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percontaion-points · 2 years ago

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Covet chapters 40-43

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Chapter 40

At least until Uncle Finn comes tearing down the hallway, loaded for bear—or, in this case, vampire. “Vega brothers!” he snaps out, looking at Hudson and Jaxon both. “Go wait for me in my office.” When they just kind of stare at him, he adds a “Now!”

The dude shows up only after the fight has ended, and didn’t even have the decency to have Starbucks.

Considering what happened to Cole the last time Uncle Finn was this furious, there’s no way I’ll be able to rest until I’m sure Hudson and Jaxon aren’t currently falling through some portal to Texas to join him.

Chapter 40 summary: Some of Jaxon’s friends tell Grace that the reason for this fight was a show of dominance. A way of proving themselves now that Cole (the former pack leader) is gone.

Finally, FINALLY, Uncle Finn shows up and yells at those involved to go to his office, for the nurse to get some students to help her take the wolves to the infirmary, and for everybody else to get to class.

Grace is already on edge because of the fight, and it only gets worse as more time passes and she doesn’t hear from Jaxon or Hudson. She later runs into Macy and another witch, Gwen, who tell her that a bunch of underclassmen vampires randomly attacked the senior witches at lunch. One girl was bitten, and a huge fight broke out because of it. They think that they jumped on the chance when Finn was distracted with the werewolf fight earlier.

Chapter 41

It’s only after I put my phone down and curl up beneath my hot-pink comforter that I realize he never answered my question about Jaxon— almost like he already knew I’d gotten an answer.

Chapter 41 summary: Grace finally hears from Hudson at 3 AM. He texts her that they got chewed out by Finn for a while before he put them on “belfry” duty. Which would normally mean that they’d have to ring the bells, but since everything is digital, they simply run the system that plays music between classes. It’s kind of been a running “joke” in this book about the different songs that are playing. Grace puts in a couple of requests.

Hudson briefly talks about the “fight” he had, and says that it was nothing. He also complains about the underclassmen vamps who attacked the others in the dining hall at lunch. Says that one of them got expelled, and Grace thinks that it’s the one who bit the girl.

Grace tries to ask about Jaxon, but Hudson doesn’t respond.

Chapter 42

It’s a really good picture, so good, in fact, that my cheeks are burning even before I hear a thud sound behind me.

Chapter 42 summary: A few days pass, and tensions between the different groups are at an all-time-high. Finn is on a war-path because of it, which is making the students who are trying to stay out of things tense, too.

Macy suggests that they should meet up in Jaxon’s tower to study and plan, but Grace remembers about how Jaxon had redecorated. So they end up agreeing to meet in Hudson’s basement room instead.

Grace had never been down there, and as she’s going, she’s thinking about how lonely it must be down there. But then she gets there, and she’s kind of blown away with how cool everything is. The next two pages are nothing but describing what the room looks like before the chapter ends without any actual plot having happened.

Chapter 43

“My Grace,” he whispers so softly that I’m not sure if I imagined it or not. Right before he cups my cheek in the palm of his hand and leans forward.

Chapter 43 summary: Grace had gotten there ahead of the others, and feels embarrassed when Hudson shows up with some chairs. She stammers out some awkward small-talk, and finally asks him to put on a record. He does, but the sexual song only amps up the awkwardness.

Finally, the two of them get real close, and Hudson starts to lean in towards her. But something tells me that somebody is going to show up before they can kiss.

#Crave series #Covet (Crave 3)#Chapter 40 #chapter 41 #Chapter 42 #chapter 43 #Jaxon Vega #Hudson Vega #Uncle Finn #shitty teachers are shitty #Grace (Crave)#Macy (Crave)

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fomee-c · 2 years ago

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Adventure Time has the best redemption arcs

I love deep-diving into my favourite shows, which makes me lucky that Adventure Time has been analyzed to death.

It's awesome because it feels like the show itself is growing up along with Finn. The older seasons are a lot more episodic and focused on the surreality of Ooo. Meanwhile, the later seasons really embrace the show's complicated lore and the idea that morality isn't black and white. The progression of maturity in this one show is INSANE. As the show becomes more mature, so does main character Finn, physically and emotionally.

Nowhere are the show's themes and Finn's personal growth better demonstrated through the show's use of redemption arcs. As the show progresses, classical villain-hero archetypes are subverted to show that Finn is learning that people aren't exclusively good or bad. As the show and Finna age, being a hero or doing the right thing evolves from the basic idea of "fighting evil" to being empathetic and seeking peace.

Heavy spoilers for the main series after the cut.

Some context

I just wanna mention some facts about the show's history.

If you watch the first AT episode followed by the last episode, you're gonna feel disoriented. They're clearly the same show, but it feels like they have very different goals. Early AT is more lighthearted and less serious. The episodes have morals, but they're pretty simple. The randomness of Ooo is played more for comedy than for lore purposes.

Around season 5, the show started taking on a different direction. It's still funny and weird, but the characters are more fleshed out and the messages the show is trying to convey require a lot of digestion. For example, Princess Bubblegum is always smart, but the way she's depicted in episodes like"Enchiridion" vs "Burning Low." Although I consider this a massive improvement, it's unclear how much was pre-planned. Was PB always destined to become a control-obsessed, unethical ruler-scientist? Or was her initial characterization just Finn's crush?

Yes.

Episodes as early as season 1 ep 24 ("What have you done?") show PB acting more like a tyrant than a princess and have the Ice King depicted in a less antagonistic matter. The reason for the tonal shift in the later season is that as Finn grows up, his experiences change the way he perceives reality.

Ooo through Finn's eyes

Adventure Time is about Finn the human and Jake the dog, but really it's mostly about Finn.

The other characters get character arcs and have plot-relevant conflicts, but the show's main focus is dedicated to Finn's coming-of-age story. Finn is Ooo's hero: he's social, caring, and brave, and he's motivated by a strong sense of justice and a desire for adventure. All he wants is to try new things and help others at any cost.

However, he's only 12, at least at the beginning. His idea of being a hero is rooted in black/white morality. If you do bad things, then you're bad. Stopping bad people makes you good. And as a 12-year-old, he believes the only way to stop bad people is through violence.

The show is immature in this respect, too. For the first few seasons, there are two main antagonists. There's the recurring Ice King and his plots to force princesses to marry him, playing off the "save the princess" trope (more on him later). And then there's the Lich, who's a genuinely powerful cosmic entity that seeks to destroy life in all its forms. Naturally, Finn fights them both off through righteous punching.

The show presents this basic understanding of evil, that evil is as evil does. In the beginning, there's almost no nuance to these characters. And this is true with good characters, too.

Billy is a huge catalyst for Finn's character development, but you can see the show's limited understanding of heroism in his debut episode. Billy is Finn's predecessor in a way, being the number one fighter against evil. In "His Hero," Billy realized the fighting evil through violence didn't treat the root problem, opting instead for community activism. However, the show makes this look like a bad thing, with the moral of the episode being that violence can solve problems. Ironically, Finn's character development mirrors Billy, as he realizes over time that he fighting evil might mean hurting people he cares about. Case in point: Simon Petrikov, the Ice King.

The power of redemption arcs

Redemption arcs are controversial because they're ideal but they feel forced if they go unearned. In Adventure Time, redemption arcs serve a two-fold purpose: to convey the message that "evil" people can be understood and rehabilitated and to show Finn's developing maturity as he realizes this.

Ice King

The first character to get a real redemption arc is the Ice King. Initially, he's portrayed as Jake and Finn's natural nemesis, especially when he targets Princess Bubblegum. However, as the show goes on, it becomes clear that the Ice King isn't really malicious; he's just lonely and he doesn't know how to socialize in an appropriate way. Over time, he becomes a sympathetic villain. However, this changes with the Christmas specials "Holly Jolly Secrets, parts 1 and 2." In this episode, Finn and Jake discover the Ice King used to be a man named Simon, whose personality and sanity were corrupted by magic. Simon's backstory is further developed in "I Remember You" and "Simon and Marcy." From this point on, Finn starts referring to the Ice King as Simon, acknowledging Simon's true self and stops treating him less harshly. This leads to a really heartwarming moment in "Don't Look," where Finn's perception literally warps reality, causing the IK to revert to Simon (in appearance but not in personality).

Consequently, the Ice King becomes less antagonistic in general and we even get IK-centric episodes where he takes on a heroic role. For all intents and purposes, post-season 3 Ice King is Finn's friend. The show went from using a cliché villain-type to dedicating a significant amount of time and plot to Ice King's eventual return as Simon. From this, Finn learns that treating people with kindness is imperative to stopping evil. Not only did finding out that IK's personal life was tragic but by treating him as a friend he diminished IK's evil inclinations.

Magic Man

Magic Man is one of the more disturbing characters on the show. He always shows up to do something gross or psychologically messed up. Unlike the Ice King, who was shown to be evil because he wanted companionship, Magic Man wants people to suffer out of pure contempt for the world. His "pranks" include simple stuff like turning Finn into a foot, to more deranged acts like forcing Jake to escape a dream world where doing so would mean destroying all his new friends.

What's interesting about Magic Man's redemption arc is that Finn and Jake have little to do with it. Magic Man redeems himself practically by accident.

We gradually learn that Magic Man's wife was destroyed by GOLB, a powerful entity that can erase things from all realities. So Magic Man's cruelty is best described as frustration or vengeance to an extent. He is constantly suffering, which he tries to mitigate by deriving pleasure from others' suffering.

However, he eventually loses his magic powers (and with it, his anger and sadness) in"You Forgot Your Floaties", grounding him back in reality. From then on, his journey is one of atonement. He tries to reconcile with his family and seeks forgiveness from the people he has tortured.

This arc says more about the show's maturity than it does about Finn's. Although Finn shows no hatred towards a magic-less Normal Man, he seems pretty indifferent. The show, on the other hand, takes the time to make him a tragic figure and offers him a chance at redemption. It wants the audience to know that experiencing loss is not an excuse for being a jerk, but it can explain someone's actions.

King Man's (his title after rejoining the Martian community) redemption arc also demonstrates AT's advancing writing skills. Instead of giving King Man a clear-cut redemption arc, the show depicts him as genuinely sorry without changing his personality. King Man is still obsessed with Margles and is harsh with Martian prisoners, but he's no longer angry with the world. He hasn't moved, as is difficult to do with grief, but he wants to contribute to society instead of rage against it.

Betty Grof

Betty marks a milestone in the show and Finn's personal growth. She is the first antagonist who is shown to be sympathetic from the start. It helps that we know Betty before she goes crazy with magic, but despite that, Finn nor the show ever thinks of Betty as an "evil" character. She's misguided and unethical but well-intentioned.

Betty's whole deal is that she wants to be with Simon, which requires curing him of the Ice King Crown's effects. However, after she absorbs Magic Man's madness and sadness, she starts undertaking strategies that cause Ice King more stress than good.

She becomes a true antagonist in the Elemental mini-series when she prioritizes Simon's recovery over the lives of Ooo's inhabitants, despite the Ice King begging her to save his friends. Even after she betrays Finn, he doesn't seem to see her as a villain specifically. The real source of conflict in the Elemental series was more so the unchecked emotions of Finn's friends; Betty was just an obstacle.

Betty's redemption arc is completed in the show's finale. Betty summons GOLB, risking the entire universe's destruction to save Simon. Except her goal is not only to save Simon but to save their relationship. In an act of self-sacrifice, Betty manages to banish/merge with GOLB to save Ooo, despite knowing she could never be with Simon.

However, it's not as clear as I make it out to seem. While Betty does sacrifice her relationship with Simon, she still manages to save him, begging the question: if Betty couldn't save Simon, would she have made that decision? (I'm inclined to think no, but let me know what you think!)

Even if the "redemption" part of her arc feels rushed, it's Betty's journey that highlights the show's maturity. Just because she does bad things doesn't mean she's a bad person. Finn gets this; he doesn't blame Betty for almost destroying the world. He's more focused on aligning with her desire to save Simon and the rest of Ooo.

Through Betty, Adventure Time explains that it's impossible to judge people as good or evil. To do the right thing doesn't mean to help people who you think are "good" or oppose people you think are "evil" but to find common ground and a common goal.

Uncle Gumbald

He's basically the last antagonist of the show. I don't think there's a lot to say about him that hasn't already been said, so this section will be short.

He's a lot like PB in that he's a visionary. Their conflict stems from their competing ideas and the fact that they both want to subjugate each other.

They almost reach an understanding in the finale when they experience each other's lives, with PB realizing that Gumbald deserved to be treated as an equal. However, he isn't redeemed because he attempts to subjugate PB anyways by faking a truce. I feel like this was supposed to highlight PB's character growth as early PB definitely wouldn't have been willing to share authority.

Fern

I would say this is probably the most important redemption arc for Finn's character. It's weird to say that because Fern is introduced so late into the show and his arc is completed when he dies in the last minutes of the finale. Furthermore, he's a strange character to begin with. He's a grass clone of Finn made from two magic swords, and he's hardly antagonistic toward Finn except in the last two seasons.

But let's look at what we're dealing with here.

Fern's internal conflict is an identity crisis. At one point in the series, Finn comes into contact with a past self (merging timelines situation, dw about it), turning one of his selves into a sword. It's intentionally ambiguous at first, but it's eventually revealed that there is a miniature Finn inside the sword who is cognisant of the world around him. Because of Real Finn's carelessness, Sword Finn ends up getting busted, and eventually infected with a grass parasite, creating Fern.

Up until now, Finn has been acing his new pacifist approach to conflict resolution. He now prioritizes understanding someone's actions and reasoning with them, saving fighting as a last resort.

Fern represents Finn's greatest empathy challenge: trying to understand someone he thinks he already understands. To do this, Finn has to accept that his preconceived notions of Fern are wrong and take the time to get to know the real Fern. He thinks that because they share some sort of biology and memories, they are the same people. He fails to acknowledge the different life experiences that have forged him and Fern into distinct people.

When Fern heel-turns into an antagonist, it's not a surprise. We have seen repeatedly the jealousy that he feels outcasted by the real Finn. We also know he's frustrated with the dissonance between his past "life" and his current circumstances. Like Betty, Finn doesn't see Fern as a villain. However, he doesn't try to understand where Fern is coming from. He assumes that because they are similar, Fern will be willing to talk things out. In other words, Finn wants to reconcile with Fern but doesn't get how devastating Fern's identity crisis is.

In the finale's dream-dimension fight sequence, we see Finn finally hear out Fern's concerns and the two explore Fern's past together.

Fern does die because of plot reasons, but not before re-establishing his and Finn's friendship. I don't really like it when stories sacrifice one character for another's development, but it makes sense given Finn's narrative is about realizing that doing the right thing isn't always a feel-good experience. Finn wants the people he cares about to be safe, and he knows that Fern is in danger by siding with malicious characters like Gumbald. Fern also decides to align with people who care about him rather than someone who wants to use him. If Fern's villain arc is caused by feelings of inadequacies, then it's resolved through self-acceptance. Redeeming Fern requires Finn to truly understand Fern, but this means Finn loses someone who gets him.

I think it's implied Fern could never be at peace alive, since the grass demon was keeping him alive while corrupting his heart. It's a unique take on a heroic sacrifice: setting Fern free means letting Fern go.

Misc. thoughts

Not all redemption arcs are equal. I wanted to touch on a few mini-redemption arcs that either didn't fit the post or had a lesser impact on the story. These aren't relevant to the text, so feel free to skip to the conclusion.

Irredeemable villains

Some AT antagonists never get redemption arcs. These are usually one-off villains who don't get much characterization apart from just being evil. I don't think that AT wants to imply these people are beyond help (see Magic Man for proof), but maybe becoming a good person means that someone has to understand you first, which is harder to do in some cases. Examples include:

Ricardio the heart man

Thief Princess

Wyatt

Redemption arcs?

Originally, I wanted to write a section on Princess Bubblegum and how she gradually releases her iron grip on her kingdom. However, I decided against it because Finn never really sees her as a bad person. However, understanding that she's not perfect is definitely part of her arc. If I were to write about PB, it'd have to be a separate article, probably incorporating how Marceline plays into her character development and how her relationship with evolves over time.

Another character I omitted from this analysis was Lemongrab. I wouldn't describe his arc as a redemption arc because I feel it was more focused on self-discovery than making up for his past actions.

Finally, I thought about writing about the Lich's transformation into Sweet Pea, but I almost don't count it since they are essentially two different characters. A redemption arc to me means that a character undergoes a change of heart. I feel like Sweet Pea is more like the Lich reborn, and while you can argue that the events in "Whispers" are the good Lich fighting against his dormant persona, I feel like it's clear that Sweet Pea and the Lich are not one and the same. Either way, Sweet Pea being the Lich's redemption is to muddy to discuss in this context.

Becoming good

One thing I like about Adventure Time is that no one tries to make the bad guys turn good. Redemption arcs are mostly self-initiated. With characters like Ice King, Finn doesn't try to turn him into a hero, he just stops treating Simon like a villain. Unlike in other media, heroes and villains are not real roles in AT. They are more like social constructs that are easily altered once you start to empathize with supposed villains.

But while "villains" is a flexible term in AT, evil-doing is not. AT puts forward the standard that people should seek forgiveness and atone for the ways they've caused harm. It's a pretty grown-up idea that we should own up to our actions but also forgive people who want to be forgiven.

Conclusion

In Adventure Time, Finn wants to be a hero, but in trying to do so, he needs to answer this question: "What makes a hero?" Originally, the show asserts that a hero is someone who beats up bad guys and obeys people in authority. But as Finn and the audience get older, the show's ideas evolve, too. Through the use of its extensive rogue gallery, Adventure Time affirms that "bad people" are usually just normal people with personal issues. Heroism becomes less associated with righteous violence and more geared towards empathy and reconciliation. Eventually, Finn and the show give up on the hero-villain dichotomy, acknowledging that these categorizations prevent people from helping those who need it most.

Note: this is the first analysis I've posted on Tumblr and I'm planning on writing more with the goal of getting better at writing and media literacy. Additionally, I really love this franchise and I'm always down to discuss it further. Please let me know what you all think?

#adventure time #adventure time analysis #tv analysis #cartoon network #finn mertens #finn and jake #princess bubblegum #ice king #magic man #betty grof #fern #uncle gumbald #golb #the lich

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