#Technical analysis volume

[rwbyrg]

So, we can all agree that when Oscar eventually gets his semblance, it's going to have something to do with Ruby, right? And I'm not even saying this from a shippy lens. Kid has an immortal wizard move into his brain at 14 that he can't kick out, immediately becomes a child soldier, lives through a train crash, countless grimm fights, crash lands a plane, gets shot in the chest, falls for - quite possibly - a few kilometres after blowing up a hole in the bottom of a military compound, gets beaten up and abducted by a goopy grimm super monster, magic blasted by his headmate's ex-wife, tortured and beaten up by a man six times his size, fights off Salem again to save his friends, and not ONE of those instances has been stressful enough to awaken it.

But both times he's talked about his semblance manifesting, it's been with Ruby. The first is in v5 after they spar and Ruby cheers him (and Jaune) on about getting there one day, while Ren makes a comment saying:

"One common philosophy is that a warrior's semblance is a part of who they are".

The second time is in v7 when Ruby does something new with her own semblance and Oscar asks if she's always been able to do that. Eventually leading to him lamenting again about how he's not unlocked his yet while everyone else's are evolving. And it's Ruby that responds with:

"Well, I'm sure we'll all be jealous when you do (figure it out)".

And then, from both Ruby and Oscar's perspectives, we are shown their attachment to each other. Ruby throughout V9 with Neo's illusions, and Oscar with - many instances - but especially in the recently released epilogue where he speaks at her grave. And in this speech we're reminded of that attachment as well as his struggles with identity. Specifically how those two things are intrinsically linked together:

"You always believed in the best. Saw people for who they really were. Some of us... don't know anymore. "

Oscar can't grasp his own personal super power that's "a part of himself" when he doesn't know who he is. He's losing himself to the merge, the boundaries of where he ends and Oz begins are blurring by the day, and he's only 15 and still growing into the person he could become. And the one person that was always certain of who he was, always made him feel like he was his own person... isn't around anymore. So he feels even more detached from his identity and the parts that comprise it than ever before.

But she returns in Vacuo before their final fight, and his semblance has been teased too many times to never appear. So my current guesses are either:

he's going to unlock it under stress to save Ruby from certain danger, because he "lost her once and won't risk it a second time"; or

he's going to unlock it in a different, maybe even quieter moment, where - once again, thanks to Ruby's certainty - he starts feeling like himself again.

Only one way to find out.

[indextrader]

Importance of chart analysis for equity investments

Image by freepik Chart analysis, or technical analysis, can be quite helpful for equity investment in the Indian stock market. Here are several reasons why it is beneficial: Benefits of Chart Analysis in the Indian Stock Market 1.Trend Identification The Indian stock market, like any other, exhibits trends over time. Chart analysis helps in identifying these trends, allowing investors to ride…

[allaboutforexworld]

Volume Trading: Forex Trading Strategy Explained

In the world of Forex trading, understanding market movements is crucial. One such method to gain insights into market behavior is through Volume Trading. This strategy involves analyzing the volume of trades to make informed decisions about buying or selling currency pairs. In this article, we will explore the concept of Volume Trading, its benefits, and how it can be effectively used in Forex…

[ezyalgo]

without taking any risks and using a consistently successful strategy? What are some strategies or tools that can achieve this?

 

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[dencyemily]

Analyst Cautions of Further Price Decline in AVAX

AVAX is currently at a crucial point, having bounced back at the 0.382 Fibonacci level. However, caution is advised, as further decline below $30 is possible. The trading volume of 4.202M indicates ongoing interest in AVAX and potential validation of price movements. The current price of $38.93 shows a slight increase of 0.86% in the last 24 hours, reflecting cautious optimism.

According to Altcoin Sherpa's analysis, AVAX is at a crossroads of market speculation and technical analysis. The token has attracted attention with its intriguing price movements. Although AVAX found support at the 0.382 Fibonacci level, caution is advised as the overall trend suggests further decline in value. The Fibonacci retracement tool has highlighted key levels where AVAX might experience resistance or support.

The trading volume of 4.202M AVAX offers valuable insight into market sentiment, indicating strong interest. AVAX's current price action shows a minor uptick, which could signify the beginning of a recovery or temporary respite in a broader downtrend. The market's behavior around the 0.236 Fibonacci level is critical, reflecting a struggle between continuing the downward trend and reversing it upwards.

AVAX's current price of $38.93 reflects a modest uptick, aligning with cautious optimism in the market. Overall, traders and investors are advised to approach AVAX with caution, as the token is still below the 0.236 level, around $40.35 USDT.

[techmarkethunter]

Mastering the Morning Star Pattern: A Step-by-Step Guide

Title: Mastering the Morning Star Pattern: A Step-by-Step Guide Introduction:The world of technical analysis offers traders a plethora of tools to identify potential trend reversals and market opportunities. One such powerful pattern is the Morning Star pattern, a three-candlestick formation that signals a potential bullish reversal after a downtrend. In this step-by-step guide, we will explore…

[stocksharp]

Basic technical analysis for trading.

👩‍🎓 🧑‍🎓 "Technical analysis" is a method of studying stock behavior by analyzing charts to forecast future price trends. Technical analysts examine stock behavior based on price and trading volume (or trading value), considering them as important sources of information for technical analysis.

💥However, the strategies used in technical analysis are not formulated without principles. In fact, they are based on three concepts or beliefs:

1. Price Behavior Reflects All Information: According to this concept, the price of a stock reflects all relevant information. Economic, political, and other changes that impact supply and demand in the stock market will affect the price. Since the price is determined by the interaction of supply and demand, positive changes lead to increased demand surpassing supply (greater buying pressure than selling pressure), resulting in price increases. Conversely, negative changes lead to increased supply surpassing demand (greater selling pressure than buying pressure), leading to price declines.

👩‍🎓 🧑‍🎓 However, technical analysts primarily focus on price and volume data for analysis. This approach narrows the scope of study compared to fundamental analysis, which delves into the causes behind price changes. While analyzing fundamentals, the driving forces behind changes in supply and demand are thoroughly examined. Both approaches aim to solve the problem of determining the direction of stock prices, although they differ in their analytical models.

[thecomicsnexus]

TMNT: 40TH ANNIVERSARY COMICS CELEBRATION

July 2024

By Kevin Eastman, Edgar Alan Poe, Jim Lawson, Tristan Jones, Gary Carlson, Chris Allan, Erik Burnham, Lloyd Goldfine, Ciro Nieli, Andy Suriano, Tom Waltz, Ronda Pattison , Tom Napolitano, Steve Lavigne, Paul Harmon, Frank Fosco, Adam Guzowski, Sarah Myer, Luis Antonio Delgado, Shawn Lee, Khary Randolph, Emilio Lopez, Michael Dialynas, Pablo Tunica, Freddie E. Williams II, David Petersen, Ken Mitchroney, Aaron Hazouri, Dan Duncan, Sophie Campbell, Jodi Nishijima, Stan Sakai, and Emi Fujii.

Come and enjoy stories that will remind you of the 40 years of turtle history.

SCORE: 10 *

* Assuming you are familiar with these iterations.

This is a strange read, and curiously, there are three or four highlights for me, and they are not exactly the ones you would imagine.

Spoilers after the break...

The first story by Kevin Eastman is in the Mirage section of the book but... well... I'll leave at that... I wouldn't call it the Mirage we knew.

There is a story by Lawson and Lavigne with the Rat King that... it's fun. But, you know... I wouldn't even try to fit it in canon... the amount of continuity physics you need to bend to place this story is not worth the time. Just enjoy as a new story by these two iconic Mirage artists.

This other story by Tristan H. Jones and Paul Harmon requires more analysis. I'll revisit it on my gang wars video and try to give it more context... but unfortunately... it's just too vague. All I can say for sure is that it happens in the future of that incomplete saga, but the narrator just takes too many artistic choices to be taken at face value.

Also... I believe this is the first official (frontal) appearance of Agent Bishop (unless I got the character wrong, but Jones already tried to introduce him in this saga). I think he is still holding on to it, and I really hope he gets to tell his story. I wouldn't mind a mini-series... just saying!

The Volume 3 story was... not for me. The dialogue alone felt tired.

The Archie adventure was short, eventful, and funny... and it looks amazing too!

In just four pages a new character was introduced and... a new love story was implied! And it's not just a gratuitous cameo... this is a funny sequence.

The Saturday Morning Adventures (the de facto 87 story) looks amazing as usual, but I didn't find the story that interesting. However, it started a theme that would run across most of the stories in this special after this one: Master Splinter.

The 2003 story is a... loose canon?

Hun is Slash, and Shredder is back... so make of that what you want. All I'm going to say is that this felt a lot like watching the beginning of a 2003 episode, with the narration setting the tone.

The 2012 story was one of the least interesting in the previews, but I have to say... it was probably one of the best. It brought back a villain and it technically serves as an excuse to continue the series?

But to me the best thing about the story is the art. I am surprised Ciro Nieli didn't do more comic book work for the Turtles all these years. In fact, if they somehow decided to continue the 2012 universe in 2D in this style... I'm all in. Well, who am I kidding... I would be in anyway... but this looks amazing.

Andy Suriano did probably the most interesting story in the book. Now, I am not sure if his style doesn't translate well to static panels or what the problem is with the comic format... but it doesn't matter... this small story brought in a lot of things that ended on the editing floor after the show's second season was reduced to a few more episodes. There was a rumor about a female turtle, and not only it is here in all its glory, but there is also a brother?

And come on... it's so Lou Jitsu to die with a cliffhanger.

There are two IDW stories. One is another Splinter story, but the other one is perhaps one of the best in this book.

The Ronda Pattison story takes place just before the Armageddon game, and it shows the five turtles in full sibling dynamic (even Jennika). It was refreshing to see these turtles having fun for a change.

There are no stories by the new team, but... well... that's just starting.

[allaboutforexworld]

Volume Indicators: How to Use Them in Trading

Volume indicators are essential tools for traders seeking to understand market activity and potential price movements. These indicators provide insights into the strength and direction of trends by analyzing trading volume. This article explores how volume indicators work, their benefits, and how traders can effectively use them in their strategies. What Are Volume Indicators? Volume indicators…

[phoenix-is-the-hottest-thing]

Some people need to understand queer coding opens character identities and relationships up to a solid queer interpretation, but that doesn’t equal “this character 100% fits my headcanon and if you disagree you’re a [REDACTED]”

From a literary analysis perspective, as long as your interpretation is reasonably evidence-based it’s valid. As this is fandom, I’d add “sincere” to that since unlike an academic setting we get bad faith actors but that’s it.

So, to have a valid “interpretation” you have to do the work in good faith, and you have to be able point at the text to support your interpretation. If you can’t, or don’t want to, that’s a headcanon, and it’s totally fine.

“But this character is a lesbian she likes a girl!” There’s more to queerness than straight and gay. You could reasonably interpret a girl who likes another girl as plenty of different things:

Lesbian

Bi

Ace/aro and something else

Straight and closeted trans

Straight and lover is closeted trans

And so on.

So when you have an interpretation, someone might tell you, “I think this other thing.” The polite way to handle this if you don’t like it is to say “that’s so cool we can see different things in the ambiguity of art”. Maybe blocking each other if you dislike their interpretation that much.

That’s of course unless you both want a debate to further refine your understanding of the text or just like to argue or whatever. Which is fine! As long as it’s not overly bitter or whatever, it’s fun to discuss.

“So how do I know which interpretation is more canon than another?”

See, that’s the thing, you can’t. Canon is kind of shaky in the first place. The canon is just what’s written that’s recognized as true/correct text, not the way to understand it (and not what the author says is true, some people take Word of God as canon because it allows the following of one concrete interpretation instead of acknowledging multiple, but strictly speaking it is not). You can only interpret the canon.

For example, 4-komas bonuses of serialized manga are usually non-canon because they are jokes and not meant to be taken seriously as a part of the story’s text. That’s what canon actually is for, originally it’s to talk about which books are genuinely part of the Bible and which are to be deemed offshoots that shouldn’t be taken as a Catholic Church-endorsed religious text.

I guess that’s what gets people confused? That there’s no actual truth to imagined worlds, only what happens in the eyes of the beholder when they interact with art?

Because that’s what it means, canon often has nothing to do with who’s “actually a lesbian” short of them saying it directly. An onscreen wedding is said to “make a couple canon” precisely because there’s only so many ways you can interpret a wedding, but all that means is that the text says they’re together at a point in time. One way I can think of having a canon sexuality would be a canonical character sheet, or an omniscient narrator saying so, but everything less is basically an interpretation.

Note that interpretation obviousness can go from “that’s a stretch but I like it”, to “you only need eyes to see it”, they’re both still interpreting. Even a character talking sexuality technically only makes canon that they’re willing to say so, but that’s when critical thinking comes in.

If you hear a character say “I’m a married lesbian” and think “they’re just confused” with no evidence, you look like an idiot. You absolutely can argue which interpretation is more valid or likely by pointing out inconsistencies, stretched evidence, or that one interpretation has a higher volume of evidence/etc. This is how you avoid relativism and “nothing the text says matters” trolls.

Occam’s Razor is another way you might be tempted to try and determine whose thesis is stronger. This technique works through figuring out which interpretation requires the least amount of assumptions (saying something arbitrary is true as a basis) but it doesn’t make anything canon, or more interesting, it’s not a concrete sign of superiority. Just means it has stronger fondations.

However… your interpretation being stronger, more popular, better worded etc. or you thinking someone else’s is immoral, stupid, etc. doesn’t give you license to be a bully, to call people names, to dox them, dig up dirt to make them look worse, and so on and so forth. Thinking you’re right and they’re wrong does not make you above basic respect, politeness, or consequences. You’re not better than everyone else.

As a child, I used to think I was always right because I was logical, and I clearly made logical sense so there was no way for there to be a logical reasoning that arrived at a different conclusion. (Newsflash: Child me was very wrong! Sometimes multiple things can be equally valid! And even if they were not equal, that didn’t give me license to deride people publicly!)

Queer coding is by its nature interpretative. Coding is the author leaving hints about their characters by using a “code”. Some hints, almost everyone in your section of fandom might have the exact same interpretation about. Some hints might be dead obvious. Some hints might leave you overjoyed. Some hints you might ignore because they make you uncomfortable.

Some people will disagree with you about how they interpret the coding, or might even just state that they believe people have a right to interpret the canon however they want, even in ways you don’t like. That is normal. That is not a threat to your interpretation.

Don’t be a petty cunt about it.

Essentially,

[germanpostwarmodern]

The Kornhaus restaurant is a main attraction of every Bauhaus tour in Dessau yet its architect remains in the shadows of this landmark: his name is Carl Fieger (1893-1960) and he was involved in all of the Bauhaus’s major architectural projects. Although he realized only one more building in Dessau independently, Fieger as employee in Walter Gropius’ office contributed to the Bauhaus building, the Törten estate as well as the Masters’ Houses. Before joining the Groupius office in 1921 he had already worked in Peter Behrens’s for a decade at a time when e.g. Le Corbusier and Mies van der Rohe passed through the office. Both Behrens and Gropius quickly recognized Fieger’s drawing talent and it therefore doesn’t take wonder that Gropius in particular gladly relied upon it.

In 2018 the Stiftung Bauhaus Dessau organized the exhibition „Carl Fieger. Vom Bauhaus zur Bauakademie“ and revealed numerous unknown drawings, documents and papers from the Bauhaus archives. They are comprehensively reproduced in the accompanying catalogue published by Kerber Verlag and supplemented with an analysis of his life and career by Uta Karin Schmidt who has written her PhD thesis about Fieger. Inspired by Le Corbusier and the contemporary discourse surrounding affordable prefab housing, Fieger in 1924 presented his Round House to be industrially produced. With his own house in Dessau, inspired by Le Corbusier’s „Maison ouvrière en série“, Fieger in 1927 followed in the same vein, although it was considerably more elaborate and also included self-designed furniture, a garden designed by the architect and an elaborate color scheme.

In parallel to his work in the Gropius office and his solo works Fieger between 1927 and 1930 also taught technical drawing at the Bauhaus. In 1930 he followed Gropius to Berlin but unlike him stayed in Germany during the Nazi dictatorship. After first being banned from practicing due to his Bauhaus past, Fieger from 1936 onwards again worked as architect, e.g. for Werner March.

After WWII Fieger remained in East Germany and became research associate at the GDR’s Bauakademie. In this capacity he also was responsible for the very first Plattenbau in the GDR in 1953.

In view of Fieger’s involvement in key projects of German modern architecture, his significant own designs and his later career in the GDR, the present volume is a very insightful and comprehensively illustrated read. Highly recommended!

[kusakabesimp]

In Defense of Kusakabe - Ch 253 and Analysis

We respect Kusakabe Atsuya in this house.  I've seen a lot of back-and-forth on this chapter, and I need to defend my King. So, let's get into it!!  Author's note: I intended this as a short post, but now it's a 1600-word dissertation, and I'm not even sorry. >_>

The chapter opens with a flashback with the narrator asking jujutsu sorcerers who is the strongest Grade 1. I take everyone at their word here: Mei Mei has praised Kusakabe's skill on multiple occasions, Nanami is known for his strong situational awareness, and Gojo is always brutally honest. They say he's the strongest Grade 1; I believe them.

Kusakabe has a reputation for downplaying his skills. We know he's confident; we've seen him hype himself up during fights, but he's not the type to brag about it. It's worth noting that he uses the masculine and assertive pronoun "ore" when referring to himself, in contrast to Gojo's softer "boku" and Nanami's ultra-polite "watashi." He has the confidence, but he keeps it subtle.

(Also, it's unclear who Usami is, but Atsuya probably knows this sorcerer well since he doesn't use an honorific when he mentions them.)

So, why defend Kusakabe?

There's a lot we don't know about Kusakabe's abilities, and what we do see isn't fully explained.  

He blocks Kenjaku's Maximum Uzumaki using a technique from New Shadow Style; however, the technique itself isn't named, and its actual execution isn't shown. Uzumaki caused massive destruction, leaving a wide zone of wreckage and a crater on par with Hollow Purple. Kenjaku wasn't holding back, so blocking his attack would have required a huge amount of strength and cursed energy.

And speaking of Kenjaku, he goes so far as to compliment Kusakabe on his technical skill, saying, "It's nice to face someone with a little know-how." This is a rare moment of praise from someone who considers all sorcerers garbage. This alone speaks volumes.

Simple Domain and the fight with Sukuna: there is a lot to unpack here. Simple Domain has different rules and applications depending on who is casting it and who or what is affected by it. The primary purpose is to neutralize the one-hit effect of Domain Expansions, but Kusakabe isn't using it as a debuff for Malevolent Shrine. Instead, he uses it because he knows Sukuna's Cleave/Dismantle can work outside his DE as a standard Cursed Technique. Kusakabe's Simple Domain is designed to cancel or at least lessen the effects of cursed techniques, making this a perfect application in a hand-to-hand fight to minimize damage or protect an ally. Kusakabe later confirms that getting hit by Cleave or Dismantle at point-blank range is a guaranteed fatality. Yet he didn't die. Even with the protection of Simple Domain, there's something else in play beyond what we're seeing. And considering the versatility of Simple Domain, it's almost guaranteed that Kusakabe can use it in several other ways we don't know about.

Kenjutsu: I've heard people describe Kusakabe as a modern-day samurai, and that's an accurate comparison. Kusakabe is highly skilled in New Shadow Style sword techniques, the style itself based on an actual kenjutsu style known as Shinkage-ryū. So far, we've seen only one of these techniques, Battō. This is an iai sword drawing technique where the katana is coated with additional cursed energy, allowing it to be unsheathed and wielded with lightning-fast speed. I say 'additional' because Kusakabe's blade is always imbued with his energy, but this technique has an extra push. We see the beginning of another iai technique called Yūzuki (Evening Moon), but he's interrupted before he can draw. He seemed excited to use the technique, whatever it was. It's worth noting that both of these techniques parallel the Shinkage-ryū school emphasis on using low stances to protect the body while simultaneously using the legs to increase speed and power. The goal is to respond to a situation as quickly and efficiently as possible, the philosophy of 'the sword cuts only once.'  Killing or cutting with one strike takes extreme precision and skill. Given that he's a master of New Shadow Style, there are definitely other iai techniques we haven't seen yet.

We know he's incredibly fast. In Chapter 246, after Higuruma's Deadly Sentencing fails, Sukuna returns to using Cleave and Dismantle. Despite being on the opposite side of the battlefield, Kusakabe managed to shield Higuruma from the attack. He was already moving in that direction before Sukuna used his cursed technique, but it's still impressive that he outran the fastest attack in JJK while simultaneously expanding the radius of his Simple Domain to include Higuruma.  

Soul Exchange CT: In Chapter 222, Yuji and Kusakabe switch bodies/souls. The switch is confirmed both in the dojo and in an aside where Kusakabe expresses his enjoyment of being in a younger body; outside of that, we don't know anything about this technique. It never reappears in the manga, and Gege doesn't explain how it works. Like with Simple Domain, each sorcerer has their own specific rules for how the body and soul interact and how their cursed technique ties into one, the other, or both. It isn't clear if Yuji inherited this technique or learned it, but there's no doubt that he mastered it under Kusakabe's guidance. It's worth considering the possibility he may have even learned it from Kusakabe himself. Gege left this scene intentionally vague and confusing, along with the many times New Shadow Style techniques are described only as "forbidden for outsiders." There are too many unknowns to rule it out.    

Other things that work in Kusakabe's favor:

The man KNOWS sorcery. He has extensive knowledge of cursed techniques, domains, and the uses and effects of cursed energy. This was made abundantly clear in the Sukuna vs Gojo fight, where he helped explain what was going on (because, let's be honest, even we weren't sure what was happening). Kusakabe's working knowledge is invaluable, which is one of the reasons he's a great teacher. Gojo is also an exceptional teacher, but he's on another level altogether and doesn't know the more practical aspects of sorcery that Kusakabe excels in.   

He's an excellent tactician. He played a crucial role in pre-planning for the Sukuna fight, creating backup plans for the backup plans. When things went sideways after Gojo's battle, he stepped up, and the other sorcerers followed his lead. He's a valuable source of guidance on and off the battlefield, identifying an opening, hitting strategic cues, and re-directing resources to support allies. He's also demonstrated an exceptional ability to adapt plans and strategies on the fly.  

So that brings us to the last panel -- where he's staring down at The King of Curses, asking himself if he's willing to fight. A lot of people say no, he won't, and brand Kusakabe as a coward, but I don't follow that train of thought. There is no doubt that he will risk his own life for those he loves, and he has proven that time and time again.  

He frees Panda from the isolation cell, and though he claims it's a way to repay Yaga for helping his sister and nephew, it's evident from other moments in the series that he holds a deep affection for Panda that extends beyond mere obligation.

A man who refused to enter platform BF5 for fear of encountering a special-grade curse later jumps in front of a special-grade technique cast by a special-grade sorcerer to protect Miwa.  

On multiple occasions, he tells Higuruma that he will do everything in his power to protect him, even if it means giving up his own life. He doesn't hesitate to jump in when he sees Higuruma struggling to keep up with Sukuna in hand-to-hand combat, shielding him with Simple Domain. He also sends Yuji to support Higuruma when he cannot do so himself.

Everyone seems to be forgetting that Kusakabe chose to be there; he's already been fighting, and he's still there. He made it clear that only those with RCT, those who wanted to die or didn't mind dying, should be the only ones going to confront Sukuna. Some sorcerers didn't go, but Kusakabe did. When he isn't supporting others on the battlefield, he's leading the teams on the sidelines, adjusting strategies and coordinating the next round of attacks. He wants to be there; otherwise, he would have left long before things reached this point.

There is no way of knowing if Kusakabe will win; I've given up trying to figure out how Gege's mind works. But I know he will fight.  

Need further proof? Let's zoom in on that last panel.  

When drawing a katana, the sheath is positioned at an angle across the body, and the tsuba (handguard) is aligned with the center of the body. The sword is released from the sheath by pushing up on the tsuba with the non-draw hand and pulling it up and out with the draw hand. The index finger is relaxed until the sword reaches a point where it can be rotated for the cut.  

Even as Kusakabe thinks, "Is this really happening?" he's already decided to fight and is drawing his blade.

Whatever happens, we respect Kusakabe Atsuya in this house.

[demonslayedher]

do you have any headcanons for the reincarnations/chapter 205? :D

First off, when I read that chapter I was like... "I can't believe it's over... what a ride... BUT WHAT DID I JUST READ????"

Also, since canon only describes them as "descendants" and "a person who..." and never says "reincarnation" I don't technically think of them that way... although that is hard to do after the Obamitsu promise. My main issue with this is looking backwards; it's simply a matter of preference that I don't like thinking of Tanjiro and Nezuko as reincarnations of Sumiyoshi and Suyako (and I especially prefer to keep Yoriichi and Tanjuro as separate people), because I like the straightforward interpretation of inherited memories as something unique to this world.

So that being said!!

The modern day kids have really grown on me. : D Touko is my favorite. I have written some headcanons for them which I have tucked into fanworks that I'll link below.

--The Kamado family house was given to the Hashibira family, so Aoba still has ties there (although he doesn't live there). This is also why the Kamado boys live in the city. Theory expanded on here.

--If they are indeed reincarnations, then Kotoha was reincarnated as Aoba's mom, but she's a divorcee. Aoba's canonical younger brother has a wilder personality. I had a really nice time playing with Aoba interacting with his mom in this short fic, which also refers to the above theory and has interactions with other characters in the fallout of the blue spider lily failure.

--The Kamado family is so removed from their old charcoal past that they just FORGOT to give the oldest son a charcoal related name

--Touko inherited Zenitsu's wide range of strong emotions and expression. Although the women in their family are known for being nice and sweet, there is always what is called the "Agatsuma Demon Gene." However, it's unclear which great-grandparent this came from. There is no mention of Nezuko as a demon in any of "The Legend of Zenitsu" so Yoshiteru is convinced she was a demure girl who needed to stay out of the sunlight for health reasons. These are referred to in this collection of fanart/doodles of the Chapter 205 cast, as well as in this comic that was drawn before Volume 23 came out, so we were still under the impression that Kanata considered Touko his girlfriend (canonically, he does not, that evil flirt).

--More fun doodles of Touko with Zenitsu's expressions and Yoshiteru with Nezuko's expressions here

--Yoshiteru has Marfan Syndrome.

--This isn't so much a headcanon as an observation, but I love what Iguro being a chef and having a good luck snake emblem says about how he's been freed some his past. So I said that all at the end of this post about snake analysis as it relates to Iguro.

--I just kind love that Kiriya and Yushiro are friends???

--I don't know how I feel about the "they get together every year to do Kagura in the Breath styles" thing that was added later. It just doesn't seem to fit well with everything. First, the need for Breath technique is gone, so if Tanjiro decided to simply not teach the next generation, that would have been a fine statement. After all, they just keep the earrings in a framed box now. Second, it would imply that they all might recognize each other from having met every year. Touko would happily anticipate meeting her favorite gymnast every year, and she and Yoshiteru would both already have met Aoba plenty of times, as would Sumiyoshi, who supposedly only meets him when they are both sulking about being in trouble. Maybe they wouldn't recognize each other out of the context of being in the shrine for Kagura once a year, but those kinds of events usually take all day to set up, conduct, and then have a party afterward with lots of interaction. Plus, who was even around to pass on some of those Breaths??? And what kind of move is Thunderclap and Flash for a full Kagura dance???????? So my headcanon is that Touko has stayed home from it for the last few years, Yoshiteru has mostly just hung out with his distant cousins, Aoba's little brother is the one who has been doing it lately while Aoba has been busy as a student and then career botanist, and the dances are staged throughout the day at different times, so Flower Breath and Insect Breath are never around the same time as Thunder Breath so Yoshiteru never even encountered the girls. Also, the Corp had other survivors!! Maybe they're the ones who have been retaining most of these traditions in place of characters who did not survive to leave descendants!

Well that one turned into a rant. Anywayyyy.

--Reincarnated!?Shinobu is Giichi's babysitter and she finds him overly talkative, because irony is fun. (Also in fanart)

--Reincarnated!?Makomo is Reincarnated!?Urokodaki's granddaughter (also in the same fanart collection)

--Toujurou's dad has trouble keeping students in the kendo dojo, because bringing in KimeGaku elements is fun

--The cops take their coffee really, really sweet; it's totally loaded with sugar

Enjoy the things I linked!! They have more of my thoughts and fun with them!! : D

[myloveismineallmine]

Part 3!

Going back to sydcarmy for this one!

This might be the first instance of a romantic song being used with sydcarmy?

Song: In Too Deep- Genesis

Technically, it's only Sydney in this scene. However, contextually, it applies to a situation with Carmy, which is why I'm counting it. (There's a few that are like this I will go over later)

So, plot recap: Carmy is busy dealing with his grief, and he tells Syd to basically reorganize the whole work environment all by herself.

We see this shot of Syd trying to pull herself together in the walk-in, and as she exits, the song begins.

Lyrics over the shots of her with Tina and Ebraheim:

All that time I was searching with nowhere to run to It started me thinking Wondering what I have could make of my life And who'd be waiting

Sydney walks past Marcus, cuts herself on the box cutter, Tina & co ask her if she's okay:

Asking all kinds of questions to myself But never finding the answers Crying at the top of my voice and no one listening

"Crying at the top of my voice and no one listening" is audible as Sydney yells at the staff and tells them she's fine, which is super on the nose.

On Tina:

All this time, I still remember everything you said, ah-ha There's so much you promised, how could I ever forget

The volume grows for this line, so you can really hear the lyrics.

On pot over heating:

Listen, you know I love you, but I just can't take this

Shots of a pigeon and other stuff in the city to establish that we are no longer in the kitchen:

You know I love you, but I'm playing for keeps

The song is abruptly cut off as we see a shot of Carmy, the audio drowned out by the sounds of a train going over tracks.

Kind of a weird cut for the song, since it cuts in the middle of chorus and not in between verses. Like, you're not gonna even play the "But I'm in too deep" part? Damn.

Contextually though, the main chorus "You know I love you, but I just can't take this." was obviously chosen because it fits this scene perfectly. Sydney is having a breakdown because Carmy put her in a really shitty spot. It is technically a love song though? Like, let's not forget that.

I wonder if the choice to cut off the song in the middle of the chorus, especially by being drowned out by a louder sound, was meant to showcase that Carmy was not paying attention to how stressed he was making Sydney. The scene of him they cut to is actually him seeing Nico, who was the person who called him on the phone earlier, reminded him of his dead brother, leaving Carmy to disassociate and leave Sydney on the struggle bus for the subsequent 5 or how ever many minutes of runtime while he goes to al-anon. I didn't really get why they included that sequence before, but it actually makes way more sense after doing this whole breakdown of it.

Bonus song analysis:

Song: Heat Not Hot - Serengeti

Carmy is yelling at Syd about the stock boiling and the onions not being cut and we all feel bad for her.

Don't have the exact lyrics for this song, so I can't break down what the lyrics are in this shot, but the volume does increase as Sydney steps away and starts chopping onions.

How many times I gotta tell you your heat shouldn't've got hot?

How many times you given up, telling me that’s all you got?

It’s not all you got

All you need’s direction

How many times you want the answers for the same questions?

(Tried to write what I heard, may not be 100% accurate.)

How do they find these songs, lol. Such a fitting verse for this scene. Not a love song or anything, but one of many examples of how on the nose a lot of these lyrics are to the story.