#The Dangerous Lover

[dreamingsnowflake2013]

The Dangerous Lover premieres tomorrow and it already owns me, I MEAN:

Insane, scorching chemistry, blindfold foreplay...

Sexual asphyxiation...

But fret not, she wants to stab his carotid artery with her embroidery scissors, but it's him who lands the killing blow, ON THEIR WEDDING BED. That wasn't the bleeding they told her would happen.

So apparently, female lead foresaw the end of her family, with the whole family being slaughtered in the chess game for power. In order to prevent their demise, she wins over Su Yan Li, a fallen prince who has also experienced "rebirth" and strives to guide the villain to do good. However, he just might be the culprit behind the demise of her family!!!

I've been counting down hours until the premiere for the past week, because whoever is writing the script knows all my secret fantasies.

[stheresya]

The very foundations of love for the Byronic hero are based on failure and the forgetting of what is possible. The Byronic hero in his purity can, by definition, never be redeemed by becoming a couple, he is interminably thrown back upon black despair; he is unremittingly cast adrift into absence and dark night. [...] But finally the hero fails because this is the definition of the Byronic hero. He is the tormented melancholy failure who nears success and then fails and experiences the eternal loss, the repetition of the impossibility of bliss. He retains his status as the outcast, the dangerous lover whose subjectivity is as large and as impoverished as the world. For Jane Eyre and innumerable other romantic heroines (and heroes), to become an ideal lover, to turn this impoverished world into a plenitude, is to obtain an impossibility. To make the impossible possible is the erotic excitement of the dangerous lover romance.

(Deborah Lutz. The Dangerous Lover: Gothic villains, Byronism and the nineteenth-century seduction narrative)

[kdram-chjh]

Cdrama: The Dangerous Lover (2024)

Gifs of Ending of cdrama "The Dangerous Lover"

EP01 | Marriage turmoil: lovers turned into enemies at wedding night | [The Dangerous Lover 红衣醉]

Watch this video on Youtube: https://www.youtube.com/watch?v=-9CviMG_5A4

[ego-sandwich]

Sketchbook scans: MCR edition!

[diavalkitty]

[correct-hermitcraft-quotes]

Tango: We're lovers. That's all you need to know.

Impulse: Platonic. This is a platonic relationship.

Skizz: Not to me!

[rottiens]

Omg I just had the most disgusting stepcest thought...

Stepdad!Toji has you on his lap spread eagle as he talks stepbro!Choso through giving you oral... Toji's hands wandering over your tits pointing out things in your pretty cunt etc while Choso is on his knees observing learning and eating you out.....

I know megumi makes more sense but I don't care lol...

✮ tags. . objectification, toji is a pervert, stepcest, he slaps your pussy. ꒱₊˚⊹ divider credits!

you sob. toji has been doing that for long minutes now and your plump clit is so sensitive that you don't know how much longer you can stand to keep being used as a demonstration of how to satisfy a woman before you reach orgasm without permission.

with the help of your arousal, he slides two thick fingers around your clit without actually touching it. he opens your pussy and spreads it apart so choso can watch closely how hard you're squeezing… choso leans forward, you see him lick his upper lip and mentally note everything his stepfather tells him.

"you have to wait for her body to ask to be used, okay? you have to be patient."

you tilt your neck down to look at choso sitting at toji's feet, his legs crossed, knees in opposite directions as he gazes intently at your open pussy.

"this is the most important place," toji murmurs behind your back, his silken, husky voice sending tingles through your body. "see how she reacts if I touch her here…" two fingers massage one of your breasts giving special care to the nipple, tugging at it as if hoping to draw milk from there, the other hand is in the middle of your legs moving to the tune of his words over your clit and between your wet folds. "you see how wet it is."

"I see that." muses Choso, almost drooling.

you moan again. "toji…" you call out to him, you try to cling to his arms and improve the position you're in but his arms hugging your legs below your knees, keeping you open for him with your thighs pushing up to your chest prevent you from doing so.

toji slaps your pussy.

"hold still." then he turns to choso. "do you want to try?"

"yeah, i'm ready. i want to taste it."

[justaz]

arthur becoming king and showering merlin in gifts to the point where it looks like hes a nobleman. camelot going yup thats the kings consort, i think we’re two months away from a royal wedding. visiting nobles/royals who have no idea about “merlin and arthur” treating merlin like a nobleman until he corrects them. visiting nobles/royals who DO know about “merlin and arthur” not being surprised in the slightest. merlin getting away with everything and blatantly stealing from the kings plate during a feast and they’re all just like “yeah alright” idk just merlin being spoiled by his bf who isn’t his bf but who desperately wants to be

[dreamingsnowflake2013]

'The Dangerous Lover' stills

[stheresya]

The dangerous lover romance lends its voice to the buzz of existential questioning. Indeed, it is not too much to say that the forces at work in the attraction to the dangerous lover mirror basic ontological structures. [...] Heidegger describes being as a process of misunderstanding the authentic self. Caught up in an everyday world of all that appears closest and most familiar to us, we believe that our existence can be explained by what we know well. But ontologically, our most authentic selves lie in what is most mysterious and strange—what appears to be furthest from us. Confronted with authentic being, we feel a sense of terror in the face of the unknown. The dangerous lover narrative makes the same argument about ontology—that our “true” selves reside in what is most strange and enemy-like, in the dangerous other. Related closely to Heidegger’s proximity theory is our “being-toward-death”—that our lives can be understood only in relation to our end. The end of the romance transforms love into a possibility, into divine immediacy. Unfolding in the midst of stumbling error, unheard whispers, achingly misunderstood gestures, painful secrets bursting to be exposed, comes a day of grace. The romance story speaks always in relation to the full immanence of love which reaches its culmination at the end of the narrative.

The process of such a love has its uncanny qualities, and it is to the dangerous lover figure we must look in order to find a full embodiment of both Heidegger’s and Freud’s renderings of uncanniness. The romance heroine finds her most authentic self at the heart of what seems at first most foreign and outside her way of being—an arrogant, hateful other. Romance moves always toward discovery and approaching the impenetrable: what is uncovered is authentic existence in the uncanny other; at the very heart of what appears to be not ours comes what we must fully own as ours.

(Deborah Lutz. The Dangerous Lover: Gothic villains, Byronism, and the nineteenth-century seduction narrative) 

[dictatorialromance]

“Good morning to your breasts. Your bra is tired. Replace it with my hands.”

[eternallyyourz]

Fuck yeah mcr

[gnossienne]

Elevation (1998), dir. Stephen Cummins

[durgewyll]

WYLL to an ILLITHID TAV: Have you been... comfortable in the Undercity? Is there anything more I can bring you?

[emoregressioncore]

my chemical romance in valentines <3

1/2/3/4 in emo quad valentines series

like or reblog if you use them plz

print pdf link

stickers/magnets (1)(2)(3)(4)(5)

[wow-thisismylifeiguess]

My own personal canon, I guess

But the way I see it, Bruce hates that Jason kills because it puts a worse target on his back. If rogue’s fight against Red Hood and know their lives are genuinely on the line and not just a prison sentence, they’ll fight back harder and dirtier. Red Hood being a killer means that every encounter w him is life or death. So Bruce hates that Jason kills because he’s scared.

It wouldn’t make sense for Bruce to work w people who kill but constantly lecture Jason about it. But it does, because Jason’s different.

The difference being that Bruce doesn’t really care if those other people get hurt. Or no, he does, but not as much as he cares about Jason.

He lost him once, and brutally. If Jason continues on the path he started when he first comes back as Red Hood, Bruce can only see one result. His boy. Dying again. Brutally.