#That was the moment that made me quit

[nikkisticki]

Shout out to the owner of one of my former places of work who was an utter scum bag, ignoring how he funelled most of his profits into building a four story mansion as a man whose legs didn't work and then proceeded to get my buddy a permanent injury borrowing him from his job to move 100lb hunks of stone

He would sometimes bring people out on his boat, which is to say he'd bring out all the girls and enough boys in each trip to cover his activities while he stared like a hungry seal at people aged 16-19 as a 60 year old man, you know at the company where he and the general manager were caught agreeing to only hire young women for the job as eyecandy.

The one year I was involved I ended up standing between him and the girls the whole time acting like I didn't realize what was happening, because fuck you old man

I've got a million more stories but let me make something clear to the 4 people who will see this; The rich aren't inherently evil, but they sure tend to be.

[ihavealavalamp]

Never Quite Free, The Mountain Goats [x]

[rin-solo]

Ages ago, I promised a sequel to my Ruthlessness sketches with my new Poseidon design, and well... See, I had a very specific vision for this, my beloved 🫶 favorite song in the whole entire musical. And I guess I was finally brave en- I mean, found the time to bring it to life. Enjoy 🙈🌊🔱

@glisten-inthedark look at what I've done now

[galacticlamps]

ok I have A Lot of thoughts about the staircase confession (well really about Edwin's whole character arc, but all roads lead to rome) but for now I just wanna say that, yes, I was bracing myself for something to go terribly wrong when I first watched it, and yes, part of me was initially worried its placement might be an uncharacteristically foolish choice made in the name of Drama or Pacing or Making a Compelling Episode of Television but at the expense of narrative sense--

But I wanna say that having taken all that into account, and watched it play out, and sat with it - and honestly become rather transfixed by it - I really think it's a beautifully crafted moment and truly the only way that arc could've arrived at such a satisfying conclusion.

And if I had to pinpoint why I not only buy it but also have come to really treasure it, I'd have to put it down to the fact that it genuinely is a confession, and nothing else.

That moment is an announcement of what Edwin has come to understand about himself, but because it takes the form of a character admitting romantic feelings for such a close friend, I think it can be very easy, when writing that kind of thing, to imbue it with other elements like a plea or a request or even the start of a new relationship that, intentionally or not, would change the shape of the moment and can quickly overshadow what a huge deal the telling is all on its own. But that's not the case here. Since it is only a confession, unaccompanied by anything else, and since we see afterward how it was enough, evidently, to fix the strangeness that had grown between him & Charles, we're forced to understand that it was never Edwin's feelings that were actually making things difficult for him - it was not being able to tell Charles about them. 'Terrified' as he's been of this, Edwin learns that his feelings don't need to either disappear completely or be totally reciprocated in order for him to be able to return to the peace, stability, and security of the relationship with which he defines his existence - and the scale of that relief a) tells us a hell of a lot about Edwin as a character and b) totally justifies the way his declaration just bursts out of him at what would otherwise be such a poorly chosen moment, in my opinion.

Whether or not they are or ever could be reciprocated, Edwin's feelings are definitively proven not to be the problem here - only his potential choice to bottle it up - his repression - is. And where that repression had once been mainly involuntary, a product of what he'd been through, now that he's got this new awareness of himself, if he still fails to admit what he's found either to himself or to the one person he's so unambiguously close with, then that repression will be by his own choice and actions.

And he won't do that. Among other things, he's coming into this scene having just (unknowingly) absolved the soul of his own school bully and accidental killer by pointing out a fact that is every bit as central to his self-discovery as anything about his sexuality or his attraction to Charles is: the idea that "If you punish yourself, everywhere becomes Hell"

So narratively speaking, of course it makes sense that Edwin literally cannot get out of Hell until he stops punishing himself - and right now, the thing that's torturing him is something he has control over. It's not who he is or what he feels, but what he chooses to do with those feelings that's hurting him, and he's even already made the conscious choice to tell Charles about them, he was just interrupted. But now that they're back together and he's literally in the middle of an attempt to escape Hell, there is absolutely no way he can so much as stop for breath without telling Charles the truth. Even the stopping for breath is so loaded - because they're ghosts, they don't need to breathe, but also they're in Hell, so the one thing they can feel is pain, however nonsensical. And Edwin certainly is in pain. But whether he knows what he's about to do or not when he says he 'just needs a tick,' a breather is absolutely not what's gonna give him enough relief to keep climbing - it's fixing that other hurt, though, that will.

Like everything else in that scene, there's a lot of layers to him promising Charles "You don't have to feel the same way, I just needed you to know" - but I don't think that means it isn't also true on a surface level. It's the act of telling Charles that matters so much more than whatever follows it, and while that might have gone unnoticed if anything else major had happened in the same conversation, now we're forced to acknowledge its staggering and singular importance for what it is. The moment is well-earned and properly built up to, but until we see it happen in all its wonderful simplicity, and we see the aftermath (or lack thereof, even), we couldn't properly anticipate how much of a weight off Edwin's shoulders merely getting to share the truth with Charles was going to be, why he couldn't wait for a better, safer opportunity before giving in to that desire, or how badly he needed to say it and nothing else - and I really, really love the weight that act of just being honest, seen, and known is given in their story/relationship.

[faelapis]

i feel like i'm in at a lonely table for one here... but i don't want any SU continuity to be a prequel. and i think some people who want a prequel, haven't really thought through what that would look like.

either a war prequel or a rose quartz prequel would end up as a huge downer. the steven/post-steven era is the only one that has any HOPE for the vast majority of the characters.

idk. i feel like if you really want flashbacks, there's nothing STOPPING a post-SU future series (whether an anthology series or a new main character) from having flashbacks. maybe pearl's the main character for an episode, and its mostly her telling old war stories. maybe bismuth and garnet finally have that beta raid flashback.

but if you set it in the past, definitively, then its going to be a bummer. because all the characters end up corrupted, shattered, deeply traumatized, or fleeing to homeworld. nobody feels like a winner right after the war. not a single character.

most gems are only beginning to heal from it now.

SU, thematically, has always focused on the possibility of hope and change. that's only possible in the future, not the past.

you want lore? you can have that in an anthology or post-future series. there is nothing stopping peridot or the diamonds from having a "explaining gem origins and religion" ep. you want action sequences? again, pearl can narrative war flashbacks, or we can even set an anthology episode in the past proper. or have a new conflict!

personally, i don't see a reason to set it only in the past. that's just an unnecessary limit on the stories you're able to tell.

[bbbartblog]

Chibi(ish?) Moment of Clarity~

[urfavisananimegirl]

walter white from breaking bad

Walter Hartwell White (Breaking Bad) is an Anime Girl!

[shithowdy]

realized a drawing i'm doing rn is almost identically posed to one i did 8.5 years ago of a different oc, except the old drawing was instantly tainted by one of the players featured messaging me asking if i could take it down because their abusive, possessive rp partner saw it and got jealous of them "roleplaying behind their back" and i said "nah" and it became a whole Thing that i should have walked away from at that exact moment but didn't and the 6 months that followed contained some of the most truly condensed batshit i have ever witnessed in an rp community already well-known for its batshittery.

... anyway i love my friends. so happy to accidentally redeem the pose.

[akkivee]

apologies for being mia!!!!! pls accept this tierlist lol

[gammija]

i REALLY enjoyed dungeon meshi, it has lovely characters and story and worldbuilding - but some of the posts and tweets i saw about it going in, lead me to believe that it had more horror/tragedy elements than it does. While it does have its more serious themes and dark moments, it fits solidly into the fantasy-adventure genre.

just thought I'd put that out there, in case some of yall following me for tma have gotten curious about it

[todayisafridaynight]

rate the outfit

[danandfuckingjonlmao]

i need to steal charles rowland’s gender like i need air to breathe. not even joking. i need it so bad.

[shadowlurkerbug]

Ok guys stop making really good analysis stuff on arcane. Especially lil Isha😭

THAT BROKE ME SO BAD. HOLY CRAP. BRING HER BACK RN.

[tamaharu]

"Isn't that what you always wanted?" "That's not what I want!"

Revolutionary Girl Utena (1997) / Vladimir Nabokov, Lolita

[t-u-i-t-c]

"How's it feel?"

[silverview]