#THIS STILL ISN'T EVEN ALL MY EMOTIONS ABOUT THIS I DON'T KNOW HOW

[ri-writes-if]

I just finished reading the new chapter and damn! It was such a rollercoaster of emotions!

And I can't even begin to describe just how much I hate Selene! Not saying it in a bad way though, just to be clear! She's just the kind of character I can't stand, even if she's delightfully written. Az suggested to my MC to be cordial with her for the time being, and the plan is sound, but damn, it'll be hard. She's that kind of character I find interesting because I think her circumstances are awful and tragic, but at the same time I can't bring myself to feel bad for her because it doesn't justify the way she currently acts (as explaining someone's behavior is not the same as justifying it). With that being said, I thank you so SO much for allowing us to tell the siblings (well, the siblings in my case since I'm on Az's route) about Selene already. I was genuinely scared it would be one of these situations where the MC just clams up and doesn't tell anyone about what's happening for who knows how many chapters, which is a trope I really tend to dislike. It was such a pleasant surprise to avoid it altogether!

Now, onto more "positive feelings", I'm so in love with Az. They are such a wonderful character on all accounts. The clothing and ring shopping was just so perfect, and damn that hug! Though I'm really insanely curious about what is the underlying issue they have in relation with the MC. I sort of "felt" it already before in the way they acted, but now thanks to the PoV change I had their actual thoughts on it, but I'm no closer to knowing what's going on, though at least I had confirmation of what I felt about it (so I guess it's still something!). It still fascinates me how Az isn't even "my type" of RO normally, and in any other story I would have probably picked one of the two royals, but I don't know, something about them immediately captured me entirely. I'm also pretty curious about what's the relationship between the siblings, because the more I think about them, the more I realize I don't know much about their dynamics. With the two royals, we at least know more of their dynamics thanks to some asks on the blog and what not, but the two siblings... I don't recall you saying much. And well, in that infirmary scene, it was a bit hard to read it considering they were both preoccupied with the MC and their injury and the Selene stuff and so on.

That aside, after re-reading from scratch (I changed computers and don't have my saves anymore), I had a theory that sprung in my mind. I think there is indeed an oracle blocking MC's visions of their own future that is NOT Selene. And that oracle would be MC's mother. She may be a powerful enough oracle to see pretty far in the future, and it's possible she saw something in her child's future that had her deciding to not only abandon them, but prevent them from seeing their future. Or rather, the future she saw. Meaning as long as MC was on a path or time frame where what she saw wouldn't appear to them, then they could see their future normally. But once they found themself on said path - probably related to the apocalyptic vision at the start of the game - it triggered the "block" as now we enter the territory of what MC's mother saw and thus knows well enough to block. Of course, I may be wildly overthinking it or just be plain wrong haha!

Oh and finally, a small bit of (I assume?) stray code:

I don't think the "cordial" is meant to be there?

Okay, that's it. Yeah, it's a VERY long ask that... isn't even an "ask" since I'm not asking anything! But I had so many feelings about this chapter! It was probably the best so far!

! Spoilers for Chapter 5

I hoped some would like Selene and some would not, so I’m pleased to see people have different feelings about her! I personally really love her because she’s a tragic character and tragic characters are my thing 😂 though I agree that her past doesn’t justify her current actions.

Yeahh. I was thinking of allowing to hide the incident with Selene, but the Oracle has their priorities straight, so it wouldn’t make sense for their character to sacrifice their own standing for Selene. They went to Vez to get their freedom back, and they’re not giving it away so easily. So I had to throw out that branch.

I’m happy you enjoyed Az’s route, especially considering they’re not your type! You’ll learn what their deal is with the Oracle in the future 😉 The next couple of chapters should have more Az + Ash combo, so I’ll have time to show their dynamic. But they’re pretty uh normal siblings? Az is a troublemaker, and Ash’s perpetually but fondly tired of their antics.

Your theory was very interesting to read. Thank you for sharing it! It’s wild and cool that people actually have theories about my story 🥺 Obviously I can’t confirm or deny it, but you’ll get the answer eventually.

Thanks for pointing that out, I’ll remove that code leftover.

I appreciate you taking the time to share your thoughts about the chapter. Reading these messages brings me joy every time! 💛

[the-music-maniac]

This is one that ended up way longer than I would've liked but the brainrot has reached concerning levels.

Brief mentions of sephgen, sephgeal, sephzack, multishipping, spoilers for crisis core, rebirth etc. etc.

I've begun realizing the longer I traverse the various pages of FF7 fanworks that when I say I ship Sefikura, the romantic/sexual aspects of it don't matter as much to me as the emotional catharsis of it. And I say this because I feel like sefikura is often used to explore one specific type of fantasy/smut/kink etc. There's a portion of people who like the ship because they like exploring how fucked up it is for post-nibelheim Seph to try to make Cloud into a puppet - this is usually (not always) accompanied by size difference kink, sub Cloud dom Seph, etc. And while I personally despise that characterization common in that interpretation of the ship, it's still valid, cause y'all should be able to explore your own fanfics however you want. An "Ew. Oh well, none of my business." kind of deal.

I would like to make it known though, that as a Sephiroth fan I kind of hate domroth. Block me if you must, we can just agree to disagree lol.

My interest in Sefikura stems mostly from Sephiroth. I'm gonna shamelessly admit here that while I love Cloud as a character, he doesn't intrigue me as much as Sephiroth does. And I know I'm biased cause he's my favourite, but I get easily stuck on characters who were abuse victims that became villains because they gave into their demons, characters who managed to stay kind, up until they were so beaten down they snapped, characters who I think have redemption potential, even if it wouldn't be easy to do. Which can be the case with Seph both pre- and post- Nibelheim.

Post-nibelheim is a LOT harder to write convincingly, seeing as how he actually did fuck up like. Everything. And his victims don't have to forgive him. Not Cloud either, even though I am writing a post about sefikura. The redemption is more about personal improvement, rather than forgiveness. But it's really interesting because a Sephiroth that even has a chance at redemption post insanity, is one who is a mix of before and after. He still has all that rage inside him from how he was treated by humanity, still has visions of annihilation and delusions of grandeur in his head, but he also remembers that he used to love, that he used to have companionship, scarce as it was, and cared for the well being of the soldiers he lead, etc. How does he get to that point in the first place, and how does he deal with it after? With the warring that is likely occurring from those two sides, the festering resentment of knowing he was given so much less than he should've been, knowing that he had a human mother, but since he IS closer in capability to a god than a human, does he think he's a monster because of his heritage still or because he gave in? Does it even matter at this point, what he is? And what will he do, now that he has a portion of his humanity back (however that occurred) and isn't just purely Jenova? How does he deal with knowing that even in the depths of insanity, he still just didn't want to be alone? And of course the turmoil on Cloud and Co's side, usually some flavour of, okay so repeatedly killing him isn't working, I'm tired of fighting him every couple of years, I still have the responsibility of making sure he doesn't fuck everything up again, and of course the hatred they understandably feel for the shit Sephiroth has done. And as Sephiroth kind of fights to recover some semblance of identity and understanding of himself (without destroying anything), watching that occur and knowing objectively that your enemy didn't deserve what he got when he was a child, that a part of what occurred was after he was pushed to that degree - even if you subjectively can't make yourself feel it at the beginning. And then as the story progresses and characters undergo development, Cloud likely wrestling with the fact that he actually is starting to understand Sephiroth's predicament, realizing Seph can be so very human at times. And dealing with the worst sin/betrayal of all, enjoying his company for his company's sake. A Sephiroth that gets through that and finds some semblance of contentment is meaningful because it would take a mind-boggling amount of hardship and work to get there. And tbh here's where the bias comes in - it's what I would say is a happy ending for everyone. I know people would disagree, a lot would say Cloud and Co getting rid of Seph is good riddance, why should he get a chance, why should they have to deal with him, etc. hence why I acknowledge this is biased - but a happy ending to me is one where everyone else gets to stop fighting Seph and move on with their lives and Sephiroth actually gets to live the life he wanted when he was a child. I won't ever be entirely satisfied with FF7 canon for this reason (true of any tragedy). Nothing that happened to him pre-insanity was fair. So. Catharsis.

As for "redemption" of pre-nibelheim Seph, I read time travel fix-its when it comes to sefikura cause I find it more interesting. For anything pre-insanity that involves canon divergence without time travel, sephgeal, sephgen, sephzack, shipping, platonic or poly makes more sense to me, cause those three are positioned better to help Sephiroth in a meaningful way. Also I personally do think Cloud is a little too young for that then (even if I'm also convinced he 100% had a celeb crush on Seph. Which is also not what Sephiroth needs at that point).

So, for sefikura, pre-nibelheim redemption usually involves Cloud getting yeeted back in time, either by the planet or by choice, to stop things before any of it happens. Cloud usually believes he has to kill Sephiroth, so he'd likely be in close proximity. So how would he deal with seeing, first hand, all the ways that Sephiroth was isolated and dehumanized in Shinra? Cloud still hates him at this point, for good reason. So he's here, witnessing not only Sephiroth being a kind/decent (awkward) human being, but also the lab visits, Hojo being Hojo, being paraded around for propaganda, the effect the "betrayal" of the other firsts likely had, Sephiroth being straight up depressed and malnourished and overworked, hearing whatever lies were fed to control him when he knows the truth. How does he deal with the moral repercussions of killing a technically innocent man? Especially when he realizes that a little support and compassion could've changed the outcome entirely? And Sephiroth on the other hand, now stuck with this persistent stranger that doesn't treat him like either an emotionless weapon or a legend, but some secret third thing (is he trying to kill him???? Can't tell, mixed signals are happening). Cloud would also likely help take Sephiroth's mind off things by virtue of existing - not because Sephiroth particularly cares about Cloud at the beginning (why would he, they're strangers) but because Cloud is fucking weird. Not a soldier, still mako enhanced, angry/aggressive at him in particular and seemingly frustrated about it, history that doesn't match up to current behaviours, etc. Hell, Shinra would likely even order Seph to keep an eye on Cloud. Meanwhile Cloud is desperately fucking with the timeline to ensure everything ends up differently, and accidentally becomes some sort of support for Sephiroth in the process. Because while everyone else was so fooled by the propaganda surrounding their hero, leaving him alone to his own devices (despair and depression), Cloud knows that his attention should be on Seph right now. And I don't think he's the type to just leave things alone out of spite if Seph where to, for example, stumble out of the lab, half delirious from Mako, because of one of Hojo's whims. There's also the question of whether Cloud would know to help with Angeal or Genesis' degradation, which could help either clear up some misunderstandings between Seph and his friends, or just ensure that Seph doesn't lose them at all in the first place.

And if Sephiroth were to find out/be told the truth, about his mother, or about the future, HOW is he gonna react to that???? Knowing that okay, so my heritage isn't actually that of a monster, I have human DNA, but ended up snapping and trying to destroy the world anyways - once again, what does it mean to be a monster, and is he one already, if he hasn't even done all of it yet, technically? In this timeline he's likely closer to Zack, maybe close to Cloud, potentially has met Aerith, maybe Genesis and Angeal are still alive, so he's more tethered by a support system, so how would that change his viewpoints? Would he feel guilty? Does that send him into a worse depression?

Sefikura just tends to give me emotional catharsis when it's written like that, because it gives Sephiroth the opportunity to mourn what he should've had, and gives him a fighting chance to change it. It's someone else being shown the decades of neglect, how deep the hypocrisy of Shinra actually went, the systemic abuse, acknowledging all of the bullshit Sephiroth went through before Nibelheim. It's him breaking out of other's expectations of him, Jenova, or Hojo or whoever else, and getting his childhood wish to just be normal. Like Angeal said (quoted loveless I think) "and what do angels dream of?" "Angels dream of becoming human."

This is also why I find very little enjoyment in reading domroth sefikura. Sephiroth isn't someone who reminds me of that type of personality, before he went crazy. He seems like a very awkward, calm and even sometimes soft dude in his downtime. He's literally just some guy. We don't see a lot of his personality because he was trained (tortured) into believing anything other than perfect control is weakness and failure. I don't think he would have any sexual experience. I think he's depressed, and exhausted and alone and is just very good at hiding it. I don't think he even wants or needs sexual intimacy necessarily, so much as he needs someone to feel safe around.

Anyways. This is. Way too long now. Goodbye.

[lemotmo]

I can't believe this is an actual discourse, well actually I can, but if you would like to choose your fighter, I'm curious where you stand on the issue as well. For what it's worth this makes sense to me. I'm good with this. And the Buck girlie thing feels accurate.

Q. Do you believe Eddie is gay? And where do you stand on his relationship with Shannon?

A. So I will start by saying the fact that you all think this needs to be an actual sticking point is asinine to me. He's demi sexual. If you want to headcanon him as gay, knock yourself out. But the show isn't going to be that deep about it. As far as the show is concerned Eddie is going to have been in love with Shannon and now he'll be in love with Buck. That's it. And it's fine. But I believe he's demi. The first thing he always tells people is that Shannon was his best friend. Eddie needs an emotional connection to someone. The emotional connection is what allows him to feel everything else. But the show is not going to spend multiple episodes having Eddie realize he's gay and then declare he never really loved Shannon. That's not what's going to happen, and I don't know why you all believe it would or should happen. There's nothing wrong with him having genuinely been in love with Shannon. And even if he does end up being gay he can still have genuinely loved her. Him being gay does not erase Shannon. And she doesn't need to be erased for him to be in love with Buck. I say this as a Buck girlie, but this entire discourse feels like a set up to declare that Eddie isn't worthy of Buck if he ever loved anyone else. And we're not doing that. These are men in their 30's. They both have a past, and they have both loved other people. That's life. Eddie loving Shannon won't make his love for Buck less than. I'm not saying the show won't or can't have Eddie say that he loved her differently than he loves Buck but they don't need to do that. Eddie is allowed to love them both. You're asking a show that can't be bothered to know the age of their characters to be nuanced enough to tell a full-fledged sexuality storyline and that's not this show. Buck apparently doesn't even know he's bisexual yet. Eddie loved Shannon and he will love Buck. That will be how the show handles it. And that's fine. As long as it ends with Buck and Eddie together the labels should not matter. I understand that representation matters but that's not what this discourse is about and we all know that. But as far as I personally am concerned, Eddie is demi. Ryan is not going to do any Cameo videos encouraging one headcanon over the other so if you want to headcanon him as gay that's your right. I just don't think anyone should be demanding the show give him a hard stop label. Because I don't see them doing that.

Thank you Nonny!

For me the answer is pretty simple. I've ALWAYS believed Eddie is demisexual. All the signs are there.

He loved Shannon after he was her friend for a while. They made a connection first and then he fell in love. He went straight into dating Ana and Marisol, didn't make that connection of friendship first and, while he liked them, he never loved them.

And now he loves Buck. He was his friend first, they made that connection and then he fell in love. Only this time I don't think he realises he's in love. I think his love for Buck will hit him like a sledgehammer somewhere in 8b and I'm so here for it. 😋

I agree with Ali that they probably won't label him. They haven't really labeled Buck either and I don't see them doing it with Eddie. He'll just realise, maybe struggle for a while and finally accept that Buck is the one.

IMPORTANT! Please don't repost this ask and/or a link that leads straight to my Tumblr account on Twitter or any other social media. Thank you!

Heads up! For anyone who is giving me the shifty eyes for reposting Ali's updates instead of reblogging. Read this.

Remember, no hate in comments, reblogs or inboxes. Let's keep it civil and respectful. Thank you.

If you are interested in more of Ali’s posts, you can find all of her posts so far under the tag: anonymous blog I love.

[chaoortu]

listen i know i yap a lot about nick and neurodiversity in my fics but it's like. every time i reread heartstopper it really jumps out at me and i'll probably reblog this again with more thoughts as i continue my reread but like.

it strikes me as interesting that despite the fact that nick gets called a chav pretty early on by tao, we never actually see nick acting that way on page. i think the show does a good job at showing how nick has sort of chameleoned himself and stuffed his real personality down but the show is a topic for a different post. in the webcomic we see it once when charlie is teasing him about being laddish and nick decides to act that way for a laugh. on one hand, i chalk this up to most of the early webcomic/heartstopper in general being in Charlie's pov. he wouldn't have noticed these things about Nick because they didn't really notice each other until their meet cute, which is realistic. I think it also speaks well to Charlie's character that he takes who Nick is at face value and challenges Tao's opinion of him. but what jumps out at me is that in harry's birthday party we sort of see the first instance of nick's "meaner" side and it's in the context of defending Charlie. Still! The first instance of this really sunshiney character taking quite a big turn!

But notice how the dig isn't personal? These are all observations about Harry that can be deduced in the context of the material before it. That is to say, despite being friends with Harry since he was like 11, Nick keeps it simple. It reminds me a lot of how you correct a dog's behavior in the moment and I can go on for ages about Nick and dogs but again-- that'll be another post. What follows this really intense moment is another really intense moment when he and Charlie are alone and like yeah, they're teenagers, being teenaged is intense enough. But after their kiss, we have this panel and my God is it one of my favs:

I really love how Nick is framed with flowers in this scene because it really feels like it's him blossoming into himself in this moment where it's just him and Charlie. Charlie is shown over and over again to be Nick's safe person in comic and while they are obviously falling in love way before this, I still feel like this is the moment where Nick decides it's safe to love Charlie (I mean duh, they kiss a LOT in this episode), or rather, to hand Charlie his emotions and feel like they won't be fucked with or used against him. And that's huge! Nick wears all his feelings on his sleeves, he's not even slick about it either-- the fact that Christian, Sai, and Otis pick up on the fact that Nick has a thing for Charlie before he does speaks a lot to the fact that Nick doesn't seem very aware of how much of himself he gives away on the regular. Which again, in juxtaposition with the fact that he's perceived as a judgmental rugby lad by Tao (which, grain of salt here. I love Tao a lot but he's also quite judgmental in his own ways so this is a pot and kettle situation), and the fact that his own mother comments on the fact that he's much more himself since befriending Charlie? That's MASSIVE. I dunno. I could be projecting here but as an autistic teenager who did everything in my power to be like my peers and lowkey hated myself for it, I find this incredibly relatable. We see Nick starting to realize that a lot of his friends are dicks several times before he and Charlie kiss for the first time, and that's also relatable. It took me so long and still takes me so long to realize that people I thought were friends are actually quite shit. Again, I could be projecting but it reads very neurodivergent to me that it takes Nick being exposed to someone who is actually kind to him (Charlie) to realize that his friends aren't kind people. Insane tbh! Something else that got me is that we see Nick struggle with the fact that he really likes Charlie and wants to stay with him vs. the responsibility he feels to regroup with his friends. I don't actually think it's responsibility. I read it as Nick putting his mask back on and resuming the expectations he's been bearing since before he met Charlie and it's a visible struggle for him.

Nick, while pretty unaware of the fact that he can be read like a book, is also incredibly aware of the role he plays in his own friend group and the ways in which he has to perform. But he doesn't like it now. His early love for Charlie really puts things in perspective for him that he doesn't have to accept where he's at currently if he's unhappy and we get that moment of regret where we see that he knows he fucked up by leaving Charlie.

It looks like he's disassociating here. That, or his mind is still in that room with Charlie. It's a battle of expectations vs. what Nick wants. And Nick's wants are never Nick's first priority. He's a pathological people pleaser after all. And despite the fact that he just fully made out with another boy despite barely having figured out that he likes guys and the ethics on Charlie kissing him without asking (teenage stuff, I'm not arguing about it rn especially because this doesn't bother Nick in canon. idk why this discourse exists but maybe i was just making out too much as a teenager) The next day, Nick clears the air. Literally runs to Charlie's in the rain so they can talk it out and so he can be understood properly. He's desperate to make things right with him because 1) he's in love and 2) he cares a lot about Charlie's feelings to the point of putting them above his own later in the story. But the way he does it and the way he sort of overexplains his feelings almost constantly really strike me as neurodivergent. Nick goes above and beyond explaining how he feels to make sure nothing can be misconstrued and that really gives me the sense that Nick is... somewhat aware of the fact that people assume how he feels? Granted, this is coming off the heels of everyone saying he was in love with Tara, so maybe he felt the need to explain himself more since some people think one pre-teen kiss = fairytale love. (ignore the fact that Nick's fairytale kiss with the flowers totally equaled fairytale levels of love for him, lol.)

He literally explodes! Charlie is physically taken aback by his words. This happens right after Charlie has his big "I shouldn't have kissed you this was all my fault" etc. explosion. Which! The fact that Charlie explains how he feels down to feeling at fault and sharing that with Nick, who is very much like no.. no nO WAIT. I LIKED IT. (so much that he kisses Charlie to get him to understand that pre-explosion). And again, we sort of see Nick trying to bottle and be a bit more normal about it immediately before when Charlie tells him he's getting mixed-signals. Nick's response was to unmix the signal and then cry about it because THIS. IS. A . LOT.

For a cis-male character who is involved in a very masculine sport, surrounded by masculine people who are not nearly as emotional as he is(on page at least) the fact that Nick goes above and beyond in this moment where he's so vulnerable to ensure Charlie understands him is hugely neurodivergent to me. He's making sure Charlie gets that Nick loves him, he's making sure he gets that he's not mad about the kiss, and he makes sure Charlie knows he feels bad for leaving him behind. His bases are covered! There's no room to make assumptions about how he feels and I imagine for Charlie, a chronic overthinker, the fact that Nick is so blunt about his feelings all the time must be fucking incredible. He can actually take Nick at face value (at least at this point in the story ). But especially after Ben's gaslighting shit? Like fuck! I'd want to jump into a relationship too if the guy I've been crushing on for like two months ran to me house in the rain, kissed me, cleared the air, and then cried in my arms. I love emotional honesty! It's also interesting to me that it seems like his confusion towards his sexuality bothers him a LOT more than his feelings for Charlie do. He likes being in love with Charlie, that much obvious, but it's this conflict within himself that bugs him. And idk, I could be projecting again but I just can't see a neurotypical teenager reacting like that. To me, it really reads as Nick going. "Okay, I like kissing Charlie and being around Charlie. I'm in love, this is good. Check." but then his sexuality is a huge gray area until he does more research on bisexuality and decides that's the label he wants to use and I think the not knowing is what really bothers him. There's a lot of pressure in queer spaces especially nowadays to be labeled and for Nick, a character who buried his personality to be accepted by others, to specifically be upset at being confused about his identity reads as neurodivergent to me. Nick, by all accounts, doesn't seem to really care about his sexuality except for the way it challenges who he believed himself to be up until this point and what that means to the people around him who think he's just some straight laddish dude, you know? Largely, he also seems rather apathetic towards sexuality and gender in general except when he has to confront his sexuality and how other people will perceive him if they knew what his sexuality is-- hence keeping things between him and Charlie a secret despite the fact that he's never ever been shown to be ashamed of the fact that he loves Charlie.

Anyway, this post got way too long. Enjoy one of my favorite OCD/AUDHD moments between Nick and Charlie. THEY LITERALLY KISSED LIKE TEN MINUTES BEFORE THIS MOMENT... INSANE BEHAVIOR... I love them. The sillies.

[atangledfate]

She could understand wanting a change of pace when it came to creation. After all was her own job any different? She spent decades now improving her own machines, developing new technology and, trying to break the bounds of what was possible. She Often wondered if she'd surpassed the ancient Babylon's or if she still had so far to go yet. She didn't know but it was her dream to surpass them and bring about a new age of Babylon supremacy! Yet even she had to take breaks from her work least she get burned out, or bored with it all.

" I don't think Mortals are to different from what you describe. I suppose that makes sense though. If the Gods made us to be images of them in one aspect or another. I guess us reflecting there emotional state is logical. "

Which made her wonder was Sohna tryin to recapture the feeling of love? Or was it more physical? She'd never been in love herself so she couldn't know that feeling at all.

" It's fine really, i'm use to being gawked at, and watched when i'm in public. I'm a famous racer and criminal to, so its just expected... i'm hardly offended by it ..."

" Though it does beg the question--- what Emotions are you eager to experience again? or perhaps you haven't had a chance to feel them at all? though perhaps that's to personal... I guess i'm just very curious about you. It's my nature... as an inventor i like to understand things... even if it isn't easy to understand or even dangerous... i have always believed that Knowledge is power... so i try to amass as much of it as i can. "

The question about her Gear was one she seemed to hesitate on. Most people knew what they were, so explaining it wasn't something she had to do. not that she didn't know what to say but she wasn't sure how much needed to be said and how much this being would just know or know of something similar.

" In Ancient Times we Babylon's could soar the skies with great wings or so the legends say. But we lost that ability a long time ago... and so, we used ancient Babylon Technology to create a device to allow us to soar the skies again. We call them extreme gear, we have used them for countless generations to both compete, settle disputes and even fight wars. "

She explained looking quite proud of her heritage.

" I've spent my whole life trying to create the perfect gear! to surpass the Ancient Babylons... my old teacher use to say i was arrogant, and foolish to think i could be better ancient Babylons. Maybe i am... but my work is my passion... and i am the greatest Gear Mecha Mechanic that Mobius has ever known... and ever will know! i want the world to look back in 1000 years and still be chasing my accomplishments... so if that makes me arrogant, so be it... i'm fine with that "

[criscura]

The heart of the story

SPOILERS for the garou fight (i know it's been a while but still) because holy fucking SHIT. i am shaking. Bigass post about the symbolism of Saitama's suit, Genos' core, and the deconstruction going on in the whole fight.

I saw a coloring of this panel,

and the positioning/negative space of the hole in Saitama's cape combined with the wind-up of Garou's punch made it fucking click and--jjdjalsk;djL;KFJ;lkdjlLKJlkdj

I thought it was super weird that pretty early on in this arc, Saitama's cape got a hole punched through it and the way he was positioned kept on emphasizing it. Like....Saitama's cape is already emblematic of who he is. It flutters around to accent what he's doing like an exclamation point, when he's protecting someone it curls around them like it's an extension of his intentions, when he walks in it flourishes before him like an announcement. As much as the gloves are a symbol of his power, I feel like his cape is...hope? It's what he is to the people he comes to save? Or maybe it's the selfless part of what he considers a hero to be--so if the gloves are "you're stronger than anyone else," the cape is "so you can be there for everyone else." I don't know, I have to think about it a little more, but that's the sense I get. It's also, y'know--a cape is something you wear to defend yourself from bad weather or the cold or just to cover up. It's protection.

So it felt REALLY BAD that there was a big hole torn into it, right dead-smack in the middle of Saitama's chest, like it was a target. A big foreboding "Look out! Your defenses are down! Watch out behind you!" But what the fuck can get at Saitama, right? Garou wasn't going to defeat him. You can't hurt him. He doesn't have to watch his back, that's kind of his whole problem.

But. Bu t f= djkj;sd. jFUCKING. HE'S NOT. HE'S NOT INVULNERABLE. IT WASN'T HIS CHEST IT WAS FORESHADOWING

And that was fucking it. Garou ripped out Saitama's heart when he ripped out Genos', and it destroyed him. Saitama lost himself. He ACTUALLY lost himself

THAT'S NOT FUCKING SAITAMA. That's what he's always been capable of becoming, but that's NOT him. As the fight goes on, he gets progressively more terrifying and inhuman--featureless face, blacked or whited out eyes, an outline of a body--as he starts attacking more relentlessly. We're watching him forget the humanity he's been feeling less and less in touch with, as he gets consumed by fury and grief.

That's not even mentioning that he loses almost all of his suit--that thing that defines him, that's most important to who he is and who he wants to be. All at once Garou hits him with something that completely destroys that symbol of who he is (hohoHO doesn't that sound familiar)--

everything except the ripped up remnants of his glove, the part that symbolizes his strength, that's left to clutch onto Genos' core,

which Saitama protected and cradled to his heart as if it was his own?? like it was a lifeline?? like it was more important than his home planet, that he almost destroyed in a blind rage???

Like.....yes, it was a handicap as in "i'll only use one hand to fight you," but I don't think it's THAT much of an exaggeration to say it was also a handicap in that it stopped Saitama from going absolutely fucking bonkers and destroying everything. I think that WAS his heart. That was his last tether to humanity and empathy and hope. It was his fucking companion cube.

(I don't think it's a coincidence that in that panel where Saitama's curling his whole body around the core while being buried in the ground--and isn't THAT a fucking metaphor--that he looks legitimately pissed off. Garou's kick was on a direct trajectory to Genos' core. And isn't there something to be said for Saitama letting an opponent hit his head to protect it? A thing he's deeply self-conscious about normally, and a move that we've seen Genos pull more than once?)

I've said before that Genos does the hard emotional work for Saitama when he can't do it for himself (getting excited, angry, or sad for him; cheering him on; and all around taking the weight off Saitama to respond emotionally to things so that, at the very least, he doesn't have to feel guilty about not feeling anything). In return, Saitama is a stable rock for Genos to hold onto because, in his volatile world where everything is changing and can be taken away from him at any moment, Saitama can't. And like...

Saitama did fail in that he was too late. He didn't save him before the worst happened. But what little Saitama had left of him, was entirely devoted to Genos. He turned himself into an indestructible case for everything Genos was. And as much as Saitama carried Genos through that fight, again, Genos carried him. Again, Saitama couldn't relate--he was too far out of touch with his humanity to act like he still had it. But he could still cling to Genos, and Genos could feel it for him.

Genos' heart replaced the heart that Garou broke--because when he killed Genos, Genos wasn't the one to feel the pain of his own loss. It wasn't his core that shattered. It was Saitama's. The target on his back hit exactly where it warned it would.

And now like--I do need to add a byline that this sucks for Genos. All around. He was used, thrown away, and Saitama failed to get to him on time. Now he's also the ONLY one who remembers what happened. He is already so fucking burdened, this is too much for one guy. I'm legitimately worried about what this is going to do to him.

But also? Mythology is my shit and melodramatic shenanigans are my JAM, and what aspect of this isn't mythological? What ISN'T such an obvious allegory after you say it out loud that it feels almost silly? How many levels does this work on? A wayward knight sacrificed a virgin heart in battle in hopes of tempting a dragon out of its cave to defeat it, and got SO much more than he bargained for? God took away the one you love, so you fight heaven and hell to get them back? Your heart is my heart, you live on in me and I in you, even after either of us are gone? I can't--I can't even come up with other examples because there are SO MANY. I just.

GOSH, even structurally, as the fight goes on, the panels become more sparse and less detailed. We lose background and landscape--often because it's actually demolished--until it's only action lines scratched over a flat black or white, to the point where we get graphs like the paper they're drawn on has been so ripped up that all we see are the guidelines on the desk underneath it. Things are taken apart to an atomic level.

And meanwhile, we're watching these two characters argue over their most BASIC concepts. What are you fighting for? Who are you, really? What are you, after you've lost everything? What drives you? What scares you? What's your hope, and your worst fear? Are you human? Does it matter?

Why are you, you?

It's falling apart that's interrupted only by fantastic destruction that's as beautiful as it is terrible...and it doesn't fucking STOP until both characters have been so thoroughly torn down to their most painful, elemental pieces that they're fading to dust or erased fully from existence. This entire FIGHT is a deconstruction--of story, of characters, of the manga itself.

I don't mind the time travel bit because this is--this is Jjust--this is SUCH A FUCKING GOOD ILLUSTRATION of what makes this manga WORK because it fucking--it goes out on a limb and says, "what happens if we do the thing we can't come back from, what does that do to the characters, let's bring it to the absolute enD JDJALSDK;JF" and00asdljs;dlkj

I'm losing it. I'm fucking LOSEINjalkj LOSING IT. Like. Saitama's the pillar of the story. Everything revolves around him. Genos is the catalyst, Saitama's the plot. Genos is the machina, Saitama's the deus ex. Genos is the heart, Saitama's the soul. I've said this a lot. but fucking....

If a cape is protection from the elements, Saitama's cape is a symbol of the hope he brings, AND there was a massive hole in Saitama's cape for so much of this arc, there was both a nagging sense that he wouldn't be able to magically solve shit like he usually can and that he had some weak point that was wide open for an attack. That weak point ended up being Genos.

The only way to break Saitama was to break his fucking heart...and then everything else broke around him.

((And....jllaksdjls of course, of COURSE I have a fucking bias and you KNOW I'm looking at this from a shipping lens too, and like.....I don't......Genos has Saitama's heart, and Saitama has his. They share it. It's one in the same. When one can't carry it, the other carries it for him. Ilm.kjl i"m. I'M.ASD...

AAAAAAAAAAAAAAAAAAAAAAAAAAAA))

[silverwhittlingknife]

hi Silver! o/ because that fanart made me wonder - would you happen to know when/where Dick's stuffed elephant plush Zitka turns up in the comics?

GREETINGS CAM <3333 THAT ART WAS SO CUTE

Yeah, I think your instincts are right - it's a truly adorable bit of transformative fandom, but I'm 95% percent sure it's not comics canon. Barbara has canon plushies, but I don't think anyone else does.

I got kinda invested in the investigation (it's hard to prove a negative!) and I ended up typing out an entire History of Elinore/Zitka, so, uh, if you're curious, meet me below the cut for:

Where does Elinore / Zitka - the animal - appear in comics?

Did Dick ever have a stuffed elephant toy in comics?

Where does Elinore / Zitka appear in comics?

We're gonna go in chronological order!

Dick's circus elephant friend was first created for practical reasons: in Batman 436, Marv Wolfman does a big expanded flashback to Dick's circus backstory as a way to subtly show us Tim before officially introducing him (so that we can have a technically-solvable mystery-of-Tim's-identity in LPoD). In this comic, there's an elephant named Elinore who loves Dick:

Aww. Such a cute elephant!

Batman 436 comes out in August 1989. New Titans 60 comes out a few months later, in November, and guess what? When Dick visits the circus, he is suddenly surprised by an unexpected blast from the past! It turns out that even though it's been years, Elinore still remembers him!

Here's the part where Elinore remembers Dick:

SUCH a cute elephant. I love her.

(Guess who else still remembers Dick even though it was so long ago. Guess which other character is about to be an unexpected blast from the past. Guess which character Elinore is directly paralleling guess guess guess sorry everything is about Dick and Tim in my mind but I can focus I swear)

Four years later, in 1993, Batman: The Animated Series retells Dick's origin story. They like and keep Wolfman's elephant, but they change her name to Zitka:

Wolfman doesn't return to the elephant beyond those two appearances, and a few years down the line, New Titans gets cancelled and Wolfman's not writing Dick anymore anyway. So the animal gets abandoned for a while, until Devin Grayson, a fan of both Wolfman and B:tAS, revives the Wolfman-era Titans team in JLA/Titans and then the ongoing series Titans 1999.

Grayson then brings back the elephant in a flashback to Dick's past in Titans 16 (Jun 2000), where she imports the B:tAS name. Sometimes I'm skeptical of TV-to-comics imports, but honestly, I endorse this one. You lose the alliteration, which is a shame, but IMO Zitka is a better elephant name than Elinore.

Here's Dick with the newly-christened Zitka in Titans 16:

Grayson also briefly references the elephant in Gotham Knights 20 and - in a final angsty callback - in Nightwing 88 (Feb 2004), where Zitka tries futilely to comfort Dick in the midst of his trauma conga line:

... And... honestly, I think that's it for comic appearances? The two Wolfman comics plus the three Grayson comics.

Both Wolfman and Grayson are writing multiple titles - Batman, New Titans, Titans, Gotham Knights, and Nightwing between the two of them, spanning a big chunk of Dick's post-Crisis canon - and both writers use the elephant for heartwarming moments of nostalgia, which means if you're doing a post-Crisis readthrough for Dick, Elinore/Zitka feels memorable. But I don't think she actually shows up that much.

For post-2011, I am not as well-informed - throwing this out to the dash? anyone know? - but I feel like Zitka the heartwarming symbol of Dick's heartwarming circus past is, uh, thematically very at odds with the Court of Owls evil!circus vibes, so my instinct is that this story element was almost certainly dropped in the reboot.

Did Dick ever have a stuffed elephant toy in comics?

In WFA, yes; in main comics continuity, no. Technically, I have not read every comic ever published, so I could be wrong!! But I don't think so.

Below, find my rambling reasoning on the tonal vibes of pre-Crisis, post-Crisis, and post-2011, and why this particular story element doesn't seem right to me for the first two.

Pre-Crisis (...okay, mostly the Silver Age): stuffed animal, yes or no?

tl;dr no, requires too much background knowledge on the part of the reader, plus the elephant wasn't a thing until later

Elinore doesn't get created until post-Crisis, but also just generally, pre-Crisis callbacks are more along the lines of this reference in Batman 129 (published in 1960), where, wow, Batman and Robin are hunting jewel thieves - and it turns out Robin recognized this strongman! BUT HOW?!

The comic goes on to recap Dick's entire origin story in flashback, on the assumption that you may not know it.

(BTW, if you'd like to know more about Haly's Circus throughout the years, nightwingology has a great post here summarizing a lot of fun plotlines and characters!)

Basically: Silver Age comics are very self-consciously episodic and kid-friendly; they're not generally gonna do overly-elaborate callbacks because they don't know what comics their kid readers may have randomly picked up or remember.

By the time of post-Crisis, comic books were being written for an adult audience buying from the direct market, i.e. readers who are collecting whole runs & don't need or want Dick's origin story to be recapped to us in full every time it's referenced. That's why in post-Crisis, we get stuff like "hey, neat, this particular soda brand is getting mentioned in several different books!!" or "in order to understand this story arc, buy SIXTEEN DIFFERENT COMICS in FIVE DIFFERENT RUNS and read them ALL ACCORDING TO A NUMBERED ORDER and also you better be following the individual plotlines and recognize these five minor characters who we don't bother to introduce!! Good luck!!" But the elaborate post-Crisis plotlines - and subtler worldbuilding like a stuffed animal callback to Dick's backstory - don't make a lot of story sense UNLESS you're imagining your readers as completionist adult fans.

So IMO a stuffed animal wouldn't be a pre-Crisis thing unless it was The Episodic Story Of the Week, and I don't think a stuffed animal is action-adventure-y enough for the fast-paced storytelling of the Silver Age. (Unless it, like, came to life and tried to eat you or something.)

Post-Crisis: stuffed animals, yes or no?

tl;dr: no, Dick's a manly tough guy, he's not gonna have a stuffed animal, that'd be lame, like something Tim might do

Part of the edgy grimdark adult vibes in 80s/90s comics is that some characters who used to be kinda silly & goofy & lighthearted - like Batman and Robin - get reimagined as Serious and Angsty and Edgy in a Tough Cool Manly Brooding Way. This massively affects characterization for Bruce, Dick, and Bruce and Dick's relationship.

(I obviously love this change & love the tense Bruce-and-Dick interactions, but plenty of fans of the earlier fluffy comics really disliked the edgy retcons of Miller / Wolfman / Starlin / et al.)

The upshot is that post-Crisis is a period when you could have a recurring reference like a stuffed elephant, but you wouldn't have a stuffed elephant, not for Dick. I think a toy like that would be too cutesy / childish / effeminate to give a male character in post-Crisis, unless you were poking fun at him.

Now, you could probably let Tim have a stuffed animal, because Tim is sometimes cool but also sometimes a tryhard loser who is faking being cool and not entirely pulling it off (see e.g. the Robin comic where he practices tough-guy faces in the mirror, or the Teen Titans comic where Conner discovers his cringy Enya CD, or when he's fanboying over Connor and it's awkward, etc etc.). A stuffed animal would be deeply embarrassing, and you'd have to be careful to compensate by having Tim do something cool afterward - but Tim's character concept allows for "he's kind of a loser sometimes."

But Dick isn't!! In post-Crisis, Dick's a tough / impressive / "cool guy" character, the kind of guy anyone would want to be, even in the flashbacks where he's Robin, and even in the stories where he's more lighthearted than angsty. It'd be kinda lame for Dick to have a stuffed elephant, so he wouldn't. I feel like Dick would be more likely to poke fun at it if someone had one, like when he's making fun of Wally for liking the Hardy Boys. Dick could have a Batman action figure, at most, and if he had one he would have it ironically.

Basically: in post-Crisis, a male character hugging a stuffed elephant feels more likely to be a punchline to me, not something poignant. (Even with Tim, Tim could have an embarrassing stuffed animal, but he couldn't hug it when sad - that's too far. Maybe Booster Gold might do this. Probably he wouldn't, but spiritually, he would. Sorry Booster ilu! <3)

Instead, Dick instinctively deals with his inner turmoil like the TORTURED ACTION HERO he is: by punching things and brooding and yelling and joining the mob and sleeping on rooftops and going on obsessive secret missions and acquiring Angsty Stubble!! Just like Batman!

(Technically I don't know if Bruce ever joined the mob but you know he would.)

Anyway as you know this is my favorite continuity and I am poking fun affectionately, but uh, yeah sdfsfdsfs. No stuffed animals.

Post-2011 / Infinite Frontier / Wayne Family Adventures: stuffed animals, yes or no?

tl;dr it's in WFA! Probably not anywhere else, but it could be.

Post-2011 stuff tends to be cutesier overall, most of all in the current Infinite Frontier era. So I don't feel like this would be tonally out-of-line with IF comics. Taylor tends to go for more meme-y references rather than fanfic references, though.

So the obvious best fit is WFA, which is aiming for a rough approximation of Silver Age family-friendly vibes - wholesome, episodic plots, Teaching Good Moral Lessons For The Youth, etc. - plus lots of Easter eggs for fanfic readers and some comic references.

And look, here we are:

Aww.

Whew - that's everything I could find!

Anyway as you can probably tell, I LOVE the elephant, so this was a very entertaining rabbit hole to go down, thank you <3

[alongtidesoflight]

so here's my honest thoughts on dragon age: the veilguard, after ~40 hours of playing. i finished the main quest after having finished all companion quests and major faction quests. just to clear up what content i saw, i played as an elven transmasc rook who is a member of the lords of fortune. he romanced lucanis (although after finishing the game i'm now leaning towards taash). i don't know what's happening in playthroughs that have a different race, gender identity, romance or faction going on.

full spoilers ahead, i mean it. don't read further if you want to avoid them. i don't want complaining about it in my asks.

oh and also, if you're worried because of a few negative reviews online i can comfort you by saying don't give a fuck about a certain big name youtuber who is very much tied to bethesda franchises giving this a negative review. i'll explain why.

i'm starting off with the things i liked

the game looks really pretty. i was worried it wouldn't feel like thedas anymore (with them trying to "focus on northern thedas only" i thought they'd make a clear cut in environmental design. they do and they don't. it's complicated. i'll elaborate on it when talking about the negative stuff). anyway it does. minrathous feels like kirkwall. treviso enchanted me like the winter palace did. the hossberg wetlands reminded me of the hinterlands and a couple other inquisition maps. arlathan looked like... arlathan. the crossroads were different, but familiar. overall i like the way it looks and feels. it's thedas, with a twist. it's a good one, and gives everything a solid but unique feel.

combat is top tier. if you're a hardcore dragon age player you WILL miss the tactical aspect of it for a bit, but i promise you, once you're used to the way the combat works, you will be lapping that shit up. and once you get to ability combos you'll mourn the control you used to have over your companions in battle a bit less

the MAIN quest and its story. i expected worse, way worse. and for a while the game even had me tricked (harr harr you'll get it in a second) it is Really That Much Worse. but holy shit was it good. i walked away satisfied ngl.

your choices have SOLID weight. there's consequences, good AND bad. i got minrathous blighted, ruled over by venatori, and the leader of the shadow dragons ultimately died because of my decisions. i made those at the beginning and throughout the game. he died at the end. DAVRIN died because i didn't expect what i was saying to have that much weight. i thought i was in the clear. he had hero status. well turns out, your choices can still get your companions killed even if you do everything right. i fucking love him. he shouldn't have made that sacrifice just because i told him to do everything it takes once.

the inquisitor, morrigan and dorian being there, surprisingly. there's also negatives to this though, see below.

speaking of companions dying and the inquisitor playing a bigger role: the final quest feels like me2's suicide mission. i was blown away by it and the fact that i got to see the results of all my efforts playing out in front of me.

bioware are NOT trying to redeem solas. they love him as a character yes, but i wasn't forced to see any good in him. he betrays you. he fucked my rook over twice. he fucked him over right back, for good this time (the veil wasn't torn down, i anchored it by binding him to it, he's doomed to uphold it). but solas really lives up to his name as the trickster elven god. rip to all the people who grew really attached to him over the years.

varric died. if you like him that's probably as hard reading it as it was watching it. varric died and the game lies about it until the very end. when the realisation hits, it hurts. but in the very best way.

the amount of care they put into gender expression and trans identities this time around. (i'll add onto this with negative points as well too).

rook feels very much ingrained in the world of thedas. he doesn't ask questions that expose the player to lore through dialogue as if he's stepped foot into thedas for the first time. those conversations feel very solid and good. i hope other faction players got as much joy out of this as i did.

and the things i didn't like and boy there's a lot unfortunately

the music. let's just get that out of the way holy shit. it doesn't feel like it belongs in this universe. it gets so incredibly sci-fi-y at times you'd think it's taken straight from mass effect andromeda. there's not a single song unique to veilguard that i really enjoyed. it broke my immersion, real bad. hearing a busker play the tavern songs from inquisition on a lute right after i killed some venatori with wobbly bass songs playing in the background is just odd. weird tonal shift. don't like it. it's made for people who like flashy light-weight cinema.

tevinter nights is required reading. the podcasts are required listening exercises. the game is so fast paced, especially at the start, that there's no time to introduce you to characters and how much weight their names carry in-game. i would not have known who half these people are if i hadn't skimmed over tevinter nights. i'd care even less about them than i already did. there is no time to get properly attached to them. people will act as if you're talking to a legend personified and you'll be thinking man goddamn which chapter of tevinter night were they in again and what did they do???

there's a weird mismatch with the animations. you'll have beautifully fluid ones, like emmrich casting spells. and then you'll have rook's face animating in the most unnatural manner that's sorta reminiscent of mass effect andromeda's "my face is tired" addison, when their emotions SHOULD be landing with the player rn instead.

i'm not vibing with the art style. sometimes it works. most of the time it doesn't. at points i felt like i was watching tangled.

that also brings me to some of the dialogue. same issue. i am watching frozen. i am watching tangled. someone on the writer's team really likes the adorkable trope. bellara is its victim.

for all the talk about identity, bioware sure doesn't like theirs. the grey warden armor got a redesign again and it just makes them look like a generic army. i hate it lol

in general, i don't like the armor design. the wardrobe/appearances system is fine, but it's just not helping if all the armors are just... kinda bland or downight bad looking? and don't get me started on the lords of fortune armor. that is orientalism personified.

the world states should have been carried over, full stop. i know they said they didn't because they want to separate what happens in the north from what happens in the south, which... i could have lived with that. but the inquisitor sends you letters that keep you up to date on... the south of thedas. you learn that there's a blight again, that people are standing strong but it's difficult, denerim's fallen, the rulers are taking care of it, orlais is fighting and they're successful for a while, etc etc. what's good bioware. i thought we don't care about the south this time around. why are you feeding me so much boring generic information. if you're not gonna show any of it and just write letters, then carrying the world state over should not have been an issue. i have a game dev background. those few lines of code would not have broken your budget or pushed your engine's limits. fuck right off.

this gripe of mine carries over to all the cameos. as a lord of fortune you have to deal with isabela a lot. it's fun. i missed her. you get to go drinking with her and taash and bellara! also my hawke romanced her. she's not mentioned once. they had the opportunity to put a sentence or two about her in there with not a lot of effort, trust me.

when varric dies, all she has is a single line about it. for gold, for fortune, for varric. she only says it if you interact with her on your way to the final push. that's not mandatory.

morrigan is there. kieran isn't. the old god soul that mythal and then solas absorbed? who cares at this point, the gods are dead now and solas is locked away for eternity. i suppose? why is morrigan there. she feels unneeded. i wish they'd just left her down south, at least that way i wouldn't have had to witness her god awful redesign.

dorian at least feels as if he belongs in this story. the shadow dragons are a crucial part to protecting minrathous. he's also weirdly underutilised. isabela and morrigan had more lines than him in my playthrough.

on the topic of romance: bro that was underwhelming. no, genuinely. you know when romance picked up a bit? after the point of no return. i heard maybe two lines of companion banter about it before that. maybe i missed something which i honestly doubt, but romance did not play much of a role in lucanis's storyline. i saved his grandmother as he wished me to (and if you read tevinter nights you know she was rather abusive and their relationship not the healthiest) and told him to focus on his family. a reunified family my rook wasn't even introduced to as a partner at the end of all that.

really, do not buy this game if you're only in it for the romances. others might be better, lucanis's basically gave me nothing. except for an outing (the second coffee date i had with him, it was getting repetitive) all of it played out once i committed to the final quest. the sex scene was a fade to black. annoyingly right after davrin died. if you're looking for well paced and good spice, pick up something else. the sweet talk and the final goodbye were nice though.

for all the good the ever-presence of gender identity does, it is brought up in such a disruptive manner too. it doesn't even play out naturally if you CHOOSE the lines that are meant to be said. hearing the words trans and non-binary in this setting doesn't feel right, and i'm saying this as a trans guy. i think it could have been handled more gracefully. the amount of times my rook went "i'm a MAN" as if he's about to start drumming on his chest and roaring any second now got super nerve-grating. "i'm so glad you're into me... the me who is trans. remember?" just. tell me one trans person who'd talk like that to a person they've grown close with and are trying to romance. this game doesn't handle sexuality well, so all this hey my body might not look like the way you're expecting it to look talk amounts to nothing anyway. i feel about this the way i feel about krem: this is partial exposition to trans experiences... packaged up for cis consumption. the ONLY exception to that is interacting with taash. holy shit was all of that heartwarming and bro did it feel good and natural to talk to them about theirs and rook's gender.

rivain and nevarra are new locations added by veilguard. they're also incredibly underwhelming, small and constricted maps. rivain is a coastline with a few ruins. the hall of valor is a partial ruin nestled into a cave on a beach, with a fighting pit. isabela is there in her skimpy outfit commentating your pit fights. that's it. i'm sorry if you were looking for a bustling pirate cove or whatever. you're not gonna get it. the nevarran crypts btw are a long ass dungeon crawl. that's it.

speaking of maps. i thought people were being dramatic when they said you're gonna be fighting the same enemies on them again and again. i thought they were figure of speeching it. they're not. you WILL fight the same amount of enemies. in the same spot. every time you reload the map. best to stay on a map and clear out the enemies and do as much questing on that map as you can before leaving, because you WILL have to do it all over again once you return.

the three choices i made for my inquisitor didn't matter lol she didn't have to face solas and therefore couldn't stop him at any cost as she had sworn (maybe because my rook tricked solas into binding himself to the veil, there was also an option to fight him. would she have stepped in? who knows). blackwall wasn't mentioned. and either her using a small amount of her forces in the final fight was the reason the civilians of minrathous fared so well..... or it just didn't matter. ultimately i think she had very little impact on anything

[watery-melon-baller]

im never quite good at dealing with people venting to me because my automatic response is to offer them a solution, and i get frustrated if they continue to vent without taking the solution, especially if it's a simple solution. i am aware that everyone has issues and that things are difficult but sometimes i see my friends and i just get so. envious and annoyed because they can just sit there and whine without even doing anything. which is a cruel thing to think because they do have legitimate issues but every time they're talking im just always thinking in the back of my head just do the fucking thing. Just do it. It doesn't Matter if X and Y are affecting you just fucking do it you have to do it you can't just sit on your ass and not do it. and i don't want to say that to my friends because it is mean and not nice and they have real legitimate issues and i completely understand where they're coming from and why they're struggling but my internal dialogue is a constant manta of "didnt ask didn't care stop being a little bitch and get over yourself and do it" because that's what i have to tell myself to get anything done

[the-lark-ascending69]

> be a robin buckley fan

> be lesbian

> project on robin

> look up "internalized homophobia robin buckley" on tumblr because it's cathartic

> 3/4 of the posts are about st3ddie or just about steve

[sskk-manifesto]

ಥ‿ಥ

[bonefall]

how do you get yourself to write about such upsetting topics (mainly the fascism/bigotry) without getting upset yourself?

Oh, but I do get upset. I don't write like a detached, passive observer. The trick isn't to not get angry at all, it's to channel it into something constructive.

[longagoitwastuesday]

Going through the Utahim.e tag had me checking several times if at some point I had clicked on the G.ojo/Utahim.e one instead

[catkin-morgs-kookaburralover]

having actual sweet stuff for the first time in a week or so (bc ED Brain(tm) ) and I figured I'd make enough at once and have it over today and maybe tomorrow and I'm about a third of the way through it and have a horrid headache and feel rotten D:

[killerandhealerqueen]

.