#These are the people they've survived with. These are the people that care about them even if they know so little.

[badgerbaggage]

Look, unfortunately, Santa is actually right.

And I think it's a means of our survival.

We need to entrench ourselves in our communities, fortify our bonds, recruit sympathizers. We start where it's safe, but we start exposing these people to the fact that we're not disposable, that we're not some scapegoat.

So let's reframe "disagreeing yet remaining friends."

You don't need to agree, nor "be friends" with bigoted ideologues to practice what the Santa account is saying.

Treating them as a friend is a performance (as many human social customs are). Be polite and be interested in their personal lives, what matters to them, what they're excited for, what they're afraid of. be known in your community, whether it's as a flashy character that's a staple of the local alternative bar, or as someone who walks their dog around the neighborhood. Find ways to display your artwork somewhere in town. Do favors for people.

You can refuse to engage with the horrible bigotry.

Rejection is a subtle means of advertising "this is intolerable and I will not engage with you if you continue." If somebody brings up something volatile, simply excuse yourself to get some water. You can leave outright, or you can return and try to shift the conversation. It is very difficult to do this when the current climate is about LIFE AND DEATH to us, but it is possible. This is a means of survival. Tread carefully and keep yourself safe. Let people understand you as a being before they know you as an extension of your identity.

On a wider scale, people NEED to be exposed to these larger topics other than through rightwing propaganda.

Experiencing queer people is far better if it's firsthand. "The supreme leader hath given us a new Scapegoat" works because they have completely MONOPOLIZED the narrative of who we are to our communities. They listen to the Heritage Foundation propaganda because that's the only depiction they've seen. Yes, some of this is out of their own ignorance and malice, but you DO have the power to change minds.

People also need to experience WEIRD SHIT that isn't hurting ANYONE.

There are unironically people who hate us just because their entire perception of us is manufactured by third parties. We all have the power to change perceptions in little ways. For example, I dress up like a punk werewolf and walk to a local alternative bar through a park and bustling downtown, even past an ice cream shop. It paints a massive target on me that says "IM WEIRD, LOOK AT ME." It is terrifying and I am incredibly uncomfortable the entire walk, but I'm exposing people to my gender queer ass in the periphery (I have the privilege to do this for many reasons; I'm not exactly living in my old, conservative, shitty hometown. Your mileage may vary). I am become Exposure Therapy.

You don't have to save the world, you just have to save yourself.

Again, we must ENTRENCH ourselves in our communities. We must forge bonds that our communities don't want to sever. Take root and prepare for the storm. Your efforts alone won't save the world, but if we can all just become a valued part of the life of 1 single detractor, that would have drastic effects on the national perspective of our movement.

Isolation is the end-bringer.

Just find one thing to agree with someone on. If they're deplorable, you can just agree that the weather is shitty, but through careful conversation and creative framing, you can easily get a hardcore MAGA fanatic to agree on culture and policy issues. We often want the same things, like freedom and prosperity. Find the NUGGET under the fascist shit and say, "we both want to be safe and with our families. We're not so different afterall."

LEGITIMIZE YOURSELF!!!

[the-valiant-valkyrie]

hey. don't cry. solaris who struggles to cope with her own mortality, okay? solaris who was irreparably scarred by not only the pain of the death engine's explosion, but the lethality she narrowly avoided? solaris who spent weeks in the hospital, miserably sick, delirious on morphine, failing to wrap her mind around the fact that she may not wake up tomorrow? solaris who blames her permanently ruined health on the agent who ruined her life- who slipped through her fingers- who survived, when by all means they shouldn't. solaris who is left on a timer after the radiation ravaged her body- who won't live to see anything technologically close to the death engine ever come to be. solaris who is compulsively driven to focus on the way the sand slips through the hourglass. solaris who regrets and regrets and regrets, and then spends time regretting all the time she wasted festering in her past. solaris who's deeply, terribly afraid of a future she inadvertently cemented for herself. okay? okay?

[marypsue]

I'd love to hear your thoughts on S1 of ST being a tragedy! No main character dies, so I never thought of it that way before

I mean, nobody has to die for a story to be a tragedy (at least, in the modern definition. I'm pretty sure '(almost) everybody dies' is a requirement of Greek tragedies and Renaissance revenge tragedies). But also, no main character dies in season one...if you take season one as part of a series. Which it wasn't originally conceived as.

I am not going looking for copies of the original pitch bible, because I am lazy, and also I only saw them floating around this webbed site. But the show changed a lot from the initial pitch (Joyce had a Long Island accent! Lucas' parents were divorcing! Murray was there and named Terry Ives! Most of what ended up in Hopper's character originally belonged to Mr. Clarke! The original pitch bible is fascinating). And part of the original pitch was a proposal for possible sequels.

The Duffers' proposal for a possible sequel was "It's ten years later, and Eleven is dead".

So that's the setup. Everything that came after season one was made up wholecloth after season one was a hit and people wanted more, but also people loved the adorable little psychic murder child (cue the Duffers shockedpikachu.jpg) and Netflix obviously recognised it would be a bad call to make a new season without her in it. So it makes sense to take season one as a unit, as a self-contained story on its own. You can also take it as part of a whole, but it makes sense to read it first as a complete story. Especially given the thematic drift of later seasons and the way they are...I'm just going to say it, each new season is very much added-on to what came before rather than being built on foundation that the earlier season(s) laid. It is very clear there was never a planned five-season story arc from the beginning. (This isn't necessarily always a bad thing, when it comes to sequels, but it does mean it makes sense to 'read' each season as its own thing.)

Okay, now that we've established all of that. Season one has one very clear goal, one very clear stake for the characters: save Will Byers from the Upside Down. (I like this. It makes the stakes both extremely high and extremely personal, it makes it very easy to understand each character's motivation, it also keeps the stakes grounded in reality. I like this a lot.) And by the end of the season, that goal is accomplished. So at first blush, you're right, season one doesn't look like a tragedy.

But when you start to unpack it a little, you start to see just how many important things were lost along the way. It's most glaringly obvious with Mike and El, with Nancy and Barb. The whole Wheeler family is fractured down the middle, with Mike and Nancy on one side and Ted, Karen, and Holly on the other, and Karen, who's been trying so hard the whole time to be part of her children's lives and understand what's going on with them, is aware of the ever-expanding gulf between them but will never be able to cross it, and will never fully know why. Hopper's finally managed to snatch a kid out of the jaws of death, save a woman he obviously cares about from the pain of losing a child, and Joyce has finally had someone believe her, support her, trust her. But it became blindingly obvious to me on my fourth rewatch that Hopper's plan, from the moment he went to leave the middle school gym, was always to trade El for Will. And that decision (and the fact that Joyce obviously understands that he did something to get the lab to let them go after Will, but she obviously doesn't dare press him on what) has broken her trust in him, and left him with what looks like an equally heavy burden of guilt as what he was carrying before. The lab stays open. The government gets away with everything. No one will ever know the true extent of the hurt they've caused.

And in the end, none of it even saved Will. He's back. He's alive. But he's spitting slugs in the sink. He's permanently marked by the Upside Down, and by trying to hide it from his family, he's putting a crack down the centre of them, as well. They're losing Will, just as surely as they had when they thought he was dead, just without him going anywhere.

And there's still a hole in the world.

The fragile bonds of community, the things that people share in common, the way catastrophe can bring people together and bring out the very best in them, are the major thematic threads woven through season one. Human connection is the only thing that can change what seems inevitable, the only thing that can bring back what's seemingly lost forever.

And it's still not enough to protect anyone from the random tragedy of the world.

The love was there. The love mattered. The love bent the entire course of the world around itself.

And it still wasn't quite enough.

If that's not a tragedy, then I don't know what is.

[melon-mastermind]

I know that it has been established that Dan Heng has nightmares, but I haven't seen anyone mention Trailblazer and March 7th having their own—and ones related to them, not a Supreme Guardian.

Although Dan Heng is running from his past, both Trailblazer and March 7th don't know their own.

Where Dan Heng has nightmares of Blade, it only makes sense for Trailblazer to have nightmares of Kafka. Although she was the one that practically gave them life, she's known to be manipulative. She's known to be the enemy. The woman depends on some kind of future that Trailblazer doesn't quite understand, or know anything about, and the uncertainty is enough to bring them paranoia. What is their purpose? How is it meant to be achieved? Who will be hurt in the process? Why didn't Kafka let them stay with her? Kafka knows so much more than Trailblazer knows. It could feel like she has so much more control, even if she speaks as if their futures are already determined—and if their futures are determined, is the outcome really going to be a good one? What if Trailblazer is harmed again, just as they had been with Cocolia, yet there is no second chance?

March 7th, on the other hand, isn't shown to have a different connection with someone. There's no one that seems to haunt her—no one except herself. She doesn't know who she used to be, and that's the problem. What if she was someone awful in the past? Someone who hurt others for her own gain? What if there comes a day where she forgets everything once more and the pictures she took can't jog her memory? Although March acts so enthusiastic, she's had to prepare stories of who she could have been, and some of them wouldn't be positive. All the girl knows is that she can shape her future, but what if she chooses the wrong path?

There's so much that can be explored, and despite me knowing that it wouldn't happen, I think it'd be nice if the trio did have a slumber party after having nightmares, and were able to sleep soundly together. Dan Heng needs to sleep in a bed regardless.

[themthistles]

was s2 of sweet home sponsored by the korean army whats going on

[maximumzombiecreator]

It's often remarked how D&D 5e's play culture has this sort of disinterest bordering on contempt for actually knowing the rules, often even extending to the DM themselves. I've seen a lot of different ideas for why this is, but one reason I rarely see discussed is that actually, a lot of 5e's rules are not meant to be used.

Encumbrance is a great example of this. 5e contains granular weights for all the items that you might have in your inventory, and rules for how much you can carry based on your strength score, and they've set these carry capacities high enough that you should never actually need to think about them. And that's deliberate, the designers have explicitly said that they've set carrying capacity high enough that it shouldn't come up in normal play. So for a starting DM, you see all these weights, you see all the rules for how much people can carry or drag, and you've played Fallout, you know how this works. And then if you try to actually enforce that, you find that it's insanely tedious, and it basically never actually matters, so you drop it.

Foraging is the example of this that bothers me most. There's a whole system for this! A table of foraging DCs, and math for how much food you can find, and how long you can go without food, etc. But the math is set up so that a person with no survival proficiency and a +0 to WIS, in a hostile environment, will still forage enough food to be fine, and the starvation rules are so generous that even a run of bad luck is unlikely to matter. So a DM who actually tries to use these rules will quickly find that they add nothing but bookkeeping. You're rolling a bunch of checks every day of travel for something that is purpose built not to matter. And that's before you add in all the ways to trivialize or circumvent this.

These rules don't exist to be used, that is not their purpose. These rules exist because the designers were scared of the backlash to 4e, and wanted to make sure that the game had all the rules that D&D "should" have. But they didn't actually want these mechanics. They didn't want the bookkeeping, they didn't care about that style of play, but they couldn't just say, "this game isn't about that" for fear of angering traditionalists. And unfortunately the way they handled this was by putting in rules that are bad, that actively fight anyone who wants to use that style of play and act as a trap to people who take the rules in good faith.

And this means that knowing what rules are not supposed to be used is an actual skill 5e DMs develop. Part of being a good 5e DM is being able to tell the real rules that will improve your game from the fake rules that are there to placate angry forum posters. And that's just an awful position to put DMs in (especially new DMs), but it's pretty unsurprising that it creates a certain contempt for knowing the rules as written.

You should have contempt for some of the rules as written. The designers did.

[attractthecrows]

making myself moody by contemplating the clan Revallen left behind

[giantkillerjack]

Today my therapist introduced me to a concept surrounding disability that she called "hLep".

[plain-text version of this post can be found under the cut]

Which is when you - in this case, you are a disabled person - ask someone for help ("I can't drink almond milk so can you get me some whole milk?", or "Please call Donna and ask her to pick up the car for me."), and they say yes, and then they do something that is not what you asked for but is what they think you should have asked for ("I know you said you wanted whole, but I got you skim milk because it's better for you!", "I didn't want to ruin Donna's day by asking her that, so I spent your money on an expensive towing service!") And then if you get annoyed at them for ignoring what you actually asked for - and often it has already happened repeatedly - they get angry because they "were just helping you! You should be grateful!!"

And my therapist pointed out that this is not "help", it's "hLep".

Sure, it looks like help; it kind of sounds like help too; and if it was adjusted just a little bit, it could be help. But it's not help. It's hLep.

At its best, it is patronizing and makes a person feel unvalued and un-listened-to. Always, it reinforces the false idea that disabled people can't be trusted with our own care. And at its worst, it results in disabled people losing our freedom and control over our lives, and also being unable to actually access what we need to survive.

So please, when a disabled person asks you for help on something, don't be a hLeper, be a helper! In other words: they know better than you what they need, and the best way you can honor the trust they've put in you is to believe that!

Also, I want to be very clear that the "getting angry at a disabled person's attempts to point out harmful behavior" part of this makes the whole thing WAY worse. Like it'd be one thing if my roommate bought me some passive-aggressive skim milk, but then they heard what I had to say, and they apologized and did better in the future - our relationship could bounce back from that. But it is very much another thing to have a crying shouting match with someone who is furious at you for saying something they did was ableist. Like, Christ, Jessica, remind me to never ask for your support ever again! You make me feel like if I asked you to call 911, you'd order a pizza because you know I'll feel better once I eat something!!

Edit: crediting my therapist by name with her permission - this term was coined by Nahime Aguirre Mtanous!

Edit again: I made an optional follow-up to this post after seeing the responses. Might help somebody. CW for me frankly talking about how dangerous hLep really is.

Plain-text version:

Today my therapist introduced me to a concept surrounding disability that she called "hLep".

Which is when you - in this case, you are a disabled person - ask someone for help ("I can't drink almond milk so can you get me some whole milk?", or "Please call Donna and ask her to pick up the car for me."), and they say yes, and then they do something that is not what you asked for but is what they think you should have asked for ("I know you said you wanted whole, but I got you skim milk because it's better for you!", "I didn't want to ruin Donna's day by asking her that, so I spent your money on an expensive towing service!") And then if you get annoyed at them for ignoring what you actually asked for - and often it has already happened repeatedly - they get angry because they "were just helping you! You should be grateful!!"

And my therapist pointed out that this is not "help", it's "hLep".

Sure, it looks like help; it kind of sounds like help too; and if it was adjusted just a little bit, it could be help. But it's not help. It's hLep.

At its best, it is patronizing and makes a person feel unvalued and un-listened-to. Always, it reinforces the false idea that disabled people can't be trusted with our own care. And at its worst, it results in disabled people losing our freedom and control over our lives, and also being unable to actually access what we need to survive.

So please, when a disabled person asks you for help on something, don't be a hLeper, be a helper! In other words: they know better than you what they need, and the best way you can honor the trust they've put in you is to believe that!

P.S. Also, I want to be very clear that the "getting angry at a disabled person's attempts to point out harmful behavior" part of this makes the whole thing WAY worse. Like it'd be one thing if my roommate bought me some passive-aggressive skim milk, but then they heard what I had to say, and they apologized and did better in the future - our relationship could bounce back from that. But it is very much another thing to have a crying shouting match with someone who is furious at you for saying something they did was ableist. Like, Christ, Jessica, remind me to never ask for your support ever again! You make me feel like if I asked you to call 911, you'd order a pizza because you know I'll feel better once I eat something!!

Edit: crediting my therapist by name with her permission - this term was coined by Nahime Aguirre Mtanous!

Edit again: I made an optional follow-up to this post after seeing the responses. Might help somebody. CW for me frankly talking about how dangerous hLep really is.

[mostlysignssomeportents]

"Efficiency" left the Big Three vulnerable to smart UAW tactics

Tomorrow (September 22), I'm (virtually) presenting at the DIG Festival in Modena, Italy. Tomorrow night, I'll be in person at LA's Book Soup for the launch of Justin C Key's "The World Wasn’t Ready for You." On September 27, I'll be at Chevalier's Books in Los Angeles with Brian Merchant for a joint launch for my new book The Internet Con and his new book, Blood in the Machine.

It's been 143 days since the WGA went on strike against the Hollywood studios. While early tactical leaks from the studios had studio execs chortling and twirling their mustaches about writers caving once they started losing their homes, the strikers aren't wavering – they're still out there, pounding the picket lines, every weekday:

https://www.cnbc.com/2023/08/09/how-hollywood-writers-make-ends-meet-100-days-into-the-writers-guild-strike.html

The studios obviously need writers. That gleeful, anonymous studio exec who got such an obvious erotic charge at the thought of workers being rendered homeless as punishment for challenging his corporate power completely misread the room, and his comments didn't demoralize the writers. Instead, they inspired the actors to go on strike, too.

But how have the writers stayed out since May Day? How have the actors stayed out for 69 days since their strike started on Bastille Day? We can thank the studios for that! As it turns out, the studios have devoted so much energy to rendering creative workers as precarious as possible, hiring as little as they can getting away with and using punishing overtime as a substitute for adequate staffing that they've eliminated all the workers who can't survive on side-hustles and savings for six or seven months at a time.

But even for those layoff-hardened workers, long strikes are brutal, and of course, all the affiliated trades, from costumers to grips, are feeling the pain. The strike fund only goes so far, and non-striking, affected workers don't even get that. That's why I've been donating regularly to the Entertainment Community Fund, which helps all affected workers out with cash transfers (I just gave them another $500):

https://secure2.convio.net/afa/site/Donation2?df_id=8117&8117.donation=form1&mfc_pref=T

As hot labor summer is revealed as a turning point – not just a season – long strikes will become the norm. Bosses still don't believe in worker power, and until they get their minds right, they're going to keep on trying to starve their workforces back inside. To get a sense of how long workers will have to hold out, just consider the Warrior Met strike, where Alabama coal-miners stayed out for 23 months:

https://www.thenation.com/article/activism/warrior-met-strike-union/

As Kim Kelly explained to Adam Conover in the latest Factually podcast, the Alabama coal strikers didn't get anywhere near the attention that the Hollywood strikers have enjoyed:

https://www.youtube.com/watch?v=UvyMHf7Yg0Q

(To learn more about the untold story of worker organizing, from prison unions to the key role that people of color and women played in labor history, check out Kelly's book, "Fight Like Hell," now in paperback:)

https://www.simonandschuster.com/books/Fight-Like-Hell/Kim-Kelly/9781982171063

Which brings me to the UAW strike. This is an historic strike, the first time that the UAW has struck all of the Big Three automakers at once. Past autoworkers' strikes have marked turning points for all American workers. The 1945/46 GM strike established employers' duty to cover worker pensions, health care, and cost of living allowances. The GM strike created the American middle-class:

https://prospect.org/labor/2023-09-18-uaw-strikes-built-american-middle-class/

The Big Three are fighting for all the marbles here. They are refusing to allow unions to organize EV factories. Given that no more internal combustion cars will be in production in just a few short years, that's tantamount to eliminating auto unions altogether. The automakers are flush with cash, including billions in public subsidies from multiple bailouts, along with billions more from greedflation price-gouging. A long siege is inevitable, as the decimillionaires running these companies earn their pay by starving out their workers:

https://www.businessinsider.com/general-motors-ceo-mary-barra-salary-auto-workers-strike-uaw-2023-9

The UAW knows this, of course, and their new leadership – helmed by the union's radical president Shawn Fain – has a plan. UAW workers are engaged in tactical striking, shutting down key parts of the supply chain on a rolling basis, making the 90-day strike fund stretch much farther:

https://prospect.org/blogs-and-newsletters/tap/2023-09-18-labors-militant-creativity/

In this project, they are greatly aided by Big Car's own relentless pursuit of profit. The automakers – like every monopolized, financialized sector – have stripped all the buffers and slack out of their operations. Inventory on hand is kept to a bare minimum. Inputs are sourced from the cheapest bidder, and they're brought to the factory by the lowest-cost option. Resiliency – spare parts, backup machinery – is forever at war with profits, and profits have won and won and won, leaving auto production in a brittle, and easily shattered state.

This is especially true for staffing. Automakers are violently allergic to hiring workers, because new workers get benefits and workplace protection. Instead, the car companies routinely offer "voluntary" overtime to their existing workforce. By refusing this overtime, workers can kneecap production, without striking.

Enter "Eight and Skate," a campaign among UAW workers to clock out after their eight hour shift. As Keith Brower Brown writes for Labor Notes, the UAW organizers are telling workers that "It’s crossing an unofficial picket line to work overtime. It’s helping out the company":

https://labornotes.org/2023/09/work-extra-during-strike-auto-workers-say-eight-and-skate

Eight and Skate has already started to work; the Buffalo Ford plant can no longer run its normal weekend shifts because workers are refusing to put in voluntary overtime. Of course, bosses will strike back: the next step will be forced overtime, which will lead to the unsafe conditions that unionized workers are contractually obliged to call paid work-stoppages over, shutting down operations without touching the strike fund.

What's more, car bosses can't just halt safety stoppages or change the rules on overtime; per the UAW's last contract, bosses are required to bargain on changes to overtime rules:

https://uaw.org/wp-content/uploads/2023/09/Working-Without-Contract-FAQ-FINAL-2.pdf

Car bosses have become lazily dependent on overtime. At GM's "highly profitable" SUV factory in Arlington, TX, normal production runs a six-days, 24 hours per day. Workers typically work five eight-hour days and nine hours on Saturdays. That's been the status quo for 11 years, but when bosses circulated the usual overtime signup sheet last week, every worker wrote "a big fat NO" next to their names.

Writing for The American Prospect, David Dayen points out that this overtime addiction puts a new complexion on the much-hyped workerpocalypse that EVs will supposedly bring about. EVs are much simpler to build than conventional cars, the argument goes, so a US transition to EVs will throw many autoworkers out of work:

https://prospect.org/labor/2023-09-20-big-threes-labor-shortages-uaw/

But the reality is that most autoworkers are doing one and a half jobs already. Reducing the "workforce" by a third could leave all these workers with their existing jobs, and the 40-hour workweek that their forebears fought for at GM inn 1945/46. Add to that the additional workers needed to make batteries, build and maintain charging infrastructure, and so on, and there's no reason to think that EVs will weaken autoworker power.

And as Dayen points out, this overtime addiction isn't limited to cars. It's also endemic to the entertainment industry, where writers' "mini rooms" and other forms of chronic understaffing are used to keep workforces at a skeleton crew, even when the overtime costs more than hiring new workers.

Bosses call themselves job creators, but they have a relentless drive to destroy jobs. If there's one thing bosses hate, it's paying workers – hence all the hype about AI and automation. The stories about looming AI-driven mass unemployment are fairy tales, but they're tailor made for financiers who get alarming, life-threatening priapism at the though of firing us all and replacing us with shell-scripts:

https://pluralistic.net/2023/03/09/autocomplete-worshippers/#the-real-ai-was-the-corporations-that-we-fought-along-the-way

This is why Republican "workerism" rings so hollow. Trump's GOP talks a big game about protecting "workers" (by which they mean anglo men) from immigrants and "woke captialism," but they have nothing to say about protecting workers from bosses and bankers who see every dime a worker gets as misappropriated from their dividend.

Unsurprisingly, conservative message-discipline sucks. As Luke Savage writes in Jacobin, for every mealymouthed Josh Hawley mouthing talking points that "support workers" by blaming China and Joe Biden for the Big Three's greed, there's a Tim Scott, saying the quiet part aloud:

https://jacobin.com/2023/09/republicans-uaw-strike-hawley-trump-scott/

Quoth Senator Scott: "I think Ronald Reagan gave us a great example when federal employees decided they were going to strike. He said, you strike, you’re fired. Simple concept to me. To the extent that we can use that once again, absolutely":

https://twitter.com/American_Bridge/status/1704136706574741988

The GOP's workerism is a tissue-thin fake. They can never and will never support real worker power. That creates an opportunity for Biden and Democrats to seize:

https://pluralistic.net/2023/09/18/co-determination/#now-make-me-do-it

Reversing two generations of anti-worker politics is a marathon, not a sprint. The strikes are going to run for months, even years. Every worker will be called upon to support their striking siblings, every day. We can do it. Solidarity now. Solidarity forever.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2023/09/21/eight-and-skate/#strike-to-rule

[thisisnotthenerd]

how does it feel to be the rat grinders in that final fight

building up to a ritual you've spent the last year on, angry and tired and expending effort on this one thing so that you might finally get the recognition, the accolades you think you deserve. being special for once, in the face of a party of legend. of oracles and saints, angels and devils, great wizards and bards, inheritors of family legacy and tragedy alike who all seem to skate.

having to work hard in the shadows because you took the easy path and yet have to catch up with these people who so easily belittle you. seeing them rake in the benefits of popularity, running on a platform of flimsy ideas instead of true policy and yet still they have the school dancing to their tune. it's for the ritual, but the ache of it stings as they call you out again and again, laughing in your face for wanting something.

so much work, so much research, traveling and hiding for months as the bad kids are lauded and pass the year with a bullshit exam that you fail to rig against them, catching you in a moment of chance even as they survive what would kill you easily.

seeing them (her) haunt your dreams and die on your front lawn, forever chasing after someone who never existed in the first place. they imitate what they've seen of you. she disappears and yet is there to strike you down because the girl you think you could love hates you with all of her being.

being used by your teachers against your rivals and yet somehow they are nicer, closer to them than to you. more angry about their success, more invested in their progress.

summoning your full force, putting your family in danger, finally getting one over on them (her) only for them to be struck from the sky and thrown in your face as an insult.

seeing them going to work simply to decimate you and strike you down, with less power than you but more tenacity, more stamina, more true experience earned in the wide world. not knowing what to do as they do so with ease, dancing through the lava and flames with nary a thought but your destruction.

seeing them survive and bounce back from the attacks that struck down lucy. they didn't need rage to get here. they didn't need a nameless goddess, or midnights in the forest with monsters, spreading crystals in the dirt for a pieces of a plan years in the making.

18 seconds in and three of you are dead. there's no rage crystal that can save you this time. there's only blood and fire on the floorboards and the bad kids coming in for the glory again. they don't care that you're kids in their class.

with every moment it becomes clear that you are no longer people to them, just obstacles, failed investments, minor villains in their heroic journey.

was it worth it?

[ellestra]

The Voice from the Outer World

Dune is a story of failure. SPOILERS for Dune Part 2 below

Power corrupts and all of that. We all know this. So we would be able to avoid it, right? If you know what happens you can chose another option. You would be different.

And here's a story that shows that even when you know all of this and more and can literally see the future it's still not enough.

I get why people often think that to avoid this the person in power shouldn't want that power. That this would make them somehow immune. And this logic has multiple faults (like - how can you be good at doing something you hate?) and one of them is that just not wanting to abuse power doesn't mean you would do right things with it.

We are reminded multiple times in the film (and the books also aren't shy about it) that Fremen religious belief in a saviour is not something that arose naturally. It's a belief seeded by Bene Gesserit's Missionaria Protectiva. They seeded superstitions and myths in different cultures so they could use them in a future emergency. Everything Fremen believe about their Mahdi was created so their faith could be used by a Bene Gesserit in need. And both Jessica and Paul are aware of this even before they even set a foot on Arrakis.

It's specifically made for the saviour to be a foreign one (Lisan al-Gaib is The Voice from the Outer World) because the people who made and planned to use this prophecy were ones from an outsider culture. Paul doesn't hijack Fremen beliefs to insert himself as their white saviour. These beliefs was specifically created for someone like him to use.

It was made with purpose of hijacking Fremen religion into protecting the foreigners who know how this prophecy was constructed. This is a parasitic belief (cuckoo-like faith) and the truth doesn't set anyone free. We see why with Stilgar as he wants to believe so much that everything becomes a sign. Even when he's told this has been fabricated and he was manipulated he warps it into something that supports his beliefs not undermines them. I'm sure you've seen this in real life, in real politics if not religion.

Jessica and Chani got changed the most from their book versions. They've become opposite sides of the ideological divide. Not between religion and lack of it - Jessica obviously not a believer - but between using people and letting them decide their own future.

Book Jessica is more apprehensive of Paul's choices. She's often more worried he may not survive the trials than pushing for them for power. In here she becomes the driving force for using the messianic belief Bene Gesserit implanted for Paul's benefit. She makes sure Fremen believe he fits the story. She doesn't care about Paul's wishes to avoid this burden. She knows it doesn't matter when he tells the people the truth about Bene Gesserit, their abilities and their manipulation techniques. Belief is impervious to proof and confirmation bias makes you reject all evidence to the contrary.

But then, in the film, Jessica is kind of possessed. Stilgar warns Paul not to listen to the djinn but neither he nor his mother can stop listening to the voices. The film removes Alia's book doings but replaces them with foreshadowing of what she becomes. She whispers the truths about the future to her mother even before she is born. Funny, how this change makes her, not Paul, the first fully prescient Atreides. She is manipulating the events when Paul refuses to and that's a foreshadowing too. When Jessica took the Water of Life while pregnant she did it for the power this new position among the Fremen would give her. Alia never stood a chance. She was pre-born into this.

The only one trying to stand in the way of succumbing to the power corruption is movie version of Chani. She was never believer in a saviour. She wants her people to save themselves. They already have a plan for a better future that doesn't involve killing worlds for the Empire they never wanted anything to do with. They were not supposed to be warriors of the prophet. She sees this for what it is - a way to control her people. She understands this is just another form of enslavement. The only difference is that this one is embraced. No one listens to her when she tells them the truth. They only see what they want to see.

The power that comes from being close to the rule is just as blinding when you stand close to the throne as it is when you sit on it.

And the sad part is she knows she played a part in this happening to as she convinced Paul to give this a try. She didn't see the visions he saw so she hoped he can remain the person she fell in love with. When he submits to the way prescience shows him and takes over the faith we feel her heartbreak. She watches him becoming what he feared and everyone around him stops her from trying to save him because they get something out of it (not just the other Fremen or Jessica - Gurney puts atomic arsenal in Paul's hands).

Paul doesn't bring freedom. He just changes who holds the power but in the end the structures of power remain (the similarities between Saudarkar and Fremen are not accidental). And billions die so it can happen. But billions is a an abstract number. It's much easier to feel the consequences when they hit close and personal.

Everyone around Paul gets to gain something - Gurney gets revenge on Rabban, Jessica and Stilgar get to destroy the Harkonnens and the Emperor. They are on top now. The power corrupts before you even hold it. Just the promise of power is enough.

This film version of Chani doesn't let us forget that this is what we watch. That what is happening is not a good thing. We as humans have tendency to gloss over big numbers of deaths when it's some unseen people with whom we have no emotional connections. Through her eyes the loss is so much more personal. She loses her Usul to Paul Muad'Dib. And he takes her people and her planet too.

As Paul says - they are Harkonnens too. And they do what Harkonnens do too. The difference was always cosmetic.

And one more thing. A lot is said about Arabic and Muslim influences in Fremen culture and religion but they aren't the only ones. One other is the word used for the places where Fremen live - Sietch. It comes from Zaporozhian Cossack name for their fortified encampments - sich.

In the West the name Cossacks invokes the cruel Russian Imperial forces that tsars used to pacify conquered territories. But this is not what comes to my mind first. In the Polish-Lithuanian Commonwealth they were free people living in the borderlands of the Commonwealth on the territories often attacked by the Ottomans. The constant raids from the Turks meant they were warriors and constantly moving. But this also allowed for a lot of freedom as there wasn't a lot of direct control over these territories for the same reason. This meant that they were often joined by anyone wishing to have that freedom - from peasants escaping indenture to nobles escaping the law.

The dissatisfaction with the Polish rule eventually lead to an uprising and this part of Ukraine joined Russian Empire. That Empire destroyed all the freedoms Cossacks had and those independent warriors became just another enforcers of conformity for the Empire. They've become exactly what they fought against. I often wondered if Herbert chose the name Sietch intentionally to invoke this turn of events.

[foone]

I want a human zoology textbook.

Zoology, as in the study of animals. Like, a study of how humans work, done by an author that is not human.

I specifically want this for a couple reasons:

1. Descriptive, not prescriptive: don't tell me what the author thinks humans should do or how they should be. Tell me what they do. Observationally!

2. No bias towards "nature". I don't particularly care what the author is imagining humans are like in some "garden of eden" unfallen state. I want it to reference how humans ARE.

3. No morality applied to this! What do humans DO, not what you think they should do, or how they should be. And most importantly, no self-censorship in order to avoid offending some of the humans that disagree with ways people live.

And the reason I want this is because of how biology textbooks/wiki pages get written, where even if they try to be progressive they're still written from this weird perspective where they're explaining based on old ideas and the progressive stuff gets a footnote.

Like it'll be "humans have two genders, male and female. This is determined from their chromosomes, XY for male and xx for female."

And then you scroll past two pages for men and another two pages for women, and then it has one subsection that covers non-binary people and intersex people. And it's like: well then integrate that into your main statement!

It's like the author's worldview is still "there's two genders and everyone is born as one" but they've been forced to accept there are some weird exceptions but the core worldview is unchanged. And it's understandable! Wrong, but understandable: the grew up in a world that is quite strong on the "there are only two genders" ideology and doesn't like to remember that intersex people exist.

But like, imagine if you tried to do this as a zoologist. You're like "hey, all bees are female!" and then someone points out the rare male drones and they're like "oh okay I'll update my zoology textbook."

And now it reads:

All bees are female. Most are workers, and one is the queen.

(a couple sections go pass)

Drones: recent science has discovered that some bees are born male. These rare exceptions live short lives where they fertilize a queen and then die.

And it's like, no? Drones are very important to how a hive lives and they can't survive without them?

And we're constantly doing the same thing to humans and it's just bad science. Like, sure, maybe you could have the theory that "humans come in two genders: male and female" but as soon as you see one non-binary person, you have to discard that theory: it has been proven false! It's like not believing in other galaxies after Henrietta Swan Leavitt figured out how Cepheid Variables worked.

Add to that the "nature" thing. Like, you can make a sort of argument about nature vs artificial settings for a lot of species: the whole alpha/beta wolf thing came about because it turns out wolves act differently in captivity compared to the wild, so it makes sense to study how the vast majority of wolves live, not a small group you stuffed into a small area with unusual conditions. It's like saying the lifespan of goldfish is under 5 minutes, based on your study of them in this dry box you put them in.

But humans are different: we are tool-users who build new environments for ourselves. And while you can talk about how humans living in different environments act differently, it doesn't make a lot of sense to call one of them "artificial". All of them are made by us, and humans always do this. This means all environments are natural (because building environments for ourselves is what we naturally do) and all environments are artificial: we always alter our environments to better suit us! That's one of the things we naturally do!

And as for morality, it's about not ignoring things humans do regularly because you think it's weird or you think they shouldn't.

Like that tweet where someone pointed out that lots of species can change gender. Clown fish are a big one, some frogs, a couple birds, some lizards, and humans.

And people often have an immediate knee-jerk reaction of "that doesn't count!" for the last entity in that list. Why? Because we do it (usually) with clothes and makeup and medication, instead of just "naturally"? Bullshit. We're naturally TOOL USERS. Of course we use tools to change gender. We use tools to do EVERYTHING. That's natural for us.

So yeah. I think it'd be refreshing and enlightening to have a zoology textbook written about humans with this detached non-human perspective. An unbiased description of what humans are and do, rather than one irrevocably tinged with ideas of what humans should be and should do.

Basically I want to load up Vulcan Wikipedia and check the "Humans" article.

[just-wrting]

Feeling Fangs

Title: Feeling Fangs

Pairing: Charlotte Katakuri x Wife!Reader

Word Count: 3.2k

Summary: You find out what your husband has been hiding from you after he loses against Straw Hat, but you find yourself fixating on how pretty he is without his scarf.

Master List Part 1 Part 2 Part 3

A/N: My bf won't let me read about this man because I'm not far enough in the anime so I'll just write about him instead. And read about him but my bf doesn't have to know that part yet. He's worried about spoilers but what spoilers am I gonna get from all that smut? Also I just like men with fangs.

You didn't particularly care who one this little war that broke out, as long as your husband is fine. There's no doubt in your mind that he'll survive, you just don't want to see him hurt. Sure, the two of you have never really been romantic or anything, your marriage was somewhat political, but you've grown fond of him. So when his little sister is kneeling on the street saying he lost, your heart drops.

"Brulee, get me in there," you hiss in her ear. "I need to make sure he's okay."

There's tears in her eyes as she looks at you quizzically. "How did you get here?"

"This isn't the time for that. Let me in the mirror dimension."

She nods quickly and lets you through. Her steps are hesitant as she follows behind you. You make note of the chefs slumped against a wall, curious as to who killed them. It doesn't matter to you as you stumble closer to your husband.

It's the first time you've seen him like this. Even when it's time to sleep, he's still awake, sitting up in bed doing who knows what as you drift off. Right now, he's asleep on his back with a hat on his face. You quickly locate his scarf next to a group of people, ignoring them.

You've never seen him without his scarf, but you figure out that everyone here has. The chefs must've seen him without it, so he's the one who killed them. Everyone else must've passed out from something in the battle, but they've all seen him too.

"Brulee, tie up everyone here. It doesn't matter who they are, I want them unable to leave," you say in a low voice. "If you fail to do this, I won't forgive you."

While she follows your orders, you crouch down to rewrap his scarf. You make sure to hide his face from view as you carefully lift the hat. Biting your lip in anticipation, you do your best to not wake him. As you unveil his full face, you feel yourself get flustered.

Poking out from his lips are four shiny fangs. You do your best to not reach out and touch them, wondering how sharp they are. You expected something frightening under the scarf, but Katakuri is actually just as pretty as you thought he was. You don't know how you lucked out to get him, but you'll think about that later.

You make quick work with his scarf, noticing he's missing his jacket. You'll have to look for it later, your focus needs to be on finding Pudding. It doesn't matter that she's rude to you, what matters is her ability. You had overheard it in passing, but her ability to manipulate memories is what makes her the key.

"Let's go, I need to find Pudding."

Thankfully, you can see her hiding on the other side of the mirror you came in. It might take a moment to run and get her, but you'll put yourself through whatever you need to. The most important thing to you is wiping everyone's memory of what Katakuri looks like.

You dash through the fight, weaving your way through both enemies and the Big Mom pirates. Ducking down next to Pudding, you catch your breath for just a moment while she stares starry eyed at someone.

"Sanji..." she mumbles before glaring at you. "What do you want?"

"I need you to alter some memories for me."

She gives you an evil smile. "Why would I do that? Just because you're my big brother's wife doesn't mean I'll help you."

You frown. "I won't tell anyone that you've fallen in love with Sanji and most likely helped him escape."

"What?! You have no proof!"

You pull her up and start dragging her behind you. "I may not have concrete proof, but I'm not stupid. Besides, your reaction is my proof."

She grumbles something about you being an ass, but she follows you.

"You also need to wipe some of Brulee's memory.  If you tell anyone what you saw in them, I'll tell everyone that you helped Sanji escape. Do you understand?"

She nods. "Alright, I understand. Why what did they see?"

You set your jaw. "At the very least, they saw Katakuri without his scarf. I'm not sure what else they saw."

You watch over her shoulder as she shoves her hand into people's memories. It's a little gross, but it'll get the job done. It's better to threaten one person over a dozen.

There's a moment where Luffy slips and falls, gaining a large wound in his stomach due to being numbed. After finding out why, you watch Katakuri stab himself and pull off his scarf. It's nice to see a pirate try to have a fair fight, giving you a bit more insight as to what your husband is actually like.

"I guess it's a bit weird that he didn't want help if he couldn't defeat Straw Hat, but it doesn't make him lame. Those idiots don't realize they're the lame ones," Pudding grumbles. "Do you think Sanji has the same idea?"

You shrug. "It seems like his captain does at least so probably. Do I look like Sanji?"

Pudding scowls. "Shut up. Let me do this."

You don't miss the days when you'd have mood swings about men. That's the one good thing about having an arranged marriage, you don't have to worry about your feelings for other people.

"Mirrors, are any of you in an intact room? One with a big bed and access to water."

One a little ways away responds, and you look back at your passed out husband. You don't know how you're getting him there. Maybe you should've thought about that ahead of time, but it doesn't matter now. You can figure it out, you always do.

—-

It's been at least one day since you dragged him into bed, and Katakuri has yet to wake up. You can feel yourself dozing off every time you sit down, so you do your best to stay occupied. You prepare food, make sure you have enough water to wipe him down and let him drink, and constantly rearranging things. On one hand you want him to wake up so you know he's not in a coma, on the other hand you want him to get as much rest as he needs.

What you want doesn't matter, as you hear him wake up suddenly with a gasp. In your shock, you drop the plate you were holding.

"There's no need to wake up so aggressively, Katakuri. You're safe," you reassure as you pick up the bigger pieces of the plate. "How are you feeling?"

"How did I end up here? What did you see?" His voice is low, almost threatening.

You dump the bigger pieces in the trash and start sweeping. "We can talk about that later. You should have some water and eat. Then you should go back to sleep. I patched you up as well as I can, but I'm not a doctor."

He starts to pull the covers off, giving you a harsh look. "What did you-"

You dump the dustpan's contents into the trash before setting the broom to the side. "Like I said, it can wait. No offense, but you don't particularly scare me when you're ripping open your wounds."

His face goes a bit red as you tell him off. You want him to feel better before you deal with any other matters. That includes the talk of whether he'll choose to kill you for seeing his face.

"I made you some food, so just sit up."

Thankfully, he obeys. Katakuri doesn't even protest as you feed him. You make sure to avert your eyes, just for his comfort. He seems to be extremely hungry, eating all the food you've made. By the time it's all gone, he looks tired again.

"Get some more sleep, I'll lock the door. I wanted to be awake when you woke up, but now that that has happened, I can sleep."

He watches as you turn the lock and slide the broom handle through the loops of the door handles. You do the same with the window, shoving a fire poker through the handle before closing the curtains once more. Giving each of them a tug, you feel satisfied when nothing clatters to the ground.

"When did you sleep?" Katakuri asks, watching you intently. "You look..."

"Terrible, I know. I don't think I've slept since before the tea party, though. I'd have to think about it."

You crawl into the other side of the bed. It's a bit small, but leaning against him makes it a bit more comfortable. Despite your efforts, you find yourself dozing off before making sure he sleeps. There's no way he's getting out of the bed though, you've managed to lay on his arm.

—-

By the time you wake up, Katakuri is fast asleep. For what must be the first time ever, he's got his arm around you, holding you close. You watch him for just a moment, admiring how pretty he is. You want to reach up and play with his hair, but you ignore that feeling and try to wiggle from his grasp.

Even with how battered he is, you find it difficult to free yourself. You knew he was strong, ridiculously so, but you didn't realize he's just this strong. After freeing yourself, you feel exhausted again.

Thankfully, Pudding has left another basket of food for you, complete with an angry note about how she's not your delivery girl and if she's going to bring you stuff you need to be there. You roll your eyes and throw away the note. If she had important things to say, she can say them to your face.

You help yourself to an apple, crunching away as you try to figure out what to make. It would be nice if you could access a bigger kitchen with more ingredients, but this will have to do. Hopefully it's enough food, you've seen the size of  the food he eats.

With a sigh, you give up. Exhaustion still flows through you, so you focus on things that don't require a lot of thought. So you eat and wash the dishes, making sure to be as quiet as possible. It's better for him to wake up naturally, not due to you being a jerk.

Once there's nothing more to do, you make your way to the bed. You check the wounds, letting the smaller and scabbed ones breathe. Almost all of his injuries have stopped bleeding, you just can't check the one you're most worried about. He needs to wake up for you to take a look.

As you reach towards his head, his hand shoots up and grabs your wrist tightly. You wince in pain, surprised at how tight his grip is.

"What are you doing?"

You tug on his fingers. "Checking the scrape on your forehead. I want to make sure it closed up."

He cautiously releases you. "Don't do anything else."

You click your tongue against your teeth. "Have some more faith in me, Katakuri. I'm your wife, I have no ill intentions."

"We need to talk."

You start unwrapping the dressing. "What do you want to know?"

Katakuri breaks eye contact with you. "What happened after I lost?"

"Well, we lost. I dragged you out of here with some help."

"What about the others in the mirror dimension? What happened to them?"

The blood that makes up the scab also goes into his hairline, so you make a note to bathe with him so it doesn't open. "Those chefs are dead. Your little sister and her stupid fan club on the other hand are alive."

"Where are they now?" he asks, furrowing his brow. "What about the cam-snails?"

"I have no idea where they went after they woke up. I collected the cam-snails though, they're in a bag here."

His hand makes its way to your thigh, holding you down. "What did you see? What did you do?"

"I put your scarf on, tied everyone up, and made Pudding alter their memories. Straw Hat knows, but based on how I found you, I don't think that matters."

"How did you-"

You give a small smirk. "Poor little Pudding was so against marriage, but she ended up falling in love with that Sanji boy. I told her that I would keep it a secret if she kept yours. I'm telling you in case you choose to... you know."

His other hand pulls down his scarf. "So you know. And you're still here?"

Satisfied with the head scrape, you pull back a bit. "Of course. You're injured, where else would I be?"

"Aren't you afraid?" He pulls his face into a scowl. "Don't you think-"

Your eyes flutter shut as you lean forward and kiss him. It's nothing romantic, just a quick press of your lips on his, but you pull away flustered.

"Why did you do that?" His eyes are wide.

You blink in surprise. "Why did I do that?"

"How would I know, I'm not-"

You lean forward and kiss him again. His lips are soft, and when you lick your own after pulling away, you find them sweet.

"What are you-" You cut him off again with a kiss.

"This plan isn't-" Even after a fourth kiss, you can't stop.

Before he says anymore, he grabs your face in both hands. "Stop whatever nonsense this is. What are you trying to do?"

You've never seen Katakuri look like this. His face is flushed and his eyes are wide.

"I just really wanted to do that."

It’s now his turn to blink in shock. “Why?”

“You’re just…” You look away, knowing that your face is burning up. “Katakuri, you’re so pretty.”

He doesn’t say anything, just looks at you intensely. You’re worried he’s upset, you did just keep interrupting him with kisses, but that thought is dashed within seconds as he pulls you into a kiss.

His tongue pushes past your bottom lip, pressing into your mouth. Even when you try to take control of the kiss, it takes him no effort to keep you in place. His tongue overpowering yours and exploring your mouth, filling your taste buds with sweetness.

Due to the size difference, his tongue fills your mouth, eagerly searching every part of your mouth. You can’t help the dirty thoughts that start to fill your mind, thinking of other ways he could use his tongue. All you can focus on is how sweet he tastes and how much you enjoy kissing him.

You’re completely breathless once he pulls away, panting as you try to breathe. Through half lidded eyes, you watch him recover. His face is somehow even more flushed and he’s looking at your lips. Without thinking, you blurt out the first thing to come to mind.

“Katakuri, can you bite me? Please?”

His thumb brushes softly against your cheek. “Are you sure you want that?”

You rub your cheek into his palm, letting out a soft hum. “Please?”

Titling your head to the side, you expose your neck. You have no idea why you want him to bite you so badly, you just do. If he tells you no, you won’t ask again, you just want to experience it this once.

The hand on your other cheek slides down to your shoulder. You feel his warm breath on your neck, and you bite your lip in anticipation. At first, he just presses a soft kiss to your neck, carefully holding you like you might break. Then, without warning, you feel his teeth sink into your neck.

You let out a gasp, and your hand grips his shoulder. It’s not a harsh bite, just the very tips of his fangs. The only pain you feel is the initial breaking of your skin, but once that passes, you feel flushed and warm. It’s really doing something for you, and you don’t want him to stop.

“Did that hurt?” Katakuri asks, pulling away at your gasp.

You draw a shaky breath as he licks the marks on your skin. “You drew blood. That’ll always hurt, but I’m fine.”

He hums softly as he makes sure you’re not bleeding anymore. His touch is gentle and light, and you let out a groan as he traces invisible patterns into your skin. You want more, and you lace your hand in his hair.

Suddenly, there’s a knock at the door. You pull away from Katakuri, adjusting your shirt to cover the mark. You wait for him to pull his scarf back up straight under his nose. There’s still a dusting of pink across the tips of his ears, but he doesn’t look as flustered with his scarf up.

He nods, and you open the door. Pudding stands there with her arms crossed, pouting. She pushes past you, dumping a bunch of stuff on table.

“Here’s everything you asked for, don’t ask me for stuff again. You can start getting it yourself!” She puts her hands on her hips. “I’ve done what you wanted for the past three days. I’m done!”

Katakuri moves to get out of the bed, but you wave him down. Both of the siblings deserve their rest. That’s the only thing you should focus on.

“Thank you Pudding. Go get some rest, we’ll be okay.”

She looks surprised, before huffing. “Of course I’m going to get rest. I deserve it.”

She gives you another dirty look before storming out. It’s like a whirlwind came in, scolded you, and left. You don’t really care. She did her best to help you, so you can cut her some slack.

“She shouldn’t talk to you like that.”

You close the door and lock it once more. “It’s fine. Everyone is under stress right now, including you. You should get some more sleep if you can.”

Katakuri tugs his scarf off, letting it rest on the floor. You want to go fluster him again, but you just stay still. Seeing him like this, battered and bruised, makes your heart ache.

“Are you going to sleep as well?”

You give him a soft smile. “Do you want me to come and get more sleep?”

He doesn’t meet your eyes as he answers. “It’s your choice.”

You walk over and place your hand on his cheeks, making him look at you. “Do you need me next to you for you to sleep?”

Unfortunately, you seem to have pushed him just far enough to annoy him. He gives you a stern look as he wraps his arms around you. Even though he’s annoyed, he’s gentle as he pulls you on top of him.

You squirm slightly in a halfhearted attempt to get him to let you go. His grip is iron tight, and he has no intention of letting you go. This is the first time he’s ever insisted on having you sleep next to him, and it makes you feel warm inside.

Once you stop moving, his grip looses just enough for you to get a bit more comfortable. You lay your head on his chest, closing your eyes to listen to his heart beat. It’s relaxing, and you feel yourself get drowsy. You know it’s all over, when he starts to rub your back.

There’s the sound of his saying something, but you fail to catch it as you fall asleep. You don’t even notice the soft kiss he presses to your head while you drift off.

[batmanisagatewaydrug]

what compels you about the Lord howe island stick insect?

its supposed extinction was such a mundane tragedy, this entire population of insects on an isolated island wiped out by the unintentional introduction of rats aboard a ship. it's a fairly common byproduct of colonization, native species being outcompeted by rivals they never should have encountered at all. you so rarely hear about insects impacted by it though, because so few people care about insects even when they're dying out completely.

except they didn't die out. they were thought to be extinct for almost a century, until in 2003 researchers confirmed a surviving population on, of all places, Ball's Pyramid, a volcanic and inhospitable spire of rock twelve miles from Lord Howe Island. not an insurmountable distance, but pretty vast if you're a flightless stick bug. how did they even get out there? no one knows. but they were there, just 24 insects who were supposed to be dead all huddling under a shrub together.

researchers took four of them back to Australia to start breeding programs. at the Melbourne Zoo they've bred them in the thousands now, and they've started contingency programs at a few other zoos worldwide. they're still considered critically endangered, at tremendous risk of extinction, but there are cautious plans to start reintroducing them to Lord Howe Island, when it can be ascertained that the island will be safe for them. there are still European rats that need to be exterminated, and a fungus threatens the plants that the stick insects rely on. there's still a population on Ball's Pyramid, but it's perilously small. their future in the wild isn't certain by any means.

but they're alive, and there are thousands more of them than there would be if no one had gone looking for them. if all the stick insects on Ball's Pyramid get sick or drown or are eaten by seagulls tomorrow, there will still be Lord Howe Island stick insects in the world, and it's all because some people decided that these bugs deserve a second chance and dedicated their entire lives to giving them one. Paige Howorth, the director of invertebrate care and conservation at the San Diego Zoo, the first zoo to successfully breed the insects outside of Australia, said this:

My most vivid memory has to be the very surreal experience of flying back to the San Diego Zoo in 2016 with 300 critically endangered Lord Howe Island stick insect eggs in my backpack.... I’ll never forget counting out the eggs with the Melbourne wildlife health and care teams, who surface-sterilized them pre-flight, so that they could come home with me with a lowered risk upon hatching. The idea that we were finally bringing this incredibly rare species back to San Diego to make their global population a little more secure made me hug that backpack closer. And yes, I did take them to the bathroom with me on the flight. (x)

whenever people start rambling about how humanity is inherently evil or selfish or whatever I think about shit like this. a woman hugging a backpack full of 300 eggs close for a 13 hour flight, just to give some bugs a chance. imagine.

they're also called tree lobsters, which I think is just rad.

[cosmicjoke]

You know what gets me too about Levi?

He's just such a sweetheart. He really, really is.

He has such a tough, intimidating exterior. He is tough and intimidating, forged that way from a life of hardship. But his heart is as gentle as they come.

The last shot of him, handing out candy to all those little kids. The way he saved Ramzi from that angry mob. The way he worked with Historia to relocate all the children from the Underground above, to give them better lives.

Levi's compassion toward children is demonstrated again and again, and really exemplifies his compassion overall. People that treat children kindly, that are so aware of children and their worth, and acknowledge them and their worth, are the most genuinely good people.

And when you think about Levi's own childhood, the brutality and loneliness and poverty of it, it makes his kindness and compassion toward them all the more remarkable. His own, deprived childhood could have turned him callous and cruel, unable to care for others out of the desperation to survive himself, but it didn't. Instead, Levi remained and remains exceptionally kind and caring. He remains more deeply compassionate and generous and selfless than anyone.

That last shot of him handing out candy to those children, helping them to regain even a semblance of a normal childhood, to experience some of the joy and innocence of childhood again, after the trauma of what they've been through, exemplifies who Levi is best of all. He isn't wallowing in self-pity, or lamenting on what he's lost (and he's lost more than anyone). He isn't feeling sorry for himself for losing his mobility, or being scarred and disfigured. He isn't drowning in his grief or despair over the friends and family he's lost. He isn't embittered or negative, he isn't angry or cynical. He isn't self-absorbed, or wrapped up in resentment that others have what he never did.

No, instead, he's out there, on the ground, bringing light into the lives of children who still have a chance to escape that darkness that consumed his own childhood, and the vast majority of his adulthood too. He's out there doing his best to protect them from that despair, to give them a chance at a happy childhood.

This is what I mean when I call Levi the most selfless character. Because he is. He doesn't begrudge others having what he was always denied. Rather, he does all he can to ensure they never experience the deprivation he did. He does all he can to give them what he was so cruelly robbed of.

And all this after he's already given everything. When he owes no one anything.

He really is an absolute sweetheart. He's just the sweetest man.

[elifinchsart]

Today I'd like to bring attention to a Palestinian fundraising campaign I haven't seen shared on tumblr yet: Abdelrahman Hajjaj is a 34 year old family man with a pregnant wife and a young daughter, Leen, whose home and livelihoods have been destroyed by violent artillery and air bombardment. They've lost friends and family and struggle to survive as food, clean water and medicine are hard to come by and disease and insects are rampant.

This campaign is verified by the Butterfly Effect Project. Click here, find the "Verified Campaigns" tab, and check line #947. Leen was born prematurely and needs special medicine and food and Abod has been doing all he can to provide for her. For as long as she's been alive all she has known is war- her and her family deserve a life of peace and you can help them reach it.

Their goal is currently €30,000 and so far they've only raised €2,364 Here is Abdelrahman talking about the situation in his own words.

It is currently being helped managed by Val Wise and Oscar Pepperbloom (who drew the image at top), two people I know in real life and trust immensely. They both are caring people who have been active in providing mutual aid to their communities and they have been devoting time to sharing fundraising online as well as knocking on doors to raise donations and are giving out free art prints to those who donate $10 or more!

They speak to him daily and on recent calls were shocked listening to the bombs fall- but for Abod and his family this is a daily occurrence.

They have been displaced many times and have been living both in refugee camps in tents and in the rubble of their former home.

Currently Abod's neighborhood has evacuation orders. The situation for his family is extremely dire. Your donation can help save Abdelrahman and his family- even small donations help them acquire food, water, shelter and what medical care is still available in Palestine. Please don't hesitate to donate and share!