#and how that itself ties in to that other theme about how you can and should demand the best

[lu-is-not-ok]

Mhm... going to have to respectfully disagree on that one. While yes, emotional fulfillment is a big part of Lust, so is the concept of "base desires". After all, is the visual motif of all that is Lust in Limbus not primarily based on the idea of "desires of the flesh"? The flesh-like Peccatulae Luxuriae, hungrily trying to grasp onto the Sinners. The Bloodfiends (all of which have at least one Lust skill), whose instinctual craving for blood is the only reprieve they can grasp from their disease of loneliness. Even the very symbol used for Lust is a DNA double helix.

In the end, the exact nature of the desire itself isn't the important part for Lust - the important part is that of the desire's existence itself. A distinct need for something to fill one up, whether it's positive emotions, human connection, an addiction, or some base instinct - the main idea of Lust is to do everything for the sake of trying to fulfill this need, even if in reality there might not be any way to actually fulfill it.

This, mind you, is the big difference between an object of Lust's desire and an object of Gluttony's hunger. The latter can and likely will be reached, many times even - it's just that it'll never be enough to satisfy someone. For the former however, reaching it in the first place is the hard, downright impossible part.

So, for the base E.G.O representing Gregor simply standing back and being unable to do anything as his arm changed against his will and attacked those around him to require Lust with him being unable to provide it himself... Simply saying that he doesn't have some "higher goal" doesn't click for me. Because how would having one contribute to an arm's involuntary attack?

The whole idea of Sin Resources is that they represent the emotions and memories a Sinner needs to hold to be able to manifest the representation of whatever their E.G.O represents - with the base E.G.Os' case being a representation of an event in their past, of their 'Sin' so to say. Saying that the Lust "came from Hermann" makes no sense under this framework - after all, I highly doubt "Lust" would be a good descriptor for the kinds of feelings and memories the thought of Hermann would bring up within Gregor, if anything the fear and hopelessness he feels due to her actions would be moreso classed as Gloom, the other Sin required for Suddenly, One Day.

This is why I believe the Lust required for Suddenly, One Day is moreso tied to the more "base desires" side of Lust. Someone else in my reblogs posited that this Lust might be a representation of specifically the arm itself's desires, as the conceptual seperation between Gregor and his arm is a constant theme with him. Honestly, I'm inclined to agree.

While we still don't know much about his arm beyond the fact that it also acts as an allegory for PTSD, we know that Gregor commonly assigns intent to what it does - he treats it as a sentient being seperate from himself, one that acts on its own will and one which he has no choice but to live alongside. One which we see him consistently deny the ability to actually act out, by avoiding any situation that could potentially rouse it and trigger an attack. Would that not be an example of someone denying themself a feeling or experience, of someone hiding a part of themself at all cost, not unlike what was earlier posited to be what lacking the ability to fuel a Sin Resource for one's base E.G.O would represent?

Goddammit the two-in-one theory is even supported by GAMEPLAY MECHANICS

HONG LU'S BASE ID IS SPLIT BETWEEN RUPTURE AND SINKING

Yuuup. I haven't mentioned it on here but yup.

Fun fact, he's the only Base Identity who uses two of the Major Status Effects rather than the usual one!

And just to add to it in case you think that doesn't matter - Faust is the only Base Identity who doesn't inflict any Major Status Effect, and we know she usually sees herself as more of a vessel for the Gesselschaft than a seperate person herself.

So clearly, there has to be Something to it.

[theheightofdishonor]

when I mean quit traumatising me with thoughts about a volleyball manga, I meant it. What am I supposed to do with the knowledge that Hinata knew his weakness from the start and seeking individual growth (greed being a positive thing) doesn’t make him any less of a team player? Or that their extreme love for volleyball is what isolated them until they found each other? (or how entirely besotted Kageyama was with Hinata right from the start lmao) But really, reading your posts give me a greater appreciation for the manga and I didn’t even know that was possible! Thank you for your analysis, although I will be suing for psychic damage every time I see your posts in my feed because I end up thinking about them too much. I really like that you love Haikyuu so much, that love is contagious and you make me like it more.

Dunno, personally I find it fun to inflict my brain rot on others. The joy of suffering together or whatnot.

As for what to do with it, you can always just spin all that around your head for eternity and spit it out in various ways the way I've been doing for like 2-4 years now. Or use it to extrapolate even more insane heartbreaking headcanons and aus. They're both fun!

(Re: kageyama being besotted for hinata, that reminds me I have a post somewhere about kageyamas canon three step journey of falling in love with hinata but idk where it is. If I have time to find it I'll repost it for you because it's a good post (they make me want to chew on glass))

Im glad that I make you love hq more because honestly, there's few things better than being able to share your love of something with someone else and when you can bond with other people over that shared interest. It's sooo delightful. And like personally, interacting and having conversations and talking at people makes me like it and think about it more. It's also the way that i flesh out my thoughts. Whenever I post something especially long on here, it usually because I talked about it recently to or at someone.

Feel free to sue me for psychic damage, I find the idea utterly delightful but also you're really to blame because your asks make my day and make me want to write more about hq and kagehina

[caturnmoon]

The sun 🌞 through the houses!!(7-12)

•Part II•

•Sun in the 7th•

With your sun in the seventh your identity and ego will have a major focus on relationships of all kinds. This could also indicate a competitive personality in your relationship sphere; whether that be your work environment, sports, intimate relationships, etc..Similar to that of Mars in the 7th house in a way. Partnerships will be an important part of who you are. You are a naturally assertive person who knows what they want out of live and isn’t afraid of pursuing that! Networking will be of the utmost importance for you and how these qualities will be expressed. Teamwork means a lot for you and an equal exchange of give and take. If aspected positively, this can show that you understand the value of healthy boundaries. Your relationships with others and yourself will teach you a lot in this lifetime and you’ll learn more about yourself through them as well. Having your sun here could also show a healthy and influential relationship with your father or paternal figure unless negatively aspected. You could also be known for your relationship(s) with your spouse too. You could also love art and beautiful things and carry yourself with Venusian grace since the 7th house is ruled by Venus!

•Sun in the 8th•

With the sun in the house of intimacy, debts, inheritance, joint finances, transformation and death, you’ll most likely have a lot of experience with any of these themes. With your solar luminary in this house, you’ll be seen as someone who undergoes many transformations in your life. Like a phoenix rising from the ashes, so will you. Time and time again. You have a natural knowledge and respect-if positively aspected to reinforce this- of life and death. This cycle applies to the many ego deaths you’ll experience as well. Perhaps your father or someone you looked up to as a father figure passed early on and left a huge impact on you as well. Inheritance from the paternal side of your family could be possible too, whether material or spiritual gifts or karma. This also stands out to me as someone who’s meant to end some generational curses and karma in their family and break those cycles. You could also exude a very powerful aura to others and come off as very scorpionic as well. You have a natural sensitivity to all the hidden nuances in life and the unseen; your bullshit radar is unlike any other. This placement heeds you to listen to your gut, because it’ll never lead you stray!

•Sun in the 9th•

Your ego and identity are tied to the themes of the 9th house of Sagittarius; expansion, higher learning, philosophical pursuits, and foreign travel. These are themes that will have an over arching role in your lifetime and the sun will shine a spotlight on this. If there are many aspects to Mercury, this could further highlight an importance on education and a knack for teaching as well. Seeking a deeper understanding of life around you- and abroad- are mostly likely going to be of great significance to you and your identity. If positively aspected by Jupiter, this only gets magnified for you as Jupiter is the ruler of Sagittarius and the 9th house. With your sun being in the 9th house, this can also indicate that your father settled abroad in a foreign land from his home of origin. Settling abroad and moving often could be a potential for you as well, as 9th house placements and heavy sag in the chart can show this as well. You will be constantly searching for the next biggest thing to learn and experience, being known as a student of life itself. You could also grow into being known as a really seasoned and wise person that people can count on for rich anecdotal advice and guidance. This is another “gets better with time” placement similar to the 2nd house sun but rather than solely material wealth, this wealth translates to wisdom and experience/knowledge.

•Sun in the 10•

Ahhhh yes, the ever so overemphasized “fame” placement. (Sorry, I just had to, cause having this doesn’t automatically grant massive fame. 🫶🏼) Having your sun in the 10th shows an emphasis on being known for taking on responsibilities and an enterprising spirit at some point in your life since this house is ruled by Capricorn and Saturn. The solar luminary in this house will shine a spotlight on your hard work and accomplishments in your career! You will be known for what you do for a living most likely and known as a hardworking and accomplished person. This also rules legacies and since the 10th house is ruled by Saturn and both Saturn and the sun can represent the father, he could leave his legacy for you or you could be inspired by him or his work as well. A great example is my little brother; he has his sun in the 10th and he decided to follow in my dad’s footsteps and become a nurse as well. “Taking on the family business” can be another possibility with this placement and you could be highly favored by your father or he could have a huge impact on you. How you’re seen and perceived in public could also be very important to you and you more than likely will be very popular especially in your field of work. You will have natural talent and ability to accomplish anything you set your mind to, as the Sun illuminates the more positive attribute of Saturn in this house. This can indicate fame if the rest of the chart supports this, but at the very minimum, this means you have the drive to better yourself and lead whatever venture you go on with diligence and success!

•Sun in the 11th•

The 11th house is another underrated wealth and fame placement if positively aspected and supported by the rest of the chart. With the sun shining its light on the house of larger communities, wish fulfillment, philanthropy, and technology, this can indicate a person with a wide network of friends that help support them in life. They can be the leader of a community or cause and volunteer work and charity work could be of great importance to them at some point in life. If supported by other benefics in the chart great wealth could be a real possibility and popularity on a massive scale. Since the 11th rules the realm of technological advancements as well, you could be very popular on social media or online in general. Blogging, astrology, or even work in the government could also appeal to you since these are associated with “larger” groups of people. Your friends can also be family to you and they will have a huge influence in your life. If you also have Pluto in this house then there’s a possibility of being supported by powerful friends and people. Politicians are know to have heavy 11th house activity. You are seen as one of a kind and original, never replicated! The more you step into your authenticity and embrace your quirks, the more you will shine in life. Those with this placement could have felt ostracized and isolated at a young age whether from their families or peers for being different and are very sensitive to others and making sure everyone feels seen and included. You have a strong desire to be socially recognized and you most likely will be known for this.

•Sun in the 12•

Last but never least and a very misunderstood placement like a lot of other 12th house placements. The sun in the 12th house of endings, losses, spirituality, isolation and dreams is such a profound placement to be treated with respect. It is thought that those with their sun in the 12th were royalty in a past life (also a common placement in a lot of royal’s charts in general.) and since the 12th rules the hidden, this could be in their subconscious in this lifetime. The 12th rules hidden talents and the subconscious mind so with these placements there’s usually a lot to be gained from the planet it’s in which can hint towards these talents. Since the 12th is ruled by Neptune and Pisces you may come off very soft spoken and introverted to others and only show parts of yourself that you’re comfortable revealing (the sun). The suns attributes can be quieted here at first; perhaps you felt you couldn’t take up space as a child and had other family members that took priority over you. This can also indicate foreign settlement and estrangement from your father. You are an absolute light and joy to everyone around you and you most likely won’t see this quality in yourself but others most definitely will! With the 12th also being known as the connector from this world and the spirit world you could also have a natural sensitivity to this as well. Vivid dreams and astral travel can be pretty common. Spirituality will be an area of focus you will be leaning into most likely and have aptitude here. You will need a lot of alone time to decompress from harsher energies because you’re like a psychic sponge. You could have the ability to read auras too, since the sun shines a “light” in these matters as well. I have this placement in whole sign and can see auras! Always remember that with this placement, how you view yourself is almost never how others perceive you. Thoughtful, kind and artistic; this world needs more souls like you!

Until next time! 👽🖖🏼

[cheshiresense]

Hi Cross! I'm so happy you're writing for ShunStarrk, it's one of my favrite ships and Starrk is one of favorite characters and I love how you write them. I also couldn't help thinking about wat would happen if you sent Starrk bac with Ichigo in Swinging Pendulum (or just TBTP). You've done Kisuke and Aizen so I was curious how it would go with Starrk. I'd love to see any ideas you might have for it!

lol my first thought when I saw this was a mental image of Ichigo throwing Starrk at Shunsui and being like “go seduce us an ally!” 😂😂😂

But okay, more seriously, I have a few thoughts on it so I guess I'll just ramble a bit? Well first of all, in an AU like SP/TBTP, I would employ one of my handy dandy Bleach headcanons where the next step up from Arrancar is a fully restored soul, so to speak. We know Hollows are generally souls that Shinigami failed to purify and save in time, but I like to think that as Hollows, after hitting rock bottom, if they have the power and the strength of will and the ability to survive long enough to work all the way back up on their own, they can actually fix themselves.

(I actually also headcanon that becoming “perfect artificial Arrancar” via Aizen and his Hougyoku actually stagnates them, so they’re given a power boost and Shinigami-like powers, but they’ve basically peaked and will never again be able to grow much because there is no growth from perfection, which also explains why the Visored’s power levels have always felt a cut below the other captains and lieutenants’ and even after a hundred years they could never manage much with their Hollow abilities, nor did they make any significant improvements or contributions between WW and TYBW, because the Hougyoku pushes you to the pinnacle of your potential at that point in your life, but by doing so, it also cuts off any possibility of further growth, and so over time you might even deteriorate. And all of that ties neatly back into one of Bleach’s major themes of perfection/stagnancy vs. growth/development. But I digress, that isn’t overly important here.)

My point is, the fuckery in the bad end future where Ichigo and Starrk are from lasted long enough and resulted in a terrible enough war that Starrk finally allowed himself that last step of growth and became a whole - if scarred - soul again, so he no longer has a Hollow hole or that collar of teeth, and he has a proper Zanpakutou merged with his Hollow abilities. So like he’s the first and only Hollow ever who managed to rebuild his own soul and is super OP as a result. Like if Aizen’s the upper limit of a Shinigami, and Yhwach is the upper limit of a Quincy, then Starrk would be the upper limit of a Hollow, which the Soul King took into account and was like yay finally the best of a species that isn’t out to ball the universe for once, he’s hella depressed and lonely and grieving but he’s just gonna have to deal cuz the world isn’t going to save itself and my god-slaying mad-scientist-experiment-child of a descendant needs all the help he can get to pull his saviour schtick off again.

All of which is just to say Starrk can blend in much better in Soul Society and yes I took the long-ass way around just to establish this single plot point lmao.

Secondly, as implied above, I’d prob change the final big bad to the Quincy because 1) it’s fresher in my mind and also 2) it gives me more established material to work with. Also 3) we’ll pretend Yhwach wasn’t senile and so didn’t kill off half his own army, because lbr his Auswahlen won half the war for the Shinigami in canon. And this way we get the tragic bad end we need to kick off an SP AU.

And thirdly, just to tie up that loose end, you can’t have two of the same souls in one timeline, so past!Starrk&Lilynette wink out of existence the moment the Soul King drops future!Starrk in TBTP because I’m heartless like that and the more angst the merrier.

Also fourthly, the thing about sending Starrk back with Ichigo is that the dynamic is just so completely different than if it were Kisuke or Aizen or Shinji or any of Ichigo's friends. Like I guess in other fics you usually see Starrk as one of Ichigo's ppl, lured over to the good side because of Ichigo's whole power of friendship, friends and family must be protected thing, and I enjoy reading those of course, but writing-wise, I can't really get behind it because for me, their relationship would come out sth like part-comrade, part-mentor/student because someone's gotta teach Ichigo how to Hollow and I honestly don't rly count the Visored training as such because what they did was basically the equivalent of a temporary patchjob/lesson on how to unhealthily repress a part of yourself instead of actually dealing with it, all so it won't get in the way of fighting Aizen, so Ichigo never actually gets around to harnessing that side of him as opposed to everything he does with his Shinigami and Quincy sides, and lastly part-wow-this-kid-is-a-hundred-years-away-from-becoming-another-Aizen-if-the-Shinigami-keep-fucking-up-with-him whenever Starrk looks at Ichigo, because if anyone aside from Ichigo understood what made Aizen into the would-be-god he became, it would be Starrk, and there's no way he wouldn't be able to see the exact same potential in Ichigo.

And yeah, technically Kisuke was a mentor too, same with Shinji and a few others, but with their history, it's hard to really see that role as one of their main ones, esp since all of them end up following Ichigo's lead. If you want to get poetic about it, he's the sun they're drawn to and revolve around and devote themselves to. That's completely not the case with Starrk. If anyone is Starrk's sun, it's Shunsui. Plus Starrk's just a lot older than most of them so he can't just be crammed into the peer/partner/friend willing to burn SS down for Ichigo and follow him to the ends of the world box. It would be the same if it was Shunsui or Ukitake sent back. But that's fun to play with too, something new, and I imagine Starrk's got a soft spot for kids, and this one was also taught by Shunsui (a la SP canon), and Starrk taught Ichigo as well, so it's not like they don't get along or that Starrk wouldn't absolutely throw down with someone trying to take another chunk out of Ichigo. It's just that this is a dynamic where for once, Ichigo isn't the absolute top priority and object of fascination/love/devotion for the one sent back in time with him. For Starrk, that position's already taken by a certain Shinigami captain.

And wow okay we're not even into the actual AU and I already rambled too much, I guess I'll end this with the two of them entering the Academy after wandering in from the wilds of Rukongai? In SP, I had Ichigo being found by the Shibas and sort of faking amnesia, but I feel like it's simpler here to go with the two of them finding their way to the Seireitei on their own, and then the Shibas hear of someone with a face that could pass for Kaien's twin, so ofc Kaien's immediately like HELLO LONG-LOST FAM and rolling out the welcome mat.

Obviously Ichigo's like fuck that this is way too soon after losing all my actual friends and family, but Shibas don't know how to take no for an answer (honestly you're like that too Ichigo), so there's a good few weeks where Kaien haunts the Academy like an enthusiastic ghost two steps left of empty nest syndrome or something, and Ichigo spends an equal amount of time ignoring him in favour of tearing through the Academy curriculum like a man on a mission, which he technically is. He doesn't like the attention, but he's also never had much patience for subtlety, and he's used to ignoring other ppl's opinions of him anyway, so by the end of the month, everybody knows him as the newest Shiba prodigy slated to graduate in a year, and Ichigo doesn't care so long as he gets what he wants.

Meanwhile, not many people notice the man who'd come to the city with Ichigo and applied to the Academy at the same time. Unlike Ichigo, Starrk is very good at fading into the background, and it's doubly easy when you put him next to someone whose very existence is as bright and loud as Ichigo's, with the kind of charisma that attracts ppl to him even when he doesn't do anything.

That suits Starrk just fine. He's exhausted and heartsore and still not entirely sure why he'd said yes when Mimihagi had waylaid him when he'd been on the brink of death and asked him to accompany Ichigo back in time to save the world. He's not a hero, not anyone important or special, and also not particularly interested in living in a world without Kyouraku Shunsui - his Shunsui - in it. But Shunsui had also died for the world, for the Soul Society he'd devoted his life to protecting, died to buy time for others to live just a little bit longer, and it had seemed a mockery of one of the things Shunsui had held so dear if Starrk didn't even try to protect it too when the option was laid out in front of him. Besides, it had also seemed unfair to leave it all to Ichigo, to dump the literal weight of the universe on the kid's shoulders once again, and this time he wouldn't even have any help if Starrk didn't go because everyone else was dead or - Starrk assumes - not as strong as him. Once again, his strength is more a curse than anything else. So he supposes he does know why he'd agreed - a moment of insanity, a moment of weakness - and now here he is stuck in an era he'd certainly lived through before but in a location he'd only ever seen in the midst of war.

Peacetime at least affords him time to rest, although he's not sure how he likes that either. Fighting and killing at least means he has little time for anything else, like sleep plagued with nightmares, but it's that or staring into empty space and being plagued with memories instead, and that's not really any better. Still, he deals and doesn't let Ichigo catch on to the fact that his head's not in a great place because the kid doesn't need anymore on his plate. It's not like Ichigo's getting much sleep either anyway if the bags under his eyes are anything to go by. Besides, Starrk's used to nightmares and bad memories. He has a thousand years' worth under his belt, so it's nothing new, even if the content is.

The Academy is something of a novelty, if only because he's never gone to school before. So unlike Ichigo, he doesn't mind going to lectures instead of immediately testing out of most classes and jumping straight to the sixth-year curriculum and whatever extra credit work that Zanjutsu department head who likes stalking Ichigo gives him. Starrk had checked and discovered that so long as he applies for it before the deadline, he can take the graduation exams at the end of the year, and so long as he passes, the school doesn't much care what classes make it onto his academic transcript. There's even been clan kids who just stay at home with an army of private tutors before directly taking the exams and entering the Gotei that way.

But like Ichigo, there's also not much the Academy teaches that he doesn't excel at. Combat-wise, there are already very few people in all the known worlds who can best him, let alone anyone in this school. His worst subject is history, because he knows almost nothing of Soul Society aside from major events he'd heard of in passing and anything related to Quincy, but when everything else is easy, that just means he can spend all his time memorizing the readings he's assigned.

Aside from that, he goes to class and sleeps in class, he skips class and sleeps then too, he spars whoever the teacher wants him to but never volunteers otherwise, and he's very careful to keep his reiatsu levels under wraps. He looks at his classmates in each class and picks out the middling to above average students and copies their progress, and he doesn't bother doing more.

"Isn't it boring?" Ichigo asks him once when he's once again hiding from his cousin in Starrk's room. Starrk shrugs from his bed and doesn't tell him that one doesn't know boredom until they've spent a thousand years alone in a barren desert. Anything else is a step up. Even if all the theory in his lectures are things he's already read about because Shunsui had let him have free reign in the private library back home, hearing it again never hurts. "It's a pretty good sleep aid," Starrk says instead, just to hear the amused snort it coaxes from Ichigo.

It is of course impossible to fool everyone, and Starrk hadn't been aiming for that anyway. Ichigo also doesn't spend time with anybody else, so inevitably, two months into their Academy life, one Koyonagi Senzou turns his attention on the man who probably spends more time sleeping than anyone else in the Seireitei.

"All your assignments fulfill the minimum requirements," Koyonagi says, smiling from behind his desk after summoning Starrk to his office. "Never more, never less, perfect across the board even if they all come back with a note suggesting you could try earning some bonus points. All your tests are returned with a score of 75-80%. Never more, never less, but the points that get docked off are always for questions you've left blank. And every single week, you win exactly half your total spars. Never more, never less. Tell me, Coyote-san, do you think yourself more or less subtle than Ichi-chan?" Starrk blinks once, slowly, and stares back without the energy to muster much more than a noncommittal grunt. Koyonagi reminds him a little of Aizen and a lot of Ichimaru, and this kind of person, Starrk knows, wants for nothing so much as they do a reaction. "Wasn't trying to be subtle," Starrk eventually says when it becomes clear that Koyonagi is perfectly willing to wait him out for as long as it takes, and Starrk doesn't care enough about power plays to try and win this one, not when he hasn't even been offered a chair to sit in. "I've been passing everything, so it's fine, right?" Koyonagi doesn't stop smiling, but it becomes just the slightest bit fixed the way Ichimaru's had when he'd not been entirely pleased with his prey's response. Even Starrk probably would've missed it if Ichimaru hadn't often looked like that around Starrk. As expected, the teacher prods a few more times, a little more cutting each round, and Starrk in turn replies with the same dull apathy that comes so very easily to him. "Well-played," Koyonagi finally says, and he just looks bored now. "Although I honestly can't fathom what Ichigo sees in someone so lacking in... ambition." He pauses like he wants Starrk to hear the insult underneath, like he wants Starrk to take offense, but Starrk's barely paying attention as it is, and there was no question anyway, which means Starrk isn't expected to answer, so he doesn't. Koyonagi sighs like he's never met a bigger disappointment. "Never mind, you're dismissed." His eyes glitter with something like mockery. "Your new schedule will be sent to you by tonight. You'll be moved up to the sixth year classes. Do keep up the good work, won't you?" Starrk raises an eyebrow, then sighs right back. Well, whether it's first year or sixth year, it's all the same to him. He's not the one who took the initiative to present himself as a genius, and students are moved in and out of classes for more reasons than just skipping grades. And with Ichigo around, no one will look twice at him. He dips his head in acknowledgement and wonders why people like this can't just say what they want to begin with. This had clearly been the point from the very beginning and could've been over and done with in two minutes, but this meeting's dragged on for half an hour. What a troublesome guy. He heads for the door. The weather is nice today. Maybe he'll even be able to take an uninterrupted nap for once.

On the Shiba front, something's got to give, and unfortunately for Ichigo, he doesn't have experience warding off family unwilling to leave him alone.

"I came here with a friend!" Ichigo snaps, his last-ditch attempt to chase Kaien away. "He's practically family! I'm not leaving him behind!" He'd heard all about the bullshit that was Rukia's adoption into the Kuchiki Clan, thank you. Kaien blinks at him, mystified. "What are you talking about? We just want to add you to the family registry and probably throw you a party while we're at it. You don't have to leave your friend anywhere. Hell, bring him back with you. If he's your family, he's our family, and we have plenty of space!" At this point, Kaien looks like he's warming up to the idea. "That's right, you mentioned you've known him for a while, right? Uh, what's his name again, Coyote Starrk? If he's been watching your back out in Rukongai, I should thank him properly. Is that why you've been resisting all this time? Did you think we'd make you cut ties with him or something? We're not like the other stuffy clans, Ichigo! Any friend of yours is welcome! We'd love to meet him! Hey, how's he doing in his classes? Does he need a sponsor? It doesn't matter, a clan sponsor can only be a good thing. Don't worry, Ichigo, we'll take good care of him!" Ichigo has a moment to picture the sheer amount of chaotic energy that even he can already tell is a common factor amongst the Shiba Clan, meeting Starrk, whose favourite hobbies include napping, creating new Kidou seals, and listening to Kyouraku read to him when they can scrounge up some time for themselves, and the only conclusion he can come to is a horrified, holy shit, Starrk-san's going to kill me.

[vogelmeister]

me with goud tbh. im not sure entirely what message i wanted to convey or the themes i wanted (although im positive identity is one of them, maybe deception and betrayal is too) and it's honestly just making me go ??? what’s the point and why does it actually goddam matter?? what would i take away from this story if i wasn’t its author.

Idk why but I'm feeling really stuck with my writing rn. I don't really have a *theme* for my story or a message I want to tell, and I keep seeing things that say you need that for a story.

I just want to write a fantasy with queer main characters. I don't even know what I'm doing.

[rwbyrg]

Can we take a moment to appreciate just how well fed we are? Both in canon and beyond?

Oscar said "woah" the moment he first met Ruby.

"Woah. You have... silver eyes". Specifically.

The scene of them sparring at sunset and being goofy about it.

They're the two youngest members of the team, and both of their main allusions are stories about growing up (The Little Prince and Little Red Riding Hood).

Oscar's main allusion is of a character that's in love with a rose. Ruby's last name is Rose, she has a rose emblem, and can turn into rose petals.

They also have shared/parallel allusions from in-universe fairytales (Ex. The Boy Who Fell From The Sky, The Girl Who Fell Through the World, and most notably, The Warrior in the Woods).

The Dojo Scene

Their shared attachments to each other keep being put in focus.

Oscar cared more about Ruby being knocked out than Weiss being impaled at Haven.

Ruby's always watching his back in fights, and he always has hers in group conflict discussions.

Neo, the illusionist character, uses Oscar as both the first and last illusion to torture Ruby; going so far as to make Ruby "kill" him with her own hands. It could have been anyone, but it WASN'T. It was OSCAR.

Meanwhile, Oscar in the V9 epilogue laments to Ruby's "grave" about how he is struggling to hold onto who he is more than ever before. In large part because of the merge, but also because Ruby "always saw people for who they really were", and she's not around anymore to help remind him of who he is.

"You're your own person."

The Almost Hug.

The song that plays leading up to The Almost Hug is one about someone pining for a love they've lost and been separated from across worlds. The song airs a few episodes before Oscar and Ruby are the only "pairing" split up between Remnant and The Ever After. The song itself is called Treasure and Ruby is a type of precious gem, while Oscar's name alludes to gold.

Oscar's last name is Pine. Which, aside from the species of tree, is defined as: "to long or yearn for the return of something; to suffer, typically from a broken heart"(please see points 12 and 15).

They have multiple paralleling arcs and themes around choice, identity, responsibility, leadership, grief, etc.

Their character designs have complimentary colour schemes like other canon ships (red/green and silver/gold).

Sun/Moon ship

"Combat gear looks good."

They also follow the same story beats, separations, and reunions that other canon ships have in show (the meet-cute, the getting-to-know-you, the breakup arc, the distance makes the heart grow fonder trope, the (upcoming) emotional reunion, etc).

The animators, writers, and even voice actors on occasion, engage with fan content or discussions of the ship in a positive manner.

The Official RWBY Twitter Oscars Meme

Miles Luna has said a few times that the ship is cute. He also highlights that their relationship is built on mutual understanding from being in similar circumstances as the youngest kids in the group with too much weight on their shoulders.

Miles also said that in a hypothetical scenario where everyone celebrates Oscar's birthday, Ruby would buy a co-op video game as a present and the two of them would stay up really late playing it together.

Rosegarden won 2nd place in a popular RWBY YouTuber's "Top 10 RWBY Ships" poll as voted by fans after Volume 8 (it would have been third place if Renora and Bumbleby hadn't tied for first).

That one video from Aaron Dismuke, Oscar's VA.

"That kid's got a collapsible staff" -heart eyes emoji-

We've gotten a "Rosegarden Moment" in every Volume premiere since Oscar's debut in V4.

Oscar shouting Ruby's name too many times in the V6 fight against Cordovin.

Maria tells Oscar to "keep that fire fed" after he overhears Ruby talking about food always making her feel better. Then a few episodes later, he suspiciously makes a casserole for the "team" after "they" had a rough day (where he stood up for Ruby when she was looking defeated in a group argument).

Oscar's the only person Ruby opened up to about her grief until the blacksmith. Meanwhile, Ruby's the one who's always assuring Oscar he's his own person despite the merge.

The parallels of Oscar's struggle with the merge and Ruby's ascension in The Ever After.

"I'm just going to be another one of his lives, aren't I?" / "What if you could be anyone?"

Characters within the narrative regularly notice how close these two are to each other. Mainly Nora, Weiss, Yang, Cinder and Neo.

Oscar blushed when Ruby touched his shoulder???

THE FUMBLE?!?!?!?

[rosemariiaa]

~Holding On~

pairing- Paige x Azzi

a/n: not really much to say.. but this was kind of sad to write. I’m taking requests for a while until I start on something new , so send what you want to read lovelies 💌

Anon Request: • can u write pazzi oneshot where paige has thanatophobia and has panic attack and azzi id there to comfort her •

themes: fear of dying

Enjoy!!!

The apartment was quiet, but inside Paige’s head, it felt anything but. Her breathing was shallow, erratic—her hands trembling as her mind spiraled down a dark, endless tunnel. The walls felt like they were closing in on her, the fear wrapping itself around her chest like a vice. She was trying to keep it together, but it was slipping, all of it slipping.

She couldn’t stop thinking about it. The end. That moment when everything just… stops. What if it came sooner than she thought? What if she wasn’t ready? What if she left everything and everyone behind?

Her chest tightened, her heartbeat thrumming too fast, too loud. She pressed her back against the cool wall of her room, gasping for air that didn’t seem to reach her lungs. The world felt like it was fading, like she was falling, and she couldn’t stop it.

Azzi wasn’t supposed to come over tonight. Paige had tried to be normal during practice, tried to laugh and joke like always. But the moment she was alone, it crept back in. And now it was suffocating her. Somehow, through the fog of her thoughts, she heard her phone buzz. Azzi. She didn’t have the strength to answer it.

Then, the door opened. Paige’s breathing hitched when she heard Azzi’s voice, soft but concerned. “Paige? You didn’t answer my texts. You okay?”

Azzi’s eyes immediately landed on Paige, crumpled on the floor, her knees pulled to her chest, arms wrapped tightly around herself as if trying to hold her body together.

“Oh my God, Paige,” Azzi whispered, rushing to her side.

Paige couldn’t even speak. She could barely breathe. She felt a cold sweat trickling down her spine, her vision swimming. Her mind was racing, chaotic and frantic, screaming things she couldn’t control.

Azzi dropped to her knees beside Paige, her own panic rising, but she pushed it down. She needed to be strong right now. Gently, she cupped Paige’s face in her hands, forcing her to meet her eyes. “Hey, hey… I’m right here. You’re okay. Breathe with me, okay?”

Paige’s eyes were wide, unfocused, but she tried to latch onto Azzi’s voice. It was like a lifeline, a rope pulling her from the deep end, but it was hard. Everything was hard.

“I can’t,” Paige managed to choke out, her voice raw, broken. “I can’t… Azzi, I… it’s like… I can’t stop thinking about it. I feel like I’m going to die. I— “You’re not going to die,” Azzi said firmly, though her voice cracked with emotion. She wrapped her arms around Paige, pulling her close, holding her as tightly as she could. “You’re safe. I’ve got you.”

Paige’s body shook as she collapsed into Azzi’s embrace, her breath coming in ragged gasps. Azzi held her, one hand stroking her hair, the other rubbing circles on her back. She didn’t say anything for a while, just let Paige cry, let her panic run its course. The weight of the fear was crushing, suffocating.

“I’m scared,” Paige finally whispered, her voice so small it almost broke Azzi’s heart.

“I know, baby. I know,” Azzi whispered back. “But you’re not alone. I’m here. I’ll always be here.”

They sat like that for what felt like hours, the weight of Paige’s fear slowly lifting, little by little. Her breathing started to even out, though the trembling in her hands remained. She could feel Azzi’s heartbeat against her own chest, steady, grounding her in a way she hadn’t thought was possible.

“Do you want to talk about it?” Azzi asked quietly, her fingers still running through Paige’s hair.

Paige didn’t answer at first. She didn’t know where to begin, how to explain what it felt like to be so terrified of the end—so terrified of something inevitable. Finally, she whispered, “I think about it all the time. About dying. About not being here anymore. It’s like this… weight. I try to ignore it, but sometimes it just… it takes over. And tonight, I just—” Her voice broke, and she clutched Azzi tighter. “It’s too much.”

Azzi closed her eyes, trying to keep herself from crying. She hated seeing Paige like this, so vulnerable, so scared. “You don’t have to go through this alone,” she said softly. “I know it feels like you’re carrying it all by yourself, but I’m here. Always.”

��I don’t want to lose you,” Paige whispered, her voice barely audible.

“You won’t,” Azzi said, her voice fierce, determined. “You’re stuck with me, okay? Forever, if I have anything to say about it.” Paige gave a shaky laugh, though it was more out of exhaustion than amusement. “Forever, huh?”

“Forever,” Azzi confirmed, leaning down to press a kiss to Paige’s forehead. “We’re in this together.”

Paige nodded, her breathing slowly returning to normal. She didn’t feel okay, not completely. The fear was still there, lurking in the back of her mind, but it felt… manageable, at least for now. With Azzi holding her, it didn’t feel like it was swallowing her whole.

“I love you,” Paige whispered, her voice soft and fragile.

Azzi’s heart swelled, and she kissed the top of Paige’s head again, pulling her even closer. “I love you too. And I’m going to be here, no matter how hard it gets. You don’t have to be scared alone.”

They stayed like that, tangled together on the floor, the world outside their small apartment fading away. For now, it was just the two of them, holding onto each other through the storm. And for the first time in a long time, Paige didn’t feel quite so afraid.

————-

tags: @thaatdigitaldiary @patscorner 💌

[lau219]

Summaries for Current Kinktober Lineup

🎃🤍🔥🎃🤍🔥🎃🤍🔥🎃🤍🔥🎃🤍🔥🎃🤍

🔥🤍🎃🔥🤍🎃🔥🤍🎃🔥🤍🎃🔥🤍🎃🔥🤍

🔥 Completion of Every Inch of You — Tommy finally acts on his long-time desire for Y/N, completely surprising her and showing her that not only can the right man make sex amazing, but that a real man not only admires a woman’s curves, but thoroughly enjoys them.

🎃 Cillian Murphy x Reader — Cillian is all for charity, but not for the pointless soirées that go with it. But when the charity he’s most tied to throws a gala, he’s expected to be there. Ordinarily, he finds any theme or gimmick incredibly stupid, but this particular event’s masquerade theme means at least he can disappear among the other attendees and not be hounded. When he meets an elegant, beautiful stranger with an adventurous side, he seizes the opportunity to finally enjoy one of these events.

🤍 Jonathan Crane x Reader — Y/N has been Jonathan Crane’s research assistant for a year now, and despite his extremely stoic and clinical demeanor, she has a hopeless crush on him. But she also wants badly to impress him, and she’s constantly striving to be the ideal assistant. Little does she know that Jonathan has spent the last year carefully assessing and analyzing her, not only because he’s secretly wanted her all along, but also to learn her desires and the ins and outs of exactly how to make her fall apart for him.

🔥 Jackson Rippner x Reader — Even the bad guys have to eat, right? And the local diner is where Jackson goes for a bite at least twice a week. Of course, the beautiful yet feisty waitress who always ends up being stuck serving him has nothing to do with his frequenting there, right? Fed up with Jackson’s sexist, arrogant attitude and asshole remarks, Y/N always tries to get him out of her diner as fast as possible, despite the fact that he’s the sexiest man she’s ever laid eyes on. This toxic back and forth comes to a head when Y/N finally pushes Jackson a little too far, and he has to teach her a lesson and show her just how much of a mistake it is to test him.

🎃 Tom Buckley x Reader — How can such an insanely hot man seem to have no personality and no interests in anything other than his work? That’s the question Y/N wonders on a daily basis about Tom Buckley, her professor’s TA and colleague. But when Dr. Matheson recruits Y/N to help with a new project due to her incredibly impressive performance in class, she and Tom are suddenly spending a lot of time together outside of class. Is there more to Tom than Y/N thought? Maybe there’s a personality behind those gorgeous blue eyes after all, and perhaps Tom’s prior behavior was simply how he’s kept himself in check, and not because he hasn’t noticed this star student.

🤍 Cillian Murphy x Reader — The theater has a different energy all its own, which is why Cillian is so passionate about it, always returning when the opportunity presents itself. With the latest invitation to perform as the lead actor in a new show filled with heavy drama and romance, the actor is surprised to learn that his female co-star is very fresh, not expecting a new actress to be able to take on such weight. But besides being unbelievably impressed with her sophistication and acting abilities, Cillian also can’t stop wishing that every romantic scene between them was happening in real life. But since Y/N has followed and admired Cillian for years as she made her own way in the acting world, the fondness is definitely mutual. Not to mention the fact that she nearly melts every time he touches her. Upon the wrap of closing night, will restraint and professionalism finally give way to desire and passion?

🔥 Modern Tommy Shelby x Reader — Tommy always calls the shots; it’s the only way he knows how to operate, and that includes in the bedroom. But outside the bedroom, Y/N needs to remember that Tommy still controls her. After several busy weeks with no sex between them due to crazy schedules and commitments, Tommy decides that tonight, the foreplay is going to begin before they even make it back home. Due to her recent slip in attitude and getting sassy with Tommy, Y/N is going to quickly be reminded that she’s completely at Tommy’s mercy (or lack thereof), and he has an intimate little gift for her to remind her of just that fact.

🎃 Jonathan Crane x Reader — If there’s anything Dr. Jonathan Crane despises, it’s a whiny patient. Yes, we all have problems, trauma, and fears, but rather than complain, he believes the best treatment is addressing those fears and facing them head on. So when he has yet another draining session with Y/N, his beautiful yet whiny therapy patient, he decides that the best way to finally make progress and address her fear of pregnancy and childbirth is to do some very personal exposure therapy.

🤍 Tommy Shelby x Reader — Lingerie mood boards and Tommy head canon on exactly what seeing you in lingerie does to him, and how he responds.

🔥 Jonathan Crane x Reader — Drs. Jonathan Crane and Y/F/N Y/L/N have been colleagues for over a year now, and it’s very much a love/hate relationship. Although title-wise, they’re equals, Jonathan seems to always think he’s in charge, and he enjoys bossing Y/N around. Fed up with his attitude during their latest collaboration, Y/N decides to teach Jonathan a lesson. When he instructs her to see how patients react to a new drug, she slips it to him instead, and a shift in control occurs that Jonathan was not expecting.

🎃 Modern Tommy Shelby — It’s a particularly busy time at work for Tommy lately, and much to both he and Y/N’s dislike, he hasn’t been home much, let alone had time for any intimacy. Seeing as they typically never go more than a day without sex, Y/N is feeling very deprived for her man. When he yet again isn’t home when he promises he would be, Y/N decides that a little distraction for Tommy is needed. But she’s thrown for a loop when Tommy’s attention doesn’t stray from his work and his tolerance for cockwarming lasts much longer than she anticipated. What is she gonna do now?

🤍 Modern Tommy Shelby — If Tommy could have you walking around topless 24/7 for him, he would. Of course, he adores ALL of you, but your breasts are a distracting favorite of his. When you meet him at a fancy event being held for some of his work colleagues, he’s thrown to see you wearing a dress that shows more of your chest than he wants any other man to see. How dare you put on display his two favorite features of yours that are meant to be for his eyes only?

@nyxxie-pooh @xsweetcatastrophe @allie131313 @betty21rose @febris-amatoria

@hannibellector @fairytale07 @meister95 @alltoowellbeneaththemangotree @beastofburdenxo

@runnning-outof-time @aphroditeslover11 @galactict3a @natalie--rushman @wild-rose-35

@judig92 @cillmurphyslover @ladyvenera @karah-bear @k1ng-l3on

@ceirinen @peskybinders @fuseburner @shaddixlife @neonpurplestars89-blog

@garrison-girl-08 @devotedlyshadowytheorist @emotionalcadaver @muhahaha303 @mostly-marvel-musings

@darklydeliciousdesires @mamawiggers1980 @honeymoon8 @novashelby @wonderlanddreamer

@cardan-official @fmo166 @vastcapacity @mspookington-blog @teawonderfultea-blog1

@shopgirl6us @fkmarrycill @mrs-bond @sl-newsie @lyarr24

@cillianbabe @vervainandspritz @pkmonka @myers-meadow

[antiquarianfics]

Making Waves

Bucky gives you a pep talk when life’s beating down on you a little too hard.

a/n: unedited as always. this is also just a comfort fic. just bucky making you feel better. this can be read romantic or platonic. whatever floats your boat.

warnings: sexist themes, profanity

note: I do not own the character Bucky Barnes or any other Marvel affiliated characters.

You do not have permission to copy, repost, or translate my work; however, feel free to like, comment, and/or reblog.

»»———-———-———-———-———-———-———-««

“I thought I might find you out here.”

You sigh as you tilt your head up in acknowledgment of your intrusion, unsure if it’s welcome or not. In fact, you’re not sure how you feel about much at the moment. Your mind is swimming in uncertainties and insecurities that you feel a personal obligation to figure out or overcome. Nevertheless, you don’t protest the welcome/unwelcome (pick one, dammit!) company as it sits down next to you, providing a little warmth against the night’s cold to your right.

Your company had found you sitting alone on the beach, right at the shore, knees pulled to your chest, arms wrapped around your legs and holding them close, fingers anxiously fiddling with a ring on your finger, and staring at the waves as they crashed against the shore over and over again. The sea, you’d found, is calming. The repetitive nature of the ocean crashing against the shore and retreating back into itself feels honest to you. You may lie to yourself, the world may lie to you, but the sea? The sea will always find a way to reveal to you a hidden treasure you never knew you were looking for.

“That predictable?” You finally ask, responding to your newfound company.

You turn your head and make eye contact with your friend who’d come searching for you. You’re met with concerned eyes the color you’re certain the sea would be if it weren’t dark—the only light coming from the moon reflecting upon the water.

Your friend gives you a look, raising an eyebrow and pursing his lips. He’d found out the beach had become your favorite spot to run off to early on in your friendship, but he also knew you only ran for the beach when something was troubling you.

“You seemed upset,” is all he says.

“Bucky, I…” You trail off, not really sure what you meant to even say to him. What do you even want to say to him? That you’re upset by some media rumors about you? That you got your feelings hurt because a stupid clickbait article claims you’re dating a man you hate? That you feel like a failure as an Avenger, or a hero, or whatever the fuck you’re supposed to be anymore if all your worth to the public is tied up in who they think you have in your bed? You don’t finish your thought and return your gaze to the ocean.

Bucky is silent for a long while, just sitting and watching the waves with you. He is absolutely no stranger to needing to sit and sift through feelings, and he is also no stranger to unwanted media attention messing with his sanity. So, he lets you sit for a minute, but he also knows the longer that anger and frustration cook up inside you, the worse off you’ll be. You taught him that.

“Doll, you’ve gotta talk about it or it’s gonna eat you alive. You know that,” Bucky says softly. Empathetically.

“Bucky,” you whine, tired and still unwilling to talk.

“Okay, don’t talk. I will,” he says, swallowing nervously. He’s obviously out of his comfort zone, and you can’t help but look at him.

You let your eyes rest on your friend once more, and you take in his worried demeanor. His stormy blue eyes are set on the ocean, watching the waves as he gathers his thoughts. You realize, then, that he isn’t comfortable with what he’s doing—he’d much rather be listening to you talk. He’d much rather offer a small piece of advice after you talk, or maybe give you a hug and hope that fixes you. But he cares about you, and he’s trying to do the same thing you’ve done for him countless times: voice your observations about what might be upsetting your friend so that the problem is out and a solution can be found.

“You’re upset,” Bucky starts hesitantly, “because of a gossip piece that’s circulating the internet right now.”

You don’t argue with him, and Bucky takes that as confirmation.

“The gossip piece claims that you’re dating John Walker and dubs you the new “it” couple even though you hate the guy and punched him the face the last time you saw him.”

You laugh humorlessly.

“Then, that video clip from Walker’s interview started circulations where he all but confirms the rumors.”

You clench your fist in annoyance.

“That about right?”

“Yeah, that’s about it,” you say.

“I’d be angry, too,” he says.

“It’s just…” You trail off, closing your eyes tight trying to fight off tears. “It’s just that it doesn’t matter to them that I was an Avenger! It doesn’t matter that I helped defeat Loki, or Ultron, or Thanos. I’ve done so much for this city, and they don’t care. Not because they don’t care that New York was saved by the Avengers, but because the boy heroes are just better. I’m turned into an unwilling superhero eye candy, and, despite all my accomplishments, they can’t bring up my name without attaching it to a man’s. One of the articles doesn’t even mention my name! The article is really just titled ‘Mrs. Captain America?’ Like, really? I want to hit something.”

Bucky frowns, nodding as you rant and waiting patiently for you to finish. When you do, you’re breathing heavily, obviously worked up.

“You’re more than just ‘unwilling superhero eye candy,’” Bucky says, nose scrunching in disgust as he repeats your words. You can’t help it, but you laugh. The words sound so silly coming from his mouth. He smiles.

“You’re right. It’s really messed up that the public isn’t acknowledging all you’ve actually done to protect them, but you know that you’re more than that. That’s what matters. Because as long as you remember who you are, what you stand for, and what you do, then that person and her accomplishments are going to be noticed by the people who need to notice them. Do you know how many little girls probably saw you and Natasha fighting in all those fights and realized they could do that, too? When I was growing up, my sister didn’t have anyone like you to look up to. I wish she had.”

Bucky reaches up and wipes away the tears that are silently streaming down your cheeks. You reach up and haphazardly wipe away what he missed with the back of your hand. You hadn’t realized you were crying.

“Thank you, Buck,” you say. “I needed that.”

“I mean it, Doll.” He leans forward and presses a kiss to your forehead.

[youremyheaven]

Random Astrology Observations

Moon in the 1h is often talked about like 🥺🥺wears their heart on their sleeve🥹🥹uwu softie way but tbh Moon in 1h can make someone incredibly manipulative, they know just what to say and when to say it and know how to work their audience, this is perhaps why this placement is found in the charts of soooo many successful actors. ex: Leonardo DiCaprio, Audrey Hepburn, Henry Cavill, Charlie Chaplin, Priyanka Chopra, Antonio Banderas, Brendan Fraser, Benicio Del Toro, Jared Padelecki, Val Kilmer, Adrien Brody etc

I think this is a very manipulative placement, again manipulation is not in and of itself a bad thing, its what we use it for that matters. Some people completely lack the ability to manipulate at all (they don't have Moon influence)

2. Debilitated placements point to unconventional intelligence & wisdom in that area. I feel like they've cracked the code . They struggle a lot but when they triumph it's magic

3. I've mentioned this in other posts but many notorious sex offenders have Venus influence. Actions of this sort, as well as criticizing others' beauty, not taking care of yourself/surroundings, being shabby or disorderly in general are all things that harm your Venus. Abusing someone is the quickest way to ruin your Venus, you start corroding and that ugliness begins to manifest on the outside.

Ex: Harvey Weinstein looks like a cartoonish villain

4. As I explore the astrology content put out by others across different platforms, I've seen how the nature of the take themselves are so specific and unique to the person making them. Claire Nakti has a tendency imo to focus heavily on romance, sex and women's sexual behaviour and what sort of men they attract.

Going through her website, it's obvious that she's deeply immersed in occult & esoteric philosophy (all of which ties together with vedic astrology, philosophy, Buddhism etc because I truly believe that spiritual truths are universal and different schools of thought/religion/culture/mythology express these same truths in their own way with a LOT of recurring patterns) and Carl Jung as well.

It's studying Jung that helped me understand that what we see or draw from something is a reflection of who we are. As a beginner to vedic astrology, I initially believed Claire's one dimensional portrayal to be the all encompassing truth of a nakshatra until I started doing my own reading and research.

The things I talk about or the patterns I find are a reflection of me and I get a lot of asks about why I don't do xyz nak and honestly it's not as simple as doing research for an essay for uni, you kind of have to have a gnosis or innate knowing of its themes, something to base your search off of. And different naks call to me at different points. I come across content that describes certain naks in lights i could've never imagined which is to say that gnosis or inner knowing is an important aspect of studying anything esoteric, it kind of has to be revealed to you and what you see, what you can discern is a reflection of you.

5. you have to have a strong Rahu to discern patterns and similarities because Rahu is maya/illusion and a well-placed Rahu will allow you to see through those patterns/illusions. it will be very hard for someone without a strong Rahu to find similarities or common tropes, patterns, themes etc. Seeing through the veil or fog is Rahuvian.

6. Claire Nakti made a video about Venusian men where she said they were the ideal type of man and tbh that just confirmed my suspicion that she's Moon dominant because I think Moon dominant people are attracted to Venusians but in my humble opinion both Venusian men and Moon dominant men are some of the most batshit crazy people (manipulative and controlling at the least, psychopathic at worst) basically men who have a lot of Yin tend to be psychotic

7. I've noticed that Revati people tend to speak in a very verbose way. Nigella Lawson, Revati Moon is a really good example. Obviously other placements will also impact speech

8. Moon dominant people hate it when others share sob stories. They're the type to have the least amount of empathy for others and will either react in a neutral way or like they don't understand why you're saying this stuff at all. They're bored by other people's mundane problems and make it known as well. Not people you want to open up to.

My former friend was this way, I once cried in front of her and she showed zero emotion and didn't even try to comfort me lol

9. The way others treat us is the way we treat others. ik this is a basic take but karma is cause and effect. if you're dismissive of others feelings, other people will be dismissive of yours. what you do is what will be done unto you. Its so crazy to see how people who've been treated like shit by their friends will turn around and treat other people like shit. this is sooo basic but genuinely dont do anything to others that you dont want done to you.

[hollyhomburg]

Before I Leave You (Pt.70)

(Sneak Peek) (Omegaverse au, Mafia au, Bts x Reader)

Summary: The pack meet with Moonbyul to discuss terms.

Tags: Fluff, drinking and drunk characters, hurt/comfort, trans! tae, dress up, girl on girl fluff, themes of forgiveness, vomiting, eating disorder mention but everything's good, brief sexual content, oral f. receiving, Exhibitionism, car sex, Talks of mental disorders, implied/confirmed autistic jimin,

W/c: 12.1k

A/n: Trying my hardest <3 I'm admittedly having a tough time right now, this chapter felt very nice to write because it's all about the beginning of the packs happy ending <3

Previous part - Masterlist - First part

At least Yoongi is sort of talking to you again. Sort of getting over it minute by minute. It’s hard. Namjoon watches you from where he's sprawled on the couch, holding a near empty bottle of champagne by the neck while Jungkook and Jin wrestle on the floor, sort of making out, sort of scenting each other as they go. Jimin requests a song that Tae would like- and then Yoongi and Hoseok are leaning over Yoongi's phone to make her the perfect playlist. happy to have something new and mundane to bicker over.

Morning is just cresting over the rooftops and the music is just turned down when gets up from the couch, slowly, dizzy. You're perched on the counter in your pj's watching Jimin and Jungkook chase each other around the room. the need to scent and wrestle and get all your restless energy out near palpable.

Hoseok and Jungkook have a tiny paper drink umbrella tucked behind their ears, the same one that Jin stuck in your drinks so that you can keep track of whose drink is whose. He and Jungkook gang up on Jimin to stick one into his hair, the tiny little baby bun that tae tied in his hair.

You giggle as Jungkook gives up and just loops his arms around Jimin's neck, no technice to it and all body weight dragging the three of them to the floor. Sprawled next to the library room door, now open. Tae’s makeup collection spread out on the green carpet like the fallen petals of some red flowering tree.

It changes from wrestling to tickling. and then the three of them are getting up and surrounding Yoongi, a paper umbrella in their fingers, Ganging up on your mate who takes it all with a huff and a surprisingly whiney, “guys.“

You still when Namjoon walks over, the same way you'd still if a wild animal were approaching. He doesn't settle close, just stands next to you, and pours himself the last melted bit of the drink in the blender. Pink and yellow swirling delicately. He makes a noise in his throat and looks at you like he hasn’t barely said a word to anyone in the whole last 24 hours, hasn’t barely said a word to you since you got off the phone with him and Moonbyul left the house. 

You sip at your drink, lips pursed around the straw and when you're done, Namjoon takes it from you and puts it on the counter. You think at first that he might be cutting you off but then he fingers the gauze there.

"I should probably check these." You nod obedient, wordless, unsure what to say. 

Fingers prodding at the red skin, delicate but knitting itself together slowly. “How much do they hurt?” he asks. 

“Probably a two,” you rate, almost without thinking, staring at his downturned eyes. The way his eyelashes still cling together from salt. Face glossy. You want to wash his face, pad across his cheeks gently the way that Jin does after you've been crying (something that you admittedly do a lot- the pack's resident crybaby). 

"So should I consider that a four or-" 

"No, this time I'm being honest," Namjoon stiffens, "It doesn't hurt when I touch stuff unless I'm not careful." Being honest about your hurts and pains has never been easy for you. But Namjoon has shown you time and time again that he's willing to take your hurts and fix them. You have no reason not to tell him the truth. 

Namjoon grips your palm, turning it over his hands again and again, looking down at your love line lifeline all tangled there and leveling you with a look that is neither angry nor resigned.

“Do you notice?” He asks, you swallow. Eyes itchy. 

“Notice what?” His finger presses to the center of your palm, the hollow there. 

“Still dry.” He says. 

You think of the mice, of drowning, you don't pull your hand from Namjoon's grasp, but you know he wouldn't let you anyway. You think about the mice, of dying, of trying to stay dry despite the things that try to swallow you whole. Water is not gentle, water is hungry. The rain pitters against the dark glass and melts the snow outside. But you and namjoon and the rest of the pack are dry and warm and safe in here. 

Your breath hitches, but you close your fingers around his hand and nod. “Still dry.” You agree. 

Namjoon closes his eyes and breaks the tension and this distance between you. Pulling himself between your thighs where you sit on the kitchen counter. Wrapping his arms around your shoulders to tug you to his chest, and breathing deep in the hollow of your throat. 

He pulls back just as abruptly. Hands resting on the counter on either side of your thighs. All up in your space and sour-smelling. It takes great effort for you not to turn away and keep his piercing eye contact. 

“Don’t do something like that again. Ever.” His jaw rolls and his scent spikes angry. But it's all temporary as you nose under his jaw to soothe him. Namjoon has every right to be angry with you for leaving, the same way Yoongi does. 

“Never. Promise.” You hold out your pinky and you mean it. 

Namjoon looks at you for a second, staring you down, waiting for you to look away. But then after a second, he loops his pinky through. 

Coming Saturday May 18th at 5PM EST (Time Zone Adjustments Below)

[vermilionsun]

Okay, so we basically know very little/nothing, but I compiled everything I could find here :)

TW for religius themes [?]

Strap in

First of all, we know two definite Gods: the Allmother and Ocudeus.

The Allmother seems to be a benevolent deity that protects her believers. We can assume that since mr. Chocky was wishing upon her for mercy during the Soulless’ attack on the caravan and he was the only one not dying at that point (The Soulless kills him only after the MC’s curse has taken control of him).

Plus, the (Oracle! has the extra —[text]—) MC comments:

Is she the one who made the Soulless kill the traveller to save the MC? And cut their arms off to end their misery? Could she be protecting them?

Or did she not want her subject [the traveller] to suffer due to the MC's curse?

Was everything random and out of her control?

And that's basically everything we know about the Allmother.

Then we have Ocudeus. This ancient motherfucker— I had to rewind the damn game for this tentacle bitch again.

Anyway, we know he's the ancient, eldritch being Ais has formed a pact with" that gives him "borrowed, unnerving abilities."

Also, it is suspected that its name is likely from Latin oculus and deus ("eye" and "god") + that "Ocu" also means water in Betoi.

Now, onto the funny stuff: (Oracle!MC is the only one who comments on these)

The MC can hear a heartbeat the moment they step out of Kuras' clinic

And it gets louder the closer they get to the Seaspring

The MC can literally feel Ocudeus watching them from the Seaspring. What's interesting is that they find it familiar

Ais warns the MC about "ruining the host's mood" [Could be interpreted as: "I'm (Ais) nice, but you don't want to ruin the host's (Ocudeus, who propably lives in the waters of the Seaspring) mood (by asking questions regarding its power and questioning its dominance/control over me)] — As if Ocudeus itself invited them over; that would explain how that lady knew the MC's name:

Either Ocudeus wanted to see them or it wanted to be fed tea leaves by Ais and felt it was nescessary to brought someone over for Ais to clean the damn temple once in a whie—

IN REGARDS TO AIS' RELATIONSHIP WITH OCUDEUS

The MC's eyes always return to the mark, and only explanation left is that it was made by Ocudeus

WAIT. Pause and backtract to the Seaspring

Let's break them down:

1. The topmost

2. The closest one

3. The bottommost

"ucly dpzo vu h zovvapun zahy ol'z hsdhfz spzalupun." - Both with Affine [A=1, B=7] and Mono-alphabetic Substitution (+10 other cyphers) it's the same message: NEVER WISH ON A SHOOTING STAR HE'S ALWAYS LISTENING

Since the notes are left there by people who have evidently drank from the Seaspring (“If you see me, never speak to me,” etc) I will take a wild guess and assume the bottomest note is Ais’ last moments before Ocudeus merged with him.

And also this ties with the whole “Ocudeus is a fallen god” (“shooting/fallen star”) who left the Shroud ignorant about the world beyond and ended up landing to Eridia

"A river bisects Eridia into two distinct halves: the flood-eroded districts of Lowtown, and the elevated, gilded city of Hightown." — Eridia's a river city and Ocudeus is a giant fucking octopus.

ᵂʰᵃᵗ ᶜᵒᵘˡᵈ ᵖᵒˢˢᶦᵇˡʸ ᵍᵒ ʷʳᵒⁿᵍˀ :⁾⁾

What I find interesting though is that if the note is truly by Ais, he mentions mirrors and eyes. He must have been trying to hide from something—Ocudeus or another deity?—that “knew what he did,” and let Ocudeus overtake him as a last resort, perhaps.

BUT WHAT'S THE DEAL WITH THE MIRRORS?!?!?!

THERE IS NOT ONE (1) MIRROR IN THE WHOLE DEMO. NOR IN THE PROMOS. NOT ONE. [unless I'm blind]

Sure, it could be the surface of the water and the whole thing is metaphoricall but it bugs me so muchhhhh

kuras Kuras KURAS KURAS KURAS KURAS

Recently, it was revealed that he, indeed, came out of the Shroud THOUSANDS OF YEARS BEFORE THE FOGFALL OCCURED

And I bring you a background issue:

"An angel is a heavenly supernatural or spiritual being. In monotheistic belief-systems, such beings are under service of the supreme deity (i.e. God)."

Is he autonomous or does he worship a god? And if so, WHICH GOD?!

Perhaps, and take that with a grain of salt, perhaps Allmother

[Does anyone see a pattern? 'Cause I do]

What if Kuras' greatest sin was leaving the Shroud?

Kuras came through the Shroud because he loved humanity. He's had human friends, colleagues, and lovers...

Their incorporeal spirits take physical form, strengthening some and weakening others. The longer they spend in the human world, the better they adapt.

Kuras loved humanity so much he up and left the Shroud and gifted humans all the knowledge he possessed. He risked his power - perhaps his life - as he travelled through.

And so I ask you; Is that his biggest regret? Him loving humans to the extend of abandoning the Shroud and his creator for a life of teaching them, only for his efforts to result in "trinkets, pleasure, and petty tyranny"?

And lastly, Vere

I want you to keep an open mind with this

We know from his character lore that

"Centuries ago, the Senobium bound a wicked beast with a magic collar, sealing his powers and forcing his obedience."

and we know Vere has lived for over a century

BUT THE THING IS: ancient ≠ century [also mentioned here]

WHAT IF

"Seems we're both cursed"

What if Vere used to be human and attempted to take the ancient beast's power [remember, his fatal flaw: "Lusts for power, no matter the consequences"]

He obviously succeeded and became what he is now, while simultaniously getting chained for one reason or another;

The Senobium obviously sees him as a threat but uses him for his abilities anyways

Prehaps he couldn't control the power he gained?

He could have been a theif wanting a better life, like the Hound!MC

He could have been affiliated with the Senobium in another way before

But we know one thing for sure:

He, too, was betrayed and caused havoc unintentionally

Perhaps in regard to the beast's powers?

[tench]

Veilguard is such a weird game.

It's not a Dragon age game, it's bately a role playing game. It's an ok action. Even though it is the most stable AAA release it is still just a bunch of barely tied together stuff in a trench coat.

The writing (insultingly dumbed down and absolutely incapable of taking itself seriously untill the last 1/6 of the game) is all over the place, the direction is nonexistent judging by the tonal shift from one quest to another. We can have very heart felt monologue about the fear of death sit right next to a conversation where a lot of things are told using one specific phrase (I really hope in a clumsy attempt at emphasis) repeated till these words lose any meaning to you.

There's also a problem of role-playing in this "rpg" and the Rook. None of your dialogue choices matter in terms of defining your character, no matter the option you choose, the general conversation will carry the upbeat silly tone. "Your backstory and class matter more than your race" works untill it doesn't, like when you are a dwarf but you are denied your own journey and realizations tied to the titans, and maybe it is not your journey to take yet you can't even try to be a part of it, even when Harding is actively reaching out to other dwarves to share this connection. It's also weirdly more interested in writing romance between npcs than for the main character (Lucanis comes to mind, it feels like the game is actively punishing you for pursuing him, you have to lose the whole shadow dragon faction, you won't get to hang out with Dorian and still you have bare minimum and he more interested in Neve anyway), that's extremely funny that this game is player-sexual yet completely player-aromantic. (And I miss the dai option where you can come up and kiss your LI whenever you feel like it).

I won't even touch on the weird and unnecessary sanitation of everything, like we can't allow people or factions to have negative traits whatsoever. And it's not "southern propaganda", it's "we are not engaging with complex topics for the sake of clear dichotomy between good us and evil overlords". Speaking of which

The whole plot.. The general idea of it is ok. You come to stop Solas, you make the situation go sideways, you have to work together to fix your mistakes and maybe learn to sympathize with the antagonist haunted by his own transgressions with the main theme being legacy and your relationship with your culture and the baggage it brings. But the journey is a complete disaster. Part of it works solely because the characters absolutely Refuse to make a plan and the other - because the main character has a blunt head trauma. Maybe it's related. Maybe it's all a mass hallucination. I may try to elaborate on how it's absolutely ridiculous how little the inquisition and the politics have any impact in this game yet somehow 8 people squatting in the Fade with no political affiliations are held responsible for providing for every faction they come across. I won't even try to make sense of it. It's the usual case of "the main character does everything".

The direction is not only absent in the writing. Some lines that are ok in text delivered in such a way you may think they were allowed only to use the very first take.

The music is absolutely forgettable. Also the odd riff during the dramatic reveal absolutely took me out because I thought I heard kazoo (but I bet Varric would love it).

The visuals are.. Ok. It's pretty on the first glance but the more you travel the more you realize that the general design of the locations are kinda lacking. They have this weird gradient that makes everything a little bit more unfocused and a bit washed out. There are also too many cases of the horisont just drowning in the fog. Air perspective is great and it suits locations like Necropolis, but I would argue that these establishing shots should be used for environmental storytelling in other places, with some focal points in the background, like during the final mission where you see the world absolutely drowning in the blight, devouring local statue of liberty. Or the dead Titan. Or the first shot of the Veil jumper forest (I forgot how it's called) where you see the ruins going into he sky. But because of the fog (or sometimes darkness) it feels like the game is more interested in cheating the optimisation than to hint on the bigger picture (like the chantry and the gallows buildings that you can see almost from all locations in DA2 or the andrastian/dread wolf imagery of inquisition)

So, in conclusion. Not the worst game I played, yet disappointing, even if we pretend it's not an installment of a beloved franchise that people were waiting for 10 years.

Ps. Also making such a game with nerfing all the lore only to nuke all the legacy locations is a choice I won't ever understand. It's like it is not for the fans and it's not for the new people but a secret third thing.

[freuleinanna]

I'm still confused about Verna.. I thought she was a demon?? Because why would Death be going around making a bunch of deals with people? After Verna told Pym she decided to go "topside" I thought she was some kind of crossroads demon since it implies she came from below (hell)

Oh! I feel you, and I struggled with that a lot too. She does seem a lot like a demon. I'm not saying I'm 100% correct in my thinking either, but here's why I personally think she's Death. Kind of a long post, sorry. I hope I make myself clear, but feel free to follow up!

So, Verna. An anagram for Raven, that much is established. Ravens are wonderful - symmetrical even - creatures. Bringers of death in a wide understanding. Bringers of good luck in many cultures. The duality is amazing. To me, that also leans majorly into the theme of death being a concept of duality: an enemy for some, a friend for others. Each greets her differently. I'm not talking about the characters here, but people in general.

There's a proverb I came across a while ago that reads 'Death is a great leveller'. Meaning, everyone's equal before her. You have no leverage or buffer against death, and it doesn't matter if you're poor or blindly, feverishly, grotesquely rich (like our folks here). Everyone pays the last bill. For everyone, there's a day of reckoning. It's a major theme with the show, at least. Verna also says 'Buy now, pay the bill later' - although it can still read very demonic, I agree.

She's obviously ancient, and I was leaning toward the demon theory based on all of her talking. Yet - she also keeps ranting about Egypt and pyramids and Cleopatras and such. What's the one thing with Egyptians everyone knows of? They honored death. Death may have been a bigger part of their lives than life itself. The Usher Twins' obssession with all things Egyptian, antiquities, jewelry, swords and such, plays a nice parallel here too, because they're just collectors. They have no grain of honor for the real thing, for what these things are tied to. Kind of a nice thought, I guess.

Anyway, back to Verna. She says on multiple occasions how intrigued she is with us, 'adorable little things'. She saw the pyramids, the expeditions, and she wanted to see what else we do, she wanted to see what Roderick and Madeline will do (in her own words). It's all an experiment to her. She makes an offer just to see what we, people, do.

Here's where my beef with a demon theory comes in. No demonic creature I could think of, be it an actual demon, a trickster, or something else, is that sincerely intrigued. Something something death loving life something something.

Demons, in my understanding, are most interested in winning the deal. They come up with incredible challenges, they enjoy torture, emotional or physical, they never let anyone win. Verna has never once expressed this. Quite the opposite. She gives everyone a chance to step back. Even when the ink has dried and everything's decided, each Usher sibling is conditioned to make a choice: push forward, or step back. Neither of them steps back. Neither of them takes a long hard look at themselves (except Tamerlane, both literally haha and figuratively, as she's the only one to have realized how lost she was in her way - just at the end, when it didn't really matter anymore, but still). Verna is kind to those she takes (sincere pet names, regrets of having to do it this way, making sure they know it's not personal, etc). She grieves with them, just before. Grieving - 'The Raven' being about an expression of grief and trauma - ravens as synonyms for death... you get the gist. Oh! Except Freddie - cause Freddie struck a cord. Infuriated her. So he doesn't get an expressed choice. And he would've blown it like coke anyway, so meh.

And then Arthur Pym. Oh, Arthur Pym. I honestly couldn't imagine a demon kneeling and thanking someone who's refused them.

About Arthur Pym, by the way. It's the one story I hadn't reread, and I should have, it turns out! haha Anyway, a few notes about his travels:

In the story, Arthur Pym is expressedly afraid of white color (North Pole, yada yada, white being the absense of colors/life, and the absense of life is death).

Verna enumerates the moments she witnessed of his travels. Someone getting left in Sahara. Someone getting shot in the Arctic. Something bad that was done to an Inuit woman. Why would she follow Arthur so closely? She didn't know him, he wasn't her favorite. I think it's because she came to collect those deaths. If she is death, she would've been exactly there, where people died. She would have also seen Arthur not partaking.

Aaaaaaaand it makes her 'You saw me' line sound better, because he had sure seen death along his travels.

I think the part about a place of out-of-time, out-of-space creatures and hollow Earth was a bit unnecessary, BUT I can try and tie it in this way:

It showed us how Arthur might have coped with what he saw, and he 'saw a lot', even in his 70s it's difficult for him to recall, and it made him think of humanity as a virus, literally;

He might have thought up that ethereal realm simply because he was in an expedition? Exhaustive conditions for both body and spirit? Traumatic experiences? If he saw Death, he might have cloaked it in his mind to cope with it, thus came his stories;

Verna going 'topside' may just mean that she had to go take a look herself, actually be willingly present for the events - to see the brave little humans conquer the earth. 'Topside', as in, 'visible, present, participating'. If Death exists, I doubt it bothers with our boring human realm but lives downunder, among all threads that weave the world.

So that's that on Arthur Pym.

A few other references my mind is too exhausted to tie in nicely:

Death takes Lenore. THE Lenore from 'The Raven' (mostly) and 'Lenore' (secondary). That happened. Also, death talking to a child of life? Regretting having to take her? Not very demonic of dear ol' Verna, in my opinion.

Her mourning veil, her last toasts to the Ushers at the cemetery? Demons don't tend to grieve their players. Demons don't respect and love them enough, and 'what is grief, if not love persevering'?

Death is the last threshold. Before death, we look upon our legacy (major theme with the show), we remember our losses and loves (Annabel Lee!!!!! love the poem, brilliantly done), we get heavy with regrets. We face death as an enemy & fight, like Madeline did. As a friend, like Arthur did. We confess, like Roderick did. All that is too significant to me overall.

And the last thing. It's Edgar Allan Poe. The whole Death tribute is a giant, incredible, thought-through-to-the-bits hommage to his literature where Death, figuratively and literally, takes the throne.

I hope I managed to express myself alright there. Thanks if you read it through, and as I said before, feel free to follow up or elaborate on some ideas. There are oceans to discuss. <3

[kaizokuou-ni-naru]

Was reading over the reverie arc tag and saw that you said to re-ask you about Im after what happened is revealed. (I'd provide the link but tumblr won't let me) So, while not much was revealed, thoughts?

what i think is really interesting about imu is how they compare and contrast to the other characters who have been set up for us as endgame villains, those being blackbeard and akainu. compared to both of them, imu is established quite late in the series, and how they will fit into the unrolling narrative and themes of the story is still somewhat unclear.

both blackbeard and akainu are established firmly well before they enter the main story as primary antagonists. we hear about blackbeard as far back as alabasta and meet him in jaya, while akainu is first seen in robin's enies lobby flashback and mentioned even before that. and they each also embody a strong thematic conflict with the main characters that is going to need to be overcome by the end of the story.

blackbeard mirrors luffy in his pursuit of the pirate king's throne, existing in the same lineage of villains as doflamingo and big mom. it seems almost certain that he will be the final and most difficult fellow challenger for the title of pirate king that luffy will need to face, and the eventual showdown between the blackbeards and strawhats has been telegraphed for quite some time. the question this conflict asks is, what does it mean to be a pirate? what does it mean to be a pirate king?

meanwhile, akainu is the embodiment of authoritarianism. he's the law, brutal and indiscriminate; he represents the order that would stifle freedom. he is much more alike to antagonists like rob lucci and cp-9. while i usually try to avoid speculation on this blog, i think akainu's final defeat will probably not be at luffy's hands; i think a showdown with sabo is much more likely. and the reason i think this is because the question that the conflict with akainu asks is, what does real justice look like? this is ultimately the question of the conflict between the marines and the revolutionaries; they are two armies fighting over whether the current order will be maintained or torn down and built anew.

so, then, imu. we meet them quite late in the game, and still know very little about them. however, i do think this is in itself thematically resonant; we see almost no trace of imu anywhere else until we reach mariejois itself, because they have been deliberately erased from the world. imu is tied, specifically and inextricably, to the mystery of the void century, of the erased history, and we will only learn the truth about them when we learn the truth about everything else.

imu's role in the story seems to be specifically to finally provide a direct antagonist to the overarching myth arc of the void century, the forgotten ancient kingdom, and the will of d; the imperial crimes of the world government, shoved endlessly under the rug. can you build a world-spanning kingdom on a lie? will it stand? for how long? there can be no such thing as an immortal empire no matter how much force you might use to make it so. you can't pin the sun in place in the sky.

while it's impossible to really guess this conflict is going to unfold given how much information we still don't have, my top three guesses for who will be primarily involved are robin (for obvious reasons; unraveling the truth of the void century is her dream, and imu stands directly in the way of that), vivi (also obvious; imu is targeting her directly), and law (both because his new goal is to unravel the meaning of the will of d and because it seems significant that imu is likely a previous recipient of the ope-ope no mi's immortality technique).

[wilcze-kudly]

Using the Avatar state scenes as an example and saying this is katara relationship with aang is so vile 🤦‍♂️

https://www.tumblr.com/sunandmoongobrrr/662596151677190144?source=share

Ugh this take again. It honestly always exhausts me to see this because the thing about Aang going into the Avatar state is that it is, at it's core, a defence mechanism. Aang goes into it in life threatening situations, or otherwise, incredibly distressing situations. I've even pointed out its similarities to panic attacks:

Katara is an incredibly empathetic person, and she is able to emphasise with Aang's pain. Because a) she's just that type of person and b) her and Aang share the trauma of genocide and loss.

Katara's interactions with Aang when he is in the Avatar's state aren't based around tempering his anger, but providing comfort and reassurance. It almost seems that Katara just reminding Aang that she is there and that she cares is usually enough to calm him which makes sense. Because, at the core of it, Aang's greatest pain, likely the root of most of his nrgative emotions is that he is the last airbender. His people are dead, have been dead for ages. He is alone, the last of his kind, and it destroys him.

Aang: [To the winged-lemur.] You, me and Appa; we're all that's left of this place. [Looks at the lemur.] We have to stick together.

Enter Katara, who reassures Aang that she is with him, that she cares, that she won't leave him. Because she sees that he is hurting. She hugs him as normal people hug their friend when they are upset, and later, when their relationship is more established, it's just enough for her to make eye contact with him and remind him that she's there.

Katara : Aang! I know you're upset and I know how hard it is to lose the people you love. I went through the same thing when I lost my mom. Monk Gyatso and the other airbenders may be gone, but you still have a family. Sokka and I! We're your family now!

And I truly don't think Katara does this out of a sense of obligation or fear. She does this because she sees her friend, and later, romantic partner, is hurting. And she knows that pain intimately. So she offers her comfort. Of her own free will, because she cares.

Katara : Do you remember when we were at the air temple and you found Monk Gyatso's skeleton? It must have been so horrible and traumatic for you. I saw you get so upset that you weren't even you anymore. I'm not saying the Avatar State doesn't have incredible and helpful power ... but you have to understand ... for the people who love you, watching you be in that much rage and pain is really scary.

I think the emphasis on "the people who love you" is important here. Katara isn't afraid of the Avatar state itself. She is saddened and scared for Aang, because she knows he is in pain. And he is someone she loves, be that platonically, or romantically.

Side note; I always found it so cool that when Aang went into the Avatar State in the Avatar State episode and wreaked havoc on general Fong's base, Katara, who was literally in the middle of it, remained completely unharmed.

See, the theme with Avatar is that holding onto anger and pain can be incredibly self destructive. We see this, of course, with Zuko, but also with Aang and Katara.

Of course, we're shown how one's anger affects others, but we also see how painful it can be on oneself. Which is a very poignant theme that isn't often explored.

This is what Aang was trying to communicate to Katara in The Southern Raiders. And this is what people like this, who commented under OP's post don't get.

Oh, something crazy? Like for example going against her entire morality and do something she might regret for the rest of her life? That type of crazy? Hell, look at how strongly "The Southern Raiders" ties back to "The Puppetmaster", an episode about a victimised Southern Waterbender driven to near madness by her grief pain, and rage.

Aang isn't stopping Katara from feeling anger, he's trying to make sure she doesn't do something that will weigh on her and compromise her morals and ideals, because he knows how important they are to her.

Aang: The monks used to say that revenge is like a two-headed rat viper. While you watch your enemy go down, you're being poisoned yourself.

Hell, he even supports and believes in her, letting her take Appa and believing she would make the choice right for her. Which she did, in the end.

Aang: I wasn't planning to. This is a journey you need to take. You need to face this man. But when you do, please don't choose revenge. Let your anger out, and then let it go. Forgive him.

And no, I don't think he was trying to save face, since he has never had a problem disagreeing with Katara before, for example in the Avatar State episode, where he followed his sense of duty as the Avatar, despite acknowledging and valuing her criticisms of the matter.

Aang and Katara's relationship is one of mutual support, particularly in helping alleviate each others pain, since they are both genocide survivours, both lost a parental figure to the fire nation, both value their cultures and desperately try to perserve them etc.

I think some excellent aymbolism of this can be in how Aang tries to help Katara with her dismay and discomfort around losing her mother's necklace, something she's expressed was very valuable to her due to her loss. First by making a symbollic replacement, and then risking himself by retrieving the necklace from Zuko.

I also genuinely enjoy that in both of these instances, Katara put the necklace on herself? Like it would be so easy to just make a cliche meaningful scene where Aang puts it on her and "proposes" but theres almost something more appealing to me of Katara taking the necklace from Aang and putting it on completely on her own.

Katara does not need Aang to calm her down when she's angry, because, with the exception of the Southern Raiders, her anger is usually benign squabbling which is completely normal 14 year old behaviour. Wheras for Aang, his anger usually rears its head on rare occasions when he's in deep distress.

But Aang is there to comfort Katara, to bolster her confidence, to support her, make sure she's having fun almost whenever she needs it.

These are just a few examples of Aang providing comfort to Katara.

These actions may not be as bombastic and awe worthy as Katara ripping Aang out of a state of deity like power, but they are nonetheless important to Katara and make a big difference.

Aang and Katara's live language with each other is providing comfort, in any way they can. Be it by alleviating anger and pain, making the other feel good about themself, or connecting over the horrific genocides that brutally deprived them of their loved ones. You know, just normal couple things 💗

And this is where I could slander Zutara, but I'll simply tactfully say that Zuko... prioritised things other than Katara's comfort and happiness.

Also, incredibly rich that one of OP's examples of Aang going into the Avatar state out of anger was in the comics. OP neglected, however, to include the scene leading up to this where Aang is extremely calm and nonconfrontational until Zuko grabs Katara and refuses to let go of her despite both Aang and Katara telling him he's hurting her and then attacking Aang after Aang knocks him away from Katara.

Like hun this is not a good look.

And another point I'd like to raise is this persob in the comments who apparently watched the show blindfolded.

why are we still here just to suffer etc etc. Like have you folks even watched the show why do you have beef with a twelve year old who commited the crime of loving a girl his age. If you're that fucking upset about it you can just not have him do that in your mind palace you don't have to pick violence.

Aang is a genuinely amazing character who deserves so much more than what his haters say. It's fine if he's not your fave character I just don't understand why people have to be dicks about it.

Genuinely the only good thing I get from examining this type of bullshit rethoric is that it lets me inspect Kataang more closely and find new things I genuinely love about it.