#This is it from the top of my head

[qcomicsy]

I have loved reading your comic live blogs and your opinions on characters. Do you have any comic runs that you would recommend for DC or Marvel?

Aw that's so sweet thank you! ♡

And yes I do have! Let's Dive.

Disclaimer: This list doesn't have a particular timeline nor is character driven. It's general runs I had a good time reading it or I find it particularly interesting.

DC

Batman and Associates

Serious Runs.

Prodigal

An old run I cannot recommend enough.

Prodigal is one of the runs entangled with Knightfall¹. It follows Bruce, after being seriously hurt by Bane, Dick and Tim trying to adapt to a new dynamic where Dick fills in as Batman for the first time and Tim works with him as his Robin.

It is interesting because it flips their dynamics for the first time in a long while and has a realistic take on how this affects their psychs but without getting much edgy or losing more light aspects comics used to have. Like the villain of the week and the back and forth where Batman characters thrive when written well.

It's good read if you:

Want to understand Dick Grayson's as character better.

Want to understand Dick's relationship with Bruce/Batman and Tim better.

Want to dive in on the relationship Dick has with the Batman mantle and how evolved over the years.

Like the more easy going aspects of the batfamily with getting too fannon.

Knightfall¹

Another old comic. I don't think you have to read Knightfell to understand prodigal. But I think it helps.

Knightfell is more an event than a comic run, but damn right is worth it.

All you need to know is that Bane hurts Bruce in a way he has to step back from being Batman for a long while, to a point that Bruce considers seriously stepping away from being the Batman all together, and passing the mantle down for other people. It explores how this affects Gotham City, Bruce's personal life and mental health, his loved one's lives and mental health and it has long term consequences in his comic book history.

It's a comic run that can be very overwhelming to read. There's a lot of comics related to it in different places so I'd recommend using a guide.

You don't have to read all of these comics to have the general idea of it. I didn't. Take your time.

It's a good read because:

In my personal opinion shows the exact moment where Bruce actually starts to break down to the character we have today. And this time without going back.

Shows how heroes work can take a tool not only on an emotional and mental aspect but also psychical.

Has a good balance between tragedy and hope that really ties in together. A rare thing in comics these days, respect the characters in their core. Even the ones you aren't supposed to like. Very. Very well written.

Jason's Robin Run.

A controversial comic run and comic era.

Jason's Robin Run is an interesting run, either loved or hated by people since 1983. And if you're a Jason fan I cannot recommend you enough.

The interesting aspect of Jason's Robin run is that the writing of it transcends time and even writers'intent. Where some of them didn't even like the idea of Robin. And yet wrote one of the best poetic ironies that DC Batman's could ever have.

At its worst the writing is classicists and pessimistic. And at it's best turning of your critical thinking is cozy and heart wrecking. It follows Jason's early days from the roots of his character until his downfall.

And I have an unpopular opinion of it.

Personally I think it's a good case study of how DC treats characters who come from lower class and abusive families. It also opens a discussion about how characters that aren't the perfect victim archetype are treated and written, Bruce's different attempts at raising his children and the influence of Mafia Movies from the 80's in western comics. I argue it's absolutely required reading to understand Jason Todd's character and how he works as a person even before the major trauma that changed his life forever.

It's good read if you:

Want to understand Jason's Robin better.

Want to understand Jason's character better.

Want to write Jason Todd, especially as a Robin.

Like Mafia centered stories and not much of large big bad villains.

Likes Bruce as a Good Dad. Or generally Likeable.

Robin War.

Good political commentary. Great Characters. Duke's introduction. Batfamily Shenanigans.

I will always recommend Robin War. It was recommended to me waaay back when I was starting to write the Batkids Podcast (bless you Gotham War anon!). And it's been an all time favorite to me since then.

Robin war is one of the few comics that approaches how Heroes could work as an icon that inspires change not only to individuals but also to social movements and how the youth tend to be on the front lines of change.

It's Duke's major introduction to Batman comics and the kid absolutely nails it. His relationship with Damian is adorable and interesting, so much they deserve more comics together. There are also good moments between the batfamily (Tim, Duke, Damian and Jason) and it tips their toes on how the Government tends to react to political movements from the people in an insightful way I was missing in the comics for a while.

It's a good read if you:

Like political commentary.

Want to understand Duke's character better.

Likes the Batfamily being silly and insufferable.

Want to Write Duke and Damian better.

Red Robin

So good everyone still misses more than ten years from now.

To be honest I don't recommend Red Robin if you're starting to read Tim character. I feel like a lot of people start with Red Robin gets frustrated with his character believe this is how Tim behaves in all times.

And this happens because... Tim is not like that. At least not normally. Red Robin exists after a major trauma that surrounds all the members of the batfamily and even more traumas that surround Tim's life. He had broken up with Steph, His best friend was Dead, Everyone thought Bruce was dead too.

Almost every role of the Batfamily changed at the time, Dick was Batman (not from his volution this time), Damian was Robin, Bruce wasn't there. So it's good to be aware that every character action in this comic will happen in reaction to that.

If you want to understand Tim or learn more about him as a character I recommend you Young Justice early runs or Robin (1993) mind you I am not well read on Tim's cannon.

Disclaimer off? Good because Red Robin is one of the funniest tragedies I ever read. And it's fucking amazing. It has everything. Action, Romantic Drama with Steph (a bit of bitter exes-kind-of-back-and-off-again-thing, Tim being a little shit that bullshits his way out of the most crazy situations he was putting in my himself or other enviroments, Drama, Angst. It's just... genuinely so good. Well written. Oh how we miss well written comics.

Also Tim's narration is so unabashedly funny I kind of wished he had an animated series of this comic except almost like fleabag style.

Fun and Easy reads.

📕 Harley Quinn 52. - One of the few good things to get off from 52. Also one of the first comics that explores Harley as a full fledged character with wants and dreams and aspirations. And the first comics to explore her bisexuality and friendship with Harley into the way we have today. Not all jokes land and honestly most of them aged pretty poorly so I'd read with a grain of salt.

📕 RHATO Rebirth¹. - It's an okay comic, good for a good time, but very hard if you like Bruce or rather him being a better father for Jason. It's a bit ooc, also Jason works too much with luck and plot armor. If you just want to read things without strings and like a more gentle Jason it might be the read for you.

Yet.

¹I don't recommend Red Hood and The Outlaws if you like Roy. Don't recommend if you want to understand Roy. Hell, Don't recommend it if you want to understand Jason.

If you want to understand Jason, write Jason and start to read (In a more serious way) his comics I recommend: Under the Red Hood + Red Hood: The Lost days.

📕 Harley Quinn Road Trip Special - Good if you like the Gotham sirens. Very easy read, unfortunately it's also written by a guy who has no idea how gal pal trips works but really really wants to and his reference was the kind of fantasy you find on AO3 at 3 am. Not much explicit though and I am pretty sure it doesn't pass the Bechdel test. But if you ignore the lack of understanding on how women and women friendships work you can have a good time.

Superman.

I love Superman he and I go way back, though I take easy reading his comics, my love for him comes from many places, and a couple of comics are there too.

Superman All Stars.

Beautiful. Beautiful comic. Changed the way I looked to life. Changed the way I used to see him. Changed the way I saw myself too.

I believe this is the kind of comic the less you know about it the more impact you. So it has no explanation here. Nothing other than it's like falling in love with him and meeting an old friend. Like late conversations on a sleep over. Like looking at Clark and Superman as a character with much deeper sight than people believe. Like seeing a side of him that you only get it if you're open to it.

"Like everything he ever represented and resonate with people. Like getting why he's so beloved. Like never coming back."

Marvel

Deadpool.

I'm going to talk about my wife.

This one is going to be divided by The Good (Comic Runs where I believe understand his character the most and have the best story arcs as well as interpretations and background cast) The nasty (Chaotic, so Chaotic) The dirty (No idea what the hell is happening, will make you laugh tough).

The Good

Comics that took his characterization more seriously and have a slightly more linear written stories.

Deadpool (1997)

Deadpool (2008)

Cable & Deadpool (A favorite by far by far) (2004).

Unfortunately recommended reading with a grain of salt it really really is a product of its time.

Deadpool vs Old Man Logan

This Wade tends to be more heartfelt and compelling, he's also ruthless. And way less likeable. The gags and jokes are more plot devices and aspects of his personality rather than his whole stick.

It also explores more heavy topics and if you're not in a good mental state I don't recommend Deadpool (2008). And works with his character from neutral point of view with a look into his morals and actions with way more depth and thought how that impacts himself and others.

The Nasty.

Comics generally after the movie where the joke matters more than the character, it's written by people who want to make him more likeable because his game flopped or had Ryan Reynolds voice in their head while writing it.

Deadpool vs. Hawkeye

Deadpool / Spider-Man.

The rise of living Deadpool.

He's kind of cute in some of this. It's nice for a good laugh. But background characters, characterization? All over the place. Sometimes I can't even look at it.

The Dirty.

Have no fucking idea why the hell would someone write this. This is not my blorbo much less my baby. I still care about him though. Flandarization from Flandarization. Will make you laugh though. Or at least, it's compelling.

Deadpool vs Carnage.

[hinamie]

to moving forward

[sanatomis]

cw. none except satoru being disgustingly cute (part 2)

satoru isn’t used to people calling him anything other than his surname. gojo-san to most, gojo-sensei to others. it’s simple, and gets the job done.

only a handful of people stick to calling him by his given name. to them, he’s satoru. it’s easy, and rolls of the tongue, and he greatly prefers it over the sound of his surname. it makes him feel like an actual person.

satoru never entertained the possibility of being called anything else other than those two names. he didn’t think it would ever happen.

for once, he was glad to be proven wrong.

“tough day, pretty?” you ask gently, and he sighs with a nod as he throws himself into your opened arms. his body moulds easily into yours, and he lets out a heavy groan as he settles onto the couch with you. the groan is loud, and over-exaggerated.

it’s so satoru.

you have to stifle a giggle.

“everything went horribly wrong,” he grumbles, his voice muffled against the fabric of your shirt. “the higher ups were up my ass again, my students laughed at me again, and when i finally made it to that bakery you liked they were out of your favourite pastries so i couldn’t get them for you—again!”

“oh, my poor baby,” you coo, and gently push his bangs out of his face. he nods in agreement, faking an immense amount of sympathy for himself. “‘s okay, at least you tried, hm? i think that’s very sweet.”

satoru hums, as if he’s deeply thinking about your words. “’m still your baby?” he mumbles, deciding that’s the most important thing right now. his eyes briefly flutter shut, consumed by utter bliss as you play with the hairs on his undercut.

“mhm, still my baby.”

“yeah? what else am i?”

this time you do giggle. he does this sometimes. you aren’t exactly sure why—but on tough days, satoru likes to crawl into your arms and listen to you call him every cheesy nickname under the sun. it’s easily providable and makes him so very happy, so you always indulge him.

“my honey bun.”

“and?”

“my boo bear.”

“mhm.”

“my sweetheart.”

“yes?”

you laugh softly. “my mochi,” you coo, and pinch his cheek. it’s a little squished because he’s laying on your chest, but it emphasises your point.

he grins under your touch. it’s adorable.

“keep them coming, please?” he asks, and you do. you always do, unable to refuse him. especially when he asks so sweetly.

“my sugar cookie.”

“my muffin.”

“my baby cakes.”

“my angel.”

“my love.”

“my husband.”

“h—huh?” satoru stammers, looking up from your chest. he lays his chin on your sternum, baby blue eyes blinking up at you. they’re filled with awe, surprise, and utter glee. “that’s, i’m not. . .”

“just testing the title, baby,” you tell him, and continue playing with his hair. he bathes in your touch and you smile softly as he grabs and kisses the palm of your hand. “what do you think, hm?”

“i think you should call me it again.”

“oh?”

“mhm,” he mumbles.

“my dearest husband.”

“again.”

“my handsome husband.”

“again.”

“my sweet husband.”

“again, please?”

you hum, impressed. “my well-mannered husband.”

satoru chuckles, and lays back down on your chest. his white hair tickles against your skin, and he sighs in content.

“i think i want to be your husband for real.”

“yeah?”

“yeah,” he mumbles and nuzzles further into your hold. “y’ve got the same ring size still, right?”

“i sure do,” you say, a content smile on your lips as you watch him slowly doze off to sleep.

“hm, good to know.”

for satoru, those nicknames make him feel as if he’s something even greater than a person—it makes him feel yours.

he’s not just gojo, the strongest. he’s not just satoru, the at-times somewhat immature adult with the sweet tooth of a child.

he’s yours. your baby. your honey bun. your boo bear. your mochi. your boyfriend. your love. and for satoru, there’s no greater thing in the world than that.

[starkitten101]

Made this in like a minute out of frustration over a couple memories. Is this anything

[bacchuschucklefuck]

they tried to rebrand as The Criminals but riz is literally the city council's treasurer and also turns out people in their late 20s don't really name their friend groups. so now they're The Intrepid Heroes

[arataka-reigen]

I'm trying to start a movement here

[ID: The first 3 images are edited versions of the "Let's take ibuprofen together" meme. The captions now say "Let's read shoujo together". They each show a person holding their hand out to the viewer; a character from the series Benigyokuzui, Mob from Mob Psycho 100, and Jerma. / end ID]

ID provided by @siroofington thank you so much

[charlietheepicwriter7]

"Grandfather."

Ra's knew who the boy was the moment he'd snuck into the room. He'd allowed the child--more man than child now, but everyone was a child compared to him--moments to steel himself while Ra's refrained from acknowledging his presence. The boy's breath was barely audible but unsteady, and a drop of something fell to the floor.

His grandson was injured. "Danyal," he greeted and finally gazed upon him for the first time in seven years.

Danyal had grown into his father's height, yet stayed lean in regards to his musculature. His black hair had grown out of the League-regulation haircut, held back in a messy braid. He held himself as strong as he could, but kept an arm wrapped around his stomach. His shirt--standard American teenage garb, he dismissed--was spotted with blood and he could see bandages poking out from under the cloth.

With great care, Danyal knelt before the Demon Head and recited the Oath of Loyalty.

Ra's watched.

The boy's tongue, fat with English, spoke the League's variant of Arabic with the grace of a mace to the head, yet his words were clear. He took his time speaking the oath, carefully sounding out words, working hard to avoid mispronunciation. The Oath in question was the older version, from before Deathstroke's insurrection, but Danyal spoke it with a calm certainty that it would be accepted.

And without a doubt, it would be accepted.

Talia's eldest son had been born from her body instead of through science, a mistake that nearly cost her the child and damaged him upon birth. While the best doctors in the world saved his life, Danyal Al Ghul would always be weak in a fight, always prone to illness, always struggling to excel. When it became clear that the boy couldn't become the next Demon Head, Ra's sent Talia to create a replacement while arrangements were made for her first child to be taught business and science, for the betterment of the League. Danyal, very much his father's child, thrived in his intellectual pursuits while Damian grew and developed into a budding assassin.

But Danyal was more like his father than he'd ever knew. Ra's couldn't miss the signs of one of his family turning away from the League. Not the mission--Danyal had written several university level papers defending the environment by the time the boy was 10--but Ra's methods...

Ra's had a conundrum. Danyal was a dedicated conservationist; once the boy was an adult, Ra's was certain he'd take the world by storm and bring the League to new heights. But if he forced his methods onto Danyal, he could create an enemy of him, just as his father was.

Ra's gave Danyal an offer; Danyal would be allowed to leave the League and live a normal life if and only if he faked his own death in such a way that reinforced Damian's loyalty to the League of Assassins.

Danyal had been hesitant at first, but past his test with flying colors. Instigating one of the more unstable assassins into organizing a coup, cutting the insurgents off near immediately, but "dying" protecting both his younger brother and mother. It was a masterful performance. Even Talia hadn't known about the deceit.

And yet, here he was, on his knees, pledging loyalty. Danyal knew what that meant, knew what he was returning to, which morals he would be allowed to keep.

"And what do you bring with you, child of no one?" Why should the League accept the return of this child, who left once before?

Danyal met his eyes. "I bring with me, my team, who are loyal to me and me alone. I bring with me, research surrounding the Lazarus Pits, in origins and further uses for the waters." Ra's raised an eyebrow, and Danyal smirked. "I bring with me, my knowledge, nurtured within this very home and sharpened in the world outside. I bring with me, my weapons, built with my own hands. I bring with me... my body, finally healthy and whole." He brought his head down to the floor, trembling with pain. "I bring my whole self to the Demon's Head, for Him to accept or reject."

Ra's smiled. "By the shadows that guard our order and the blood that binds us, I accept this oath. From this day forward, you are an instrument of the League, a harbinger of justice, and a weapon in the hand of Ra's Al Ghul."

Danyal returned to his feet, swaying percariously. He needed immediate medical attention. Despite this, he continued, "Long live the League of Assassins. Long live Ra's Al Ghul."

And he collapsed onto the floor.

[cat-eg]

[tenaint]

Rose 1.01 / Empire of Death 14.08

[tea-cat-arts]

Shen Yuan getting transported into pidw isn't "the system punishing him for being a lazy internet hater," but instead representative of "step 1 of the creative process: getting so mad at something you decide to go write your own fucking book" in this essay I will

[meatexe]

itty bitty purse dog vibes 🎀

[filmnoirsbian]

Incomplete list of recommendations if you want greek myth retellings that are actually interesting and do something new with the concept:

Hadestown by Anaïs Mitchell (& friends)

O Brother, Where Art Thou (2000)

Cassandra by Christa Wolf

The King Must Die by Mary Renault

Los Reyes by Julio Cortázar

Lavinia by Ursula K. Le Guin

The Trojan Women: A Comic by Anne Carson and Rosanna Bruno (let's be honest, Ms. Carson could easily dominate this whole list but I'm trying to limit myself to one and I think this one is the most interesting.)

Girl on an Altar by Marina Carr

Oresteia by Robert Icke

An Iliad by Denis O'Hare and Lisa Peterson

Till We Have Faces by C. S. Lewis

Helen in Egypt by Hilda Doolittle (H.D.)

Norma Jean Baker of Troy by Anne Carson (ok I lied, what are you gonna do about it?)

Weight by Jeanette Winterson

The Penelopiad by Margaret Atwood

Averno by Louise Glück

[aimseytv]

sorry, but of a stupid question, but are marceline and princess bubblegum in love in the show, or is it one of those things that are heavily implied?

they are in love. despite peoples strange complaints and "criticisms" that say it was a rushed romance, you can see the signs and hints from the first episode they are introduced which is "go with me". evident bitterness between the pair and its the *first* time the audience is introduced to them, and their dynamic, and the entire episode is about marceline "helping" finn ask bubblegum out on a date, despite her purposely meddeling and telling him to complete tasks that are the opposite of what bubblegum would want. then we fast forward to season 3, and we see the pair in the episode "what was missing" which is an episode where a door-lord as stolen each of the characters most prized possesions, and the item stolen from bubblegum is a rock t-shirt marceline gave her years and years ago that bubblegum admits she still sleeps in.. which causes marceline to blush. you may think im joking but no, marcy blushes which is followed with bubblegum then blushing about it. we move a few episodes down the line and marcy asks bonnie for help with a task in retrieving her teddybear, hambo, which was given to her by her father figure simon before he abandoned her (ouch). in the start of this episode however, we have scenes of bonnie waking up wearing the t-shirt marcy gave her years ago, her sniffing it as she wakes up (???) then moving to her CLOSET which REVEALS a POLAROID of MARCY AND BONNIE in the CLOSET that is STUCK THERE hidden AWAY only for BONNIE TO SEE.... anyway back to the teddy bear hambo, to retrieve it bubblegum had to give away the t-shirt i just mentioned, which according to maja the skywitch had more meaning and "sentimenal value" than the LITERALLY TEDDY BEAR GIVEN TO MARCY BEFORE SHE WAS ABANDONENDED!! CONTEXT CLUES BABY!! anyway then we move forward to season 7, specifcally the episode varmints, which is an episode very clear in healing the pair through their past as bonnie finally apologises for the problems and issues the pair had, as well as them both opening up to each other about the things neither one of them wanted to bring up in fear of being either rejected or the fear the other would just shoot them down. its an episode of healing, and in the end of it bonnie falls asleep on marcy, a clear sign of returning to comfort and what they used to know. then we have the stakes mini-series which is all about marcy going back to what she thinks she wants (humanity), and gives us the gorgeous amazing and talented scene of marcy not understanding these new human feelings, and thinking her being hungry is her being in love.. as shes with bonnie.. which causes bonnie to blush hard. gay people right? and then we have the finale, which is where the pair finally make up in the midst of a war where marcy thought bonnie had died, and marcy reveals the gorgeous quote of "even when we werent talking i was always scared something bad would happen to you and id not be there to protect you, and i guess i didnt want to lose you again". they then both kiss. so to answer your question, yes, there are clear signs throughout the show. sorry i am not normal about this okay goodnight

[coern-art-very-cool-and-nice]

one wish that leads to another wish that leads to another wish that leads to another w

[little-pondhead]

Inspired by this post.

[strangersteddierthings]

The thing is, Steve has learned, that becoming untouchable isn't all he wants it to be.

People were too quick to try and reach out for him, ask for more than he was willing to give. He hadn't wanted to give up his first kiss to some random girl at some random boy's twelfth birthday party because of spin the bottle. He hadn't wanted to play Seven Minutes in Heaven with Jenny Jackson or Linda Simons at Tommy's birthday party the following year. He did want to take Mary Linscott to Snow Ball, but she just wanted to make out behind the bleachers instead of dance with him. He didn't want to do that but then Brian called him stupid for not wanting to, and asked if he was queer. So, Steve had turned right back around and dragged Mary back under the bleachers, kissing her until it was time to go to prove Brian wrong.

(Even though Steve knows Brian isn't wrong. That Steve had wanted to ask Brian to the dance as much as he'd wanted to ask Mary but knew better than to do that. He saw how they treated Eddie Munson last year for the suspicion of liking other boys and Steve wasn't going to let that happen to himself.)

Brian had congratulated him after and asked what base he got to. Steve didn't want to get to any bases, but he couldn't say that, so he just punched Brian in the arm and said 'more bases than you' which was true because Brian's date didn't kiss him even once.

Then Carol Perkins approached him at lunch, shortly after Snow Ball, and asked if Steve would be her first kiss. Not because she wanted to kiss Steve, but because she wanted to kiss Tommy H, but didn't want to be bad at kissing. Steve agreed because he liked Carol. Not in the way she liked Tommy, but mostly because she'd asked.

No one had done that yet.

She came over to his house on a Saturday because she didn't want Tommy to catch them and think she didn't like him. They made out in his room because, despite his parents being home, they didn't really care who was in his room with him or if the door was open or shut. Probably didn't even notice he had someone over. She leaves an hour later.

By Tuesday Tommy and Carol are an item and by Friday they were Steve's best friends.

However, for reasons Steve doesn't understand, more girls keep asking him to be their first kiss. And maybe it's because he's already got a reputation, or maybe Carol let slip he'd said yes when she asked, but Steve finds himself kissing a lot of girls he doesn't want to. He doesn't know how to say no. Can't find a reason too. Brian's words play in the back of his mind every time he thinks about saying no.

(Are you stupid? Are you queer? He doesn't want to be either of those things, and given his grade in biology and pre-algebra, he's really only got a hope of avoiding the queer label. His father would tolerate a stupid son. He doesn't think he'd survive if his father had a queer one.)

There are a few girls he's been crushing on that ask him and that was nice. One, Alice Baker, even becomes his girlfriend for a month. His first relationship.

Soon eighth grade gives way to being a freshman and Steve, who has always been handsome and cute, catches the eye of upperclassmen now.

And Steve's not sure how it happens, but he ends up moving past first base with another girl whose name he can't remember, or possibly never knew. He doesn't remember asking her for hers when she led him into one of the bedrooms at the house this party was at while he was way too tipsy.

And then it just grows. The reputation and what people expect from him, and he doesn't want it, but he's never said no before so can he start now? Doesn't he need a reason to say no? If he doesn't have a reason, does that make him queer? He should be wanting this. What boy doesn't want this?

And maybe he does want it. But not like this.

He doesn't want to be slightly drunk at yet another party, following the first girl that grabs his wrist and pulls him after her into whatever secluded area they can find. He doesn't want to keep saying yes when he wants to say no.

The summer between freshman and sophomore year he confides in Carol. It's a risk. Carol can be cruel, quick with her words to tear you down, to spread the rumor that will ruin your life. But she's also fiercely loyal.

He tells her he's tired of kissing people he doesn't want to.

Carol is quiet for a long time, and Steve almost thinks he's made a mistake. But then she speaks.

"Okay. Let's make a plan."

And they do. Then suddenly Steve is untouchable. Carol teaches him how to see the weakness in people and call it out. How to wield his facial expressions as a weapon and a shield. How to put on the air of being the most important person everywhere you go so well that everyone else begins to believe it. How to fall back on the fact his parents are rich, gone often, and, almost most importantly, well known in the community. It gives Steve's name a weight to throw around.

More importantly, all of that culminates in people no longer asking things of him. Instead, they look to him to take the lead, they wait to be asked. It makes Steve feel in charge of his life for once.

But now.

Now, years later, having survived a spring break from Hell and averted the apocalypse, Steve watches Eddie hang off Argyle with ease, fling an arm over Jonathan's shoulder while laughing at a joke, easily pull Dustin into a headlock or wrestling match.

Easy touches that Steve should be able to do, too. A jealousy wells inside him almost as much as the unease he feels in his stomach at the mere thought of letting them know they're allowed to reach out and touch him, too. That Eddie's allowed to reach out and touch.

But then he remembers what happened when he let people have that power over him and he can't bring himself to do it.

It settles in Steve, then, the realization. When you become untouchable, you're unable to touch.

-

@nburkhardt @i-less-than-three-you adding my own lil bit of angst into the mix now (: