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saintsenara · 2 days ago

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thank you very much for this, anon!

the diadem is probably the most interesting horcrux narratively, because it's the only one which doesn't connect to the narrative arc of one of the series' main characters, which is also why it's the only one which is destroyed indirectly - as collateral to goyle burning down the room of requirement, which means there's fiendfyre present for it to be yeeted into - rather than by somebody directly.

as i've said above, the the trio each destroys a horcrux which they have a particular narrative connection to. the same is true of the other three horcruxes which are actively destroyed.

the ring

dumbledore - whose narrative role is to teach harry about understanding what is true [which is what the series thinks the power of love is - love is the universe's one great truth] - destroys the ring, which serves, across all of its canon appearances, as a metaphor for the corrosive power of wishful thinking, seeing what you want to see, and refusing to accept the truth.

in the tale of three brothers, the resurrection stone drives the second brother - who has refused to accept the truth that his lover's death is permanent and she won't come back - mad with grief, causing him to take his own life. marvolo clings on to his ring as a symbol of the gaunts' former grandeur and influence, using it to claim that bob ogden should regard him as his superior, even though he's a violent, squalid man living in a rotting shack. dumbledore puts on the ring in a desperate attempt to apologise to his sister, convincing himself that - unlike the second brother - he'll meet the real ariana, that his desire to use a hallow in this case isn't connected to his and grindelwald's earlier obsession with them, and that voldemort won't have left anything nasty on the ring which might kill him.

harry - who internalises the lesson that "it does not do to dwell on dreams and forget to live", who is remarkably free of the shackles of his past, who doesn't tend to get bound up in trying to reclaim things which are lost - drops the stone in the forest, causing it to be lost forever.

the ring-horcrux's creation is also connected to this corrosive wishful thinking. voldemort clearly travels to little hangleton expecting to find his maternal line living in ancient luxury - harry hones in right away on the fact that he looks "disappointed" to find morfin living in filth. voldemort also undoubtedly believes - since his view, expressed in his first meeting with dumbledore, is that a parent who doesn't matter would be dead - that his irrelevant muggle father isn't alive, and he's not pleased to hear morfin reveal otherwise.

[since - of course - this hammers home that his dad abandoned his mother, never wanted him, and never tried to find him.]

he's also not pleased to hear morfin say that he looks near-identical to tom riddle sr. - which is another way that the books, which tend to have all members of pureblood nuclear family units look alike [hence why narcissa malfoy is blond while her sisters aren't - it's to emphasise her connection to lucius and draco], show voldemort's inescapable connection to the muggle world.

and so he wipes out his paternal line, sheds any connection with or affection for his identity as "tom riddle", and vanishes behind the mask of "lord voldemort" who is free from such messy human experiences as "wanting to be loved by your father".

but the entire arc of the series is about how he can't outrun his humanity, his heritage, or his former identity. just as dumbledore can't outrun his past mistakes, he can only seek to be forgiven for them. in destroying the ring-horcrux - and then passing the resurrection stone over to harry - dumbledore is doing what voldemort never does, and recognising that the things he did in the past were wrong and he's sorry for them, but that they nonetheless shaped who he was and he should acknowledge them, instead of trying to suppress them.

the snake

neville destroys nagini, who demonstrates voldemort's descent from slytherin [since the locket, as noted above, is primarily about his grief over his mother - and his immediate heritage - rather than his distant ancestry].

nagini is made a horcrux after the adult voldemort - in a frightening, inhuman form - returns to his father's house, with his relationship to it completely recontextualised. any grief, humiliation, or anger he felt towards tom riddle sr. when the ring was created is now completely irrelevant to him - the riddle line has been eradicated, the riddle house is rotting from the ground up, frank bryce's loyalty to the riddles means nothing to him. voldemort takes over it by force - he's not the son and heir coming to meet his father, he's a superhuman stranger, who has no emotional connection to the riddle family whatsoever.

[this is why he's happy to use his father's bones in his resurrection ritual - he no longer thinks of them as related by anything other than a technicality, his dad's grave is nothing to him except a tool.]

nagini is destroyed - just after voldemort has announced that the house system will be disbanded and all students forced to be in slytherin - by neville pulling the sword of gryffindor from the sorting hat. this proves him to be - along with harry - the series' "true gryffindor", which transforms him from someone who spends the earlier books as comic relief [awkward and a bit cowardly, unlike the trio; a character the child-reader is supposed to see themselves as braver, smarter, and cooler than] into a chivalric figure, who encapsulates all the virtues [courage, loyalty, steadfastness, faith, defence of the lowly, purity of heart, and so on] which the doylist text values above all others.

and which it exclusively associates with gryffindor and gryffindors, [hence dumbledore claiming that snape demonstrating courage is evidence "we sort too soon", rather than assuming that sytherins could be courageous as well...] - in destroying nagini, neville destroys voldemort's belief [which the doylist text regards as empirically wrong] that slytherin is the superior house.

the boy

voldemort himself destroys harry, thus allowing the prophecy - and, especially, its line that "the dark lord will mark him as his equal, but he will have power the dark lord knows not" - to be fulfilled, via his failure to acknowledge and respect the power of love [which saves harry from death but condemns him to it], the thing he has spent his entire life committing evil in an attempt to outrun.

the diadem

the diadem, in contrast, is associated by the text with independence and solitude.

[hence why it's the only horcrux which dumbledore doesn't identify.]

voldemort learns of its existence by getting close enough to helena ravenclaw to manipulate her - which is presented in canon as no mean feat, since she keeps apart from all the other ghosts, is clearly disinclined to chat to students, and isn't particularly visible within hogwarts as a social structure.

he then travels to retrieve it alone - and he does this after he's also separated himself off from society by leaving his job, fleeing the country, and [presumably] abandoning his social circle - and we know nothing from canon about what he does during the ten years he spends away from britain.

we don't know when he finds the diadem or who was killed to create it [as with the locket, jkr has said that he used a random murder - that of a family of albanian peasants - to make it, which again contradicts dumbledore's statement that he tends to use murders which are significant to him].

voldemort brings the diadem to hogwarts on the night of his job interview, when he definitively rejects any alternative path [and, in canon's eyes, rejects any chance of doing "good", since he rejects dumbledore's way] and strikes out alone as the singular embodiment of evil. his separation from group society is heavily emphasised throughout this scene - dumbledore calls him a liar for claiming the death eaters are his friends ["i was under the impression that they are more in the order of servants"], his appearance is starting to become inhuman ["he was no longer handsome tom riddle"], and he no longer wishes to be known as tom riddle [and, as i've said before, we do need to recognise that what dumbledore does is deadnaming... especially given who jkr is...].

and he hides it in the room of requirement, which is similarly a place of separation and solitude - it's where things which aren't wanted or needed are hidden away - and which he believes [nonsensically] he is the only person to have discovered.

[although it is worth saying that dumbledore doesn't know the room exists - voldemort's belief that he alone knows about it is basically canon, pretty clumsily, drawing this distinction between someone who's part of society and someone who's separate from it: the castle's headmaster, who is integral to its functioning as a social system, doesn't know something which the self-made outcast does.]

and on the basis of this, i suppose we could say that the diadem is the least social horcrux - the version of voldemort least interested in exploiting the human desire for socialisation, the object which would be the least successful at manipulating somebody who comes into contact with it. which would even make it possible to say that the diadem is the least dangerous horcrux, on account of lacking that desire to take advantage of people.

we could also say that the diadem is the horcrux voldemort thinks of as least important to him - he lacks any personal connection to it, chooses it as an object primarily for completionist reasons, checks on it last when he works out that harry is destroying his hoard, and doesn't hide it somewhere of any real significance to him.

[because - yes - he hides it at hogwarts, his beloved castle, but if he'd wanted to create somewhere elaborate and special to hide it, as he does with his mother's locket, i can see no reason why he wouldn't have put it in the chamber of secrets.]

but i think we can say something much more interesting about it...

that it doesn't represent freely-chosen independence, separation, and solitude. it represents unwilling isolation.

after all, the initial presentation of helena ravenclaw's separation from the rest of the castle as being because she's a bit up herself is revealed to be wrong. she refuses to answer questions about the diadem because she's ashamed of stealing it. she doesn't like socialising with the castle's other ghosts because the man who murdered her is one of them.

and she also says that her separation from society in life wasn't a deliberate choice. she is forced into hiding because the baron is hunting her down. when she attempts to refuse him - to make a free choice either to be alone or to form other relationships in which he doesn't feature - he kills her. while the mechanics of where ghosts spawn isn't entirely clear - my assumption is that she ends up back at hogwarts because she has so much unfinished business with her mam - her death also separates her, against her will, from something which is precious to her: the diadem.

while i don't think we need to throw the baby out with the bathwater - i never think, for example, that the teenage voldemort was bullied by his fellow slytherins - we also know that he stood out from the crowd the second he arrived at hogwarts, for both positive [his looks, his talent] and negative [his secondhand possessions] reasons. the text is explicit that he never had any relationships with his cohort which were equal, and while it presents this as a deliberate choice on voldemort's part, since he understood himself as superior to everyone else - dumbledore's description of him as a "gang leader", or harry's observation that he "was by no means the eldest of the group of boys [at the slug club], but they all seemed to look to him as their leader" - we don't have to take this as fact.

indeed, despite dumbledore's insistence that voldemort has never wanted a friend, he does seem - throughout canon - to be someone who's quite lonely, and who would value a relationship which provided him with some sort of peer experience. it is entirely plausible, then, to imagine that he manages to worm his way into helena ravenclaw's confidences because they have a shared experience of being separated - against their will - from something they desire.

similarly, while we know nothing of voldemort's first time in albania, we know something significant about the second one - that he thinks about it as a miserable period of isolation, spent hiding from social connection ["i dared not go where other humans were plentiful, for i knew that the aurors were still abroad and searching for me"] which took place very much against his will, after his death eaters abandoned him:

"I remember only forcing myself, sleeplessly, endlessly, second by second, to exist... I settled in a faraway place, in a forest, and I waited... Surely, one of my faithful Death Eaters would try and find me... one of them would come and perform the magic I could not, to restore me to a body... but I waited in vain..."

and - therefore - perhaps his first stay in albania was somewhere "other humans were plentiful". perhaps he had connections there which he valued, but which aren't important to the narrative of the doylist text and therefore aren't mentioned.

after he turns the diadem into a horcrux, voldemort then brings it "home" - he reunites it with hogwarts. i don't think for a second that he did this for helena ravenclaw, but i do think he did it because he would understand the founders' relics as being pair-bonded to the castle [with himself, or possibly the basilisk, standing in for the locket as slytherin's relic]. in bringing it to his job interview - which, i think it's worth emphasising, he really does seem to think is genuine [however ridiculous that is] - he's involving it in his long-awaited homecoming.

the fact that he places it in the room of requirement lends credence to this. after all, the diadem-horcrux is almost always mentioned - in both half-blood prince and deathly hallows - alongside something else: the broken vanishing cabinet.

and what is the entire point of the vanishing cabinet in the latter books of the series?

to be reunited with its pair.

and so the diadem should have a mirror-character, like all the rest of the horcruxes.

and this mirror-character should be someone whose separation from the narrative arc of the horcruxes' destruction initially appears to their choice, but is then revealed to be something imposed upon them against their will.

someone who's lonely; who is - perhaps - popular but doesn't seem to have any actual close friends.

someone who has spent years wanting to be perceived as an equal by a specific person - and who longed for that person to recognise that they'd changed from the person they were as a child.

someone who was excited to go to hogwarts, only to discover that they stood out from their peers because of their secondhand possessions.

someone who had a formative relationship which was entirely transactional - even if they were the person being manipulated, while the pre-teen voldemort's experience is as the person doing the manipulating.

someone who, like helena ravenclaw, attempted to flee the person hunting them down - and nearly died as a result.

someone who panics at the thought of being separated from a precious object.

someone whom the text understands as part of a pair, but who is still kept at arm's length by their other half for the vast majority of the series.

someone who bravely accepts the ending of a relationship, even though they're not given a choice in the matter, so that the more important narrative of the horcrux hunt can begin.

someone who's not only excluded from the horcrux hunt [and, indeed, isn't told anything about the horcruxes full-stop], but is excluded from the fighting when the battle of hogwarts begins [the only main character this happens to].

someone who is excluded from the fighting by being told to stay - on their own - in the room of requirement.

someone who - therefore - is kept so separate from the narrative of voldemort's destruction that they don't even get a chance to destroy their horcrux-mirror.

that is to say...

ginny.

One thing I find really compelling about ronmort is that the horcrux which targets ron is the one most "maternal"-- tom's mother's locket, which you so cleverly pointed out was also the one which he erected a complicated defense for in a place that was meaningful to his childhood. Everything the locket says to Ron just feels so charged? Wym you've seen his heart and it's yours? Wym you've seen his dreams and his desires? The fact that Ron can hear the locket's heartbeat before anyone else... I don't know how to explain it except that the locket's antagonism of Ron feels almost intimate in a way. The shenanigans would be sexy. Not least because Ron can apparently do a passing imitation of parseltongue (hot).

that each of the trio destroys the horcrux which most connects to something fundamental about themselves is a detail which obsesses me.

the diary

harry - an orphan, desperate to meet someone else who can understand the strangeness and isolation of his experience; searching for the truth about himself, and what in his life is inherited, but unable to ever fully uncover it - destroys the diary, not only the sole horcrux which is an explicit link to lord voldemort's upbringing as an orphan in the muggle world, but also a metaphor for the state of orphanhood itself.

the diary is a quasi-palimpsest - an object which has to be written in; an object in which a layer of text is written and then overwritten by another; an object in which these layers of text can be stripped back until only the original layer remains only with extraordinary difficulty - just like the orphan's search for meaning, trying to decipher the layers of themselves which were inherited from their parents, but only ever being able to see these partially, with the text missing or corrupted.

voldemort's creation of the diary-horcrux is explicitly connected in canon to him coming to learn who about himself, his parents, and his heritage - and, connected to this, to him refusing to sit with the grief of orphanhood, refusing to understand his parents as whole, complex people, and refusing to embrace his "real" identity [which, as the text understands it, is that of a half-blood named tom marvolo riddle] by creating a fake one [that of lord voldemort].

harry destroys it after rejecting voldemort's self-constructed view of his own exceptionality - "the greatest wizard in the world is albus dumbledore" - his refusal to acknowledge the complexities of lineage and orphanhood, and his refusal to embrace his muggle heritage - "my mother died to save me. my common, muggleborn mother". he does this using a tool directly connected to voldemort's rejection of all but his slytherin heritage - the basilisk's fang - in a location similarly connected to voldemort's rejection of his muggle blood - the chamber of secrets.

the cup

hermione - an outsider, whose place in the wizarding world is unstable - destroys the cup, one of the horcruxes to which voldemort has the least personal connection, but which he selected to hide his soul because of its historical significance, anchoring him to a millennium of wizarding history and culture he was otherwise brought up disconnected from.

voldemort's creation of the cup-horcrux comes at the end of a period of his life in which he is disadvantaged in wizarding society purely on the basis of his name and background. he rejects the ministry jobs which would have made him dependent for the rest of his life on slughorn's patronage - and, therefore, pressured him to do what slughorn wanted - and ends up, as he himself puts it, as "a poor shop assistant". hepzibah smith is a pureblood, who is also descended from one of hogwarts' founders - yet she doesn't make use of this superiority ["all sorts of powers it's supposed to possess too... i just keep it nice and safe in here..."], and she doesn't realise [and he can't prove to her and hope to keep his job] that voldemort is someone she should think of as her equal [or even superior]. she - as harry observes - essentially treats voldemort as doll she can play with, posing him with her treasures and pretending his glacial politeness is really repressed affection, she speaks to him like he's an idiot, and she evidently considers him to be her social inferior.

hermione destroys the cup after seven books in which the discrimination she faces on account of being muggleborn are explicit. obviously, she's the victim of violent bigotry - she's petrified, she's called a mudblood, she's the only one of the trio who also has to worry about the muggleborn registration commission - but she's also the victim of seemingly benign, genial bigotry too - the muggle world is treated as a quaint side-show, even by characters like the weasleys; she's praised for her intelligence by slughorn, but this intelligence is still considered in some way unusual for someone with muggle heritage. she gets spoken to by many wizards in ways which aren't far removed from the way hepzibah speaks to voldemort.

as a result, she - like voldemort - spends a lot of time trying to acquire enough knowledge of the wizarding world that she appears to be native to it [this is why she's so obsessed with hogwarts: a history]. but - unlike voldemort - she then embraces her heritage and refuses to hide it - "mudblood and proud of it!".

and - shortly after this - she destroys the cup, in a place - the chamber - and using a tool - the basilisk's fang - which are both directly connected to the bigotry she experienced, since they're part of slytherin's belief that people like her should be driven out of hogwarts and out of the magical world more broadly, and therefore send a big "fuck you" to voldemort's blood-supremacy.

the locket

and ron... whose greatest desire is to be recognised for his individual achievements, who has a complex and uneasy relationship with his place in his family [simultaneously longing to be something other than "one of the weasleys" and fiercely loyal to his parents and siblings], who is the only pureblood of the trio, whose childhood we hear the most about in canon, and whose childhood appears to have been happy...

destroys the locket, which is voldemort's only link to his mother, and the only horcrux for which he constructs an elaborate defence in a place meaningful to him from childhood.

we don't actually know who voldemort kills to create the locket-horcrux [jkr has said in interviews that it was a muggle tramp, although this contradicts dumbledore's statement in half-blood prince that voldemort created his horcruxes from murders which were significant to him], which is a neat metaphor for how little he knows about merope - since he doesn't know morfin's name, for example, we can assume he doesn't know hers; everything he ever tells harry about her is something he's invented [especially his belief that his parents' marriage was consensual, and that tom riddle sr. abandoned her because she was a witch].

the horcrux attempts to torture ron with his insecurities about being a mammy's boy who's always been afraid that he's a bit of a flop at the task - especially when compared to siblings like ginny, bill, and percy. and ron is so susceptible to it because voldemort is also an inherent mammy's boy [ronmort nation, rise up] who never got a chance to have a mam, and who responded to the grief this caused him by suppressing it, pretending it never existed, and convincing himself that the only viable thing to be is unique.

ron destroys it after he returns to the trio - having attempted to strike out on his own [the thing he's wanted since philosopher's stone, when he sees himself standing alone in the mirror of erised] - and accepts his place as part of a group. he does so using the sword of gryffindor, which again represents him embracing not being exceptional - his entire family have been in gryffindor, something he's shown to feel simultaneously proud of and uneasy with right from his first appearance.

#asks answered #asenora meta #horcrux nonsense for fun and profit #tom riddle #lord voldemort

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icewindandboringhorror · 8 months ago

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examining a seemingly normal image only to slowly realize the clear signs of AI generated art.... i know what you are... you cannot hide your true nature from me... go back where you came from... out of my sight with haste, wretched and vile husk

#BEGONE!!! *wizard beam blast leaving a black smoking crater in the middle of the tumblr dashboard*#I think another downside to everyone doing everything on phone apps on shitty tiny screens nowadays is the inability to really see details #of an image and thus its easier to share BLATANTLY fake things like.. even 'good' ai art has pretty obvious tells at this point #but especially MOST of it is not even 'good' and will have details that are clearly off or lines that dont make sense/uneven (like the imag #of a house interior and in the corner there's a cabinet and it has handles as if it has doors that open but there #are no actual doors visible. or both handles are slightly different shapes. So much stuff that looks 'normal' at first glance #but then you can clearly tell it's just added details with no intention or thought behind it. a pattern that starts and then just abruptly #doesn't go anywhere. etc. etc. )#the same thing with how YEARS ago when I followed more fashion type blogs on tumblr and 'colored hair' was a cool ''''New Thing''' instead #of being the norm now basically. and people would share photos of like ombre hair designs and stuff that were CLEARLY photoshop like #you could LITERally see the coloring outside of the lines. blurs of color that extend past the hair line to the rest of the image #or etc. But people would just share them regardless and comment like 'omg i wish I could do this to my hair!' or 'hair goallzzzz!! i #wonder what salon they went to !!' which would make me want to scream and correct them everytime ( i did not lol)#hhhhhhggh... literally view the image on anything close to a full sized screen and You Will SEe #I don't know why it's such a pet peeve of mine. I think just as always I'm obsessed with the reality and truth of things. most of the thing #that annoy me most about people are situations in which people are misinterpreting/misunderstanding how something works or having a misconc #eption about somehting thats easily provable as false or etc. etc. Even if it's harmless for some random woman on facebook to believe that #this AI generated image of a cat shaped coffee machine is actually a real product she could buy somewhere ... I still urgently #wish I could be like 'IT IS ALL AN ILLUSION. YOU SEE???? ITS NOT REALL!!!!! AAAAA' hjhjnj #Like those AI shoes that went around for a while with 1000000s of comments like 'omg LOVE these where can i get them!?' and it's like YOU #CANT!!! YOU CANT GET THEM!!! THEY DONT EXIST!!! THE EYELETS DONT EVEN LINE UP THE SHOES DONT EVEN #MATCH THE PATTERNS ARE GIBBERISH!! HOW CAN YOU NOT SEE THEY ARE NOT REAL!??!!' *sobbing in the rain like in some drama movie*#Sorry I'm a pedantic hater who loves truth and accuracy of interpretation and collecting information lol #I think moreso the lacking of context? Like for example I find the enneagram interesting but I nearly ALWAYS preface any talking about it #with ''and I know this is not scientifically accurate it's just an interesting system humans invented to classify ourselve and our traits #and I find it sociologically fascinating the same way I find religion fascinating'. If someone presented personality typing information wit #out that sort of context or was purporting that enneagram types are like 100% solid scientific truth and people should be classified by the #unquestionaingly in daily life or something then.. yeah fuck that. If these images had like disclaimers BIG in the image description somewh #re like 'this is not a real thing it's just an AI generated image I made up' then fine. I still largely disagree with the ethics behind AI #art but at least it's informed. It's the fact that people just post images w/o context or beleive a falsehood about it.. then its aAAAAAA

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hecksupremechips · 2 years ago

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God every day I think about Akane’s breakdown in door 3 because there really is no correct way to interpret that and every possibility makes me crazy. Like she sees this fucked up corpse whom Junpei (and the player, depending on how they play) believes is their friend Snake, but she knows that it’s Guy X. It’s a man she very intentionally put in the game for this very purpose, so that he could die horrifically and be displayed for everyone to see. And she has a full mental breakdown over being trapped in this room with the corpse, being trapped by Junpei, to the point where she rips out her hair and starts bleeding from how much she bangs on the door screaming to get out. And fuck, there’s so many possibilities like

Akane could be feeling genuine terror over the sight of the body, and with that remorse. She made this happen, she wanted this to happen, and now she’s forced to quite literally watch the damage she’s caused unfold. She can detach herself from his murder easily in other timelines where she doesn’t have to look at it, and she can sleep easy knowing that her hands are technically clean because she didn’t do the literal killing. But she can’t do that here, and she has to face the fact that not only did she happily cause this death, she failed her mission. She isn’t going to survive, and now this man is dead for nothing and everything is her fault

On the other hand, her entire breakdown could be completely fabricated in order to keep playing the role of the damsel in distress who is so innocent that the very sight of blood drives her to insanity. The interesting part about this is that if she could fake such a horrific breakdown, just how much of her personality a facade? We know she wants revenge, for everyone from Cradle to feel even an ounce of the pain she and so many others went through, but we don’t get to see the extent of how much she feels this way. We never hear directly from Akane about her feelings on any of the original organizers, just her note about her desire to punish them. She hates them, but does she see their deaths as a necessary evil, or does she feel joy and satisfaction at watching them go? It’s absolutely horrifying not knowing, not being able to see her true feelings, not knowing just how real or fake she is, the extent of her madness. Perhaps she doesn’t even know that herself

IN OTHER WORDS, it’s fucked

#zero escape #akane kurashiki #the truth lies somewhere in the middle im sure #but god both possibilities are so tasty #personally i think her reaction is fake to an extent like i think she does feel at least some joy over the murders #shes doing a good deed and ridding the world of evil #but i think that this is a rare moment where she actually thinks for a minute about what shes done and how its fucked #like shes never truly present in the moment she can never fully grasp the severity of the trauma #and i kinda want to believe that this route is a bit unexpected for her #like she had to have known it was a possibility but its entire existence relies on junpei betraying the others #and i think that she was ready to write it off as a rare possibility so she didnt worry about it too much #because the only thing holding junpei back from choosing door 3 is aoi saying that picking it would require leaving people to die #and akane has nothing but her trust that junpei is good and wouldnt do something so horrible to rely on #but then it happens and she cant handle the uncertainty she wasnt ready for ANY of this to happen #not only did junpei betray the others he betrayed HER in so many ways he doesnt realize #he did what he thought was good for june but its exactly the opposite hes not only damned her #but he trapped her in a room with the disgusting corpse that she put there and everything throws her off #and she has to confront that even junpei is unpredictable and is capable of evil and that she herself has fucked up so much #she cant escape this without literally STEPPING INTO the entrails of someone she killed #and its all just too much and she completely loses it #so yeah for me its less a mental breakdown cuz she feels bad for murder #but more a breakdown because shes been betrayed and caught off guard and has a brief realization of how terrifying her actions are #those may sound the same but they arent please guys please :(#as you can see im very normal about this and good god 999 is so fucking good

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kaurwreck · 3 months ago

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for the ask game: LILAC CHARCOAL AND RASPBERRY

anon this is so sweet 😭

[ask game provided below for reference; if you'd like to play, please reblog from OP here:]

#anon i love this but i have a covenant with God so i can't kill Him with you #this reminds me of the time my brother lamented his atheism and my agnosticism on behalf of our religious mother. but i'm not agnostic.#so i clarified i believe in God and that's never changed. i just choose not to worship Him + I think there are multiple truths (incl. gods)#which is shorthand but I've never been able to explain it to others to their satisfaction and it isn't anyone else's business anyway #he thought that was MUCH worse and became so dramatic. he was genuinely so thrown. he fixated on the fact it's heresy.#which I didn't expect because like yes it's heresy but heresy is a doctrinal concept -- it doesn't have any intrinsic meaning.#and not to be dismissive but doctrine is fairly sequestered from God. It's functionally and historically a voidable social contract.#i was involved with the church/attended various bible retreats for several years before leaving. but I didn't leave over God lmao.#my institutional involvement was always contingent on its alignment with my own individual purpose/practice/rituals/bible study/covenant.#which church/community leadership knew and tried to triage in various ways but like. it's not hard to reject authority baselessly derived.#so my present relationship with God isn't any more heretical than it was when I practiced Christianity as a religion.#If anything I was maybe more heretical in funnier and more flagrant ways when I was practicing than I am now.#but anyway. my point is.#i wont help you kill god but I'm always here for heresy.#alternatively i also recommend either (1) listening to god is dead (meet the kids) by british india #which when engaged with meaningfully amounts to the same philosophical state of being as killing God #or (2) forming a reverse orphic mystery cult relationship with Him the way I did when from ages 10-14 #in other words #we can either sacrifice God to the secular age like thomas jefferson and nietzsche #or we can obsessively study the bible @ the cost of enough sleep that we (in brief spurts) access the parts of us inclined towards prophecy #those are the only two approaches to god that I'm capable of partaking in with any sincerity or intellectual honesty #and I'm unfortunately very married to sincerity and intellectual honesty.#(i'm sorry for meeting your very nice compliments with a nonsequitur illustrating why i should live as a hermit in a remote woodland shack)#(but I suppose I'm not sorry enough to remove the nonsequitur from my response prior to publication. so. take from that what you will.)

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deeplovelydark · 4 months ago

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I'm stuck in some kind of purgatory where my mother keeps asking me over and over to explain depression to her (my behavior when I'm showing symptoms of it) but every time I try to tell her about depression as a concept she says it's not real. and then we do it again. and again

#like I cant explain my behaviour any other way.#why did I spend several months sleeping most of the time and staring at the wall doing nothing?#depression!#but depression doesn't exist #so what can I say to her.#well I guess that I'm lazy and I want to feel special that's why I cultivate this mental state #and if I just decided what I don't want to be lazy and stop trying to feel special in this way–then it'll just stop #well that's not true and I won't say that and I think that this won't satisfy even her #like she knows that this behavior is 'abnormal' and beyond laziness or teenage (or more like young-adult) angst #but she won't accept the only real explanation #this is driving me insane it feels like some kind of mental torture #fuck. I'm so sorry but I remembered that tng ep where picard is tortured by cardassians #and they're trying to make him believe there's two lights when there's only one or whatever #sorry.#but that's literally what it feels like #to pass this test I have to believe in something that's not true #the truth doesn't work and if I just lie it won't be good enough #I have to convince myself of some third option (that I cant even think of) believe in it and then present it to my mother #vent

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ileftherbackhome · 8 months ago

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it does NOT surprise me that there are SO MANY tabloid movies coming out being labelled as "documentaries" filled with "friend of a friend of a friend" claims or like heavily, heavily, heavily biased with a clear narrative the filmmaker wanted to push from the beginning that tells only one possible explanation of the truth.

usually if a documentary is trying really, really, really, really hard to make you think a certain way, it's a propaganda piece. you shouldn't have to force feed your audience the "right" opinion to take away from the film evidence. you should present the full story as accurately as possible with real historical evidence to back up the storyline and the audience will walk away with the right idea.

documentaries should not have an overly persuasive tone to them because you should be able to follow the facts to get to the right answer yourself. if you find yourself walking away from a documentary feeling nothing but "wow this proves exactly what i suspected to be true why arent more people angry about niche radicalizing viewpoint that most people find to be inaccurate" you should recognize that as the first step to being indoctrinated into extremist behaviors and thoughts.

#if someone starts telling me about how much they love watching documentaries and its all super emotional hit pieces on bad celebrities #im like BIG yikes and i stay clear from them emotionally like no fucking thank you #i am a snob about documentaries sorry and i have no idea if im right in my thinking i just think this is how it should be imo #yall should walk away from a documentary understanding how someone can come to the wrong conclusion about something #because the documentary should always present the opposing view point in as sympathetic light as possible #steel man the argument then use facts to demolize it #if a documentary about a controversial or political issue #documentaries that lie manipulate rely on emotional support rather thana factual support are bad imo #because it often radicalizes people to the wrong side once they find the steal man argument against ur position #there is a reason people believe certain things #for example my terfs are lying about the original definition of woman argument post #in it i accept the possibility that woman could be defined this way only if u insist on denying factual history #i explicitly state woman was a white female child because it forces well meaning terfs to investigate the truth of my claim #and it forces them to confront the fact that their argument against trans women can be applied to people they think are in fact real women #you have to be willing to engage with repulsive ideas to show why they're factually incorrect.#im not saying the tone has to be completely passive but you have to be FACTUAL with your documentaries.#i am genuinely of the opinion that the facts will convince anyone because all people just want to be right at the end of the day.

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cruelsister-moved2 · 2 years ago

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ngl i always find it a red flag when someone’s like viciously aggressive towards astrology bc some people’s response is so out of proportion. it’s fine to dislike it or completely disbelieve it & think it’s a waste of time but literally part of being an adult is learning to coexist with other people’s beliefs. the reason responses to astrology in particular are so telling is because you’d have to reach extremely hard to demonstrate any meaningful harm being perpetrated via so its obvious that your response to a little bit of whimsy is to act like a giant baby

#n its so awkward #when people are just very casually being like 'im an aries lol\#and someone goes on this fullblown extremely aggressive tirade #like no one is as serious abt astrology as Astrology Haters believe #i always find myself saying things like 'well obviously if someone is breaking up with their partner because they didn't like their chart'#but then i stop myself because uhhhh. no one has ever fucking done that in the history of earth #and generally when ppl say things like oh my ex was a virgo i should've known or w/e its like because that's a cathartic way for them to #process what happened etc #& one of the reasons things like astrology are like. undeniably helpful regardless if there's 'truth' to them #is any reading is going to contain both positive and negative things #if you have repressed concerns you arent allowing yourself to admit then looking at a tarot spread or a synastry chart is probably going to #present those things to you in a voice you can convince yourself isnt your own and therefore might be prepared to let it speak #so if you ever do get the impression someone's done something drastic based on something like that literally the likelihood is that it was #already within them in which case its a very good thing that whatever form of woo allowed it to come out.#ANYWAY!

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the-official-account · 1 year ago

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Decided to do with my anxiety what I did with my body dysmorphia ages ago which is to beat it with the affirmation stick until it eventually becomes a central part of my belief system. This round is "I am strange and I am loved. I may be misunderstood and that does not make me alone. I am surrounded by people who accept me"

#theres reasoning for this #like 'i am cringe but i am free' despite being incredibly memeable doesnt work for me #first of all saying it outloud can sound self depricating. and accidentally sounding self depricating #(something i rarely actually do)#makes me want to shrivel up into freeze fried weasel and hibernate for seveal hears #also the presence of the word 'but' presents these things as contradicory ideas. and i need them to go hand in hand #hense this sey of affirmations #the rule of three is good and memorable #the first statement says something about myself. something it is good and realistic for me to believe is inherent about myself #the second accounts for situations when that first one may feel threatened such as when i am misunderstood #using an AND here for those ideas that are NOT conteadictory is reslly important cor the syntax of my brain #being misunderstood does not say anything about me. it is a nuetral statement and i reminder of important truths #and these truths are easy to affirm if i get REAL spooked by touching base with a friend!#and lastly is something i want to believe about the world #.....i am a strange sort of person. i exist outside of a lot of cultural norms in a way i cant change if i wanted to. i dont want to #but having a hard heart or expecting harm and judgement from other people isnt good for me #and doesnt lend to good conversation #i want to enter spaces with the expectation that i will be accepted because i deserve to be accepted. that is the norm.#i want to believe that is normal. therefore i am making a statement about other people #both friends and strangers #they WILL accept me. and it will be easier for them to do so if i dont come in afraid of harm and instead open to conversation #anyways thats my logic! i wanted to externalize it and dont mind doing so publicly #i hope this may have helped someone <3 #lush chats #anyways memorize and repeat these all the damn time. thats what i do. good mantras for grounding yourself.#i especially like to do affirmations when i look in the mirror. Spell of anti dissociation

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gghostwriter · 3 months ago

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One Single Thread of Gold

Spencer Reid x Fem!Reader

Summary: The three times Penelope tries to solve a Spencer Reid riddle and the one time she (and the team) meet the reason behind all the changes Trope: Fluff! Just fluff and team banter! w.c: 4.0k a/n: For some reason, my earlier post on this disappeared dunno why. But this is a very self indulgent fic as reader’s background is basically based on the industry I work in. I had a lot of fun writing the team banter and I hope you enjoy it too! Comments and reblogs are greatly appreciated 💗

The first clue presented itself on a dull Wednesday night as the team, minus Hotch and Rossi, were leaving the bullpen after a full day of pushing papers. Penelope in all of her sunshine and colorful glory was buzzing about these accessories that she once spotted on a storefront window.

“I saw a pair of earrings and a matching necklace that would look so good with that top you bought the other day, JJ. You know, the blue one with those soft sleeves—they would look great with it. It’s tres boho chic.”

JJ smiled, opening her mouth to reply, but Spencer beat her to it.

“Did you know that boho chic was actually a response to political and social movements?”

“Wait, what?” Emily interjected.

He took her disbelief as a sign to continue on. “Yeah, yeah. There’s an article written about it in Vogue—softness and femininity historically appears in moments of political stress and war. Just like in the 70s with the hippie and anti-war movement that defined their style as a generation.”

They all piled into the elevator and turned to face the boy genius like he grew another head. For all they knew, this could be a clone and a very bad one at that. The Spencer Reid that they knew had absolutely no interest in the realms of fashion.

Penelope was the first to break the silence. “Vogue?”

“Kid, what gives? Just the other time, you didn’t know how many shoes a woman owns and now you’re some kind of expert?” Derek asked with both eyebrows raised.

“Did not knowing activate some kind of button that made you want to read about it?” Emily added on, feeling like she was in some kind of TV prank show.

“What?” Spencer licked his lips, nervous with all the attention on him. He felt like he was about to slip something up that he had been keeping to himself for a while now. A hidden precious gem that was you. “I—I like to read.” A believable excuse except his voice went up an octave, giving him away.

The three women shared a look.

“But you read academic textbooks and classic literature,” JJ stated.

Penelope added on. “Not fashion magazines.”

He shrugged, trying to act nonchalant. “I don’t discriminate when it comes to reading. If it’s interesting—” he shifted his weight one side to another, thinking that the ride down on the elevator seemed to be taking slower than usual. “—I’ll read it.”

Penelope narrowed her eyes. She was no profiler but she could smell a lie from a mile away way. That wasn’t the whole truth. Dr. Spencer Reid was hiding something.

“Okay, see you tomorrow!” he squeaked out as he ran out of the elevator once it hit the lobby.

She turned to the three profilers, stunned with the boy genius’ erratic behavior. “Huh, did anybody else get the feeling that Spencer was hiding something?”

“Maybe, but the kid does read a lot. Maybe he just ran out of books.” Morgan shrugged.

The other two profilers tilted their heads and slowly nodded in agreement. It wasn’t far off on something Spencer would do. He did once pick up a pamphlet in the airport to read as mentioned before to her by Derek, granted it was for a case but still, Penelope couldn’t shake the feeling that there was something else.

So when she arrived home that very same night, she propped up her laptop and got to digging. Boy Genius was hiding something big and Little Miss Oracle of Quantico can find anything with her tech skills. She’ll get to the bottom of this mystery, once and for all.

———

Spencer was glad to be coming home to your presence. Having spied the lights still on from the outside of the apartment, he took the steps two at a time, excited to see his 2nd favorite person after his mother—you.

“Spence?” You called out, having heard the mahogany front door open. “Is that you, baby?”

“Hey, love. I missed you,” he deposited his satchel to the nearby sofa and ran to give you a hug.

You burrowed yourself into his arms. All the muscles in your body relaxing as you caught a whiff of his cedar wood perfume—the same scent you’ve gifted to him during the early stages of dating. “I missed you too. How was your day?”

“Better now with you,” his words coming out muffled as he refused to detach himself from the embrace. “Actually, I almost slipped up today.”

You extricated from his arms to give him an inquisitive look. The slight scrunch on your nose and raised brows made his heart flutter. How expressive, free, and trusting you were. It reminded him of your first encounter. How you teasingly asked him if he was a serial killer when he offered you a ride home in the pouring rain and how you easily accepted regardless.

“Yeah? Did any of them catch on?” you probed as you pulled him by his belt loops to the direction of the bedroom.

He laughed, finding your aggression cute. “No. At least, I don’t think so.”

“Maybe we should schedule dinner with them sometime,” you coyly suggested as you slowly started to unravel his tie. “I mean, we’ve been together for over a year now and I have moved into your apartment, under the guise of watering your plants while you’re away. Which is a lie, by the way—”

“I have plants!” he protested. His hands divesting you out of his sweater, bringing to view his favorite silk set in deep purple that accentuated your skin and the blush on your cheeks.

“—that I brought over, Spence,” you quipped back. “But don’t worry, I won’t spill how the intelligent FBI agent fooled naive me into moving in with him.”

There was a glint in his eyes that sent shivers down your spine. “Love, I wouldn’t exactly call you naive—” his voice going an octave lower. “—not when you’re looking at me with those tempting eyes of yours.”

Giggling, you leaned in for a kiss, one that he quickly took over. His calloused dominant hand wrapped around the back of your neck, effectively caging you in while his other cradled your cheek—a stark contrast to the other. Kissing Spencer had always felt like a religious experience that you never want to part from.

Reluctantly pulling away, you caught glimpse of his need for you. His hazel eyes now dark as ink, nostrils slightly flared, teeth sinking into his lower lip, and his dominant hand dug into the fleshy nape of your neck. It made you feel desirable, like the goddess that he would call you when he’s on his knees tasting nectar from the source.

The discussion of inviting the team out for dinner was long forgotten. No other words were spoken as you pushed him on the bed—only the cries of his and your name and moans of ‘yes’ echoed well into the night.

***

The second clue was uncovered when Spencer walked into the cold windy bullpen with new black cardigan adorning his lithe body. It was non-descriptive to the untrained eye but for fashion enthusiast Penelope Garcia, she knew what those four white lines on the sleeve meant—luxury label and priced well above their pay grade.

She narrowed her eyes. The Spencer she knew wouldn’t dare spend his salary on anything besides limited first edition books. Something was truly up and she planned to get to the bottom of it as her initial online search turned up nothing.

“Reid, that’s a really nice sweater,” she complimented, throwing in her bait.

He smiled. The thought of who gave it to him warmed his heart. “Yeah. Yeah, thanks Garcia.”

Her sparkly pink kitten heels clacking on the floor as she came closer. “Can I see it?” she innocently asked.

The request threw Spencer off the loop but thought nothing of it as he shrugged and handed it to her—still warm from body temperature.

Her squeals caught the attention of the other profilers filling into the office.

“What is it, baby girl?” Morgan deposited his bag on the table and stationed himself beside her. “It’s Reid’s new sweater. Are you seeing something I’m not seeing?”

Garcia rolled her eyes. This was why females are considered more observant that their sex counterpart. Her chocolate thunder was a profiler but how could he not notice what she was deducing?

“Huh,” Emily surmised. “Based on the fibers, it’s definitely not polyester. Possibly a 100% wool, what do you think, JJ?”

“It says here on the tag—100% virgin wool,” she read out loud. “That makes it very expensive, right Garcia?”

The colorful tech analyst smiled. Her girls could never let her down. “Right you are, girlfriends! But it’s not only that, this—” pointing at the four stripes on the sleeve. “—this is a signature Thom Browne detail. Their prices go up to at least 600 dollars—” they all turned to Reid who seemed clearly agitated. “—now why does our boy wonder have a piece that could buy at most five cute heels?”

With his vast intellect, he couldn’t think of a way to weasel out of this impromptu interrogation. He couldn’t very well say that it was a gift now could he? If he did, that would lead to another hard hitting question ‘from who?’ He raked his hand through his curly hair, taking the same path as yours did just earlier as you gave him a kiss goodbye.

When you gifted him the cardigan from your last New York business trip, he really thought nothing of its material equivalence, besides feeling grateful and loved. It was proof that you paid attention to even the littlest details about him.

“Hey Spence, I got you something,” you looked up at him with sparkling eyes. The first thing you had done when you got home was run into his arms. A simple act that healed his aching heart from missing it’s other half.

You reached into your luggage, enthusiastically pulling out the black clothing wrapped in tissue paper like some magician pulling out a rabbit from a hat. “Here you go!”

“A new sweater!” He exclaimed.

You rocked on your heels, looking bashful as you explained the reasoning behind it. “I noticed you fidgeting when you wore the cardigan JJ gifted you last Christmas, the polyester fibers used on it must have been really itchy so I got you a new one—” your eyes widened at how your explanation could be taken the wrong way. “—not that her gift wasn’t great! No, it was very cute! It’s just—I want you to be comfortable and protected during your cases in cold states. Polyester is a good insulator of heat but wool is still the best.”

He loved how unabashed you rambled about your interests. That was one of the first things he piqued his notice. How you liked to share your knowledge about the fashion industry that you work for but never coming across as stuck up or snobby, you just genuinely wanted to educate anyone who had a wrong perception of the billion dollar commerce. Admittedly, he was one of them but hearing you rave about it’s nitty-gritty details and socio-economic movements changed his mind. It also helped that a beautiful and intelligent woman, such as yourself, was educating him.

He pulled you in for a kiss, stopping all the worries that ran through your head. “I love it. Thank you.”

“It’s nothing at all, baby. I like taking care of you. Just like how you take care of me,” you reasoned. “Plus I got it on sale courtesy of the magazine connections.”

A tap on his shoulder brought him out of his reverie. It was Penelope with an eyebrow raised at the subtle smile that graced his face while he replayed the moment in his head.

“Okay,” Morgan drawled. “What’s got you smiling, Pretty boy?”

“Nothing,” he squeaked out, turning to see Hotch make his way across the office. Spencer hurriedly collected his things and started to move even before their unit chief could call their attention.

“We have a case,” Hotch announced.

The remaining BAU members all looked at each other, silently communicating about Reid’s irregular demeanor, before piling into the conference room for another grueling scene of murder.

“He’s been acting weird,” Garcia rushed out. “Definitely hiding something. What do you think, Em?”

Emily nodded. “Are you thinking what I’m thinking?”

“A girl?” JJ guessed.

“Yes, must be a special one for him to keep secret for so long,” Garcia surmised. “Do you think he’ll hate it if I go further digging around to find out who she is?”

“Further?” Emily clarified.

JJ laughed. “Probably, let’s wait for him to volunteer the information. Okay, Garcia?”

She sighed, shoulders drooping, before nodding in agreement.

***

The third clue was quite literally handed to Penelope Garcia on the jet after a case when she accompanied the team.

“Cold Alaska is so not good for my skin,” she grumbled as she rummaged her bottomless bag for her favorite hand cream. “I love going with you all on trips rather than being stuck in my own tech cave but the weather wasn’t it.”

Morgan chuckled. “Aw c’mon baby girl, don’t tell me you didn’t enjoy our time together?”

“You, my sculpted hunk, and the fireplace were the highlight,” Penelope turned to the other female profilers. “My beauties, do any of you have lotion? I think I lost mine.”

Before JJ or Emily could even utter a word, a tube made its way to her lap courtesy of her seat mate, Dr. Spencer Reid.

“Reid, since when do you carry lotion?” Emily inquired.

He shrugged. “Hand cream has it’s benefits besides from moisturizing the skin, it also provides an additional layer of protection. Depending on it’s properties, it can also repair and undo damage.”

The females all shared a look. This was another unexplainable behavior from their resident genius.

“We know that,” JJ stated. “We just thought you didn’t.”

His brows furrowed. “Why wouldn’t I?”

“Well, besides from the fact that you’ve never shown interest about skincare before, isn’t it a stereotype for men not to know? Unless—” Emily slyly smiled and nodded at Garcia to continue.

“Unless you have a girlfriend that we don’t know about,” Garcia bounced on her seat.

Hook, line, and sinker.

Spencer’s eyes widened in alarm. He didn’t realize he was walking into a trap before it was too late. “What makes you say that?”

They laughed.

JJ started. “Besides from you suddenly being knowledgeable in fashion—“

“—or having a pricey sweater you’d never buy for yourself—” Emily added on.

“Or, or—“ Garcia reached out to touch his hand. Which made Spencer react with a high pitched call of her name. “—having a shea butter lotion with rough hands!” She waved the tube up in the air. “Plus, this is half empty. So either it’s not working which I doubt since this is a good brand or you keep this in your bag for a special someone to use!”

Derek chuckled. “Baby girl, you could be a profiler at this point.”

“Oh tell me something I don’t know,” she quipped back. “So Reid, want to tell us the truth?”

He sighed, finding no escape. “Yes, yes I have a girlfriend.”

The girls all shrieked with laughter and their own corresponding questions of who is she? How did you meet? How long has this been going on? What does she do for a living? Is she pretty? Oh I bet she is!

“Looks like that cat is out of the bag,” Rossi nonchalantly stated.

Four sets of eyes turned to look at one of the BAU founders. “Rossi, you knew about this and didn’t tell me?” Garcia gasped, a hand to her chest at the thought of betrayal.

He laughed. “I caught them on a dinner date once and our boy wonder over here—“ nodded in Reid’s direction. “—begged me not to out him yet, said he wanted to be the one to tell the team the news but that was like what, six months ago?”

“Six months ago?” Emily repeated.

“Wait, wait. Hotch, don’t tell me you also knew?” Morgan asked.

The unit chief smiled. “She was added to Reid’s emergency contact last February.”

“February? That’s almost a year ago!” JJ sputtered out.

The tech analyst turned to glare at the youngest member of the BAU. “Reid, you better start spilling all the details or so help me, I will stalk all your digital footprint when we land until I find out who she is, where she lives, and what her deepest darkest secret is.”

“What about hearing it all from her, instead?” He rubbed the back of his neck. The secrecy had gone on for so long and there was no time like the present to introduce his chosen family to his chosen partner—hopefully until the end of time. “She wants to treat you all out for dinner tonight.”

All four nodded vigorously as they watched him pull out his phone and send a quick text to which you readily replied and agreed to.

“My man,” Derek sighed. “Can’t believe you got a girlfriend without me being your wingman.”

“Answer me at least this, is she pretty and does she make you happy?” Garcia asked. No matter how nosey she may be, she only wanted the best for Spencer and if the recent lightness and smiles were all caused by his mystery girlfriend, she already approved.

“The prettiest,” Spencer gushed out. “She’s my own personal sunshine.”

The three girls melted into their seats. Their youngest was all grown up waxing prose over his lover.

“She makes you sappy too,” Derek teased.

***

[EXTRA - When the mystery was uncovered]

Spencer had never felt any more nervous that this moment as he, with the rest of the team minus Hotch and Rossi, wait for your arrival. He sat with his back to the restaurant entrance and his cardigan laying on the empty seat beside him as a reservation mark. His eyes had been going back and forth to his idle phone and to the conversation the team was having.

Morgan noted his state of distress and chuckled. “You okay there, lover boy? She’s still coming right, your mystery girlfriend?”

“Yeah, yeah. She said she was on her way 9 minutes and 24 seconds ago and based on the route and traffic, she should have been here 45 seconds earlier. Just worried that something might have happened.”

Penelope leaned in, picking on her bubblegum pink choice of drink as she did. “You know, if you just told me her name I could have tracked every movement by now and you wouldn’t be sitting here worrying.”

“What—no Garcia, I don’t want her tracked plus she didn’t want you to know everything about her even before meeting her,” his voice going up an octave in your defense.

She shrugged. “I’m just saying. I mean we don’t know a single thing about her—”

“We do know she exists and you’ve been together for almost a year now,” Emily interjected.

“Actually, it’s been more than year—one year and 124 days to be exact.”

“Buttercup, all I’m saying is we don’t even know how she looks—” Garcia gasped, having spotted a passerby on the window and what she was wearing. “Oh my gosh, that maroon coat is to die for and that textured leather bag—I wonder if I could track her down and ask where she got it.”

“Oh she’s pretty,” JJ noted.

Derek smirked. “Baby girl, tell me if you plan to ask her ‘cause I wouldn’t mind asking for her number.”

The tech analyst’s eyes further widened as she noted the attractive woman going inside the restaurant.

“You weren’t kidding about that coat, Garcia, it looks really nice,” JJ appraised.

Emily squinted her eyes, taking note of the garment in question. “It looks high quality, probably vintage and—is she going near us?”

“Oh gods, she is! Act natural, act natural!” Penelope chanted as she repeatedly slapped Derek’s arm.

The stranger stopped behind Spencer. “Hey handsome,” your melodic voice was a siren that called to his every being. “Fancy seeing you here.”

Penelope’s jaw dropped as she took in Derek’s flustered reaction.

“Me?” He pointed at himself, getting picked up in such a public setting was new even for him—the ladies man of the BAU.

You laughed. “Well, you too but I was more of talking to this lover of mine—“ you bent down, kissing your boyfriend’s cheek. “Hey, Spence.”

A series of gasps were heard all around the table.

The youngest stood up and turned to give you a soft kiss on the lips. “Hey, Y/N. I was starting to get worried.”

“I missed the train, sorry I forgot to send an update,” you explained as he helped you into your seat.

Promptly seating back down, he angled his body to yours—all attention on you as if you were the only one in the room. And in a way you were, with how molten his doe eyes stared, alternating between yours and your painted lips that begged to be kissed.

He always felt breathless when you were near. It was as if he found his very own Aphrodite to worship here on earth. Spencer was no believer of fates or destiny but he would pray and light a candle if he needed to, just to keep you his. Your intelligent mind complimenting his, your outgoing personality that draws anyone in, and your face that could launch a thousand ships.

Those eyes that could read the deepest crevices of his fiber of being. Those cheeks that begged to be caressed by his calloused hands. Those soft lips that deserved to be kissed and devoured until you, in turn, were as breathless as he was. He suddenly wished you both were anywhere else but here—specifically in the confines of the apartment where he was free to express his love, devotion, and adoration until you scream his name and beg him to stop. His hand, having found it’s way to your thigh, squeezed the flesh three times—communicating his promise to have your hair laid around you like a halo as you lay under him, bare and writhing with need.

The blonde on the other end of the table cleared her throat, cutting through the tension.

“Okay, Spence,” she smiled. “Mind introducing us to your girlfriend?”

He brought your hand to his lips, leaving a series of sweet kisses on your knuckle. “This is Y/N, my girlfriend. Y/N, this is the rest of the team. Morgan—“ he gestured to each one. “Emily, JJ, and Garcia.”

“It’s nice to finally meet you!” You exclaimed. “So sorry we’re only meeting now. We wanted to stay in our little bubble for as long as we could plus this handsome FBI agent—” you nudged Spencer’s shoulder. “—wanted to keep me to himself. But where’s Aaron and Dave?”

Emily whispered under her breath. “Aaron? Dave?”

“They had prior commitments, love. They did send their regards and Rossi wants to invite you to the next gathering at his mansion,” Spencer explained.

“Love?” Penelope squeaked out. This was really starting to feel like Twilight zone for the team members.

You nodded. “I’ll definitely plot it on my calendar. Now, I heard you had some questions for me?”

“How’d you two meet?” JJ asked.

“When was the first date?” Emily inquired.

Penelope brought out a pen and paper. “What’s you social security number?”

Derek snorted at that. “Do you have any other siblings?”

Spencer’s eyebrows raised further and further up with each question while your shoulders shook with laughter.

“She has all the time in the world to get to know each of you,” Spencer laid out. “No need to make it sound like an interrogation.” He was wishing to keep you forever, if you’d let him.

You smiled as you caressed his cheek, having caught on to the veiled meaning behind his words. “Yeah?”

“Yeah.”

Comments and reblogs are greatly appreciated!

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thewriteadviceforwriters · 5 months ago

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50 Character Personality Traits + Meanings (For writers, worldbuilders, and artists) Part 1

Adventurous - Enjoys trying new experiences and exploring the unknown.

Ambitious - Driven to succeed and achieve their goals.

Analytical - Tends to think critically and examine things in-depth.

Artistic - Highly creative and expresses themselves through artistic mediums.

Assertive - Confident in expressing their thoughts and feelings.

Caring - Shows compassion and concern for the well-being of others.

Charismatic - Has a natural charm and appeal that draws people in.

Clever - Able to come up with creative solutions and make astute observations.

Compassionate - Displays empathy and a desire to help those in need.

Confident - Believes in their own abilities and is self-assured.

Conscientious - Reliable, responsible, and attentive to detail.

Curious - Eager to learn new things and explore the world around them.

Cynical - Tends to be skeptical and distrustful of others' motives.

Dependable - Can be counted on to follow through on their commitments.

Determined - Persistent in pursuing their goals and overcoming challenges.

Diplomatic - Skilled at navigating social situations and resolving conflicts.

Eccentric - Displays unconventional or unusual behaviors and interests.

Empathetic - Able to understand and share the feelings of others.

Ethical - Guided by a strong moral compass and a sense of right and wrong.

Extraverted - Enjoys being around people and draws energy from social interactions.

Flexible - Adaptable to changes and open to trying new approaches.

Forgiving - Willing to let go of past hurts and give people second chances.

Friendly - Approachable and enjoys building positive relationships with others.

Grounded - Practical, down-to-earth, and focused on the present.

Hardworking - Diligent and dedicated in their efforts to achieve their goals.

Honest - Values truthfulness and integrity in their words and actions.

Idealistic - Driven by a vision of how the world should be and a desire to make a difference.

Imaginative - Possesses a rich inner world and creative problem-solving abilities.

Independent - Prefers to think and act for themselves without relying on others.

Indecisive - Struggles with making decisions and often second-guesses themselves.

Introverted - Finds energy and fulfillment in solitary activities and introspection.

Jealous - Experiences feelings of resentment or insecurity towards others.

Kind - Gentle, considerate, and thoughtful in their treatment of others.

Leaders - Able to inspire and guide others towards a common goal.

Logical - Approaches problems and decisions through a rational, analytical lens.

Materialistic - Highly values the acquisition of possessions and wealth.

Organized - Maintains order and efficiency in their personal and professional life.

Perfectionistic - Strives for flawlessness and can be overly critical of themselves and others.

Pessimistic - Tends to focus on the negative aspects of situations and expect the worst.

Resilient - Able to bounce back from setbacks and adapt to changes.

Risk-taker - Willing to take chances and step outside of their comfort zone.

Sarcastic - Uses irony and witty remarks to convey their thoughts and feelings.

Sensitive - Deeply affected by the emotions and experiences of themselves and others.

Stubborn - Unwilling to change their mind or compromise on their beliefs and opinions.

Suspicious - Inclined to doubt the motives and intentions of others.

Thoughtful - Considerate of the impact their words and actions have on others.

Timid - Shy, reserved, and hesitant to take risks or assert themselves.

Trustworthy - Reliable, honest, and worthy of confidence.

Unpredictable - Displays an element of surprise and spontaneity in their behavior.

Witty - Possesses a quick, clever, and humorous way of expressing themselves.

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sluttyten · 1 month ago

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The Devil in Me

Kinktober Day 9 | Haechan Masterlist | Member Masterlist

tags: loss of virginity, first time, oral sex, marking, biting, possessive/protective Haechan, mentions of human sacrifice, demons, a lot softer/romantic than it sounds

length: 8293

Maybe you should have heeded the warnings of your friends and family, but you’d thought it was all just a bit of small-mindedness and prejudice.

When you started seeing a guy who was a loud and proud satanist, your friends and family had all told you that he would be bad news. But you’d done some research into the belief system of satanists, and it wasn’t inherently evil, as they all seemed to believe. And you liked this guy, he was charming and handsome and he spoke to you like you were his everything, that you were someone special to him.

And now, in your present position, you can see that you were in fact someone special to him.

You were his virgin sacrifice.

It had been a mistake to tell him that you were a virgin. You could’ve fed him some other excuse for why you didn’t want to have sex, but you’d gone with the truth. And now look where it got you.

He’d brought you out into the woods on the premise of a night hike, stargazing, camping and keeping each other warm beside a campfire. But now you were strapped to a wooden table in the middle of a circle of fire in the woods, and he was pacing in circles around you, chanting words and drawing symbols on his bare chest in either red paint or some kind of blood.

He’d already given you the evil villain speech. This was a ritual to summon a demon he’d read about — a chaos demon who could grant him wealth and talent by stealing it from others. He was going to sacrifice you and blah blah blah. You’d stopped listening after a while. The straps on your wrists were so tight that you were losing feeling in your fingertips. Your ankles were tied down too, and you could see no way out of this, resigned to your fate.

All you know is that if he kills you, you’re going to haunt the shit out of him.

When he stops his pacing, when the chanting slows, you close your eyes and send a prayer out to anyone listening to save you.

The asshole teases you with your own death. He trails his hunting knife from your neck down between your breasts, slicing apart your shirt as he goes.

Your shirt falls open, and he returns the blade to your throat. You refuse to make a sound, you refuse to give him the satisfaction of hearing you cry out.

“Look at me!” He yells, his hand gripping your chin. “I want you to watch.”

Your eyes fly open, and you stare this asshole in the eye, putting as much hatred and vitriol in your gaze as you can.

He grins, trailing the knife lower, and with a flick of his wrist, he gives you a shallow cut just above your left breast. You can see the first drops of your blood well up to the surface. His eyes light up, the chant falling from his lips again as he lifts his hand and the blade, drawing them up into the air over the center of your chest.

He’s going to plunge it into your heart, that’s something he said during his monologue.

You suck in a breath, watching his hand, watching the moonlight glint off the blade.

He swings.

And a tan hand curls around his wrist, halting the movement.

“I don’t think so,” a smooth voice says.

You watch the hand on your would-be murderer’s wrist. The hand guides his, redirecting the path of his blade, and you squeeze your eyes shut as the blade draws across his throat. You try to tune out the wet choking sound as your would-be murderer collapses, as he pulls himself away through the grass and the brush, as he dies the ugly death he would have given to you.

You open your eyes when you can no longer hear him struggling to survive, and you see before you a beautiful, beautiful demon.

His eyes glow a deep red. Two black horns stick out from his black hair. Ragged black wings jut out from his shoulders. And he’s beautiful. Devastatingly handsome.

The summoning ritual worked.

The fight for survival comes racing back through you, and you jerk against your bonds, crying out, screaming for help. You’ll not have your soul taken by a demon. That’s not happening tonight!

“Don’t be afraid,” he says calmly, “I’m not here to hurt you.”

With a wave of his hand, the bonds on your wrists snap, your ankles suddenly are freed as well. You sit up, clutching at the sides of your shirt to pull them together over your chest. The demon looks at you, and then turns his head to the side towards where you last heard that bastard's dying breaths fade away.

“Some humans are real assholes, yknow?” The demon says, still not looking at you. “They think we all want sacrifices, which, don’t get me wrong, they can be nice from time to time, but we don’t demand the murder of virgins. We certainly don’t demand unwilling pretty women be murdered in the woods.”

He spits towards what you can only assume is the dead body of your would-be murderer. And then the demon looks back at you, eyes aglow.

“I’m Haechan,” he introduces himself, holding his hand out to you. “But you can call me Donghyeok.”

You hesitate for a moment, uncertain if you should give him your name or shake his hand. You feel like you’ve heard stories about how bad doing either of those things could be. But in the end, it’s the way that the corner of his mouth tilts up as he watches you that convinces you.

You put your hand in his, and you give him your name.

Donghyeok lifts your hand, brushing his lips across your knuckles. “Pleased to have saved you.”

Your pulse throbs in your veins, pounding in your ears.

An actual demon is holding your hand, standing before you smelling like sea air and citrus rather than the burning brimstone stories would have you believe. Donghyeok lowers your hand, and you pull it back into your lap.

“That guy seemed like a dick.” Donghyeok turns away, shaking his wings as he walks over to the nearest flickering ground torch. He continues talking while he extinguishes that torch, saying, “Very bossy in his summoning chant. I probably would’ve ended up killing him even if he wasn’t trying to murder you. How did you end up here, anyway?”

“I was stupid.” You droop forward, hanging your head as you look down at your knees. “I let him trick me into thinking he was a good guy despite all the warnings from everyone around me. I thought they were just prejudiced since he was a Satanist, but they were right.” You risk a glance in Donghyeok’s direction. “I shouldn’t have ever told him I’m a virgin, I was basically just asking to get sacrificed in a demonic ritual.”

Donghyeok’s wings flare as he turns to look at you. “Don’t say that. Don’t ever blame yourself for the actions of a stupid man. He is the one that did this, not you.”

He extinguishes two more torches before either of you speak again.

“Virgin sacrifices don’t actually mean, like sexual virginity, yknow?” Donghyeok says, his back facing you while he puts out another torch. Now only four of them remain lit in the circle. “It’s virgin blood. Blood that’s never been used for a ritual before. As soon as he cut you, I felt the call, and I saw what he was going to do to you. I’m tired of men killing women with the excuse of summoning me. I just require a few drops of blood to be spilled, not a life taken.”

Donghyeok waves his wings, and three more torches flicker out, leaving just one glowing right in front of you, providing just enough light to see by as Donghyeok strides back to you. His bloody red eyes sweep over you from head to toe.

“What are you going to do to me?” You can tell your voice is small, nearly lost in the whisper of wind through the trees. But Donghyeok hears, and he cocks his head slightly to the side to watch you.

“Haven’t you been listening?” He reaches up, snapping his fingers together and drawing a handkerchief out of thin air. “I’m not here to do anything to you. I came to rescue you from that asshole, and now you’re free.” He holds the handkerchief out to you.

“So you’re just going to leave me here?” You accept the silky white cloth, and you find one corner of it embroidered with flowy script — LDH, it says, and you run your thumb over the fine threads making up the letters.

“I didn’t say I was leaving you.” He smiles, and again, your pulse thunders. “We can go, or we can stay here and have sex.”

A squawk of surprise and indignation leaves you, which makes Donghyeok laugh. And fuck, you thought he was beautiful before, the sight and sound of his genuine laughter makes him even more beautiful.

“I’m joking!” He keeps laughing, his shoulders shaking as he tries to hold it in while he speaks, “But I can get you out of here in a snap so you don’t have to hike back through these woods in the dark.”

“Please!” You reach out, grabbing both of his hands, holding them between yours. “Please, get me out of here.”

Donghyeok’s expression goes serious. “I will, I promise. And what about him?”

You begin to turn your head to look, but you change your mind, keeping your gaze fixed on this beautiful demon. You shake your head. “Leave him. The police can deal with him, I��ll report the crime when I get back to town.”

Donghyeok watches you for a moment, contemplating something. Then he shrugs, holds tighter to your hands, and you feel a tug behind your navel.

The scenery around you has changed.

You’re still in the woods, but just at the edge of it. You can see the lights of town just ahead through the trunks.

“Here, let’s at least make it look like you’ve run back here.” Donghyeok crouches down, filling his hand with soft dirt. “May I?”

You’re not entirely sure what you’re agreeing to, but you nod. Immediately, Donghyeok is touching you, spreading dirt over your clothes, a smear of mud along the torn open edge of your shirt. He runs his fingers through your hair (which shouldn’t feel as good as it does). He plucks some twigs and leaves, sticking them haphazardly in your hair, dangling from a new rip at the bottom of your shirt.

He takes a step back to appreciate his handiwork, then nods, satisfied.

You both stand there looking at each other for a moment, and finally you say, “Thank you.”

Donghyeok nods. “You didn’t deserve what that asshole was going to do to you. None of them ever do deserve it. He, however, deserved everything he got, and everything he’s going to get when I get back to Hell.”

“Thank you,” you repeat because you mean it, and there are no words more genuine that you can think to say. “Really, Donghyeok, thank you.”

You turn towards the lights of town. You’re going to the police, filing a report, making sure they know that that bastard tried to kill you, and he's the reason he’s dead.

“One thing before you go!” Donghyeok steps in front of you. You look up at him just as he reaches out and puts his hand on your right shoulder. His hand burns hot and then hotter through your shirt, and you hiss in pain, trying to draw away, but Donghyeok holds on, only releasing you once the pain begins to fade into a tingle.

“That’s all. See you around.”

And then the demon disappears into a shadowy mist.

You stand there for a moment before you pull yourself back together, and you walk into town, straight for the police station.

They believe the story, which is good since most of it is true. Only part of it is fictionalized: when you say that you managed to slip the bonds he’d had on your wrists, the part where you wrestled the knife from him, where you’d cut him across the throat and then run miles back to town through the woods. But the story is believable because the facts and evidence are all there — the police trek through the woods and find the site of the ritual, find his body, find a blade that somehow has your fingerprints; they find plans in his apartment, records of messages between him and others, of his search history on how to summon a demon and how to perform a virgin sacrifice.

When you finally leave the police station, returning home under the care of your family and friends, you finally get a moment to yourself in the shower.

You peel off your pants and socks, drag your shirt over your head, slip off your panties and bra, and then you look at yourself in the mirror.

Black inky lines that weren’t there before these events are there now. You twist, angling better towards the mirror to be able to see what appears to be a whole tattoo that you never got.

A sunflower curves from front to back over your shoulder and down onto your arm.

You brush your fingers over the petals, feeling your skin tingle in a not unpleasant way. It sends a curl of warmth into your belly, makes your heart pound.

It’s Donghyeok, you know it is.

This is his mark, left on you.

The next time you see him, it’s too brief for your liking.

There’s a street festival, sort of like a carnival in town, and you spend hours down there one day as afternoon turns to evening turns to night. It brings all the weirdos out, from your town and those surrounding. You stick close to your friends, you have fun, you spend too much money on greasy food and rigged carnival games, you flirt with a cute carnie to get the big stuffed teddy bear prize.

Your friends decide to ride the Ferris wheel, but your mild fear of heights and the lure of a big pink cloud of cotton candy call to you instead. You’ll stay here feet firmly on the ground, enjoying your cotton candy, and watching them take a turn on the giant wheel.

But first you have to find the cotton candy booth.

You’re carrying your teddy prize like it’s a toddler, hoisted up to sit on your hip. You’re still rather pleased with yourself for having flirted it out of the carnie, even though you’re not quite sure what you’re going to do with it, and carrying it around for the rest of the night is possibly going to become a bit of a hindrance.

You cut between two game booths, slipping into the shadowed path that runs along the backs of the games, like an alley between the ring toss games facing one way and the basketball and shooting games facing the other. The cotton candy booth is visible at the end.

You have to step over wires, bags of vacuum-sealed prizes, a crate that’s surrounded by cigarette butts. The dings and chimes, alarm sounds and cries of joy all sound muffled, leaving you feeling a bit apart from the carnival despite being right in the heart of it.

A figure melts out of the shadows, suddenly keeping perfect stride with you.

You gasp, twisting around with the bear between you and this shadow-born devil.

“Me again,” Donghyeok laughs.

He’s got his hands tucked into his pockets. The devil horns are concealed by a hood. He’s wearing a leather jacket that has black wings stitched into the back panel. He could pass for normal, you think as your heart settles back into a more normal rhythm, if only his eyes weren’t still a deep red with his pupils reflecting light like an animal’s eyes at night.

“Donghyeok.” You almost collapse against the back of one of the game tents.

His lips curl around the sound of your name. You like the sound of that — his voice, your name.

You just stand there staring at him for a moment, amazed that he’s actually here. In the days after your near-sacrifice, you’d almost convinced yourself that Donghyeok had been nothing more than a figment of your imagination used to soften the trauma of that night a little. But here he is again. Real. In the flesh.

“Are you keeping out of trouble?” He asks, and when you nod, he scoffs. “But you’re back here walking by yourself? Do you know what kinds of people are drawn to work these carnivals? The transient lifestyle calls to some pretty awful people.” He turns to look back along the path you’ve been walking in this makeshift alleyway.

Several feet back, there’s a slumped over figure where there hadn’t been before. And the longer you look, the more you realize it’s that cute carnie that had given you the bear.

“Don’t worry, baby, I’ve got your back.” Donghyeok pats your right shoulder, his skin hot against yours. “You should get back to your friends before they start worrying. Here, this is for you.”

Out of thin air, he draws a large fluffy pink cotton candy, holding it out to you.

Donghyeok escorts you back towards your friends, and he blends in with the crowd, looking perfectly human except for his eyes. His shoulder bumps against yours. He chatters and laughs with you. You find it so curious the way that your heart skips each time you look at him.

Hours later, once you’re safely ensconced at home, you notice that the center of your sunflower marking on your shoulder is darker than it used to be, almost like you’d gotten it shaded in.

Donghyeok again, you’re sure.

You recall his hand on your shoulder, the gentle but pleasant burn of his skin on yours.

You turn your head, resting your cheek against your shoulder. The center of the sunflower is warm against your cheek.

A few weeks later, you’re certain your family thinks you’re crazy. You’ve not seen Donghyeok again since that night at the carnival, and honestly, you’re beginning to feel very Bella Swan in New Moon about the situation. You’re about to start throwing yourself into harm’s way just to see if Donghyeok will make an appearance to save you; although, you have a strong suspicion that if he knew you were doing dangerous things intentionally, he would make a point of not showing up.

So, instead of trying to cross paths with dangerous men (again), you decide to go to the library and local bookstores and pull any books you can find on how to summon a demon. You do research online, printing out pages and pages of summoning rituals. You’ve got a whole wall of your bedroom dedicated to the stuff.

“There is something very wrong with you,” your dad says one afternoon when he sees it all. “You survived that satanist dick. Why would you put yourself through this?”

You’re pretty sure your family and friends think you’re doing this to torture yourself. You can tell they’re all worried for you, all of them concerned about what path you’re taking.

But you’re not diving headfirst into satanism or anything like that really. You just want to summon one demon in particular – a chaos demon named Haechan who has asked you personally to call him Donghyeok.

You seek out a different ritual than the one performed when you first met him. You don’t want to have to sacrifice a virgin even if it only means a few drops of voluntary blood; that veers too close to the sacrifice you’d almost found yourself to be in the woods.

Eventually, you find a source online that suggests a few specific crystals, certain herbs, fire and chalk and a spell in a language that you’ll have to teach yourself. But it seems doable. You just have to find a shop for all of those things, and then you’ll summon Donghyeok. You just want to see him again. You’re drawn to him, and maybe it’s because he saved you so you’ve got some weird type of twist on Stockholm Syndrome, or maybe it’s this sunflower he marked on your shoulder, the roots it’s put down inside you making you want to see him more and more, thirsting for him like a desert plant in a drought.

You find a shop perfectly suited to your needs. The woman running the place seems quirky enough that you don’t have any qualms about telling her everything — what you’re looking for, how you’re going to use it, why you’re using it — and you’re obsessed with the gleeful twinkle in her eye as she dances around the shop, gathering the items you’ve listed, plucking them from dark corners, from a bay of windows, from bunches of herbs hanging from the ceiling.

“I do have to warn you,” she says as she carefully packs it all into a bag for you, her voice dipping towards a serious tone to say, “Some demons are always listening for a call, even if it’s not for them, especially when it’s a pretty girl like you calling with almost no taint in your blood. Just know, dear, that when you call for your demon, someone else might try reaching through. So be careful when you speak the spell. Clear pronunciation, clear focus and determination.”

She pats your hand tenderly before you leave, and she wishes you well.

You set up the ritual in your bedroom. You push all the furniture out of the center of the room, roll back the rug that usually covers the floor beneath your bed. You sketch out the symbols in chalk on the hardwood floor, you set up the crystals exactly according to the diagram on the website, placing candles exactly right too. You scatter herbs across the pentagram, sprinkle a few in a bowl set in the center of the ritual space, and finally you kneel beside it.

You clear your mind except for thoughts of Donghyeok, your wish to have him in front of you, and you begin speaking the words you’ve been practicing since you found them.

Before, they’ve felt like hollow words, but now as they fall from your lips there’s a new weight to them.

You continue, keeping your mind set, and you strike a match, watch the flame flicker and wave as you continue speaking the spell, the foreign words feeling strange on your lips and tongue, creating a tingle that makes you feel that this must be working, that you’ll be able to see Donghyeok again.

You drop the match into the bowl of crushed herbs in the center of the pentagram. The bowl is instantly engulfed in flame, the heat kissing your cheeks, and the final words of the spell incinerate in the air, the flames crackling and flashing a solid purple for a moment.

You feel the air from the room disappear as the fire swirls and sparks, as the candle flames around the circle shoot up elongated and casting shadows. The crystals crack and shimmer.

And when it all falls away, when the flame in the bowl extinguishes and the candles resume their normal flame size, you look up at the demon standing above you.

It’s not him.

You gasp, falling back on your hands.

The demon is fearsome, brutish. He reaches for you, gnarled red fingers clawed with filthy talons. You scramble backwards as he grabs for your sleeve, tearing the fabric when you jerk backwards.

Suddenly the demon releases you and stands straight within the pentagram.

“Haechan’s mark?” He utters in a garbled, deep voice straight from the pits of Hell. “You are under Haechan’s protection?”

A sharp whistle from across your bedroom draws your attention and that of the hideous demon in front of you.

Donghyeok sits on your bed, looking relaxed as ever. He cocks his head to the side, staring down this other demon. “That’s right. She’s under my protection, so get the fuck out.”

Donghyeok flicks his fingers, and the other demon vanishes in a wave of smoke and embers.

You can’t look away from Donghyeok lounging on your bed like it’s his throne. He’s wearing that leather jacket again, though right now his devil horns are visible poking through his dark hair. You’ve missed looking at him.

He looks at you now too. “You called?”

“I wanted to see you,” you tell truthfully.

“Why?” Donghyeok asks, not moving from the bed, just sitting there and watching you.

“Well why did you mark me?” You lift your fingers to the flower on your shoulder, brushing your fingers over the petals.

Across the room, Donghyeok’s eyelids flutter, and he rolls his head on his neck a little as if to relieve tension. “I marked you because I want you to be safe. I knew if any other demons saw my mark on you, they would leave you alone, as just evidenced.” He gestures at the pentagram. “And because I wanted you to have something to remember me by. And I like the thought of you wearing a memory of me.”

You stroke the petals of the flower again, and Donghyeok sits up on the edge of your bed, sitting forward.

“The flower changed the last time I saw you.” You draw your finger up to the center, darker now than it had been when Donghyeok first marked you the night you met. “The center has color now.”

“I know.” He leans forward, but doesn’t leave your bed, though he seems to just be hanging onto the very edge of it. He doesn’t explain more, just looks at you as if waiting for more.

You climb to your feet, picking your way through the candles and crystals and herbs, and you come to stand just in front of Donghyeok. He raises his gaze to your face, his hands are planted on either side of his thighs, and he doesn’t say a word as you reach out a hand, as you first touch his cheek with just your fingertips, and then you move them along his jaw, up into his hair.

Donghyeok’s eyes flutter shut, a sigh falls from his lips.

Your fingers find his horns, and gently you run your fingers along them both.

His hands fly to your hips, a breath catching audibly in his throat. “What are you doing?” He asks, voice tight but not in a way like he wants you to stop.

“You’re beautiful, Donghyeok,” you can’t resist saying, “And you’ve marked me, so maybe I want to return the favor.”

Donghyeok’s lips draw into a smirk. “Mark me how? Who are you trying to show that I’m yours?”

Your heart thunders, heat racing through your body at the sound of that. I’m yours, he said. “Say it again,” you demand.

“Say what?” Donghyeok’s eyes open at last, flicking open and lifting to meet your gaze. “That marking me would show others that I’m yours? That I belong to you in some way?” His hands tighten in your hips pleasantly, and you shuffle a little more forward into the V of his open thighs. Donghyeok smiles up at you, saying, “Baby, you’re mine. And you have been since the night we met, since I put my mark on your shoulder. It’s only fair that you put a claim on me too. Do your worst.”

Challenge burns in his red eyes, and heat flows through you, rivers of fire that all lead to one point, settling low in your belly — a pool of burning need that you’ve never felt with anyone else before.

With your fingers still in Donghyeok’s hair, you tip his head back. His lips pull into a wider grin, a soft sound of amusement, and then, “I forgot, baby, you’re a virgin. Are you intimidated by the thought of marking me?”

“No,” you groan. “Shut up.”

You push Donghyeok’s shoulders, and he flops onto his back in your bed.

God, he just looks like a guy, any normal guy that you might have found and invited back to your bed. And you’ve had a man in your bed before. You’ve had make out sessions, had heated heavy petting that never led anywhere. You’ve had hickeys, and given out your fair share of them too.

But Donghyeok is Donghyeok. There’s definitely something intimidating about the confident way he’s looking at you, the sexy look in his eye as he watches you — not just a look that says that he knows he’s sexy, but even more arousing is that the look in his eyes tells you that he finds you incredibly sexy.

You sink onto your bed on your knees, straddling the demon’s lap. Donghyeok lifts his hands up, interlacing his fingers behind his head as he watches you, and the expression on his face is just stoking that fire inside of you.

“Can you sit up?” You ask. “Take your jacket off?”

“Mm,” Donghyeok hums. “I like when you tell me what to do.”

Your belly swoops, and his grin widens.

He sits up, and you find his smile just inches in front of you. He shrugs out of his jacket, pushing it off the bed, and then he’s sitting here beneath you in a plain white tee, the denim of his jeans rubs against your thighs. And he’s right here. Right here. Lips just in front of you, and your hands drift back to touch him, to feel the warmth and breadth of his shoulders, and then your thumbs are sweeping in to trace over his Adam’s apple, which bobs when he swallows and breathes in sharply. Your fingers slide around to the nape of his neck, just pushing into his hair, and Donghyeok makes a noise so quiet yet so filled with desire.

You’ve been sitting here watching the path of your hands, but now you look at his lips so full and moist in front of you. And then you look just a bit higher to his eyes.

Perhaps the demonic bloody red of them should scare you, but they don’t. They stare into yours and you can’t bring yourself to give a damn about the fact that Donghyeok is a demon and not just a man.

That doesn’t matter to you one bit when you finally press your lips to his.

Donghyeok immediately kisses you back, opening up to your kiss, but he lets you take the lead, lets you do what you want with him. He moans when you push your hands higher into his hair at the back of his head, moans when you suck on his tongue, moans when you press your chest against his.

You moan when his hands finally find your hips again. Donghyeok drags your hips across the front of his pants, and you break the kiss to let out a shuddery moan.

“Okay?” He murmurs, lips falling down to your jaw, leaving butterfly kisses along the underside.

“Yes,” you sigh, “Do it again.”

Donghyeok drags you over his crotch again, rolling his hips up too, and you can feel him then, his erection beginning to press against the front of his jeans. He does it again and again, and after a few moments, you pick up the rhythm, taking over as you simulate riding him, and you bring his mouth back onto yours.

Again, Donghyeok is happy to let you lead, to control what’s happening.

He just touches you without pushing you, kisses you at the pace you set, although that doesn’t mean he’s a passive participant in all of this. He’s reacting and vocal, occasionally nipping at your bottom lip, occasionally bucking his hips out of rhythm with your moves. It’s like he’s giving you little peeks into his desire for you, moments when his cool demon facade slips.

Donghyeok moans when you leave his mouth behind to instead kiss his neck. His hands come to rest on your ass while you keep rolling and grinding down on his straining erection, and you’re feeling the tightening in your belly, you know if you don’t stop soon you’re going to cum like this. But it wouldn’t be the first time. You’ve had boyfriends and casual relationships before that respected your virginity, that had been content with things like this, found it hot to cum when fully clothed.

Donghyeok seems to be in the same mindset.

His golden skin beneath your lips is hot, and he moans your name again and again, rolling his hips up to meet each downward push of yours. You rock your hips more frantically, losing control as your orgasm rises. You bite at his throat as you cum, and Donghyeok’s hands on your ass keep you moving, keeping up with the push and pull of your pussy grinding over his erection.

Your body is still tingling as you roll off of him, as you lie down in your bed and pull him over you. “More,” you demand, “I want more.”

“Are you sure?” The demon above you asks.

You crave more from him. Donghyeok has you hotter than any man ever has before.

He kisses you without warning, jolting forward and sweeping you into a dramatic, hungry kiss. You want him, and you pour that desire into the kiss, impatient and horny for him to give you more.

You don’t wait for Donghyeok to start undressing you, you reach down and unfasten your shorts, maneuvering them off your hips and down your legs. The shirt’s a bit more difficult to rid yourself of, but Donghyeok obligingly breaks the kiss to let you pull it over your head, and while you’re in this position with space between you, you reach for the hem of his shirt.

“Can I?” You ask, tucking your fingers beneath the hem. “I want to have all of you.”

Donghyeok’s eyes flash flaming red. His voice is rough with emotion when he says simply, “Yes.”

You drag his shirt over his head without another moment wasted. And then your hands are back in his hair, stroking the curve of his horns as Donghyeok crushes his mouth to yours again.

Donghyeok grinds against your thigh while the two of you make out, and you have to pull one of your hands from his hair, seeking out one of his hands to pull down between your legs.

You’ve been touched like this before too. Over the panties, an ex rubbing your clit and stroking along your slit with the thin fabric between you and him. You’d managed a weak, unsatisfactory orgasm from it after a drawn out attempt, and decided to end things with him a few days later citing that you just didn’t feel the chemistry.

But presently, the moment Donghyeok’s fingers make contact with your clit over your panties, your brain is buzzing. Every nerve ending in your body is alert.

Donghyeok kisses you through every gasp and sigh. He smiles when you whine and buck your hips, when you circle your hips and grab at his wrist to guide his fingers towards your wet entrance, to the spot where your panties are absolutely soaked through. He kisses the corner of your mouth, and teases, “Do you want me to continue?”

You push away your panties, almost tearing them in your rush to be rid of them.

This much you’ve never done before. Never done penetration even with a man’s fingers.

Whether Donghyeok can read that in you, or if he sees the slight anxious anticipation in your gaze, he tenderly kisses your lips, sufficiently distracting you as he slicks his fingers against your bare pussy. This is a first for you too. Bare fingers and bare pussy, slick wetness making the glide so much easier and more pleasant.

Donghyeok kisses you and touches you until you’re whimpering, reaching for his wrist. “Inside me, put them inside me,” you beg, urging his hand lower.

It doesn’t make sense for a demon to be so gentle, but he is. Donghyeok eases first a single finger inside you, then another. He leaves your lips to kiss down your throat and chest, kissing lower and lower, drawing down your body until his mouth is right there and he licks your clit.

You’re not sure if it’s just the experience of oral sex or if it’s because it’s Donghyeok, but your entire body lights up as he licks your clit, as he thrusts his fingers into you again. He takes his time with you, filling you with his fingers, curling them inside you and brushing a spot that makes you gasp, body jerking at the incredible sensation.

Donghyeok laughs, delighted by how you’re reacting. He kisses your hips and your belly, slowly works his way back up, and you swear it feels like he kisses every part of you. His fingers press inside your pussy, slow thrusts until you’re begging for more, raking your fingers through his hair while he’s kissing your belly. Your fingers find his horns, and you use them like handles to guide his head back down.

He’s laughing still, thoroughly enjoying you taking control, guiding him to where you want him.

You arch your back, rolling your hips down against his face as Donghyeok sucks your clit between his lips, his fingers suddenly fucking into you at a faster speed, skilled at touching you exactly right.

A second orgasm sweeps through you, and you ride it out on his face and fingers.

When you push at Donghyeok’s devil horns, he backs off, kneeling up between your legs, and he gazes down at you while he licks his lips, and brings his fingers up to his mouth. You can’t look away, completely enraptured as he licks between his fingers, as he sucks them into his mouth. His eyes are hot, raking over your body.

You want him bad.

“Why are you looking at me like that?” Donghyeok asks, pulling his fingers out of his mouth. His hand drifts down to the front of his pants, and you watch him give himself a squeeze. “Looking like you want to eat me, baby.”

You want to take a bite out of him. Well, you at least can’t fight the urge to bite him, to leave the imprint of your teeth in the curve of his shoulder, to bite his neck again since he’d seemed to like that earlier. You don’t want to eat him, but you sure want to take all of him, to have this devil inside you.

Donghyeok slides the heel of his palm along his clothed erection, and you decide right then in that moment that you’ve had enough of waiting.

“I’m ready,” you tell him.

Donghyeok blinks, and again he looks more human than demon. “Ready? Like for… for sex?”

You nod.

“You want to lose your virginity with me?” Donghyeok clarifies. You nod, but that’s still not enough for him. “I need to hear you say it.”

“Donghyeok, please will you have sex with me. I’m ready to let go of the idea of my virginity. I’m ready to have sex, and I want it to be with you.” Can you be more clear?

Yes, you’ve waited a long time for this. You’ve picked and chosen, selecting this actual demon over some normal men. But despite Donghyeok’s demonhood, he’s treated you better and been more considerate than any of the men you’ve come close to considering doing this with before. You’ve just been waiting for the right man to come along, and the right man in this case just happens to be a horny, red-eyed demon.

Donghyeok kisses you once again, and then he waits, holding just above you until you reach up and pull him back in. He’s smiling when you kiss him, and again, he lets you take over, lets you touch him and do what you want. So when you run your hands along his ribs, when your fingertips reach the waistband of his jeans, Donghyeok just moans happily.

His hands join yours in the effort to push his pants down, and the demon above you laughs delightfully, kissing you thoroughly making you forget the slight nerves you feel at the prospect of finally doing this, finally having sex, instead you’re just excited, just laughing and moaning along with him.

As soon as Donghyeok’s pants are slid down and kicked off, you reach for his dick, touching him the way an ex-boyfriend of yours had liked. He’d always told you to make it all about him, taught you to do things the way that he liked.

“Wait,” Donghyeok says, “You don’t have to do all that. I’m already worked up for you, baby. You may think being a demon comes with supernatural endurance or something, but in this I’m no better than a human man. You’re gorgeous, and that makes me want to just…” He cuts himself off by kissing you, but you think you get what he means.

He finds you beautiful, and not only that, but beautiful enough that he feels at risk of cumming too fast if you keep touching him before he’s inside you.

“Then fuck me.” You whisper the words to his lips. “Take me as a virgin sacrifice, Donghyeok. Like I was meant to be.”

Donghyeok scoffs, kissing you again and then he’s moving. His hand brushes yours away from his dick, and he rolls his hips forward, pressing the tip against your entrance without actually entering you.

“Are you sure?”

“I find it beyond charming that you’re a polite, gentlemanly chaos demon, Donghyeok. Yes, I’m sure.” You shift your hips, circling them down, and Donghyeok’s dick sinks in.

He keeps going, pressing in deeper. He’s watching your face, and you hold his gaze while you adjust to the full feeling, the different feeling of having something this thick and deep inside you. Not a bad feeling, just a different kind.

“Don’t stop!” You gasp when Donghyeok just goes still inside you.

He holds himself above you, just looking down at you with this expression and all of these emotions in his red eyes.

“Why are you looking at me like that?” You ask, lifting a hand up to cover his eyes, but it does nothing to block his radiant smile. “Are you gonna move or just dock yourself in me?”

Donghyeok laughs again, and you’re quickly realizing that’s your favorite sound. “Maybe I’m taking in your virgin sacrifice,” he teases, “Doing my demon thing.”

“Right, sure. But can you hurry up with your demon thing?” You move your hand from his eyes, pushing your fingers into his hair to find his horns again. Donghyeok shudders with pleasure as you stroke your fingers over the ridges on one horn and then the other. “You’re not acting very demonic, you know. Treating me all gently and tenderly.”

“Oh, I’m sorry. You’d rather I bend you into strange shapes and fuck you hard and rough for your first time?” Donghyeok pulls his hips back and pushes back in roughly. It stings a bit, but you don’t mind all that much. And then he does it again. “Like this?”

“Sure,” you whimper, “Fuck me like you’ve done to all the other girls you’ve ever fucked.”

Donghyeok simply kisses you, getting you to melt beneath his lips, and then he moves again, thrusting into you. You gasp into the kiss, and Donghyeok takes advantage of that to deepen the kiss, making out with you as he fucks you, his dick reaching places that you didn’t even realize existed. He’s got your legs spread wide, his hips crashing against you repeatedly, drawing pretty moans from you with each thrust against your sweet spot.

And once you get used to this new sensation of having a dick inside you, you really enjoy it. Donghyeok’s tongue being down your throat helps a bit too, his skill with kissing is definitely distracting you from the less pleasant sensations.

Your whole body tingles each time that Donghyeok buries himself to the hilt in you. He grinds forward, stimulating your clit, externally and internally. He touches your boobs, but that doesn’t do a whole lot for you. You keep your hands in his hair, on his horns, and that seems to drive him mad with lust; each time you’ve got your fingers on his black devil horns, Donghyeok jerks, fucking into you a little harder, a little out of control.

It’s one of those times that you’ve got a hand curled around one of his horns, your other hand cradling the back of his neck as Donghyeok kisses your collarbones, that he moans so beautifully for you. “Fuck,” he moans, “I want to give you everything, baby. Everything I’ve got, all for you.”

You want it, whatever that means. Whatever Donghyeok has, you’ll take it.

A moment later, he cums, heat flooding your belly, sticky and slick as he pulls out, streaking it across your inner thighs and your pussy.

“Everything, baby,” he murmurs, kissing along your collarbone to your right shoulder. He rolls his hips forward, filling you with his dick once more right as he kisses the sunflower mark he gave you that first night.

Fire ignited throughout your body, pleasure and desire tangling together, ramping up higher and higher. Your climax tears through you like a wildfire, and Donghyeok fucks you through it, hips driving against yours; his teeth dig against your shoulder, his tongue following to soothe the bitemark. You can only hold onto him, hold tighter, keep moving your body with his to keep the waves of pleasure coming.

Even once you’re coming down from your orgasm, your whole body is still tingling and warm. Donghyeok is all but stuck to you, both of you are all sweaty so your skin sticks together. His lips press to the sunflower mark he left on you, his hands slide against your ribs, leaving a hot tingle deep under your skin, and you have a feeling he’s leaving another mark, another claim or protection.

You can’t get a good look at the marks he’s left on you, but you can feel them all – the warmth of the sunflower on your shoulder, which you’re pretty sure looks a bit more yellow in the petals now than it did earlier; there are the hickeys and bitemarks Donghyeok left on you; now these new marks on your ribs, which look like a swirl of small inky spots that are resolving into anything familiar, and on the other side you swear it’s a fine-line rendition of the sun.

You wish you could do the same and leave a mark on him, more than the sparse hickeys you left on his throat earlier.

For right now, you settle for just holding him. You wrap your arms around him, and Donghyeok tucks his face into your shoulder, moaning softly as he rolls onto his side, bringing you with him. Your legs are still tangled, bodies pressed together, his dick still inside you though he’s gone soft.

“Call me crazy,” Donghyeok whispers to you, “I know we’ve only met twice before tonight, but I feel like we have a really good connection. I like you.”

Your heart races at the confession. “I like you too.”

You feel his lips curve into a smile against your skin. “Good. I’d hate for you to have just given up your virginity on a guy you don’t even like. A demon, at that.”

“It doesn’t bother me that you’re a demon yknow. You’re more decent than most of the guys I’ve known.” You trace your fingers down Donghyeok’s back, feeling two long angled scars by his shoulder blades, like that’s where his wings come and go from. “If anything, I don’t understand why a demon is interested in me.”

Donghyeok lifts his head, and he looks you in the eye as he says, “I told you earlier. You’re gorgeous, and the moment that asshole tried to sacrifice you to me, I caught a glimpse of your soul. You’re a pure soul, so utterly good that it pains me to look at you with all the layers peeled back, but not in a bad way. It hurts me the way it hurts to look at something you aspire toward; looking at you is like looking at the stars and knowing that you’ll never be able to hold one in your hand.”

But his hands are on you now.

His fingers trace over your ribs, and you can tell by the tingle now that he’s definitely left a new mark on you.

You take up his hand, pulling it up to your lips, and you place a kiss in the center of his palm. And when you look at his face, you see right there on his cheek that maybe. He’s closer to holding the stars than he thinks. You trace the constellation of moles on his cheek and down his throat, so similar to one that you see in the night sky.

Donghyeok leans his cheek into your hand, and he holds you a little closer. He presses his forehead to yours.

The candles behind you on the floor have burned down to nothing but puddles of cooling wax. The herbs and crystals and chalk symbols can be picked up and wiped away in the morning. But for tonight, you hold a demon in your arms, completely at ease in his warm embrace.

a/n: I'm sorry for the long wait on this one! Day 9 is finally being posted on Day 11, which has definitely put me behind, and is making me reconsider my decision to do this for this month. But I really liked writing this one! I've been very Haechan-biased since The Dream Show 3, so I needed to write this tbh.

If you notice any errors or if you feel I should include some more tags/content warnings, please let me know!

I hope you enjoyed! Reblogs are deserving of my eternal gratitude, likes are greatly appreciated, and your thoughts and comments are always welcome !

#haechan #haechan smut #nct dream #nct dream smut #nct smut #nct #nct 127 #nct 127 smut

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adozen · 2 months ago

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Person that asked this here- thank you so much for taking the time to answer my question! I wanted to add a lot more to my question but it was already a bit long and a bit late when I sent it ^^;. Genuinely surprised at the length of this but it makes me really happy!

One thing I actually wanted to add about something you said: “Aventurine is perfectly capable of respecting and caring for others, but virtually incapable of accepting other people genuinely respecting and caring for him.” I’d like to say that I believe this is shown really well with Topaz.

In the CN version of Topaz’s call where you first hear Aventurine he sounds more genuine and says he was just checking in on her because he was concerned (I had a source where a chinese player was asked about the line but I believe their twitter was deleted since I can no longer find it, so I understand if this is taken with a grain of salt.) as well as having two different times where he says that he advises her not to be too kind-hearted because it’ll only make things harder for her.

Yet despite being shown to be trying to look out for Topaz she has a line about him being hard to work with, as well as two occurrences where she finds his presence annoying. He puts up a wall of being dangerous and unpredictable to keep people from getting close, even people he cares about, which I do think he cares a bit about Topaz since she's a new Stoneheart who also had troubles growing up on a tough planet, I think he can relate to her in that sense.

And I wanted to transition to the character voice lines you mentioned, not only is Aventurine the only one mentioned outside of the Genius Society, but even just the only person mentioned in groups he clearly knows about? There’s no doubt that Ratio doesn’t know about the other Stonehearts, especially the ones that even collaborated with Aventurine’s plan, yet only Aventurine?

And on Ratio’s side, Aventurine is the ONLY one who has voice lines about Ratio, not any of the Genius Society playable characters, not any of the other currently available characters. Ruan Mei, who came out at the same time, has 3 characters mention her in their voice lines. Sparkle, who’s said many times that it's more fun to be backstage than the focus, is mentioned more times than Ratio.

If Sparkle works backstage, then Ratio works in the back of back stages, yet Aventurine is the only one who sees him there. Just can’t help but feel like this adds to position of Ratio being isolated but somehow being able to connect with someone else, Aventurine, who feels alone too.

Also, I did want to comment on what you said about Ratio’s voice lines about the Genius Society, I don’t understand where the “vague implications of being a tyrant” is in his voice line? Ratio’s line from the recent update, he says that Screwllum's king qualities make him more open compared to the rest of the Genius Society, which implies the opposite.

I also feel like his comment on Ruan Mei was meant to be a compliment but I think its a bit more subjective than the voice line about Screwllum.

A Look at Ratio and Aventurine... and Ratio/Aventurine

I was morally obligated to use this picture.

Anyway, I got an ask about my understanding of Ratio and Aventurine's relationship both in canon and as a ship that I have been holding on to for a while now because... phew, there's like... a lot to talk about there... But I felt I should at least give it a try, so here is my attempt to comment on the intersection of two of Star Rail's most complicated personalities. Long post is longgggg; you have been warned.

First, Aventurine's canon relationship to Ratio:

In the interest of not hitting tumblr's image limit, let's just throw out some of the information we have in one go:

It's pretty complimentary. (Yet somehow...)

The implication of the infamous "Keeping Up with Star Rail" video is that Ratio understands Aventurine better than anyone else, and Aventurine knows this. At the very least, putting all shipping aside, Ratio is the person who can explain Aventurine's behaviors best. He's the person Aventurine chooses do so. This suggests significantly more knowledge of each other's lives than the game first led us to believe.

Other people (read as: my GOAT Owlbert) perceive respect from Aventurine to Ratio, and although I read them as a bit sarcastic, the 2.1 mission logs not only repeatedly confirm that Aventurine views Ratio as smart and reliable, but that Ratio is reliable "as always," again indicating a longer and closer history of collaboration than we get to actively see in game. The devs were working hard to tell us "Penacony isn't Ratiorine's first rodeo," which is interesting--given Topaz's voiceline recommending the Trailblazer avoid working with Aventurine whenever possible, we're led to believe through 2.0 and 2.1 that not many people will willingly work with Aventurine more than once, let alone many times.

While going through psychological scrutiny from the Ghost of Christmas Yet to Come his Harmony-infused self, the "Future" Aventurine suggests that Ratio and Aventurine are quite similar, and that Aventurine puts a surprising amount of trust in Ratio, to be willing to hinge such a dangerous plan on something as untested as Ratio's ability to act. At the very least, Aventurine's own psyche is pondering on Ratio and whether or not their connection has any emotional meaning.

But despite all this evidence suggesting Ratio and Aventurine spend significantly more time with each other than we get to see in game, Aventurine's own thoughts cast strong doubt on whether he and Ratio are actually close.

Aventurine's "About Dr. Ratio" voice line suggests that Aventurine believes Ratio does not particularly like him. He seems to think that Ratio would prefer to stay away from IPC operations where possible, and it's "unfortunate" for Ratio to be stuck with Aventurine as a conversation partner. He's tolerated, rather than enjoyed. His overall impression seems to be that Ratio mostly views them as distant coworkers.

When the "Future" Aventurine suggests Ratio did not betray Aventurine willingly, actual Aventurine immediately pushes back:

(Personally I'm on the fence about whether this was real doubt or just a ploy to continue sussing out Sunday; see my other post about this scene for some more thoughts.)

But if we take this statement to be played straight, it implies that Aventurine doesn't fully believe Ratio will side with him, even (maybe especially) in dire circumstances. If this statement is real doubt, then despite considering Ratio the person who best understands him, despite building an entire life or death gamble around Ratio's loyalty... Aventurine still doesn't think Ratio even likes him.

Aventurine's not stupid or blind, so theoretically he should be able to read the situation better than that. But actually, there's plenty of evidence both in the game and outside it to suggest that Aventurine is not the most accurate judge of his own relationships to others and is a down-right terrible judge of his own worth as a person.

"Future" Aventurine suggests that one of Aventurine's deep inner flaws--the truths that he rejects about himself--is a massive inferiority complex. This is backed up well by the mission text, where Aventurine's thoughts about himself spiral into self-harm, and the scene in the maze, where "Future" Aventurine taunts our Aventurine with the unforgettable fact that his entire life was only worth pennies:

There's also pretty consistent self-deprecation, with both "Future" and real Aventurine noting several times that he's a pathetic mess of a person that other people don't trust or like.

The overall impression 2.0-2.1 left me with is that Aventurine is perfectly capable of respecting and caring for others, but virtually incapable of accepting other people genuinely respecting and caring for him.

Part of this seems to stem from the directly-stated sense that he's a failure whose only worth is in transactional exchanges, using and being used by others (there's so many layers to this--internalized racism even), but I also suspect that much of his inability to accept genuine connection from others is defensive behavior.

Aventurine's true self, Kakavasha, is deeply hidden away, like the ghost of the child that manifests from his Harmony delusion in the Dreamscape. Although Aventurine clings to that person, claiming that he has "never changed," he actively coats over his beliefs, his kindness, and his authenticity with the mask of a "cavalier gambler," with glitz and glamor and showy distractions. No one gets to see Kakavasha. No one gets to know him, because being buried deep in the dirt is the only way to remain untouchable, and fiercely keeping one's distance is the only safe bet. (For both Kakavasha and any fools who would doom themselves by daring to care for him.)

So: Canon is telling us that Ratio is one of, if not the, closest people in the world to Aventurine. But canon is also telling us that that still means absolutely nothing at all, because Aventurine won't let himself be close to anyone living.

Aventurine's senses of self-worth, trust, attachment, and safety have been warped so badly by ongoing and untreated trauma and mental health issues that, at least until the end of 2.1, I just don't think he was capable of even accepting genuine friendship from Ratio, let alone anything more.

(Interesting side note here: Ratio is actually one of the people Aventurine calls "my friend" the least. He only says it directly to Ratio a single time in all of their lines of dialogue across 2.0 and 2.1, and even then, does so only when right outside Sunday's door, while almost certainly being spied upon by the Family. Anyone who knows how often "my friend" is peppered into Aventurine's dialogue otherwise should know that the absence of the phrase is actually pretty telling. It almost feels like canon Aventurine's not even sure he can call Ratio his friend, at least to Ratio's face.)

Which makes Ratio's canon relationship to Aventurine quite sad and ironic:

From start to finish, Ratio canonically esteems Aventurine more highly than almost any other character in the game. I'm not even talking about shipping when I say that there is no character Ratio is closer to in the entire game.

At present, Ratio has only four voice lines about other characters, and of those four, Aventurine's is the only one that isn't someone from the Genius Society. The only one. Ratio's voice lines are also notably, uh, not very complimentary. Herta is "talented but not helpful to others" and "sees no one as her equal" (read as: she's self-absorbed). Screwllum is a "monarch, rather than a genius" (with the vague implications of being a tyrant), and Ruan Mei is overly ambitious and "fooling everyone."

Meanwhile, Aventurine is "our man" (who is "our" Ratio? who?) whose success "can't all be chalked up to luck," implying that part of Aventurine's success must come from skill. Ratio notes that Aventurine questions his own ability... but as far as Ratio's evaluation goes, he seems to doubt that Aventurine will ever experience a downfall. For someone who thinks 99% of the people he meets are mediocre failures scrambling around in the filth of existence, to be recognized as skilled and unlikely to fail is quite obviously glowing praise.

Then, of course, there are numerous moments that echo Aventurine's hints, implying that Ratio spends significantly more time with Aventurine than we see on-screen, that he knows Aventurine extremely well, and, although he tries (vainly) to pretend he isn't, he's clearly quite concerned with what Aventurine thinks of him.

Especially this last one. "No wonder that gambler likes you so much" is pretty intentional on the devs' part, confirming that Ratio and Aventurine are having off-screen conversations we players are not privy to, which obviously would indicate a closer relationship than the in-game cutscenes could cover.

Then, Trailblazer has the option to flat out ask Ratio to "rate" Aventurine. (Star Rail ship bait is not even subtle.)

At first, this line might read as all over the place:

"The bosses say we're partners but I wouldn't say that" -> Read as: Ratio wants people to know how their relationship is classified but doesn't want to admit to being actually invested.

"I see myself as the teacher to everyone I meet" -> Read as: Ratio at least pretends that he doesn't view anyone as his equal; everyone is either above him--geniuses--or below him--students.

"Aventurine is not that bad of a student" -> High praise; even Ratio can't pretend Aventurine's untalented.

"Actually, Aventurine's probably in metaphysical danger" -> Read as: Ratio is aware of the "void" Aventurine is experiencing and his mental struggles.

The ultimate takeaway of Ratio's "rating" actually says more about Ratio than Aventurine. When it comes down to it, Ratio's choice to answer this question for the Trailblazer instead of dismiss it tells us that Ratio has spent time quantifying and trying to define his relationship with Aventurine, is willing to at least discuss that relationship with other people (when we have no evidence he ever discusses any other personal/non-academic matters with anyone), and that Ratio pays attention to Aventurine's mental states.

Canon Ratio is not beating the allegations, I'm afraid.

But actually, I think the biggest tell about Ratio's canon relationship to Aventurine is that Ratio's behavior completely changes the moment Aventurine appears in the game.

In every single one of Ratio's other appearances, two facts are hammered home again and again:

First, Ratio hates interacting with fools and "noisy" people. He wears his plaster bust so that he doesn't even have to see them. Canonically, we're informed by both March 7th and Argenti that Ratio brought and was wearing his headpiece in Penacony. Curiously though...

The players never see it throughout 2.X--probably because 90% of Ratio's scenes are with Aventurine, and Ratio is never shown wearing his bust on screen with Aventurine--even in their very first meeting in the Final Victor lightcone. Aventurine clearly knows of the bust, but despite Ratio verbally going on and on about how Aventurine is the most "flashy" and "devoid of logic" person Ratio knows... the devs deliberately send their message: Ratio has chosen not to cut himself off from Aventurine.

Aventurine can be more "clamorous" than a screaming peacock, but Ratio will still not put up walls against him. This isn't accidental. The devs had every opportunity in the world to go the opposite route and make jokes about Ratio refusing to take the bust off in Aventurine's obnoxious presence; instead they decided that Ratio apparently has a glaring, Aventurine-shaped exception to his "I don't want to perceive you fools or be perceived by you" life rule.

This "willing to tolerate shenanigans only if Aventurine is involved" behavior continues basically throughout all of Penacony's plot. In 2.3 for example, if you turn around and talk to Ratio again on the Radiant Feldspar, he flat out says:

But there's no actual explanation for why he's there in the first place. He mentions he was assigned to watch over "the IPC's ambassadors," which theoretically should apply to Jade and Topaz, yet we never see him interacting with them in any capacity. He's never even shown in the same room as Jade or Topaz, and he's not shown doing any other form of business for the IPC on the Feldspar either. Theoretically, he could have been on the Feldspar to meet regarding the Divergent Universe... except Screwllum wasn't there yet, and Ratio doesn't mention a single word about the Divergent Universe to the Trailblazer.

The only person Ratio talks about in his dialogue on the Feldspar is Aventurine, and the only non-Trailblazer he talks to in 2.3 at all is also Aventurine, replying to him and only him in the group chat.

He looked like he might give it a shot to try to befriend Boothill and Argenti at the end of 2.3... but immediately changes his mind and leaves without saying a word to them.

It's not really a stretch to suggest that the only reasonable excuse for Ratio to attend the party on the Feldspar was if he was there for Aventurine, a behavior that he himself notes is out of character. ("A waste of time" he says, as he stands there anyway.)

But, second and even more importantly: Ratio's single most defining character trait is that he believes people need to pick themselves up. The entire point of his debut appearance in the game was to present his philosophy that if the powerful or privileged intervene to continually "save" the mediocre, ordinary people will never learn for themselves or get the chance to grow. It is in times of desperation, he says, that fools exceed their limits and reach greatness.

This is why, in 1.6, he insisted on Asta and the Trailblazer being the ones to solve the attacks happening on the space station, without relying on Screwllum or the other geniuses. Although Ratio did actively intervene a little (using the phase flame to save the researchers from death), he did so only from behind the scenes, where his actual help would not be noticed by those affected and where it had no impact on their decision-making or their struggles to solve the mystery.

He let Asta and the Trailblazer panic. He let them flounder. He even deliberately misled them at points, claiming that Duke Inferno must have kidnapped the researchers (when it was actually Ratio himself who re-routed them).

Ultimately, Ratio let Asta and the Trailblazer grow from their experiences.

This is also why he lets the Trailblazer go blazing in to fight Ruan Mei's faux emanator of the propagation, despite knowing that Trailblazer was not actually strong enough to win. Ratio watched and was ready to intervene... but in the end he did not, because it was the Trailblazer's fight to lose.

Ratio's most defining character trait is that he believes standing back and observing is the true kindness, rather than inserting oneself and denying people their autonomy or opportunities to grow.

Buttttt... then there's Aventurine, and suddenly the story is completely different.

Suddenly, Ratio isn't an observer but becomes essential to the plan. He's even walking around making big claims about being the manager of the task, flexing all of his C+ acting ability to actively carry out their mutual ploy.

In 2.3, he claims he was just there to watch, and his Penacony sticker asserts he's only "a supporting character"--yet we have never seen Ratio take a more active role in the entire game. Unlike with the Trailblazer in 1.6, he's not primarily watching events unfold from shadowy corners. He's in Penacony as Aventurine's active partner in crime.

And, even more telling--he later jeopardizes their entire mission just to ask if Aventurine needs help.

What? Huh? The character who is famous for the voice line "You look distressed. Is something troubling you? If so, you can figure it out for yourself" is suddenly offering his assistance entirely unprompted?

The guy whose motto might as well be:

Is suddenly out here throwing his own core philosophy out the window to solve Penacony's mystery for Aventurine and save him from himself in Aventurine's hour of greatest need?

A lot of people get hung up on the second half of Ratio's letter, the part about staying alive, which of course is very sweet. But I think the second half causes people to forget that the first part of Ratio's letter is, quite literally, the answer to Penacony's mystery.

Ratio gave Aventurine the answer.

This is like if your professor just gave you and you alone the score key to the final exam and then turned around to insist he "doesn't play favorites."

Of course, Aventurine is brilliant and didn't need Ratio's answer about dormancy, which makes the fact that Ratio went out of the way to give it to him even more odd. Ratio despises unnecessary repetition. If he wasn't dead worried, he would never have given Aventurine an answer that Aventurine had the power to find on his own.

And, as far as canon tells us, Ratio has never done this for anyone else.

The difference is night and day. It's literally the Gordon Ramsay meme, with everyone else in the entire game being the "fucking donkeys" to Aventurine's "Oh dear. Gorgeous."

So: Even if we entirely put aside shipping, if we look strictly at what we're given in canon:

Ratio treats Aventurine with more respect than he treats most other characters in the game.

He involves himself in Aventurine's struggles in a way that he flat out refuses to do for anyone else.

He compromises his own beliefs purely out of concern for Aventurine.

So, at least as far as we've been shown in canon, it is accurate to state that Aventurine is the closest character to Ratio--and unlike Aventurine (king of self-gaslighting), Ratio isn't even good at acting like he doesn't care.

Frankly, the whole thing is a little sad. Ratio's behavior is so blatantly out of character that a smart person like Aventurine should easily be able to determine it is genuine, but Aventurine's personal hang-ups and ongoing trauma make it difficult for him to even see that authenticity, let alone put faith in it. Even in canon, Ratio is mostly unable to help himself when it comes to Aventurine, which is especially unfortunate given how badly skewed Aventurine's perception of himself and others is by the start of Penacony's story.

PHEW! I finally made it through canon content!

Now there's just... everything else... 🫠

Well, to be honest, I don't think I could ever manage to put all my thoughts about this ship into one post. Probably not even fifty posts.

So rather than trying to say everything there is to say about Ratiorine, what I want to focus on is how fantastically these two characters just fit together. Like puzzle pieces that need to be mirror opposites in order to link, these two characters parallel each other while also perfectly filling in each other's voids. It's some of the best character pair writing I've seen in a long time (though I'm still sort of convinced it was at least 50% sheer luck on Hoyo's part), and my perspective on their ship can really be tied to my underlying perception of Ratio and Aventurine's characters as remarkably similar individuals:

It's obvious that Aventurine is not a healthy or well-adjusted adult man, but like... neither is Ratio.

Both of these characters are "not quite right" marginalized people who, at least in my interpretation, have essentially given up on even faking normality and are now just vaguely play acting their way through being functioning members of a universe that is entirely unequipped to accept them for who they are. In a world full of cyborg cowboys and people with wings growing from their heads, the game still manages to somehow convince us that Aventurine and Ratio are odd ones out.

Kakavasha can't even exist in the dystopian capitalist hellscape of the IPC's machinations. "Aventurine" isn't even a real person, just a never-ending performance, a slick, devil-may-care persona without a single ounce of substance.

Ratio, meanwhile, is a world of one, rejected from the only place he thought he could find validation and acceptance but unable to lower himself to fit in anywhere else.

Aventurine is so bad at making genuine connections that he turns everyday conversations into gambles because he doesn't believe people will care enough to keep talking to him without tangible incentive.

Ratio's insistence on treating everyone as students, not as equals, also means he has an excuse to never emotionally engage with anyone he meets. (This is not at all a textbook method of intentional avoidance to prevent any chance of social rejection. Not at all.)

At the end of the day, Aventurine and Ratio both come across as desperately lonely, and so caught up in their own situations that they really don't have the ability to climb out of that hole on their own.

Preventing them from even being able to maintain any form of relationship is also the fact that neither one of them can even find justification. Neither one of them has a reasonable answer to the question "Why am I alive?" anymore, because Aventurine's reason died on Sigonia and Ratio's reason died with an IPC invitation instead of a Genius Society letter. Though their differing perspectives have led them on opposite paths pursuing their own answers to that ultimate question of "Why should I keep living?" (Aventurine was headed toward giving up before the end of Penacony, while Ratio has invented an immeasurable, impossible goal to distract himself from feeling purposeless), both of them are pretty much miserably unfulfilled in their current lives.

They're also both violently allergic to emotional vulnerability and to having any of their flaws or true desires actually be perceived. Both of them put up insanely high walls. Aventurine pushes boundaries with everyone he meets to provoke their hatred in advance, before they can come to disdain him for his "real" flaws. He acts out harmful racist stereotypes to use others' preconceptions for advantage, manipulating every situation he's in--incidentally affirming the stereotypes against his people by doing so.

Ratio puts a physical wall of plaster between himself and others, but the plaster bust actually doesn't have anything on the mental and emotional gymnastics he's engaged in to justify his isolation from the world, doing everything in his power to convince himself that he's isolated by choice, that it's perfectly logical for Veritas Ratio to have nowhere to truly belong, no one to truly belong with. He's so mundane after all. Of course the geniuses don't want him, that's just commonsense. But everyone else is so... different, so foolish, so illogical... It just wouldn't be reasonable of him to try to become one of them either, to be their friend instead of their distant educator. (You know, if you never try to integrate with others, then they can't reject you. Ratio has learned his lesson.)

Somehow, Aventurine and Ratio are two of the most competent and successful people in Star Rail's entire universe and simultaneously also two of the most misfit, reject, dysfunctional messes in the game. Like... Blade has a better support network than Aventurine and Ratio combined. The 7000-pound murderous mech with a disabled, genetically-modified war veteran who never got to live a normal human life hiding inside it is more capable of making friends than Aventurine and Dr. Ratio.

Which is why I love that the devs decided to make their canon backstory: "Some absolute treasures in the IPC and the Intelligentsia Guild had the galaxy-brained idea of pairing Ratio and Aventurine as strategic partners." The game's writing really said: "These two characters are so socially stunted, they have to be assigned a relationship like it's homework."

They may not have it all figured out yet, but the fans see the design: Now that Ratio and Aventurine have each other, they're not alone anymore. I have never seen two characters better fit the "Is anyone going to match my freak?" meme only for the actual answer to be "Yes."

Ratio is "plays chess with himself" levels of loner weird? No problem--Aventurine is "Wanna take bets on who's going to die today?" weirder. Ratio wears a plaster bust to ward off idiots? Aventurine transforms into a monster on command, which is pretty much guaranteed to achieve the same effect.

Ratio wasn't chosen by Nous? That's fine, Aventurine's one job as a "chosen one" was to save his people and now they're all dead. Nobody can keep up with Ratio in conversation? Watch a single comment from Aventurine turn him into a fumbling mess on live television.

Ratio's inability to relate to the experiences and development of any peers his own age have left him extremely isolated and with a permanently scarred sense of self-worth? Wow, I wonder if Aventurine knows exactly what that feels like.

They just... fit.

And, changing focus a little here at the end: While I personally think that recovery from trauma requires internal motivation and self-kindness foremost, I also think that Ratio and Aventurine's relationship should be considered from the perspective of how they help to fill each other's gaps.

Unlike any connection at the Genius Society who will always evoke unpleasant memories of Nous's rejection, Aventurine isn't going to make Ratio feel intellectually inferior. Aventurine has nothing but good things to say about Ratio's intelligence, and it's even apparent that Ratio felt comfortable enough to at least mention his Genius Society woes to Aventurine, something he explicitly does not do with anyone else.

Even when it comes to social interactions, Aventurine isn't going to make Ratio feel inadequate, because honestly? Aventurine's almost as bad at them as Ratio. Aventurine is much better at faking it socially, but when it actually counts? When he's trying to be real with others? A solid 70% of the people who meet Aventurine still end up wanting to strangle him. The guy tried to apologize for threatening to detonate the Trailblazer like a bomb by buying them a model train...

Then there's this:

Aventurine is the only character explicitly called Ratio's equal in game, and more than just treating him respectfully as an equal, Aventurine also exhibits one extreme appeal that no one else in game has ever shown to Ratio: Aventurine makes Ratio feel needed. For Aventurine, Ratio is not a forgettable after-thought as he is to Herta and most of the other geniuses. He's not just "some weird guy who scolds me about school" like he is to the Trailblazer. Ratio's intellect and skill were integral to Aventurine's plan from step one to the very end. Ratio has a place in Aventurine's plots. For a character who directly assesses worth by how beneficial a person can be to others, the fact that Aventurine can make Ratio feel wanted and valued probably produced some of the strongest personal fulfillment Ratio has had in years.

On the opposite side, Ratio's in a unique position. Out of every relevant character in Aventurine's story, Ratio is the only one who has nothing to lose by choosing Kakavasha over "Aventurine." Ratio doesn't profit off Aventurine or take any expensive gifts from him, like the Trailblazer does. He doesn't need Aventurine's luck for anything at all. He'd be able to work for the IPC even if Aventurine wasn't in it. Ratio certainly doesn't want the glitz and glamour of a shallow gambling hustler persona. His work doesn't require Aventurine's continued involvement like Topaz's and Jade's does. He'd probably prefer not to know any Stonehearts at all, thank you for asking.

Outside of deliberate-acting insults about Sigonians for Sunday's sake, we're not told that Ratio has any connections to--and therefore has no preconceived biases against--Sigonians. Being a person who values self-determination and a refusal to live in mediocrity above all else, he would have nothing but esteem for how far Aventurine has managed to come despite the harsh circumstances of his life. Ratio probably wouldn't even think Aventurine's belief in Gaiathra is that strange; one of Ratio's doctorates is actually in theology.

Unlike literally everyone else in the universe who needs "Aventurine," we have every indication that Ratio's respect and admiration will only grow when he finally gets to meet "Kakavasha."

Loneliness, rejection, betrayal, a lack of understanding from others--all of these can leave wounds that only genuine, deep bonds with others can heal.

On death's doorway, in the darkest shadow, when Aventurine had to make the choice between passing on to be with the family that loved him and choosing to return to a reality without them... Ratio's letter was there, telling Aventurine the exact thing he needed to hear to choose life: Someone is waiting for you to come home.

If the resounding rejection of Star Rail's Nihility is belief in humanity's power to make meaning in our own lives through our connections to others, then the ultimate message of Ratio and Aventurine's arc in Penacony is that no one needs to be alone. The world is not as empty as you fear.

And that is a message that Ratio and Aventurine can learn best through each other.

(I just... love them so much...)

#your analysis are always a pleasure to read #and about the “aventurine” being a product of the harmony #i dont have very much to say because i absolutely think #it can be interpreted as aventurine being on the defense against sunday #but to me i feel like the purpose of “aventurine” was to give the player answers #“aventurine” asks questions because aventurine gives answers that the player doesn't know relating to his plans or past #the purpose of that segment of the game was to give information so I believe that a majority of what was said was truthful #and I feel like this was the best way hoyo could present the information #a flashback might push ratio to having a more focused center role #which would be avoided because they seem to be deliberately pushing him to the side #and i dont think having aventurine talking in his head would really give as many answers as “aventurine”'s questions do #writing this at 3 am i apologize if its garbled #i mentioned the topaz part with the intent of it not being shipping related by the way.

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