#WHAT DO YOU MEAN I HIT POST LIMIT

[usercelestial]

god but can you imagine buck and tommy go through surrogacy and through some unbelievable 911 type circumstances, every ultrasound completely missed the second baby somehow. so they only prepare for one baby, a girl. and they're thrilled. until their surrogate goes into labour prematurely and they have to rush to prepare everything. the doctors hand them their baby girl. and then suddenly, right out of nowhere, the other little baby buckley-kinard is like but wait, there's more! surprise! and boom, they have two babies, one girl and one boy, that they love more than anything in the world, even though they were slightly under prepared, but that's okay cause their family has plenty of love to go around <3

[anominous-user]

Double Indemnity, Veritas Ratio and Aventurine

This was originally a part of my compilation post as a short analysis on the Double Indemnity references, linking to this great thread by Manya on Twitter. However, I've recently watched the movie and found that the parallels run much deeper than just the mission name and the light cone itself, plus as the short synopsis I've read online. Since there isn't really an in-depth attempt at an analysis on the film in relation to the way Aventurine and Ratio present themselves throughout Penacony, I thought I'd take a stab at doing just that. I will also be bringing up things from Manya's thread as well as another thread that has some extra points.

Disclaimer that I... don't do analyses very often. Or write, in general — I'm someone who likes to illustrate their thoughts (in the artistic sense) more than write. There's just something about these two that makes me want to rip into them so badly, so here we are. If there's anything you'd like to add or correct me on, feel free to let me know in the replies or reblogs, or asks. This ended up being a rather extensive deep dive into the movie and its influences on the pairing, so please keep that in mind when pressing Read More.

There are two distinct layers on display in Ratio and Aventurine's relationship throughout Penacony, which are references to the two most important relationships in the movie — where they act like they hate/don’t know each other, and where they trust each other.

SPOILER WARNING for the entire movie, by the way. You can watch the film for free here on archive.org, as well as follow along with the screenplay here. I will also be taking dialogue and such from the screenplay, and cite quotes from the original novel in its own dedicated section. SPOILER WARNING for the Cat Among Pigeons Trailblaze mission, as well.

CONTENT WARNING FOR MENTIONS OF SUICIDE. YOU HAVE BEEN WARNED.

To start, Double Indemnity (1944) is a film noir by Billy Wilder (and co-written by Raymond Chandler) based on the novel of the same name by James M. Cain (1927). There are stark differences between the movie adaptation and the original novel which I will get into later on in this post, albeit in a smaller section, as this analysis is mainly focused on the movie adaptation. I will talk about the basics (summaries for the movie and the game, specifically the Penacony mission in tandem with Ratio and Aventurine) before diving into the character and scene parallels, among other things.

—

[THE NAME]

The term "double indemnity" is a clause in which if there’s a case of accidental death of a statistically rare variety, the insurance company has to pay out multiple of the original amount. This excludes deaths by murder, suicide, gross negligence, and natural causes.

The part of the mission in Cat Among Pigeons where Ratio and Aventurine meet with Sunday is named after the movie. And before we get further into things, let's get this part out of the way: The Chinese name used in the mission is the CN title of the movie, so there's no liberties taken with the localization — this makes it clear that it’s a nod to the movie and not localization doing its own thing like with the mission name for Heaven Is A Place On Earth (EN) / This Side of Paradise (人间天堂) (CN).

—

[SUMMARY OF THE 1944 MOVIE]

Here I summarised the important parts that will eventually be relevant in the analysis related to the game.

Insurance salesman Walter Neff, wounded from a gunshot, enters his office and confesses his crime on a dictaphone to his boss Barton Keyes, the claims manager. Much earlier, he had met Phyllis Dietrichson, the wife of Mr. Dietrichson and former nurse. Neff had initially wanted to meet Mr. Dietrichson because of car insurance. Phyllis claims her husband is mean to her and that his life insurance goes to his daughter Lola. With Neff seduced by Phyllis, they eventually brew up a scheme to murder Mr. Dietrichson in such a way that they activate the "double indemnity" clause, and the plan goes off almost perfectly. Initially, the death is labeled a suicide by the president of the company, Norton. 

Keyes finds the whole situation suspicious, and starts to suspect Phyllis may have had an accomplice. The label on the death goes from accidental, to suicide, to then murder. When it’s ruled that the husband had no idea of the accidental policy, the company refuses to pay. Neff befriends Phyllis’ stepdaughter Lola, and after finding out Phyllis may have played a part in the death of her father’s previous wife, Neff begins to fear for Lola and himself, as the life insurance would go all towards her, not Phyllis.

After the plan begins to unravel as a witness is found, it comes out that Lola’s boyfriend Nino Zachette has been visiting Phyllis every night after the murder. Neff goes to confront Phyllis, intending to kill her. Phyllis has her own plans, and ends up shooting him, but is unable to fire any more shots once she realises she did love him. Neff kills her in two shots. Soon after telling Zachette not to go inside the house, Neff drives to his office to record the confession. When Keyes arrives, Neff tells him he will go to Mexico, but he collapses before he could get out of the building.

—

[THE PENACONY MISSION TIMELINE]

I won’t be summarising the entirety of Aventurine and Ratio’s endeavours from the beginning of their relationship to their final conversation in Heaven Is A Place On Earth the same way as I summarised the plot of the movie, so I will instead present a timeline. Bolded parts means they are important and have clear parallels, and texts that are in [brackets] and italics stand for the names of either the light cone, or the mission names.

[Final Victor] Their first meeting. Ratio’s ideals are turned on its head as he finally meets his match.

Several missions happen in-between their first encounter and the Penacony project. They come to grow so close and trusting with each other that they can guess, understand each other’s thoughts, way of thinking and minds even in high stakes missions. Enough to pull off the Prisoner’s Dilemma (Aventurine’s E1) and Stag Hunt Game (Aventurine’s E6) and come out on top.

Aventurine turns towards Ratio for assisting him in the Penacony project. Ratio's involvement in the project is implied to be done without the knowledge of Jade, Topaz, and the IPC in general, as he was only sent to Penacony to represent the Intelligentsia Guild, and the two other Stonehearts never mention Ratio.

Aventurine and Ratio cook up the plan to deceive Sunday before ever setting foot on Penacony. Aventurine does not tell Ratio the entirety of his plan.

Aventurine convinces Topaz and Jade to trust him with their Cornerstones. Aventurine also breaks his own Cornerstone and hides it along with the jade within a bag of gift money.

[The Youth Who Chase Dreams] They enter Penacony in the Reverie Hotel. Aventurine is taken to the side by Sunday and has all his valuables taken, which includes the gift money that contains the broken aventurine stone, the jade, and the case containing the topaz.

Aventurine and Ratio speak in a “private” room about how Aventurine messed up the plan. After faking an argument to the all-seeing eyes of Sunday, Ratio leaves in a huff.

Ratio, wearing his alabaster head, is seen around Golden Hour in the (Dusk) Auction House by March 7th.

[Double Indemnity] Ratio meets up with Sunday and “exposes” Aventurine to him. Sunday buys his “betrayal”, and is now in possession of the topaz and jade. Note that this is in truth Ratio betraying Sunday all along.

Ratio meets up with Aventurine again at the bar. Ratio tells Aventurine Sunday wants to see him again.

They go to Dewlight Pavilion and solve a bunch of puzzles to prove their worth to Sunday.

They meet up with Sunday. Sunday forces Aventurine to tell the truth using his Harmony powers. Ratio cannot watch on. It ends with Aventurine taking the gift money with his Cornerstone.

[Heaven Is A Place On Earth] They are in Golden Hour. Ratio tries to pry Aventurine about his plan, but Aventurine reins him in to stop breaking character. Ratio gives him the Mundanite’s Insight before leaving. This is their final conversation before Aventurine’s grandest death.

Now how exactly does the word “double indemnity” relate to their mission in-game? What is their payout? For the IPC, this would be Penacony itself — Aventurine, as the IPC ambassador, handing in the Jade Cornerstone as well as orchestrating a huge show for everybody to witness his death, means the IPC have a reason to reclaim the former prison frontier. As for Ratio, his payout would be information on Penacony’s Stellaron, although whether or not this was actually something he sought out is debatable. And Aventurine? It’s highly implied that he seeks an audience with Diamond, and breaking the Aventurine Cornerstone is a one way trip to getting into hot water with Diamond. With Aventurine’s self-destructive behaviour, however, it would also make sense to say that death would be his potential payout, had he taken that path in the realm of IX.

Compared to the movie, the timeline happens in reverse and opposite in some aspects. I will get into it later. As for the intended parallels, these are pretty clear and cut:

Veritas Ratio - Walter Neff

Aventurine - Phyllis Dietrichson

Sunday - Mr. Dietrichson

There is one other character who I feel also is represented in Ratio, but I won’t bring them up until later down the line.

For the sake of this analysis, I won’t be exploring Sunday’s parallel to Mr. Dietrichson, as there isn’t much on Dietrichson’s character in the first place in both the movie and the novel. He just kind of exists to be a bastard that is killed off at the halfway point. Plus, the analysis is specifically hyper focused on the other two.

—

[SO, WHAT’S THE PLAN?]

To make things less confusing in the long run whenever I mention the words “scheme” and “plan”, I will be going through the details of Phyllis and Neff’s scheme, and Aventurine and Ratio’s plan respectively. Anything that happens after either pair separate from another isn’t going to be included. Written in a way for the plans to have gone perfectly with no outside problems.

Phyllis and Neff —> Mr. Dietrichson

Goal: Activate the double indemnity clause by killing Mr. Dietrichson and making it look like a freak train accident

Payout: Twice or more of the face value of the life insurance ($100,000)

Main Actor: Walter Neff    |    Accomplice: Phyllis Dietrichson

During the entire time until the payout, Phyllis and Neff have to make sure to any outsiders that they look like complete strangers instead of lovers in an affair.

Step-by-step:

Neff convinces Mr. Dietrichson to sign the policy with the clause without him suspecting foul play, preferably with a third party to act as an alibi. This is done discreetly, making Mr. Dietrichson not read the policy closely and being told to just sign.

Neff and Phyllis talk to each other about small details through the phone (specified to be never at Phyllis’ own house and never when Neff was in his office) and in the marketplace only, to make their meetings look accidental. They shouldn’t be seen nor tracked together, after all.

Phyllis asks Mr. Dietrichson to take the train. She will be the one driving him to the train station.

On the night of the murder, after making sure his alibi is airtight, Neff sneaks into their residence and hides in their car in the second row seating, behind the front row passenger seat. He wears the same colour of clothes as Mr. Dietrichson.

Phyllis and Mr. Dietrichson get inside the car — Phyllis in the driver’s seat and Mr. Dietrichson in the passenger seat. Phyllis drives. On the way to the train station, she makes a detour into an alley. She honks the horn three times.

After the third honk, Neff breaks Mr. Dietrichson’s neck. The body is then hidden in the second row seating under a rug.

They drive to the train station. Phyllis helps Neff, now posing as Mr. Dietrichson, onto the train. The train leaves the station.

Neff makes it to the observation platform of the parlour car and drops onto the train tracks when nobody else is there.

Phyllis is at the dump beside the tracks. She makes the car blink twice as a signal.

The two drag Mr. Dietrichson’s corpse onto the tracks.

They leave.

When Phyllis eventually gets questioned by the insurance company, she pretends she has no idea what they are talking about and eventually storms off.

Phyllis and Neff continue to lay low until the insurance company pays out.

Profit!

Actual Result: The actual murder plan goes almost smoothly, with a bonus of Mr. Dietrichson having broken a leg. But with him not filing a claim for the broken leg, a witness at the observation platform, and Zachette visiting Phyllis every night after the murder, Keyes works out the murder scheme on his own, but pins the blame on Phyllis and Zachette, not Neff.

Now for Aventurine and Ratio. You can skip this section if you understand how deep their act goes, but to those who need a refresher, here’s a thorough explanation:

Aventurine and Ratio —> Sunday

Goal: Collect the aventurine stone without Sunday knowing, ruin the dream (and create the grandest death)

Payout: Penacony for the IPC, information on the Stellaron for Ratio, a meeting with Diamond / death for Aventurine

Main Actor: Aventurine    |    Accomplice: Veritas Ratio

From the moment they step onto Penacony, they are under Sunday’s ever present and watchful eyes. “Privacy” is a foreign word to The Family. They have to act like they don’t like each other’s company the entire time and feed Sunday information through indirect means so that the eventual “betrayal” by Ratio seems truthful to Sunday. Despite what it looks like, they are closer than one would ever think, and Ratio would never sell out a person purely for information.

Step-by-step:

After Sunday takes away the bag of gift money and box, Aventurine and Ratio talk in a room in the Reverie Hotel.

Aventurine establishes the Cornerstones’ importance, and how he lost the gift money and the case containing the Cornerstones to Sunday. Ratio turns to leave, saying “some idiot ruined everything”, meaning the Cornerstones were vital to their plan. (Note that Ratio is not wearing his alabaster head while saying it to said “idiot”.)

Aventurine then proceeds to downplay the importance of the Cornerstones, stating they are “nothing more than a few rocks” and “who cares if they are gone”. This lets Sunday know that something suspicious may be going on for him to act like it’s nothing, and the mention of multiple stones, and leaves him to look up what a Cornerstone is to the Ten Stonehearts of the IPC.

Ratio points out his absurd choice of outfit, mentioning the Attini Peacock and their song.

Ratio implies that without the aventurine stone, he is useless to the IPC. He also establishes that Aventurine is from Sigonia(-IV), and points out the mark on his neck. To Sunday, this means that Aventurine is shackled to the IPC, and how Aventurine may possibly go through extreme lengths to get the stone back, because a death sentence always looms above him.

Aventurine claims Ratio had done his homework on his background, which can be taken that this is their very first time working together. (It isn’t, and it only takes one look to know that Aventurine is an Avgin because of his unique eyes, so this comment does not make sense even in a “sincere” way, a running theme for the interaction.)

Ratio mentions how the true goal is to reclaim Penacony for the IPC, establishing their ulterior motive for attending the banquet.

Ratio asks if Aventurine went to pre-school in Sigonia after saying trust was reliant on cooperation. Aventurine mentions how he didn’t go to school and how he doesn’t have any parents. He even brings up how friends are weapons of the Avgins. This tells Sunday that the Avgins supposedly are good at manipulation and potentially sees Ratio possibly betraying Aventurine due to his carelessness with his “friends”. Sunday would also then research about the Avgins in general (and research about Sigonia-IV comes straight from the Intelligentsia Guild.)

Ratio goes to Dewlight Pavilion in Sunday’s Mansion and exposes a part of Aventurine’s “plan”. When being handed the suitcase, Ratio opens it up due to his apparent high status in the IPC. He tells Sunday that the Cornerstone in the suitcase is a topaz, not an aventurine, and that the real aventurine stone is in the bag of gift money. This is a double betrayal — on Aventurine (who knows) and Sunday (who doesn’t). Note that while Ratio is not officially an IPC member in name — the Intelligentsia Guild (which is run by the IPC head of the Technology Department Yabuli) frequently collaborates with the IPC. Either Aventurine had given him access to the box, or Ratio’s status in general is ambiguous enough for Sunday not to question him further. He then explains parts of Aventurine’s gamble to Sunday in order to sell the betrayal. Note that Ratio does not ever mention Aventurine’s race to Sunday.

Ratio brings Aventurine to Sunday. Aventurine offers help in the investigation of Robin's death, requesting the gift money and the box in return.

Sunday objects to the trade offer. Aventurine then asks for just the bag. A classic car insurance sales tactic. Sunday then interrogates Aventurine, and uses everything Ratio and Aventurine brought up in the Reverie Hotel conversation and their interactions in the Mansion, as well as aspects that Ratio had brought up to Sunday himself.

Aventurine feigns defeat and ignorance enough so that Sunday willingly lets him go with the gift bag. After all is said and done, Aventurine leaves with the gift money, where the Aventurine Cornerstone is stored all along.

Ratio and Aventurine continue to pretend they dislike each other until they go their separate ways for their respective goals and plans. Aventurine would go on to orchestrate his own demise at the hands of Acheron, and Ratio… lurks in the shadows like the owl he is.

Profit!

Actual Result: The plan goes perfectly, even with minor hiccups like Ratio coming close to breaking character several times and Aventurine being sentenced to execution by Sunday.

This is how Sunday uses the information he gathered against Aventurine:

• Sunday going on a tirade about the way Aventurine dresses and how he’s not one to take risks — Ratio’s comment about Aventurine’s outfit being peacock-esque and how he’s “short of a feather or two”. • “Do you own a Cornerstone?” — Ratio talked about the aventurine stone. • “Did you hand over the Cornerstone to The Family when you entered Penacony?” — Aventurine mentioned the box containing the Cornerstones. • “Does the Cornerstone you handed over to The Family belong to you?” — Aventurine specifically pluralized the word Cornerstone and “a bunch of rocks” when talking to Ratio. • “Is your Cornerstone in this room right now?” — The box in the room supposedly contained Aventurine’s own cornerstone, when Aventurine mentioned multiple stones. • “Are you an Avgin from Sigonia?” —Aventurine mentioned that he’s an Avgin, and Ratio brought up Sigonia. • “Do the Avgins have any ability to read, control, and manipulate one’s own or another’s minds?” — Aventurine’s comment on how friends are weapons, as well as Sunday’s own research on the Avgins, leading him to find out about the negative stereotypes associated with them. • “Do you love your family more than yourself?” — His lost parents. “All the Avgins were killed in a massacre. Am I right?” — Based on Sunday’s research into his background. • “Are you your clan’s sole survivor?” — Same as the last point. “Do you hate and wish to destroy this world with your own hands?” — Ratio mentioned the IPC’s goal to regain Penacony, and Aventurine’s whole shtick is “all or nothing”. • “Can you swear that at this very moment, the aventurine stone is safe and sound in this box?” — Repeat.

As seen here, both duos have convoluted plans that involve the deception of one or more parties while also pretending that the relationship between each other isn’t as close as in reality. Unless you knew both of them personally and their histories, there was no way you could tell that they have something else going on. 

On to the next point: Comparing Aventurine and Ratio with Phyllis and Neff.

—

[NEFF & PHYLLIS — RATIO & AVENTURINE]

With the short summaries of the movie and the mission out of the way, let’s look at Phyllis and Neff as characters and how Aventurine and Ratio are similar or opposite to them.

Starting off with Aventurine and Phyllis. Here is where they are the most similar:

Phyllis is blonde and described as a provocative woman. Aventurine is also a blond and eyes Ratio provocatively in the Final Victor light cone.

Phyllis was put under surveillance after Keyes starts figuring out that the so-called accidental death/suicide may have been a murder after all. Similarly, Aventurine was watched by Sunday the entire time in Penacony.

Phyllis never tells Neff how she's seeing another man on the side to possibly kill him too (as well as how she was responsible for the death of her husband‘s previous wife). Aventurine also didn't tell Ratio the entirety of his plan of his own death.

Phyllis puts on a somewhat helpless act at first but is incredibly capable of making things go her way, having everything seemingly wrapped around her finger. Aventurine — even when putting on a facade that masks his true motives — always comes out at the top.

Now the differences between Aventurine and Phyllis:

Phyllis does not care about her family and has no issue with killing her husband, his previous wife, and possibly her daughter Lola. Opposite of that, Aventurine is a family man… with no family left, as well as feeling an insane level of survivor’s guilt.

Really, Phyllis just… does not care at all about anyone but herself and the money. Aventurine, while he uses every trick in the book to get out on top, does care about the way Jade and Topaz had entrusted him with their Cornerstones, in spite of the stones being worth their lives. 

Phyllis also uses other people to her advantage to get what she wants, often behind other people's backs, with the way she treats Neff and Zachette. Aventurine does as well (what with him making deals with the Trailblazer while also making a deal with Black Swan that involves the Trailblazer). The difference here is Phyllis uses her allure deliberately to seduce men while Aventurine simply uses others as pawns while also allowing others to do the same to himself.

Phyllis makes no attempt at compromising the policy when questioned by Norton. Aventurine ends up compromising by only taking the gift money (which is exactly what he needs).

The wig that Barbara Stanwyck (the actress of Phyllis) wore was chosen to make her look as “sleazy” as possible, make her look insincere and a fraud, a manipulator. A sort of cheapness. Aventurine’s flashy peacock-esque outfit can be sort of seen as something similar, except the outfit isn’t cheap.

Moving on to Ratio’s similarities to Neff… There isn’t much to extrapolate here as Ratio is more of a side character in the grand scheme of Penacony, however this is what I’ve figured out.

Neff has dark hair. Ratio has dark purple hair.

Neff almost never refers to Phyllis by her name when speaking with her, only as “baby”. The few times he refers to her as Phyllis or Mrs. Dietrichson is during their first conversations and when he has to act like he doesn’t know her. Ratio never calls Aventurine by his name when he’s around him — only as “gambler”, sometimes “damned” or “dear” (EN-only) gambler. Only in the Aventurine's Keeping Up With Star Rail episode does Ratio repeatedly say his name, and yet he still calls him by monikers like “gambler” or, bafflingly, a “system of chaos devoid of logic”.

Both Neff and Ratio committed two betrayals: Neff on Mr. Dietrichson and Keyes, and Ratio on Sunday and Aventurine. With the former cases it was to reach the end of the trolley line, and with the latter it was on a man who had put his trust in him.

As for the differences…

Neff is described as someone who’s not smart by his peers. Ratio is someone who is repeatedly idolised and put on a pedestal by other people.

Neff is excellent at pretending to not know nor care for Phyllis whenever he speaks about her with Keyes or when he and she are in a place that could land them in hot water (the office, the mansion when there are witnesses). His acting is on the same level as Phyllis. With Ratio it’s… complicated. While he does pull off the hater act well, he straight up isn’t great at pretending not to care about Aventurine’s wellbeing.

Instead of getting his gunshot wound treated in the hospital like a normal person, Neff makes the absolutely brilliant decision of driving to his office and talking to a dictaphone for hours. Needless to say, this is something a medical doctor like Ratio would never do.

Now here's the thing. Though it's very easy to just look at Phyllis and Neff in the movie and go "okay, Aventurine is Phyllis and Ratio is Neff — end of story" and leave it at that, I find that they both take from the two leads in different ways. Let me explain. Beginning with Aventurine and Neff…

Neff is the one who hatches the plan and encourages Phyllis to go through and claim the double indemnity clause in the first place. He is also the key player of his own risky plan, having to fake being the husband to enter the train as well as fake the death. Aventurine puts himself at great risk just by being in Sunday’s presence, and hoping that Sunday wouldn’t figure out that the green stone he had uncovered wasn’t the aventurine stone.

Adding onto the last point, Neff had fantasised about pulling off the perfect murder for a long time — the catalyst was simply him meeting Phyllis. Aventurine presumably sought out Ratio alone for his plan against Sunday.

Neff makes a roulette wheel analogy and talks about a pile of blue and yellow poker chips (the latter in the script only). I don‘t even have to explain why this is relevant here. (Aventurine’s Ultimate features a roulette wheel and the motif is on his belt, thigh strap, and back, too. And of course, Aventurine is all about his chips.)

Neff has certain ways to hide when he’s nervous, which include hiding his hands in his pockets when they were shaking, putting on glasses so people couldn’t see his eyes. Aventurine hides his left hand behind his back when he’s nervous: Future Aventurine says that "they don't know the other hand is below the table, clutching [his] chips for dear life", and in multiple occasions such as the Final Victor LC, his character trailer, and even in his boss form in the overworld you can see that Aventurine hides his left hand behind his back. And he is also seen with his glasses on sometimes.

Neff says a bunch of stuff to make sure that Phyllis acts her part and does not act out of character (i.e. during their interactions at the market), like how Aventurine repeatedly tries to get Ratio back on track from his subpar acting.

Neff is always one step ahead of the game, and the only reason the plan blows up in his face is due to outside forces that he could not have foreseen (a witness, Keyes figuring out the plan, the broken leg). Aventurine meanwhile plays 5D chess and even with the odds against him, he uses everything he can to come out on the top (i. e. getting Acheron to kill him in the dream).

Even after coming home on the night of the murder, Neff still felt that everything could have gone wrong. Aventurine, with his blessed luck, occasionally wavers and fears everything could go wrong whenever he takes a gamble.

Neff was not put under surveillance by Keyes due to him being extensive with his alibi. After witnessing Robin’s death with eyewitnesses at the scene, the Family had accepted Aventurine’s alibi, though he would be under watch from the Bloodhounds according to Ratio.

Neff talks about the entire murder scheme to the dictaphone. Aventurine during Cat Among Pigeons also retells his plan, albeit in a more convoluted manner, what with his future self and all.

Continuing with Ratio and Phyllis, even with their personalities and motivations being quite different, they do have a few commonalities.

Phyllis was a nurse. Ratio is a medical doctor.

Her name is Greek of origin. Veritas Ratio, though his name is Latin, has Greco-Roman influences throughout his entire character.

The very first scene Phyllis appears in has her wearing a bath towel around her torso. Ratio loves to take baths to clear his mind.

Phyllis was instructed by Neff to be at the market every morning at eleven buying things. Ratio is seen in an auction house with his alabaster head on so no one could recognize him.

Phyllis mostly acts as an accomplice to the scheme, being the one to convince her husband to take the train instead. She is also generally seen only when Neff is involved. Ratio plays the same role as well, only really appearing in the story in relation to Aventurine as well as being the accomplice in Aventurine’s own death. Even him standing in the auction house randomly can be explained by the theory that he and Aventurine had attempted to destabilise Penacony’s economy through a pump and dump scheme.

With these pointers out of the way, let’s take a closer look at select scenes from the film and their relation to the mission and the pair. 

—

[THE PHONE CALL — THE REVERIE HOTEL]

Before the murder, there is a scene with a phone call between Phyllis and Neff discussing the plan while Keyes is in the same room as Neff. Neff has to make sure that Keyes doesn’t think of anything of the phone call, so he acts like he’s calling a “Margie”, and says a bunch of stuff that sounds innocent out of context (“Can’t I call you back, ‘Margie’?” “What color did you pick out?” “Navy blue. I like that fine”), but are actually hinting at the real plan all along (the suit that Mr. Dietrichson wears.)

In a roundabout way, the conversation between Ratio and Aventurine in the Reverie Hotel can be seen as the opposite of that scene — with the two talking about their supposed plan out loud on Penacony ground, a place where the Family (and in turn, Sunday) has eyes everywhere. Despite being in a “private” room, they still act like they hate each other while airing out details that really do not make sense to air out if they really did meet the first time in Penacony (which they didn’t — they’ve been on several missions beforehand). It’s almost like they want a secret third person to know what they were doing, instead of trying to be hushed up about it. The TVs in the room that Sunday can look through based on Inherently Unjust Destiny — A Moment Among The Stars, the Bloodhound statue that disappears upon being inspected, the owl clock on the left which side eyes Ratio and Aventurine, all point to that Sunday is watching their every move, listening to every word.

Rewinding back to before the phone call, in one of the encounters at the marketplace where they “accidentally” run into each other, Phyllis talks about how the trip was off. How her husband wouldn’t get on the train, which was vital for their plan, because of a broken leg. All this, while pretending to be strangers by the passersby. You could say that the part where Ratio almost leaves because Aventurine had “ruined the plan” is the opposite of this, as the husband breaking his leg was something they couldn’t account for, while Aventurine “being short of a few feathers” was entirely part of the plan.

—

[QUESTIONING PHYLLIS — THE INTERROGATION]

This section is going to be a little longer as I will cover two scenes in the movie in a more detailed manner — Mr. Dietrichson signing the policy, and Phyllis being questioned — and how they are represented in the Sunday-Aventurine interrogation and the prior conversation between Ratio and Sunday in multitudes of ways.

Going about their plan, Neff has to make sure that Mr. Dietrichson signs the policy with the double indemnity clause without him knowing the details, all the while having Phyllis (and Lola) in the same room. He and Phyllis have to pretend that they don’t know each other, and that this is just the standard accidental insurance process, instead of signing what would be his downfall. To sell it, he gets Mr. Dietrichson to sign two “copies” of the form, except with Mr. Dietrichson’s second signature, he’s duped into signing the accident insurance policy with the respective clause.

You can tie this to how Ratio goes to Sunday in order to “expose” the lie that the suitcase didn’t actually contain the Aventurine Cornerstone, as well as there being more than one Cornerstone involved in the scheme. Ratio must make sure that Sunday truly believes that he dislikes Aventurine’s company, while also making sure that Sunday doesn’t figure out the actual aventurine stone is broken and hidden in the gift bag. The scheme turns out to be successful, as Sunday retrieves the two Cornerstones, but not the aventurine stone, and truly does think that the green stone he has in his possession is the aventurine.

This whole scene with Sunday is also reminiscent of the interrogation scene in the middle of the movie, where Phyllis was questioned by the boss (Norton) who was deducing that Mr. Dietrichson's death was a suicide, not accidental death. Neff, Phyllis, Keyes and Norton were all in the same room, and Neff and Phyllis had to act like they never knew the other. Phyllis acts like she knows nothing about what Norton insinuates about her husband and eventually, Phyllis explodes in anger and storms out the room, even slamming the door. Her act is very believable to any outsider.

Now back to the Ratio and Sunday conversation. One glaring difference between the movie and here is that his acting isn’t great compared to either Phyllis nor Neff. It never was throughout the Penacony mission. He even comes very close to breaking character several times, and is even defending Aventurine in a somewhat aggressive manner during his one-on-one conversation with Sunday, as in he literally tells Sunday to see a shrink. It’s very different from the way he was acting in Herta Space Station — like Ratio cares about Aventurine too much to keep his hands off.

It's also worth pointing out that Neff doesn't speak a word when Phyllis was being interrogated. Similarly, Ratio is silent throughout the entire scene with Sunday and Aventurine, with his only “line” being a “hm”. When Aventurine calls him a wretch to his face, all he does is look to the side. In fact, he can only look at Aventurine when the other isn’t staring back. Almost like him uttering a single word would give them away. Or his acting is terrible when it has to do with Aventurine, as he has no issue doing the same thing in Crown of the Mundane and Divine (Mundane Troubles).

So, Sunday finds out about the Cornerstones and reveals them to Aventurine, and reasons that he cannot give them back to him because Aventurine had lied. Note that in that same scene, Aventurine attempted to use the two murders that had occurred beforehand against Sunday to retrieve his own cornerstone. Similarly, when it was revealed that Mr. Dietrichson did not know about the accident policy and that the so-called “accidental death” was not, in fact, accidental, the insurance company refused to pay out the money.

Unlike the movie, this was all planned, however. The double-crossing by Ratio, the gift money being the only thing required for Aventurine’s real plan. All of it was an act of betrayal against Sunday, in the same manner as the meticulous planning as Mr. Dietrichson’s murder — To sign the policy, get him to take the train, kill him on the way, and to have Neff pose as the husband on the train until the time is right to get off and lay the body on the tracks. A key difference is that they could not have expected their scheme to be busted wide open due to forces outside of their control, while Ratio and Aventurine went straight down the line for the both of them no matter what.

From here on out, we can conclude that the way Ratio and Aventurine present themselves in Penacony to onlookers is in line with Neff and Phyllis.

—

[“GOODBYE, BABY” — FINAL VICTOR]

And now for the (in)famous light cone, Final Victor. The thing that truly kickstarted the Ratio and Aventurine ship in the fanbase, and the partnership between the two in general. It’s a direct reference to the final confrontation between Neff and Phyllis in the movie.

I’ll fire through all the similarities between the two scenes.

During the respective scenes, Aventurine and Phyllis both outsmart their partner one way or the other: Aventurine with his one-sided game of Russian Roulette, and Phyllis hiding her gun underneath the cushions until Neff turned away.

The guns are owned by Phyllis and Aventurine, not Neff and Ratio.

Phyllis couldn’t bring herself to fire any more shots after she realised she truly did love Neff. Ratio could do nothing but watch as Aventurine did what he did — he couldn’t even pull away if the LC animation is anything to go by him struggling as Aventurine firmly keeps the gun to his chest.

Neff says he doesn’t buy (believe) that Phyllis loved him. She then goes “I’m not asking you to buy […]”. The LC description has Aventurine ask Ratio “You don’t believe me?”, while in the LC animation Ratio straight up says “You expect me to believe you?” and Aventurine answering “Why not, doctor/professor?”

The visual composition of the LC and the scene are nearly identical, from the lighting to the posing to the way Aventurine looks at Ratio — Aventurine and Ratio are even wearing different outfits to fit the scene better. The background in the LC is also like the blinders in the movie, just horizontal.

In the shot where Phyllis’ face is more visible, the way she looks at Neff is strikingly like the way provocatively looks at Ratio. Even their eyes have a visible shine — Phyllis’ eyes brightly shining the moment she realised she really fell in love with Neff, and Aventurine having just a little light return to his eyes in that specific moment.

And now the differences!

Neff holds the gun in his right hand. Aventurine makes Ratio hold his gun in his left.

Neff is the one who takes the gun from Phyllis‘ hand. Aventurine is the one who places the gun in Ratio’s hand and fires it.

Three gunshots are fired. In the movie, Phyllis shoots the first shot and Neff the second and third. Aventurine unloads the gun and leaves only one bullet for this game of Russian Roulette. He pulls the trigger three times, but they all turn out to be blanks.

Phyllis does not break her façade of not smiling until the very last moment where she gets shot. Aventurine is smiling the entire time according to the light cone description, whilst in the animation, it’s only when he guides the gun to his chest that he puts it on.

So, you know how Neff meets Phyllis and it all goes off the rails from there. The way Neff goes from a decent guy to willingly involve himself in a murder scheme, having his morals corrupted by Phyllis. His world having been turned upside down the moment he lays eyes on Phyllis in that first meeting. Doesn’t that sound like something that happened with the Final Victor LC? Ratio, a man all about logic and rationality — a scholar with eight PhDs to his name — all of that is flipped on its head the moment Aventurine pulls out his gun in their first meeting and forces Ratio to play a game of Russian roulette with him. Aventurine casually gambles using his own life like it’s nothing and seemingly without fear (barring his hidden left hand). All or nothing — and yet Aventurine comes out alive after three blanks. Poetic, considering there’s a consumable in the game called “All or Nothing” which features a broken chess piece and a poker chip bound together by a tie. The poker chip obviously represents the gambler, but the chess piece specifically stands for Ratio because he plays chess in his character trailer, his Keeping Up With Star Rail episode and his introduction is centred around him playing chess with himself. Plus, the design of the chess piece has golden accents, similar to his own chess set. In the end, Aventurine will always be the final victor.

Furthermore, Neff had deduced that Phyllis wanted to kill her husband and initially wanted no part in it, but in a subsequent visit it was his own idea that they trigger the double indemnity clause for more money. As the movie progresses though, he starts to have his doubts (thanks in part to him befriending Lola) and makes the move to kill Phyllis when everything starts to come to light. It’s strikingly similar to how Ratio initially wanted no part in whatever Aventurine had in mind when they first met, but in the subsequent missions where they were paired up, he willingly goes along with Aventurine's risky plans, and they come to trust each other. Enough so that Aventurine and Ratio can go to Penacony all on their own and put on an act, knowing that nobody in the IPC other than them can enter the Dreamscape. The mutual respect grew over time, instead of burning passionately before quickly fizzling out like in the movie.

Basically, in one scene, three shots (blanks) start a relationship, and in the other, it ends a relationship. In the anan magazine interview with Aventurine, he says himself that “form[ing] an alliance with just one bullet” with Ratio was one of his personal achievements. The moment itself was so impactful for both parties that it was immortalised and turned into a light cone.

—

[THE ENDING — GOLDEN HOUR]

The ending of Double Indemnity that made it into the final cut has Neff continue his confession on the dictaphone until he realised that he wasn’t alone in the room. Keyes had come inside at some point, but none had said a thing, only listening to a dead man speak of his crime. When Neff sees Keyes, they talk for a moment, Neff says he plans on fleeing to Mexico. Keyes does not think he will make it. He tries to leave, only to collapse at the front of the elevator, Keyes following just behind him. Neff attempts to light a cigar but is too weak to do so, so Keyes does it for him.

Parts of the ending can still be attributed to the interrogation scene between Sunday and Aventurine, so I’ll make this quick before moving on to the conversation in Heaven Is A Place On Earth, Ratio and Aventurine’s final conversation together. Once Sunday mentions how quickly Aventurine gave up the suitcase, he inflicts the Harmony’s consecration on him, which forces Aventurine to confess everything that Sunday asks of. In a way, it’s the opposite of what happens in the movie — where Neff willingly tells the truth about the murder to his coworker. Aventurine does not like Sunday, and Neff is close to Keyes. Ratio also does not speak, similarly to how Keyes didn’t speak and stood silently off to the side.

Post-interrogation in Golden Hour, Ratio worriedly prods at Aventurine and asks him about his plan. He then gives him the Mundanite’s Insight with the Doctor’s Advice inside when Aventurine tells him to leave. Throughout Heaven Is A Place On Earth, Aventurine gets weaker and his head starts to buzz, until he falls to the ground before he can hand in the final gems. Similarly, Neff progressively grows weaker as he records his confession. Keyes says he’s going to call a doctor and Neff says he’s planning to go to Mexico. And when Neff collapses near the elevator, they talk one final time and Keyes lights Neff’s cigar as the other was too weak to do so himself.

—

[OPPOSITE TIMELINES AND DEVELOPMENTS]

Remember how I said the way certain events happen in the movie and the game are mostly opposite and reverse of one another? 

The Final Victor LC is the first meeting of Ratio and Aventurine, and Neff killing Phyllis is their final meeting.

Between that first and last meeting between Phyllis and Neff’s whirlwind romance, their relationship becomes strained which ultimately leads to Neff not trusting whatever Phyllis has to say at the end point of the movie. As for Ratio and Aventurine, the exact opposite had happened, to the point where Ratio trusts Aventurine enough to go along with his plans even if they went against his own ideals. The basis of the mission involved Veritas Ratio, whose full name includes the Latin word for “truth”, lying the entire time on Penacony.

Aventurine is sentenced to the gallows by Sunday after his unwilling interrogation. The movie starts and ends with Neff willingly confessing everything to Keyes.

It bears repeating, but I have to make it so clear that the trust between Ratio and Aventurine runs incredibly deep. Being able to predict what your partner says and thinks and plans in a mission as critical as the Penacony project is not something first-time co-workers can pull off flawlessly. All the while having to put on masks that prevent you from speaking sincerely towards one another lest you rat yourselves out. You have no way of contacting outside reinforcements from within Penacony, as the rest of the IPC are barred from entering. To be able to play everybody for fools while said fools believe you yourselves have handed your case on a silver platter requires a lot — trust, knowledge of the other, past experience, and so on. With Phyllis and Neff, the trust they had had been snuffed out when Neff grew closer to Lola and found out what kind of person Phyllis truly was on the inside. Phyllis did not trust nor love Neff enough and was going behind his back to meet with Zachette to possibly take Neff and Lola out. And the whole reason Neff wanted to perpetrate the murder was due to him being initially taken by Phyllis' appearance, which single handedly got the ball rolling on the crime.

Now then, how come trust is one of the defining aspects of Aventurine and Ratio’s relationship, when Phyllis and Neff’s trust eventually lead to both their deaths at the hands of the other? Sure, this can be explained away with the opposite theory, but there’s one other relationship involving Neff which I haven’t brought up in excruciating detail yet. The other side of Ratio and Aventurine’s relationship.

—

[NEFF & KEYES — AVENTURINE & RATIO]

Here is where it gets more interesting — while Phyllis and Neff are at the centre point of the movie, there is another character to whom Neff has a close relationship with — Keyes. It’s also the only relationship with no pretences, at least, until the whole murder thing happened and Neff had to hide his involvement from Keyes. Watching the movie, I couldn't help but feel there was something more to the two than meets the eye. I knew that queer readings of the film existed, but I didn't think too much of them until now. And though Aventurine and Ratio parallel Phyllis and Neff respectively, the fact that they also have traits of their opposite means that it wouldn’t be completely out of the question if parts of their relationship were also influenced by Keyes and Neff on a deeper and personal level. Let me explain.

Keyes and Neff were intimate friends for eleven years and have shown mutual respect and trust towards one another. They understood each other on a level not seen with Phyllis and Neff. Even after hearing Neff confess his crimes through the dictaphone (and eventually standing in the same room while Neff confessed), he still cared for the other man, and stayed with him when Neff collapsed at the front door. The only reason Keyes hadn’t deduced that it was Neff who was behind the murder was because he had his absolute trust in him. Keyes is also Neff’s boss, and they are always seen exchanging playful banter when they are on screen together. Neff even says the words “I love you, too” twice in the movie — first at the beginning and second at the end, as the final line. There’s also the persistent theme of Neff lighting Keyes’ cigarettes (which happens in every scene where they are face-to-face), except in the end where it’s Keyes who lights Neff’s.

Doesn’t that sound familiar? Mutual respect, caring too much about the other person, the immense amount of trust… Ratio says he’s even the manager of the Penacony project (which may or may not be a lie), and despite their banter being laced with them acting as “enemies”, you can tell that in Dewlight Pavilion pre-Sunday confrontation that Aventurine genuinely likes Ratio’s company and believes him to be a reliable person. From the way he acts carefree in his words to the thoughts in his head, as seen in the mission descriptions for Double Indemnity. Their interactions in that specific mission are possibly the closest thing to their normal way of speaking that we get to see on Penacony.

Not to mention, this is the way Neff describes Keyes. He even says (not in the script) “you never fooled me with your song and dance, not for a second.” Apart from the line about the cigar ashes, doesn’t this ring a bell to a certain doctor? “Jerk” with a heart of gold?

After solving the puzzle with the statues, Ratio jokingly offers Aventurine to join the Genius Society. Aventurine then goes "Really? I thought you’ve given up on that already", and then Ratio says it was, in fact, a joke. Solving the puzzle through brute force has Ratio telling Aventurine that the Council of Mundanites (which Ratio himself is a part of) should consider him a member. In the movie, where the scene with the phone call with Neff and Phyllis reiterating details of their plan happens, Keyes actually offered Neff a better job (specifically a desk job, as Keyes’ assistant). The two pairs saw the other as smart, equals, and were invested in each other’s careers one way or another.

Because of all this, the character parallels for this side of the relationship are as follows:

Aventurine - Walter Neff

Veritas Ratio - Barton Keyes

With the way I’ve talked about how Aventurine and Ratio take from both leads in terms, it does fit to say that Aventurine is Neff, and Ratio is Keyes in this layer of their relationship. Since we’re on the topic of Keyes, let me also go through some similarities with him and Ratio specifically.

Keyes says the words “dimwitted amateurs” in his first on-screen conversation with Neff. You can’t have Dr. Ratio without him talking about idiocy in some way.

Keyes almost only appears in the movie in relation to Neff, and barring a single interaction in Neff’s house, is also only seen in the office. Same with Phyllis, Ratio also only ever appears regarding Aventurine.

Keyes genuinely wanted the best for Neff, even offering to celebrate with him when he thought the case truly had been busted wide open by forces when Zachette entered the picture. You could say the same for Ratio, as he hoped that Aventurine wouldn’t dwell on the past according to his response on Aventurine’s Interview, as well as telling him to “stay alive/live on (CN)” and wishing him the best of luck in his Doctor’s Advice note.

Whether or not you believe that there was more going on with Neff and Keyes is up to you, but what matters is that the two were very close. Just like Ratio and Aventurine.

—

[THE ORIGINAL FILM ENDING]

Something that I hadn’t seen brought up is the original ending of Double Indemnity, where Neff is executed in a gas chamber while Keyes watches on, shocked, and afterwards leaves somberly. The ending was taken out because they were worried about the Hays Code, but I felt it was important to bring it up, because in a way, you can kind of see the Sunday interrogation scene as Sunday sending Aventurine to his death in seventeen system hours. And Ratio doesn’t speak at all in that scene, and Keyes doesn’t either according to the script.

Another thing that’s noteworthy is that Wilder himself said “the story was about the two guys” in Conversations with Wilder. The two guys in question are Keyes and Neff.

—

[THE NOVEL]

With the original film ending covered, now it is time to bring up the novel by James M. Cain. I bought the book just to read about the differences between the adaptation and the original source material, and to list a few more similarities and opposites I could gather. For this section alone, due to the changes in the (last) names of certain characters, I will be referring to Walter Huff (Neff in the movie) as Walter, and Mr. Dietrichson as Nirdlinger. The plot is pretty much the same as the movie’s apart from a couple of changes so there isn’t a need to recount everything.

From my two read-throughs of the novel, these are the following passages that stood out to me the most. Starting with Aventurine:

Walter, as a top businessman of the company, knows how to sway a deal and to get what he truly wants with what the other gives him. Aventurine is the same, reliant on his intuition, experience and whatever information he has on the table to claim the win. Him luring out Sparkle in Heaven Is A Place On Earth and his conversation with Acheron in the Nihility is indicative of that.

• "But you sell as many people as I do, you don't go by what they say. You feel it, how the deal is going. And after a while I knew this woman didn't care anything about the Automobile Club. Maybe the husband did, but she didn't. There was something else, and this was nothing but a stall. I figured it would be some kind of a proposition to split the commission, maybe so she could get a ten-spot out of it without the husband knowing. There's plenty of that going on. And I was just wondering what I would say to her." 

Phyllis, like in the movie, had been hiding her true intentions of talking to Walter in their first conversations, always saying things that she didn’t actually mean. In a similar vein, Aventurine consistently says stuff but almost never truly means any of it, which is all part of his façade.

• "And I could feel it again, that she wasn't saying what she meant. It was the same as it was the first afternoon I met her, that there was something else, besides what she was telling me. And I couldn't shake it off, that I had to call it on her."

When discussing the murder plan with Phyllis, Walter makes this comment, kind of like how Aventurine seems to operate in a way where he has a plan, but is ready to improvise and think fast when needed.

• "And then it's one of those things where you've got to watch for your chance, and you can't plan it in advance, and know where you're going to come out to the last decimal point."

Remember the roulette wheel line from the movie? In the novel, the gambling metaphor that Walter makes about the insurance business goes on for two paragraphs, mentioning a gambling wheel, stack of chips, a place with a big casino and the little ivory ball, even about a bet on the table. Walter also talks about how he thinks of tricks at night after being in the business for so long, and how he could game the system. Needless to say, insanely reminiscent of Aventurine.

• "You think I’m nuts? All right, maybe I am. But you spend fifteen years in the business I’m in, and maybe a little better than that, it’s the friend of the widow, the orphan, and the needy in time of trouble? It’s not. It’s the biggest gambling wheel in the world. It don’t look like it, but it is, from the way they figure the percentage on the oo to the look on their face when they cash your chips. You bet that your house will burn down, they bet it won’t, that’s all. What fools you is that you didn’t want your house to burn down when you made the bet, and so you forget it’s a bet. To them, a bet is a bet, and a hedge bet don’t look any different than any other bet. But there comes a time, maybe, when you do want your house to burn down, when the money is worth more than the house. And right there is where the trouble starts." • "Alright, I’m an agent. I’m a croupier in that game. I know all their tricks, I lie awake thinking up tricks, so I’ll be ready for them when they come at me. And then one night I think up a trick, and get to thinking I could crook the wheel myself if I could only put a plant out there to put down my bet." • "I had seen so many houses burned down, so many cars wrecked, so many corpses with blue holes in their temples, so many awful things that people had pulled to crook the wheel, that that stuff didn’t seem real to me anymore. If you don’t understand that, go to Monte Carlo or some other place where there’s a big casino, sit at a table, and watch the face of the man that spins the little ivory ball. After you’ve watched it a while, ask yourself how much he would care if you went out and plugged yourself in the head. His eyes might drop when he heard the shot, but it wouldn’t be from the worry whether you lived or died. It would be to make sure you didn’t leave a bet on the table, that he would have to cash for your estate. No, he wouldn’t care."

Returning home from the murder, Walter attempted to pray, but was unable to do it. Some time passed and after speaking to Phyllis, he prayed. Aventurine presumably hadn’t done the prayer ever since the day of the massacre, and the first time he does it again, he does it with his child self.

• "I went to the dining room and took a drink. I took another drink. I started mumbling to myself, trying to get so I could talk. I had to have something to mumble. I thought of the Lord's Prayer. I mumbled that, a couple of times. I tried to mumble it another time, and couldn't remember how it went." • "That night I did something I hadn’t done in years. I prayed."

Phyllis in the book is much more inclined towards death than her movie version, even thinking of herself as a personification of death. She’s killed ten other people (including infants) prior to the events of the novel. Something to keep in mind as Aventurine had mentioned several times that he attempted to kill himself in the dream, plus his leadup to his “grandest death”. Just like Phyllis, he’s even killed at least a few people before, though the circumstances of that were less on his own volition and more so for the sake of his survival (i.e. the death game in the maze involving the 34 other slaves where he was the winner and another time where he murdered his own master). Instead of Phyllis playing the active role of Death towards everybody else, Aventurine himself dances with Death with every gamble, every time his luck comes into play. Danse Macabre.

• "But there’s something in me, I don’t know what. Maybe I’m crazy. But there’s something in me that loves Death. I think of myself as Death, sometimes." • "Walter, The time has come. For me to meet my bridegroom [Death]. The only one I ever loved."

Moving on to Ratio:

Walter says several times that it’s hard to get along with Keyes, and how he says nice things after getting you all worked up. A hard-headed man to get along with, but damn good at his job. Sound like someone familiar?

• "That would be like Keyes, that even when he wanted to say something nice to you, he had to make you sore first."  • "It makes your head ache to be around him, but he’s the best claim man on the Coast, and he was the one I was afraid of."

Keyes sees Walter as smarter than half the fools in the company. Ratio can only stand the company of Aventurine in regards to the IPC.

• "Walter, I'm not beefing with you. I know you said he ought to be investigated. I've got your memo right here on my desk. That's what I wanted to tell you. If other departments of this company would show half the sense that you show—" • "Oh, he confessed. He's taking a plea tomorrow morning, and that ends it. But my point is, that if you, just by looking at that man, could have your suspicions, why couldn't they—! Oh well, what's the use? I just wanted you to know it."

After going on a rant about the H.S. Nirdlinger case (Phyllis’ husband) and how Norton is doing a horrible job, he ends it by saying that it’s sheer stupidity. “Supreme idiocy”, anybody?

• "You can’t take many body blows like this and last. Holy smoke. Fifty thousand bucks, and all from dumbness. Just sheer, willful, stupidity!"

Phyllis’ former occupation as a nurse is more elaborated on, including her specialization — pulmonary diseases. One of Ratio’s crowning achievements is curing lithogenesis, the “King of Diseases”.

• "She’s one of the best nurses in the city of Los Angeles. […] She’s a nurse, and she specialized in pulmonary diseases. She would know the time of crisis, almost to a minute, as well as any doctor would."

As for the murder scheme, they talk about it a lot more explicitly in the novel. Specifically, Walter mentions how a single person cannot get away with it and that it requires more people to be involved. How everything is known to the party committing the crime, but not the victim. And most importantly: Audacity.

"Say, this is a beauty, if I do say it myself. I didn't spend all this time in the business for nothing, did I? Listen, he knows all about this policy, and yet he don't know a thing about it. He applies for it, in writing, and yet he don't apply for it. He pays me for it with his own check, and yet he don't pay me. He has an accident happen to him and yet he don't have an accident happen to him. He gets on the train, and yet he don't get on it."

"The first is, help. One person can't get away with it, that is unless they're going to admit it and plead the unwritten law or something. It takes more than one. The second is, the time, the place, the way, all known in advance—to us, but not him. The third is, audacity. That's the one that all amateur murderers forget. They know the first two, sometimes, but that third, only a professional knows. There comes a time in any murder when the only thing that can see you through is audacity, and I can't tell you why."

"And if we want to get away with it, we've got to do it the way they do it, […]" "Be bold?" "Be bold. It's the only way."

"I still don't know—what we're going to do." "You'll know. You'll know in plenty of time."

"We were right up with it, the moment of audacity that has to be be part of any successful murder."

It fits the situation that Aventurine and Ratio find themselves in extremely well: For the first point— Aventurine would not be able to get away with simply airing out details by himself, as that would immediately cast suspicion on him. Having another person accompany him who not only isn’t really a part of the IPC in name (as the IPC and The Family have a strenuous relationship) but would probably be able to get closer to Sunday because of that means they can simply bounce off each other without risking as much suspicion with a one-man army. Which is exactly what Ratio and Aventurine do in the conversations they have on Penacony. Secondly — they knew how Sunday operates: as a control freak, he leaves no stone unturned, which is how he became Head of the Oak Family, so their acting required them to give off the impression that a. they hated each other, b. Ratio would go against Aventurine’s wishes and expose him in return for knowledge, c. there were only the two Cornerstones that were hidden. This would give Sunday the illusion of control, and lead to Sunday to lower his guard long enough for Aventurine to take the gift money in the end. The pair knew this in advance, but not Sunday. And thirdly — the plan hinged on a high-level of risk. From breaking the Aventurine Cornerstone, to hoping that Sunday wouldn’t find it in the gift bag, to not telling Ratio what the true plan is (meaning Ratio had to figure it out on his own later on), to Sunday even buying Ratio’s story, it was practically the only way they could go about it. “Charming audacity”, indeed.

An interesting aspect about the novel is that the ending of the novel is divergent from the movie’s final cut and the original ending: Phyllis and Walter commit suicide during a ferry ride to Mexico. The main reason this was changed for the movie was because of the Hays Code, and they wouldn’t allow a double suicide to be screened without reprecussions for criminals. There’s also a bunch of other aspects that differentiate the novel from the movie (no narration-confession as the confession happens in a hospital, less characterization for Keyes and instead a bigger focus on Lola and her boyfriend, the focus on the murderous aspect of Walter and Phyllis’ relationship instead of actual romance, Walter falling in love with Lola (with an unfortunately large age gap attached), etc.)

As for the ending, this wouldn’t even be the first romance media reference related to Aventurine and Ratio where both the leads die, with the other being The Happy Prince and San Junipero (in relation to the EN-only Heaven Is A Place On Earth reference), which I normally would chalk up as a coincidence, though with the opposite line-of-thought I have going on here (and the fact that it’s three out of four media references where the couple die at the end…), I think it’s reasonable to say that Ratio and Aventurine will get that happy ending. Subverting expectations, hopefully.

—

[THE HAYS CODE — LGBT CENSORSHIP IN CHINA]

I’ve brought up the Hays code twice now in the previous two sections, but I haven’t actually explained what exactly it entails.

The Hays Code (also known as the Motion Picture Production Code) is a set of rules and guidelines imposed on all American films from around 1934 to 1968, intended to make films less scandalous, morally acceptable and more “safe” for the general audiences. Some of the “Don’ts” and “Be Carefuls” include but are not limited to…

(Don’t) Pointed profanity

(Don’t) Inference of sex perversion (which includes homosexuality)

(Don’t) Nudity

(Be Careful) Sympathy for criminals

(Be Careful) Use of firearms

(Be Careful) Man and woman in bed together

What does this have to do with a Chinese gacha game released in 2023? If you know a little bit about miHoYo’s past, you would know that pre-censorship laws being upheld to a much stronger and stricter degree, they had no problem showcasing their gay couples in Guns Girl Z (Honkai Gakuen 2/GGZ) and Honkai Impact 3rd, with the main three being Bronya/Seele, Kiana/Mei (admittedly the latter one is a more recent example, from 2023), and Sakura/Kallen. Ever since the Bronya and Seele kiss, censorship in regards to LGBT content ramped up, causing the kiss to be removed on the CN side, and they had to lay low with the way they present two same-sex characters who are meant to be together. They can’t explicitly say that two female or male characters are romantically involved, but they can lace their dynamics with references for those “in the know” — Subtext. Just enough to imply something more but not too much that they get censored to hell and back.

So what I’m getting at is this: The trouble that Double Indemnity had to go through in order to be made while also keeping the dialogue of Phyllis and Neff as flirtatious as they could under the Hays Code among other things is quite similar to the way Ratio and Aventurine are presented as of now. We never see them interact outside of Penacony (at least up until 2.2, when this post was drafted), so we can only infer those interactions specifically until they actually talk without the fear of being found out by Sunday. But, there’s still some small moments scattered here and there, such as when Aventurine goes near Ratio in the Dewlight Pavilion Sandpit, he exclaims that “the view here is breathtaking” (he can only see Ratio’s chest from that distance) and that Ratio could “easily squash [him] with just a pinch”. Ratio then goes “If that is your wish, I will do so without a moment’s hesitation.” Not to mention the (in)famous “Doctor, you’re huge!” quote.

It’s not a coincidence that Ratio and Aventurine have three explicit references to romance media (Double Indemnity, Spellbound, Oscar Wilde’s The Happy Prince), possibly even four if you take the EN-only Heaven Is A Place On Earth as a reference to Black Mirror’s San Junipero. It’s not a coincidence that the storylines or characters of said references parallel the pairing, from surface-level to deep cuts. It’s not a coincidence that the CN voice actors were asked to “tone it down” by the voice director when it came to their chemistry. It’s not a coincidence that Aventurine has only flirted with (three) men throughout Penacony, even referring to a Bloodhound NPC as a “hunk of a man” inside his thoughts, all the while ignoring Himeko and Robin when it came to their looks — women who are known across the cosmos with a myriad of adoring fans. There are so many other so-called “coincidences” related to the two that you could make an iceberg just based on versions 2.0-2.2 as well as content miHoYo themselves have put out on social media. They absolutely knew what they were doing, and were trying to get their point across through subtle means — the extent they went to with the Double Indemnity reference while also keeping it under wraps from a “surface” level point of view is proof of this — the implications are there if you take the time to look for them, and are simply hard to ignore or deny once you do find them.

—

[CONCLUSION]

This was supposed to be short considering the other analyses I’ve seen were also pretty short in comparison, but I couldn’t get the movie out of my head and ended up getting carried away in the brainrot. I hope you could follow along with my line of thinking, even with the absurd length of this post, and the thirty-image limit. I tried to supplement context with some links to videos and wiki pages among other sources wherever I can to get around it.

I will end it with this though — the love in the movie turned out to be fake and a farce, going off track from what was a passionate romance in the beginning because of the murder scheme. Meanwhile, the whole reason why Ratio and Aventurine can pull off whatever they want is because of their immense trust in one another. What was initially shown to be distrust in the Final Victor LC grew into something more, for Ratio, someone who would have never put faith into mere chance and probability before this, put his trust in Aventurine, of all people.

TL;DR — (I get it, it’s over ten thousand words.)

Not only is the relationship between Neff and Phyllis represented in the deception and acting side of Ratio and Aventurine, but the real and trusting side is shown in Neff and Keyes. They have a fascinating, multi-layered dynamic that is extremely fun to pick apart once you realise what’s going on underneath the bickering and “hatred” they display.

Many thanks to Manya again for making the original thread on the movie. I wouldn’t be here comparing the game and movie myself if it weren’t for that.

By the way, I really do believe that Shaoji totally watched this movie at least once and really wanted that Double Indemnity AU for his OCs. I know exactly how it feels.

—

Other points I'd like to mention that didn't fit anywhere else in the main analysis and/or don’t hold much significance, have nothing to do with the Penacony mission, or may even be considered reaching (...if some of the other points weren’t). Just some potentially interesting side bits.

Phyllis honks three times to signal Neff to go for the kill. That, and the three gunshots in the confrontation. Aventurine is all about the number three.

The height difference Aventurine and Ratio have going on is close to Phyllis and Neff’s.

Phyllis had killed her husband’s previous wife and went on to marry Mr. Dietrichson, pretty much taking the wife’s place. Aventurine killed his previous master, and had taken certain attributes from him like his wristwatch and the rings on his hand and the “all or nothing” mantra.

When calling Ratio a wretch (bastard), Aventurine smiles for a moment. This is exclusive to the EN, KR and JP voiceovers, as in CN, he does not smile at all. (Most definitely a quirk from the AI they use for lip syncing, but the smile is something that’s been pointed out quite a few times so I thought I’d mention it here.)

Sunday specifically says in the CN version that he knew of Aventurine's plans the moment Aventurine left the mansion, meaning that he realized he had been played the fool the moment Ratio and Aventurine talked in Golden Hour

In the description for the "All or Nothing" consumable, teenage Aventurine says this specific line: "Temptation is a virtue for mortals, whereas hesitation proves to be a fatal flaw for gamblers." According to Ratio, this is Aventurine's motto - he says as such in Aventurine's Keeping Up With Star Rail episode. Note that in the anan interview he explicitly says he does not have a motto, and yet Ratio in the video says otherwise. They definitely have to know each other for a while for Ratio to even know this.

A big reason why Neff even pulled off the murder scheme in the first place was because he wanted to see if his good friend Keyes could figure it out, the Mundane Troubles Trailblaze Continuance showcases Ratio attempting to teach the Herta Space Station researches a lesson to not trust the Genius society as much as they did.

In Keyes’ first scene he’s exposing a worker for writing a policy on his truck that he claimed had burnt down on its own, when he was the one who burnt it down. Ratio gets into an Ace Attorney-style argument with the Trailblazer in Mundane Troubles.

Neff talks repeatedly about how it won’t be sloppy. Nothing weak. And how it’ll be perfect to Phyllis, and how she’s going to do it and he’s going to help her. Doing it right — “straight down the line”. Beautifully ironic, considering what happens in the movie, and even more ironic as Ratio and Aventurine’s scheme went exactly the way they wanted to in the end. Straight down the line.

[mikesbasementbeets]

(bonus:)

[the-busy-ghost]

Alright uninformed rant time. It kind of bugs me that, when studying the Middle Ages, specifically in western Europe, it doesn’t seem to be a pre-requisite that you have to take some kind of “Basics of Mediaeval Catholic Doctrine in Everyday Practise” class. 

Obviously you can’t cover everything- we don’t necessarily need to understand the ins and outs of obscure theological arguments (just as your average mediaeval churchgoer probably didn’t need to), or the inner workings of the Great Schism(s), nor how apparently simple theological disputes could be influenced by political and social factors, and of course the Official Line From The Vatican has changed over the centuries (which is why I’ve seen even modern Catholics getting mixed up about something that happened eight centuries ago). And naturally there are going to be misconceptions no matter how much you try to clarify things for people, and regional/class/temporal variations on how people’s actual everyday beliefs were influenced by the church’s rules. 

But it would help if historians studying the Middle Ages, especially western Christendom, were all given a broadly similar training in a) what the official doctrine was at various points on certain important issues and b) how this might translate to what the average layman believed. Because it feels like you’re supposed to pick that up as you go along and even where there are books on the subject they’re not always entirely reliable either (for example, people citing books about how things worked specifically in England to apply to the whole of Europe) and you can’t ask a book a question if you’re confused about any particular point. 

I mean I don’t expect to be spoonfed but somehow I don’t think that I’m supposed to accumulate a half-assed religious education from, say, a 15th century nobleman who was probably more interested in translating chivalric romances and rebelling against the Crown than religion; an angry 16th century Protestant; a 12th century nun from some forgotten valley in the Alps; some footnotes spread out over half a dozen modern political histories of Scotland; and an episode of ‘In Our Time’ from 2009. 

But equally if you’re not a specialist in church history or theology, I’m not sure that it’s necessary to probe the murky depths of every minor theological point ever, and once you’ve started where does it end? 

Anyway this entirely uninformed rant brought to you by my encounter with a sixteenth century bishop who was supposedly writing a completely orthodox book to re-evangelise his flock and tempt them away from Protestantism, but who described the baptismal rite in a way that sounds decidedly sketchy, if not heretical. And rather than being able to engage with the text properly and get what I needed from it, I was instead left sitting there like:

And frankly I didn’t have the time to go down the rabbit hole that would inevitably open up if I tried to find out

[welcometomybraincomics]

how’s that queue going :)

Currently at 19 :)

I'll add an update when I can actually post this because I hit the post limit again XD

Edit: .... apparently, I did not hit the post limit, I just stopped being able to reblog or post today

how do I know?

I queued something like 34 posts and then when I went to check the exact number, the queue had gone down to 7, so...

Idk what's going on there

Edit 2: or... not???? Just checked again and it's at 119

I don't know what's happening anymore

Edit 3): Nope, I was right. queue was posting things when I couldn't. I just added a fuck ton more without realizing bc I have no object permanence when it comes to reblogs

Edit 4: Nvm, I was not right. I stopped being able to reblog sometime around 4 and my last post before 11 pm today was around 2....

I don't understand

[yaikat]

i hit post limit again last night btw

[foxgloveinspace]

oh my god you gave permission to send vids and i lasted all of 30 minutes before needing to send something 😂

BUT!!!

iv crying 🥺🥺🥺 the love for iii these last few shows has melted my heart and clearly the bands too

https://x.com/vesseltoken/status/1734391886901616999?s=46

i cannot suffer alone with this one i’m so sorry

Well, as I watch this and suffer. here, sleep token official instagrams account second to last pic…. Our boy AdamRosssi knows what we want, haha.

🥺🥺🥺

Oh no……

[tibialtybalt]

Thanks for the tags @mdzs-rabbithole <33

List your top 5 songs right now:

In no particular order:

Eye of the Storm from the Guild Wars 1 OST

The Phantom Lady Butterfly from the Sekiro OST

Ashes by The Longest Johns

Golden Wildfire Camp (I) from the Fire Emblem: 3 Hopes OST

Lace from the Silksong OST

I'll tag @hoidingaroundthecosmere @heart-grem @a-dux and @pathos-logical

[redley-of-many-noodles]

*holding writhing bag of shitty memes*

I GOT THE MORBS, START UP THE GRINDER

[fantasykiri5]

Man I love seeing one blog go through and like months worth of my art on multiple of my blogs at the same time. But you know what I would love even more? IF PEOPLE ON THIS WEBBED SITE REMEMBERED HOW THE REBLOG BUTTON WORKS

[waywardsalt]

>:3

[sophiamcdougall]

I am never going to complain about Greek Duolingo again

I mean, I am. But still.

So, as some of you know, my family has been coming to this tiny Greek seaside village for several years. Just over a week ago I came out here with my mum, under the impression that early September, after the height of the summer heat, would be a good time to have a holiday. ANYWAY Storm Daniel had other ideas about that. Locally things are improving (I'm actually really pissed off about the disaster-porn tone of most English-language media coverage, but that's another post). The power is back on, there's running water most of the time, and though the latter is not drinkable, a truck from the government came and handled out free bottled water yesterday. But we are currently kind of stuck. Can't do tourist things. Can't go home. There aren't any local flights out until Saturday and the road to Thessaloniki is still closed.

So this evening, feeling kind of aimless and depressed, I go down to the nearest beach with a couple of binbags and start cleaning up in an effort to at least do something positive. I always try to do this at least once out here and obviously, after the storm, there's a lot more plastic and rubbish than usual.

At some point I find this large, round bit of metal - some kind of machinery part, I think -- that's too big for the bag, so I take it to the bins on its own, leaving the rubbish bag on the beach. And when I come back for it, something among the stones beside it moves.

Specifically, it pulls its head sharply inside its shell

So, meanwhile I've been trying to learn some Greek with the help of Duolingo.

I currently have a 33-day streak and... I have questions. Shouldn't I be able to use the past or future tenses by now? Shouldn't I be able to say "x is like y"? I can't do those things. But one thing I absolutely can say all day long is έχω μια χελώνα : I have a turtle.

This is far from the limit of Duolingo Greek's turtle-related content. "An obsession with turtles" is my mother's characterisation. I can inform you that the turtle is not a bird, and, improbably, that the turtle is drinking milk. I can introduce you to a turtle in company with a horse and an elephant. As far as Duolingo is concerned, it really is turtles all the way down.

Now this, you may be able to see, is not a turtle. It has claws rather than flippers. It is a tortoise. I know there are wild tortoises in Greece: my aunt once rescued a pair of them shagging in the middle of the road -- but that was up in the mountains. I've even seen one myself, but it was also on a road and very dead.

I am 95% certain they don't belong on beaches. There's nothing for it to eat, except, unfortunately, a lot of plastic. Even if it gets off the beach it will immediately find itself on a road where it could get hit by a car. I'm pretty sure it must have been washed down by the floodwater and has been just sitting there, dazed, ever since.

Now obviously the first thing I want to do on encountering this unusual animal is to go and tell my mummy, so I do. The tortoise immediately brightens her day. She agrees that the tortoise is not happy on the beach and needs to be taken somewhere safe. it gets surprisingly wriggly when picked up so we put it in a carrier bag with some grapes and cucumber and go looking for somewhere to rehome it.

We find a path leading up between the houses towards a likely-looking field, but before we get very far a dog in a yard goes berserk and a man's head pops over a fence and demands to know what we're doing. He does this in English, as evidently we're just that obviously tourists.

"I found a tortoise on the beach!" I explain. "We want to find somewhere to put it."

"A what," he asks.

"It's like a, you know," I begin and then to my astonishment I find myself saying... "μια χελώνα"

"Oh! A turtle!" he says.

"But from the land. δεν είναι χελώνα", [it is not a turtle,] I say, as I am worried he will tell me to put it back near the sea where I found it. As it turns out it actually IS a χελώνα, Greek does not distinguish between turtles and tortoises, but I don't know that; I can't even name the days of the week or identify any colours other than pink yet, give me a break.

The man's entire demeanour changes and thaws. He does not worry about my turtle-that-is-not-a-turtle conundrum. He knows where οι χελώνες come from and where η χελώνα μας belongs. He leads us through a gate into a courtyard area.

"[somethingsomething] μια χελώνα," he explains to the assembled onlookers, of whom there are, suddenly, a surprising number.

"ΜΙΑ ΧΕΛΩΝΑ!!!" crows the throng of delighted small children, who are, suddenly, everywhere.

"μια χελώνα!" I agree, accepting that at least for current purposes, that is what it is.

"Μπορούμε να δούμε τη χελώνα σας; [can we see your turtle?]" asks an adorable little girl, shyly, and I understand??

The children fucking love looking at the χελώνα and showing it to them is kind of magical?

I finally put the tortoise down on the grass of this wild area off to the side of the courtyard, and marvel aloud that it is weird that I barely know any Greek except how to say μια χελώνα.

"I think she will soon run off," a kind lady called Aspasia assures me, seeing I remain slightly anxious about its fate. "I don't know why I'm saying 'she'. I suppose because χελώνα is feminine in Greek."

"Yes! I know that!" I exclaim, thrilled.

"Well done!" she says. And also she asks if we are OK for drinking water after the storm and if we need any help with anything and is just generally incredibly lovely and now we know more of the neighbours!

So "μια χελώνα" has just become, by a long way, my most-used and most understood and all-around most conversationally successful phrase in Greek. So I guess I have to admit I was wrong to doubt Duolingo's wisdom: it is correct to be obsessed with turtles. And I concede that prior to learning how to count to ten or to distinguish right from left, the simple ability to yell the word TURTLE over and over again is, it turns out, a crucial element of the responsible traveller's social skills.

(I am pretty fluent in Italian and turtles haven't come up in conversation even once?)

[tothechaos]

my friend you can reblog this as many times as your heart desires. this isnt twitter. you could reblog this a hundred times if you wanted to. be free.

college students are the most pathetic creatures in the world. source: i am a college student and i constantly have the vibe of a kitten that just got pulled out of a storm drain

[kerosene-saint]

what mutual am i (made by me cause I thought it would be fun) ASK GAME

[Picture ID: A drawing with 12 circles all different colors and labeled different things, bullet points follow under them.

the first circle is a deep purple with light purple glitter particles. It's labeled "purple glitter" and the bullet points under it say: "fabulous", "I love your aesthetic very much", "you do have an abnormal amount of microplastics in your blood though".

the second circle is a neon green with a lighter green wave around it. it's labeled radioactive. the bullet points for it are "some sort of creature", "you give bioluminessence vibes".

the third circle is a medium pink with dark green leave and a stem on the top. it's labeled starberry. the bullet points are "I think we should bake together", "flower crowns possibly".

the fourth circle is a light seafoam green labeled seafoam green. the bullet points are "maybe a little snobby", "calm yourself", "I don't know why I still follow you tbh", "Maybe I'm just reading you wrong".

the fith circle is multiple colors, in order from top to bottom: very light blue, sky blue, yellow, red, black, purple, pink, to light pink. it's labeled do you like the color of the sky. the bullet points are "you're always on tumblr", "hits post limit daily", "you should go watch some tumblr history videos if you haven't already".

circle number six is a brick pattern labeled throwing bricks. the bullet points are "you're my resource for all of the things happening in the world", "probably really punk or at least an Anarchist".

circle number seven is a red panda's facial fur pattern labeled red panda. the bullet points are "so soft", "very small", "you're so cute", "my favorite silly".

circle eight is a light off white color labeled cu- I mean creme. the bullet points are "Hey there", "I mean you wanted to-", "slash jay".

circle nine is a deep gold color with a light shine to it labeled stay gold. the bullet points are "book reader", "how do you read so many", "pretty cool", "also a nerd".

the tenth circle is a medium purple with a light purple heart in the center. it's labeled my favorite purple. the bullet points are "you're my favorite person on this hellsite", "why are you here, you're so nice", "are you a people pleaser".

the eleventh circle is a bright pink with pastel pink stars labeled barbie dream house. the bullet points are "nostalgia.", "do you live in the past I swear you do", "are those rose tinted glasses comfortable bub".

the final circle is a black color with a red blood splotch. it's labeled Gerard Way in the 2000s. the bullet points are "popular mutual", "I think you're pretty neat and also kind of scary", "probably really sweet but I'm still intimidated". /.End ID]

[yoditopascal]

Sweetest Pie

summary: The Worst Logan isn’t so bad after all. (logan/wolverine x fem black reader)

content warning: Wade is your best friend that’s a warning all on its own, some angst (like literally the tiniest bit) cussing, mutual pining, making out, smut, oral (f receiving), fingering, p in v, dirty talking? (I’m so bad at writing it lmaoo), creampie, actual pie, unprotected sex (wrap it before you tap it fellas), dacryphilia, post DP&W, breaking the bed, scent kink, overstimulation, he technically sniffs your underwear??, Deadpool being Deadpool, MINORS DNI

a/n: The Sweetest Pie by Megan the Stallion is playing in the background while y’all fuck, that’s all.

tag list: @allmyn1ghts @figsnpassionfruits @dragonqueen89 @shebby-the-webby

Ducking down out of the way, Wade just barely makes it out of the line of fire as a glass mug hits the wall behind him, shattering on impact.

“You wanna run that by me again bub?”

“That was my favorite mug!”

“Repeat what you fucking said!” He snarls, hand balled into tight fists, it’s taking everything in his power not to maul the idiot with his claws….again

“All I said was you're more pent up than a nun doing squats in a cucumber field!” Wade said looking back at the wall, there was already a dent forming, one of many that had been popping up since the older mutant had decided to move in with him.

It's been 3 months since Logan started living with Wade and Blind Al and he’s about fucking had it. Laura had moved out after the first month, needing her own space, but she still frequently visited, he honestly was tempted to join her but figured she wouldn’t want her old man around all the time cramping her style.

Logan could feel a headache coming on as he pinched the bridge of his nose as Wade spoke again.

“You, my little honey badger, are lacking in the hanky panky department and no amount of self loving in the bathroom mirror at midnight is gonna fix that.”

“What the fuck does that even mean?” He asked, sometimes he felt like instead of forming actual sentences Wade just put a bunch of random shit together so he could hear himself speak.

“Oh my gooood you’re so old, I’m talking about sex grandpa, you know, fucking? The horizontal hula? Bumping uglies? Filling the cream donut?”

“Stop.” Logan said with a look of disgust.

“I can smell your sexual frustration from here.” Wade groaned. “You need to spend a little less time brooding around the house like you're a DC character, and maybe spend a little more time doing hot yoga.” He was as he holds up a finger and boops Logan on the nose.

Logan swats his hand away but Wade continues paying no mind to his attitude as he points toward the front door.

“It just so happens that I know a great friend o’ mine who’d have absolutely no problems taming the beast for you bub and oh look at that, she happens to live right across the hall.” He said with a wink

“Don’t bring her into this.” Logan said, waving him off as he went to sit on the couch. Unfortunately Wade knew exactly how he felt about you, having figured it out during their whole ordeal with his variants, Paradox and Cassandra and the bastard had yet to let him live it down.

“Come on Wolvie you can cut the sexual tension you two have with a knife, it’s so thick!” He groans again, throwing himself on the couch beside him dramatically. “It might even be thicker than ours!” Wade said as he leans on Logan’s shoulder fluttering his scarred eyes at him. He shrugs him off, turning the tv on hoping the sound of whatever was on would drown him out but Wade just kept going.

“Stop being a pussy and talk to her!”

“Oh like how you talked to Vanessa?” He snapped back, his anger reaching its limit.

“First of all, we’re a working progress right now and second of all, ouch! Who hurt you?”

Growing tired of Wade and his endless jabbering Logan stood going to grab his jacket from the closet so he could leave.

“Where are you huffing and puffing off too big bad wolf?”

“Anywhere but here.” He said slamming the door shut behind him.

After a few drinks at Sister Margaret's and time to cool his head, Logan returns home to get some chores out of the way. He was far over due to wash his stuff and his hero costume was really starting to fuck with his nose, so, shoving a few handfuls of quarters from Al’s disco dust fund jar into his pockets,he loaded up his hamper and heads down to the laundry room in the basement.

Upon entering he almost immediately bumps into you. You were kicking the dryer when he found you, pissed because it ate your quarters, not paying attention to your surroundings at all.

Digging around in his pockets he bumps his shoulder to yours to get your attention. Startled you nearly jumped out of your skin as he held a hand up in surrender, not meaning to scare you.

“Sorry, just thought I’d offer up some of mine.” He said, pulling a handful of change from his back pocket.

“Oh. that’s ok, I’m-” you start but are stopped when he grabs your hands with one of his and unceremoniously dumps the change into your palms.

“I wasn’t suggesting, take 'em I got more than enough.”

With a silent nod you thank him as he shrugs you off with a “Don’t mention it.”

Logan starts to load up his laundry into the washer next to yours, watching you out of the corner of his eye as you toss your wet clothes into the dryer. You don’t notice as a piece of yellow fabric falls to the floor between you, Logan turns his head to say something, at first not realizing what it was, until it dawns on him that, holy shit, it's a pair of your underwear…and they had Wolverine on them.

They were boxer briefs, nothing inherently sexy about them, but the scent they gave off, clean laundry soap mixed with the smell of your core had Logan reeling.

A small smirk crawled across his face as he started to imagine you wearing them around your house, nothing else adorning your body except for an oversized tee shirt that looked eerily like one of his own, he thought it was cute. Turning his head back to finish his task he kept loading his clothes not showing interest in the underwear to keep from making things awkward. One thing he couldn't deny was your scent. The scent of your core that lingered on the fabric was making his head swim, it was utterly intoxicating, this definitely didn't help with growing his frustration.

After he loaded the washer he pulled a flask from his pocket taking a shot of liquor inside to compose himself as he realized you still hadn’t noticed you dropped them. “You uh dropped something sweetheart.” he nodded towards them. Horrified, you snatch them up and throw them in the dryer.

“Oh god I-I’m sorry! I-“ you start to stutter, at a complete loss for words you slam the dryer lid close and grab your basket ready to leave and hide away in your apartment for the rest of your life until Logan stops you with a strong hand that engulfs your wrist.

“No I-uh I get it. He was your hero right?”

“Yeah he was… but so are you!” You started but quickly press a fist to your forehead in frustration.

“Sorry I don’t want you to feel like you're obligated to live up to him or anything, you’re your own person! I just-“ you were interrupted by Logan closing the distance between you. In your frustration a few of your locs had slipped from your ponytail and were hanging in your face. Logan reached towards you moving one from your face tucking it behind your ear, his bright hazel eyes scanning you carefully taking in your features with a smirk.

“You don’t have to explain yourself.” He said, your scent was sending his sensing into overdrive, he could smell your sweat mixed with the soap you used with the spicy aroma of your arousal starting to peek through.

You look down to the ground still slightly embarrassed but mostly warm from the close proximity before you feel a finger lift your chin causing your gaze to meet Logan’s once more. “S-sorry I ramble when I’m nervous.” It came out almost as a whisper, causing Logan to chuckle. It was an annoying habit you had picked up from your best friend Wade over the years he noticed. The intensity of his stare was starting to send your stomach into knots but not in a bad way.

The sound of the laundry room door opening and closing as another tenant enters quickly separates them. Silently the pair looked away from each other as the tenant loaded up his belongings in the open washer. He quickly spared a passing glance between the two of you who awkwardly tried to stare at anything but each other before shrugging his shoulders and leaving.

An awkward silence blanket over the two of you as you shuffle your feet before you scooped up your basket again.

“Listen Logan-“

“Darlin I-“

You both started at the same time. A deep chuckle rumbled through his chest causing your cheeks to feel warm. You smiled down at your feet and tucked another stray loc behind your ear before Logan spoke again.

“You first.”

“I was just gonna ask, did you maybe wanna come over for dinner tonight?”

Logan thought of a million different reasons why he shouldn’t. As if you could see the hesitation across his face you spoke up again.

“Before you say no, I got booze. Something a bit stronger than what I normally drink but it’s right up your alley. It was a gift from Wade.”

Of course it was from Wade.

“I’m also making pie.”

Well shit.

He let out a small sigh, looking down at your big pleading doe eyes before he shrugged; “Sure,why not.” Afterall how could he say no to you when you looked like that?

He could almost imagine Wade fist pumping the air in excitement at the aspect of the two spending alone time together, the blubbering idiot.

You flashed Logan another bright smile before heading to leave, you paused in the doorway for millisecond, before asking “See you at 7?”

“It’s a date doll.”

Seven o’clock rolled around much too quickly for either of them. Logan was busy fussing with his hair in the mirror trying to get the tufts of hair that usually stick up to lay down when Wade walked into the bathroom unceremoniously.

“Don’t you look positively ravishing tonight, got a hot date peanut?”

“Fuck off.” He growls, giving up with his hair and going to throw on a flannel over his wife beater.

“Wait, you do! Holy dick cheese Batman it’s finally happening!” Wade squealed excitedly

“What the hell are you even doing in here?” Logan asked in the doorway of the bathroom observing Wade, he was dressed in a tee shirt and a pair of hello kitty pajama pants and slippers, Logan rolled his eyes before heading to the kitchen to grab a beer.

“Had to take a shit, thanks for asking, but don’t change the subject!” Wade said following him into the kitchen “Who’s the lucky gal?” He asked leaning on the island, his head propped dreamily on his fist. “Or guy we don’t judge here. Wait wait wait! It's not who I think it is, is it?”

Logan didn’t say anything as he guzzled down his drink pre-gaming for the night, turning to grab another from the fridge before plopping down on the couch behind him.

At his silence Wade kicked his feet and clapped his hands excitedly, swinging around in his seat to look at Logan. Mary Puppins barked from her spot on the couch beside him.

“Fuck the Bachelorette and Love Island! The producers are going to make a killing outta this!” He paced excitedly flopping down beside him struggling to keep his composure. “Do you know how long I’ve been waiting for this?! We are gonna make millions, no fuck that billions off your sex tape alone! I mean you two love birds are going to blossom in internal passion as the stars align with the future of the virgin Mary!” He said hugging Logan from the side.

Confused as fuck he shrugs Wade off him with a frown as he stands to his feet looking at his roommate with a raised brow. Downing the last of his beer he puts the empty bottle on the counter and heads for the door not wanting to be late.

“Oooh don’t forget to wear a condom, peanut! Remember wrap it before you tap it, before you attack her wrap your whacker! And if you’re not gonna sack it, come home and-!“

Logan slams the door shut before Wade could finish anymore of his bullshit.

He raised his hand to knock at your door but hesitated for a moment. Memories of the you from his timeline flooded his brain for a brief moment and he lowered his hand. He had really fucked you over royally in his own timeline and then you had died before he had a chance to fix that. Was he even worth your time in this one?

He shook the thoughts from his head and squared his shoulders, this was his second chance, a chance to fix all the shit he messed up before and he’d be damned if he was gonna waste this opportunity.

Just as he raised his hand to knock again you tore the door open with wide eyes.

“Logan hi!”

“Hey- you ok kid? You look outta breathe.” He questioned looking you up and down in concern while also unabashedly checking you out.

“Y-yeah I’m sorry I was about to come over and ask Wade if I could borrow something but I-it’s fine come on in!” you said ushering him in before the door behind you both.

The inside of your apartment is cute. The layout is much the same as his own place that he shares with Wade and Blind Al but yours just felt a little more homey to him.

Movie posters and works of art decorated your walls, there was a bookcase in the living room full of all kinds of books and knick knacks that you had collected over the years. On a table by the tv was a record player with a decent sized stack of vinyls. The whole place just screamed you.

“Dinner’s just about ready!” You said drawing his attention back to you. You had changed clothes since he last saw you in the laundry room, your outfit hugging your soft curves in all the right places.

“I was comin’ over to see if Wade had some ice cream for the pie, but I guess we could go without it.” You said leading him into the dining room with a smile, you’re always smiling at him, he noticed. “I hope you like blueberry!”

Logan never thought he'd see the day where someone would cook a nice meal for him let alone the variant of someone he treated so callously before.

He winced internally trying not to think about that. He was here now, not in his old shitty universe where you were gone, but in a new one, one where he had friends, a daughter, a family. It was a chance to start over.

“Sounds great darlin, I’m starving.”

Once you sit down for dinner Logan immediately tucks in, he could smell what you were cooking hours ago from across the hall and damn if it wasn’t the best thing he ever put in his stomach.

The two of you made light conversation as you ate, you poured yourself a glass of wine while Logan had the hard stuff, single malt scotch on the rocks. It had been a gift from Wade after one of his missions, an expensive one at that, and Logan savored every drop of it.

After a few more drinks the pair cleared their empty plates, wrapping up the leftovers of their meal up in portions so Logan could take some home with him. You were pulling the pie from the oven when you heard the telltale sound of running water, looking over you see Logan, rolling up his sleeves with a dish towel draped over his shoulder as he started to do the dishes.

You bite your lip to physically keep from moaning and embarrassing yourself on the spot, domesticity looked damn good on him.

His nose twitched as he smelled your arousal spike for a second, thinking it better to keep that to himself he shifted on his feet as he dried a dish and put it on the rack.

“You don’t have to-“ You started pulling off your oven mitts. They were Star Wars themed, nerdy like the rest of your apartment.

God you were such a geek! You thought flustered, while shoving them onto the counter behind you.

“Nah you cooked, it’s the least I could do.” He said not moving from his spot at the sink

“Logan.” You said firmly placing a hand on your hip. “You’re a guest.”

“And you cooked.” He reiterated,cocking an eyebrow your way. “I’m not budging on this darlin.”

You sigh defeatedly as you grab the towel from his shoulder. “Fine, at least let me help.”

The two of you do the dishes in silence, him washing and you drying, your fingers brushing against each other every so often.

“Dinner was great.” Logan said awkwardly trying to break the stifling silence that enveloped you.

“Good I’m glad you liked it.” You smiled down at your hands timidly, refusing to let him see you cheesing as hard as you were.

“Sorry for not being better company, I know you’re more used to people talkin’ your ear off.”

Wade begrudgingly crosses his mind.

"I'm just uh not so good with people. Makes me anxious.” He admitted, it took a lot for him to come out and say it but he was comfortable with you, he trusted you.

“I get it, I’m the same way that’s why I’m always around Wade. He usually does all the talking for me.” You say fondly thinking back to all the times Wade had been your emotional support extrovert.

Logan honestly had no idea how you put up with him.

“Besides I think your company’s just fine Logan, I like having you around.”

I like being around you too, he wanted to say but he couldn’t get it out. Instead he settled for brushing his shoulder against yours, a small smile dancing across his features as you smiled back up at him.

Flicking the water from your hand as you both finished up, you dry your hands on another rag before offer it up to Logan, his fingers brushing against yours for the umpteenth time that night.

When you look up he’s staring at you, his eyes taking in your features again, flickering between your face and your mouth. You can’t quite place what the emotion is behind his eyes but it makes your belly feel warm and your chest flutters.

Maybe it’s the alcohol you both had, though you know for a fact it takes a whole hell of a lot more than what you had to get you both drunk, but you could have sworn he was getting closer to you.

You start to back up just as he moves to close the distance between you. Chest to chest, or more like chest to sternum as he was almost a whole foot taller than you, Logan starts to lean down sniffing you as your back hits the counter behind you.

“Your heart’s racing.” He says

You had almost completely forgotten about his heightened senses. You were so nervous this whole evening, hoping that everything would go right, could he hear you this whole time? Oh god could he smell you?

“You smell good too.” He says moving to stroke your face with the back of his hand, confirming your fears. You clench your legs together tightly, hoping to at least dampen the smell of how wet you were becoming, causing him to chuckle.

“No use hiding it doll, I can smell you from a mile away.” He said leaning down so that his face is closer to yours.

“Logan…” you whisper. His eyes never leaving your mouth.

“Hm?”

“T-the pie…” You stuttered nervously as your own eyes drifted down to his mouth. You worked so hard on the pie you didn’t know if you’d hate it more if it went to waste or if he moved away from you at that moment.

You wanted more than anything for him to stay where he was, caging you in at the counter like a frightened little mouse.

“It can wait sweetheart.” He said, finally claiming your lips as his own.

He pulls back for a moment to look at you, dipping to place a gentle peck on your lips, as if he’s asking if this is ok.

You wrap your arms around him, dragging his mouth back down to yours, he moves his hands to the back of your thighs hoisting you up onto the counter behind you, grinding himself into you as the kiss deepens.

Logan hesitates in the kiss for a moment, pulling himself away from you as if he realizes something. When you try to lean back in and kiss him again he stops you, holding you at arm’s length searching your eyes for something, anything he could use to make you hate him in this timeline like you undoubtedly did in his old one but he found nothing but adoration.

“You-“ he starts to speak, his voice a little shaky “You don’t want this sweetheart, I’m not a good man.”

I’m not your hero, he meant to say.

You place a hand on his cheek rubbing softly at his mutton chops with your thumb.

“Please stop telling me what I fucking want.” You say leaning back in to peck at his lips. “I want you, not a hero, or this timeline’s Logan, or any other Logan out there, just you. You’re not the Worst Logan, you're just you and I want all of you.” You finish while leaning up into him, waiting for his response.

Raising an eyebrow and at a complete loss for words, having rarely heard you cuss, Logan smirks before leaning back down to meet you the rest of the way recapturing your lips with a “Yes ma’am.”

His right hand comes up to cup your jaw, gently running the pad of his thumb over the skin before running his hand up to weave his finger through your locs.

You hop off the counter, grabbing him by his flannel your mouth reconnects with his as you lead him into your bedroom, he kicks the door shut behind him.

You start to kiss down his jaw before Logan stops you with a growl. He picks you up and tosses you onto the bed before his lips reconnect with yours.

His hands find their way under your clothes to paw at you, as you free him from the confines of his flannel. Tossing it behind him, it hits your iPod dock causing music to start playing but neither of you care, too enraptured in each other to even notice. Logan pulls away from your mouth only long enough to pull your shirt over your head, his hands trailing down to pull down your pants and underwear next.

He grabs you by your hips dragging you to the edge of the bed, as he kneels down in front of you, eye level with your hot core.

You throw your head back with a moan at the first drag of his tongue. Your legs finding their way around his shoulders as he drags his nose and tongue up and down teasing you.

He presses his mouth against your clit, sucking on it before pulling away and flicking it with his tongue, drawing circles and nipping at it with his teeth.

Watching you through dark lashes, he drags his hand down your body bringing it to his mouth, he licks his finger, bringing it to your wet cunt as he slowly begins to move it in and out of you, curling it against your gummy walls searching until he finds the right spot. You let out a strangled half-sob as he leans back down pressing his mouth against your clit again, sucking and flicking at the hard nub.

“Shit,” you rasp out, reaching out for him. He knew you were getting close, he could tell from the way you pulsed around him as he added another finger.

Tears brimmed your eyes as you felt your orgasm building. “Please, right there!” You choked, eyes closing as you threw your head back.

“So fucking wet for me already and I barely touched you.” Logan chuckles. You stifled a noise as your impending orgasm builds in your gut.

“I-I’m gonna-!” You start to cry out but are cut off by a sob.

“I gotcha darlin, I’m right here.” He mumbles into your pussy as he reaches his free hand out to hold your hips open for him, your hands frantically bury themselves in his hair, desperate for something to hang on to. He carries on lapping at you as you squirm talking you through your orgasm as he rubbed his nose to your clit, drawing it out of you as his fingers continue to fuck in and out of you.

“That’s it sweetheart.” He sighs as he keeps fucking you on his fingers, his intensity increasing as he latches himself back onto your clit devouring you like a man starved, you come almost instantly. It’s when he looks up at you, hazel eyes dark and hungry, that you finally lose it, your second orgasm of the night ripping through like a freight train.

Standing back to his feet Logan licks your residue from his lips and fingers, chin glistening with your slick.

You sit up immediately grabbing at his belt, fingers rushed and fumbling with the buckle, he replaces your hands quickly unbuckling it before pulling the hem of his shirt up over his head.

Reaching behind you, you free your chest from your bra, just as he kicks his pants off. Logan pushes you backwards, your back hitting the soft mattress beneath you as he stalks over towards you on his hands and knees.

He inhales deeply through his nose taking in your scent, the aroma of you mixed with your arousal is intoxicating and is driving him absolutely feral, with a wet kiss he bites down hard where your neck and shoulder meet, where your scent’s the strongest, nearly drawing blood, before he’s back on you, covering your mouth with his own kissing you viciously as if you’d fade away from existence if he let you go.

He laps at the spot he had previously bitten you as he slowly pulls away, soothing the skin there. The mark was already gone, thanks to your healing factor, but god you could still feel it and you secretly ached that he’d do it again.

You soon feel the head of his cock running along your folds, it’s thick, and hot to the touch as he runs it along your slick hole. Then without warning he’s pushing into you, sheathing himself inside of you with a single thrust.

Logan threw his head back with a loud groan. He promised himself he’d go slow with you, take his take opening you up for him but fuck if this didn’t feel right, good it felt oh so good.

“Fuck” he grunts out into your mouth as he drops his head down to drag you into a hard smoldering kiss swallowing your moans as he sinks in fully.

He lets you adjust for a few moments before he pulls back and thrusts into you instinctively, repeating the harsh action as he begins to slowly pick up his pace. If you had been completely human, the force of his thrusts would’ve surely shattered your pelvis or at least threw them out of alignment.

Reaching up to grab onto the headboard of your bed to anchor himself Logan locks in fully, gripping the wood bar in a death grip as he pushes into you. You reach up too, grabbing a handful of sheets by your head with one hand and his hips with the other, desperate for something to anchor yourself with as Logan’s brutal pace has you reeling.

“L-Logan!” you cry out, body shaking from the force of his thrusts. His cock sinking deeper and deeper as he angles your legs over his shoulders, hitting that sweet spot inside of you repeatedly making your legs tremble in unadulterated pleasure.

An audible crack is heard from where Logan is still holding onto your headboard but you both could careless, your heads completely clouded over with lust.

Just when you were starting to think it was all too much, his thumb finds your clit again and starts to rub fierce quick little circles.

“Gimme one more darlin.” His voice is strained and rough, as he leans down to your neck inhaling your scent again as he licks up to your neck nipping at your jaw and neck as he pulls away.

You scrambled to get away, pushing at his chest as the over sensitivity was proving to be too much.

Logan lets go of the headboard and grabs both your hands with his much larger one, locking them firmly to his chest right over his rapidly beating heart.

“Don’t try and run from me kid, you wanted this remember?” He chuckled darkly, picking up his pace even more if that were possible.

Tears stream steadily down your cheeks as your barreling toward your next orgasm, it’s here, with your hair fanned out around your head, cheeks puffy and tear stained while you pant desperately trying to get away and keep up with him at the same time , that he thinks this is the most beautiful he’s ever seen you.

“Come on my dick, baby.”

Your body completely locks up at his words, your back arching off the bed as you scream, your orgasm wrecking through you as you clench around him like a vice. Logan drops your legs, yanking you up into a messy kiss as he takes you through it.

“Good fucking girl.” He grunts against your lips, he gives you a few moments to come down from your high, burying his face into your neck before he resumes his punishing pace.

You think you’re at your limit as fat tears fall from your eyes, never have you ever felt this good, this full before, it’s far too much for you.

Just as you were about to tap out, he grunts into your neck, his hands move to grip your ass bringing it up to meet his thrusts.

“Fuck, tell me where?” He growls out. He wraps an arm around your back bringing you chest to chest as he fucks you on his lap, the new angle making him hit that sweet spot inside of you that makes your toes curl.

At first you don’t quite understand what he’s asking, your brain too foggy to comprehend much of anything right now, but as he sinks his teeth into your shoulder, nearly drawing blood again, you finally understood, he was close and so were you again.

“Inside, please I wanna feel you.” You whimpered as he pounds into you. He groans at your request and picks up the pace rutting up into you desperately like an animal. His hammering is deep and unforgiving with his enhanced strength but it feels too good to make him stop, you’ll definitely have a hard time walking in the morning.

With one last harsh flick of his thumb to your clit you’re coming hard on his dick, clenching around him as your body quivers uncontrollably, almost blacking out for a moment.

He growls as his hips stutter against your own, as he cums into you, the force of his final thrust knocking you both bad down onto the mattress. Logan thrusts a few more times, pumping his load as deep inside of you as he could, claiming your mouth once again in a deep searing kiss.

You run your hands through his hair as he nearly drops himself on you, his forearms supporting the weight of his adamantium skeleton. He’s still buried inside you as you're peppering his face and neck with light kisses.

It’s quiet for a moment before he lifts himself up, pulling himself from inside you with a grunt. He pushes stray locs from your face as he kisses your forehead and flops over onto the other side of the bed dragging you with him.

At the weight of his adamantium bones dropping down onto the already crack and barely hanging on frame your bed frame finally gives out dropping your mattress to the floor with a loud thud, startling the both of you.

“I can’t believe that just happened.” You panted too shocked and tired to move from your spot on his chest.

“Sorry baby, I’ll get you a new one.” Logan laughs lightly as he pulls you to his chest.

A comfortable silence fills the room as the two of you lay on the floor, your breathing starting to return to normal. Leaning down to inhale your scent again Logan’s met with the pleasant tang of you covered in him and pulls you tighter snuggling you into him.

“You still with me?” The rough edge of his voice brings you back to your senses.

You smiled up at him from his chest with a big dopey smile, eyes completely dazed as you answered with an “mm-hm.” Too fucked out to fully speak properly. You laid back down on his chest, eyes closed as you shiver, he runs a hand up and down your spine as you start to drift off.

He chuckles at your response or lack thereof and pulls your sheets over the both of you. The temperature in the room had started to come down dramatically as your sweat covered bodies cooled in the night.

Just as Logan was about to close his eyes and join you in what was hopefully a peaceful night’s rest for the first time in years, your bedroom door bursts open revealing Wade, still clad in his hello kitty pajamas helping himself to a piece of the pie you had left out.

“Jesus Wade!” You yell eyes practically bulging out of your head as you scramble to grip the sheets to your chest.

“What the fuck asshole?!” Logan growled trying his best to shield you from view with his arms. His hazel eyes were seething with anger.

“My sweet virgin eyes!” Wade said, covering his eyes but still peeking through them through a gap in his fingers with a smirk as he chewed loudly. “You two sounded like an indoor jungle gym but instead of a shit ton of kids it's just you two.” He laughs shoving the rest of the slice into his mouth as he moves to sit on the edge of the broken bed on the floor, pointing an accusatory finger at you. “You, young lady, have some pipes on you. Could hear you practically singing about the Wolverine.~” he teases with a tsk.

“And you sir!” He points to Logan who growls at him as he swats his hand outta his face. “Where do I even begin?” He tsked again as he shook his head “You really had some pent up frustration didn’t you, you slut? Did you break her? I know she has a healing factor too but good god man have some restraint!” he leans back on her broken bed as he spreads himself out on the end.

“And her poor bed! I hope you're planning on replacing it, bee tee dubs.” Wade rolls over onto his side propping himself up on his elbow at the couple’s feet. “Did he even use a condom?” He whispered to you loudly before adding “Nice tits by the way.” as he winked at Logan. “I don’t think creampie was the type of pie she had in mind when she invited you over for dinner, old man.”

“Who knew Wolverine was a cuddler?”

You roll your eyes at Wade’s antics completely used to him over the years of knowing him but Logan on the other hand had clearly had enough. Ripping the sheets from himself you watch as Logan comically chases Wade out of the room, buck ass naked.

Slamming your bedroom door shut Logan turns the lock with a grunt, finally returning to your side he pulls you back to his chest and flings the sheets over you.

“He’s not so bad, y'know when you get used to him.” You shrug with your eyes closed as you snuggle into his chest. Adrenaline, now dying down, sleep had started to wrap you in its dreamy embrace and it was hard to keep your eyes open.

“That little cockroach is gonna be the death of me.”

You laugh at him one last time before finally drifting off. Your soft snores were the last thing Logan heard as he too snuggled into your warmth and drifted off.

Who knew the Wolverine was such a cuddler.

[theemporium]

[1.7k] an early morning birthday treat for your boyfriend hours before the rest of the world needs either of you. (smut)

we are gonna ignore the fact i accidentally hit the post limit yesterday and pretend i actually posted this on his birthday

.

“Good morning, birthday boy.” 

Oscar let out a small hum of acknowledgement, a small smile working its way onto his face but he didn’t bother opening his eyes. Instead, he wound his arm around your waist and tugged you down until you were collapsing down on his chest. He sighed happily, nuzzling himself further against you whilst you wiggled in his embrace. 

“You’re ruining your birthday,” you commented, trying to nudge his arm away so you could sit back up. But Oscar didn’t budge a bit.

“It’s my birthday,” he grumbled, his voice still laced with sleep and his accent coating his slurred words a little thicker than normal. “I get to choose what we do and I choose sleeping.”

“That’s boring,” you retorted, twisting in his hold until you were facing him. You reached a hand out, pushing his hair back until you got an unrestricted view of his face squished against the pillow. 

“I happen to like boring birthdays.” 

You snorted, smiling fondly as you leaned down to press a kiss on the tip of his slightly scrunched nose. “You’re not even going to ask what I planned?” 

“If it includes leaving this bed before I have to head to the track, then I’m not interested,” Oscar mumbled, letting out a sigh as your nails began to scratch along his scalp. “I’m quite happy here. Very content. Very happy birthday boy.”

“And if I said your birthday plans start in bed?” 

Oscar paused for a moment. “I’m listening.”

You grinned, lightly poking his cheek until his eyes slowly fluttered open. “Hey.”

He flashed you a lazy smile. “Hi, baby.”

“Happy birthday,” you murmured before you leaned down, pressing a soft but lingering kiss on his lips. 

“Definitely happy,” he hummed in response, huffing a little when you pushed his shoulder so he was lying on his back. “You’re awfully bossy this morning.”

“You like it,” you teased, throwing one leg over his body until you were settled on his lap. In seconds, his hands were on your waist like the reaction was instinctive. 

“Maybe,” he replied, though the light pink painting his cheeks gave him away. His thumbs lightly swiped along your hip bones, slowly pushing the material of your (his) shirt up until he was met with bare skin. “I have to be at the track by ten.”

“It’s only seven,” you retorted.

“That means we could have had a solid two more hours of sleep,” he pointed out, his eyes still a bit bleary from sleep. He was just grateful enough that one of you remembered to pull the curtains shut last night. “You know, cuddling is good for dopamine and stuff.”

Your lips twitched. “Dopamine and stuff?”

“You woke me up five minutes ago, give me a break,” Oscar grumbled, squeezing your hips to emphasise his point. 

“I know something else that would be good for your dopamine and stuff,” you said, grinning a little as you leaned down to peck his lips. “Something for the birthday boy.”

“You keep saying that but—oh shit.”

You watched his eyes flutter shut, his grip on you tightening as you rolled your hips against his. You ducked your head down, lips pressing chaste, open-mouthed kisses along his jaw and neck as you felt his skin flush under your touch. You felt his thumping pulse pounding, could feel the way his body was reacting to you. 

It was fucking intoxicating. 

“Do you still wanna go back to sleep?” You questioned, your voice teasing and a little patronising as you nipped the skin just below his ear.

“Nuh uh,” he breathed out, shaking his head in response. “This is good. This is better.”

You grinned against his skin.

And maybe it was still-half-asleep brain or maybe Oscar just didn’t want to assume, but he wasn’t really expecting more. It was still painfully early for either of you to be awake right now, especially considering how late you had managed to get to the hotel. And he was honestly more than happy to have this, to have his girl on top of him. To have your hands and your lips and your pretty words. To just have you. 

He wasn’t thinking about where it was leading, he was just stuck in the present moment of you, you, you.

His brain hadn’t even fully caught up until your kisses started moving lower, until a few chaste kisses along his collarbone started to move further down his chest. 

“Babe,” he rasped, his head still a little fuzzy with sleep as your breath fanned over the muscles of his stomach.

“Shhh, relax f’me, Osc,” you murmured between soft kisses, fingers tugging the edge of his boxers down as the urge to mark along his v-line overwhelmed you. 

“I—” But the words were lost in the back of his throat as the heel of your palm pressed against the bulge in his boxers, your lips mouthing at the sensitive skin along his hips. 

His eyes fell shut, his head digging back into the pillow as he let himself enjoy every single inch of his body that was being touched by you. The way his hips bucked against your hand, the front of the fabric already wet and stained with precome as you marked pretty bruises on his pale skin. The way your body settled between his thick thighs, nails grazing along his skin until he was squirming and whining underneath you. The way every cell in his body was just so, so responsive to you. 

A guttural moan escaped the back of his throat as you mouthed along his clothed cock, licking a thick strip over the fabric of his boxers as he helplessly buckled beneath your touch. He didn’t think a single thought in his head was about anything but you. He didn’t think he wanted to think about anything else but you. 

Your fingers curled around the waistband of his boxers, pulling them down his legs and throwing them somewhere off the edge of the bed, neither one of you all too bothered where it landed. Instead, you took his hard cock in your hand, not wasting a second before you sucked the tip in your mouth, lapping at the small beads of precome that were already leaking.

“Shit, shit, shit,” he breathed out, his hips bucking further into your mouth but your other hand kept his body planted on the mattress. 

He was fucking helpess. 

He was fucking helpess and he didn’t give two shits about anything other than you. 

There was a vague voice in the back of his head reminding him that it was early, that they had neighbours, that those neighbours were colleagues of his. But it was a passing thought at best for Oscar as he squirmed and wiggled and writhed beneath your touch. It was a problem for future Oscar to deal with. 

And it wasn’t often Oscar was vocal, not like this. But he was sleepy and caught off-guard and, fuck, your mouth just felt like heaven wrapped around his cock. He couldn’t help himself with the whimpers and moans he let out, your name like a mantra as it left his lips on a broken loop. 

Because Oscar Piastri was a weak man when it came to you. 

And when he lifted his head off the pillow to finally look down at you, he about lost whatever semblance of control he had left.

Your hands were placed on his thighs, your nails digging into his skin but the pain was biting and welcomed. Your cheeks were hallowed around his dick, a mix of come and drool leaking from the edges but it just made his stomach twist with a deep desire that he knew would haunt his fantasies for months to come. Your lips were red and swollen, your eyes were glossy and hooded and, fucking hell, the second he met your gaze, it was over for him. 

His hands were gripping the sheets of the duvet beneath him as he came, the pleasure white and hot and overwhelming in every sense of the word. He felt it all over like a hot flush, dancing along his nerve endings and racing down his spine as his body bucked upwards to be closer to you, your mouth, your everything. He was distantly aware of the little whiny noises he made as he came, the ones that were half muffled as he buried his face into his pillow as his orgasm washed over him whilst you lapped at his sensitive cock. 

He couldn’t really find it in himself to be embarrassed when he finally turned back to look at you, seeing you slowly lick your fingers clean from the cum that had leaked out your mouth with a huge grin on your face.

“You’re a menace,” was all he managed to breathe out, throwing his arm over his face to try and recover from mind blowing orgasm and the sight of you shamelessly tasting him. 

“Happy birthday,” you replied cheerfully, crawling back up the bed until you could press a chaste kiss on his cheek before nuzzling yourself against him. “Good start to twenty-three?”

He huffed out a laugh. “I think you might’ve killed me.”

“At least you died young, pretty and satisfied,” you joked, feeling his chest rumble beneath you and it made your stomach twist with something quite like delight. 

“And in love,” he added, his words a little slurred and his cheeks burning a little at his own cheesiness. But it still made you grin.

“I love you too, Osc,” you murmured back.

“I was talking about those sushi rolls we had last night, but yeah I love you too,” he murmured, letting out a short pained noise when you pinched his side. “Ow! What happened to birthday boy privileges?”

“Those ended with the blowjob,” you retorted. “You’re back to normal Oscar now.”

“Hm, that seems a little unfair,” Oscar commented as he wound his arms around your body, hugging you close to his chest like the two of you could melt into one person. 

“Tragic life of being twenty-three,” you teased.

Oscar smiled. “Thank you, seriously.” 

You laughed, lifting your head to look at him. “Did you just thank me for a blowjob?”

The sleepy smile returned. “Yeah, pretty sure I just did.”

“Never beating the polite cat allegations,” you said, lighthearted and sweet and joking as you leaned down to kiss him. “Never change, birthday boy.”

“Never in a million years, baby.” 

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