#Trans Stories Matter
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that-trans-autistic-guy · 14 days ago
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The Dream of Being in DBD as a Trans Character: Updated
i've posted the original version of this here, but im posting this revised one here bcuz i live in a country that hates me apparently and im going to plaster my story everywhere bcuz its important. people like me are important and we deserve to be seen, along with our stories.
The plot begins with a client walking in. A ghost boy, no older than eighteen, comes in and asks for their assistance. His friend, who we’ll call Roy, had moved to the UK before the ghost, we’ll call Gilbert, passed away. The two were extremely close and Gil was Roy’s only real friend. Gil’s request is that the agency finds Roy and helps him deliver a last message to his friend. It takes some discussion, but the agency agrees.
We see a teen walking through a high school, head down, headphones on and clearly on the outside (think Edwin’s scene of walking against all the other students). Some jock in a varsity jacket slaps the books out of his hands. One particular book gets kicked down the hallway or something, and the whole hallway watches him go after it. His locker has all sorts of insults scribbled onto it, multiple of which are feminine in nature. Roy just sighs as he exchanges some of his supplies.
We watch him go through classes, just glimpses of classmates glaring, throwing papers at him, etc. He doesn’t respond to it beyond a few resigned expressions and sighs. A bell rings and the hallways are flooded by people going to lunch. Enter Crystal Palace, flanked by Edwin and Charles. She asks if he has a moment to talk and he says something like, “Look, I’m just trying to go eat without getting fucked up. So if you and your ghost boyfriends could just leave me alone, that’d be great.” He walks off, leaving Crystal and the boys extremely confused.
They didn’t think he would be able to see them. Gil had said he’d never said anything about seeing ghosts.
Crystal and the boys talk to the other students about Roy, posing as new/exchange students who’d noticed something about him. None of the students are particularly nice, saying he’s weird and abnormal. They also add in statements saying things like he’s “a girl playing pretend” and other statements in that vein. It confuses the boys, especially Edwin, but it seems to click for Crystal.
She finds Roy after school, hiding in the art/band room while the hoard of students goes outside to leave. His headphones are still on and he’s on his phone, but his head whips up the second the psychic enters so he’s clearly on high alert. Crystal sits across from him and asks why he could see ghosts.
Roy explains that when he came out, his parents stopped caring. They didn’t accept him, help him transition and refused to call him by his name. When he was seventeen, his appendix burst. He’d complained for multiple days that something was very wrong with his stomach and his parents ignored it. It burst at school and he nearly died from their negligence. 
He saw his first ghost at the school, as soon as he’d returned. It was a girl who had died the previous year in an accident, still attending classes with the rest of her classmates. He even spoke to the ghost a few times, but he never brought it up to Gilbert or anyone else. His classmates already bullied him and he wasn’t eager to give them more ammunition. Even so, he’d occasionally sneak into a bathroom to talk to the rather lonely ghost girl. He knew loneliness all too well and didn’t wish it on anyone.
After the whole ordeal, his uncle asked for custody and they gave it over without protest. Once he had it, his uncle, who we’ll call Josh, immediately worked on helping him transition. Josh got him to doctors who gave him HRT and helped him legally change his name. When Josh was told he would move to England for his high paying job barely six months later, he got Roy top surgery scheduled before they left. He enrolled in his current school, which had just as much bullying as his last. 
Crystal tells him that his friend, Gilbert, had contacted them to find him and help deliver a message. Roy’s shocked and asked if he could see Gil. The three agree, saying they could arrange something for that night. They make conversation until Roy deems it safe enough for him to leave. He gives them an awkward wave on the way out.
The two friends reunite that night. It’s tearful and emotional. We learn, through conversation or flashbacks, that Gilbert had died shortly after Roy moved away in a car accident. Roy had flown out to be at his best friend’s funeral and had been inconsolable. Gil’s family had let him sit with them, basically his own family. The boys hold each other like they might fade away, resting their foreheads together.
They talk. Gil reassures him that he was okay, that he was glad Roy was still going. He’s sad that Roy hasn’t made any new friends and the boy says he’s scared of letting in the wrong people. He says that maybe he can start with the detectives and Roy agrees that maybe he can. They talk a little more, the two stating that they love each other and similar statements, and Gil’s ready to move on. The blue light appears and he smiles sadly, giving his friend one last hug. He tells Roy to look after himself, asks the agency to look after him, too. Roy is holding in a sob but tells Gilbert to go on and that he’ll see him later, yeah? Gilbert nods and goes with Death, the light disappearing. As it does, we see the ghost boys holding hands, cast in blue light, reminded of their own deep friendship and unable to imagine parting.
Roy swipes at his tears as the agency approaches. They all offer their condolences, even a hug maybe, and he accepts. He asks if what they do is helping people move on and they say that it is. He nods and says that he’d like to help them sometimes, to which they all agree. The four of them hang out for a while, letting Roy tell the stories of Gilbert he’d been aching to tell.
When Roy goes home, his uncle is still up. The teen had said he would be out with potential new friends. Josh asks if the hangout went well and immediately worries when he sees his nephew’s tears. Roy is quick to tell him it was great, better than he could have imagined. He tells his uncle that he told them about Gilbert and even got to share his memories of him. Josh gets tearful as well when Roy says that he thinks he might actually have a group of friends he could be really close to. The two hug before the camera pans back to the agency. Perhaps the boys are deep in thought, perhaps they’re talking about the case and how it made them feel. But it’s clear that whether said aloud or not, the case had hit very close to home. And it leaves them with things to think about.
I like to think Roy would make a few other appearances, in a similar way to Monty. Edwin would ask him questions about his identity and queer stuff, notebook in hand. Charles and him would mess around, playing jokes on the others. He and Crystal would commiserate over neglectful parents, helping her as she tries to rebuild her life. When Niko comes back, they’d share shows and books they each like. 
Maybe the bullying gets bad and one of the ghost boys goes with him to school, casually tripping the bullies or being silly around them while the bully is oblivious. Roy slowly makes a friend or two at school, and overall comes out of his shell bit by bit. And he can almost see Gilbert smiling from beyond.
again, im posting this bcuz despite the last election, our stories matter and so do we. queer stories matter. trans stories matter. and if you don't like it, suck it up. cuz we arent going anywhere.
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rhfffas · 1 year ago
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your average period drama: white/straight/cis, with annoying men who have egos and screen time bigger than the whole sky
aloto: none of these things above
#justice for aloto
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themnmovieman · 1 month ago
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Movie Review ~ Will & Harper
Will & Harper Synopsis: After comedian Will Ferrell’s longtime friend and former SNL writer Harper Steele came out as a trans woman, they embarked on a heartfelt road trip from New York to LA to reintroduce Harper to the country as herself. Over 16 days, they revisit meaningful places, deepening their friendship and exploring their new dynamic.Stars: Will Ferrell, Harper Steele, Seth Meyers, Tina…
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uncanny-tranny · 2 months ago
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"If men got periods/needed abortion/got ovarian or breast cancer, those resources would be handed out like candy! They'd be more plentiful than ATMs!!"
You mean perisex cis men. You mean perisex cis men. Say what you mean.
I'm a trans man. I avoid all medical care because ninety percent of my doctors have not treated me properly because I am a trans man. I am acutely aware that doctors would be more than happy to not provide me care on the basis of my being trans, even if it costed my life.
Every time I so much as think about the doctors, I'm reminded of men like Robert Eads - of how my care is at the whim of the opinions a doctor has about my life. And because of my own past negative experiences, I hesitate to open my patient portal to schedule an appointment. When I have gotten a good doctor, it's not been the rule, it's the exception. I have a doctor right now who I'm lucky to see, who actually treats me like a human being. I'm celebrating that a doctor finally treats me like a person.
If you want to group all men as being the same, I hope you're willing to have that blood on your hands. Because that care is routinely kept away from men, and it's a real, tangible, systemic issue.
I don't talk about this because I see being trans as this negative thing, but because I want to continue living and I want my trans siblings to live. I understand the frustration that people have who say this - it's another systemic issue that also costs lives. However, I am alarmed at the trend of... forgetting or perhaps erasing that this is still an issue for men, that we literally aren't treated the same as somebody like a cis perisex woman. No doctor has ever treated me like one, and of that I know for a fact. And this is a simple fix - be clear about who you mean when you talk about a group of people or a specific phenomenon. That applies when you are talking about any group of people because, generally, these overgeneralizations will be useless because it can't apply to everyone, and might just hurt a group of people you may not even be intending on hurting.
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aardvaark · 6 months ago
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im so glad that we never get a clear picture of sophie’s background in leverage & i hope we never do. however i also really like making up various, often conflicting backstories for her in my head. perhaps they’re all backstories for an alias of hers, ones she laid to rest back in season two.
#leverageposting#leverage#sophie devereaux#particularly that one of or both her parents had to move around a lot for work & so she would change herself to fit in at every new school#or new town etc etc. and that whatever original identity she had was dropped due to some kind of really awful event and her bio family think#she’s dead. eg she got into some kind of extreme legal trouble for the first time & she faked her death & everyone she knew as a kid thinks#she’s dead too. like. astrid wasn’t the first person she left to miss/mourn her.#but also that she was a teen runaway at like age ~16 and pretended to be an adult (like. 18/19) cause theres not much you can do by yourself#as a minor like booking flights or renting an apartment. and so began her first proper alias. and she was a pickpocket until she could fund#her life fully through grifting & cons.#or alternatively her parents died when she was a teen & she was old enough to become an emancipated minor (everyone in lev is an orphan)#and she kind of just fell into crime from there bc she had no one#or perhaps she got married at 17 and realised how fucked it all was and stashed money until she could run away & leave it all behind. that’s#bc of a single vague sentence on john rogers’ blog saying she was married at 17 and in context it was quite possibly a joke or random#hypothetical example but i was like what if???? What If???????#i also like the hc that she’s trans which i’ve seen a few times#in some versions in my mind her parents were okay and in some versions they were awful and in some versions it was so complicated.#i think tara has heard one story and parker or hardison have heard another and nate has never heard any story. he’s never asked.#she is here now and that’s all that needs knowing. and sophie devereaux is her real name in any way it matters.#eliot has also never asked and she asked if he was curious once and he just asked if she was curious about What He Did and that was answer#enough for the both of them. just a mutual agreement not to ask and it actually solidified their bond.#i think she struggled for a long time about whether to tell her new family The Real Story but in much the same way we never hear her birth#name bc it’s not Her anymore… she never gives The Real Story. bc it no longer defines who she is. she’s so much more than whatever happened.#lvg
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definedvines · 6 months ago
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i've kind of changed my mind when it comes to naoto's gender in that it doesn't matter what exactly you headcanon them as, but an arc that essentially says "being forced to be a gender you're not to conform to society can cause you a lot of problems" is an extremely trans-coded narrative and one that can hardly ever be applied to cis people in the real world. they just had to make naoto's a technically cis one because, dare i say, atlus may not exactly have been writing their games' narratives as the biggest trans ally in the early 2000s
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loudmound · 3 days ago
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i think where people are losing the plot in terms of making james and jim characters that have suffered more than what is initially apparent in the narrative of sh2 is that it tends to absolutely consume how they see those respective characters and takes that shit to the absolute extremes. james and mary having a tumultuous relationship when she was sick turns into "mary was james' abuser when she was sick." conversely, for jim, it's entirely possible that she was institutionalized and sa'd while she was there, then that somehow turns into "none of what she experienced in silent hill was real and she's been locked in that mental hospital for 20 years, actually." it's deeply unserious.
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trans-androgyne · 3 months ago
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Also dude I am not a radfem. I am an ex radfem. Radical feminism is rooted in transmisogyny and anti sex work sentiments.
You were the one not listening to how transmasc is an umbrella term and doesnt just mean “transitioning to masculinity” it can ALSO mean “transitioning to a male gender identity regardless of presentation”. The two can co exist.
Stop spreading lies about me.
The post was about you, but the tags were about "another complaint" by someone else who tagged their "yes, it is all men" response with #radblr. I didn't know your radfem history and I'm sorry for anything that came up for you while interpreting my post that way.
Your claim doesn't become more correct just because you feel strongly and keep repeating it. I am telling you that you using the term that way makes people uncomfortable. Do you also do this to trans women saying they don't identify as transfem? Transmasc and transfem are not umbrella terms, and I am telling you that treating them like that causes harm.
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moongothic · 8 months ago
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Seen quite a few people comment how they believe it's more likely the Dragodile Divorce happened due to ideological differences rather than because Dragon was too straight to stay with Crocodile, and. Like I did suggest that (or at least tried to) in my Crocodad Giga Thesis (really I should've been more clear about it in my essay so I wouldn't be writing this now lol), but like yes, Dragon and Crocodile absolutely have drastically different beliefs on How One Overthrows The World Government. And that absolutely could have contributed to the two separating and/or Crocodile deciding to go his own way instead of becoming a proper Revolutionary
Because like, as I tried to imply in the essay (but failed to deliver); if Crocodile's goal had always been to get Pluton so he could just nuke Marijoa off the face of the earth by himself and end it all in one go, then Crocodile and his way of thinking could work as this, like... contrasting opposite to how Dragon believes things should be done. Some fans (unfairly imo) call Dragon a "fraud" because over the past 20+ years he has only attacked Marijoa and the WG directly just once, and even when he did, instead of doing something to stop their corrupt reign for good... the Revs destroyed... the Tenryuubito's... food storage..? Like. Sure, that'll bother them for a little while, get their panties in a good twist etc, but in the end they're just going to demand more tributes and more free food. The Revolutionary Army may be successfully inspiring more people and more countries to rebel against the World Government's corrupt rule, but the Tenryuubito are still in power and will continue to be in power for a long time. And that's kind of how Crocodile would greatly complement Dragon within the narrative. Dragon being arguably "too soft" with his slow, methodical way of overthrowing the WG, while Crocodile would just kill them all without mercy, even if it meant hurting innocent people in the process. The two would act as the opposite sides of the same coin, the different extremes of the same spectrum. Crocodile would become like a response to the complaints people have against Dragon.
And yeah, the two having such wildly different ideological views could VERY EASILY contribute to a divorce, for sure.
My thing is that... If (and this is an if) Crocodile is meant to go a character arc and grow as a person, if we're meant to see him as a sympathetic character at all and maybe even feel bad for him... It'll be much harder to write that if the Dragodile Divorce happened only because of the two having ideological differences. Like who's going to feel bad for Crocodile if the two got divorced because Crocodile wanted to mass murder people and Dragon wasn't okay with it? That's not a tragedy, that's not a situation where we as the readers would feel for Crocodile and want to root for him. That's not something that would give a character unprocessed emotional trauma to heal from and overcome. He'd just be a villian who'd need to have his beliefs changed.
Where as, if The Divorce was caused by Dragon and Crocodile no longer being compatible due to Dragon being straight while Crocodile transed his gender... Even in the most respectful of scenarios that is a heartbreaking situation, a painful thing to go through. That is a tragedy without bad guys, a story where you could feel bad for Crocodile and want to root for him. That is a situation that would give him trauma to heal from.
And that's kind of why I so strongly believe in Crocodile's transition being a more important, contributing factor in The Divorce. Again, this does absolutely depend on what Crocodile's actual role in the story is going to be and whether or not he's even meant to go through a character arc at all. Like if he's not going to be that important and if he isn't meant to go through an arc then sure, Crocodile's transition doesn't have to matter one fucking bit. But if he is meant to go through an arc, if we are meant to feel bad for him and find outselves rooting for him eventually... From a writing perspective, that'll be far easier to do if we can find ourselves sympathizing with him even just a little bit.
Also like. Yes, you can have queer characters who are just queer for the sake of being queer, their queerness does not have to be an important aspect in them or a huge plotpoint in their story at all. Crocodile could be queer just for the sake of being queer. Because that's what it's like being queer, you just are what you are. At the same time, from a writing perspective. What would even be the point of making him queer if it didn't matter to his character at all and have an impact on his character?
Also while Crocodile and Dragon clearly have very different beliefs on how the WG should be dealt with right now, we don't really know when Crocodile came to his beliefs. Like for all we know Crocodile could've formed his worldview years after the divorce. Hell, based on the way he spoke to Vivi about her ideals, and how we know he spent over a decade in utter emotional solitude, his current worldview could have been partially born from resentment towards Dragon (and his ideals) that's been simmering away over the years.
All of this to say; yes I think the two's beliefs could have been a contributing factor in The Divorce, but from a writing perspective (and based on the direction I personally want to see the story go), I find it far more likely if Crocodile's transition was the main cause, one way or another.
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girlbloggercrowley · 5 months ago
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trending tag right now is filled with “guys the author is a terf!!! and this is an election year!!! think about the implications!!!” and all i’m thinking is
1: the allegations are not about trans women. the allegations are about a cis man behaving abhorrently towards two women. the author, whatever her beliefs may be, is not speaking from a transphobic perspective in the piece. she is talking about misogyny, and how powerful men get away with things. this is not about trans people. you are using trans people as a deflection from discussion about men in power, something that affects trans people.
2: you guys are deathly allergic to even considering that a man might have committed sexual assault.
3: this is not a government psyop are you fucking stupid
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defilerwyrm · 6 months ago
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Ok. So. NSFW werewolf ask. Would a transmasc werewolf on T develop a knot as his clit/dick grows? Is the anatomical analog (analogue? I can never remember which spelling is right) present? I need to know this because that's what fanfic writers do: we need to get the porn correct.
DAMN RIGHT HE WOULD.
Like okay sure to my knowledge, female canids don't actually have analogous tissue to the bulbis glandis, but since it's pretty standard for testosterone HRT to masculinize the genitals and it's perfectly possible in humans for it to trigger the generation of tissue that isn't pre-existing (such as prostate tissue), so why wouldn't it do the same for werewolves?
Hell, if you wanted it to, it could go all the way to a normative dick. If this trans guy can grow claws, fangs, a tail, and full pelt of fur, what's stopping him from growing balls too? With exactly zero respect to the fuckwits who wrote explicit transphobia into that one edition of Werewolf: The Apocalypse (4e I think? who fucking cares, it deserves to die in obscurity), werewolves are magical/supernatural creatures and you can do what you please with them, including their genitals. There is absolutely no authority telling you that werewolves can't straight up change sex in full or in part when they wolf out if you want them to.
Trans erotica made by trans people serves two purposes: to be gender-affirming and to be hot. Besides, if your porno werewolf doesn't have a knot what's even the got damb point
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rosethorn-zz · 6 months ago
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Tumblr media Tumblr media
happy pride month from the walking pride flags
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toxifoxx · 6 months ago
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How does it make you feel that M Preg is a canonical thing in FNAF?
i mean i kind of have mixed feelings it's obviously used as a tool of horror and is supposed to be gross and shocking, and it's always used as a shocking thing in the fandom too. not that it's unexpected but you can tell people think of a man being pregnant as something hilarious and outlandish/impossible, it's either something to laugh at or be disgusted by. and as a trans man myself it's just kind of like hmm. Hmmmm
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emdotcom · 9 months ago
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Idk why the fucken... Divide between "it was alternate universes" & "Paul is just trans" ideas for Petscop has to be torn into a cavern. Paul being trans DOES make sense, but requires you to ignore huge details that immediately make it not work. The alternate universes DO kind of make sense, but require you to extrapolate out a lot of info purposefully left unshown.
It's hard to describe what i want to say, here -- i do think Paul being trans makes sense, 'splains why he & Care "look eeriely similar," you could argue he's just thoroughly blocked out that part of his life enough to have forgotten Care entirely, etc. I like it, & i keep it as i also say "Yeah, it's that & the universes theory." It's not two switches that demand you can only flip on one of them -- you can have both. You can have neither. Do whatever
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mummer · 1 year ago
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it's about the way that sam feels like he has no home and he never gets to have a place he feels safe in, not horn hill, not the watch, probably not the citadel… tbh it’s that persistent neverending feeling of being unsafe— not just uncomfortable or shy, but *unsafe*— that feels the most cogent in terms of a trans reading of sam
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cecropiacrown · 6 months ago
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Hello! Could I request number 21 for the Kiss prompt for Fengqing? Would it be possible to have Feng Xin as having the insecurity simply bc you see a lot of Mu Qing having insecurities and such but a bit less so of FX?
Much love and thanks ^_^
Thanks for the ask! I took a while to think on this one and decided to combine it with another prompt that was requested of me, hope you don’t mind! :) #20 a kiss on a place of insecurity/ #21 a kiss on a scar Content Warning: implied s*xual content ; trans male character
Mu Qing just barely ghosts the tips of his fingers along Feng Xin’s sides, the touch bordering on ticklish but not quite arriving there because that warm, honey-gold skin is still hidden underneath Feng Xin’s t-shirt. The two of them have been laughing and tumbling in bed for quite some time now—nuzzling, kissing, touching—and Mu Qing is down to just his pants and boxers, but Feng Xin is still fully clothed.
As Mu Qing’s hands reach the bottom of the shirt, he dips his fingers just below the hem, not quite grabbing the fabric but clearly stating his intentions. The atmosphere between them has grown serious and, as the two men lock eyes, Mu Qing sees the moment Feng Xin’s face falls.
“Hey,” Mu Qing says, low and gentle, trying to soothe a worry that’s quickly taking root in Feng Xin’s mind. Ah, but he can see it in the other man’s eyes. He’s spiraling.
“A-Xin, it’s alright.”
Mu Qing pulls his fingers back and presses his palms flat onto Feng Xin’s lower stomach, already rubbing circles with his thumbs in an attempt to keep him grounded.
“You know it can stay on if you want it to. It’s okay—really.”
Feng Xin is biting at his lip, contemplation tugging his thick brows down into a furrow. He’s still holding Mu Qing’s eye contact but something tense swims behind his gaze and Mu Qing can tell he’s more in his brain than in the moment. 
“I’m sorry, A-Qing,” and then Feng Xin’s pretty amber eyes fall dejectedly to the bed, his head tilting with them as his shoulders slump. Mu Qing’s heart could break right there in his chest.
“Hey, c’mon now. None of that.” Mu Qing reaches a palm out to Feng Xin’s cheek, gently cupping his jaw and raising him back up to meet his eyes. “You don’t need to apologize. You didn’t do anything wrong.”
Mu Qing waits patiently for Feng Xin to agree before he continues. That small nod comes slowly and Mu Qing can tell Feng Xin doesn’t completely believe him.
“Do you want to stop, or do you want to keep going? Like I said, you can keep it on if that’s what you need, A-Xin.”
Feng Xin, the good listener he is, takes his time to think about his answer. Mu Qing watches that pink tongue dart out to lick those soft, plump lips and it takes all his willpower to not surge forward and kiss Feng Xin right there and then. His stomach swirls with want and he presses his hands a bit more firmly against Feng Xin’s stomach to calm down
“I want to keep going,” Feng Xin decides, his eyes flickering brighter with some newfound determination. 
“On or off, love?” Mu Qing presses, wanting to have the clarification before they go any further.
“Off.”
Mu Qing raises an eyebrow.
“You sure?”
“Yes.”
Now he raises both eyebrows, fixing Feng Xin with a steady, serious look.
“Do you promise?”
“Yes, I promise,” and Feng Xin is so earnest it could make Mu Qing swoon if he wasn’t so ridiculously turned on.
“Okay. Just tell me if you want to stop, alright?”
“Always."
God, this man doesn’t know the sheer power he holds over Mu Qing.
Then Feng Xin smiles, his one dimple carving itself into the pretty mess of freckles on his cheek, and Mu Qing realizes that, oh, Feng Xin definitely knows.
Mu Qing leans forward, unable to resist the pull of those eyes any longer, and presses his lips to Feng Xin’s.
Feng Xin is still smiling as Mu Qing deepens the kiss, his hand coming up to rest at the back of Mu Qing’s neck as he eagerly tilts his head. With one hand steadying himself against the bed, Mu Qing brings his other hand back to the hem of Feng Xin’s shirt and tugs. He hungrily swallows the gasp his gesture pulls from Feng Xin’s lips and repeats the action.
Feng Xin parts his legs wider to accommodate Mu Qing’s body and the heady swirl of arousal seeps into the space between them.
Feng Xin licks wetly against Mu Qing’s lips, the messy thing he is, and it makes Mu Qing laugh. He presses a sweet peck to the corner of Feng Xin’s mouth and pulls back, feeling a bit smug as he sees Feng Xin’s closed eyes and parted lips careen forward in an attempt to chase him. When those pretty eyes finally open, dark and wanting, Mu Qing tugs again on the shirt, silently asking for permission.
Feng Xin’s breath is ragged, his voice already sounding wrecked as he stares up at Mu Qing.
“Do it.”
Like a bandaid, Mu Qing rips Feng Xin’s shirt up over his head in one quick motion. He tosses it nearby on the chance Feng Xin changes his mind and needs it back on, but doesn’t give Feng Xin time to even think about being self conscious before he’s kissing him again, slow and sweet.
Mu Qing murmurs against Feng Xin’s lips, “You are so beautiful.”
He places his hand firmly on Feng Xin’s side, kneading the skin in patient, grounding presses of his fingertips, and starts to trail kisses down his jaw. Mu Qing lets his lips map out each freckled constellation, not in any sort of rush, as he eases Feng Xin into the moment and further into the mattress.
He feels the hammering of Feng Xin’s pulse under his lips as he kisses the underside of the other man’s jaw and he can’t help but nip at the skin there. He whispers praise against Feng Xin’s burning skin, his voice rough with a kind of need only Feng Xin can bring out in him
“My gorgeous,”
He kisses down Feng Xin’s neck, licking at the dip of his collarbone.
“Precious,”
His next kiss is pressed right at the start of Feng Xin’s left pec, the heart that lays underneath beating faster and faster.
“Handsome Feng Xin.”
Feng Xin’s top surgery scars meet in a little dip right above his breastbone; a warm, purpley-brown tone much like the color of the sweet skin between his legs. Mu Qing presses his last kiss right to this spot, soft and lingering and worshipful. Feng Xin whimpers at the touch, his face twisted as he fists his hands in the sheets. He always needs this moment of discomfort before it breaks into acceptance and he lets himself breathe and be adored in the way he deserves.
Mu Qing listens for that quiet sigh before he peeks up at Feng Xin’s face. He finds his eyes closed, those dark lashes splayed across the tops of his cheeks, and a small smile on his lips. He presses one more kiss to this spot and watches the smile grow, his own heart expanding with it, and thinks, truthfully, that there is nowhere else he’d rather be.
“I love you, Feng Xin.”
“I love you, too. So, so much."
And Mu Qing shows Feng Xin just how deep that love runs.
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