#These are my current thoughts at least

[jonnywaistcoat]

What’s your opinion on the contrast between “silly” and “serious” spaces? Do you think people can have very serious interpretations about a genuine piece of media and also be goofy about it? I’m asking this particularly because I’ve seen people in the Magnus podcast fandoms fight about people “misinterpreting” characters you, Alex, and the many other authors have written. Are you okay with the blorbofication or do you really wish the media you’ve written would be “taken seriously” 100% of the time?

And follow up question, what do you think about the whole “it’s up to the reader (or in some cases, listener) to make their own conclusions and interpretations and that does not make them wrong”, versus the “it was written this way because the author intended it this way, and we should respect that” argument?

This is a question I've given a lot of thought over the years, to the point where I don't know how much I can respond without it becoming a literal essay. But I'll try.

My main principle for this stuff boils roughly down to: "The only incorrect way to respond to art is to try and police the responses of others." Art is an intensely subjective, personal thing, and I think a lot of online spaces that engage with media are somewhat antithetical to what is, to me, a key part of it, which is sitting alone with your response to a story, a character, a scene or an image and allowing yourself to explore it's effect on you. To feel your feelings and think about them in relation to the text.

Now, this is not to say that jokes and goofiness about a piece of art aren't fucking great. I love to watch The Thing and drink in the vibes or arctic desolation and paranoia, or think about the picture it paints of masculinity as a sublimely lonely thing where the most terrible threat is that of an imposed, alien intimacy. And that actually makes me laugh even more the jokey shitpost "Do you think the guys in The Thing ever explored each other's bodies? Yeah but watch out". Silly and serious don't have to be in opposition, and I often find the best jokes about a piece of media come from those who have really engaged with it.

And in terms of interpreting characters? Interpreting and responding to fictional characters is one of the key functions of stories. They're not real people, there is no objective truth to who they are or what they do or why they do it. They are artificial constructs and the life they are given is given by you, the reader/listener/viewer, etc. Your interpetation of them can't be wrong, because your interpretation of them is all that there is, they have no existence outside of that.

And obviously your interpretation will be different to other people's, because your brain, your life, your associations - the building blocks from which the voices you hear on a podcast become realised people in your mind - are entirely your own. Thus you cannot say anyone else's is wrong. You can say "That's not how it came across to me" or "I have a very different reading of that character", but that's it. I suppose if someone is fundamentally missing something (like saying "x character would never use violence" when x character strangles a man to death in chapter 4) you could say "I think that's a significant misreading of the text", but that's only to be reserved for if you have the evidence to back it up and are feeling really savage.

I think this is one of the things that saddens me a bit about some aspects of fandom culture - it has a tendency to police or standardise responses or interpretations, turning them from personal experiences to be explored into public takes to be argued over. It also has the occasional moralistic strain, and if there's one thing I wish I could carve in stone on every fan space it's that Your Responses to a Piece of Art Carry No Intrinsic Moral Weight.

As for authorial intention, that's a simpler one: who gives a shit? Even the author doesn't know their own intentions half the time. There is intentionality there, of course, but often it's a chaotic and shifting mix of theme and story and character which rarely sticks in the mind in the exact form it had during writing. If you ask me what my intention was in a scene from five years ago, I'll give you an answer, but it will be my own current interpretation of a half-remembered thing, altered and warped by my own changing relationship to the work and five years of consideration and change within myself. Or I might not remember at all and just have a guess. And I'm a best case scenario because I'm still alive. Thinking about a writers possible or stated intentions is interesting and can often lead to some compelling discussion or examination, but to try and hold it up as any sort of "truth" is, to my mind, deeply misguided.

Authorial statements can provide interesting context to a work, or suggest possible readings, but they have no actual transformative effect on the text. If an author says of a book that they always imagined y character being black, despite it never being mentioned in the text, that's interesting - what happens if we read that character as black? How does it change our responses to the that character actions and position? How does it affect the wider themes and story? It doesn't, however, actually make y character black because in the text itself their race remains nonspecific. The author lost the ability to make that change the moment it was published. It's not solely theirs anymore.

So yeah, that was a fuckin essay. In conclusion, serious and silly are both good, but serious does not mean yelling at other people about "misinterpretations", it means sitting with your personal explorations of a piece of art. All interpretations are valid unless they've legitimately missed a major part of the text (and even then they're still valid interpretations of whatever incomplete or odd version of the text exists inside that person's brain). Authorial intent is interesting to think about but ultimately unknowable, untrustworthy and certainly not a source of truth. Phew.

Oh, and blorbofication is fine, though it does to my mind sometimes pair with a certain shallowness to one's exploration of the work in question.

[illusioncanthurtme--art]

Team loserboy

[krysmcscience]

It’s finally done, guys – five whole pages of Narilamb AU comic AND MORE be upon you! (If you have trouble reading any of the text, view the full-size! These pages are huge!)

Yeesh, this took forever. <:)

There’s probably a ton of inconsistencies and anatomy/perspective wonkeries, but this was mostly just comic practice, so Oh Hekkin Well, Lol <:D

(Yes, I am aware the Gateway’s door isn’t present in the Afterlife, and the actual way in is just a pentagram portal. Yes, I put the door in there anyway because Artistic License, i.e. it felt more impactful for there to be a prison door of sorts to walk through to freedom, rather than just a bland boring portal on the ground. 😠)

anyway, i hate backgrounds so much lmao

Alternate ending and a buttload of bonus art under the cut, followed by goofy AU rambles and headcanon stuff:

I’m calling it the Revival AU. It’s not all that creative a title, and someone else has probably used it already, but I am too lazy to really care, LOL

Alternate ending page, which you will Definitely need to view the full-size for, Whoopsie Daisy:

The alternate ending was actually the first ending I finished things off with, because I had a brief badbrain moment where I forgot the emotional beat I initially wanted the comic to end on, and I tend to write comedy, anyway. I later remembered and drew out the proper ending, but I preserved and finished this one, too, because it still makes me giggle.

They had to go back for the followers off-screen in the AU’s real ending. And by ‘they’ I mean just the Lamb, because they weren’t about to ask three newly freed cats to go back into what used to be their prison. The Lamb DID spend some time watching Narinder and the bois enjoying the outdoors first, though:

In other news, here’s the Lamb and me making fun of my anatomy-drawing ‘skills’:

Meanwhile, if you’re wondering why the Lamb is just a-okay with how things went down vis a vis Their Murder, this bonus comic should answer at least some of your questions:

Ah, yes, also this is how they get engaged outside of the alternate ending. Forgot to mention that bit. XD (I already refuse to believe that Narinder is capable of flirting normally, so why would his initial marriage proposal be any better???)

Oh, and before any of them get a chance to actually head back to the cult grounds, there is one potential problem:

And by ‘problem’ I mean something Narinder intends to ignore for At Minimum a thousand years. Cuz he’s a petty bitch like that. :D

what do you mean i drew the lamb too tall compared to the background? clearly they’re standing on top of baal and aym lmao, why else would you think those two aren’t in this one??? (aym and baal got way too excited about finally being outside, you see, and their silly modes are nothing to sneeze at)

And, speaking of heading back to the cult grounds, I’m sure y’all would love to know how the Lamb’s followers felt about the brand new change in management:

It all went better than expected. <:D Tiny ramble now, feel free to skip down to the next comic.

Before you ask, no, the Lamb does not have any actual powers anymore, other than the immortality Narinder definitely grants them. The Red Crown just thinks it’s funny to suggest otherwise, and Narinder does nothing to discourage this. Also, the Lamb and Narinder aren’t actually married here yet, but, uh. Pretty safe to say that particular ritual directly follows the events of this comic. XD

Given how quickly he mellows out in canon, Narinder probably chills out a lot in this AU once he’s in charge of the cult, too, if only because 1.) He’s finally free, and 2.) He’s equally smitten with and distracted by the Lamb. He’s definitely in charge at least 95% of the time, though, because the Lamb never actually wanted to be a cult leader and, now that their time as a vessel is done, they just want to be a normal(ish) sheep who’s wholly devoted to their hot new divine husband.

Some followers do still have some valid concerns about these two being together, though, which I’m sure at least a few of you might share…

Unfortunately for any such concerns, the Lamb is a bonafide masochist in this AU. :D

They’re also 100% a sub, obviously

Anyone at all: Your relationship is problematic and potentially toxic

The Lamb: fuck yeah it is, it’s so hot~ OuO

Here’s just the last panel, made transparent for whatever nefarious purposes y’all might have for it:

Additional exchange Narinder and the Lamb have at some point, probably after the Lamb does a fatal whoopsie while out on a mission trip or in response to things getting a little too sadistic in the bedroom, ahaha:

Look, there is a very important distinction between life and death, and if you don’t understand that, then you’re probably not worthy of being the God of Death, anyway. (At least, according to Narinder, and ONLY Narinder.)

Last but not least, have these shittens:

~Such creative naming conventions I have utilized, lololol~ :D Anyway, there's a few deets on them in the rambles down below.

The rest is all ramble, so before I get to that, I’ll just say – likes and especially reblogs are very much appreciated!!! :D If you happen to really really REALLY like my stuff, meanwhile, I do have a link in my bio to my ko-fi page, where I’m accepting commissions and donations if you’re especially generous… ÓuÒ

Now, BE FREE IF YOU AIN’T DOWN FOR READING MY GOOFY RAMBLES

First ramble is re: Baal’s question of ‘Did it really work?’, since I didn’t feel like expanding on it in the comic proper, and it’s arguably pretty vague? He doesn’t ask because he doubts Narinder or his capabilities, exactly, but because neither Baal nor Aym have ever actually seen their god at full power before (he’s still technically not at full power here, either). It’s not expressly stated how soon the brothers were brought to Narinder after his imprisonment, but whether it was early on or after a length of time for Shamura to (somewhat) recover from his attack, he must have already been weakened, since I have no doubts that there was a huge battle that accompanied the Bishops working together to trap him. So, between that fight with all four of his siblings, sharing his power with a variety of vessels over time, and being chained immobile for a thousand years, he must have been severely weakened by the time he lent the Red Crown out to the Lamb, which would have only weakened him further.

I like to think this is how the Lamb is able to defeat him if they refuse to be sacrificed, despite how it took all four Bishops working together to subdue and chain Narinder in the first place.

All that aside, the three cats have been trapped in the Afterlife for so long that Baal also wanted verbal reassurance that they are all, indeed, actually able to leave it now – something that I headcanon isn’t possible without a significant amount of power (i.e. the Red Crown’s cooperation with its bearer/vessel).

(On a semi-related note, I don’t headcanon Aym and Baal as twins. I like sweetheart big bro Baal and snarky little goth bro Aym too much to have them be that close in age.)

Ah, teeny thing: If you noticed I switched up the art style for Narinder on the second page, that was intentional. It's sort of a visual indicator that there has been a Big Change for him - that being, how much power he has after sacrificing the Lamb. As for why I changed up his arms in the grass rollin' pic, I don't really subscribe to the notion that his arms are spooky bones because they're horrifically injured (beyond chain-chafing scars, that is), but rather just because he's the Bishop of Death, so he can change how normal-to-spooky they look at will. At some point I might doodle out how I imagine his appearance to range between least to most eldritch... 🤔

Next ramble, regarding Narinder’s feelings towards the Lamb...he was initially too focused on being freed from his imprisonment to form any real attachment to them. They were a tool for his use, first and foremost, but he did notice their intense devotion towards him. It was impossible not to notice, because the Lamb was always very happy to see him, even if it was because they died during a crusade (yet again). He wasn’t originally planning to revive them once he was freed, either, because he saw no real point to it – after all, they were already dead when they first met him, just as any other mortal would be when meeting him in the Afterlife, so death has very little real consequence in his eyes. But, once the chains were off, and it really sank in that he stood to lose the most devoted follower he’s ever had, he decided…why put their soul to rest for good or leave them stuck in the Afterlife when he could just as easily revive them again? And why not reward them for their hard work, anyway? Not only would it cost him nothing by comparison, but the future devotion that could come of it would surely make up for his (bare minimum) effort in reviving them.

He wasn’t expecting to get a full dose of that devotion and a smiling face so soon after killing them, though~ :3c (because the Lamb is a bonafide freak, and not-so-secretly into the fucked up power dynamics going on here, lol)

I should mention here that I am firmly of the belief that any non-god/vessel who crosses through the Gateway and into the Afterlife just straight up dies. So, Aym and Baal? Also straight up dead, from the second Shamura brought them through. Their souls were just never put to rest so that Narinder could have some company – if only according to Shamura. Narinder kept the two around mostly out of bewilderment, because honestly, who are these kittens, and what is Shamura’s game here, anyway??? They never even explained anything, they just tossed these kittens into the Afterlife and LEFT!!! At any rate, Aym and Baal being dead is how I explain why their souls apparently become lost in the void if they’re killed, along with the added complications required to revive the two because of it.

So, with those deets in mind, and given a bit of time, if Narinder hadn’t chosen to revive the Lamb, and also hadn’t chosen to put their soul to rest, they still would have woken up at some point, despite being as straight up dead as Aym and Baal. Who, don’t worry, were also properly revived while Narinder was waiting for the Lamb to wake up. Because I am also firmly of the belief that, first, the dead cannot leave the Afterlife without the use of a ritual/relic (and can't stay in the living world for long regardless), and second, dead followers’ devotion isn’t anywhere near as potent as that of the living, given how much more the living stand to lose.

Final ramble, regarding the Lamb’s feelings towards Narinder, and why they’re so devoted to him…

Well, you don’t spend most of your life on the run with your steadily-dwindling herd, trying to evade the ongoing genocide of your species, without becoming a little fucked up in the head. Maybe a lot fucked up in the head. Life is suffering, so might as well have fun with it, right? Maybe start finding death and pain to be kind of hilarious, even a little bit hot, once everyone you know and love is dead and gone, leaving you all alone? And maybe after that, there’s something comforting in how, despite the cold, cruel uncertainties of life, at least you can always count on the inevitability of death, patiently waiting for you until your very last breath? Who knows. Either way, as soon as the Lamb was killed, and they learned that the literal God of Death was offering them a second chance at life and vengeance via effective immortality, they were 100% ride-or-die-devoted all at once. Turns out death is kinder than life – go figure. (Of course, it helps that Narinder is 100% their type.)

They weren’t put off by Narinder’s thinly-veiled sadism or manipulations, either – they’re not too different in those regards, albeit opting for vastly different methods. It’s a very ‘two sides of the same coin’ sort of deal. In order to stay alive once they were made the last of their kind, the Lamb had no qualms with using others to their advantage, and that did not change once they were revived and expected to run a cult. They didn’t care for the position of authority, though – being a sheep and all, they’re much more of a follower than a leader, and thus greatly appreciated Narinder’s need for control. With how they had to keep on their toes for so long, the Lamb was also pretty good at reading people by the time they died, so they could recognize that a lot of Narinder’s posturing was just that – posturing. Dude’s 95% bluster and only 5% bite. He could obviously be vicious when he wanted or needed to (the Bishops' injuries were clear proof of that), but underneath his outer layer of cruelty was a generous layer of tsundere, and underneath all THAT was a soft squishy middle sibling velcro cat in desperate need of attention and affection.

(Which, for the record, he Did Not feel comfortable getting from Aym and Baal – Narinder still has no idea why the fuck Shamura sent them to him, beyond acting as keepers at best or trying to sabotage his attempts to escape at worst. Which, he thought HE sabotaged in turn, by guiding the kittens into being his devoted disciples instead. He thought he was very clever for it. ‘I outsmarted Shamura!’ he thought, despite that there was never anything there to outsmart. ‘What do you mean, Shamura sent your kittens to me for company?’ he demands of Forneus later. It may or may not lead him to pull Shamura out of Purgatory just so he can shake them and scream about how they should have Fucking Explained that!!!)

But, getting back on track as to why the Lamb was so willing to be sacrificed, I cannot stress this enough – if you pay even a minimal amount of attention to what he’s saying, Narinder is REALLY NOT SUBTLE about his intentions. ‘Death is of little consequence.’ ‘Followers are for you to use to your advantage.’ ‘Sacrifice a follower to absorb more power.’ So, yeah, the Lamb knew exactly what would be expected of them once the other Bishops were dead. They knew Narinder would expect them to die for him one last time. But, after all, death is of little consequence (not to mention hot), so when the time came, they wanted to see him freed, even if it meant oblivion for them in the end.

He’d given them a second life, and the ability to avenge their kin, and they felt indebted to him for that – so, while they were still pretty glum about the possibility that they might not get to see him free of his chains, nothing beyond their devotion and debt to him mattered. They never wanted all the drama and expectations that came with the Red Crown’s power, anyway, so, better for Narinder to have it back so that he could deal with it. What he did with the Lamb afterward would be up to him, and seeing as he was their god, they’d accept his decision gladly.

Were they in love with him by that point? Oh, obsessively so, but only in the devotional sense – romance was nowhere on their mind nor radar. That is, until he unexpectedly revived them again, told them he still needed them, and then offered down his hand to help them up.

The Lamb fell HARD for him in that moment. :3c

And now, a tiny shitten ramble. Lu and Li are twins, because sheep tend to have those a lot, and are conceived not long after the Lamb and Narinder’s marriage ceremony. Lu is the minutes older one, but Li is much more mature. I have put no further thought into these two, other than that they are utter menaces, birthed by the Lamb, cling hard to both their parents but especially Narinder (who spoils them rotten), and they are both genderfluid, using whichever pronouns/names they feel like at any given time. They are also both intersex, same as the Lamb, who was initially infertile up until Something Something Vague Magic, which I have also put no further thought into ¯\_(シ)_/¯

oh, and before anyone tries to suggest i headcanon this AU’s lamb as trending more female due to them giving birth or whatever, no, no, a thousand times no, they might have a vag, but they've also got a dick, and even if it's not as big as they'd like, they still know how to use it

Finally, the very tentative name for the Lamb in this AU is Yazdi, which is really just another name for the Baluchi breed of sheep XD (Not that the Lamb is this specific breed, I just didn’t like any of the other sheep-related names I found, ahaha...)

THAT’S ALL FOR NOW (collapses into an exhausted pile of goopy limbs)

[adustoflove]

Having bpd to me is like I'm the loneliest person on the planet, no matter how many people I talk to, no matter how many connections I make or have, I'm a lonely void who will die alone. I have to be talking to someone or with someone every second of every minute of every day. I love people so much, I need people. There's so many people out there with different things to teach you. And then, if I have to talk to one person for more than 6 seconds today, I'll kill them. I'll kill myself. I need to be left alone for the rest of the day, I need no one but myself to be happy. I don't want to partake in anything with anyone because it's all draining and taking out of my alone time. Everyone is the same, they're all boring and self-absorbed. Every conversation feels like I'm forcing myself to be actively present. I just want to be alone in my room with nothing or no one. I don't see a future where I'm happy with anyone other than being by myself.

[sysig]

Strictly professional showering (Patreon)

[karamazovposting]

Dostoevsky never mentioned it but I just know Ivan was chain smoking through that whole shitshow

[mayxo-hxh]

okay 2 questions....

do you think its more likely that illumi kills hisoka or hisoka kills illumi and how do you think it will go down?

what would you WANT to happen with one of their actual deaths?

You're not really going to like my answer here because it completely negates both questions.

I don't think either of them will die or kill each other.

I think it's natural to think so considering the current setting of the arc and what was revealed and their characters, but how I see it, their relationship has proven to be very nonsituational. As in, they aren't really hanging out and helping each other just because they happen to need each other here and there. They hang out and help each other because they unironically see each other as friends.

Illumi had no reason to help Hisoka out in the hunter exam, yet he did anyways. And they stayed together most of the time. Illumi had no reason to help Hisoka out during the yorknew dilemma, yet he did anyways. It's not even in his area of work to just disguise as people for a few hours before leaving. He's an assassin. Hisoka didn't have to help Illumi out during the election arc, Illumi was more than capable of finishing this entire mission alone. And yet he did anyways.

Goes without saying that Hisoka constantly calls Illumi his friend behind his back and also did so in front of him, and Illumi made no move to correct him.

So I can't really imagine, with all this said and done, that they'd actually have a reason to hunt and kill each other on the black whale. I understand the doubts with the stuff Illumi said in their marriage chapter but im still much more inclined to believe theyre working together against the troupe, as that would make much more sense. They've done nothing but work together against everyone in the entire anime and both Illumi and Kalluto worked against the troupe with Hisoka in yorknew after all.

I also feel like this is a general Hisoka misconception but-- Hisoka doesn't want to die. I feel like people think he hired Illumi to "hunt him down" because he wants Illumi to actually kill him and I have to disagree. Yes, it does speak volumes about what Hisoka thinks of Illumi, as in he truly is capable of killing him because theyre equals. But does Hisoka actually want Illumi to kill him right now? Negative.

Some people even say Hisoka has always wanted to go out in a huge fight or whatever-- I genuinely have no idea where tf they get that from lol. Hisoka brought himself back to life for a reason. He wants to live. He never planned on dying against Chrollo. He never ever plans on dying against people he fights. If Illumi and Hisoka were to ever truly fight, Hisoka would never let Illumi kill him without giving it his all. He WILL fight for his life.

And the same goes for Illumi. Illumi doesn't want to die and has no reason to want to actually die by Hisoka's hand. He has duties and responsibilities as a Zoldyck eldest and he's not going to throw it away in the name of... twisted love? lol

And I think lots of people find all of this hard to believe because theyre very used to villains getting bad endings or getting "what they deserve" in anime which is completely fair but let me, no, ALLOW ME to point you to one of my favorite villain groups in hxh that had a good ending despite being complete pieces of shit that would've deserved worse than death.

Genthru and the bomber team.

Genuine shitty people that scammed lied massacred people. They only cared about each other a lot but saw everyone else around them as lower than useless scum. They would've deserved to be left for dead. And yet, what happened? They were healed and they lived. They went on with their lives. Togashi could've very much made Gon just kill genthru to show how powerful he is and his sense of justice blablabla but that just isn't what the anime is about. Everyone in hxh is morally grey. At the end of the day Gon, Killua, and Bisky just wanted the cards from genthru and his friends and moved on.

A lot of people fail to realize this when it also comes to Hisoka and Illumi. They can just get a good ending like that. Do they deserve it? No. Does it matter whether they deserve it or not? Nope! This is hunter x hunter. And as far as I see it, its an anime about the power of platonic and romantic love. And Hisoillu are a specific type of love that is going to get a happy ending despite not even remotely deserving it. We got the meruem and komugi sad love ending. And we're getting the gay version of it except theyre unredeemable and horrible and they still get to be happy. Those are my thoughts.

Also in general I just genuinely cannot see Togashi continuing the anime without his favorite babygirl Hisoka being alive. Like even when he killed him off he revived him like 2 pages later in the same chapter he can't stand the idea of even letting his death marinate for a single chapter lmfaoooooooooo

[necrotic-nephilim]

there is not enough femslash in batcest circles. the girls deserve to be just as weird about each other as the boys are. if BruDick gets to be weird father/son/brothers/lovers/friends/rivals/soulmates then it is only fair that Babs/Cass get to be mother/daughter/sisters/lovers too. Something about that deep intrinsic but undefinable love that is born out of trauma, especially if you consider Cass not knowing what healthy love looks like in the first place. i think it's fun and deserves just as much fandom content.

besides that, you can get even more niche with rarepairs like Helena/Steph. Huntress/Spoiler: Blunt Trauma is already a fantastic comic and even though it's their only real canon interaction it has so much potential. very comparable to TimJay in how Helena tries to get Steph to understand her morals and the corruption you could play with it.

batman: huntress/spoiler: blunt trauma (1998)

that comic also highlights on how both Steph and Helena are outcasts of the Batfamily and don't have the approval of Bruce to be doing what they do in "his city". I think there's so much Potential in Helena taking Steph under her wing because Bruce won't let her in and it becomes a weird codependent toxic sapphic mess. I think the protectiveness Helena feels over Steph from the get-go is so clear and the way she wants to look out for Steph, wants to make sure Steph understands the real world? I love them. Helena should be allowed to steal Steph, actually. I think it'd be fun.

there are a lot of other possibilities too like Babs/Steph or even getting weird with Helena Bertinelli/Helena Wayne and the existential question of "is it selfcest or not." But these two specifically live in my head rent-free, especially Helena/Steph and one day I'll convince everyone else to ship it too.

[starry-bi-sky]

I am so interested in hearing more about the world building of your stillborn still-born au!

So what exactly is the burning mountain island and its ecosystem? And have you built out anything for the far frozen in return? Do the far frozen and molten lava island have relations or do they avoid each other? Are they friendly or enemies? Since the yetis of the far frozen are healer-warriors are the locals of the volcano also healer-warriors or are they something else? Does the volcano have an equivalent to Frostbite(maybe called heatstroke or something similar?) to help Danny with his powers and become his ally?

WHY I AM SO GLAD YOU ASKED!

( @ishkagrante because they asked me the same thing)

The Molten Springs is a mega-island similar to the Far Frozen, but rather than being made up of extreme cold, it's made of extreme heat! The name "Molten Springs" is me playing with the words 'hot springs' and it stems from this fanart I saw a few years back of Vlad relaxing in a pool of lava and Danny being very judgy about it lmao. It's a large, mountainous-volcanic region made up of hundreds of mountains and volcanos. All the rivers, lakes, ponds, etc are made up of lava rather than water. It's extremely hot, as you would expect, and the further inland you go the hotter it gets as you come across more volcanic activity.

All greater rivers and lakes lead back to the center of the island, where Mt. Abzi (created from the word obsidian) stands, a massive active volcano that is thousands of feet tall and is constantly bubbling out lava and feeding it into the rivers. Two to sometimes three times a mortal year it fully erupts, shooting out a massive geyser beam of lava into the sky like a beacon, that lasts thirty minutes before cooling down for a few minutes or hours, before shooting up again. These cause what the locals call a "magma storm", which is basically the human equivalent of flood season because the lava that goes up must come down, and it rains down over the island. This can trigger other volcanoes into full eruption.

I've currently got two names for the greater rivers.

There's Ruzhu (created from the word Eruption), the river that leads over into the Ruzhi Canyon, a great canyon made of obsidian and igneous rock. It's a pretty popular tourist destination, if you get there when the firelight is low you can watch the light glitter and bounce off the walls.

Then there's Spicoria, a river that leads over into the mountain ranges, surrounded by sandbox trees made of petrified wood and smoking leaves. The rapids here grow the sindrillies! Rare purple flowers that resemble the lilies of the nile, they only grow in extremely hot areas. So you can only really find them underground or by the rocky areas of the river rapids. Most flowers come in the same color range as heat. So in oranges, reds, whites, yellows, and blues. The warmer the colors, the more common they are.

Locals live most commonly in caves, in the mountainy ranges where there's less volcano activity (its more convenient), in cold pockets (where the air there is significantly cooler *in comparison to the surrounding area), in the lava. Under-lava cities are very common here, there are entire cities built at the bottom of the lakes and leading into the underground tunnels. Buildings are made of the surrounding igneous rock and obsidian. Gemstones like opal, olivine, agate, amethyst, etc are found growing here since lava has a hand in their creation. They're a little different compared to mortal gemstones, since instead of water they're made of crystalizing ectoplasm. Although what those differences are, I haven't yet figured out.

Jewelry, tablets, sculpting, and oral storytelling are a popular form of artistry since paper really isn't,,, cohesive with extreme heat. Windows, if there are any, are made of volcanic glass and tend to be stained, with various designs on them that depend on the owner's preferences. Due to the lava rivers outside, it's not uncommon for ghosts to wear loose black garments when traveling around in order to avoid getting their inside clothes dirty. Think desert-wear!

I haven't though much about them being healer-warriors (and I'll admit it completely slipped my mind) but it's pretty common for ghosts to go to the lava hot springs, which are situated on the outskirts of the the island, in order to unwind. At least the ones who can withstand the heat when it's at its weakest. Some ghosts can go in deeper, but its really only the fire-core ghosts (like Danny and Vlad) that can actually handle the full heat of the molten springs without melting.

Rip to blob ghosts, Danny watched one melt like an ice cube in his hand once.

The residents of the Molten Springs are fire-core ghosts and other various heat-related mythological beasts. Cyclops, dragons, phoenixes, salamanders, etc etc. If they've got a heat or fire motif, they're there. The Yeti equivalents would have to be the Dragons, because that's who Sunburn is!

Sunburn is the Frostbite equivalent, and he's a massive dragon the size of a mountain, with black obsidian scales. Although he can shrink himself down to size. Danny's only two feet shorter than his eye, which is a lovely amethyst color, and it matches the color of his feathery mane! His mane itself is made of peacock feathers, with purple being the main color and the eyes being a startling electric blue. His fire opal horns are six-pointers, and from a distance blends in with the streams of lava running down the mountains. Despite his vibrant plumage and the jewelry he decorates himself with, he blends in with the surrounding igneous rock worryingly well.

He lives in a massive cave at a collapsed caldera volcano, Danny stumbled across him once on his first journey into the Molten Springs (<- has never watched the far frozen ep so i don't know what happened in it) and woke hm up on accident. Scared the shit out of Danny because he turned around and there was this giant purple eye staring at him.

but it's okay! Sunburn's like. a hippie. so he's really chill. Super chill actually. He's had thousands of years to just chill out. Which is a really good contrast for Danny who is the exact opposite of chill and is constantly on the verge of eruption himself. He helps Danny learn some emotional regulation and how to thermal regulate better.

Sunburn has, on numerous occasions, rumbled out a lazy "nap time" when he thinks Danny's getting too worked up, and then turned and pinned Danny beneath his muzzle. It doesn't hurt him, but it's like a big weighted blanket and it's also like a cat sleeping on you, so even if Dany could move, he wouldn't. He eventually falls asleep 9/10.

Sunburn will also just toss him into the lake outside the cave just. Whenever. What's gonna happen? Danny gets burned? Don't make him laugh. It usually gets Danny out of whatever mental spiral he's in and is just one of the few methods that makes him relax.

As for the Far Frozen! They're on the opposite ends of the ghost zone from each other and are on pretty neutral terms. Residents don't meet often due to their drastically opposite climates, but they can meet somewhere outside of the Molten Springs or Far Frozen, or, with the right equipment, meet in their respective islands. Sunburn and Frostbite are good friends, because I think it's funny if Sunburn has nicknamed Frostbite "Freezerburn".

Also Sunburn doesn't dislike just anyone, but he fucking hates Vlad.

[b4kuch1n]

​​​​            saw you.

[vigilskeep]

trying to figure out cadash’s implied role in the carta. cadash should be a serious name, it was once a warrior caste house and is described as a “ruthless crime family”, suggesting a certain level of power currently. but inquisitor cadash specifically is talking about being on the... front lines, if you will? doing the grunt work. even the peaceful option for their backstory to josie is that they were doing simple, boring smuggling work, and the other replies suggest they were in the middle of the violence. they’re not one of the bosses at the table, they have bosses coming after them because they think cadash made off with the cargo (suggesting cadash running for cash and/or a way out at the first opportunity is believable)

[love-emy]

logan is a liar

social media au

lando norris x reader

an: it’s a shorter one and it’s not my fav but i’m a little burnt out right now so i’ll leave yall w this. i’m gonna talk about this is the tags so i don’t spoil it so look there if u want to. more posts soon i think

[herefortheships]

One great thing that can come out of Beetlejuice 3 ending with Lydia and Betelgeuse married, is that they can continue the story as a show if they want to, later on. An animated show, is what I mean, about Betelgeuse, Lydia, and Astrid. I could watch an animated series about their little family getting into all kinds of Neitherworld shenanigans.

[themintman]

The badge seller but small lmao

LITTLE GUY!!!!

[thebluespacecow]

this is the cringe fail website, i post what i want

here's my shitty little drawing of my dc oc fuck you

it's a store, they're being domestic, i drew this right after my birthday party, i need him happy

[uygfiug]

turns out i turned the assignment i was stressing over into something a lot more complicated in my head & its actually really simple