#THIS IS LONG BUT I CANNOT WITH THIS SCENE

[viennacherries]

okay hi sorry i need to talk about the lucanis romance for a moment and why i think it's absolutely perfect. spoilers below the cut ofc

so obviously there are a limited number of romance scenes. i really do believe in the case of lucanis' romance this lends itself to telling his story.

we learn through party banter with him and emmerich that his relationship with rook is his first. and that's not suprising really, he's an assassin. he faces death constantly and aside from the fact that he could die at any moment, being in a relationship gives his enemies a weak spot to exploit. love and the weakness required to accept and give it is a risk he cannot afford in his line of work.

then you add on the fact that he's been in the ossuary for a year. he was definitely sure he was never getting out of there. and then he does but he's possessed.

so here's rook. and they're flirting with him and being all enticing and he thinks they're great. but he doesn't deserve love and he certainly can't risk it. he's an abomination, he'll put them in danger. and what happens afterwards? when he goes back to taking contracts? it only takes pissing off the wrong person once for rook to be in danger. so he mostly just talks around it. tried not to think about it or aknowledge it.

and then spite breaks through for the second time. and there's rook. again. and they're soft and understanding and kind and they remind him that under everything else, all of the trauma and the fear, he's human. they make him feel so safe and he starts to let his walls down.

we can't know for sure why he pulls away in that moment, but i think it's because he reminds himself how dangerous it is for him and for rook. he wants them terribly but it's such an awful no good idea so he drags himself away.

but he still cares for them. he makes them dessert and he keeps them safe and eventually he has to admit to himself that they're not just friends anymore.

and then rook is taken into the fade by solas.

he never tells rook, you only find this out in a bellara romance, but rook is in the fade for weeks.

all that time, lucanis is there and he's just full of regret. because holy shit he's fallen in love with them and now they're gone and he should've just told them. he should've held them like he wanted. because now he can't and he never will again.

and then they're back.

and he comes into their room and his words are so simple.

"i never thought id see you again. i thought id lost you"

and obviously the rest of his dialogue can vary in this scene but all of it is SO weighted if you consider the fact that he really did think they were dead.

"i do. i know how to feel."

"it's one of the things i love about you"

"i'm not going anywhere."

he is in LOVE with them and he's tired of fighting it. he's tired of pretending he isn't. he's tired of denying himself of what he wants because he's scared. because ultimately he did lose them, despite how careful he'd been, and it hurt just the same.

"i know how to feel." because he DOES now.

so in the last battle, before you fight elgernan, he tells you again just how much he loves you. how he'll do anything he needs to to be back in your arms when it's over. because those weeks without you were torture and he never wants to do that again. he wasted all that time terrified to hurt you but you got hurt anyway. why keep pretending? why keep denying himself the person he wants more than anything in the world? he goes from 0-100 because this is so much more real now. there's so much to lose.

"i've assumed you knew my heart because it beats for you. it's been beating... when i wanted you. when i was afraid to want you... tell me this ends with me asleep in your arms and i will kill any god you ask."

this one sentence conveys EVERYTHING. all of his longing throughout the game. how long he has loved rook. he didn't say it because he was afraid. but he's not afraid anymore.

so much of lucanis' romance is about subtext. it's about the things he doesn't say rather than the things he does.

i think it's absolutely beautiful.

[mistresscitrusslice]

Thank you so much for going through the effort to even get screenshots! It’s seriously appreciated.

You make a good point, not least of which because this circle looks like a blast zone that came from within. It even pushed other bodies away. I’ve never seen Kindred gameplay, idk what their protective powers look like, but generally spells that are cast on you by someone else use the caster as the center of the spell, not the target. (Basically, the blast circle wouldn’t have been centered on Ambessa, but on the Wolf.)

The protected area around Mel and Jayce when they wake up doesn’t look like a blast zone the way it did with Ambessa (other than, you know, the Actual Bomb), so I’m not sure what to make of that.

I did not know that Ambessa had a bio already, let alone that included stuff from her music video! I thought she just had her blurb. It’s great that they clarified who she was pregnant with eventually. Uh, where’s Kino while she’s out at war then??? I imagine that Kino’s father was probably also a soldier and in the army too. Hopefully Kino was with relatives or family friends.

Also, Rokrund! It’s nice to get a name for the specific region Ambessa is from other than just the wider nation of Noxus. Is this a new name we’re hearing or has it appeared in any other League lore/media before?

“Visions that she would speak of to few others.” I wonder who those few are. Given how she treats her children, I cannot trust that even her kids are among these few. Their dad, maybe? I hesitate to say “Ambessa’s husband” because she definitely does not act like she has a husband, or maybe he’s deceased.

I plead the fifth on the Solari stuff because I know jack shit about the Solari, and if it turns out that Mel does have Solari magic, I do want to be surprised by their lore.

It still puzzles me why, if she does have magic, she wouldn’t use it to defend herself. You mentioned it being linked to situations with certain death. I’m iffy on this because it feels convoluted and kind of like a cop-out if that really is the reason can’t use it at will. If it is the case, though, then maybe Viktor wasn’t hurt because his magic clashed with hers, but because his death wasn’t guaranteed. I rewatched the opening scene, and he was still moving a little when Jayce performed Hexcore magic on him. If his death wasn’t certain, then the magic had no need to save him.

More likely, Mel’s magic has a cooldown and a long period where she needs to build enough magic back up to be able to use, but most likely, Mel doesn’t even know she has magic. There’s no sense in concealing her magic now, especially not after it saved herself and Jayce. Sure, it’d be a bad idea to come out about it to the world even after Piltover accepted Hextech since it would’ve been a secret for so long. However, I do believe she would’ve told Jayce. If not before, then definitely after it saved the two of them and Viktor still almost died.

Jayce needs as much information as he can get to figure out what’s going on with Viktor. Mel cares a lot about Jayce and seems to also care for Viktor even if she disagreed with him last season. She also has the same innate curiosity that Jayce and Viktor do. She’d want him to be able to solve this puzzle with all the information at his disposal and has been able to open up to him in the past with the trust that he would not share her secrets. She’d tell him so that they could figure out why her magic didn’t work as it was supposed to.

Unless there’s a reason we haven’t been told for why she needs to keep this hidden? If you squint your ears real hard, her line of “There’s no sense to these things, Jayce” in response to “How does the explosion do that to him and I just walk out without a scratch” sounds a bit like she’s trying to get him to drop the subject. After all, there is sense to these things for a scientist. There’s physics and calculations that go into why every single piece of debris falls in the way that it does. Which direction it flies in, how much heat is dispersed, the shock absorption in everything and every person in the blast radius, how far each person gets pushed across the room. To Jayce, “there’s no sense” might not be a comforting thing to hear. So was Mel just trying and failing to comfort him or was she attempting to change the subject? Or am I just reading too much into it?

Lmao imagine tho if Jayce found out she has magic, whether she already knew or not. He’d want to study her! And honestly she’d probably be down for it to find out even more ways to use her powers, maybe a way to replicate it with Hextech so more people can have a way to stay safe! That would actually be a good way to use Hextech to help people. And maybe Mel just has a scientist kink, who knows

Mel's protection should have saved Viktor too, and she's trying to figure out why it didn't

S2 ep1 shows a circle of protected stone where Mel and Jayce were during the explosion. My theory is that Mel's magic armor activated and saved them both. It seems like it casts a sphere of protection around wherever Mel is.

The center of this circle is not Mel's seat - it's Jayce's. She ran to Jayce to save him.

No other Councilors were in range of Mel's protection, so they all got hurt or killed.

But Viktor was, Jayce's words, "right next to" him. He was easily within Mel's circle of protection.

1) Viktor tried to run and mistakenly left the circle of protection. But are we meant to believe that Viktor, close to dying already and using a crutch, would have outrun Mel?

2) Viktor's augmented body clashes with Mel's

Why does Mel try to touch Viktor in episode 1? It seems like a throwaway moment, but not even Jayce touches him in this scene. So why Mel?

She's curious. And possibly, feeling responsible. She's wondering why her protection didn't work.

Is this Hexcore brand of the Arcane trying to reach out to Mel? Or trying to defend itself from her?

Mel was trying to protect both Jayce and Viktor, which is reflected in how she holds Jayce as well as Viktor's cane when she promises to protect Hextech:

But if, for example, Mel's magic is Solari in origin, and Viktor's is from the Void - or the Arcane equivalent of similar opposing forces - then it's possible that their magic rejects or hurts one another. So Mel's circle of protection either rejected Viktor, or was what hurt Viktor, and not the explosion.

[jelloapocalypse]

Hello! Super excited to announce that we're going to be hosting a TWO-DAY EVENT for Epithet Erased's five year anniversary.

(Yes, it's been five years. Isn't that insane?)

The even will be streamed LIVE on our usual livestream YouTube channel, JelloPlaysGames, at 3pm EST on November 16th and 17th.

The first stream (click here) is a Voice Actor Panel, similar to the Two-Loween event held on the original anniversary. We'll be reading original scripts out loud, looking at fan art, doing signings, and more, alongside several special announcements including a preview of the Giovanni Lullaby. Ooh~

The following guests will be on this stream:

Dani Chambers (Molly)

Kyle Igneczi (Giovanni)

Zack Maher (Sylvie)

Lindsay Sheppard (Mera)

Anthony Sardinha (Indus)

Sandra Espinoza (Percy)

William T. Sopp (Ramsey)

Dawn M. Bennett (Zora)

Justice Washington (Howie)

Jordan Dash Cruz (Howdy Morning the Bartender)

Tiana Camacho (Lorelai)

Oz Ryan (Trixie)

Bryn Apprill (Phoenica)

Ray Chase (Rick)

Meg McClain (Spike)

Rhea Burtram (Character Designer + Lead Artist)

Bo Hello (Book Illustrator)

If there's a hypothetical scene you've ever wanted to see between two or more characters, let us know! We'll be reading lots of little skits with every single voice actor participating at least once, and we need lots of ideas!

The second stream (click here) will start the following day, Sunday the 17th also at 3pm EST. This one focuses on the Epithet Erased TTRPG book. It's a long way from done, but we have hundreds of pages to preview!

I'll be going over the general rules, artwork, and spending a lot of time diving into the setting's lore and the intricacies of the example character sheets.

If you'd like to submit fan art for the cast and crew to look at during the stream, please send it to contact@epitheterasedonline.com

RULES FOR ART SUBMISSIONS:

PLEASE send the name you'd like to be credited as

Art does not have to be new, you can submit old stuff

You can send multiple pieces, but we only have so much time on stream, so send your favorites!

No NSFW

I won't share anything that could be seen as the creator endorsing a headcanon. That means no shipping art, no non-canonical pride flags, no Anime Campaign stuff. This is my rule when reblogging and retweeting, too. Even if I like it, I won't share it.

Please submit BEFORE the stream starts

We got 1000+ pieces last time we did an anniversary stream, so we cannot guarantee that your art will be showcased, but we'd love to see it in the email anyways!

[connorsui]

Safe Heaven

• Zayne x fem! reader

Genre/warnings: fluff, hints of angst (feelings of guilt), childbirth, comfort end , mild vurnability, feelings of helplessness, mentions of heart problems, slight mentions of anxiety and stress, we are not having a good time here..but that's okay!

Synopsis: zayne reassures you of his love as you cover from childbirth

Note: my lawwwdddd it's been such a long time without seeing any of you inside of my house..it feels so foreign ..breaks my heart into little pieces ..howeverrr this moment of silence didn't mean I was left with nothing inside of these neurons of mine-- ur beloved consui has thoughts ..and thoughts she must expel in the form of zayne 🩶

wc: 1.3K

“Every passing day…” you began, your voice almost a whisper, “I feel as though I am becoming more of a burden to you.”

The words hung in the stillness of the room as you lay upon the bed, your gaze fixed upon Zayne, who tenderly cradled the slumbering form of your newborn. The night had settled in with a serene quiet, broken only by the soft, rhythmic sound of the baby’s gentle feeding. Moonlight streamed through the curtains, bathing the room in a silvery glow that softened the edges of everything, lending an air of tranquility to the tender scene before you.

Zayne’s eyes flickered to yours, his brow furrowing ever so slightly in quiet confusion, as though he were searching for the meaning behind your words. “Mmh?” he murmured, his voice a soft note that seemed to vibrate through the still air.

"What do you mean?"

Your heart stirred beneath his gaze, and though you tried to muster a smile, it faltered, laden with the weight of the self-doubt that had quietly gnawed at you. You averted your eyes, feeling the warmth of a slight flush creeping upon your cheeks. “I mean… it has been two weeks since they released me, and I have done nothing to aid since I returned,” you continued, your voice growing softer, almost apologetic. “I cannot help but feel as though I'm—”

Before you could continue, Zayne’s hand, warm and gentle, reached toward your face. His fingertips grazed your cheek with a softness that seemed to still your very breath, his touch lingering just enough to still the torrent of your words. He guided your face to meet his, his expression tender and unwavering, his gaze soft with something unspoken. With a faint smile that reached the depths of his eyes, he whispered a quiet, soothing shush, the sound more comforting than any words you had ever heard.

“Dont say it..." he said gently, his gaze never leaving yours.

“Your only concern should be your own rest, your own recovery… and holding our child with me...” He paused as if steadying himself, his eyes shadowed by memories of a time he wished never to revisit. “You know...when they told me your heart wasn’t faring well during the birth… I can not explain it. It felt as though my very world was fracturing before me. All I could think—” his voice broke, but he steadied it with a soft, trembling breath— “was that I needed you to stay with me with our child in your arms... I suppose at that giving moment I just wanted to see you safe ..in one place..not having to stress over anything ... even now"

The words struck your heart, stirring a depth of emotion you hadn’t anticipated. You sat up, your gaze fixed on him, your breath caught between disbelief and sorrow as you absorbed his admission. Your eyes grew cloudy, softening with tears as you looked from Zayne’s face to the child resting peacefully in his arms, blissfully unaware of the turmoil their entrance into the world had caused.

A tear slipped down your cheek, followed by another, and you looked to your lap, your shoulders trembling. “Zayne, I'm - … I didn’t mean…” you began, but your voice faltered, words catching in your throat. You hadn’t meant to burden him, hadn’t meant to leave him with the fear that your heart might fail you. The mere thought that your own weakness had caused him such distress made you feel small, vulnerable—a helplessness you had seldom allowed yourself to feel.

But before you could stumble further, Zayne’s hand reached out, his fingers warm and reassuring as he placed them under your chin and lifted your face to his. “No,” he whispered, his voice as tender as the night itself. “Stop. Do not apologize for anything” he continued, his gaze so steady, so filled with love that it was nearly overwhelming. " I may worry for your health—and you know that I will— it comes straight from my heart. You are everything to me, and nothing will change that, not even fear."

In that moment, you felt the warmth of his hand, the strength of his embrace, drawing you closer to his chest, with your child nestled gently between you. His heart beat steadily beneath your ear, a reminder of his constancy, his unyielding devotion. You raised your face, your eyes shining as you met his gaze, and you leaned in, pressing a kiss to his lips that held every ounce of your gratitude, your love, your devotion—a silent promise that only he could understand.

When you drew back, you looked at him with all the tenderness in your heart. “You have given me more love than I ever thought possible,” you murmured, your voice a quiet reverence. “You have shown me, again and again, that I am cherished. I have no words to tell you how much that means… but I am yours, Zayne. Yours alone.”

A soft, awed smile touched his lips as he took in your words, and with gentle care, he rose, instructing you to lie back down. “Rest now,” he whispered, his tone one of loving insistence as he cradled your child close, “I’ll settle our son to sleep.” You watched as he moved to the crib, his steps tender, his every movement imbued with a quiet grace. You thought of all he had done for you in these recent days—how he had bathed you with gentle hands, had held you as you struggled to regain your strength, had prepared every meal and tended to every need without question or complaint.

And as you lay curled on the bed, a warmth settled within your chest, a happiness so profound it was almost a reverence. This man, who loved you so dearly, who had stood by you through every hardship, was yours, and you could wish for no greater gift.

When Zayne returned, slipping beneath the covers, you felt the bed dip beside you, and soon his arms encircled you once more, drawing you close until your cheek rested against his chest, where you could hear the steady thrum of his heart. His scent, warm and familiar, enveloped you, and you felt your cheeks grow warm beneath his touch.

Zayne leaned down, pressing a gentle kiss to your forehead, his voice a murmur of quiet devotion. “I love you,” he whispered, the words laced with a depth that only the most profound affections could contain.

A long, comfortable silence fell between you, a silence filled with the unspoken promises of a love that could never be shaken. At last, you whispered back, your voice barely more than a breath. “I love you too.”

In that moment, wrapped in his embrace, you felt truly, indescribably at peace.

If zayne was my doctor I would find ways to get myself in the ER just to see him

[darth-jess]

What do you think was the breaking point for anakin?

Oooo another WONDERFUL question! Sorry, but this is about to be a long post, because this truly deserves a long answer.

I think Anakin's breaking point comes the moment he discovers that Palpatine is the Sith Lord. In the movies, this plays out rather quickly, but in the Revenge of the Sith novelization by Matthew Stover, Palpatine builds very slowly to his "big reveal" and it is absolutely horrifying and wonderful and terrible.

Anakin goes to the Chancellor, to tell him that Obi-Wan has engaged General Grievous and that the Clone Wars are almost over. However, Palpatine is very direct with Anakin, telling him that Grievous and the Clone Wars are merely "a distraction" at this point. He tells Anakin that the Jedi Council is "about to make its move" and take over the Republic.

Anakin thinks the Chancellor is being a bit dramatic, but Palpatine quickly reminds Anakin that the Council continues to hide things from him, that even Obi-Wan is hiding things from him. And poor, exhausted Anakin (who has not slept in days– weeks?– for fear of his nightmares) cannot come up with a good response in defense of the Jedi. He tries, he really does, but this man is exhausted.

Palpatine then admits he is aware of Anakin and Padmé's marriage, that he has only pretended not to know to "spare [him] discomfort."

And this is where Sidious feeds Anakin his poison, this is where he sinks his teeth in and Anakin is too exhausted to notice until it's far too late.

Palpatine asks Anakin to think about what he wants, and once more, Anakin has no idea how to answer.

Anakin plays along, choosing increasingly more expensive things, and each time Palpatine tells him he will grant it to him. Eventually, Anakin gets tired of this "game" and chooses something so ridiculous:

"All right," Anakin said softly. "Corellia. I'll take Corellia." "The planet, or the whole system?" Anakin stared. "Anakin?" "I just–" He shook his head blankly. "I can't figure out if you're kidding, or completely insane." "I am neither, Anakin. I am trying to impress upon you a fundamental truth of our relationship. A fundamental truth of yourself." "What if I really wanted the Corellian system? The whole Five Brothers– all of it?" "Then it would be yours. You can have the whole sector, if you like." The twin gleams within the shadow sharpened. "Do you understand, now? I will give you anything you want."

Anakin is not stupid.

Even exhausted and alone, he realizes that nobody would grant such things without getting something in return. Of course, Palpatine only answers by telling him that he only need do what he wants, what he feels is right. Palpatine says:

"You can have every one of your dreams. Turn aside from the lies of the Jedi, and follow the truth of yourself. Leave them. Join me on the path of true power. Be my friend, Anakin. Be my student. My apprentice."

Anakin is too tired and too afraid to really consider his wording, he is so confused and isolated. The scene continues:

"I know what you truly want," the shadow said. "I have only been waiting for you to admit it to yourself. A hand–a human hand, warm with compassion– settled onto his shoulder. "Listen to me: I can help you save her." "You–" Anakin blinked blindly. "How can you help?"

And this is where Darth Sidious reveals himself, this is where he admits that Darth Plagueis was real, that Plagueis was his master before he killed him.

"You," he said. Suddenly he was neither dizzy nor tired. Suddenly everything made sense. "It's you. It's been you all along!" In the clean blue light of his blade he stared into the face of a man whose features were as familiar to him as his own, but now seemed as alien as an extragalactic comet– because now he finally understood that those familiar features were only a mask. He had never seen this man's real face. "I should kill you," he said. "I will kill you!"

Anakin's first reaction is to kill him, because he realizes that this whole time, his friend, someone he looked up to like a mentor, like a father has been lying to him. And not only that, but he is the Sith Lord that the Jedi have been hunting, the Sith Lord that started this war.

As the scene continues, Anakin wishes Obi-Wan were here, he knows Obi-Wan would know what to do, what to say. But he is alone. And while Anakin doesn't know it yet, his isolation is deliberate. Because Palpatine knew, that if were surrounded by those who loved him– Padmé, Ahsoka, Obi-Wan– that Anakin might not fall.

And then, Palpatine delivers the final blow:

"Perhaps not. Perhaps it's simply a question of whether you love Obi-Wan Kenobi more than you love your wife."

This, I believe, is Anakin's breaking point.

Though I think there are also very good arguments to be made for other moments as his "breaking point" (when he sits in the Council chambers, staring out and thinking of Padmé as he cries for the choice he is about to make; when he makes the choice to return to the Chancellor's office; when he takes action against Mace Windu and cuts off his hand to stop him from assassinating the Chancellor) THIS is the moment the black poison of the Sith is injected into his mind.

And every moment after this is just a side effect of that poison burning through him.

What do you think? Is this Anakin's breaking point? Do you guys have a better one?

[call-sign-shark]

Brummie, I'm sorry for the delay I was convinced I replied! Also I'm sorry for not having caught up with your new series yet but I can't read anything as long as I don't get the next fucking chapter of HYE out. It eats my brain and frustrates me.

Anyway, your comment was insanely pleasing -- I loved your insight about the whole baby situation, even more when considering the fact that you're a mom so you feel/know it better than anyone else. She was definitely not ready to share the news of her baby: not only was she not ready but she was seriously unhappy about the timing of the pregnancy, which kept her from enjoying the news. She's not mad per se but she cannot find the strength to rejoice nor think about it in a positive light because all she can think about is how weak, how vulnerable she is. With that being said, it doesn't mean that she hates the kid and I was really afraid that it would diminish the feelings I try to convey in the magic scene. As you said, this is probably the most difficult choice a woman can make in her life: your love or your baby. Also, I didn't want to describe it in a too gruesome way but the psychological as well as physical pain is unbearable. It's as if she felt her baby's life getting drained as she tried to save Arthur :'(

About Tommy.... Aaah, I feel like he's a big theme of HYE alongside Arthur, obviously. There is definitely something extremely toxic in the way he behaves with her and you'll see it more in the next chapter. If each interaction, even the nicest ones, makes your skin crawl then it means I did my job pretty well. 😬 I don't know if he will learn to respect her boundaries but at least we have seen him getting pretty soft when she really needs him (John's death, now Arthur) even if it's temporary. Tommy loves being complicated in every story ay?🙄

Thank you so much for still reading my series and for always being there. You're fantastic, honey. 🖤

Heaven in Your Eyes || Arthur Shelby x You

Summary: It was supposed to be an entertaining evening. Boxing fights, booze and party. It wasn't supposed to be one of the worst days of your life. || Featuring Tommy Shelby x Reader

Words: 4.5k

TW: angst+++, alteration of canon events, canonical violence, depictions of slaughter and body horror, main character death, Reader's husband dying, suicidal thoughts, graphic murder. Parts in bold are direct quotes from the show. Parts in Italics are direct quotes from preceding chapters. Also, Tommy will take more space in the next chapters.

Notes:

✞ Shorter chapter because it's extremely violent and angsty. Also, I'm super rusty so I tried to write it in a more direct style so it's prolly less poetic and beautiful.

✞ This is chapter 16 of the Arthur Shelby x You series Heaven in Your Eyes. Each chapter can be read as stand-alones but reading the whole series will make the experience far more intense.

PREVIOUS || Masterlist || NEXT PART

The extraordinary general meeting of the Shelby Ladies Club.

This is what Polly called this unexpected little meeting in the bathroom right in the middle of the rigged fight happening a few rooms away. When you entered the lavatory with Ada complaining about the sparring between Goliath and Bonnie, Aunt Pol was taking a cigarette from the silver case she was holding while Lizzie was fixing her hair.

“I love your messy bun, Heaven.” Lizzie complimented when she saw your reflection in the mirror she was using.

“Thank you Liz. Ada scolded me and decided that it would be a better hairstyle for tonight.”

“You never style your hair except for braids and it’s a fucking shame considering how beautiful and long your white mane is.” The young Shelby sister insisted.

“If you say so,” You snorted, amused, “What are you doing here? Plotting and scheming? Leave these for Thomas.” You smirked, sitting on the edge of a sink with movements as nimble as a cat. Your little cutting remark had the expected effect: the three girls laughed with sincerity, somewhat amused by the beef between you and the family’s boss. They had eventually learned that nothing could ever ease the tension between the two of you, so laughing about the matter was the only thing they could do. A part of you couldn’t help but think that they wouldn’t find it that amusing anymore if they knew the unhealthy turn your mutual hatred had taken.

What did you feel when we kissed? A shiver ran down your spine as you heard Tommy’s husky voice, as charming as venomous, whispering in your ear. It might only have been a memory, but you could almost feel his hot whisky breath brushing your skin.

“Heaven has some news.” Polly’s voice resounded in the bathroom, snatching you from your thoughts.

“Me?” You asked, batting your bambi lashes in incomprehension before the understanding of the situation slapped you right in the face.

“Well, tell her. Now! While the men are screaming for blood.”  Polly sneaked a cigarette between her thin, red lips. 

Your blood momentarily froze in your pale veins for this unexpected pregnancy wasn’t something you wanted to talk about. For sure Aunt Pol didn’t mean to do harm, but the surrounding chaos and your last encounter with Luca Changretta seriously eroded your wish to have a baby. The baby who made you so vulnerable during times that were anything but good. Moreover, a quick glance at Lizzie’s sad and anxious eyes had been enough for you to understand that something was weighing on her shoulders. Something you had guessed for a few days. Something she needed to talk about more than you. The corner of your mouth turned up in a half-smile.

“Well, I discovered something about Lizzie but I think she should be the one making the announcement. Shouldn’t you, Lizzie?” You winked, replacing one of your long white strands of hair behind your pierced ear with a naive pout. Glitters of hope and gratefulness suddenly sparkled in the ocean blue of the secretary’s eyes to whom you replied with a discreet nod before grabbing Polly’s cigarette case.

“I’m up the duff. And it’s Tommy’s.”

You took a long drag on the cigarette and slowly exhaled the smoke by your nostrils as the attention was now on Lizzie. Even though Ada almost choked on her sip of gin, she quickly showed interest in the tall woman’s pregnancy. The only one you didn’t fool was old and cunning Aunt Pol who gave you a brief “okay I get it” glance before turning back to Lizzie.

It’s a girl. Call her Ruby. Ruby Shelby. She’ll be a star in a Hollywood movie.

You watched the scene with a light smile floating upon your plump and glossy lips, satisfied by the outcome of your little trick as well as the surprising unconditional support Lizzie was receiving after years of being seen only through her job as a prostitute. Admittedly, the reason behind the little push you gave to Lizzie Stark was purely selfish, but you couldn’t deny the fact that you kind of liked the woman despite never really interacting with her. She got the attention, and you got peace. It was a win-win situation.

“Congratulations, Lizzie.” You said, your siren-like voice as soft as a lazy ocean.

“She’s a real Shelby lady now. Just like you, Devil.”  Polly’s smirk betrayed her amusement. You rolled your eyes teasingly before proudly showing your left hand and wiggling your small fingers to display the magnificent wedding ring Arthur had gifted you.

“What about you Hev? When are you planning to give us a little Arthur?” Ada suddenly asked, Lizzie's news had visibly rendered her sour mood better.

“I think one Arthur is enough for now, don’t you?” You got up from the sink and carefully smoothed the folds your revealing black dress, “Anyway. Ladies, let’s rejoin our gentlemen.”

“I guess the meeting is over.” Ada added with a little chuckle

Joining deeds to words, Polly gently hooked her arm with yours in a motherly gesture and guided you outside, where the crowd’s roars were echoing.

Laughs and cheers filled the room as Johnny Dog put on a show to get more men to bet on the winner of this fight. Swallowing a mouthful of gin, your seraphic traits turned into a wince at the burning sensation the alcohol left in your throat – that new batch was strong, indeed. The sweet taste that exploded on your tastebuds, when the tip of your rosy tongue licked your juicy lips, made you grin, or maybe it was the all-consuming smell of sweat and blood that lingered in the air. It might come off as surprising for other women, but you enjoyed watching fights. There was something brutal but so real about them. After all, humans were just animals wearing suits. Animals which, according to you, had barely learned to speak instead of growling.

Your lips pinched the cigarette as you took another drag you quickly blew, your eyes following blood spurting from Bonnie’s nose and splattering the ground. Although quieter than Polly, Lizzie, and Ada, who were laughing, screaming, and sometimes nudging you in excitement at each violent blow the Romani boy gave back to his opponent, you had a lot of fun. Until a peculiar but familiar feeling blossomed within.

It started with a chill creeping down your spine and ended up with light tremors shaking your frail silhouette. Instinctively, you raised your piercing gaze and searched for Arthur somewhere among the crowded rows of folded seats. Your usual calm demeanor faltered as you noticed that your husband seemed troubled by something, rapidly glancing from here and there, attempting to read the room for whatever reason. He didn’t even pay attention to you, far too busy observing the men that were around the boxing ring. Eventually, Arthur stood up and left, his steel blue eyes fixed on someone he followed through the depths of the building. Let me do my fucking job! That’s what he barked at Tommy, or at least what you thought you overheard.

You frowned as a strange sensation rippled through your mind – like a distant, haunting whisper of something looming, a threat. Nervously swallowing your saliva, your first reflex was looking at Tommy. You couldn’t place it, but the odd feeling gripped you tightly like an omen you couldn’t shake, warning you of an approaching storm. It seemed like little King Shelby shared your inner agitation though, for his mesmerizing turquoise eyes dived into yours with the same nervousness and incomprehension. Whatever the many reasons behind your hatred, you were definitely on the same wavelength at this very moment. The silent conversation, expressed through brief eyebrows and eye movements, was more or less the following:

-Where is he going?

-I don’t know. It’s prolly the booze and the pills.

-It’s not. I’ll check.

-Don’t fucking do that.

You stood up from your seat with a clenched jaw and, feeling the vibration of this bad omen quaking your soul itself, you nimbly snaked in and out through seats and followed Arthur’s steps. As was the case for your husband a few minutes ago, the dark corridor into which you rushed engulfed your ethereal silhouette like a hungry giant.

“Fuck.” Tommy mumbled, straightening on his seat and leaning forward, “Fuck.” He repeated, torn between his own doubts and his disdain for you. Nevertheless, if there was one thing he had learned since you joined the family was that your gut feelings were never wrong. You proved it several times, starting by foreseeing Charlie’s abduction. The dark-haired gangster sniffed and nervously rubbed his chin, his catlike eyes going back on forth between the corridor and the crowd. A few minutes later, Tommy finally left the fighting pit.

Something was definitely off.

Cautiously walking through the maze of dark hallways dimly lit by a bluish light, you tried to ignore the maddening beat of your heart that was drumming so loud you felt it hammering in your temples. You didn’t really know where you were heading, nor where Arthur went, but the more you moved forward, the more this unbearable feeling of dread and panic invaded you. Your aimless wandering came to an end when the strong and metallic smell of fresh blood and the atrocious sight that followed jumped at your face.

No.

Your heart nearly stopped when you saw him – your husband, slumped on the ground, blood soaking through the collar of his shirt as it gushed from the wound across his throat.

No!

Time seemed to slow down, and your heart seemed to stop as you took in the scene: the gun the Italian bastard was holding in his steady hand aimed at Arthur’s head.

Panic crashed over you like a tidal wave, washing away everything but the rage that had piled up within you during all these years. In that moment, something primal and destructive snapped inside of you. In a blur of rage and raw instinct, and with a guttural scream that seemed too inhumane to come from you, you launched yourself at the mafioso, who barely had the time to turn around. Another furious shriek escaped from your quivering lips, similar to the rabid screech of a wounded banshee, and with your fingers curled into claws, your sharp nails slashed across his face.  

“PUTTANA!” The man yelled and gasped, taken aback by your unleashed fury.

The mafioso fired with his gun in a desperate attempt to kill you but the brutal impact between your two bodies threw him off balance and the shot reached the wall instead of your brain. As his spine crashed against the tiled ground, Changretta’s henchman dropped the weapon. You gave it a brutal blow to make it slide away from him.

Another wave of insults followed as he realized that he struggled to overpower you. You were fighting like a cornered animal, wild and relentless. Your claws scratched him again and again, leaving raw and jagged lines of blood all over his face. The mafioso's strength was starting to falter as he realized that you weren’t just fighting to win; you were fighting to kill him, your body moved by the instinct of a bloodthirsty beast that refused to be caged.

"Stop it, you fucking bitch!" A scream of utter pain brutally tore the air as, completely out of your mind, you dug your thumbs into his skull, pushing harder and harder in an attempt to gouge his eyes. The Sicilian man produced a second sound so twisted that it seemed beyond anything a human throat could produce. The more you pushed with your thumbs, the more you felt his eyeball turning into a viscous pulp. The feeling of the moist and warm liquid on your fingers didn’t stop you. Nor the man’s wails of pure agony, with its pitch far too high and too broken.

“Ajùtami! Ajùtami!” He pleaded, his hands felt the ground in panic, searching for anything he could use to push you away from him. Anything to make you stop. Realizing that nothing was around him, not even the thread he used to attack Arthur, he managed to overcome the pain and gather his strength to grab your throat.

With your air squeezed, you wheezed and removed your fingers from his skull to claw his strong hands. “S-Stop!” Panic flooded you as your vision blurred, black spots dancing at the edges. The harder you fought, the harder he strangled you. Seriously lacking air, you clawed at his arms, desperate to breathe, but his grip was iron. Now you had to do something and do it quickly if you wanted to have a chance to save Arthur.

Your thoughts raced, frantic, until instinct took over.

I love your messy bun, Hev!

The judas stick – now you had a chance. With one quick movement, you brought your hand to your bun and your fingers fumbled for the sharp metal judas stick that was holding your hair in place. It came in handy. With a choked sound, you drove it upward and sunk the sharp edge of the stick into the man’s side.

One time.

Two times.

Three, four, five, six…

Side, chest, shoulder, face… 

Each impact was vicious and powerful, tearing through the flesh like butter and drilling into organs and bones with the sheer will of maiming your enemy. Hot blood splashed all over you and around, but you didn’t care. The only thing that made you stop stabbing him was when you felt the man’s grip loosen around your throat until his arms dropped on the red-smeared ground in a loud thud.

“Fuck!” You sucked in a sharp breath, your voice hoarse from being choked. However, you quickly got up from the corpse to run to your husband.  “Arthur!” You screamed, rushing to his side, your hands trembling as you knelt beside him – or rather as you dropped to your knees, your legs unable to support your weight anymore. Panic seized you even more violently as you saw Arthur's deep wound and the blood—too much blood.

“No, no, no… not like this,” You whispered, voice cracking. You couldn’t lose him, not here, not now. Never. Your fingers brushed over his chest and, in your deepest desperation, you looked for his pulse. A pulse you found, but which was becoming slower and fainter as seconds flew by. “Arthur! Please!” You started sobbing, tears streaming down your face and mixing with the fresh blood that was painting your skin in a disgusting shade of red. You had to face the truth: Arthur was dying. The damages were too serious and the bleeding too much… But you were a witch. The gift of healing was coursing through your veins. The only problem was that if you tried to save him by using your magic, you’d hurt the baby. After all, that was what happened when you tried to kill Luca Changretta with a heart attack.

The baby.

Your husband or the baby?

Your heart painfully raced in your chest. Your erratic breathing and your sore throat made you feel like you weren’t getting enough air.

 “I’d love to have kids with ye, eh. Little white-haired and blue-eyed us running barefoot in the forest… Little embodiments of our love brightening our life.” His voice was merely a whisper now for he was slowly falling asleep, “I’ve always wanted to be a dad… but thought I was too messed up for that.”

You could save him. You had to. Despite this torture of a dilemma and the harshness of the decision, nothing could change your mind, not even the feeling of your heart shattering into millions of shards. Closing your eyes, you placed one hand over his throat, the blood warm under your palm, and the other on his chest. Wasting no time, you channel all your strength – the connection sparked, and the raw, untamed magic you inherited from your mother surged through you. It seemed to work at first, his pulse lightly responding to yours.

But the more the magic surged, the more you felt a terrible pain in your belly. It started as cramps but quickly escalated into suffering so high that you felt like someone was stabbing you. A trembling squeal escaped from your red lips. You were killing it, you knew it. You were killing your own baby.

"Come on, come on," You muttered, pushing harder, forcing your will into his body. "Stay with me, Arthur," You whispered, tears streaking down your face, each sentence cut by muffled cries of the mafioso you had slaughtered and who was still alive— not for too long to be honest. He seemed to say something in Sicilian but you couldn't understand what. And you didn't care. "Just... stay with me." You gritted your teeth, doing your best to put up with the pain.

Click.

You froze.

“You nosey little slut. You should've stayed with the others.” 

Your heart missed a leap at the unknown male voice, carried by a thick Italian accent. The mafioso’s colleague looked at you, gun pointed right to your head.

"Remember me?" He asked with a wicked smile, recalling the moment he had offered you a cigarette a few hours ago. During your brief chit-chat, he told you that his name was Damiano but you didn't make the connection between Changretta and his Italian heritage.

“Don't cry, you're going to meet with your husband again very soon." the imposing man added, a few seconds away from ending your life. However, Damiano didn't know what you were capable of. Even less now that you were driven by pure rage and despair.

“Shut the fuck up!” You suddenly yelled, your claws firmly anchored in your husband to make Damiano understand that no one would snatch him from your arms. Your voice, a seductive melody that could enchant like a siren’s song, suddenly sounded monstrous. Raw and primal, the way you screamed the threat echoed in the entire maze of hallways and made Tommy’s blood freeze in his veins, a few corridors away. “Fucking die!”

Damiano didn't know that he never stood a chance. You sealed that man's demise with one blunt arm movement as if you had wanted to chase a mosquito from your face.  

"Wh-What..."

Damiano, fell on his knees next to his dying friend, and writhed on the floor. With his two hands pressing on his chest, he suddenly started to choke and, right after, threw up a great amount of thick blood. Apart from the vomiting, blood soon seeped from his eyes and ears, bubbling like something inside was boiling them alive.

"P-Please!" He begged but you didn't stop. The man obviously tried to scream but the only sound he could produce was disgusting gurgles.

"Don't worry, you're going to meet your friend pretty soon." You replied with a cold and sardonic tone before closing your fist, the man's lungs responding to your gesture by imploding in his chest. Like his colleague's arms did a few minutes ago, Damiano's whole body crashed against the floor with a thud.

Quickly, you shifted back your attention to your husband and kept giving him all your energy while ignoring the black dots that were dancing in front of your eyes, as well as the awful, unbearable stabbing sensation in your core. You were definitely hurting yourself by using your power that much but you didn't give a fuck. “Arthur, please.” You growled, a feeling of dizziness building up so bad that you didn’t even hear the hurried footsteps that were coming closer, nor the hoarse, familiar voice of your brother-in-law.

"FUCK!" You exclaimed. You were losing Arthur again.

The three bodies lay strewn like discarded puppets, their lifeless forms twisted and broken on the blood-flown concrete floor. The once clean backroom had transformed into a nightmare realm of gore and horror that made Tommy's stomach turn upside-down.

The Peaky Blinder's boss took two steps back and brought his calloused hand to his mouth, fighting against the urge to puke – and God knew it took him a lot considering the atrocities he witnessed and did during the war. His turquoise gaze scanned the room, which had turned into a slaughterhouse. A fucking pool of crimson blood. First, he saw the limp and distorted corpse of Damiano, whose eyes were open wide in horror despite him being dead and cold. The terror in his frozen facial expression left no doubt about how awful his last moments must have been: he had suffered, and he had suffered more than a lot. Then, he caught a quick glimpse of the second victim. With his eyeballs reduced to a reddish foul mush, the lacerations on his face, and the abnormal number of stabbing wounds, the mafioso’s body was so maimed that it looked disgustingly grotesque.

Then he saw Arthur.

"Oh my God. Oh my fucking God — Arthur!"

Amidst the chaos, where the air hung heavy with the acrid and pungent scent of blood, Tommy's screams echoed far away in the distance as you knelt there, eyes wide open and silent tears streaming down your cheeks, mixed with dark trails of ruined mascara.

Tommy reacted immediately and knelt near his brother with a panic so uncontrollable that it swept away every ounce of coldness and self-control he usually displayed. He slapped his brother's cheeks several times in a vain attempt to help him come back to a conscious state but it didn't work. Thomas Shelby's fist hit the floor with frustration as the feeling of powerlessness crept into his heart. He was losing another brother and there was nothing he could do to save him.

But you could.

"Heaven, d'ya hear me?"

You let out a muffled whimper, or at least you thought you did as your senses saturated with one unique sound: a relentless ringing that echoed in the hollow caverns of your mind. With each pulse of your heart, the sound intensified, threatening to consume the last remnant of sanity you had left. The world around you had seemed to fade into obscurity, your sight blurry and reduced to only one color: red. Vibrant red splattered everywhere, on the walls, and yourself but most of it was on the floor. In fact, the ground itself seemed to writhe beneath the weight of the corpses, as crimson rivers flowed freely, painting the concrete in shades of crimson that gleamed like freshly spilled paint.

“Oi! Listen to me!” Tommy’s powerful voice suddenly snatched you from your daze just enough time to catch your attention and plunge his turquoise iris into your Arctic eyes.

“I—I can’t. I can’t, I can’t...” You repeated in a whisper, just like a broken record, because your husband’s pulse was weakening again, blind to your exhausting and painful efforts. Arthur was dying, your baby was dying and the intensity of the pain you went through was so insufferable that all you wanted to do was curl up in a ball and wait for death to make this nightmare stop.

Tommy rapidly shifted his body to be by your side, his sharp eyes focused, but softer than usual. “You’ve got this,” he whispered, meeting your panicked gaze. “Keep going. Don’t stop.” He pressed his hand firmly over yours, steadying the trembling fingers that worked to save his brother. His voice was low, gravelly, but laced with a quiet strength he tried to share with you. His grip was warm, grounding you in the chaos, his presence like an anchor. At that moment, the weight of the world felt momentarily lighter with him by your side. You replied to his help with a muffled sob.

"You've got this!" Tommy tried to keep you from falling apart but the sight of a thin trickle of blood slowly running down your nose worried him almost to death. He looked at you and he knew. He knew that you had given everything – every ounce of your energy to save his brother, your magic now drained. Your hand trembled, still pressed to Arthur’s chest, but the world around you was seriously fading to black.

Caught amid this Hell with Tommy by your side, you didn't hear nor feel Polly, who had found the crime scene.

"Oh lord please help us, oh Lord, oh Lord..." Polly cried, horrified by the bloodbath as well as by the sight of you clinging to Arthur's limp body. She had already lost one of her nephews and couldn't bear the weight of losing another one. Not her sweet Arthur. Not him,

"We're fucking losing her too!" Tommy exclaimed, "fucking help me!"

"Heaven!" She called, grabbing your shoulder and shaking you but all you did was scream one last time. A haunting and otherworldly wail that pierced the darkness. A sound so agonizing and inhumane that it seemed to tear at the very fabric of existence. It echoed across the building, carrying with it the weight indescribable of sorrow and despair as your arms tightened your grip around your dying husband.

The smell of blood hid Tommy's musky perfume that was tingling your nostrils. The deafening ringing in your ears covered Polly and her nephew's voice. Your breaths came shallow and weak, your body becoming heavier as darkness crept in. Slowly, your eyes fluttered shut. In one final movement, you collapsed beside your husband, your last thought a silent hope that he would live.

Or that you would at least die trying to save him.

✞ Any comment, review, reblog, or constructive criticism is welcome. Your reactions really motivate me and keep me alive, so please don't be shy. English is not my first language. gif by the wonderful @alicent-targaryen.

✞ Taglist: @adaydreamaway08 @theshelbyclan @jomarch-wannabe @esposadomd @woofgocows @anathemasworld @anastasia000 @kate654 @kxnnxy @babayaga67 @meowtastick @shelbyssins @sarai-ibn-la-ahad @bluevenus19 @raincoffeeandfandoms @kishie8 @zablife @alexandra-001 @alexizodd @helen06dreamer @kmc1989 @peakyswritings @peakyltd @chaosinkest1996 @vanhelsingsbigtoe @cherubswhispers @lokigirlszendaya @justrainandcoffee @mischievouslittlecreature

[loveandlegacy]

im going to say something slightly mean which is that i think there is an imagined aspect of jayce and viktor's relationship that the audience is projecting onto them that actually is not supported by the text itself and that imagined facet is the reason people think their parting is rushed more than the issues with the actual show's pacing 💀

like i do think some of what jayce actually SAYS in that scene feels kind of clunky and unearned and sorta tropey, not because of who jayce is, but because it feels like they had to cut some interstitial tissue for the sake of time constraints, but even if they hadn't had to i cannot fathom that scene being extended more than like....a minute. like what kind of argument are they going to have that wasn't the one that actually transpired?

i think it's pointed that viktor is weirdly emotionally stunted and icy after he was such an impassioned person in s1 and he said everything there was to say anyway, just with a colder affect. i guess jayce could have said "hey viktor wait" like. one more time lol but in general if you take everything we have presented by the text on its face their immediate falling out could never have been that long a conversation because there isn't actually that much to argue about. jayce did what he thought was right and what is the normal human thing to do (broke his promise to save his friend that he loves and cares about) and viktor did not want him to do that. which is literally what they said to each other. very directly.

also it's like...supposed to be cold and sad. i don't think viktor is going to be the sole big bad of the show but i do think that the whole point of what we've seen so far in act i is that the arcane is inhuman and strange and kind of hard to understand and viktor has been partly absorbed into that and jayce is still very very human and full of all his hopes and ideals and therefore not able to grasp the arcane's true nature yet. a like. screaming lover's spat or whatever was not going to happen given the narrative positions that these two characters occupy. it doesn't even happen really between the two characters who are actually lovers — cait and vi have an somewhat equivalently long (so pretty short) moment of disagreement before cait hits vi in the stomach and leaves. anything else would have felt like fanfictiony and cheap imo

[tossawary]

I'm reviewing episode transcripts from "Merlin" to build up my worldbuilding document (character list, mostly) and, a little ways into S2, I'm kind of feeling like the show is actually quite mean to Arthur as a character sometimes? S1 E14: "To Kill the King" is one of those episodes where I forget how badly it pissed me off until I run into it again.

Like, don't get me wrong, Arthur can be a bully, entitled, hotheaded, and reckless, but he's also at this point risked his own life to save people multiple times. Both individuals whose lives were "worth less" than his own (getting the Mortaeus flower for a poisoned Merlin, smuggling Mordred out of the city, protecting Ealdor from bandits) and also Camelot as a whole (fighting the plague-causing monster in the sewers, drinking poison to lift the unicorn curse).

Arthur is giving me vibes of being both bored and frustrated (and probably not able to name those feelings or exactly why he has them) because he wants so badly to do good things, but he's not really sure how to go about it because (no one ever tells him anything, he almost NEVER knows what's really going on to make informed choices, and) he's also stuck under the thumb of his tyrannical father, who spends most of their scenes together berating Arthur for being too merciful, for not being dutiful enough, and/or not finding sorcerers for execution fast enough. When Arthur tries to be fair-minded and compassionate, Uther often essentially tells him that he's going to be a weak king with that attitude.

Arthur's pathways to betterment are limited, his parent and role model and boss here is an AWFUL person, but he's trying!

So, it's quite frustrating to get to this one episode where characters like Gaius (extremely biased, admittedly, clearly not an objective individual) are saying things like: "Arthur's not ready. The responsibility would be too great. Brave though he may be, he lacks experience, he lacks judgement."

Like, I don't know, Arthur may be only 21 and kind of a dipshit, but I personally think he'd still do a better job than the guy who tried to kill a kid (Mordred) just for existing a few episodes ago? Maybe? Gwen's father, who wasn't even a sorcerer, is dead explicitly because of Uther's awful laws. Did everyone in this episode forget that Uther tried to BURN GWEN ALIVE AT THE STAKE not that long ago (Episode 3)?

ARTHUR: "[Morgana]'s right, Father. You hear the word magic, you no longer listen."

UTHER: "You saw it for yourself. She used enchantments."

ARTHUR: "Yes, maybe. But to save her dying father, that doesn't make [Gwen] guilty of creating a plague. One's the act of, of kindness, of love, the other of evil. I don't believe evil's in this girl's heart."

UTHER: "I have witnessed what witchcraft can do. I have suffered at its hand. I cannot take that chance. If there is the slightest doubt about this girl, she must die or the whole kingdom may perish."

ARTHUR: "I understand that."

UTHER: "One day you may become King. Then you will understand. Such decisions must be made. There are dark forces that threaten this kingdom."

ARTHUR: "I know. Witchcraft is an evil, father. So is injustice. Yes, I am yet to be King, and I don't know what kind of king I will be, but I do have a sense of the kind of Camelot I would wish to live in. It would be where the punishment fits the crime."

UTHER: "I fear you're right. She's played with fire, and sadly she must die by fire."

When the adult druid (Cerdan) accompanying Mordred is killed (Episode 8), Arthur objects afterwards! On his own! While Arthur is sometimes an active participant in Uther's tyranny and otherwise complicit, he's been told all of his life that magic is inherently evil and corrupting, he was raised by the very man spreading this hateful philosophy, he should probably hate magic more than anyone after Uther, and yet he still disagrees with Uther's methods and judgments. Even though Uther is apparently VERY willing to lock both his son (Episode 4) and his ward (Episode 8) in the dungeons for disagreeing with him and disobeying him!

ARTHUR: The Druid was only in Camelot to collect supplies. He meant no harm. Is it necessary to execute him?

UTHER: Absolutely necessary. Those who use magic cannot be tolerated.

ARTHUR: The Druids are a peaceful people.

UTHER: Given the chance, they would return magic to the kingdom. They preach peace, but conspire against me. We cannot appear weak.

ARTHUR: Showing mercy can be a sign of strength.

UTHER: Our enemies will not see it that way. We have a responsibility to protect this kingdom. Executing the Druid will send out a clear message. Find the boy. Search every inch of the city.

Obviously, running a kingdom is complicated! Uther apparently won Camelot by conquest and is in conflict with many of the neighboring kings, including Odin and Cenred, and likely has more of the respect of the local nobility than young Arthur does. Uther's death would create some instability! (Agravaine de Bois hasn't been created yet, but let's assume there are many other potential vultures.)

But the show generally isn't pushing that angle. This isn't really about smooth transitions of power. Personally, concerning Arthur's "lack of judgment", I do find his ready conviction that it is his duty to die for Camelot's honor if necessary (he says as much to Merlin explicitly before fighting Valiant in Episode 2, then again before fighting the Black Knight in Episode 9) more than a little concerning, but that doesn't seem to be angle pushed here either.

The show has characters (Merlin, Gwen, Gaius) suggesting that offing the King, who regularly kills innocent people, who has forbidden use of the tool that might have saved innocent people from Nimueh's plague or the wraith of Tristan de Bois, would be wrong! It would be murder and murder is bad! It would make (in the words of a grieving Gwen) her "just as bad" as him.

Even though Merlin has at this point already killed Aulfric and Sophia (Episode 7), as well as Mary Collins (Episode 1) because they were trying to kill Arthur. And arguably got an assist with Valiant (Episode 2). And will kill many more as the show goes on. This conversation with Kilgarrah in S1 E14 is in many ways so, so funny:

KILGHARRAH: Well, young warlock, what is it you come to ask of me?

MERLIN: I need your help.

KILGHARRAH: Of course you do, but this time, will you heed my words?

MERLIN: The sorcerer Tauren is plotting to kill the King. He's made an ally of Morgana. I don't know what to do!

KILGHARRAH: Do… nothing.

MERLIN: What do you mean? If I do nothing, Uther will die.

KILGHARRAH: Don't you want Uther dead? It is Uther that persecutes you and your kind, Merlin. It is Uther that murders the innocent…

MERLIN: But surely that doesn't make it right to kill him.

KILGHARRAH: Only if Uther dies can magic return to the land. Only if Uther dies will you be free, Merlin. Uther's reign is at an end. Let Arthur's reign begin. Fulfil your destiny!

[The dragon flies off.]

MERLIN: Wait! Where does it say my destiny includes murder?

KILGHARRAH: Free this land from tyranny, Merlin! Free us all!

I feel for Kilgharrah here. He was VERY straightforward. I don't know how he could have been clearer about this.

I won't say that Merlin's character writing doesn't make ANY sense here (I do think the character writing in this show is NOT amazingly consistent), because... he IS being influenced by Gaius, who is, unfortunately, a bootlicker and also probably extremely traumatized by all of the death he's seen (big contributor of the bootlicking) (also, apparently Gaius only becomes a "freeman" at the end of Episode 6, so there's that). And Merlin is also being influenced by Arthur, who loves his father, despite everything. Merlin spends a lot of time in this show protecting a terrible status quo under some assumption that Camelot will... somehow suddenly become better under Arthur? Instead of perhaps eventually just trusting Arthur and talking to him after their years of knowing each other? There are reasons for this and I don't think they're unrealistic.

There's some tasty tragedy in this silly show, in many ways. Merlin is confused and conflicted and scared and without clear guidance in many ways. Kilgharrah is mysterious and not at all reassuring. Gaius is complacent and (very reasonably) incredibly secretive. Merlin doesn't get to see many of the moments where Arthur speaks up for magical people and tries to talk Uther down. Morgana and Arthur are both stuck here in a "The hands that cradled you are covered in an unimaginable amount of blood." "But they cradled me, yes?" nightmare scenario. (There's also a sexist element where male characters like Gaius and Merlin won't let Morgana know about her own powers "for her own good" in a gaslight-y way that's fascinating to me in how it creates a villain.)

But, also, the compelling elements here don't make certain episodes any less frustrating to watch in their execution. (I don't think villains being frustrating to watch or read necessarily makes them effective villains, especially when what I really find annoying here is the heroes' reactions to the villain. Uther has killed SO MANY PEOPLE! FOR NO REASON!) Especially when a lot of the overall results of this show feel more accidental than purposeful. I do understand why the writers keep Uther around! He's a formidable antagonist to have looming all over the place and the actor is fun.

But OOF, I felt that "Do... Nothing".

Merlin! MERLIN! LISTEN TO THE SCARY DRAGON! MERLIN, REMEMBER THAT TIME UTHER TRIED TO BURN GWEN ALIVE??? JUST BECAUSE GWEN IS TOO NICE TO GO AFTER UTHER WITH A KNIFE AND TAKE REVENGE, IT DOESN'T ACTUALLY MEAN KILLING HIM MAKES YOU "JUST AS BAD"!!! MERLIN!!! YOU HAVE ALREADY MURDERED MULTIPLE PEOPLE WHO KILLED WAY LESS PEOPLE THAN UTHER!!!

In Episode 4, Morgana says to Uther: "You can't chain [Arthur] up every time he disagrees with you." This implies to me that Uther has had Arthur thrown in the dungeons before. In Episode 3, Arthur says to Morgana: "Father will slam us both in chains if he knew I'd endangered you," and maybe he wasn't at all joking with that? Arthur is rattling the bars of his cell here, apparently fairly ready to be aimed wherever Merlin points him, bucking against being aimed at innocents by his tyrant of a father.

But nooo, Gaius says Arthur is "not ready yet" because...??? He seems less hotheaded than Uther to me, honestly. Are his tax policies not up to par yet? You can hire a guy for that. Suggesting that Arthur would be in any way worse than His Majesty "Anyone Who Talks To A Sorcerer Gets Executed Even If They Didn't Know They Were A Sorcerer" feels quite mean to Arthur, really. I think he'd do alright, in comparison, Gaius who lies to the King every single day, but I suppose you sometimes want to be a loyal friend to good ol' King "Made Merlin Drink Poison That One Time And Wouldn't Let Anyone Go Get The Cure". Good for you. Bad for everyone else.

Like, I know, I know this show is not very deep. I like that all of the characters are flawed and fumble a lot! It is a weekly burst of fantasy nonsense that is not especially concerned with consistency in worldbuilding or characters from episode to episode. But the discrepancies here are, like the ones in "Star Wars", weirdly fascinating with all of the holes and wobbly bits it creates.

This show: "Yes, our hero has once again saved the tyrannical king who kills innocents! Preventing the oblivious prince from assuming the throne and trying to do better as he so clearly wants to do! Good work, Merlin, taking the high road (which involved murdering the rightfully angry people trying to kill the tyrannical king) again!"

Me, every time: "...I am genuinely not sure how the show wants us to interpret this. What did they think they were doing with this? Was this always meant to be a tragedy from the first season? Because personally, I'm getting some kind of tragedy from this."

[heylittleriotact]

🕯️ THE RITUAL HAS BEEN COMPLETED AND I AM SUMMONED BY @emmg 🕯️

WIP ✨WHATEVER✨

I have a lot of Emmrook things in mind that I want to write (I made a list!), but I only have one brain and one dominant hand for writing, so I’m just dawdling away at my leisure.

Currently I’m working on my take on a scene that would take place directly following the end of the game because BioWare hates us and decided we don’t need any closure for our Rooks or their love interest aside from some vague ‘live, laugh, love’ bullshit epilogue slide.

Rook works their fucking ass off the entire game and is basically the emotional sponge for everyone else’s issues, pushing themselves beyond what’s healthy to see their goals through. Emmrich remarks on it on at least two separate occasions, so I think my Rook would probably find herself in a position within hours of everything concluding where her body and her mind just stand on the brakes and say, “Nope! We’re done! We cannot and will not do any more things until you take some time to recuperate!”

And who’s going to make sure that happens in the most romantic, wholesome, and slightly stern but sexy way?

Emmrich, of course 🤍

Also, I’m reverse uno-ing @emmg because I want to know what you’re cooking. LET ME INNNNNN.

I’m also tagging @allofthebarks because she said she has things she wants to write but the writing just isn’t coming, so comfort yourself in my clumsy, unedited WIP and just write A Thing. Dooooo it!!!

Veilguard End Game Spoilers Under The Cut

Cheering and accolades followed them through the ruined streets of Minrathous, and Amina took the time to ensure that no waiting hand was left unshaken, no hug went unreturned, and no condolence went unoffered. It took them nearly two hours to make their way to a damaged but still structurally sound estate secured for them by the Shadow Dragons but as far as she was concerned, it was time well spent.

As the ornate doors of the manor closed behind them and the cacophony of their victory was muffled, Amina took two steps into the manor, bent at the waist, and splattered the floor with the contents of her stomach.

Emmrich was on her in an instant, holding her long black hair aside with one hand and stroking comforting circles on her back with another.

“What’s happening? What’s wrong with her?” Taash demanded, taking a step forward. Her voice was distant - drowned out by the screeching whine in Amina’s ears.

She felt her legs wobble and give way, her armoured knees colliding roughly with the ground as she threw out a hand to steady herself, not caring that it landed right in her sick: everything was too much. Too loud. Too bright. Too… real. It felt like she was being driven out of her own body like a wayward spirit, her essence clinging desperately to whatever it could hold onto to tether her here.

Just as distantly, Amina could hear Emmrich respond to Taash but his words were lost on her as she wiped her mouth with the back of her arm and lurched clumsily to her feet.

“Harding - I need to go to her mother—“ Her voice broke: she hadn’t had time. None of them had had time to tell her mother about Harding’s death before Elgar’nan forced their hand.

She clenched her teeth at the sensation of hot tears cutting through the accumulation of grime and gore and sweat on her face, snarling defiantly through the deluge of agony crashing through her… breaking her from the inside.

There’s still work to be done…

She was pulling away from Emmrich, her course uncharted but steadfast: she needed to go. Somewhere. Anywhere. It didn’t matter, as long as she was doing something… as long as she was helping. But no matter how she pulled and tugged, he wouldn’t let her go: lithe as Emmrich was, he wasn’t weak by any stretch.

With some effort he managed to put himself in front of her, gold rings clinking against silverite where he gripped her shoulders before pulling her tight against him.

“Breathe, darling.” He instructed, enshrouding her diminutive frame in his own. “I need you to breathe… can you do that for me?”

She managed an anguished sob in reply but nothing more: any attempt to draw breath was met with unforgiving resistance as her airways slammed shut in seeming rebellion of life itself.

Arrangements need to be made - things need to be taken care of, and I’m the only one left to take care of them.

No. First I need to breathe.

“I’ve got you: you’re safe with me.”

More tears rolled down her cheeks as her eyes clenched shut and she forced a thin, ragged inhalation into her lungs.

“Well done, darling.” Emmrich encouraged, ever calm, ever heartening. “Now let’s try for another one, shall we? I’ll do it with you. Let out your breath on the count of three: one… two… three…”

She felt Emmrich contract against her as he slowly exhaled with her. None of this was new to her: Nevarran breathing techniques were required learning for Watchers. Claustrophobia could present unpredictably, and if one found themselves turned around or overwhelmed in the Necropolis, being able to stay calm was vital to survival.

“Perfect. Now another breath in…” He waited while Amina drew another shaky breath then loosened his hold on her to gently cup her cheek. Within moments she could feel the familiar soothing tingle of Emmrich’s magic coursing intimately through her, seeping through her nervous system and providing some relief.

“Emmrich,” she rasped, clutching at his chest. “I… I need to—“

“Do absolutely nothing.” He interjected sternly, his voice absent of any playful familiarity or scholarly flair, though it softened almost reflexively as he continued. “You’ve overextended yourself, Amina. You’ve been overextended for some time, but you pushed through to see this to the end - and you have - but my love, you can’t evade the reality of what you’ve been through indefinitely… you need to rest and take time to come to terms with things.” He drew his thumb over her cheek, speaking to her like she was the only person in the room.

“But—“

“All that needs to be attended will be seen to: Lace’s mother will be informed of her sacrifice in an appropriate manner, and the… actions of the Inquisitor will be communicated to the south.” He hung on the word ‘actions’ seemingly unsure of its accuracy but ultimately too focused on Amina to care.

She opened her mouth to argue, but likely having anticipated this from her, Emmrich spoke first.

“You’ve done so much and helped so many without asking for anything in return… please let me be the one to help you in your moment of need?”

His eyes searched hers, soft and pleading, and she studied the face of the man she loved: each pleasing curve and angle that she had committed to memory etched on her heart. The crinkled lines at the corners of his eyes, and the creases around his familiar mouth spoke of years of smiles offered to comfort and soothe.

He was filthy too, and his hair was limp and disheveled, strands of it hanging into his face… but oh Maker how she loved him…

“I love you…” He whispered for her ears alone, his lips ghosting over hers. “And I so look forward to reminding you of that fact every day for the rest of our lives… so let me begin now: let me take care of you.”

[ganondoodle]

i have seen people talk about how hard it is to draw anything if you have aphantasia (which is good to talk about and true and valid and also intersting to read and this post isnt to devalue that, two things can coexist etc etc)

i personally struggle with the opposite; i have incredible imagination, i'd say it's my best and only "inate talent", (this is not a brag ..) all stories i think about are movies, i can stop them, change camera angle and poses, rotate ever object however i want, place lighting sound and voices, even styles, i switch from ghibli to botw to fortiches style, even into the style of a comic i recently read which wasnt even animated, the only thing that only works half the time is music-

and that all might sound fantastic, but its a mess, it goes too fast and too quickly, things never play out one way, theres interruption, involuntarily sudden changes to other subjects, i feel like struggling to keep an angry horse on one path, it makes me waste HOURS each day just reversing and redoing a scene like im a movie director wizard in my head, theres no ONE finished version, it changes everytime yet i go back over and over again to make it better, i forget most of it within a few hours anyway; even IRL when someone tells me about a memory and they are not sure if i was with them during it once they start to explain trying to make me remember it instead i will imagine it, in the end i wont be sure if i actually remembered or if i just imagined it too real, it scares me how much i forget and cant remember only for my mind to make shit up, makign me doubt my own memory (its weird how it works, i have horrible geographical memory, when i drive somwhere i have known my entire life i need to remember the path to it by imagining driving it, i remember significant things but not the path to them or how they connect or in what order, i have to go through it in my head every single time)

by far the worst part though is that extreme disconnect between whats in my mind and what i can do, just because i can imagine things like that doesnt mean i can draw it (god i WISH), nothing i have ever drawn is how it was in my head, the few things you get to see are the ones i won the fight against myself with to keep going and say 'good enough' at some point the speed is a problem too, the things playing in my head, sometimes even multiple at the same time, play like, again, a movie, whatever im trying to draw is rarely ONE thing, its a whole scene that plays over and over, i want to draw it all but it wont work bc my mind is too fast and i am too slow, it makes me try to skip ahead and get things done as fast as possible, it NEVER works (also too much, theres so many things in my head, i have almost the entirety of the totk rewrite in my head already, novels worth of lore and story for my other projects, its overwhelming how much is in there that i cannot get out and on paper)

its why comics take me so long to make, why detailed paintings are so rare, its the rare times i can force myself to try and tune out my mind and just work on what is in front of me, usually works for a few hours .. if i can manage to reach that sort of focus at all, its why basic sketches of characters are so much easier to do bc i dont have to fight as hard to just draw a character doing nothing- as soon as i want to make it a sketch page of things and scenes the movies are back and are there to haunt me until i cry and give up after hours of trying to keep up with my mind that i will never be able to catch up to (and this is only about drawing .. )

i know skill and speed increase over time, but i wont ever get to where my mind is, its always ahead and trying to skip and jump towards it only makes me stumble and fall flat on my face- maybe its ADHD, maybe its the autism, maybe its the depression, maybe its just me, maybe its just all of that

what im trying to say is, head full, too much thought, too fast, never able to translate it into viewable things in the way and speed as my head works, i explode

[herefortheships]

What do you think of the Bj and Lydia controversy due to age?

You know, the short answer I have for this is that I do not think it should be an issue that's even brought up anymore. Lydia is now an adult woman in her 50s; plenty of people end up with a partner who is 10+ years older than them, meaning that they would have been a full adult if they would have come across their partner at sixteen. And that's just speaking about the real world; let's not forget Beetlejuice and the characters in that world are all a work of fiction. I don't think the fact that they met when she was a teenager all those years ago should even be an issue to ship it or not. As a matter of fact, people can ship whatever they want. They can even ship it in the first film and it's not an issue... Shipping in itself is inherently innocent. These characters and the situations around them don't even exist, and therefore, whatever you imagine with them, has no effect in the real world. Shipping is no different from a kid grabbing a couple of dolls and making them kiss. It's all in good fun.

Let me tell you, I had written a long freaking essay under this question 😅, but I decided to leave all of that for a separate post. But a few notable points from that essay which I think would be good to include here are the following.

Back in the 90s and early 2000s we had ships with pretty big age gaps on network TV and nobody batted an eye about the age gap (as far as I'm concerned). I'm talking about Buffy the Vampire Slayer specifically in this post. This was before social media, but as far as magazines and fandom spaces go, I'm sure the discussions around Buffy's love interests in BTVS centered around which hot vampire was better for Buffy, Angel or Spike. (Even nowadays we see this kind of article, exhibit A). And you don't see these articles starting with disclaimers and trigger warnings, either.

For those who haven't watched BTVS, Angel was around 240-something when he slept with 17 year old Buffy. He slept with her the night she turned 17, by the way; they were already together while she was 16. At the time he was turned into a vampire, Angel was around 26 years old. Angel met Buffy when she was 16, but he was stalking watching Buffy since she was 15:

Now about Spike. Spike met Buffy when she was 16, but he didn't actually become obsessed with her until she was around 20. Still, they got together and it wasn't ever an issue that he met her when she was a teenager. In Spike's case, he did stick around and interacted with Buffy multiple times before they started dating. In Betelgeuse's case, we know that while he watched Lydia from afar, he never actually managed to interact or even be seen by her during the years they were apart.

A lot of antis throw around the word "grooming" around Beetlebabes; I don't think they understand the meaning of that word. To put it simple, to groom someone is to condition them and emotionally manipulate them for years into a certain behavior, in this context, into falling in love or becoming sexually involved with the groomer. This term, therefore, cannot and will not ever apply to Betelgeuse and Lydia's relationship (it also does not apply to Spuffy, while we're at it). How can it? When they only had a few interactions over 30+ years ago and only met now after all that time.

And about those interactions in the first movie, the fact that Betelgeuse attempted to marry Lydia is attached to an idea of sexual inappropriateness only when that particular idea is projected onto what actually happened in that scene. Objectively, for Betelgeuse, marrying Lydia was a means to an end; there was no sexual or romantic implications in their marriage in that movie.

I believe in the case of Betelgeuse x Lydia versus ships like Buffy x Angel or Buffy x Spike, people are quick to see an issue in one where they never notice an issue in the other for the following reason: While Angel and Spike are hot, young-looking vampires, Betelgeuse is gross and does look like a dead guy. That is literally the difference. Spike and Angel are good-looking hotties; Betelgeuse... I love him lots and he is hot for me, but he is not conventionally attractive. I bet you if Betelgeuse looked like Michael Keaton did playing Bruce Wayne... People wouldn't have an issue that he's lusting after 50-something year old Winona Ryder, (also a hottie herself btw).

Let's add here before I close off this post that both Angel and Spike did objectively horrible things to Buffy when they were soulless (Angel while Buffy was still a minor), and meanwhile Betelgeuse has never harmed Lydia (no, the insta-pregnancy didn't harm her; everything that happened in that scene was an illusion). He didn't even behave inappropriately toward her in the first film when he was wilder and hornier than he is now. And yet shipping Bangel or Spuffy (last I checked lol) isn't widely seen as problematic. I ship Spuffy to the moon and back, and used to ship Bangel as well at some point 🤷🏻‍♀️ and I haven't seen people attacking shippers nor have I seen discussions of these ships being inappropriate (though I'm sure there must be... it's 2024 and the purity culture fandom infection has spread widely), not in the way I see Beetlebabes fans being harassed.

Anyway, I wrote a separate post about this and will post it eventually. This wasn't meant to be this long, but here we are 😅.

[guilty-ff]

𝐁𝐨𝐮𝐧𝐝 𝐛𝐲 𝐌𝐢𝐝𝐧𝐢𝐠𝐡𝐭 𝐏𝐭. 𝟒

ᡕᠵ᠊ᡃ່࡚ࠢ࠘ ⸝່ࠡࠣ᠊߯᠆ࠣ࠘ᡁࠣ࠘᠊᠊ࠢ࠘𐡏 ˚⁎⁺˳ .

This story takes place after Jason's death (warning: not 100% Comic accurate)

Pairings: Dick Grayson/Nightwing x (fem!Reader), Slight Jason Todd/Red hood x (fem!Reader)

Genre: Action, Angst, Revenge, Violence, DC

Warnings: Comic Spoilers!, Explicit content, Child abuse, swearing, torture, mental health, weapons

Word count: 2589

The air feels thick with blood, the cold smell of death filling the room. Jason stands over Ra's al Ghul's lifeless body, his chest heaving with exhaustion. His broken hand hangs limply at his side, the weight of the fight heavy on him, but something haunts him- a strange emptiness, a hollowness where there should be victory.

He killed him. He killed the man who controlled Y/n's life for so long. He took away the source of her torment and pain. But now, when it is over, Jason does not feel relief. He does not feel victorious. Instead, there is only the growing self-hatred eating him from the inside.

The door to the training room swings open, and Jason's gaze snaps toward the figure standing in the doorway. It is Talia al Ghul. Her expression is not one of anger, grief, or shock. It is something darker- satisfaction, even amusement.

Talia does not flinch as she takes in the scene. The bloody remains of her father lie across the floor. "You've done what I could never bring myself to do," she says, her voice calm. "I suppose I should thank you."

Jason's jaw tightens as anger surges in him. He wants to kill her too. She is just as much a threat as her father. He steps forward, eyes burning with rage.

But Talia holds up her hands in a gesture of surrender, her gaze never leaving his. "I'm not here to fight you," she says, her voice careful.

Jason remains aggressive, fists clenched, but he does not move. The tension in the air crackles, and he waits for her next move.

"I came to discuss your next move," she continues, glancing briefly at her father's body. "What you did was necessary, I suppose. Ra's had grown too obsessed with his plans. He was always blind to what really mattered. You were right to stop him." There is no sadness in her voice- only the same cold, calculating tone Jason expects from her.

Her expression shifts, hardens, as she looks at him. "But you've made an enemy of all who followed him. The League of Assassins will come after you, Jason. And they will come after Y/n."

Jason's eyes narrow. "What do you mean?"

Talia's lips curl into a cold smile. "I'm moving her. I can't leave her here, not with you. She needs to go far away. You can't protect her from the consequences of your actions. Ra's may be dead, but others will want revenge. For his death. For her defiance."

Jason's heart skips a beat. "What are you talking about? Where is she going?"

Talia's eyes flicker toward the door. "You'll never see her again," she whispers. "She will be far from you. Safe. No one will hurt her anymore. You can't follow her. Not this time."

Before Jason can respond, Talia turns and walks away, her footsteps echoing in the silent room.

Jason stands there, rage building inside him. He cannot let her take Y/n. Not now. Not after everything they have been through. He has to stop her. He runs through the hallways, breathing hard, heading straight for Y/n's room. He needs to get to her, tell her everything, explain why she cannot leave him.

He reaches the door and slams his hand against the metal. The lock breaks with a twist, and the door swings open. Y/n is sitting on the floor, her back against the cold stone wall. She looks up at him, eyes wide with shock and confusion. When she sees him, her expression falters. She stands quickly, unsure of what to do.

Jason cannot hold it back. "I killed him," he says, his voice rough. "Ra's al Ghul. He's gone. I killed him, Y/n. He's never coming back."

Her breath hitches. Her eyes flicker with disbelief, lips parting as if she wants to speak but cannot find the words. Before she can, she slaps him hard across the face.

The sting of her palm burns against his skin. He does not fight it. He just stands there, stunned, as she steps back, tears flooding her eyes.

"You- you don't get to do that!" Y/n cries, voice thick with emotion. "You don't get to take my revenge! I was going to kill him. I was going to make him suffer. And you-" She chokes on her words, fists shaking. "You took that from me. You took my chance to be free of him forever."

Jason's throat tightens. He watches her, his heart aching. He wants to explain, to tell her why he did it, why it was necessary. But Y/n is not listening. She is too angry, too hurt to hear him. And in that moment, Jason realizes- she is not angry with him. She is angry because she lost something. She lost the chance for her own closure.

"Y/n, I—" Jason starts, but she cuts him off, voice shaking with fury.

"Don't tell me what I need," she spits. "You don't get to lecture me on what I should do. You don't know me. You don't know what I've been through. Revenge is the only thing I had to keep me going. And now you've taken that from me. I don't know what's left."

Jason's face twists with guilt. He cannot bear seeing her like this. He did it for her. He wanted to free her from the past. But now he sees that he took something important from her- the chance to confront it herself.

"No, Y/n," Jason says, his voice breaking. "You don't need revenge. You don't need to keep holding onto that anger. You can move on. Please, Y/n, listen to me."

Y/n's eyes narrow, chest rising and falling with rapid breaths. "Don't tell me what I need, Jason," she says, voice fierce. "You don't get to tell me what to do when you're still holding on to your own demons."

Jason's face falls. Her words hit him hard. She is right. He wants revenge on Batman. He has been consumed by it for so long. He thought he could protect Y/n from her past, but he has not even let go of his own.

"I want to make him feel what he made me feel, Y/n," Jason admits, voice quieter now. "I've spent so much of my life thinking about revenge, thinking about taking him down. I don't know how to stop. But here I am, telling you to let it go when I can't even do it myself."

Y/n takes a step back, her eyes dark with realization. Her gaze softens, but it is filled with a sadness that Jason knows he deserves. "You're no better than me," she whispers. "You want revenge on Batman, but then you're standing here telling me I shouldn't want the same. It's hypocritical."

Jason's chest tightens. For a long time, he cannot speak. Her words cut deeper than any blow. He realizes she is right. He is a hypocrite. He has been so focused on vengeance that he could not see how unfair he was being to her. He had taken her chance at revenge away, yet he clung to his own thirst for it.

Y/n shakes her head, eyes heavy with understanding. "We're both trapped in this," she says softly. "We're both holding on to something that's destroying us. And you can't tell me to stop when you can't stop yourself."

Jason does not know how to respond. He stands there, looking at her, knowing she is right. He does not have an answer for her. He cannot fix things for her, not when he has not fixed himself. He reaches out for her, gently cupping her face. "I'm sorry," he murmurs. "I didn't want to take that from you. I just-" His words trail off. What else can he say?

Y/n's expression softens, but there is still pain in her eyes. "I don't need you to apologize," she whispers. "I just need you to understand."

He nods slowly. Before he can say anything more, he leans in and kisses her. It is slow and gentle, not desperate. It is a kiss filled with everything they both want but cannot fully express; tenderness, desperation, grief, all tangled together.

When they pull apart, Jason's forehead rests against hers, both of them breathing hard. "I don't know what comes next for us," he whispers. "But you need to leave."

Y/n closes her eyes, then opens them again. "But I don't want to", she says quietly.

Jason's heart races as Y/n's words sink in, and for a moment, he is frozen. He can feel the weight of her words, heavy with truth and defiance, cutting through him like a knife. She does not want to go. She does not want to leave him. And despite everything that has happened, despite all the reasons he has been telling her to go, her decision cuts straight to the core of his own turmoil.

"I don't want to go," Y/n says again, her voice shaking but resolute. "This is my choice. My own will. Like you always told me I should have- freedom to make my own decisions, to choose my own path, right? I've been a prisoner my whole life, Jason. But now, for the first time, I get to decide. And I'm choosing you."

Jason feels his breath catch in his throat. The look in her eyes is unwavering. She is standing there, vulnerable but strong, giving him a choice that seems impossible to accept. She is asking him to let her stay, to let her be with him- despite the consequences, despite everything they have been through.

She steps closer, not waiting for him to respond. "I'm not going because someone else tells me to," she continues, her voice barely above a whisper, but fierce. "I'm not leaving because my mother or anyone else says it's safer for me. I'm leaving because I want to be safe. Safe with you. I want to stay with you, Jason."

She pauses, her hand reaching out to touch his arm gently. "You told me once I deserved my freedom. Well, I'm taking it now. And the freedom I choose is to be with you. Don't take that from me. Please don't make that choice for me."

Jason's chest tightens at the words, and he feels like he is suffocating. He wants to let her stay- God, he wants nothing more- but the reality of what is coming, the danger that will inevitably follow them if she stays, claws at his heart.

But her words echo in his mind: freedom. She is choosing her own path, making a choice that is hers alone to make, just like he always told her she deserved.

And yet... He has been telling her to leave, to go, because he cannot bear the thought of her being in danger. The idea of her facing the wrath of the League because of his actions, because of his past... it terrifies him. But as he looks into her eyes, he knows she is right. It is her choice, her freedom, and maybe it is time he let her make it.

"Y/n..." Jason starts, but his words falter. He does not know what to say. He wants to tell her everything- how he feels, how terrified he is, how he has never felt this much for anyone but the words don not come. She is looking at him with such raw vulnerability, and all he wants is to hold her and protect her from the world.

But he cannot.

Instead, he just shakes his head, his own heart breaking. "I don't want you to stay because of me," he says, his voice barely above a whisper. "I don't want you to be here out of guilt, out of obligation. You deserve better than this, Y/n. You deserve peace, a life where you're not constantly running. I can't promise that to you. I can't promise you safety, and I can't promise you happiness. I can't promise that I can protect you from what's coming next. And if you stay, you'll be in danger, and I'll never forgive myself if something happens to you."

Tears fill Y/n's eyes, but she does not back down. She takes another step closer, her hand gently cupping his face, her thumb tracing his jaw. "I don't care about safety," she says softly, her voice breaking. "I don't care about guarantees. All I care about is being with you. That is my choice. It's what I've always wanted, and now it's finally mine to make. I'm not running from you. I'm not leaving you behind."

Jason's breath hitches, and for a moment, he is caught in the swirling chaos of his emotions. She is looking at him with such intensity, with such love and resolve, that it makes his chest ache. She is choosing him. And despite all the danger, despite all the uncertainty, she is standing there, holding onto him, telling him that her decision is to be with him.

"I don't want to lose you, Y/n," Jason finally admits, his voice raw with emotion. "But if you stay, I'll be the one to put you in danger. I won't be able to protect you from everything. I won't be able to shield you from the consequences of what I've done."

Y/n shakes her head slowly, a small, sad smile on her lips. "I'm already in danger, Jason," she says quietly. "I've been in danger my whole life. What's one more fight? What's one more war if I get to choose who I'm fighting for?"

Jason feels a lump form in his throat as he looks down at her, realizing that despite all his fears, despite all his instinct to protect her from the world and the chaos he has brought into their lives, she has made her choice.

"But you promise me something, Jason," Y/n whispers, her voice thick with emotion. "Promise me that no matter what, we'll find a way to make this work. That we'll find a way to be together, no matter what comes next."

Jason pulls back slightly, looking down at her with a sad expression. He does not have answers. He does not have a plan. All he can offer her is the promise that he will never stop trying.

"I promise," he says quietly, his voice steady. "I'll find a way to fix this. I'll find a way to make things right. For both of us."

They stand there in silence for a moment, holding onto each other tightly, before the sound of footsteps approaching pulls them apart.

Talia's voice cuts through the room. "The jet is waiting," she says sharply, glancing at Jason with a look that borders on impatience. She does not seem to care much about the emotional scene unfolding before her, her eyes already on the door as if she has no patience for this moment of weakness.

Y/n glances up at Jason one last time, her eyes filled with both sadness and determination. "I'll be back," she whispers, her voice low, just for him.

Jason nods slowly, his throat tightening once more. "I'll be waiting, Y/n. I'll find you. No matter where you go, I'll find you."

She smiles softly, a tear escaping down her cheek as she gives him a small, almost sad wave before turning and walking toward the door.

Talia gives Jason one last look, the same calculating expression in her eyes. "We'll be gone before you know it," she says coldly, and with that, she steps aside, allowing Y/n to leave.

Jason watches them walk away, the door closing softly behind them. He stands there, heart pounding in his chest, not knowing what comes next but knowing one thing for certain- he will not stop until he finds her.

[ivenothingtosaybutillsayitanyway]

i haven’t been able to think about anything else besides Agatha All Along and Kathryn Hahn.

so here some of my headcanons about AAA:

1. and i haven’t seen anyone talking about this: Agatha didn’t actually bound Jen, Jen was traumatized by that doctor and her being unable to access her magic was because of trauma. Agatha knew that Jen had the power to free herself so she took the blame to expedite the process. (Sasheer Zamata was absolutely unbelievable in that scene I hope I get to see more of her)

2. getting other witches powers was like a drug for Agatha, she gets a high from it and cannot stop. Also between Nicky’s death and the present she used it as an excuse to see Rio

3. Rio didn’t call the Salem Seven to Westview, she dropped their name to let Agatha know they were coming. (I would have like if they had used them a little bit more, they could’ve been way creepier)

4. Rio is not the villain of the show nor a bad boy, she just is, just like death just is. The “villain”, just like in wandavision, is grief.

5. Kathryn Hahn should give me a chance, yes she’s been with her husband for almost as long as I’ve been alive, but still. She should.

[emjee]

"It's Been a Long Long Time" is such a normal and heterosexual song to put in this film no but legit I cannot BELIEVE they put this song in this film, that's some fanfiction level shit (complimentary) also hat tip to the All The President's Men scene with the typewriter!

Tonight is a night where I want to watch Steve Rogers become disillusioned and punch a LOT of things so I'm subjecting you to another CATWS watch (@bromcommie you especially)

[tragedy-for-sale]

Obi-Wan and Anakin and all the damage they've done to each other

Re-watching this scene will help you understand my analysis a lot more. The episode is S6 E6 The Rise of Clovis

When Obi-Wan comes into Anakin's room, he immediately picks up a droid head, showing an interest in what Anakin is doing while talking to him. You do this with kids, they're more likely to open up and talk to you because you're not really talking, you're just playing. Obi-Wan knows he's going to upset Anakin because he understands Anakin better than anyone. It's in this moment Obi-Wan reverts back into when they were younger, when Anakin was a child and Obi-Wan's role was much more parental.

Anakin opens up to Obi-Wan but then he gets upset. He walks away and he picks up the model star ship. He plays with the ship because it doesn't matter how old you get, you still feel like a child when you're with your parent. He opens up, but anger follows yet again, and the moment he gets angry, he slams the ship down because he's loved too deeply all his life and he doesn't want to hear about it again.

After Anakin slams the ship down, saying he understands his responsibilities, Obi-Wan's tone changes. It's no longer gentle, his voice is sharp and it's as if he's aged ten years. He tried approaching this situation with an invitation to let Anakin express his feeling. Obi-Wan mentions Satine, he tries to connect with Anakin by sharing something personal but Anakin yells at him instead.

Also, when Obi-Wan says this, he doesn't look at Anakin, his back is turned to him because he knows if Anakin is going to open up to him, it won't be face to face. Because how could they ever admit anything to each other after all the times they've let each other down? How can they look each other in the eye?

Watch Obi-Wan in the second and third gif, what Anakin says is his 'strikeback' he's frustrated and he's taking all of it out on Obi-Wan. Obi-Wan no longer tries to reach Anakin, he lays down what needs to happen, daresay his tone is sharpest here, then he gets up and he leaves. Anakin knows that Obi-Wan knows, but Obi-Wan pretends not to know and he's happy to play along, and maybe he shouldn't keep pretending, but how could Obi-Wan do anything to ruin the only true happiness in Anakin's life?

So, Obi-Wan leaves, giving Anakin one last look, because he knows if he does anymore damage to Anakin, there'll be nothing left to ruin. Watch Obi-Wan's face in the gif, you cannot tell me he doesn't look sad. That's the face of a man trying to be strong but his eyes give him away.

LOOK AT ANAKIN'S HAND IN THE LAST GIF. HE'S REACHING FOR OBI-WAN BECAUSE HE WANTS TO TAKE ALL HIS ANGER BACK BUT ANGER IS ALL HE HAS TO GIVE.

[bixels]

It's crazy how Dungeon Meshi's manga can feel more cinematic and emotional than the anime to me, even when they're practically the same. Compared to the anime, this moment is such a heartbreaking gut-drop. The way Kui uses negative space and flat compositions to create a sense of horrific stillness is so key.

The way the text (Senshi's monologue) is sequestered to an empty corner of a panel or huddled away from the edge of its text box is not only a great way of showing Senshi's headspace (fearful, isolated, dissociating), but creates a visual representation of pause, as if you hold your breathe after each line. The first panel puts us directly in Senshi's perspective too (compared to in the anime, which puts us as an outside observer over Senshi's shoulder). The detail of the door and bricks so effectively implies that he stared at it for so long, waiting and hoping, that its image is burned in his memory. The wood grain, the brick arch, the number of rivets. The lack of dialogue in the second panel shows a moment of realization too –– "he's dead" (also a great example of the Kuleshov effect). And it's that pause that creates a beat and sets a great rhythm to his headspace, like a music rest: "He never came back." (oh god.) "I'm all alone." Finally, the third panel's negative space, cropping Senshi, shows how truly alone he feels. Without his family, the world ceases to exists. Under shock, he traps himself in a 1-foot radius, too scared to even perceive a world outside its boundaries; a world that can hurt him, kill him, make him disappear with it. There is only his body, the stone beneath his feet and against his back, his thoughts, and that awful bowl of soup.

Even though they're a series of flat images, there's an implicit reading of silence in Senshi's realization and horror. Kui influences your experience to slow down and take your time.

Compare this to the anime, which fills every shot with dialogue. The pacing is fast; we never get to sit in silence like we do with the manga. The horizontal frame allowed the boarders to add Senshi, turning the composition into an over-the-shoulder shot, which takes us out of Senshi's POV. They also added a zoom-out in shot one, which adds unnecessary energy to a very somber scene. The tightening on Senshi as a close-up reaction shot also dulls the moment. In the original panel, Senshi stares ahead at the empty space to his left as a shadow surrounds his mind. It not only shows how Senshi's senses are dulling and his world is shrinking (setting up panel three), but shows how terrified Senshi is of what's in front of him, how the air itself becomes pitch black and opaque, how Senshi is surrendering himself to fear. The pacing is understandable and necessary; this episode packed a lot of story content together. It's just a shame because it really (imo) deflated one of the most nauseating moments in Dungeon Meshi.