced with something softer, almost resigned. 

You roll your eyes with a scoff, not even trying to hide your irritation as you rise from the floor. “Sure you could’ve, right before you passed out. You’re welcome by the way.”

You gather your supplies and turn to head back to your bag, but Joel’s voice stops you in your tracks.

“You’re always like this, y’know,” he says, and the words carry that same gravelly drawl, but there’s something new there—something heavier.

You pause, your hands tightening around the kit in your grasp. “Like what?”

“Pushy. Stubborn,” he replies, his tone cutting, though it lacks the usual venom. “Like you’ve got somethin’ to prove all the damn time.”

You whip around, your patience officially gone. “You think I’m stubborn?” you shoot back, your voice rising. “Coming from the guy who would rather bleed out on a fucking couch than admit he needs help?”

Joel’s jaw tightens, and his hands flex against the couch cushions, but you don’t stop. Not now. Not after months of this.

“I’ve been busting my ass since day one to prove that I’m not dead weight to you. I’ve fought for us, for you. And for what? Just to get more of your bullshit attitude?”

“You don’t know what the hell you’re talkin’ about,” Joel snaps, pushing himself upright despite the obvious strain it puts on his freshly stitched wound. “You don’t know a goddamn thing about me.”

“Because you won’t let me!” you fire back, stepping closer, your voice rising. “All you do is look at me like I’m some burden you can’t wait to get rid of.”

Joel’s glare sharpens, his lips parting as if to respond, but you cut him off.

You really can’t stop yourself now that you started, all the anger and frustration reaching a fever pitch hot enough to burst the tight lid you’ve kept on your emotions.

“If I’m such a hassle, why didn’t you just leave me back there, huh? Why didn’t you just walk away like I know you wanted to?”

Joel’s breathing is heavier now,  his broad chest rising and falling as his dark eyes bore into yours.

For a moment, he doesn’t say anything. Then, he stands, and the sheer size of him forces you to tilt your chin up slightly to keep your glare fixed on his face.

“You think I wanted this, kid?” he growls, his voice low and strained, like he’s barely holding himself together. “You think I wanted to be responsible for someone else? To have someone else’s fuckin’ life on me?”

“Don’t call me kid,” you spit, shoving a finger into his chest, ignoring the way his jaw ticks at the contact. “I’m not a fucking kid.”

He scoffs, casting his eyes to the ceiling disbelievingly. “Could’ve fooled me.”

“Fuck you, Joel,” you growl, fists clenching at your side. “If you hate me that much, why the hell are you still here? Why didn’t you tell me to fuck off the second you met me?”

“Because I couldn’t!” Joel snaps, booming voice filling the small space.

The confession slips out like it pains him. His fists clench at his sides, and for a moment, he looks like he might break something.

You’ve never been scared of Joel, even though you’ve seen first hand just how scary he can be.

Now, as he looms in front of you, eyes blazing and jaw working furiously beneath his skin, it’s the closest to scared you’ve felt.

“I’ve seen you out there,” he continues, tone low and dark. “You’ve got a fuckin’ death wish. You’re too damn stubborn to just stop, and I’m not gonna let you go so you can run off and get yourself fuckin’ killed.”

Your heart pounds in your chest, his words hitting far too close to home.

“I’m just trying to survive, Joel,” you snap, your voice shaking. “That’s what we do, isn’t it? Survive.”

“Survive,” Joel repeats bitterly, his gaze burning into yours. “That what you call it? Throwin’ yourself into every goddamn fight, gettin’ stabbed and shot right fuckin’ in front of me and expecting me to brush that shit off?”

You let out a humorless laugh, nodding your head exasperatedly. “Yes, yes I do expect you to just brush it off, because that’s what you always do.” 

“Well I can’t,” he grates out, taking a step closer. “I can’t ‘cause despite whatever it is that you may think about me, I don’t hate you. I care about you too damn much and that's my goddamn problem.”

That shuts you up, your mouth snapping closed with a sharp click of your teeth as you stare at him, shocked.

Joel holds your gaze, lips pressed into a thin line. “That what you wanted to hear?”

It’s in that moment that the fire finally fizzles out, the dull hiss of it the only sound left in the room.

You’re quiet for a beat, stunned into silence. The heat of his anger, his frustration, it radiates off him, and you realize suddenly that this isn’t just about you. 

It never was.

“Then show me,” you challenge softly, your heart pounding in your chest. “Show me that you don’t hate me.”

Joel’s eyes darken, his head cocking to the side as he searches your face for a sign. You don’t say anything, you only square your shoulders and raise your chin, your eyes just as hard as his own.

“I want you to prove it.”

The tension snaps like a rubber band stretched too far. 

You shouldn’t—this shouldn’t—happen. Not like this. Not after everything that’s been said.

But when Joel’s lips crash against yours, hot and desperate and urgent, it makes everything blur into nothing. 

It’s not gentle, not soft—this is anger and longing and frustration all wrapped into one. It’s messy, frantic, like a fight that’s been brewing for too long.

He grips your arm, pulling you closer, almost too roughly, but it feels like it’s everything you’ve both been avoiding.

His other hand moves to cup the back of your neck, grounding you as his lips press harder against yours, like he’s trying to pour everything he can’t say into this single moment.

You respond just as fiercely, nails digging into the skin of his shoulders as you kiss him back with all the pent-up emotion that’s been simmering beneath the surface.

The coarse hair of his beard scrapes against the skin of your chin deliciously, the scent of blood and firewood filling your senses as his arm wraps around your waist, dragging you impossibly closer.

Close enough that you can feel the wild beat of his heart booming against your chest.

You pull away for a second, breathless, both of you looking at each other, your eyes wide and pupils blown.

“Goddamn it,” Joel mutters, his voice thick with frustration and something else you can’t place. He presses his forehead to yours, the deep brown of his eyes dark than before. “What the hell are we doing?”

You don’t have an answer. You’re not sure if you even want one.

You reach for him again, arms looping around his neck to drag his mouth back to yours.

This kiss is nothing like the first, it isn’t a clash of frustration–it’s filthier, rawer. A near feral thing, all teeth and tongue, a surge of hunger and need that borders on violence. 

Joel groans into your mouth, a low, guttural sound that sends a shiver racing down your spine. His teeth catch your bottom lip, pulling just hard enough to make you gasp.

He takes advantage of the sound, his tongue sweeping into your mouth to slide against yours with wet, messy desperation, like he’s trying to claim every inch of you.

The taste of him—salt and iron and something distinctly Joel—makes your head spin. 

Your fingers knot into the chocolaty curls at the nape of his neck, surprisingly soft to the touch. His own hands roam the soft curves of your body, rough and insistent, like he can’t decide where he wants to touch you most.

“Joel—” His name spills from your lips like a plea, and he answers with a deep, guttural noise that sends heat pooling low in your belly. His tongue follows the path of his teeth, soothing the bites with lazy, deliberate strokes that make your knees weak.

You’re moving before you even realize it. Joel dragging you across the room and down onto the couch with him, using the strength he’s built up after all these years to manhandle you until your thighs are spread wide on either side of his lap.

“Joel,” you gasp again, rearing back enough to break the kiss. “Your stitches–”

He cuts you off with a sharp nip to the sensitive spot behind your ear, tearing a high whine from your throat. “Can hardly feel ‘em.”

You make a displeased sound, but it’s undermined by the way you tilt your head to give his wandering lips more room. His hands find a home on your hips, one slipping beneath your shirt to press against the soft skin of your stomach. 

His fingers splay wide across your skin, his palm callused and rough. His pinky just barely brushes the underside of your breast, and you’re suddenly rearing back. 

“Wait,” you say, your voice barely a whisper.

Joel’s hands immediately loosen their grip on your hips, his brows knitting together in concern. “You okay?”

You nod quickly, your heart pounding in your chest. “I just...I need to tell you something.”

His jaw tightens slightly, but he stays quiet, waiting for you to speak.

You take a beat, chewing at the skin of your bottom lip nervously.

“I’ve never...” You pause, swallowing hard as your cheeks heat up. “I’ve never done this before. I mean, I’ve never been with anyone like this.”

Joel pulls back slightly, his expression unreadable as he processes your words. For a moment, you think he might pull away completely, but then he exhales a long, slow breath.

“Christ,” he mutters, scrubbing a hand down his face. “You’re tellin’ me this now?”

“I didn’t exactly plan for this to happen,” you snap back, crossing your arms over your chest defensively. “It’s not like I had the luxury of a high school sweetheart to pop my cherry out here.”

Joel’s gaze softens at your tone, and he reaches out to cup your cheek, his thumb brushing against your skin. “Hey, hey, I didn’t mean it like that.”

You glance away, suddenly feeling self-conscious under the weight of his stare. “I just...I wanted you to know. But I want this, Joel. I want you.”

His thumb stills against your cheek, and he swallows hard, his adam’s apple bobbing as he considers your words.

“I don’t...” He pauses, the most hesitant you’ve ever heard him. “I don’t want to hurt you.”

It’s the most vulnerable he’s been around you, round eyes shining with something so raw and so earnest it makes your heart ache in your chest. 

“You won’t,” you insist, your voice steady despite the nerves fluttering in your stomach. “I trust you.”

Joel’s jaw clenches, and for a moment, he looks like he’s going to argue. But then he nods, his shoulders relaxing as he cups the back of your neck, pulling you closer until your foreheads touch again.

“At least let me do this right,” he murmurs, his voice so soft you almost don’t hear it. “Not here. Not on some goddamn couch.”

You blink up at him, surprised by the tenderness in his tone. “What?”

“Upstairs,” he says, his thumb tracing lazy circles against the side of your neck. “There’s a bed up there. It ain’t much, but it’s better than this.”

You can’t do anything but nod, your pulse racing beneath your skin fast enough to combat the cold night air seeping through the walls.

“Okay,” you say softly, voice barely above a whisper. “Upstairs.”

Joel stands, gently pulling you to feet and taking your hand in his. He leads you upstairs, each step feeling heavier with anticipation. The small bedroom is dimly lit, the faint glow of moonlight filtering through a broken blind. 

The bed isn’t much—an old mattress on a worn frame, covered with a patched-up blanket—but it doesn’t matter.

Joel shuts the door behind you, the sound of the latch clicking into place sending a shiver down your spine.

“Last chance,” he says, his voice a low rumble. “You say the word, and we stop. No questions asked.”

Your throat tightens at the sincerity in his tone, the way he’s giving you an out even though you can see the strain in every line of his body, the way his hands flex at his sides like he wants nothing more than to reach out and touch you.

But you don’t hesitate.

You step closer, placing your hands on his bare chest. You bite back a smile at the goosebumps that break out all along his skin at your touch. 

“Jesus, Miller,” you mumble teasingly, nails lightly scratching through the salt and pepper hair scattered along his chest. “How long are you gonna drag this out before you get it through your thick skull that I want to fuck you?”

"Christ." Joel huffs, shaking his head as the corners of his lips turn up in a small grin. “Like I fuckin’ said,” he starts, big hands kneading the meat of your hips. “Pushy.”

Joel walks you backward until the backs of your knees hit the edge of the bed, and you fall onto it with a soft gasp.

He follows you immediately, crawling over you, his body covering yours, his weight a comforting pressure. “I’ll take care of you,” he murmurs, his lips brushing yours. “I’ll make it good for you, I swear.”

His fingers are everywhere, unbuttoning your shirt with a practiced ease that has your pulse racing. His lips follow the path of his hands, each touch a branding mark, each kiss leaving you wanting more.

“Pretty girl,” he mutters softly, pressing a kiss right between the valley of your breasts.

You feel his cock stirring against your stomach, and it makes the ache between your legs flare to life, the weight of it, the hardness of it, driving you crazy with need. 

You want him so badly you can barely think straight, but when his lips graze over your collarbone, you can’t stop the quiet whine that escapes your throat.

Joel growls in response, a sound that resonates deep in his chest, and you know then that he’s as far gone as you are. His hands slide down to the waistband of your pants, tugging them down your legs with urgency. 

As your skin is exposed to the cool air, you can feel the heat of his gaze on you, like he’s memorizing every inch of you.

“You’re fuckin' perfect,” he mutters, his voice thick with desire.

Joel's hands find your thighs, parting them with a deliberate slowness that makes your breath catch in your throat. He positions himself between your legs, his body weight pressing you into the mattress, his chest rising and falling with the same frantic rhythm as yours. 

The anticipation is almost unbearable as his fingers trace the line of your panties, the fabric damp with want.

“Jesus, she’s drippin’ for me already,” he mutters, voice rough, as he slides the material to the side, his thumb brushing over the sensitive swell of your clit.

Your body jerks at the contact, a desperate sound escaping your lips, but Joel doesn’t relent.

“You touch yourself down here, baby?” he asks, working tortuously slow circles over your clit.

"Please," you beg, your hands grasping at the sheets, pulling at them as if they can anchor you to the moment.

He looks up at you, his gaze dark and filled with an intensity that makes your stomach tighten. “Asked you a question, honey.”

You whine, high and loud in your throat as your thighs clench desperately around his wrist. “Yes, I touch myself.”

Joel’s lips curl into a satisfied grin, sliding his thick index finger through the messy wetness to slip inside your clenching hole, making you gasp. Your hands grasp at the sheets, pulling at them as if they can anchor you to the moment.

“Good girl,” he breathes, eyes darkening at the broken moan that bursts from your lips. “When’s the last time you touched yourself?”

Your brain feels hazy as you search for the answer, pleasure clouding your mind slow and sweet as molasses. “A–a few nights ago.”

Joel hums idly, slipping a second finger alongside the first. The stretch has you whining, his fingers a lot more to take than your own.

Your hands come up to claw at his shoulders, relishing in the way his broad muscle ripples and shifts beneath your greedy palms.

“Joel,” you whine, hips canting down against his hand impatiently.

He just shushes you softly, free hand brushing soothing circles along the skin of your inner thigh. “I know, honey,” he mutters, the pace fingers speeding up. “But I gotta get her nice and ready if you wanna take my cock.”

The gush of your pussy around his fingers is loud in the stillness of the room, a filthy wet noise that burns your ears each time he plunges them into your aching hole.

“I am ready.” Your breath hitches as your body begins to tremble beneath him. “Please, Joel—fuck—please, I need—”

“Need what?” His voice is thick with dark amusement, but there's a hunger in his eyes that has your stomach twisting. “Tell me, baby. What do you need?”

“I need you,” you rasp, your nails digging little crescent moons into his skin, your body pleading for release. “I need you inside me.”

Your hands grab at his hair, pulling him back up to meet your lips in a feverish kiss. 

The pressure of his body on yours, the way his hard cock grinds against your trembling thigh, drives you to the brink of madness. 

Your hands trail down his chest, past the waistband of his jeans, finally reaching the bulge straining against the fabric.

Joel groans when you rub him through his pants, feeling his cock twitch in response. He pulls back, breathing heavily, his lips curling into a smirk. 

“Yeah?” he asks, his voice thick with lust. “You want my cock in this pretty pussy? Want me to show you how good it feels to be fucked?”

“God, yes,” you answer, desperation lacing your tone as your hand moves to unbuckle his jeans. “Want it so bad.”

He lets you push his pants down just enough to free his cock, and you gasp, your eyes drawn to the way his length stands, thick and hard, just waiting for you. The tip flushed an angry red, drooling pre-come onto the scratchy sheets.

Joel pulls his fingers from you, using his hands spreading your legs wider, positioning himself between them with such careful precision that you can barely stand it.

The head of his cock drags through the mess between your legs, slipping all the way down till it catches on your soaked entrance.

Joel pauses, looking down at you, waiting for your signal, but the only answer you give is a pleading whimper, your hands pulling at his shoulders, urging him to move.

His mouth captures yours once again as he slowly slides into you, the stretch of his cock filling you steadily, making you gasp into his mouth. 

The slow burn of him carving a place for himself inside of you is almost too much, your body trembling as you adjust to the feeling of him.

“Fuck, baby,” Joel mutters against your lips. “You’re so tight, so fuckin’ perfect for me.”

As he sinks deeper into you, his thick cock finally buried to the hilt inside of you, the feeling is overwhelming. You gasp, nails digging into his back as the pain slowly shifts into pleasure.

Joel groans into your mouth, his hands moving to your hips, guiding you as he rocks gently against you. 

The rhythm is slow at first, deliberate, as if he's savoring every inch of you. Your body quivers beneath him, every inch of your skin tingling with sensation. You clutch at him, your legs tightening around his waist, needing more, wanting more.

"That's it," he murmurs, his voice thick with desire. "Take it, baby."

You screw your eyes shut tightly, trying to steady yourself as he thrusts deeper, harder. The angle shifts just enough to make your breath catch in your throat. 

Every stroke feels like it’s hitting the deepest part of you, sparking heat in places you never knew could burn so hot.

"Fuck," you gasp, the sensation too overwhelming, too much in the best way. "Joel... please..."

"Please what, sweetheart?" He pulls back slightly, teasing you with a slow roll of his hips before driving back in with a grunt.

Your nails dig into his shoulders, urging him to move faster, harder. "Don’t stop," you breathe, your voice trembling. "I need you to fuck me, Joel. Faster. Harder. Please."

The sound of skin slapping against skin fills the room as Joel finally picks up the pace, each thrust harder and deeper than the last.

Your back arches off the bed, chest pressing flush to his as your body coils tighter and tighter, already so close to the edge.

Joel reaches up to take your wrist in his, dragging your hand down to press flat against your lower stomach.

“Feel that?” he asks breathlessly, the speed of his hips knocking the dingy bed frame into the wall with every thrust. “You feel how deep I am?”

His own hand blankets yours, pushing down so you can feel the way his cock punches up against your palm on the next thrust.

Your pussy clenches desperately around him at the feeling, your slick lips dropping open on a loud moan.

You can barely hold on. The heat in your stomach tightens, coiling painfully as your free hand scrambles to find purchase on his skin. "I can't—I'm gonna—"

He grits his teeth, his jaw clenched as he drives deeper, pushing you closer and closer to the edge. "Come for me, baby," he growls, his voice dark and commanding. "Let me feel it."

With a strangled cry, you finally release, your body clenching around him, every nerve igniting in a white-hot explosion of pleasure. 

You’re lost in it, your world spinning, your senses overwhelmed by the sensation of Joel’s body pounding into yours, the way his cock brushes against that sweet spot behind your clit enough to make sparks go off behind your eyelids.

Joel pulls out of your velvety warmth, hand coming up to fist his dripping length until he’s bowing over you tightly and coming with a deep groan of your name.

His release paints your stomach with milky strands of white, rope after rope of warm come claiming you in a way no one has before.

He finally collapses against you with one last shuddering breath, both of you breathing heavily, your chests rising and falling together in the quiet aftermath.

For a few moments, neither of you speaks, the only sounds are the soft creak of the bed and the quiet hum of your racing hearts. 

Joel rests his head against your shoulder, his breath warm against your skin, and you can feel the tension begin to slip away, the weight of everything that’s happened between you both settling into something new—something different, but still there.

Your hand slips down the sweaty expanse of your stomach, your fingers swiping through the sticky mess of his release curiously.

“Christ, quit that,” Joel groans, tearing his eyes away from the sight to press his forehead against your shoulder.

“Why?” you hum, brow raised in amusement as you drop your hand back to the mattress. “Can you even get it up again?”

Joel pinches your side hard enough to make you squeal, your body flinching away from him as a surprised laugh bubbles from your chest.

“Watch it,” he warns, though there’s no bite to his tone. You only laugh in response.

The two of you settle into a comfortable silence, wrapped in each other as crickets chirp from outside the window.

Then Joel clears his throat, fingers idly tracing different shapes on the skin of your hip as he gathers the courage to speak.

A circle, a square, a diamond, a circle, a heart, a heart, a heart.

“I’m…” he starts, trailing off softly. “I’m sorry. I’ve been a real fuckin’ prick, and you didn’t deserve it. You never did.”

You turn your own gaze to his chest, hand coming up so you can trail your fingers along the jagged scar decorating his shoulder. Your touch featherlight over the rough patch of skin.

All the anger seeps from your body, a heavy weight gone until you feel so light you could float off the mattress and into the cold night air.

“It’s okay,” you whisper softly, so soft you think it gets lost in the quiet darkness of the room. “I understand now.”

And for the first time in what feels like forever, you both just lay there, tangled in each other, not worrying about the world outside, about the chaos that waits. 

Just you, him, and the soft glow of moonlight.

tags are now in the comments! if you want to get tagged for any of my works just fill out this form!

mini nat's note: should i add joel to my taglist...i do kinda want to write more for him in the future but i'm not sure yet...lmk chickens <3 bee tee dubs sorry the ending absolutely sucks i could not for the life of me figure out how to end this LMAO

[kerosene-saint]

what mutual am i (made by me cause I thought it would be fun) ASK GAME

[Picture ID: A drawing with 12 circles all different colors and labeled different things, bullet points follow under them.

the first circle is a deep purple with light purple glitter particles. It's labeled "purple glitter" and the bullet points under it say: "fabulous", "I love your aesthetic very much", "you do have an abnormal amount of microplastics in your blood though".

the second circle is a neon green with a lighter green wave around it. it's labeled radioactive. the bullet points for it are "some sort of creature", "you give bioluminessence vibes".

the third circle is a medium pink with dark green leave and a stem on the top. it's labeled starberry. the bullet points are "I think we should bake together", "flower crowns possibly".

the fourth circle is a light seafoam green labeled seafoam green. the bullet points are "maybe a little snobby", "calm yourself", "I don't know why I still follow you tbh", "Maybe I'm just reading you wrong".

the fith circle is multiple colors, in order from top to bottom: very light blue, sky blue, yellow, red, black, purple, pink, to light pink. it's labeled do you like the color of the sky. the bullet points are "you're always on tumblr", "hits post limit daily", "you should go watch some tumblr history videos if you haven't already".

circle number six is a brick pattern labeled throwing bricks. the bullet points are "you're my resource for all of the things happening in the world", "probably really punk or at least an Anarchist".

circle number seven is a red panda's facial fur pattern labeled red panda. the bullet points are "so soft", "very small", "you're so cute", "my favorite silly".

circle eight is a light off white color labeled cu- I mean creme. the bullet points are "Hey there", "I mean you wanted to-", "slash jay".

circle nine is a deep gold color with a light shine to it labeled stay gold. the bullet points are "book reader", "how do you read so many", "pretty cool", "also a nerd".

the tenth circle is a medium purple with a light purple heart in the center. it's labeled my favorite purple. the bullet points are "you're my favorite person on this hellsite", "why are you here, you're so nice", "are you a people pleaser".

the eleventh circle is a bright pink with pastel pink stars labeled barbie dream house. the bullet points are "nostalgia.", "do you live in the past I swear you do", "are those rose tinted glasses comfortable bub".

the final circle is a black color with a red blood splotch. it's labeled Gerard Way in the 2000s. the bullet points are "popular mutual", "I think you're pretty neat and also kind of scary", "probably really sweet but I'm still intimidated". /.End ID]