#Tos' “Journey to Babel” as well

[null-doesnothing]

"hey you doing alright?" no actually I'm thinking about Sarek again

[lightshiningforth]

One thing that bothers me about Discovery is that it takes the grimmest possible view of Vulcan culture in general and Spock's family in particular, in ways that I don't think are justified by prior Star Trek series.

On the one hand, I think there's absolutely room in the Star Trek canon to portray a flawed, xenophobic Vulcan society. It's right there in front of you, starting in the original series. We all know that Spock grew up being bullied for being half human and not Vulcan enough. Dr. Miranda Jones is a human who studied on Vulcan and also has a complex about not being Vulcan enough (S3.E5 "Is there in Truth No Beauty?"). The inherent hypocrisy of Vulcans proclaiming that they value "infinite diversity in infinite combinations" while treating atypical members of their society poorly is absolutely worth exploring.

On the other hand, Discovery takes the portrayal of Vulcan callousness to the absolute extreme. Why on earth would Michael and her Vulcan classmates be contained in isolated orbs at school, practicing rapid-fire rote memorization? Vulcans aren't just computers who spit out facts and figures; that's a stereotype other species apply to them. Vulcans like to philosophize, to debate. Vulcans sincerely value the arts, music in particular. Spock even refers to dances that young Vulcans are taught in preschool (S3.E14 "Whom Gods Destroy"). None of those things are compatible with an education style that keeps kids isolated and interacting with no one, neither peers nor teachers.

Further, I don't for a second believe that Sarek would squash and deny Spock and Amanda their humanity. Yes, he has a complex about it and insists consistently that Spock is a Vulcan and must be treated as a Vulcan and yadda yadda yadda. BUT. Though he and Amanda choose to raise Spock on Vulcan ideals, Sarek is someone who clearly values human ways. He likes when Amanda and Perrin show him their human affection. He values human music, and is moved by it! And Spock, whose education was heavily influenced by Sarek, is fully versed in human history and literature. Often more so than the full, raised-on-Earth humans he serves with. He has read Byron and Shakespeare. He has detailed knowledge of wars, of governments, of even niche gunfights in the ancient American frontier (S3.E6 "Spectre of the Gun"). Sarek also relies without question on Spock's human friends to save his son's life, entrusting them with the most intimate of Vulcan rituals after assuming that Spock had already done the same. And their big father-son conflict? Sarek wants his son, of whom he is very proud, to contribute his talents to Vulcan society via the Vulcan Science Academy and stay close to home rather than going off into space and joining an organization with more military power than Sarek approves of. That's it.

All that is to say, there's no damn way that Sarek would "forbid" Amanda from exposing Spock to human literature and ideas. She would have read Alice in Wonderland to both her kids and he would have pretended not to be interested from another room while secretly being gripped by the story.

[swimmingwolf59]

I’m overthinking about Journey to Babel again lol, but something occurred to me for the first time so I thought I’d share it!

Something I think about a lot and really enjoy about this episode is that, indirectly, and without Kirk’s interference, Spock's decision to give his loyalty to Starfleet would've been the death of his father. He was all for donating the blood necessary for his father’s procedure (even basically logic’d his way into forcing McCoy to go along with him and his sketchy drug plan lol), but as soon as Kirk gets injured he balks.

SPOCK: My first responsibility is to the ship. Our passengers' safety is by Starfleet order of first importance. We are being followed by an alien, possibly hostile, vessel. I cannot relinquish command under these circumstances. MCCOY: You can turn command over to Scotty. SPOCK: On what grounds, Doctor? Command requirements do not recognise personal privilege.

Spock can't donate blood because his duty lies with captaining the Enterprise (even if Scotty absolutely can and has captained the ship under strange circumstances but we’ll ignore that for now lol).

We know that the original rift between Spock and Sarek was formed because Spock wanted to join Starfleet, and Sarek disapproved because he thought Starfleet was too militaristic. He also wanted Spock to be a science officer at the VSA, and for Spock to follow in his own footsteps.

So, now. This scene:

SPOCK: Mother, how can you have lived on Vulcan so long, married a Vulcan, raised a son on Vulcan, without understanding what it means to be a Vulcan? AMANDA: If this is what it means, I don't want to know. SPOCK: It means to adopt a philosophy, a way of life, which is logical and beneficial. We cannot disregard that philosophy merely for personal gain, no matter how important that gain might be. AMANDA: Nothing is as important as your father's life. SPOCK: Can you imagine what my father would say if I were to agree, if I were to give up command of this vessel, jeopardise hundreds of lives, risk interplanetary war, all for the life of one person?

I used to interpret this exchange as Spock believing that Sarek would criticize him for being overly emotional and not making the logical decision. While there might still be some of that, I kinda read this scene a little differently now. Instead of being about logic v. emotion, I think it’s more a continuation of Sarek and Spock’s argument from 18 years ago. If Spock can turn his back on his duties as a Starfleet officer so easily (”easily” lol), why did he rebel against Sarek to choose it in the first place? Why didn't he just stay on Vulcan and do as his father wished?

I think Spock may have meant that taking this course of action, in his mind, would only further Sarek's belief that he made the wrong choice.

Can you imagine what my father would say, if I turned my back on the very thing I tried to convince him was so important.

I mean, it’s certainly something to sign your father’s death warrant over an argument LOL but this family is just the WORST at communicating all across the board. And apparently being a hypocrite is worse than anything else :D

[electronickingdomfox]

USS Enterprise decks

Updated part 1 here

Updated part 2 here

This post got me thinking about the actual location inside the ship of several areas. Sure, there are many blueprints and reference books that have published complete and detailed layouts of the Enterprise. But ultimately, they're interpretations of different authors, filling in the blanks, and they often disagree with each other.

So this is a list of the bare minimum of facts. All the deck locations that can be gleaned from TOS episodes. Beyond that, it's up to anyone's imagination.

*Feel free to make additions or corrections to this post. This is only in reference to the original ship as seen in the series, not taking into account the refit ship from the movies, or alterations/retcons introduced in later series.

Saucer section (primary hull)

Most locations seen in the series belong to this section (as deduced from the curved corridors). The first version of the Writer's Guide tell us it has 20 decks. The later edition (season 2 onwards) reduced the decks to 11.

Deck 1

-Bridge: Obvious from a simple inspection of the ship's exterior. And also confirmed by the Writer's Guide to be in this deck.

Deck 2

-The Romulan Commander's "guest" quarters: Spock tells the turbolift to bring them to this deck, before leaving her in detention, in "The Enterprise Incident". I don't think we ever see other location said to be here (maybe she got the whole deck for herself; lucky!).

Deck 3

-Recreation room 6: Rand offers Charlie to come here, in "Charlie X".

-Recreation room 3: Spock says Bele is chasing Lokai in front of this place, in "Let That Be Your Last Battlefield".

-Crewmen's lounge: Same as above.

Deck 4

-Environmental control: Scotty says power's been shut down here, in "The Ultimate Computer".

-Living quarters: Kirk confirms this, in "The Ultimate Computer".

Deck 5

-Sickbay: Kirk brings Spock to this deck after ordering him to report to sickbay, in "Amok Time". He does the same with Elaan of Troyius. Strangely enough, most blueprints place sickbay in deck 7 instead.

-Kirk's quarters: Confirmed in "Journey to Babel", which also shows the cabin number (3F 121). The same number was first seen in "The Conscience of the King", but without specifying the deck.

-Recreation room 3: Spock says Bele is chasing Lokai in front of this place, in "Let That Be Your Last Battlefield". May be a script error, since a moment ago he had said this place was in deck 3.

-Transporter room: As Lokai seems to run directly here, we may assume it's also in deck 5 (though there are probably many more transporter rooms throughout the ship).

Deck 6

-Briefing room: Sargon calls McCoy from here, in "Return to Tomorrow". May be the same briefing room from other episodes.

-Guest rooms: Bele and Lokai are assigned quarters here, in "Let That Be Your Last Battlefield".

-Living quarters: Kirk confirms this, in "The Ultimate Computer".

Deck 8

-Auxiliary control: The android Norman hijacks the controls here, in "I, Mudd".

-Evaluation laboratory: Seen on a plaque, in "And the Children Shall Lead". Kirk and Spock arrived on this deck in search for Auxiliary control, so it should be in deck 8 as well.

Deck 12

-Janice Rand's quarters: In "The Enemy Within", after seeing Rand attacked by evil Kirk, a crewman reports they're in deck 12. The number of her cabin is also visible (3C 46).

-Kirk's quarters: In very early episodes ("Mudd's Women" and "The Enemy Within"), Kirk's quarters were here, instead of in deck 5. Since the number of saucer decks was reduced to 11 in season 2, the change makes sense.

Deck 14

-Transporter room: In "Dagger of the Mind", Dr. Van Gelder is locked in this deck, after arriving inside a cargo box.

-Personnel Director office: Seen on a plaque during Van Gelder's escape.

-Science Library: Same as above.

Unknown deck

These are some locations, likely from the saucer section, but with unspecified deck. There are plenty of such examples, so this isn't an exhaustive list.

-Impulse engines: The Writer's Guide confirms that the impulse engines are in the primary hull, in case of saucer separation. I think the impulse engines are only seen in "The Doomsday Machine", when Scotty is working aboard the identical Constellation. Though they look just as a reused set from Engineering.

-Spock's quarters: The cabin number is seen in "Amok Time" (3F 125). Possibly, it's in deck 5 near Kirk's quarters, considering the similar numbering.

-McCoy's quarters: Only seen in "The Man Trap" (I think), which also shows the number (3F 127). Again, it's probably near Kirk and Spock's cabins.

-Mudd's quarters: The number is barely legible, but looks like 3F 125, in "Mudd's Women". This happens to be the same as Spock's cabin. The likely explanation is that they didn't have a design for Spock's quarters so early in the series. The fun explanation is that they evicted Spock just to make room for Mudd.

-Uhura's quarters: Seen in "The Tholian Web", and adapted for Elaan in "Elaan of Troyius".

-Scotty's quarters: Seen in "By Any Other Name".

-Life Science Section - Botany Department: Seen in "The Man Trap".

-Gymnasium: Seen in "Charlie X".

-Officer's mess: Seen in "Space Seed".

-Botanical garden: Seen in "Is There in Truth No Beauty?".

-Briefing room: Different from the usual briefing room, it's seen in "Space Seed" when they decide Khan's fate.

-Biochemistry lab: Seen in "The Deadly Years".

Since I've reached the picture limit, the continuation with the Engineering hull sets will be in another post, here.

[kcscribbler]

Fic authors self rec! When you get this, reply with your favorite five fics that you've written, then pass on to at least five other writers! Spread the self-love 💞

Aw, thank you so much @justabigoldnerd! I feel weird about self-reccing, but I don't think I've ever actually thought much about my favorites, so. This should be fun.

In no particular order, and taken only from stories currently posted to AO3:

Loki Series

Ready or Not

Summary: In which the waiting is over, and the war begins.

Oddly enough, the last two chapters of this arc are my favorite of all the 150K+ words in the Storyteller series. It was difficult to say goodbye to this series, because I poured a lot of love into it, but I told the story I wanted to tell, and I love where it ended. (Chaptered)

Star Trek: Alternate Original Series

2. What's in a Name, Chapter Six

Summary: Five times Nyota Uhura called Jim Kirk something other than Captain, and one time he was glad to return the favor.

Chapter Six is set many years after the events of Star Trek: Beyond, focusing on what a potential movie-era in the AOS might look like. I wanted something with the bittersweet vibe of the TOS movie era, but more sweet than bitter, and I think I achieved that. It was also written during a period of upheaval in my own personal life, with a lot of uncertainty about facing the future, and I think that emotion transferred. (Oneshot)

3. The Captain's Log, Redacted, Chapter Five - Distress Signals (Shields Up, Red Alert)

Summary: Or, The Ongoing Saga of "Well That's Not Going in the Report."

Chapter Five is definitely an unashamed demonstration of the Found Family trope, which to me is the defining feature of all my AOS fic. I was very pleased with how this one turned out. (Oneshot)

Star Trek: The Original Series

4. A Night in Sickbay

Summary: Or, The One With the Nightmares Added scene after the curtain falls on Journey to Babel.

I've written a lot of missing scenes from the series, but this one's always been a personal favorite. I think the older I get, the more I enjoy the quiet, gentle stories as much as the more dramatic ones. (Oneshot)

Star Trek: The Original Series & Sherlock Holmes (ACD Canon)

5. However Improbable

Summary: "An ancestor of mine maintained that if you eliminate the impossible, whatever remains, however improbable, must be the truth." - Captain Spock, ST:VI; original quote Sherlock Holmes, The Sign of Four. Two universes, two worlds, one link threatening to destroy them both.

Yes, I wrote a novel-length crossover between two very unlikely universes, many years ago as a just-for-fun NaNoWriMo exercise. Yes, it's ridiculous and niche. Yes, it's still probably my favorite story I've ever written. (Longfic)

[blogquantumreality]

Suggested ST: TOS Episodes to Watch

If you really don't want to go through all of the original series' episodes, here are fifteen I would suggest watching to get the big picture of the major aspects of TOS that feed into TNG, DS9 and so forth:

"Where No Man Has Gone Before" - as the pilot, this is self-explanatory. It shows us many of the major characters who we'll see over and over through the series, and shows how they react to a new phenomenon that threatens the mental stability of two crew members.

"Balance of Terror" - introduces the Romulans, one of two principal antagonist powers in the TOS era and which still has a sizable rivalry with the Federation in TNG/DS9.

"The Menagerie, Pt. I/II" - along with the original pilot "The Cage", this two-parter is noteworthy for giving us a look into the Enterprise's past when it was commanded by Captain Christopher Pike. It also establishes one of the few crimes for which the Federation has imposed a death penalty.

"Space Seed" - introduces Khan Noonien Singh and establishes one of the major cataclysmic wars of Trek's 20th century, the Eugenics Wars, with Khan as one of the principal instigators.

"Errand of Mercy" - introduces the Klingon Empire as the second of two principal antagonist powers in the TOS era, and also introduces the Organians who impose an armistice between the Klingons and the Federation, promising that one day they would come to see each other as allies.

"Metamorphosis" - introduces Zefram Cochrane, the inventor of the warp drive which is the foundation upon which TOS era spacefaring rests upon.

"The City on the Edge of Forever" - for sheer feels this episode cannot be matched. We meet Edith Keeler, a woman who strikes a chord with Kirk beyond friendship, and see the potential cost of accidentally changing history.

"Mirror, Mirror" - here, we see an alternate universe in which a different set of conditions took hold, especially on Earth. In this universe, humanity's darker traits are admired and upheld, leading to the Federation morphing into an aggressively expansionist empire that brooks no opposition. Noteworthy for the way it explores the differences and similarities between mirror and canon Kirk as well as mirror and canon Spock.

"Amok Time" - this episode gives us an in-depth look at Spock, some of his life story, and the planet Vulcan and its customs.

"Journey to Babel" - introduces Spock's parents :P

"Patterns of Force" - rather topical in today's world, it is an interesting exploration of how any fascist movement inevitably drives towards extremism and only heroic efforts can usually stop one once it has taken hold.

"The Trouble with Tribbles" - tribbles. 'nuff said. :P

"The Paradise Syndrome" - introduces the Preservers, which serve as a canonically convenient way to explain the wide variety of similar biospheres on many planets as well as the tendency for human or human derived cultures to show up in places known to not be warp-capable. It can also tie into TNG's "The Chase".

"Day of the Dove" - introduces the last in the trio of Kor ("Errand"), Koloth ("Tribbles") and Kang, and gives more perspective on TOS-era Klingon perceptions of the Federation.

"Let That Be Your Last Battlefield" - somewhat anvilicious as an allegory for the arbitrariness and futility of racism.

Honorable mentions include "The Savage Curtain", which introduces (Kirk's idea of) Kahless the Unforgettable, as well as "Tomorrow Is Yesterday" and "Assignment: Earth" as a loosely connected pair of 1960s Earth centered episodes in which unintentional interference by the Enterprise could cause severe temporal issues.

[bearsinpotatosacks]

I'm thinking that TOS Bones was either a surgeon (based on how he's shown doing surgery in a few episodes like Journey to Babel) or was a country doctor (which he says often) but was the type from such a rural town that he just knows everything. Need a vet? Dr McCoy. Need a paediatrician? Dr McCoy. Need literally anything but a GP/family medic? Well it's Dr McCoy or death buddy because it's a rural town and the nearest hospital is too far away even in the future. Just got the vibes that this is a rural mountain town, also this explains his accent because people from Georgia, or at least Atlanta, don't tend to have southern accents like Bones does. So either Bones had to adapt to Starfleet life or, because he's shown to not know Academy culture, he went through a sort of training program like OCS in the Navy (yes I'm using my Top Gun knowledge) which caught him up on other types of medicine necessary for the job.

For AOS Bones I don't think he was either of these, because I don't remember him talking about being a country doctor or seeing him in any particular surgical scenarios. What I can see him as is an A&E/ER doctor. He mentions doing emergency c-sections on pregnant gorn, and from what ER has taught me, being an ER resident while having a daughter and working wife can kill your marriage (Bones and Mark Greene's stories are kinda similar like that with their meeting wife early on, both having intense jobs and becoming bitter with her eventually cheating). Also, this would mean he was more accustomed to Starfleet life and instead of retraining in the Academy perhaps did a fellowship in Xenomedicine considering how much more diverse the AOS crew is than the TOS crew

[chillychive]

Random Lore Alert! (for my life series star trek au)

Scott had a brother. However, for reasons, his brother grew up in the mirror universe. Scott doesn't know he *has* a brother. This brother is known as Xornoth

Joel's parents met through the operation mentioned in the TOS episode Journey to Babel- his andorian mom defected and served as a DNA model for making surgically modified orions pass as andorian. She and Joel's Orion mom, an andorian scientist fell in love through that.

Shelby is a trill (no symbiote) who was raised by humans. Her name was given to her by her baby sister who couldn't pronounce her given name "Shubble". Originally- it was more like "Shebbie" but settled on Shelby.

Pearl loving to draw on the tablet like Spock does and Gem adores waking up/walking into Pearl’s art flying through the air. Their room is VERY full of plants, but in a somehow neat way?, and anyone who goes in there is just like *glitter bomb to the face*. (they are roommates)

Joel is the CMO, but everyone likes Nurse BigB more- mostly because he bakes things for his patients.

Etho and Joel are not exactly close but like each other a lot. Whereas he and bdubs were friends before etho became so well known, joel 100% knows who he is but refuses to treat him any different than just some guy. Etho really appreciates this. Theyre both weird about each other and its great.

[sshbpodcast]

Character Spotlight: Leonard McCoy

By Ames

We’re still boldly going through all the characters of The Original Series in A Star to Steer Her By’s latest blog collection, and this week the spotlight is on Dr. Leonard McCoy! We’re not even going to be at all objective about this one because Bones is the favorite TOS character of most of the hosts here at SSHB, so be prepared for us to gush about his curmudgeonly actions, witty one-liners, and constant back-and-forth with Spock.

It helps that DeForest Kelley brings so much more to the role than is on the page, so let’s dive in and discover what our favorite McCoy moments are, scrape the bottom of the barrel for some lesser moments, and generally fan all over the CMO of the starship Enterprise. Read on below and listen to this week’s banter on the podcast (discussion at 1:04:23) for more about this old country doctor. We hope you have a mint julep handy!

[Images © CBS/Paramount

Best Moments

Promoted too fast One of McCoy’s most highlighted facets is his obstinance, which is often played to hilarious effect. So when the ship is under threat from Balok’s Fesarius in “The Corbomite Maneuver,” it’s quite fitting that McCoy is stubborn enough to make what might be his last living action writing up Lt. Bailey just to spite Kirk for promoting him too fast. Now that’s no bluff!

Well, either choke me or cut my throat! Make up your mind! McCoy is at his most badass in “Space Seed” when his patient, Khan, has grabbed one of the good doctor’s handy wall knives and held him up. “It would be most effective if you would cut the carotid artery just under the left ear,” Bones says while his life is being threatened, and everyone watching this show goes “Daaaaaamn.”

Something called a mint julep. It’s a drink, Jim! Speaking of McCoy being a straight-up badass, when the subsonic transmitter is undoing the euphoric effects of the spores in “This Side of Paradise,” he straight up slugs the guy who dares imply that his job as a physician may have become obsolete on a planet with no disease. Without so much as dropping his drink! Grade-A badass right there.

My patients don't walk out in the middle of an operation Don’t forget that McCoy is a half decent doctor, especially considering most medical work in the future is waving a medical tricorder over people. But he proves his physician’s skills in “Journey to Babel” when he performs surgery on Sarek, transfusing a blood sample from a reluctant Spock and saving the ambassador’s life, all in the middle of a battle with Orions!

I’m trying to thank you… As we mentioned in the Spock spotlight post, the jail scene in “Bread and Circuses” is just stunning acting work from both Nimoy and Kelley. It’s such a short scene, but it’s got everything. And when McCoy ponders that Spock is afraid of living, afraid of showing his human half, afraid of feeling, they display in their acting that they’re both in the same emotional place and I love it.

A child could do it Like in “Journey to Babel,” Bones gets to prove his medical prowess in “Spock’s Brain,” even if it’s a little bit laughable overall. He does need help from the Teacher to give himself the temporary knowledge to reconnect Spock to his big Vulcan brain, but when that wears off, he keeps it together, and with a little help from his green-blooded friend, gets the job done.

Please give yourself every minute No wonder this episode was our favorite from TOS. What a great showcase for DeForest Kelley. His grappling with impending death in “For the World Is Hollow and I Have Touched the Sky” is expertly played and beautifully explores how to measure a life’s happiness. McCoy’s romance with Natira is lovely and I heartily wish he didn’t have to leave her, though as I said in my review of Sawdust to Stardust, the novel Ex Machina revisits Yonada and is quite good!

I’ve been drafted There’s just something about Bones McCoy in The Motion Picture, standing on the transporter pad that he hates so much, grumbling at Kirk about getting drafted back into Starfleet, complaining like a cantankerous old coot about all the renovations made to his medical bay, all while wearing the most disco of civilian attire that is just plain charming.

I choose the danger While we found it a biiiit presumptuous for Spock to cram his katra into McCoy in The Wrath of Khan, it allows for some just plain great DeForest Kelley acting in The Search for Spock, so we can kinda forgive the violation. All movie long, McCoy gets to act like he’s mildly possessed by Spock, and then bravely face the fal-tor-pan ceremony that could be dangerous to humans. “Hell of a time to ask.”

What is this, the Dark Ages? While it could be seen as a blatant infringement of the Temporal Prime Directive to give a kidney pill to the woman on dialysis in The Voyage Home, you’ve just gotta love it when Starfleet doctors take matters into their own hands for the sake of a patient. Does the Hippocratic Oath trump the prime directive? Probably not, but McCoy is a hero to that woman regardless.

Not long after, they found a cure Sometimes Star Trek just doesn’t deserve DeForest Kelley, whose acting chops are frequently the best on the show, in our humble opinions. And the debated worst of the TOS films actually has some legitimately great McCoy moments – watching him euthanize his father only to learn a cure has been later found in The Final Frontier is such a moving scene that we really feel for.

Aside from a touch of arthritis… Only Leonard McCoy could get away with cracking a joke during his conspiracy trial prosecuted by relentless Klingons, as he does in The Undiscovered Country. And he even gets a couple of laughs out of the spectating Klingons in the audience, which may make up for getting convicted of a crime he didn’t commit. Take that, Chang!

—

Worst Moments

I was thinking about the buffalo The very first introduction of McCoy in “The Man Trap” sees him doing some pretty irrational things. How is Plum’s mind so clouded that he can’t see Nancy for what she really is, especially when she’s literally sucking the salt out of the captain? And it’s an emotional scene, but I still can’t forgive McCoy for killing the M-113 creature, a sentient being and the last of its kind.

Don’t peek! Something rubbed us the wrong way about Bones’s flirting with yeoman Barrows in “Shore Leave.” Maybe it’s the age gap. Maybe it’s that they didn’t have a ton of chemistry. Maybe it’s that we ship him and Natira way more. Or maybe it’s that when she asks him not to watch her change, his response is “My dear girl, I am a doctor. When I peek, it’s in the line of duty.” Gross, doc.

Two drops of cordrazine can save a man's life Every so often, we really question Dr. McCoy’s doctoring skills and how his shenanigans wouldn’t fly in later series. And as much as it serves as the impetus for one of the best TOS episodes, being careless enough to inject oneself with a hundred times the normal dose of cordrazine in “The City on the Edge of Forever” – time ripples or not! – is just plain ineptitude.

You are out of line… sir. McCoy says in “The Doomsday Machine” that he hasn’t had time to run an examination on Decker to declare him medically or psychologically unfit to command. Well, why not, doctor?! If in “The Deadly Years,” we had time to hold a trial about Kirk being too senile to command, you surely have the authority to order the commodore to a checkup. You’re the CMO for chrissakes!

I’m a doctor, not an escalator Everything McCoy does on Capella IV in “Friday’s Child” is very strange to me. a) Why had McCoy been there when these people are still in primitive stages? b) Why didn’t McCoy TELL Grant that drawing his phaser would get him killed? c) What fetishist wrote the slap fight with the pregnant woman? This whole incident was just eyebrow raising, one of McCoy’s specialties!

A total resentment towards women See what I mean about Bones not understanding doctoring sometimes? A woman crewmember makes a mistake that bonks Scott on the noggin, so McCoy diagnoses Scott with misogyny in “Wolf in the Fold,” and prescribes a trip to a brothel. That was a thing that happened. What incel wrote this nonsense? Sometimes, Star Trek, your being written in the sixties really shows.

They reproduce bisexually Another weird medical gaff McCoy makes is stating that the tribbles reproduce bisexually in “The Trouble with Tribbles.” Someone on the writing team apparently had no idea what that word means and it resulted in making McCoy just sound incompetent. The tribbles reproduce asexually, and their being born pregnant is what Bones was trying to relay when he flubbed it hard.

I think I left it in Bela’s office Not only did McCoy NOT get to play dress up in gangster clothes like Kirk and Spock in “A Piece of the Action” (what a waste; he would have looked great!), but the button at the end of the episode reveals that he’s left his communicator on Sigma Iotia! Well. Go and get it, nincompoop! That’s cultural contamination! Beam it up! Amateurs, I swear to Okmyx.

…you pointed-eared hobgoblin! Most of our worst McCoy moments have been a bit tongue-in-cheek until now, but you do have to admit that McCoy’s constant stream of casual racism at Vulcans is absolutely problematic. And as much as we credit the beautiful jail scene in “Bread and Circuses” (as I already did above), it’s also the time that he called Spock a “pointed-eared hobgoblin” and that’s not okay. The rest of that scene is still great though.

Will I become like Chekov, doctor? Okay, doc, I know everyone’s going mildly nuts in “The Tholian Web” because of the space crazies, but Uhura’s claim that she saw the captain should have been taken seriously. It was a symptom no one else had displayed. You already knew Kirk was vanishing and reappearing. And later you take Scott seriously when he makes the same claim. Justice for Uhura!

They've lost confidence in you We mentioned this episode in our Spock coverage, but it bears repeating. Everything was out of place in “The Tholian Web,” and McCoy was in rare form being extra racist to Spock the whole time. Even if it’s for good reason (Spock is terrible at command!), McCoy comes off as petty, emotional, and cruel all episode long and that’s not the kind of light-hearted ribbing he usually gives Spock.

It tastes just fine One final blundering McCoy moment comes in The Animated Series episode “The Eye of the Beholder.” “The water is too pure,” according to Spock, before McCoy reveals that it tastes fine. What are you doing drinking untested water on a planet where people have disappeared, bonehead? And getting crushed by a dragon somehow? What is this, amateur hour?

— This blogpost is dead, Jim! We know Bones is a doctor, not an engineer, so fittingly next week we’ll make sure to aim our character spotlight at an engineer! Join us for our celebration of all things Montgomery Scott here on the blog, and also in our continued watchthrough of all Trek over on SoundCloud or wherever you podcast. You can also hail us over on Facebook and Twitter, and maybe don’t keep your scalpels mounted above the biobed, doc. Just a thought.

[ichayalovesyou]

Maybe I’m just a glass half full guy that sounds like a broken record. But oh BOY what if I told you I feel like all the Chapel/Spock stuff happening in SNW isn’t a invalidation/detriment to Spock’s relationship with Kirk but in fact makes in BETTER?

Every time I see Spock and Chapel have chemistry together it reminds me of cinematic parallels between Jim & Spock. In fact I’ve made a gif set about it! And I’ll honestly probably make more!

As a matter of fact all I could think about when Spock was staring all sad at wounded Chapel in sickbay was basically the SAME damn scene after Jim gets stabbed in Journey To Babel.

Or like, any number of times Jim or Spock moped yearningly around in sickbay when the other was gravely injured. It’s classic sappy shippy nonsense, they already did it with Kirk, that’s in the future. And given the vibes Chapel & Spock have on-screen in TOS (especially in The Naked Time, Amok Time, and Return To Tomorrow! Which also each have incredibly emotionally charged scenes with Jim as well) all this drama makes sense!

I’m personally taking it as affirmation that Spock & Jim have the same type of chemistry in TOS that Spock used to have with Chapel in SNW before the inevitable drama that’ll end in Spock suppressing his humanity and Christine getting engaged to somebody else.

Maybe I’m just a sucker for doomed romance (and Spock’s getting a 2 for 1 deal lmfao) It’s all very “Someone Like You by Adele” if you ask me and frankly I’m super here for it!

[thewomancallednova]

I watched "Amok Time" today and was really suprised by how well SNW fits with this episode.

Spock dreaming of Chapel (unprompted) and his response to her "My name is Christine" ("Yes, I know, Christine") works really well with their past relationship. His line "It would be illogical for us to protest against our natures" also feels (retroactively) reminiscent of SNW.

Gia Sandhu really did a great job with T'Pring, her mannarism and style in SNW really connects her to TOS T'Pring. The soul-sharing ritual in "Spock Amok" also fits a ritual Spock describes here, "One touches the other in order to feel each other's thoughts. In this way our minds were locked together, so that at the proper time, we would both be drawn to Koon-ut-kal-if-fee," although it is implied to have taken place at age 7. Their whole "Explain:" and "Specify:" thing from the SNW pilot also originated here. One minor weird point is Spock looking at a childhood picture of T'Pring, as if he hadn't seen her since, or doesn't have access to more recent pictures. It is of course quite possible that T'Pring doesn't like having her picture taken or that Spock burned everything in the break-up, but it's probably the most apparent contradiction.

Interestingly Uhura does not recognize T'Pring, but upon looking at Memory Alpha it seems like they haven't met in SNW either (Uhura is absent in "The Serene Squall", T'Pring only interacts with Spock and Pike in "Strange New Worlds", Uhura is only involved in the Chapel part of "Charades" in "Spock Amok" she only sees T'Pring in Spock's body, so she wouldn't know)

This will definitely by an interesting rewatched once SNW is actually over (among "Arena" and "What Are Little Girls Made Of?")

Also Kirk's line about how Spock "never mentioned that his family was this important" is much more funny after "Journey to Babel" and Star Trek V and all of Discovery :D

[hakka84]

Meta: (half)Vulcan's temperature

@jennelikejennay interesting meta reminded me that I never shared here on Tumblr the meta I wrote about Spock's temperature back in 2011. So here it is. Copy/pasted from Livejournal.

----

To be hot or not to be hot? This is the question.

Ok, I'll be serious: your host here has finally found the answer to one of the most controversial things in the Star Trek K/S fandom: Is Spock's temperature higher than a human's? The answer is in TOS so I'll play with pure canon here: no need to read books or such but just watching closely the series itself. I'm sure I'm not the first one to notice but... hey, repeating doesn't hurt, especially when people keep going on about Star Fleet Medical Reference Manual being not canon.

Evidence n°1: Dagger of the Mind

Spock isn't seen near a monitor's biobed except as witness of Van Gelder's apparent craziness. But let's take a good look to the values in the monitors when Van Gelder is on the biobed. Don't mind the actual arrows, as the human isn't really healthy at the moment, but look at the values' scale: we can disregard all the others as we don't need them. Take a look at the brain's waves if you like but save only the temp, the first one on the left.

On my dvd player on tv this work was easier because of an useful zooming function but, thanks to the power of aleniakalain's dvd, I hope this cap will work for you too: I'll help you.

.  .  .

Evidence n°2: Naked time.

Lieutenant Junior Grade Joe Tormolen's readings, just to see how a healthy human reads.

Let's have a better look at the readings

.  .  .

Evidence n°3: Naked time

Spock is healthy, Bones makes us sure of that. By the way, how hot is Nimoy in the black undershirt? Let's take a look at the readings. Bear in mind that these are Spock's average readings, when he's not influenced or under disease.

As you may see quite well, Spock's reading of temperature is quite under the green line, somewhere between 33 and 34°. At a rough guess the double arrows are marking 33.7/8. Spock's brain waves are far above the average.

So… canon speaks: Vulcans (and Spock) are colder than humans and Bones line about "that green ice-water you call blood" isn't a pipe dream.

There are two others times where we can see a Vulcan's reading but they can't be taken into account because in both of them the Vulcan wasn't really health.

Mirror, Mirror: Mirror Spock is, to Bones words, “dying” and all the lines are fucked up: I keep the brains waves as base and when these change too much then I consider the readings null for this little essay.

Journey to Babel: Sarek's readings. His temperature is higher than Spock's but he is under surgeon and all his readings are scrambled. Again, I can't really consider them reliable.

Anyway, canon says quite clearly that Spock isn't hot but cold. We're speaking of two C°, nothing excessive, but that’s it. It may have no biological foundations and you may say it has no sense at all: I can agree. However, Star Trek (TOS, in this case) made us quite used to biological nonsense. If a brain can be removed from its rightful body to then be put there again without any damage, if androids can be infused with a human's "pattern", if one's soul can be transferred in lightning globes (and so on), then we cannot really be squeamish on a simple change of temperature, right?

I know this sounds like a minor thing but since I've read that bit about Vulcan's temperature on Memory Alpha[memory-alpha.org/wiki/Vulcan#Medical_conditions] I have been curious to know why many people insisted on still writing Spock as "hotter". The old school is quite frankly excused as they had no captures to work on (later it came VHS but really, you can't read tiny bits on a recorded video). Recently I raised a geek discussion about it on Deviant Art and I've been quite puzzled by the replies (being cooler not biologically explainable, the book being written without scientific basis and all). They all had their reasons and they weren't just saying "it's this because I want it!" - hell, that's what I love about this fandom: things are discussed! - but I entered one of my stubborn mode... and I can be quite stubborn if I want to.

Then aleniakalain came to my house and brought the dvds... when watching naked time I jumped from the couch (killing her in the process), almost hit my head on the screen (blame the carpet) and zoomed until I found the answer. Then I searched a better view of the monitor for better reference and so on.

This's the result of half an hour spent with aleniakalain searching the right captures! Hope that helps clearing the issue!

*      *      *

Addition n°1: What this makes of us K/S shippers

verizonhorizon's comment reminded me that, originally back in January when I got home from vacation with my First Officeraleniakalain, I wanted to add my two cents about what happens to K/S bed scenes.

Ok, we have Spock who's colder - a little bit - and we have a room hotter than usually - for keep Spock warm because we don't want for our favorite half-Vulcan to have his pointed cute ears drop off. We have also a cute quilt with a little Enterprises' pattern, because our Vulcan likes to sleep under blankets. Logically our hot Captain Sexypant would die in a pool of sweat, right? But, what if perhaps Spock, being cooler, helps our snuggle-ish Jim from feeling like during a sauna session? Hugging Spock could give him the little cold he needs to feel right even in a warm room and under a blanket (even if I'm sure he ends up out of said blankets in the middle of the night).

Basically when Spock is made hotter we have a snuggle-ish Jim with his personal warmer while Spock endured having cold feet and a... well, cooler against himself. We just turned this upside down and is now Jim who has to be the man with the woman's cold feet and hands against his body in automatic search for warmth. XD

.  .  .

Addition n°2: Does this make sense? Again verizonhorizon, who points out that has no sense having a cooling system overworking to keep blood cold in a hot room (well, not these same words... :P). This makes me think, and it's probably the only issue that is still unclear in this matter. As far as I remember (and my mind has more holes than Gruyere cheese), in the series (TOS) nobody says Vulcans need higher temperatures. We know they live on a desert planet and the climate is freaking hot when Kirk jumps on the Kal-if-ee wagon. But, if we keep the desert reference, usually during night the temperature considerably drops. Perhaps the only logical explanation could be found seeing how desert animals' inner system work. Off course I'm not speaking about scorpions or snakes, but mammals like meerkats, foxes and such. This may start a great discussion! Unfortunately, I'm not expert enough to examine datas about these animals... anyway I can provide what I found.

Meerkats have a temperature similar to humans' (36.3ºC / 97.3ºF). They have an efficient ability to regulate temperature and, living in such harsh climate, they have a lower metabolic rate than their cousins living in other parts of the world, allowing them to live with less water and food. Their oxygen consumption is 42% below the value expected from body mass (Vulcan has a thinner atmosphere than Earth - if I remember right - but at least I'm sure there is less oxygen there and Kirk has difficulties to breath right).

Fennex foxes have a temperature of 38.2˚C (100.8˚F), but they are typically nocturne animals and during the day they live in deep dens under the sand to protect themselves from hot climate of desert's day. They are also provided with large ears (*coff coff* Spock?) to dissipate heat.

Camels vary between 34°C to more than 40°C, depending of how much they can dissipate the heat through evaporation. If they have free access to water they tend to have lower temperatures.

.  .  .

Addition n°3: Cold or hot? Both? alliegator as an interesting hypothesis. I'm quoting her, because there's not need for me to elaborate.

"I'm no biologist, but it is my personal head canon that Vulcans are both hotter AND colder than humans. My science-fictiony, pseudo-xenobiology reasoning that would actually fit with the above source: Vulcans have a normal core body temperature (91 F) lower than humans (98.6 F). Humans lose heat through their skin and extremities, so the surface of the skin can be much cooler than the core temp. Now I see Vulcans with their fast pulse as having a very efficient body heat regulation system, so possibly their surface skin temperature is much closer to their core temperature.

"So, theoretically, if a Human (98 F core temp) were to walk up to a Vulcan (91 F core temp) and touch them, to the Human (estimate 80 F hand skin temp) the Vulcan (estimate 87 F hand skin temp) would feel warm. Even though the Vulcan's core temp is lower than Human, the Human's skin temp is lower than the Vulcan's."

.  .  .

Ok, off-topic conclusions: 1) I feel a trekkie and I always hated people (a Star Wars' fan I'm friend of) who wasted time to search for things the canon left unclear or making essays about "no it's like this" and "what if...?"... 2) I've done again a biology little research because of Star Trek, the first being about wolves/canines and feline reproduction - you don't wanna ask believe me... 3) I have now in my mind's eye the disturbing image of meerkat!Vulcans standing at meerkat!Spock's failed wedding... The Lion King can ruin an innocent life!

[jonfucius]

Great Star Trek Rewatch - The Original Series S2

Originally posted on Twitter 26 October 2020 - 2 December 2020

Star Trek: The Original Series Season 2 is up next in my Great Star Trek Rewatch. As with ENT, DSC, STX, and TOS Season 1, mini-reviews will document my progress.

Amok Time: After 29 episodes and some contradictory continuity, we finally get the first concrete details on Mr. Spock and the Vulcan species. A classic fight scene rounds out a strong start to Season 2. 8/10

Who Mourns for Adonais?: A decent early Season 2 entry. The giant green space hand is iconic, but the meat of the story rises above. Thanks to this episode, it became tradition that chief engineers on the starships Enterprise can't catch a break in the romance department. 7/10

The Changeling: A dry run of sorts for the superior Star Trek: The Motion Picture. The second time Kirk talks a computer to death, and it's a slow burn to the climax. 6/10

Mirror, Mirror: One of the most enduring concepts across Trek's 50+ year history is the Mirror Universe. This is still one of the best Mirror Universe tales, simply for its originality and focus. 9/10

The Apple: A Prime Directive debate and some red shirt massacres forms the crux of this otherwise forgettable episode. Definitely not one I'd revist on a whim. Not terrible, just mediocre. 5/10

The Doomsday Machine: This one and "Balance of Terror" jockey back and forth for #1 on my list of the best TOS episodes. William Windom's performance is superb, the titular device is scary (I hid behind the sofa when I watched this one as a kid), and the score is iconic. 10/10

Catspaw: Star Trek and Halloween don't go very well together. Even though this has an ostensibly scientific explanation, it still reeks of magic and sorcery. It is goofy, that's why it gets 4/10.

I, Mudd: This one starts slow but turns into a classic comedy by the end. Carmel is back as Mudd, though the portrayal of his wife is problematic at best. 7/10

Metamorphosis: This poignant love story with a solid sci-fi hook just clicks for me. It’s not the best but it just works. 9/10

Journey to Babel: Season 2 is definitely Spock-focused, and those episodes have not disappointed. This is a classic for good reason: action, pathos, humor, world-building. 10/10

Friday’s Child: Tonal problems keep this one from joining the ranks of the true classics. It’s serviceable but dreadfully slow in the middle. The Capellans are a fascinating race, it’s too bad we don’t see them again. 6/10

The Deadly Years: Impressive 60s aging makeup aside, this one doesn’t do much for me. The old age jokes are stereotypes, though the use of elderly actors in the first act is ingenious. And a rare bit of serialization with a callback to “The Corbomjte Maneuver” is welcome. 6/10

Obsession: Kirk gets some backstory and dimension in a tight, tense script. This is a well-paced acting showcase for Shatner. 9/10

Wolf in the Fold: This would have made for an excellent Halloween episode. A gaseous/energy being is easier to believe than the “Catspaw” transmuter, oddly enough. The line about women being easier to scare, and the Kara dance, are typical ugly 60s sexism, unfortunately. 7/10

The Trouble with Tribbles: A fuzzy thing happens on the way to Sherman’s Planet. A classic that thoroughly earns the title, it’s endlessly rewatchable and filled to the brim with classic gags, one-liners, and scenes for the entire cast. 10/10

The Gamesters of Triskelion: Angelique Pettyjohn’s look is iconic, but not much else about this episode is. A huge letdown after the preceding episode. 5/10

A Piece of the Action: An excellent palate cleanser after the preceding dud. Really wish we could follow up on the Iotians some day. I forgot how funny this episode is. 9/10

The Immunity Syndrome: Season 2 giveth, and Season 2 taketh away. The concept of a spaceborne lifeform is compelling, but this is otherwise a dog of a show. 4/10

A Private Little War: when the show tackles the Vietnam allegory, it sings. When it focuses on Nona, it falters under the weight of 60s’ sexism and bigotry. 7/10

Return to Tomorrow: A different take on the non-corporeal beings trope that hangs around TOS like an albatross, this one is more nuanced and subtle than most. Come for Nimoy’s delightful villain performance, stay for the poignant denouement. 8/10

Patterns of Force: An examination of how easy it is for a society to fall in love with fascism misses the mark by claiming power and not racism was the animus of Nazism, much like Confederate apologists claim the Civil War was about rights and not slavery. 0/10

By Any Other Name: The Kelvans’ powers are frightening, but it’s an episode I just can’t get excited about, except for Scotty drinking one under the table. 6/10

The Omega Glory: Gene, your über-patriotism is showing. Another late Season 2 letdown. 3/10

The Ultimate Computer: TOS has a serious distrust of powerful computers/AI that fades somewhat in the later series. Daystrom is a tragic figure, and the horror of the murder of the Excalibur’s crew is effectively conveyed. 8/10

Bread and Circuses: The social commentary is on point, but two parallel Earth stories in three weeks is somewhat tiresome. Still, an entertaining yarn. 7/10

Assignment: Earth: I’m ambivalent on this back door pilot. I like the Gary Seven character, and I normally enjoy time travel stories, but it just doesn’t do a whole lot for me. It’s not excellent, it’s not bad, it just is. 6/10

And with that, Season 2 of TOS comes to an end in my Great Star Trek Rewatch. Final score: 6.77/10. Highest score(s): "The Doomsday Machine," "Journey to Babel," "The Trouble with Tribbles." Lowest score(s): "Patterns of Force"

[eco-lite]

Time for another Star Trek book review! This time: Sarek by A.C. Crispin.

When I picked up this book at my local used book store, I figured it was going to be "Daddy Issues: The Book." And frankly, that's what I wanted it to be. I have a deep need to read about Spock confronting Sarek for all the bullshit he put Spock through, his refusal to connect with Spock on a level they can both understand, his inability to have a suitably emotional reaction to Amanda's death, etc. And there was some of that--just not as much as I was expecting.

Likewise, I expected Amanda's death to be the focal point of this story--the event that becomes the catalyst for Spock and Sarek's further division and perhaps eventual reconciliation. However, all of that is the side plot. The main plot centers around a Romulan scheme to sow xenophobia and division amongst the Federation using non-consensual telepathic suggestion carried out by kidnapped Vulcans. And only Sarek is uniquely suited to foil their plan! Yeah... Don't get me wrong, it was a very interesting plot; it just came out of nowhere.

Author A.C. Crispin has a lot of interesting ideas about inter-planetary politics and diplomacy, which is a bit of a double-edged sword. While it was great to see multiple different perspectives of this political conflict--Federation, Romulan, and Klingon--the story became a bit bogged down by the shear number of POV characters and story lines going on at the same time. I never thought half of this book about Sarek would be from the perspective of Kirk's nephew Peter, but that's what we got. (Peter kind of sucks, but Valdyr is great. Read this book for Valdyr.)

You know who I wish had gotten more time dedicated to her? Amanda! She is a very important character in this story, yet we get very limited moments of her perspective in the events leading up to her death--although her death was handled very well. After her death, we still get to see her point of view as Sarek reads her journals she left behind. I thought these journals were a great plot device to keep Amanda present in the story, but she really gets lost in the middle when all the action and drama with the Klingons and Romulans is going down. It's a shame because I felt Crispin writes for Amanda very well. I wanted more!

Crispin actually does a great job capturing the family dynamics between Spock, Amanda, and Sarek very well. Each character's thoughts and actions feel very true to canon, drawing especially from the TOS episode "Journey to Babel" (my favorite episode). The interplay between these three was the best part of the book. And it was nice to see an author develop Sarek and Amanda's relationship further, and posit what their lives together had been like. Again, I wish there was more of it!

Overall--while not what I was expecting--this was quite an enjoyable read with an interesting (though messy) plot and nice character details. I also like how it bridges some of the gap between the events of Star Trek VI: The Undiscovered Country and the TNG episode "Unification." Pretty good job, A.C. Crispin.

[electronickingdomfox]

Star Trek TOS crew biographies

There are plenty of detailed biographies of the TOS crew, both online and in reference books. But I wanted to check what actually appears in the Original Series and the six TOS movies about this subject (that is, not counting secondary sources or later series). And the result is... very little, actually. I was surprised by the amount of data that I took for granted, just to find out it came from a novel or wasn't 100% set in stone. This is what I could find about each major character, just judging from the TOS series and movies. Feel free to add to this or correct mistakes.

James Tiberius Kirk:

Although in the series he's referred just as James T. Kirk, his middle name "Tiberius" appears in Star Trek VI. "Tiberius" was also his middle name in TAS episode Bem, and the novel The Galactic Whirlpool (both by Gerrold), as well as in Roddenberry's TMP novelization. So yeah, no doubts about his name.

He was born in Iowa (Star Trek IV) and had one brother, George Samuel Kirk, and three nephews (What are little girls made of?). Sam married a woman named Aurelan (Operation: Annihilate).

Kirk was 34 in The Deadly Years. Assuming each season is a year of the five year mission, he could be 33 at the start of the series. And this is the only reference for his age I could find. As for actual dates, I didn't find anything, except his statement in Star Trek IV that he comes from the late 23rd century. (It wouldn't be until Voyager episode Q2, that a date was given for the end of the five-year mission: 2270. This follows Michael Okuda's Star Trek Chronology, and all other dates for TOS are inferred from this).

At age 13 he witnessed the massacre of Tarsus IV (Kodos was governor twenty years ago, in The Conscience of the King).

At age 18 he had just entered the Academy and was tormented by Finnegan. At this time he also met Ruth (fifteen years before Shore Leave).

He served in the USS Republic as an ensign, at some unspecified time after his Academy years, where he reported Ben Finney for negligency (Court Martial).

At age 21 he visited the planet Neural and befriended Tyree (thirteen years before A private little war).

He teached at the Academy as a lieutenant. One of his students was his friend Gary Mitchell (Where No Man has Gone Before).

He was a lieutenant in the USS Farragut at age 23 (eleven years before Obsession), where he first encountered the cloud creature that massacred his crewmates.

Kirk had a relationship with Areel Shaw when he was 29 (four years before Court Martial).

He became captain of the USS Enterprise after Pike. If we suppose TOS first season happens during the first year of the five-year mission, Kirk was around 37 at the end of this mission.

There's a big gap of fifteen years between Space Seed and the second movie. And apart from the five-year mission, most of those years are unaccounted for. Kirk's been an admiral for two years and a half at the start of TMP. But we don't know if he became an admiral right after the Enterprise's mission, or much later. That is, we don't know at what point of that gap take place the events of TMP. Around this time, both Spock and McCoy had retired from Starfleet, though they both returned when Kirk took the Enterprise again for the V'Ger incident.

By The Wrath of Kahn, Kirk should be 48 years old (fifteen years since he left Kahn stranded in Space Seed). If David is around 30, Kirk's relationship with Carol could have been at the Academy, but it's also possible that David is younger.

The third and fourth films happen shortly after The Wrath of Kahn, but no idea how much time elapsed since then and the fifth and sixth films (though see the info for McCoy).

Spock

Known simply as "Spock". His full name is considered unpronounceable for humans, though the novel Ishmael gives it as "S'chn T'gai Spock".

His parents are Sarek and Amanda (Journey to Babel). Amanda's last name was never given, though TAS episode Yesteryear, some novels, and the 2009 reboot film establishes it as "Grayson". Spock also has a half-brother: Sybok (Star Trek V).

I couldn't find anything about Spock's actual age during the series/movies.

He was betrothed to T'Pring at age seven (Amok Time).

He probably joined Starfleet eighteen years before Journey to Babel, since that's the time he spent not speaking with Sarek. If he joined Starfleet at 18 years old, he'd be 36 by season two (but that's just a supposition).

He was part of Pike's crew thirteen years before The Menagerie, during the events in Talos IV. He'd be 22 by then. Spock served under Pike for eleven years (also from The Menagerie). That means Kirk had been captain of the Enterprise for at least two years before season one.

After that, Spock's career runs more or less in parallel with Kirk's, so I won't go over it again.

Leonard H. McCoy

His middle initial first appears in Star Trek III, as well as the name of his father: David. The novel Provenance of Shadows explains the middle initial as "Horatio", but other novels call him "Leonard Edward McCoy" (???).

Much of his biographical background comes from the "Writer's Guide" by Roddenberry and Fontana, but never made it to the series. That includes the fact he's 45 (by season one?) and born in Georgia. As well as the fact that he's divorced and joined Starfleet as a result of this, and that he has a 20 year old daughter (Joanna). Presumably, the story of his divorce and Joanna would have appeared in The Way to Eden, but the story was severely altered. His daughter is mentioned, but without name, in TAS episode The Survivor, and in several novels. The Gold Key comics call her "Barbara" instead. His ex-wife is given different names in the novels and comics: Honey, Jocelyn, Joan, Gillian...

No idea when he joined Starfleet (that depends on how long was his marriage), or when he met Kirk.

Ten years before The Man Trap, he had a romance with Nancy Crater. Though in the episode he sometimes says he knew her twelve years ago, and other times ten years ago. Either it's a mistake, or the relationship simply lasted two years (though McCoy's doubts about Nancy remembering him, imply the relationship wasn't very long).

At some point, he visited Capella IV for a few months (Friday's Child).

He served in the Enterprise for 27 years (Star Trek VI), but only under Kirk, it seems. If he was 45 when he started, he'd be 72 in the last film, and Kirk would be 60 years old.

Note on McCoy's age in later series

The "Writer's Guide" statement that McCoy was 45 at the time of TOS, was contradicted by later series. In TNG episode Encounter at Farpoint, he's said to be 137 years old. While in the episode The Neutral Zone (also from TNG season one) the year is 2364. As both episodes probably happen in the same year, McCoy would have been born in 2227. Since, according to Voyager, the five-year mission lasted from 2266 to 2270, McCoy would have been 39 at the start of the mission. I'm following the Writer's Guide figure, however, because I consider this document more relevant for TOS itself. After all, many things that are facts in later series, aren't the same in TOS, and viceversa. Also, considering that the age of the characters seems to be close to the age of the actors, I find more likely that McCoy was 45, and not 39, at the start of TOS. To give you an idea, Shatner was 36 in season two (Kirk was 34), Nimoy was also 36 (just as Spock) and Kelley was 47. The twelve year gap between Kirk and McCoy, would be almost the same as the eleven year gap between Shatner and Kelley.

Montgomery Scott

Very little about him, but at least we got his full name in the series. He's supposed to be Scottish, and has lived in Aberdeen (Wolf in the Fold).

Apart from being Chief Engineer in the Enterprise, he was engineer advisor in a freighter, running from Deneva to the asteroid belt (Operation: Annihilate).

Uhura

We never knew her first name in TOS! This is one of the things that surprised me the most. However, "Nyota" is her first name in the reboot films, the new series, and well before that, the novel The Entropy Effect.

She was probably born in east Africa, since her native language seems to be Swahili (the language she reverted to when her memory was wiped in The Changeling). Thanks to user @sapsuckers-and-stardust for pointing this out.

Very, very little about her bio background. Most of it has to be collected from novels or comics, and those never intended to be coherent with each other.

Hikaru Sulu

Though his first name was unknown for a long time, it was revealed to be "Hikaru" in Star Trek VI. But before this, he was also called Hikaru in The Entropy Effect.

Sulu was born in San Francisco (Star Trek IV).

Again, almost nothing of his bio in the series/movies. Though the DC comics explored his character significantly. And in Star Trek: Generations, he had a daughter, Demora.

By Star Trek VI, he was finally a captain of his own ship, the Excelsior.

Pavel Andreievich Chekov

His full name appears first in The Way to Eden, where we also learn he had a romance with Irina Galliulin at the Academy.

Chekov has no siblings (Day of the Dove).

He's 22 by season two (Who mourns for Adonais?).

After serving in the Enterprise, he was first officer in the USS Reliant during The Wrath of Kahn, though he returned with Kirk after the Reliant's destruction.

Christine Chapel

She abandoned her career in bio-research to sign aboard the Enterprise as a nurse, and search after her fiancé Roger Korby (What are little girls made of?) Strangely enough, a few episodes before, she had confessed her love for Spock. She chose to stay in the ship after finding out Korby was dead.

By the time of TMP, she was a doctor in the Enterprise, though she doesn't appear as part of the crew in the later movies.

Janice Rand

She served as a yeoman in the Enterprise during the early five-year mission, but disappears from the series afterwards.

In TMP, she's the transporter chief. And in Star Trek IV, Janice is seen at Starfleet Command, along with Chapel.

By Star Trek VI, she was the communications officer of the Excelsior, under Sulu.

[onekisstotakewithme]

PLEASE TELL ME ABOUT 90S SKI AU AND AMBASSADOR SPOCK AU

Yesss Prax, I'd be delighted to! 🥰🥺 both incredibly beloved AUs and both victim of my ADHD tendencies...

90s ski AU is pretty much what it sounds like. It's based on a conversation I had with Sarah (@thebreakfastgenie) ... last summer, holy shit lmao. Essentially, BJ and Peg are on vacation at a ski resort in Maine for the week between Christmas & New Year's, plus the first week of the next year. While on said ski vacation, they meet Hawkeye, and well... long story short, romance happens (or it would if I could finish the damn thing).

I love this draft soooo much (I had about 21k or so?) and it breaks my heart that I couldn't keep working on it. I hope I can get back to it someday with the same excitement and verve that the 21k had (seriously, even for a first draft, I did actually love what i was doing.)

Anyway. A snippet:

“You Californians… lily-livered, all of you.”

“Don’t include me in that lily-livered lot, Hawkeye, I’m from Oklahoma.”

“Where the wind comes sweeping down the plains?”

Peg scowls. “There’s nothing you can do about that joke, you just have to sit there and take it.”

BJ chuckles to himself. “I’d leave that alone, Hawkeye. Peg hates Oklahoma.”

“The state or the movie?”

Peg shrugs. “I can go either way.”

~

Ambassador Spock is under the cut because this post is already getting silly.

Ambassador Spock AU is inspired by my love of the TOS episode Journey to Babel (and my appreciation for my favourite grumpy bastard father figure, Sarek), and the plot is thus: Deliberations are being held on admitting a new planet into the Federation. Captain James Kirk is tasked with conveying Ambassador Sarek and his son Ambassador Spock to the neutral place where deliberations are being held... with a few adventures (and some romance!) along the way. Someday I'm going to finish this one, because I had some great ideas for it. And I love a spirk AU.

Snippet:

“What the hell kind of a place is this for a party?” he demands. “Any minute now I feel like I’m going to have to fight a gladiator!”

“Easy, Bones,” Jim says, feeling a headache coming on. “Although I must admit, it’s… certainly unique.”

“What do you think they do, bait humans?”

“Sehlats, actually,” Ambassador Spock says, appearing behind them.

“Ambassador, this is quite the party your father has arranged.”

Spock nods in acknowledgement, as Bones asks, “What in the devil is a sehlat?”

“It resembles a Terran bear,” Spock says, “With fangs.”