#THE WRITERS WANTED TO HAVE MORE IT PAINS ME

[kirammanswifey]

helloo!! can you please write about ‘arcane characters when you get in an argument’? i absolutely love ur writing btw!! 🫶🏻

arguments with arcane characters x fem reader

characters: viktor, jinx, vi, caitlyn, jayce, ekko, silco, mel and sevika.

writer's note: i love when you guys request this kind of interesting dynamics, it's so fun to write about it! also my favorite this time was sevika's, I meannn it was kinda hot and spicy. requests are open ;)

Viktor

The sound of the keys under his hands seems to fill the air, but what resonates most is the silence between the two of you. The room is steeped in an unsettling calm, while he keeps working as if nothing else exists. It’s been days since he last rested, and you know it. His skin is paler than usual, his eyes glassy, as if all the world's exhaustion is about to devour him. The scent of machine oil and metal permeates the room, but what hurts you most is the fragility of his being, the one he insists on ignoring.

Slowly, frustration begins to simmer within you. You love him more than anything in the world, but watching him so neglected, so absorbed in his work that he doesn’t even stop to eat, burns you.

You approach him, and suddenly, you can't take it anymore. Your tone isn't raised, but the fury is felt in every word. "Viktor, stop," you murmur, almost pleading. "You’re killing yourself. You haven’t eaten in days, not even slept. Do you know what you're doing? You're letting yourself go. Your body is crying out for help, and you're ignoring it."

He doesn’t look at you, doesn’t react. He keeps working as if your words don't reach him. Frustrated, you step closer. "You can't keep going like this, Viktor! What are you expecting? For someone to come and save you from yourself? This isn't just about your work, it’s about you!"

Finally, he looks up, but his eyes don’t seem to truly see you. Only a shadow of exhaustion. "I do it for them... for the people. The work... my research, it’s all that matters now."

"And you? Don’t you matter?" The anger mixes with something much deeper. Something that has to do with fear. "Your lack of self-love is so evident, Viktor, even I can see it. You're losing yourself in this obsession."

The words come out harsher than you intended. But seeing the flash of pain in his eyes, you realize what you've just said. A lump forms in your throat.

You fall silent, feeling the air grow thick. Guilt quickly invades you, and before you can think, you kneel in front of him. "Forgive me," you whisper, the anger already dissipated, replaced by sincere pain. "I didn't mean to be so harsh. It’s just... I don't want to see you like this, so lost. I don’t want you to hurt yourself because you are what I love most, Viktor."

Your hands tremble as you take his face in yours. "Please, take care of yourself. I don’t want to lose you. I don’t want to see you like this anymore, fighting alone against everything. Because, to me, you are everything."

Viktor says nothing at first. He just watches you, the conflict in his gaze. Then, as if releasing a sigh he had been holding for too long, he responds softly, "I’ll try... I promise I’ll try."

You look at him with a mix of relief and sadness. Finally, you stand up and take his hand firmly. "Now come with me. I’m going to make your favorite dinner. You need it."

The change in his expression is almost imperceptible, but it’s there. Something in his face softens, and for the first time in a long while, he gives you a faint smile. "You know, that sounds wonderful," he says with a tone that mixes surprise and gratitude.

As you prepare dinner, the atmosphere changes. The tension slowly dissolves, but there’s something else in the air, a silent understanding between you two. After dinner, you look at him with a mischievous smile.

"Viktor," you say, your voice full of complicity. "How many days have you gone without bathing? Because, honestly, I think it’s time you do."

He visibly shifts in discomfort, his face taking on a pink hue. "Honestly... I don’t know," he replies, as if trying to evade the question, looking down. "The truth is, I haven’t had time to think about those things."

Your laugh is soft but teasing. "I think you’ve forgotten a bit about yourself. So, what do you think if after dinner, we take a bath together?"

Viktor blushes even more, but before he can say anything, he has already conceded, and with an exaggerated formality only he can pull off, he responds, "Well... that... that would be very pleasant. If you don’t mind, of course."

The tension from before has transformed into something softer, lighter. You, amused by his so formal response, take his hand and lead him to the bathroom, feeling that, in that moment, all that really matters is that he’s finally willing to take care of himself.

Jinx

The sound of the spark igniting the fuse fills the room. Jinx has a playful smile on her face, but something isn't right. The bomb is making strange noises, as if it's about to fail. The sparkle in her eyes fades for a second, but it's accompanied by a nervous chuckle.

"What's wrong, Jinx?" you ask, raising an eyebrow. The moment feels out of place, and for a moment, you sense that something is very wrong, very out of control. "That... doesn't sound right."

But she just stands there, watching the bomb intently. She doesn't move. The air grows heavy, and suddenly, the bomb makes a terrifying click.

Your eyes widen as you see the timer on the bomb speeding up. A chill grips you, and in an instant, you act on instinct. You leap toward the table, your breath quickening, and deactivate the bomb just before it fully triggers. The explosion is seconds away from ringing in your ears, but you manage to stop it.

A sigh of relief escapes your lips, and you quickly turn to face Jinx. She’s still there, motionless, her eyes fixed on the deactivated bomb, as if hypnotized. She doesn't look scared or relieved, just... empty.

"Why didn't you do anything?" you confront her, your voice trembling with a mix of anger and disbelief. "Why did you just stand there? You could have died, Jinx! We could have both died!"

Jinx stares at the floor, her demeanor shifting in a second. The mockery dissolves, the mask falls, and in its place appears the scared girl she so often hides. "I... just wanted to see what would happen." Her response is soft, trembling, as if she doesn't know how to process what just happened.

Those few seconds of silence feel eternal. The air around you grows heavy, as if the whole world is waiting for something else to explode. And it does. You can't take it anymore. Fury takes over, and you lash out at her.

"What did you want to see, Jinx?" Your voice is harsh, filled with frustration. "Did you want to see us both die because of your stupid curiosity? Is that what you wanted?"

Jinx shrinks, her expression transforming into something so fragile it burns your heart. Her face is filled with regret, but her eyes can't meet yours. Tears begin to well up in her eyes, but she keeps staring at the floor, feeling small and scolded.

"I didn't mean to... I swear..." she murmurs, almost in a whisper, her words choked by the pain of having gone too far.

Your rage starts to dissipate, replaced by something deeper. An irrational fear, the anguish of watching Jinx destroy herself. You walk toward her, kneel to her level, and gently take her chin, lifting it so she looks at you.

What you see stops you cold. Jinx's nails are deeply embedded in her palms, red marks that have hurt her, as if she wants to punish herself for something. You stare at her intently, the pain reflected in her eyes and her gesture.

Quickly, you take her hands, without saying a word, and kiss them softly, your lips touching the small wounds on her skin. The blood from her hands stains your lips, but you don't care. "You know I hate seeing you destroy yourself," you murmur, your voice broken by the fear you still feel. "Please, Sweets, don't do this to yourself. Don't do this to us."

You stay still, waiting for her reaction. Finally, the door that had closed in her heart opens, and Jinx lets out a deep sob. Tears fall down her face, like an unexpected rain, and her body trembles.

"I'm sorry... I'm so sorry..." Jinx sobs, clutching you tightly. There are no more laughs, no more jokes. Just pure pain. And you hold her with equal intensity, rocking her in your arms, trying to soothe her, to erase the suffering she always carries inside.

"Pain isn't the solution," you whisper, stroking her braided hair, trying to convey all the love you feel for her. "I'll always be here for you, Sweets. You don't have to carry all this alone."

She remains silent for a moment, her sobs calming, but her embrace is still desperate. Finally, after a few seconds, her eyes lift, and with a small smile, she says:

"So... want to make bombs, but in a fun way? With less blood this time!"

The laughter that follows fills the room, and even though you know the battle isn't won, this small step in her recovery gives you renewed hope. Taking her hand, you lead her back to the table with the tools, ready for another night filled with madness... but this time, with a little more care.

Vi

The air in the Undercity feels heavy tonight, a cold that seems to seep into your bones. The sound of metal echoing through the structures, the distant murmurs of shouts and laughter, mix with the echo of your footsteps on the iron bridge that crosses the dark, grimy avenue. You walk in silence, but the tension in the air is palpable.

Suddenly, a drunk, staggering with a vacant stare, approaches you. The stench of alcohol wafts from his breath, and his eyes settle on you in a not-so-friendly way. His rough, hollow laughter resonates in the air, as if nothing he was about to do mattered.

Before you can react, his hands touch your backside without warning, sending a wave of revulsion through you and a shiver down your spine.

A choked scream escapes you, but before you can push him away, you feel Vi’s furious gaze, like a storm about to break loose. The anger on her face is palpable, and not a second later, the drunk is on the ground, receiving blows that thunder like hammers. His face is soon covered in blood, and the sound of fists pounding against his body leaves a disturbing feeling in the air.

Vi doesn’t stop; each punch is more brutal than the last. People in the distance quickly disperse, leaving only the echo of the hits. Your heart races, worry consumes you as you watch Vi unleash her uncontrollable fury.

"Vi, stop!" You lunge toward her, but in the process, one of her fury-fueled punches lands directly on your lip. The immediate pain stuns you, and when you touch your face, your hand is filled with blood. The split lip burns. Vi stops abruptly, looking at her bloodstained knuckles—her own, the drunk’s, and now yours.

She stands frozen, her face, once filled with rage, now shows a look of horror. “Oh, God…” she murmurs, seeing what she has done.

You tremble, not just from the pain in your lip but from the brutality of her actions. You’re not used to violence, not on this magnitude. Fear knots in your chest, and you let out a shaky sigh as you watch Vi, her face now wrecked with guilt.

"I didn’t mean to!" Her voice is broken, as if the guilt is overwhelming her.

“Let’s go home,” you respond coldly, more out of fear than anger, "and when we get there, we’ll talk."

The walk home is silent, the tension hanging between you like a taut string about to snap. When you arrive, you enter the kitchen and quickly tend to your lip, while Vi watches silently, unable to articulate a word.

Once you finish, you turn to her. The air is thick with the weight of what’s unsaid. “Vi…” you begin, your voice soft but firm. “You need to learn to control your anger. This time, you just didn’t hurt someone else. This time, it was me too. Me, the person you love the most. Do you realize that? Do you realize how I felt when your blows landed on me?”

Her eyes fill with tears, and her throat tightens as if she wants to say something, but the words are stuck in her chest. “I’m so sorry… I’m so, so sorry,” she whispers, her voice breaking.

You continue, your words coming out with more pain than you expected. “Sometimes… I’m afraid of you, Vi. Not because of what you might do to others, but because of what you might do to me. I don’t want to live in fear of your rage hurting me. It hurts so much. It hurt so much.”

Vi collapses in front of you, breaking down. Her tears fall one after another, and she throws herself into your arms, holding you in a desperate embrace. “I don’t know why I’m like this… I don’t know how… how to control it. I always have this rage inside, and sometimes I don’t know how to stop it. When it explodes, everything goes to hell, I know…” Her voice cracks as she clings to you. "I don’t want to hurt you, I don’t want to hurt you."

The softness in her tone hits you harder than any punch, and in that moment, you know she understands. "Vi, I… I don’t want you to hurt anymore," you murmur, caressing her back. "I don’t want that rage to control you."

She pulls back slightly, looking into your eyes, her face soaked in tears. “I’m so sorry. I swear it wasn’t my intention… but sometimes…” her words trail off in a sigh.

A small, sad smile forms on your face. “Have you thought about boxing? Maybe it’ll help you release all that. And I’ll go with you! But promise me you won’t use me as a punching bag, okay?" you joke with a smile, trying to lighten the moment.

Vi finally laughs, a laugh that feels like relief. “I promise. Just, please, don’t leave me, okay?”

You approach her, tenderly kissing her, careful to avoid the wound on your lip, and you feel the softness of her lips, the calm that finally settles between you. “I would never leave you, babe,” you whisper as you both embrace, knowing that, even though everything is complicated and painful, there is something between you that always keeps you together.

Caitlyn

The door bursts open, and Caitlyn enters the room with a face marked by a fury that seems to burn inside her. Your eyes lift from where you're sitting, a little surprised by her abrupt entrance, but you quickly see what has been happening.

"I can't believe what I had to hear today," Caitlyn throws out, her voice cold and cutting as she drops her jacket on a chair. "All because of your... damn ideas of justice. Do you have any idea what that means in this place?"

You stand up slowly, the tone of her voice making the air grow denser, heavier. "What happened, Cait?" you ask, though part of you already knows it has something to do with her ideals.

"It's not just what happened, it's what's happening. All the damn time," she responds, walking toward you with contained rage. "You go on and on about doing what's right, without understanding that ‘right’ isn’t always what people in high places think. You think you can change something, but all you're doing is making it worse."

Your heart races, and a spark of frustration rises in your chest. "Make it worse?" you repeat, feeling indignation begin to spill out of you. "Is that what you think? That my actions aren't worth it? You're so blinded by your perfect view of the world that you can't see what's really going on in the streets! Evil isn't just in the ‘high society,’ Caitlyn. It's everywhere."

Caitlyn looks at you with an intensity that almost seems defiant, but also wounded. "I'm not blind, the problem is that I can't understand why you keep going against the whole system. Every time you do, you just feed more chaos. You have to think about the consequences, about the people who can't afford those ideals you're defending like you're some fairy-tale hero. Not everyone can afford that luxury."

"A luxury?" Your voice rises slightly, now stronger. "What you call 'luxury' should be a right. Do you really not understand that people are suffering? That your 'system' is letting all of this crumble just to maintain power? I can't just stand by because you think it's fine because it looks neat from your tower."

Caitlyn steps back, as if your words hit some deep place inside her. "Not everything is as simple as ‘good’ and ‘evil.’ Sometimes things aren’t black or white. Sometimes you have to make concessions to move forward. What you’re doing is just putting yourself in the center, without understanding that there’s more at stake."

The words hang in the air between you two, and the intensity of the argument seems to rise with every exchange. Caitlyn is so convinced of her point of view that you can't help but feel frustrated by the barrier between you.

"What I understand, Caitlyn," you finally say, with a tense calm, "is that sometimes you do more harm by trying to follow the rules than by breaking them. And I know your intentions are good, but I can't stay silent watching you justify the unjustifiable."

Caitlyn closes her eyes for a moment, as if taking a breath to calm herself. When she opens them again, something has changed. It’s not that her anger has disappeared, but she seems more exhausted, as if all this is wearing her down. "I’m not asking you to agree with me. I'm just asking you to understand that sometimes, even if it hurts, decisions aren’t as easy as you see them."

There's a long silence between you, the air thick with discomfort and tension. You both know you're not going to come to an agreement this time, but you also know that won't change what lies between you.

Finally, Caitlyn sighs and sits on the edge of the table, letting the exhaustion take over her. "Sometimes I feel like I can't do anything right, no matter what I try," she murmurs, more to herself than to you. "And you... you make me see everything that's wrong with me."

You move a little closer, calmer but still hurt. "Cait, that's not what I want. What I want is for you to realize you don’t have to carry all of this on your own. You don’t have to keep walking down this path if it doesn't make you happy. I’m here for you, even when we don’t agree."

Caitlyn looks at you, her eyes reflecting some vulnerability, something she doesn't usually show. "I know. I just… I’m scared that I could lose everything I’ve built because... because I don't know when to stop."

You sit next to her, placing a hand on her shoulder. "You’re not going to lose it, Cait. No matter how much we fight, what matters is that we’re in this together. But you also have to learn to take care of yourself, not just the world."

Caitlyn nods slowly, and for the first time in a long while, a small smile appears on her face, though it’s sad. "I guess sometimes I forget that."

The tension begins to dissipate, although the brush of differences is still there. Deep down, you both know that these kinds of discussions won’t end anytime soon, but you also know that you're both moving forward for something bigger than the disagreement.

Jayce

There was something heavy in the air that night. An uncomfortable silence that hadn't been able to break for the past few days. Despite being in the same house, in the same room, you felt farther away from Jayce than ever. It wasn't just the lack of physical contact, it wasn't just the absence of the small gestures that usually made everything work between you. It was something deeper, something that had been growing inside you without him realizing it.

Finally, you couldn’t hold it any longer. You sat on the bed, staring into the emptiness in front of you, and when he walked in, that feeling of discouragement completely overwhelmed you. Without looking at him, you started.

“Jayce, I don’t know what to think anymore,” you said, your voice quiet but firm. “It’s been days since… since we’ve had anything. And I’m not just talking about sex, I’m talking about everything. I don’t even feel like you desire me anymore.”

Jayce, who had been in his own world as usual, looked up at you, confused by your words. “What are you saying, honey?” Surprise was evident in his voice, but it wasn’t enough to calm the torrent that had been unleashed inside you.

“You don’t get it, do you?” You stood up from the bed, walking towards him, words pouring out like a torrent. “Every day, I feel like I’m just here, fitting into your perfect life. Everything we do, everything we plan, it feels like you’re doing it because you have to. What about what I want, Jayce? What about us?”

Jayce took a step towards you, opening his arms as if he wanted to get closer, but something in your gaze made him stop. “No… I don’t understand. What do you mean by fitting into my perfect life?”

Your breathing quickened. “What I mean is that sometimes, I feel like I’m just an accessory, another piece in the puzzle you’ve been putting together. Like what matters most to you is making everything look right, fitting, but not us. I don’t feel desired, Jayce. I feel empty, like I don’t matter, like I’m just here because I fit into your life, not because you actually want to be with me.”

The pain in your voice was palpable, and although Jayce tried to step closer, you moved away from him. “I’m so tired of feeling like we’re nothing more than two people sharing a space. There’s no passion, no connection… Just the idea of what’s expected of us.”

Jayce looked completely lost, like he never imagined you felt this way. “I can’t believe you’re saying this. You know how important you are to me. But I… I’ve been so focused on work, on everything we need to achieve, that…”

“That what?” you interrupted, unable to keep bearing what felt like a pile of excuses. “That you’re too busy to see what’s right in front of you? I have my own problems too, Jayce. Not everything revolves around your projects, your perfect image. I’m a person too, and my feelings matter too.”

The words hung in the air, between rage and pain. Jayce didn’t say anything, and that only increased the feeling of abandonment you were experiencing. Frustration and sadness took over you more and more. Finally, the silence was broken, but not in the way you expected.

“Honey…” Jayce started, his voice softer now, but still full of confusion. “I didn’t want to make you feel this way. I didn’t realize I was leaving you out. I didn’t want you to feel… unwanted.”

Your eyes filled with tears, the emotional pressure of being unheard for so long finally bursting. “I don’t want to be just another option in your life. I want to be loved, I want to feel desired, I want you to look at me like you’re afraid of losing me. And I don’t feel that from you. I feel like everything we do is a routine, just fulfilling what’s supposed to be.”

Jayce slowly approached, now understanding the gravity of your words. “I… I don’t know how I didn’t see all this. I’m sorry, honey. I really am. I don’t want to lose you. I’ve been so focused on everything else that… I’ve failed you.”

A heavy silence fell between you. You didn’t know what to think, just felt a knot in your stomach, but when Jayce took a step towards you, taking your hands, you couldn’t help but look him in the eyes, searching for some sign that he truly understood how you felt.

“Please don’t leave me,” he whispered, his tone full of sincerity. “I promise I’ll change, I won’t take you for granted. You’re the most important thing to me, and if I made you feel like you weren’t, it hurts me deeply.”

You looked at him intently, seeing in his eyes the truth of his regret. “I know… but I need you to act instead of just saying it.”

Jayce nodded, a glimpse of a smile appearing on his face as his hands caressed yours. “I will. From now on, you and I… we’re a priority.”

Your heart lightened hearing those words, and when he hugged you, you held him tightly, knowing that the road to healing that disconnection wouldn’t be easy, but at least, finally, there was a beginning. And that promise to rebuild what had been lost was all you needed to start healing.

Ekko

That afternoon, it felt like the tension between you and Ekko was thicker than ever. You had been working together on a project, and the small jokes and dismissive attitudes from Ekko, which you usually let slide, began to affect you more than you expected.

"Wow, did you really think that was a good idea?" Ekko said, his biting tone making the sarcasm leave a bitter taste in his mouth.

Your breath became heavier, and although you tried to ignore it, something inside you snapped. You looked at him, furious, and without thinking twice, dropped the tool you had in your hands. "You know what? I'm leaving."

Ekko looked at you, somewhat surprised by your reaction, but before you could walk away any further, he let out a light laugh, as if nothing was happening. "What's up, got your period or something?"

That was the breaking point.

You stopped in your tracks, feeling a lump form in your throat. You turned to him with eyes shining with frustration. "You know what, Ekko? It's because of you. Because sometimes you don't seem to think about what you say, and you don't care how I feel."

Ekko furrowed his brow, trying to understand what you were saying, but before he could speak, you continued venting.

"You make me feel like my problems don't matter, like everything I do isn't up to your standards. Always so... so carefree, like you never have to think about how your words affect me. Have you ever thought about that?" Rage and pain built up in your voice as you spoke, but the words kept pouring out like an avalanche.

And then, without warning, what you hadn’t been able to say before came flooding out. "You know what's the worst? That I feel insecure, Ekko. I feel like I'm not good enough for you, like I'm not smart enough, not attractive enough... Because you never show jealousy, you never show anything. Like you never care. And that makes me doubt myself."

Ekko went silent, looking at your face in surprise, an expression that showed he finally understood what you had just said. The mockery from his previous joke faded, and his face shifted from confusion to deep seriousness.

"I... I didn't know you felt that way," he said finally, his words soft and filled with guilt. "I never meant to make you feel that way. I'm sorry, really. I'm not good at showing what I feel, I've never been."

He slowly approached you, not trying to interrupt the flow of your emotions. "You know, I grew up in a world where showing emotions was seen as weakness. Life never gave me time to process them. Since I was a kid, I was always at war, always on the move, always worried about surviving. But I never wanted that to affect you."

Your eyes softened a little as you listened to his words, and for a moment, the weight of frustration lifted slightly. "I... I didn't want you to think I cared less. It's just that sometimes, I get so caught up in my own stuff that I forget that the people close to me also have feelings. And I don't want you to feel belittled, I don't want you to feel like you're not enough."

There was a tense silence between you both, but something in his tone softened the atmosphere. "I'm sorry, really. It was never my intention to hurt you. You're incredible just as you are, and you make me feel like I can be more, like I can improve."

For a moment, everything seemed to calm down, but Ekko, with a mischievous smile, added, "And if it helps, yeah, I do worry a little when others look at you. But I'm not so good at showing jealousy."

You couldn't help but smile a little, even though you still felt the open wounds. Ekko, seeing this, moved a bit closer and gave you a gentle hug, as if it were a small gesture of comfort you so needed.

"I really care about you. I don't want you to feel insecure. I don't care if you're smarter or not, because what really matters to me is that you're you."

And before you could respond, Ekko joked with his usual playful attitude. "Although, if I ever catch you with someone else, you'd better be ready, because I’m not going to sit still."

You laughed despite everything, feeling the tension slowly disappearing, as if everything you had kept inside had finally found a way out.

"I love you too," you replied, as you hugged him again, knowing that, although the path wouldn’t always be easy, at least you both understood each other a little more.

Silco

Silco's office was shrouded in shadows, barely illuminated by the dim glow of a lamp on his desk. The phone conversation he was having was filled with frustration. "No, that won't work. We need something more decisive, something more substantial," he growled before hanging up with a sharp click that echoed through the wood.

From your position at the door, you could hear every word, feeling the tension in the air. You couldn’t help but intervene. "Maybe you could try..." you began, suggesting a plan you had come up with after hearing his problem.

Silco looked up at you, his cold, calculating eyes locking onto yours. "Shut up. You don't know anything about this," he snapped with disdain, his words cutting through you like a knife.

The coldness in his voice felt like a blow to the chest. Without saying another word, you turned around and stormed out of the office, slamming the door with a force that resonated down the hallway. Frustration burned in your chest as you climbed the stairs to your room.

Surprised by your reaction, Silco followed. Reaching the closed door, he knocked forcefully. "Open the door immediately!" he shouted, his tone a mix of anger and confusion.

"I won't! Go away!" you replied from inside, your voice trembling with both rage and pain. A sound from inside made his heart race. Fearing the worst, he broke down the door without thinking twice.

Inside, he found you packing your things with trembling hands. "What the hell are you doing?" he demanded, his eyes fixed on you, trying to understand the magnitude of your decision.

"I'm done, Silco. Done with you not seeing me as someone capable of helping you, done with you constantly underestimating me," you declared, your voice trembling but resolute. "I’m a human being, just like you, and I can handle matters and plans. I’m not just a decoration in your world."

Silco scoffed, crossing his arms in impatience. "Yeah, yeah, whatever. Do you want me to buy you something? You look hysterical."

That was the breaking point. You turned to face him, your eyes fiery and filled with tears. "Silco, remember where you found me. I was a worker in that horrible brothel, sold by my parents at eleven. I thought that by freeing myself, I would have a voice, that finally someone would see me as an equal. But it’s not like that. You don’t even listen to me."

Silco looked at you, his eyes softening as the weight of your words sank in. He approached you cautiously, his fingers touching your cheek with an unusual tenderness. "It's not personal," he murmured, his voice heavy with regret. "I’ve always been like this, I prefer to work alone. I’ve been through so much to earn respect in the Undercity that sometimes I minimize the opinions of others. But I never meant for you to feel this way, not you."

The wall of pain you had built began to crack under the weight of his words. "I’ll change. From now on, I’ll listen to what you have to say. In fact, tell me that plan you were going to propose earlier."

A pause lingered, but then, with a sigh, he added: "But before that, there’s something more important."

His words echoed in the silence before Silco took you by the waist, pulling you toward him. He kissed you with a passion that overflowed with unspoken apologies, a fire that spoke of promises of change and a renewed understanding between you both.

Mel

The luxurious bedroom was bathed in soft lights that enhanced the golden and ivory tones of the walls. You turned in front of the mirror, admiring how the dress flowed around your body, highlighting your curves and cascading elegantly in a fabric waterfall. The excitement of the night reflected in your eyes, waiting for Mel's approval.

When you stepped out of the dressing room, the smile on your lips quickly faded as you noticed the disapproving expression on her face. Mel looked you up and down, her gaze critical and stern. "Take it off," she ordered in a cold, distant tone. "Put on the one I chose for you."

You frowned, surprised. "Why? What's wrong with this one?"

"It’s not that there's anything wrong with it," she replied, crossing her arms with an air of authority. "It’s just not what I want for you tonight. Change your makeup and hairstyle as well. Something more sophisticated would be better."

The heat rushed to your cheeks, a mix of embarrassment and anger. "Nothing I do is good enough for you, right?" you exclaimed, your eyes sparking with indignation. "It feels like you always have to correct me."

Mel raised an eyebrow, her voice firm and unapologetic. "You should be grateful. I'm helping you make the most of your appearance. I need us to be perfect tonight."

"You mean you need to be perfect," you corrected, unbuckling your heels and throwing them to the floor with a sharp sound. "Because I'm not going anywhere."

Without waiting for a response, you made your way to the terrace, needing fresh air to calm the whirlwind of emotions stirring inside you. The cool breeze caressed your face as you leaned on the railing, trying to hold back tears.

It wasn’t long before Mel appeared behind you, her elegant silhouette illuminated by the moonlight. "Why are you acting like this?" she asked, her voice softer now, but still tinged with confusion.

"Seriously, Mel?" you turned to face her, your voice shaking with frustration. "Nothing I do seems right to you. You always correct me—the way I walk, the way I talk, and now even the color of my lipstick. It’s extreme and stupid."

Mel looked at you with a mix of surprise and reflection, as if your words had struck her for the first time. "I hadn’t thought of it that way," she finally admitted, her voice quieter. "I guess... I’m really hard on myself, and I project it onto others."

You took a deep breath, your eyes still shining with contained emotion. "I don’t want you to be like that with me. I’m not an extension of your standards, Mel."

Silence stretched between you for a moment before Mel took a step forward, enveloping you in a firm, comforting hug. "I’m sorry," she whispered, her voice breaking slightly. "I didn’t mean to make you feel that way. You’re fine just as you are, and I apologize for projecting my insecurities onto you."

You leaned into her, feeling the tension slowly fade. "I understand," you replied softly. "I know you were raised to be perfect. But please, when you feel those things, communicate them in a different way. Don’t impose them."

Mel nodded, her gaze meeting yours with a mix of regret and affection. "I will," she promised. "Please, come with me to the party. Without you, I won’t have the strength to go."

You hesitated for a moment, looking at yourself with insecurity. Mel noticed and gently cupped your face in her hands. "That dress looks amazing on you," she said with a warm smile. "It highlights everything I love about you."

Her words and the kiss that followed dispelled any doubt, filling you with renewed confidence as you agreed to accompany her, knowing this time, you would go as yourself, not as a perfected version to satisfy Mel's standards.

Sevika

The apartment door opened slowly, revealing Sevika's figure in the dim light. She walked in with tired steps, the weight of the night reflecting on her shoulders. You, who had been waiting patiently for her return, stood up from the couch with relief, but as you approached to embrace her, something stopped you. A strange scent, sweet and foreign, emanated from her skin, a fragrance that didn’t belong to any perfume you knew her to wear.

Your heart raced as you took a slight step back, your eyes fixed on her. "Who were you with?" you asked, trying to keep your voice calm, although a mix of anxiety and distrust began to rise within you.

Sevika looked at you in surprise, not understanding the reason for your unease. "I was at the bar, drinking. My ex joined me, we talked a bit, had a good time." She said it with such casualness that every word pierced you like a poisoned dart.

Anger began to bubble up inside you. "Why are you talking about it so casually?" you spat, feeling your voice start to tremble.

She frowned, confused. "What do you mean?"

"You shouldn’t have gone out with your ex!" you exclaimed, frustration coloring your words. "You owe me respect."

Sevika crossed her arms, her gaze hardening. "I do what I want," she replied coldly. "If you don’t trust me, maybe you should leave."

Your eyes widened at her comment. The idea of walking out that door tempted you, but sadness and rage kept you rooted to the ground. "Is that what you want?" you whispered, your voice shaking. "For me to leave?"

Sevika seemed to realize the weight of her words. She took a step toward you, extending her hand as if trying to stop you. "Wait, I didn’t mean that," she murmured, her tone softer, almost pleading. "You know I’m impulsive."

"Of course, impulsive... and nostalgic too," you replied bitterly, your eyes burning with contained pain. "You miss your ex, don’t you? You want to get back together with her?"

She frowned, stepping closer until her hands rested on your shoulders. "What’s your problem?" she asked, her voice low but firm. "Why are you saying all these things?"

The emotions you had kept under control for so long finally exploded. "Because I’ve been cheated on before!" you confessed, tears beginning to well up in your eyes. "I know the patterns when I see them. I don’t want to feel stupid and used again."

The hardness in Sevika’s expression melted away, replaced by deep understanding. Her hands, once firm, slid down your arms in a gesture of comfort. "I’m not those people, you shouldn’t compare me to anyone," she said, her voice firm but full of empathy. "If I didn’t want to be with you, I would tell you. I don’t need to lie to anyone. I love you, only you."

Her sincerity pierced your insecurities, breaking down the wall of fear you had built. Still, doubts lingered. "Then why did you go out with her?" you asked, still needing an explanation.

"Because it was a coincidence," Sevika explained, her gaze sincere. "We ran into each other by chance, and I thought there was nothing wrong with sharing a couple of drinks. But now I see it bothers you, and I don’t want to do anything that makes you feel this way."

Her words resonated within you, slowly calming the internal storm. You nodded, allowing the warmth of her promise to envelop you. "I want to believe in you," you whispered.

Sevika stepped closer, her lips finding yours in a deep kiss, full of promises and silent regrets. When she pulled away, her soft voice broke the trance. "Are you better?" she asked, gently caressing your cheek.

"I'll be better when you take a shower and get that cheap perfume off," you joked, your tone still slightly irritated but with a hint of humor.

Sevika laughed, a low, guttural sound that echoed in the space between you. She pulled you by the waist, drawing you even closer. "Then I’m going to need your help," she whispered in your ear, her voice laden with seduction. "Tonight, I feel especially incapable."

Your smile widened, a spark of mischief lighting your eyes. "I guess I can help with that," you murmured, letting the intimacy of the moment take over, knowing that despite everything, you were in the place you wanted to be: by her side.

[nostalgebraist]

Thanks for this thoughtful review!

(BTW, for others – this is probably obvious but there are spoilers below the readmore, don't click unless you've read the book)

I'm going to use this as an opportunity to talk about one specific thing that bugs me about some reader reactions to my stuff. Therefore, most of what I say below will be negative (about your review), but I want to emphasize first that that's not a reflection of what I thought of it overall.

----

What I'm here now to talk about is this kind of thing:

There are parts of all his books, where I really think that the explanation for why they are the way they are is that they are "bad on purpose", and all the bullshit [note: in context "bullshit" seems to be meant as a neutral term for non-realist elements -nost] is a way of turning these shortcomings into strengths. The self-effacing voice which whispers that the characters aren't sufficiently well-drawn, are too cartoonish—well, what if that was the point? What if there was a reason for that, in the story?

And like... okay, there is sort of a sense in which this is true, sometimes, kinda. There is a grain of truth to this; it is getting at something real.

But it pains me to say that, because I don't want to encourage this kind of reading. Interpretations like this are occasionally correct but IMO they're much more common than they should be. IMO the right intuition is that this is a galaxy-brained, contrarian sort of take, a last resort you land on when you've ruled out everything else.

And not just with my work, with everything – I'm simply more aware of the problem when it comes to my work, because I wrote it and I'm aware of why I actually did things the way I did.

I've said this before, but watching the way that people react to my own fiction has been an eye-opening experience, one that has taught me things about reader (and viewer, etc.) reactions in general. Specifically, what I've learned was:

People's tastes are way more diverse than I had realized (before I started writing and sharing fiction). And they are diverse in a very fine-grained way; even if two readers have the same preferences about 90% of stuff, or 95%, they'll still diverge on some things. While it's not literally true that "every reader is a unique snowflake with a preference set that no one else shares," that is a very good first approximation of how things are.

Readers (including me!) have been trained by a lifetime of reading book/movie/etc. reviews to frame their preferences/reactions in a pseudo-objective "this is just how it is" way, like their own tastes have some special viewpoint-independent priority, a quality of "reality" or "accuracy" lacking in everyone else's tastes (which are all different, cf. 1). And this is not just a stylistic quirk of the way people write about fiction, it actually (IMO) feeds back into the underlying opinions behind the written commentary. It degrades people's ability to understand what it is they're looking at and their ability to make accurate inferences about the process of its creation.

----

Here's a sort of cartoonish schematic of the type of experience that led me to draw these conclusions. (And I suspect this is not just a thing that happens to me, I imagine it happens with any sort of work that "contains a lot of different types of stuff" the way mine does.)

Writer makes something that has X and Y and Z in it. Writer thinks X/Y/Z are "great tastes that taste great together." Writer is very pleased with the result.

Reader 1 has similar tastes to writer, says something brief about how they loved the book and it's a new favorite for them.

Reader 2 loves X, is OK with Y, hates Z. They write a lengthy review saying that the book was a mixed bag and could have been great if the writer had stuck to X and not messed things up by doing so much Z.

Reader 3 is the reverse of their predecessor: they hate X, are OK with Y, love Z. They write a lengthy review saying that the book was a mixed bag and could have been great if the writer had stuck to Z and not messed things up by doing so much X.

Reader 4 loves X and Z – but they hate Y. They write a lengthy… you can fill in the rest. Imagine a whole bunch of these guys (readers 5, 6, etc).

Reader 17 has the same tastes as Reader 2: loves X, is OK with Y, hates Z. But their lengthy review takes a different, in some sense "more charitable" angle, speculating that the inclusion of Z was a load-bearing pillar in the overall structure, a thing that unfortunately had to be included to "unlock" all that sweet sweet X.

Reader 18 has the same tastes as Reader 3: hates X, is OK with Y, loves Z. But, they explain, X was a load-bearing pillar in the overall structure, a thing that unfortunately had to be included to "unlock" all that sweet sweet Z.

Writer reads all these reviews and feels strange, dizzy. The "nicer" reviews like 17 and 18 are actually more uncomfortable to read than the "meaner" ones like 2 and 3.

"I don't know how to convince you guys," Writer thinks, "but I... I just liked all of it? I thought it was good? That was why I wrote it? (Why else would I have written it?)"

----

Or, as I wrote in that previously linked post from 2021, w/r/t TNC specifically (and making a slightly different but closely related point):

Some people say X was the worst part of TNC, some people say X was the best part. The story was a celebration of Y; the story was about how Y is laughably futile. It’s a letdown that we were never told more about Z; the reason TNC is good is that it leaves stuff like Z to the imagination. It was obvious we were meant to believe P; it is obvious we were meant to believe not-P; the ambiguity about whether P is tiresome literary masturbation; at least the story didn’t jump the shark by spelling out whether P! The reason people like TNC is, of course, that it has A, although nostalgebraist insisted on putting B in there too because he hasn’t fully perfected his formula yet / he somehow thinks B is good even though it isn’t / he thinks it’s funny how bad B is (but the joke tires). …and then someone else has same take, but with A and B flipped.

This exact sort of thing is of course happening again before our eyes with reactions to TAoHS.

I've encountered multiple readers who disliked most of the story but felt the ending (sort of) "redeemed it," and I've also encountered multiple readers who liked the story up until the ending but disliked the ending (or at least thought it was worse than the rest) – to say nothing of the many readers who liked (or disliked) the whole thing all the way through.

And this ending-related stuff is just one particularly obvious facet of a broader diversity in the overall reader response.

By now I know not to be surprised by this stuff, and even to find it kind of fun to watch... but I have to admit, it is still a dizzying and uncomfortable experience.

----

Now, as I said, it is sometimes true that things really are "bad on purpose."

But I think the interpreter's default hypothesis – which should be maintained by default unless convincing evidence against it can be brought forth – should be:

The writer thinks that the thing they wrote is good. They think the ideas are good and they think they executed them well. And they think this more-or-less homogeneously for everything in the work – there are no "bad but unfortunately necessary" parts from the writer's POV.

(At least, this should be the default with works that aren't making the writer much/any money. Obviously things are different with lucrative commercial fiction; there are plenty of well-paid hacks who know they're hacks and do it for the money, etc.)

Why should this be the default? Multiple reasons.

First: it takes a lot of effort to produce any sort of creative work. The writer thought that effort was worthwhile, for some reason – why?

The most straightforward explanation (and a very common one IMO) is that the writer simply believed in the thing that they were making. They believed the effort was worthwhile because it would yield a good product.

Second: as a writer you have an immense amount of freedom. It's difficult to overstate the extent of it. You are playing God, you decide the way that literally everything will be.

Obviously there are some constraints, cases where one part of a story will imply the existence of another or whatever.

But it's very rare that you actually get forced into "doing a thing you know you are bad at, badly." After all: why do that? No one's forcing you! Just do something else! You're God, you control everything!

(Note that this applies also to the very act of writing anything. No one is forcing you to write at all. If you can't come up with good ideas, nothing prevents you from just not writing your bad ones.)

Third: at least in my experience, "playing God" in this way requires a certain state of mind, a certain boldness and self-assurance, which is incompatible with thinking "yeah this is gonna suck but I have to do it" – but is very compatible with thinking "I am making something excellent and every part of it is excellent, hell yes."

Fourth: because of the previously noted diversity of reader preferences, it should not be surprising to any given reader that they find some parts of the work much better than others, even if the writer thought it was all excellent.

This outcome is predictable from the X/Y/Z stuff I talked about above. No clever interpretive work is required to explain it; it arrives pre-explained; it's simply what happens by default.

And finally: because, as I noted above, I think all of us are infected with "reviewer brainworms" and we need to be mindful of this fact.

(Just to be clear, I am not accusing OP of being more infected with said brainworms than anyone else; I'm still on my soapbox, giving a generic rant about a general issue, with OP as merely a jumping-off point.)

We've grown accustomed to the casual conflation between our own tastes and some (usually hazily imagined and under-theorized) sort of "objective, ideal artistic standards."

Outside of a few edge-case eccentrics who can be ignored for my present purposes, we do not do this because we've become intellectually convinced that

(a) such objective standards make sense and really "exist" or at least really matter and

(b) they just so happen to match our own preferences.

Rather, we've fallen into this habit because it's what the pros do: there's a standard style that professional critics and reviewers write in these days, and that style implies these stances. And if one writes (and thinks, in one's inner monologue) in this style, one can easily fall over backwards into uncritically believing (a) and (b) for no better reason than "I seem to already be talking as though I believe these things, hence it would be simple and convenient if I really did believe them."

But – even if we bracket the philosophical questions of whether (a) is in fact true, and (if it is) whose tastes in particular ought to be elevated in the way (b) presumes – even if we table all that for another day, still we ought to keep in mind how weird and audacious a move this is, this simultaneous assertion-without-explanation of the (a)+(b) pair.

We've gotten used to it by exposure, because "the pros" have normalized it. But in actual fact it is a pretty wild thing to just go and assume, given the X/Y/Z/etc. diversity of actual opinion!

If (b) is true for you (general "you" not OP), then it can't be true for me, because we're both unique snowflakes to a first approximation; indeed if (b) is true for you then (to a first approx.) it is only true for you. No one else's tastes have this magical relation to reality, just yours.

Holding the belief (b) about a given reviewer is conceivable-but-wild if we're only considering them in isolation. But once we bring a 2nd reviewer (with non-identical tastes) into the picture, who also believes (b), it's literally impossible to maintain that both of these people are fully right.

And then of course in real life there are not 2 but many, many readers out there, all of them unique snowflakes. And, while it is socially normal in our social context for each one of them to write like they're the chosen one blessed with that special (b)-magic, if you read enough such writing and actually think about what you're reading, it can't help but feel like a sort of game, like playing make-believe. As with most games, it can be very entertaining (for all parties involved), but we shouldn't confuse its amusing conceits for properties of the real world.

In the real world, the writer has their tastes, and you have yours. These tastes are probably not identical. The writer may be aware of the diversity of readerly tastes, and may thus be aware that tastes like yours are out there, but they have no special reason to consider you in particular, elevating you above all the other readers who are non-identical with them (and with you). The writer is dimly and abstractly aware of you, at best, as just another one of the people who will come along later, dislike some of their choices, assume that these choices were wrong in some "objective" way the writer knew about at the time, and then speculate as to why the writer would do something they know is wrong. For every choice, and every way of making every choice, one can imagine a reviewer who responds to it in this way, and quite often these reviewers actually materialize once the work is available for consumption. If you try to reason about these guys in advance, as a writer, it'll stop you in your tracks (if nothing else because there are 2+ of them whose takes are mutually incompatible). You've gotta have some other standard of value to rely on.

So, as a reviewer, if you ask "why would someone ever make a choice I don't like?" and try to pick at this question, you are quite likely heading toward a dead end. The writer wasn't thinking about you (or people like you). They were applying their own, distinct standard of value.

Better to ask: "suppose there was a person who actually liked all of this. What would they be like? How would they be similar to me / different from me? And what, if anything, can I conclude from that?"

The Apocalypse of Herschel Schoen

My fourth novel, The Apocalypse of Herschel Schoen, is now available in full.

Merry Christmas to all, and to all a good night!

[marstonsboy]

had another evil thought that spiralled out of control. indulge me for a moment:

over the years, people start arriving on a near empty plot of land west of blackwater. it’s uncertain who got there first: bessie matthews, beatrice and lyle morgan, eliza, isaac morgan, etc.— but more and more people show up until it’s something of a community. jenny kirk, mac and davey callander. then soon after, jake adler, sean macguire, kieran duffy, hosea matthews, lenny summers, molly o’shea, eagle flies, susan grimshaw. more and more in such a short amount of time. arthur morgan is the last, and suddenly the deaths stop.

after a sudden stretch of years with little newcomers, a house starts taking shape. soon enough the house is a home, and peculiar things can be found all over: a dog barking where no one can find it. echoes of campfire songs going late into the night. photos of john and abigail’s wedding, attended by what remained of their family. a taxidermy squirrel that appears back on the mantle no matter how many times you throw it out, wearing a very familiar hat. in just a few years a heartbreakingly young girl comes home, bearing a strong resemblance to one abigail marston.

then, gunshots. john marston and uncle are the next to arrive.

in the next few years, the house is eerily quiet. the residents see it falling into disrepair, but they can’t do anything about it. the dog stops barking, the campfire has gone cold and won’t relight. abigail marston is next, and though they’re happy to see her, the arrival brings up a question. what happens to jack now?

the livestock are gone, and the house is dusty, all but stripped of the knickknacks and personality that built up over the years, like someone found it all too painful to look at. john’s hat and guns, once tucked away inside a box beneath the bed, vanish the night after abigail arrives. newspapers come to the door, announcing the death of former government agent edgar ross.

soon after, a wanted poster, bearing the name “john marston jr.” and a sketch resembling the boy’s namesake so much that it has john himself stumbling back. jack was only a boy when he left, and now he’s wanted dead or alive, with a price over his head that could rival some of his uncles and aunts back in the day.

every year that passes without any sign of jack is a relief. the house doesn’t change much, still abandoned, but letters come in. mary-beth gaskill, tilly jackson, simon pearson, sadie adler, charles smith— old friends and family, checking in on him. none of them reach the recipient, as he is not home, but they’re filled to the brim with love, letting him know that he isn’t alone. that he always has a home with them, if he wants it.

one day, john spots a book he doesn’t recognize on the shelf by the piano, and he stops. “Red Dead” by a J. Marston. it doesn’t take much to figure out who that could be. he opens it, flips through, and reads it to abigail. the kinder parts get read to their daughter, ecstatic to learn about how her older brother is doing. their son did become a writer after all, even if everything he’s written speaks volumes of his grief, his anger. the loneliness he’s endured since losing his family, and killing edgar ross.

arthur morgan opens his old journal to find several entries and sketches from john, but also many new ones from jack. his handwriting is just as clumsy as his father’s, but his drawings are more refined. little portraits of the gang members that lived and scribbly sketches of what the world is becoming in their absence decorate the pages. war, cars outnumbering horses, and a very detailed drawing of a revolver none of them have ever seen before.

he’s all grown up, and good lord is he angry. he’s mourning, and hurt, and he’s lost so much, but he’s still undoubtedly jack marston. he draws dogs and writes about missing rufus, slipping strays some food from his bag whenever he sees them. sometimes he’ll write a dry, sarcastic joke that speaks of his father’s influence, or mention missing his momma’s cooking, “even though it was hardly edible,” which makes abigail roll her eyes. he hates fishing and prefers to lose hours of the day with his nose in a book. the best maintained part of beecher’s hope is the graves on that hill, which gain new flowers every week. sometimes, if they listen close, they can hear him talking, telling his ma and pa what he’s been up to, though he saves the grisly details for his book.

and when jack marston finally does walk through that door, much older than when anyone he knew last saw him but far too young to die, he is welcomed home with open arms. because no matter what he’s done, and no matter how much he may hate himself, he will always have a home here with people who love him, and who can’t wait to get to know him all over again.

[saynomorefic]

2024 fandom review

Ty for tagging me @willesredlights @phneltwrites @grounded-parasocial <3

This is going to be a mishmash of formats I've seen, so thanks everyone for giving me ideas

Fics written

I started watching and writing YR this year, so 2024 has really been huge for me in returning to fandom and fic writing. I wrote 27 works (plus tumblr ficlets) and 117k words, by far the most I've written!

First fic posted in 2024: You Kill Me (WIP) 2024-02-06

My love letter to Young Royals. Anyone who has read this, thank you and sorry, it's deeply personal and my raw initial reaction to watching the show.

Last fic posted in 2024: Ghosts of Simons Past 2024-12-23

Silly little christmas fic!

Fav fic I've written: Let's take this overboard (WIP) 2024-06-25

My Mediterranean yacht AU! Ah my beloved. Thank you to everyone for showing this story love. It's still going, I'm just putting the pieces together. How do you pick a direction when you have so many?

It's been a big year of writing :) I haven't written creatively for about 9 years, so it's safe to say Young Royals and this community have ignited a creative spark I didn't know I had in me. When I was a kid my dream was to be a writer. Getting emotional here, but it's hitting me that in a way, that dream has come true in a way! I know fanfic is not technically professional writing, but in a way it's cooler - we don't get to just message our favorite "real" authors whenever we want, nor do bigger authors get to experience being in a club of writers like this! (actually I wouldn't know, but w/3).

Thank you to every single person who has sat down and read my little stories, you guys truly don't know what you have given me and how much it means.

Fics read under the cut <3

Fics read

I can't give a number, but I have bookmarked 117 fics since 2024-02-11, and it's safe to say I've read at least 4x that.. so uh.. it's a lot :''))

This is a list of favs after going through my bookmarks, and definitely not an exhaustive list of all the fics I've read and loved from this past year. Thank you to ALL writers out there for your amazing work <3

First fic I bookmarked/ read: objects in motion by Capiche

Last fic I read: Under the Mistletoe by @vvachillessongvv (so cute!)

Some favorites I've read this year:

Stairway to Heaven by @unfortunate17

the person responsible for finding young royals, and this was one of the very first fics I read! Heartbreaking and wonderful.

Something Real as Pain by @crownedwille

I love how this story directly engages with power differences between Wilhelm and Simon, and I'm so proud of these two <3

be the place you call your home by @phneltwrites

I love them so much. No one does post-canon like you! such a unique writing voice and characterizations to match <3

Faroe Gone by @groenendaelfic

Pining Simon. Pining Wilhelm. Remote island-farm-cottage sex. What more could you want?

We Left Footprints When We Passed By by @in-amor-veritas

One of the first long fics I read, and these two will never leave me.

darling, lost in the darkling woods by Ripki on ao3

honorable mention to Align, but this noir gripped me like no other.

Fright Fest! by @enjoythesilentworld

I adore everything about this, horrorific, whumpy and visceral <33

sleep, dream, you, repeat (live, die next to me) by @espejonight28738

This little gem! The Midsommar AU. So so good, so well written.

bittersweet ecstasy (I pick my poison and it's you) by wthbaby (ao3)

An amazing ABO fic that's more werewolf /fantasy than anything!

The initiation - sorry if we got a bit rough by @silvagrey

A really interesting look at the aftermath of Wilhelm's initiation ritual, and a type of canon divergence I've never seen!

A Glimpse of Us by @simons-purplehoodie

An early love, read this in April and was swept away.

Look at us by @willesredlights

So hot, so sweet, and bonus that it was a gift for me! <33

to color with two by @wildcalendula

I love the way they communicate about sex here. So tender and loving and lovely. Just this whole series!

The Way We Were by queerofthemonth (ao3)

Damaged popstar Simon. Sad Kronprins Wilhelm. Fuck.

Cock by @stretchoutfics

Just so much to say about pining and sexuality crisis Wilhelm. It feels so realistic, and I love their communication here.

One, two, three (Not only you and me) by @skibasyndrome

So much communication, so much trust, so much honesty. And the LAPDANCING? Also, thank you so much for every kinktober contribution, promise we are all very grateful <3

Where We Left Off by @gulliblelemon

So tender, they will literally be in my heart forever. It's time to re-read!

come closer and see into the dark (WIP) by @bigalockwood

I can't decide what's better, unique magical ghosts or juicy slow burn interpersonal relationships at the YR ghost agency. Love <3

losing a friend is the hardest part by psyanky on ao3

God do a love break ups and second chances. And everything psyanky writes.

We're Going to Be Friends (Lilac Grove) by wilmonlibrarian on ao3

I'm so in love. Borrower Simon is adorable, and it blows my mind how this author created this whole world.

I am awaiting you (WIP) by @toffeelemon and thatgayprince (pls help me tag on tumblr!)

I am so in love with Princess Simon and Wille here. Uadhakjsdha

i've got power in my hands (and it's yours for the taking) by @starvalisedham

The library fight from August's POV. There are LAYERS here, and I love how much is up to interpretation reg. his perception of Wilmon.

maybe now maybe here tonight by @dreamyelectronicmusic

I love a getting back together fic, and the writing! I'm in awe.

My Home for All Time by @hergrandplan

Amazing contributions for Wille's month! Every ficlet and morsel.

words written down by @caramelpenguin

Every single one. how do I pick? Thank you for always sharing these beautiful snapshots with us <3

this is the golden age of something good and right and real (Painter AU) series by @alltoowille

I couldn't choose bc the first part was INSANE. and then I read it and realized there was 50k+ after? Think I ascended. Thank you <3

and last but not least obviously by @grapehyasynth

Changed me. Changed how I write, and then changed me again.

Final reflections

I wanted to say I loved helping celebrate Wilmonhits5k on ao3, and big thanks to everyone who participated through fic recs and commenting.

I have to mention the people that keep this fic world turning through fic recs, making gifs, fandom engagement, and more! @simonsapelsin @youngroyals-events @kruemel8 @sillyunicorn @grounded-parasocial @books-books-smolderinglooks @impossibleknots @sillylittleflower and too many more to list. You guys are truly the best <3

If we have never chit chatted, feel free to come say hi! <3 Happy new year to you all, and here's to more YR magic in 2025.

[spectral-phases]

Tim Drake as Rook (and Blackbird)

I've seen posts floating around trying to suggest new names and new costumes for him, and I've seen really great designs (u/Hunkerdown_son's Gray Ghost suit) that I like a lot more than what he's gotten. (Poor kid's gone back to Robin and was feuding with Damian about who's the better Robin? Like, boy, you could be in college, you are a whole-ass adult now, god damn, can the writers let you develop). There's Cardinal, Flamebird, Redbird, every red bird there is. And like, I get it, Red Robin was one of his more iconic runs (pre-Flashpoint), his OYL costume was primarily red, he was Red Robin wearing basically a Robin costume for a little while there too.

One of the name's I've seen is Rook. And that fascinates me. I actually had a hazy image of it pop into my mind, like a terrible "got any more pixels?" JPG picture of an artbook all zoomed-in and blown out one, of what that might look like.

(Artist's recreation of the above described image)

So I made it.

(Look, I know. I know. That is not how "Rook" would be stylized for the logo, but listen, listen. Cursive k basically has a mini-R in it and I was having fun with this. Okay? I don't draw much these days and I'm not a comic artist/graphic designer. I do math for a living.) (I spent very little time on the logo for Blackbird, but you get the idea. The "R" gets twisted nicely into a "B" for Blackbird, in my opinion.)

Design choices and everything below. Very stupidly long.

Rook first because I know the color is going to be a sell.

Rook is a bird in the corvid family, with crows, so they're exceptionally smart birds. Rooks are also the name for the chess piece that can perform the trickster maneuver called castling where they trade places with the king (It's not hard to do, necessarily, just like, a 4D move compared to the normal chess moves, and not something the average person knows about). Being that he's been relegated to the "boy genius" role and he is vicious and cunning with his mind more than almost anything else (See Robin #137's "Show your face here again and we'll frame you for the kind of crimes even other hardened kills don't condone or forgive" speech, him blowing up the LoA's computers in Red Robin #8 after somehow creating a program/virus on their systems while under constant supervision, or all of Red Robin's "The Hit List" arc). (I know he's not the only one who can do or has done, things like this, but he does it a lot, is my point).

Rooks, the birds, as a symbol of death are also fascinating to connect to Tim. He's never "died" like the other Robins have, but his mantra in his introduction is basically "Batman needs a Robin." Because Batman/Bruce has been traumatized by losing his son, Jason, and is spiraling, dialing up the violence towards criminals, dialing down his ability to care whether or not he survives, destroying his interpersonal relationships in the process. Death as a symbol can mean the literal figurative death, but it also can mean the end of a phase of life, of letting something go, and moving onto a new chapter.

And that's what Bruce needed to do. He, of course, would always miss Jason, but he needed to move past the pain, move past the agony, become what Batman was supposed to be again. Tim's the one who got him there. He's the one who convinced Bruce to open that new door. Tim's the one who put the "family" in Bat-Family because Bruce sure as shit was not going to do that. Here, this post explains that a bit more eloquently.

https://www.tumblr.com/thattimdrakeguy/190044791065/would-you-consider-tim-the-heart-of-the-batfamily

Rooks, the birds, are also blue/purple in color, which I think is great for Tim. I know, I know, everyone wants him with red. I get. I really, truly, get it. But let's just...take a step back and go outside of the box a little for his color. Now, I know, not everyone keeps the same color consistently (the number of times Nightwing has just bounced between Blue and Red, for example), but there is usually a "main" color strongly associated with each member of the Bat-Family.

Nightwing gets blue, duh (and also bluebird). Red Hood gets red (and also Nightwing when he's having a shit time and also Kate Kane's Batwoman and also Damian's Redwing). Damian's Robin often gets green (though I low-key associate green with Tim's Robin more than Damian's, Tim's no longer going to be Robin here, so Damian can have it). The Signal gets yellow (and so does Cass's Batgirl/Black Bat/Orphan). Stephanie as Spoiler/Batgirl has purple (and so does Huntress and Barbara's Batgirl). And Oracle gets lime green.

We don't need any more red symbols in the family. It's already out of hand without throwing Tim in there. And out of all the siblings, he's the only one without a distinct color.

Anyway. If we dip into tertiary colors, we can fix all of that. I made a mock-up of what I mean drawing the symbols mostly by memory in a few minutes. For Huntress/Helena Bertinelli, I just used her mask.

See how Tim as Rook gets to be wedged in between Nightwing's blue and Stephanie's purple with Violet? Tim Drake is a Dick Grayson fan first, Nightwing fan second, and person a distant third, so going more blue with his scheme is a much better fit. You could come up with a name for him to be teal, but violet is better for Rook, and like he's also close to Stephanie's Spoiler/Batgirl colors and say what you will of his relationship with her, she is important to his character as friend/girlfriend/friendly-ex. And Dick went from "Red/green/yellow" to "Blue/black" so Tim can go from "Red/green/yellow/black" to "violet/black."

Oh, and it lets him get his "R" back. The one from the 90's that's just so iconic that he was literally introduced with as Robin. If we can have a million different bat symbols then we can have two different R's floating around and no one will be confused.

And anyway, with all of that in mind, and that terrible image haunting me, I decided to draw a quick reference sheet for what Rook might look like. I think I spent like 2 hours on the final version, with an hour and a half on sketches I hated/deleted. Anyway.

I had a nice dark green in here instead of sky blue and a dark purple instead of dark blue, but then I was looking at the purple/green combo and "I'm in dangered" my way out of the Joker color-combo.

Instead I decided, since he's a young person and the violet I chose was sort of blacklight-esque, then why not make him look like some kinda blacklight glowing guy. The youth these days still love that kinda stuff, right? And it ties into the themes of being a light in the dark and crime-scene stuff and all that. The colors came from how lead glass reacts under black light, and while I imagine the violet parts do show up in black light, it's the light blue parts that actually glow in blacklight.

If you want to draw this design or make up your own Rook design or tweak this design go ahead, like, for example if you wanted him to have the sharp pointy cuffs that I couldn't get to look good at all (but please tag me if you do, I wanna see it, unless you're shit-talking me. Then don't tag me.)(Shit talking means "my god, this asshole who cannot draw at all" and not "It was okay, but I thought it might be better like this/with some tweaks/more coherent colors" one I can take and the former will make me cry).

(If the notes are hard to read, they will be in text at the very bottom)

Obviously, I got a little too obsessed with the mask for my own good. I didn't want him to just have a domino mask, I liked the protectiveness of his Red Robin cowl (if not the look), and I wanted more coverage while also having his hair out because he has really good hair. So it goes around the back of his head in a band, protecting his temples and the back of his head, but nothing else for his hair to show. It is supposed to blend with his hair so we get the illusion of the cowl, but drawn by someone better/more time/shading it'd be fairly obvious up front where his hair and mask are, but less so from the back. And Tim has done the mask under a mask gag before and a self-destructing mask, so I feel like him having approximately 30-billion fail-safes to prevent it from just being pulled off of him is in-character.

And then I decided, that since Tim is Nightwing fan second, he can have a red version of the outfit named "Blackbird" for when he's feeling a little moody or feisty the same as Nightwing has the red Nightwing suit for...reasons ("We wear red in new continuities" or whatever. Why have one outfit when you can have several?). This time the colors were inspired by red cadmium glass under blacklight and the red winged blackbird.

Red Winged Blackbird's symbolically are "a sign of change and transformation. They represent the power of love and compassion, as well as the need to take action in order to make positive changes in your life. The red winged blackbird is a symbol for spiritual growth, inner strength, courage, determination and self-awareness." Which. You know. Fits Tim. And there's red. So. I feel like that's an easy sell. ¯\_(ツ)_/¯

I wanted to reference his OYL, Post-Crisis Red Robin (regular and data alter), and Robin (Post-Crisis/Rebirth) outfits for the design. I didn't care for much of his post-Flashpoint Red Robin outifts, adding Nomura/Kingdom Hearts zippers levels of belts to him or just being Robin with two "R"s for a symbol and bad hair. You can see the OYL in the edges of the cape and the interior of the mask. Robin, Rebirth in particular, with his elbow pads and knee pads, shoulder armor and the shape of his boots. Red Robin in the bandolier harness/belt thing he's got, but every thing on it is one of those hammer space utility belt pouches the Bats are so well known for, so he can have a bajillion of them as the "tool using" Robin. The "V" center and arm-stripe/finger-stripe combo is, obviously, reminiscent of Nightwing, and his Red Robin data alter, which is also reflected in the larger mask (though the nose is not as beak-like).

(OYL References, the dialogue in the second to last panel of the first reference is misattributed, in case you were confused as to why Tim is dissing his outfit and Dick is talking like Tim)

(Red Robin References)

(Robin References)

And obviously, I just put his "R" symbol on a circle and called it a day. Although I was clearly going off of memory instead of a direct reference, but whatever. Whatever. It fits better in a circle the way I did it. And a circle is a better buckle/clip than the oval, which was a deliberate choice. So. Anyway.

Notes (from top left to bottom right, grouped by what they're describing):

Shoulder Shot: "We're brining back his iconic 'R' from the 90's for 'Rook. (pointing to the R symbol)." "The cape can be rolled back to reveal some light shoulder armor that doesn't change his silhouette when the cape is down (pointing to his shoulder armor and the rolled back cape that is reminiscent of his over the shoulder "black with yellow" capes)." "Feather pattern that emulates Nightwing's arm/fingerstripes (pointing to the side of his arm)." "His elbow pads have the same shape as his kneepads for the skaterboy vibe. (pointing to the pads over his arms and knees)."

Sketch of harness: "Bandolier harness hides under the cape that clips into his insignia (pointing to the symbol in the center)." "Each space is a pouch (pointing to every area between the pointed ridges (which are hollow tubes with screw caps that can also hold things for maximum hammerspace))."

The detailed shot of the mask: "The face mask is partial emotive with white lenses that have thermal and night-vision (next to the white eyes)." "The foil layer of the mask can peel off unless actively held when the mask is lifted, and cling to his skin with a static charge that makes it almost impossible to peel from his skin (pointing to the teal circuit bit that is lifted from the pointy bit of the mask (the circuits are water/sweat proof, don't worry))." "There are dozens of magnetic locks that have to hit in the right on/off pattern to life all layers of the mask. Each finger in his gloves can have an active magnetic charge, so there are over a thousand combinations (pointing to the foil layer and the inside of the mask)."

The sketches of the mask lowered and raised: "The back of the mask is made of interlocking combs that seal together with metal locks to avoid it coming off unintended (pointing to the back of the raised mask)." "Durable, flexible rubber-like material (pointing to the sides of the mask, back, and the expanding fan like section that allows it to raise while still being one-piece and the top of the mask that would roll against his forehead)." "The mask can be lifted up when the locks are undone (pointing to the raised and lowered mask and the expanding accordion like structure)."

The sketch of a side profile of his head with his bangs and face half there: "Where does the mask end and his hair begin? Like Kujo Jotaro's cap, the world may never know (pointing to the back of his head where the black mask and black hair would blend together)." "The back of the mask combs through his hair and the top layers of his hair cover it (providing an actual answer)." "The nose of the mask has padding that protects his nose from breaks and conceals the shape of his nose and cheeks (next to his nose, which is half covered by the mask)."

[haydenthewitch]

SO WAS NOBODY GOING TO TELL ME THAT WHEN BUCK IS STRUCK BY LIGHTNING BOBBY HOLDS HIS BODY AND SAYS "COME HERE KID"???

WHAT THE FUCK

I MEAN, I HAD IT SPOILED FOR ME. I KNEW WHAT WAS GONNA HAPPEN. BUT THE WAY EDDIE SAID "BUCKKK!!" I LITERALY JUMPED. THE PAIN IN HIS VOICE. CRYING SCREAMING THRASHING AT MY STRAIGHT JACKET

BUCK GETTING THE ONE THING HE WANTED (TO BE ACCEPTED BY HIS FAMILY) RIGHT BEFORE GETTING STRUCK BY LIGHTNING

WHY CAN'T THEY EVER JUST BE HAPPY

"we'll do our best!" "DO MORE" oh so the 9-1-1 writers want me to crash out.... i see

WAS THAT CHRIS SCREAMING AFTER WE SAW THE TSINAMI FLASHBACK??? RIGHT AFTER HE SAID "I HAVE KIDS?" AND HIS MOTHER CLAIRIFED "YOUR STUDENTS. HE'S REMBERING BECUSE OF CHRIS AND JEE. CRYING

CHRIS DIES WITHOUT BUCK(????? (IN COMA WORLD BUT STILL) OH MY GOD?????? I'M GONNA LOSE IT????

AND THEN CHRIS SHOWING UP??? "I'M SORRY BUT I NEED TO SEE BUCK!" YEAHHH BUDDY GO SEE YOUR DAD!!! CRYING SOBBING ACTUALY

[randomrottmntscreenshots]

Raphael and Donnie screens?

We unfortunately suffered a severe lack of Donnie&Raph's episodes, but here are some:

[bonefall]

Hey, what makes a character a 'plot device but not a character'? And how do you not do that? I'm trying to do it on purpose but also I need to still make them interesting because it's on purpose, yknow?

A good skill to pick up is to learn to criticise criticism itself. A "plot device" is simply a thing that moves the plot along, it's a neutral literary analysis term! Usually, when people are angry that "a character has been used as a plot device," it doesn't mean they hate plot devices. It means they're gesturing at something deeper.

Runningwind and Bumble are equally plot devices in their deaths. They are both killed by the antagonist to escalate political tension. Runningwind is rarely "accused" of just being a plot device, and yet, we're talking about Bumble for the same thing.

So, why?

Well, Runningwind is just a background character, but in life, he was a part of the community. He was characterized as impatient but responsible. Yet, he wasn't SO important that he died with a bunch of unresolved plot threads.

He is mostly an extension of the entity of ThunderClan. His killing by Tigerstar, and the fear and paranoia that settles on the group after this, feel like a progression of the story insteas of something forced.

Bumble, on the other hand...

Is hated immediately by Gray Wing, when she's established as Turtle Tail's friend. Bumble's abuse at Tom the Wifebeater's hands invites even MORE investment. The rejection is shocking and upsetting. There's a story there about our main characters being imperfect; jealous, bigoted, and judgemental.

But, she is simply killed off. Everything they set up for this character is gone with little personalized fanfare. It's not a tragedy with a lesson about cruelty, or something anyone regrets.

It's just... plot. Gray Wing whinging that no one will like his shitty brother now that his body count is 2.

More than that, in the discussion of women in particular, "Fridging" was coined to give a name to the way women characters often don't get their stories told at all. There is a CULTURAL trend of female characters facing disproportionate violence, for the sake of advancing male plots.

Bumble has a lot going for her. Petal had a lot going for her. Turtle Tail had a lot going for her. Bright Stream had a lot going for her. When they died, they took their potential with them.

It's not always wrong to kill off a character of high potential, mind you. In Gurren Lagann, Kamina's death is sudden and shocking, leaving a massive hole in the hearts of the cast that never heals. Grappling with that loss, but also letting his memory fuel them, is a major theme of that story.

All that to say... there's no formula for avoiding it. You've gotta identify what the deeper issue is, in your specific narrative.

I can't say for certain what that will look like for your story, but here's some things I keep in mind;

When you make characters who exist to die, make sure they're people before you axe them.

Ask yourself; what about them does the cast miss?

If they just miss them because they were (pre-existing relationship), go back to the drawing board.

Fluttering Bird as an example. Who was she? Dead sister. Why do they miss her? Dead sister. No traits until after her death.

Runningwind was short-tempered and helpful. Kamina was a valuable leader who made people believe in a brighter future. Swiftpaw was fiesty and desperate to prove himself. The better characterized, the more profound the loss usually is.

If this is a female character who is dying just to serve the plot, be aware of cultural bias and tropes. How is the gender ratio looking in your cast? Is this happening disproportionately with your girls?

Note how Quiet Rain's litter had both a boy and a girl, but the girl was chosen to be "weaker" and wither away.

And how most of the time in DOTC, whenever a man had to be upset, a girl would get killed for it.

If you ever feel like the character on the chopping block is NOT a full character, ask yourself why it needs to be a character at all. You don't need to spend narrative time building out someone when a literal object of high value might suffice.

"My sister died when I swore to protect her and I can't face my family" = Old. Tired. Ive seen this.

"I lost my heirloom sword when I swore to protect it and I can't face my family." = Fascinating. Why was the sword so valuable? Will they really not take you back? How did you lose it?

When you do kill off "high value" characters, try to make sure you're not leaving too many plot threads hanging. Or at least make a point of how they will never get closure.

[persephryne]

Making Aegon a rapist was straight up bad and lazy writing.

Let me elaborate.

In the show, the first thing we learn about Aegon as an adult is that he is a rapist. We haven’t seen him yet but still we already know that he is an horrible despicable rapist, especially since Dyana is so young, which pretty much makes him a pedophile too. How could anyone root for a man like that ? And that’s where the problem begins.

Rhaenyra had already been established many times as the rightful heir to the throne in season 1. It has been made obvious that she would make a decent Queen too. In the meantime, it had already been shown that Aegon is not even a good person. He’s selfish, inconsiderate, a bully, and does not act like a prince at all. To put it plainly, he sucks big time and we as viewers already know it. Add what we saw in season 2, how reckless he gets, how he’s an alcoholic immature asshole, how he obviously knows nothing about strategics nor how to rule efficiently, or even how bad he is at high valyrian, and you can’t have anyone tell you in good faith that he would’ve been a better ruler than Rhaenyra.

However, had Aegon not been made a rapist, you would still feel for him even though he is not cut out to rule. Because he knows it too and tried to escape it and he was forced to attend his own coronation . Because this crown that he did not want does not fit him, even though he really tries to show that he is not as worthless as everyone seems to think and he just keeps failing. You would feel for him because the war ,that he has started when he was made an usurper by the people around him, has cost him his son’s life. Because the brother, who is partially responsible for his son’s death has now betrayed him and tried to kill him with dragonfire. Because the injuries he suffered make him look more and more like his father who never cared for him, never loved him and that he definitely hates. Which also probably why he tries so hard to make his mother proud of him and love him but he can’t and his main attempt has left him half-dead, half-burn. Not only that but his dragon, with whom he has the strongest bond known in Targaryen’s, history probably died during this futile attempt to prove himself. The only thing about his Targaryen’s heritage that he seems to care about has been destroyed all because he wanted to prove himself. Because he truly resents his Targaryen’s, his father’s heritage, it’s obvious, just as it is obvious that he didn’t want to marry his own sister but was forced to. It’s completely legitimate of him to want to distance himself as much as possible from everything that is Targaryen related. He is indeed more of an Hightower than a Targaryen, but can you really blame him for that ? Would you not try to fit somewhere else too, if you were in his place ? It’s all absolutely and undeniably tragic.

I wholeheartdely believe that, even if you would’ve root for Rheanyra to be Queen, you woud’ve probably still thought that Aegon, as bad as he is, did not deserves this much pain.

But because he is a rapist, well, he honestly does.

By not trusting the audience to see that Aegon is not a good person, nor a good a king, without having him comitting a literal crime, by making Aegon a rapist, the writers have annihilated any possibilities for an internal conflict regarding Aegon and Rhaenyra. The whole concept of « teams » just goes down the drain because of this lazy, manichaean, writing. And that, my friends, is bad writing at its peak.

[old-skyguy]

Look.

Ace Attorney fandom.

I know why people don't like Turnabout Bigtop. I am among the people who dislike Turnabout Bigtop.

But I GET why people like the case. I'm not going to be one of those annoying people who just blindly dump on it because I hate those mfs too.

Thing about Bigtop isn't that it sucks. Thing isn't the weird grooming stuff (though that is a huge part of it). It's not that it could've been good.

It's that - in my personal OPINION - it could have been *great*.

I think it had the potential to be one of the best third cases in the trilogy. It had everything; a fun and goofy setting fit for a pretty dang goofy lawyer game - where the environment itself had jokes and quips and one-liners and mishaps and tomfoolery written all over it, it had the previous case introducing a very interesting and important plotline that gave background for one of the more well-loved characters while also introducing an equally fucked up and lovable new one who was a child forced into a shit childhood of naivete in a CIRCUS with another character who was very naive and childish - whose interactions could have been funny and cute and reflective of said shit from the previous case (seriously she becomes such an important character in the 4th case, WHY would they not include her in this one for some character development? How did they fuck up letting a CHILD explore a CIRCUS?? That would have made the interactions flow MUCH better).

They had a pretty good, sympathetic killer imo, a morally dubious victim, an asshole of a client (who was pretty flat admittedly in-game, but I like his weird, topsy-turvy reasoning for it in the anime. Also, I think Max being kinda a dick would have bode well for the themes of Farewell since most of his clients up to this point have been like...nice? Not nice, but sympathetic, but him having to defend someone who's innocent but a prick would have shown him that just because someone is an asshole, doesn't mean they deserve to suffer for it and that they have the potential to grow as people, which is almost a complete foil to what Matt was. Ultimately, I would have loved the contrast of them as clients and I think it would have also served as character development for Phoenix, especially with his low-empathy tendencies).

They just didn't think that far ahead. They just didn't execute it well enough. They just decided to make three of the adult characters fight for the hand in marriage of a teenage girl. (Bat's part of the story was actually kinda good if he was just YOUNGER, I think him doing that for Regina would have been a stupid thing someone in the circus would do to impress their crush. Damn you Ace Attorney and your weird treatment of underage girls!!)

It just flopped and that's ok.

Even though it kinda sucked, it can still mean something to me.

Also I'm a Moe Curls apologist. I liked him, shut up.

[meownotgood]

a lot of the time and I mean like once per week I somewhat wish that I wrote ship fics like a normal person instead of x reader. the problem is. I am not normal

[kirammanswifey]

Hii, I read your pt 1 n 2 of arcane characters breaking up with their s/o

Would you be able to hurt us(me) even more? Like they took too long to get us back that R already move on with someone better

Pretty pretty please🥺?

what if you never reconciled with arcane's characters after the breakup x fem reader

characters: viktor, jinx, vi, caitlyn, jayce, ekko, silco, mel and sevika.

writer's note: i loved the person who asked me to do this because i had thought about doing it but i didn't know if you guys wanted to read more of this but i guess we'll are masochist. so i ended up depressed after writing this, and that's saying a lot for a psychology student, the one i found the saddest and the hardest to write was jinx's, i love writing sad things but it's already too much suffering, later I'll come up with something lighter and nicer. as you guys know, requests are open ;)

break up link:

reconciliation link:

Viktor

The auditorium filled with applause as you finished your presentation. The project you had worked tirelessly on was finally being recognized. You felt proud, but also empty, as if something important was missing. As you looked up, you saw him. Viktor, at the back of the room, trying to go unnoticed, almost ready to leave.

Your heart skipped a beat as you recognized him. It had been two months since the breakup, two months of complete silence. Without thinking, you called his name. "Viktor."

He stopped, turning slowly toward you. The auditorium's light accentuated the paleness of his face, his sunken eyes, and his thin body seemed even more fragile. Concern washed over you instantly, but you held back the urge to approach and ask what was happening to him.

"How are you? How have things been going?" you managed to say, though your voice trembled slightly, betraying the calm you were trying to project.

"Fine." His response was cold, distant, almost mechanical. "The lab is progressing. The projects are going as expected."

Each word of his was a dagger, his formality making you feel like a stranger, as if you had never been part of his life. The lump in your throat grew, but you forced yourself to continue. You couldn't leave things like this.

"Why didn’t you reach out, Viktor? Do you still feel the same?" you asked, your voice barely a whisper, fearing the answer but needing to hear it.

Viktor closed his eyes for a moment, taking a deep breath before responding. "Yes, I still feel the same. What I’m doing is bigger than us. I can't afford distractions."

His voice was firm, but you could sense the slight hesitation, the pain he was trying to hide. Despite that, it hurt more than you expected. You nodded slowly, accepting the inevitable, though it broke your heart.

"Thank you for coming," you said coldly, matching the distance he had put between you. "I appreciate you taking the time to listen to me."

You turned around, ready to leave before the tears betrayed your façade. But as you walked away, you felt his eyes on you, almost as if he was waiting for something more, something you weren’t willing to give.

Viktor stood there, motionless, internally conflicted. In his mind, every memory with you fought against his convictions. He wanted to approach, to risk a second chance, to ask you to come back. The thought of losing you forever was suffocating him, but he also feared that his illness, his obsession with science, was too much for you to bear.

Finally, he decided to take that step, to approach you, to break the barrier he had built himself. But by the time he gathered the courage, it was too late. You had been intercepted by a colleague, a man who radiated health and vitality, someone who made you smile in a way Viktor couldn’t remember seeing for a long time.

From afar, Viktor watched, his heart breaking as he saw how the man made you laugh, how he looked at you with admiration. In that moment, he understood something he had always feared: you deserved someone better than him, someone who could be completely with you without the chains of science and illness.

He decided to leave, convinced that intervening would only cause you more pain. He didn’t know that as he walked away, you were watching him from afar, with a broken heart, wishing he had fought for you, even just a little more.

Jinx

Days passed after that heartbreaking farewell. The memories piled up in your mind, like broken pieces of a puzzle you could never put back together. Jinx's absence was a crushing weight, leaving you breathless, powerless. Her laughter, her mischief, her uncontrollable chaos... all had disappeared, and in their place, only an unbearable void remained.

One afternoon, as the rain furiously pounded against the windows and the sky was draped in gray, you couldn’t take it anymore. You knew exactly where to find her. On somber days, Jinx always sought refuge at the cliff, a place where the world seemed to end and the abyss opened before her like an invitation.

You ran through the rain, feeling each drop like needles on your skin, every step filled with a desperation that was suffocating you. When you reached the cliff, your heart stopped. Jinx wasn’t sitting, as she usually did, lost in her thoughts. She was standing, at the edge of the abyss, her slender figure barely visible in the mist.

But before you could take another step, she jumped.

The scream that tore from your throat was heart-wrenching, an echo lost in the wind. You ran to the edge, but what you saw below froze your blood. Jinx lay on the rocks, her body shattered by the fall, motionless, lifeless. The sight left you petrified, unable to move, unable to breathe.

The days that followed were torment. Guilt consumed you. What if you had arrived earlier? What if you had said something different? What if you had hugged her tighter? The questions haunted you, whispering in your ear that it was all your fault, that you hadn’t done enough to save her.

You didn’t eat, you didn’t sleep. You just returned to that cliff over and over again, hoping to find answers in the void Jinx had left. But all you found was more silence, more loneliness.

One night, when the moon barely peeked through the clouds, the weight became unbearable. You couldn’t go on without her. You decided it was time to join Jinx, to follow her steps into the abyss. You walked to the edge, feeling the cold wind on your skin, and looked down at the place where your love had met its end.

Then, a vision stopped you. Jinx appeared before you, but not like the last time. She was smiling, her gaze sweet and mischievous, like when she used to laugh at your jokes or drag you into her chaotic adventures. "Don't be sad, sugar," she whispered. "I'm here. I'll always be here."

Her words, though you knew they were just a hallucination, filled you with a strange comfort. You smiled, tears rolling down your cheeks. "I'm going to be with you," you promised her. And without thinking further, you leapt into the abyss, letting the darkness take you, driven by the desire to be with Jinx once more.

Upon impact, everything became silence. But in that silence, there was something more. A whisper, an echo of eternal love.

In every universe, in every possible existence, you two would always be together. Even in death, even in the void. Because your love was that strong, that eternal.

Vi

Vi had spent two years engulfed in a darkness she couldn’t escape. After you left her, everything became a whirlwind of underground fights and empty bottles. Each punch she took, each night spent alone in the darkest corners of Zaun, made her think of you, of what she had lost. In her mind, she was always sure you would come back for her, that your love for her would be strong enough to forgive her. But days turned into weeks, then into months, and eventually, years. And you never came back.

One day, a job brought her to Piltover. A corrupt politician had paid her to "teach a lesson" to someone who owed him money. The money was enough for Vi to accept without asking questions. She was walking through the gleaming streets of the city when her body collided with someone else's.

“Sorry,” she said automatically, but when she looked up, she was left breathless. It was you. More radiant than ever, with a presence that seemed to light up even the cold stone of Piltover. Vi couldn’t help herself, she hugged you tightly as if her life depended on it. “I missed you so much,” she whispered into your hair. But her world stopped when she didn’t feel your arms returning the embrace. Instead, your body was stiff, distant.

You gently pulled away, but your gaze was like a dagger. “What’s wrong?” Vi asked, her voice trembling with confusion and the pain now flooding her. “Why are you treating me like this?”

Your expression hardened, and your words were cold, sharp as steel. “Do you really expect me to welcome you with open arms after what you did? After what you said?” Your eyes burned with a fire Vi didn’t recognize, a fire from someone who had suffered and changed. “You left me, Violet. You said things that broke me. And now, after two years, you expect me to greet you like nothing happened?”

Vi tried to respond, but the words died in her throat. There weren’t enough excuses to explain what she had done.

You continued, not giving her a moment to breathe. “Things changed when you left, Violet.” You raised your hand, showing a ring that gleamed under the sunlight. “My parents married me off to someone from the Council. At first, I thought it would be the end of the world, that I’d never get over it. But now… now I’m happy.” You paused, letting your words sink into Vi like a slow-acting poison. “I have a family. I have stability. And I’m happy. With you, Violet, I would never have had that.”

Vi looked at you, unsure of what to do, what to say. In her mind, you were still the person who loved her, but now, standing before her, you had transformed into someone completely different.

At that moment, a man approached. Tall, in his thirties, with a well-groomed beard, and in his arms, a small child with a smile Vi instantly recognized as yours. The man kissed you on the cheek and then handed you the child. Your face lit up with love as you held him.

“Sweetheart, did you find what you were looking for?” the man asked, glancing at Vi with curiosity. “Is she a friend of yours?”

Vi felt like the ground crumbled beneath her feet. You looked back at her, but now, your eyes were just cold reflections of the past. “No,” you said with a tone that cut Vi to the core. “Just someone I used to know.”

Without another word, you turned away, the man beside you, the child in your arms, and the three of you walked off, a perfect picture of the happiness Vi had always dreamed of but could never achieve.

Vi stood there, motionless, in the middle of the street, as tears streamed uncontrollably down her face. Her entire world crumbled in that instant. Everything she had believed, everything she had hoped for, was gone. And now she knew she would live with regret for the rest of her life.

Caitlyn

The trial was a brutal display of coldness. You stood there, in the center, surrounded by the faces of Piltover who had once respected you. But now, you were nothing more than a traitor to them. Your hands were cuffed behind your back, your gaze fixed on Caitlyn, waiting... begging for her to say something, to defend you, to plead on your behalf. But she remained silent, rigid, her expression unyielding. The façade of the perfect enforcer intact, as you crumbled.

As you left the court, the cold air hit you harder than the judges' words. Caitlyn approached the guards, requesting to personally escort you to the edge of exile. Your eyes met hers, seeking answers, some sign that there was still something between you.

"Why?" you whispered, your voice breaking.

Caitlyn looked at you, her face colder than ever. "I did what I had to do," she said with a hardness that made you shiver. "If you had done the same, you wouldn't be in this situation."

There were no more words. No goodbyes. Just a chasm that opened between you, killing everything that had ever existed.

A year later, Piltover was burning in chaos. Zaun's gangsters had unleashed a revolt, and Caitlyn, always the leader, was on the front lines. The battle roared around her, but she didn't see the attacker coming until it was too late. The blade of a knife gleamed in the air, aimed at her, until a precise shot stopped the assailant.

Caitlyn turned, her rifle pointed at her supposed savior. "Back off," she ordered firmly, though her heart was racing.

The figure in front of her removed the owl mask, revealing a face that took her breath away.

"You're still an exceptional shooter, Cait," you said with a sad smile, your voice laden with painful nostalgia.

The chaos had ceased, the silence weighed between you. Caitlyn didn't understand how everything had ended so quickly, how her men had been immobilized. Her eyes filled with questions, and you, with a flash of understanding, gave her the answer before she could formulate it.

"It was us."

Caitlyn raised an eyebrow. "Us?"

You laughed, a sound that carried both sadness and resignation. "I'm part of the Firelights. We heard about the revolt and came to the rescue. We don't want more trouble between Piltover and Zaun, so we stopped it to avoid reprisals."

Caitlyn's eyes widened, recognizing the rebel group that had caused so many headaches for the Enforcers.

"They took me in when I was exiled to Zaun," you continued with a touch of sadness. "They're my family now."

Caitlyn stepped forward, regret etching her face. "I... I missed you," she whispered, her voice breaking. "I regret not defending you."

But before she could say more, a figure riding a hoverboard approached. Wearing a mask similar to yours, his dark skin and white hair gave him away: Ekko, the leader of the Firelights.

"All clear. Let's go, babe," he said, extending a hand to you. Then, he cast a sarcastic glance at Caitlyn. "Looks like the Enforcers don't know how to do their job anymore."

Caitlyn opened her mouth to protest, but you playfully smacked Ekko on the head. "Don't be cheeky," you chided, but the boy just smiled and kissed you tenderly.

Caitlyn froze, watching the scene with disbelief and pain. Seeing the love of her life with someone else was an agony she wasn't prepared to face.

You climbed onto the board with Ekko, but before leaving, you turned to Caitlyn. "I hope you can find happiness someday, Cait," you said softly, your words a reminder that sometimes justice isn't enough to fill the void in the soul.

And with that, you vanished into the air, laughing with Ekko, leaving Caitlyn alone, shattered. She stood there, staring at the spot where you'd disappeared, the regret devouring her inside. But she didn't allow herself to feel more. She had a mess to clean up and a report to deliver. There was no room for pain now, and that would always be her greatest flaw.

Jayce

It had been five months since the last time you saw Jayce, five months since that painful goodbye that had left your heart in pieces. But you didn't allow yourself to stay in that state. You channeled your pain into ambition, into a fierce determination to prove your worth beyond being "Jayce Talis' partner." You joined the world of politics, and against all odds, you managed to gain acceptance into the Council of Piltover.

The news of your rise had spread to every corner of the city, but Jayce, absorbed in his work with Hextech technology and his duties as a Council member, hadn't noticed your progress until that day.

The first Council meeting with your presence was a revelation. All the members praised you, impressed by your intellect and the innovative plans you had proposed for the city. But Jayce heard none of that. His attention was completely captured by you.

You looked different. Your hair, which you used to wear long and dark, was now short and dyed a vibrant coral red. The clothes you wore were more revealing, showing a confidence in yourself he had never seen before. It was as if you were a completely new person, someone who no longer depended on anyone's shadow.

When the meeting ended, Jayce approached you with his characteristic smile, the one that used to melt your heart. "I didn’t expect to see you here," he said with a mix of surprise and admiration. "It seems a lot has changed."

You returned his smile, but there was a touch of disdain in your eyes. "Yes, many things changed in my life when you left, Jayce. Everything got better," you said firmly. "I focused on my career and made a name for myself in Piltover for my skills and intelligence. I'm no longer recognized as Jayce Talis' partner. I'm no longer the pretty doll you used to take to those fancy parties."

Jayce frowned, his expression turning serious. "I never treated you like an object," he replied defensively. "That was always a misunderstanding. I just took care of you and gave you everything you wanted."

You shook your head slowly, your gaze steady on his. "No, Jayce. You clipped my wings. You didn’t let me be who I really am. And I'm so happy you left me because now I’m enjoying life, and I love who I am."

Jayce opened his mouth to say something, but you interrupted him. "There's talk that you have a relationship with Mel Medarda."

The surprise on his face was evident, but he quickly denied it, his tone defensive. "Of course not. We're just partners."

A bitter laugh escaped your lips. "More like master and slave. It’s pathetic to see how you let yourself be influenced and manipulated by someone else. The Jayce I knew, the one I once loved, would never have allowed that."

Jayce barely heard the reproach. His attention was caught by your words. "You don't love me anymore?" he asked, his voice hurt and low.

You took a deep breath, your eyes meeting his with brutal sincerity. "No, Jayce. I don’t. I’ve moved on from you."

Jayce was left speechless, the emotional blow visible on his face. He hadn’t expected it to be so easy for you to forget him, especially when he hadn’t forgotten you.

Before you left, you stepped a little closer, your voice soft but firm. "And you know what the best part is, Jayce? I didn’t need to hook up with anyone else to do it. I got over you when I learned to focus on myself and my needs. You should do the same."

Without waiting for a response, you turned around and walked away, leaving Jayce there, paralyzed by the weight of your words. It was as if you had slapped him, leaving him breathless, not knowing how to recover from that loss. Because you would be a loss that would hurt him for the rest of his life.

Ekko

Months have passed since that last conversation that ended your relationship. Since then, Zaun has changed, and so have you. You've learned to live without Ekko, though the void he left still hurts. Fate, however, seems determined to cross your paths again. And it is on a rainy night, in an alley you used to walk together, that you meet once more.

Ekko is there, under the dim light of a streetlamp, his silhouette wet from the rain but heavier with guilt. He sees you approach, and something inside him breaks. Time hasn't healed his wounds, only made them deeper.

"I didn’t think I’d see you here again," he murmurs, his voice almost inaudible beneath the sound of the rain.

Your heart races at the sight of him, but you stay firm. "I didn’t think I’d see you again either."

Ekko's eyes scan you, searching for something to give him strength to speak. "How have you been?" he asks, knowing that any answer will be insufficient for the pain he caused.

"I managed," you reply coldly. "And you? Doesn’t Zaun need you anymore?"

Ekko lowers his gaze, ashamed. "Zaun will always need me, but... I've been thinking a lot about us. About what I did, about what I said."

"And have you reached any conclusions?" you ask, keeping your tone distant.

"That I was wrong," he admits, his voice breaking. "That each day without you weighs more on me. That I let you go out of fear, out of responsibility... but I never stopped loving you."

His confession hits you, but it’s not enough to erase the pain. "Ekko, you made your choice. You chose Zaun over us."

"I know," he says, taking a step closer but not daring to move further. "And I regret it. If I could go back, I would. But I can’t. I just wanted to say I’m sorry, that I miss you... that every day I regret more what I lost."

Silence takes over the moment. The rain continues to fall, cold and relentless, like the fate you both share. You look at Ekko, and for a moment, the love you still feel battles against the resentment.

"Ekko, love isn’t enough when it becomes a burden. I can’t go back to that, I can’t be your second place again," you say, trying to maintain your composure.

"I know," he replies, his voice barely a whisper. "But I wanted you to know that I’ll always love you. Even if I can’t fix it, even if I can’t win you back, you’ll always be a part of me."

"And you of me," you admit, finally letting the tears you’ve held back fall. "But it’s too late, Ekko. Too late for us."

Reality sets in, and both of you know it. Without words, you look at each other one last time, each trying to engrave that moment in memory. Finally, you turn away, leaving Ekko alone, with the rain as his only company.

As you walk away, something inside you stops you, as if there are still words left to say. You turn slowly, facing Ekko once more, with the rain falling between you like a curtain of memories and pain.

"Do you remember what you told me the last time we talked?" you ask, your voice trembling but firm. "You said that sometimes there are battles not worth fighting because you know you’ll never win them."

Ekko nods, the weight of his own words reflected in his tired eyes. "Yes, I remember. And I regret saying it."

"Don’t regret it," you say, a bitter smile forming on your lips. "Because you were right. This... us... we were one of those battles. I fought for you, for us, but in the end, we couldn’t win. We couldn’t be what we needed for each other."

Ekko closes his eyes, the pain in his chest intensifying. "I never wanted it to be like this. I never wanted you to lose faith in us."

"Faith wasn’t enough," you reply, your words cutting like a knife. "Not when the battle was lost from the start."

Silence takes over once more, each word a reminder of what was and will never be. Finally, you step back, moving away from Ekko and everything he represents.

"Goodbye, Ekko," you whisper, letting the rain wash away the last tears falling down your cheeks.

Ekko watches you leave, knowing those words will be the last you share. And as you disappear into the distance, his own regret consumes him, leaving him alone with the weight of a battle he should never have abandoned.

Silco

The lights flickered weakly in the brothel of the Undercity, as voices mingled with the clamor of incessant activity. Silco moved through the shadows, his presence as imposing as ever, closing a deal with one of his associates. Everything was going according to plan until his gaze stopped in a dark corner, and he saw you.

You were there, your makeup smeared, and your provocative clothing accentuating the marks of injuries that covered your skin. Silco felt a dry blow in his chest, a combination of anger and suffocating guilt. He couldn’t help but approach you, his hand gripping your arm firmly.

"What are you doing here?" he asked with a harsh voice, each word laden with tension he couldn’t hide.

You looked up, your eyes reflecting a mix of sadness and latent hatred, but a bitter smile formed on your lips. "I'm exactly where I should be, Silco. I should never have left this place in the first place."

Silco narrowed his eyes, his expression hardening even more. "Don’t give me evasions. I want the truth."

You sighed deeply, letting the facade fall. Your eyes locked onto his, this time without a trace of the smile. "You want the truth? Very well." Your voice was a whisper laced with pain. "When you decided to abandon me, many started hunting me. I survived some attacks, others I didn’t." Slowly, you brushed your hair aside, revealing the patch over your left eye. "They tore it out. And, like everything in this damn place, they sold it to the highest bidder. Some found it exciting to have the eye of Silco's former 'bitch.'"

The rawness of your words left him immobile. The trauma soaked every syllable, and the guilt Silco felt grew like an oppressive shadow. "I had no one to protect me, no place to go. This brothel was my last refuge. So here I am, back in the only place I should never have left. And surprisingly, I'm doing well. You’d be surprised at what they're willing to pay for an encounter with what once belonged to you."

Silco couldn’t bear the self-degradation in your voice. "I’m going to get you out of here," he said firmly. "I’ll pay whatever it takes and bring you back home."

He leaned in to hug you, but you pushed him away with a scornful gesture. "What’s the matter, Silco? Tired of your new acquisition already? Miss having me under your control, like your personal trophy?" Your voice was lethal poison. "Keep your promises. I’m not going back with you. You taught me that love is an illusion, a mirage that only serves to mask hatred and danger. And sadly, I’m surrounded by both."

Silco swallowed, his facade beginning to crack. "Please," he insisted, his voice tinged with an unusual tremor. "Let me fix this. Let me help you."

But you had already walked away, heading toward an exotic-looking man waiting for you in a corner. "If you’ll excuse me, I have to work."

Without giving him another glance, you left, leaving Silco alone, trapped in a whirlwind of regret and pain. In his attempt to protect you, it was he who had condemned you to this life, and now the weight of his decisions crushed him, plunging him into a darkness even he could not master.

Mel

It was an ordinary day when, upon opening your front door, you found Mel standing there, her eyes red from crying, her face filled with a despair so profound it moved you. Her posture, hunched and fragile, spoke more than any words could. Before you could say anything, she threw herself at you, seeking comfort as if her entire world had collapsed in an instant.

Words tumbled from her mouth in a rush, like a torrent of repressed emotions finally finding an outlet. "I’ve done it... I’ve done everything wrong... I don’t want to lose you. I can’t... please, don’t leave me. I need us to be together again. I can’t live with this lie. I love you, I love you, I’m begging you."

You held her in your arms, feeling her trembling body against yours, a refuge against the internal storm consuming her. You clung to her, hoping that all that had been broken between you could be repaired, but then, an unfamiliar voice interrupted the stillness of that moment.

"Sorry to interrupt," said a familiar female voice, with a tone that shook you. Caitlyn Kiramman appeared in the doorway, her hair disheveled, wearing a white shirt, almost translucent, that Mel recognized instantly. A shiver ran through her as she saw that the shirt belonged to you. Caitlyn smiled, somewhat awkwardly, but serene. "I’ll wait for you in the room," she said calmly before retreating into the house.

Mel, paralyzed, looked at you in disbelief, her anger beginning to awaken. "Seriously?" Her voice broke with disdain, but there was a contained fury in her eyes that you couldn’t ignore. "Caitlyn Kiramman? You couldn’t find a better replacement for me? Seriously?"

You stared at her for a moment before responding with a calmness that only masked the truth behind your words. "No, Mel, I’m not looking for replacements. Caitlyn isn’t here to fill any voids; she’s here for a good time. And let me tell you, she’s done an excellent job at that."

Mel clenched her fists, her face turning red with rage, frustration taking over her. "How could you? Did you cheat on me? With her? After everything we’ve been through?" Her words were sharp, like knives, and her pain became more evident with each passing second.

You remained serene, though something inside you was breaking. "What did you want me to do, Mel? Sit in a corner, crying in a bubble of self-pity, like you probably did all this time? No, Mel, I couldn’t just sit and wait for something to change. Life is too short to keep waiting for the impossible."

Mel’s words came out as a sigh of disappointment. "I’m so disappointed in you," she said, her voice trembling from the impact of your words.

You sighed, the weight of the situation pressing down on your chest. "What we were living wasn’t real, Mel. It wasn’t enough for you, and it wasn’t enough for me either. You’ve been living in your mother’s shadow this whole time, looking for something you’ll never find. I can’t keep waiting for you to understand that. You got stuck in your world, and in the meantime, I moved on. I’m not going to apologize for that."

Mel, in tears, tried to get closer, a desperate attempt to capture what was already gone. She tried to kiss you, but you stopped her with unyielding firmness. "Mel," you said with a clear, firm voice. "Don’t do this. Don’t do this to yourself."

She fell to her knees, her face overflowing with pain. "I beg you... please, come back to me. You’re the only real thing I’ve had in my life. I need you, I can’t live without you." Her sobs were heart-wrenching, like a child lost in a cruel world.

You looked at her for a long moment, your heart heavy, but the words that came from your lips were inevitable. "And why didn’t you take care of me, Mel? Why did you let me go so easily? If you really loved me, why did you abandon me? Why did you let me face all of this alone?"

Mel didn’t know what to say. She stayed there, her mouth open, unable to offer any justification. She only murmured one last "I love you" in an almost inaudible whisper.

You sighed deeply, the weight of reality crushing you, and you gently lifted her from the ground, guiding her to the door. "Goodbye, Mel. I hope you can sort things out with your mother. I can’t keep being part of this battle."

The door closed with a dull thud, and it wasn’t just the door to your house that was closing, but also the door to your heart. There was nothing more to do. It was time to let go.

Sevika

The night was shrouded in a dense mist, and the bar buzzed with a mix of laughter, muffled conversations, and the clinking of glasses filled with liquid oblivion. The air was thick, saturated with the smell of tobacco, spilled alcohol, and sweat—a temporary refuge for broken souls. Sevika pushed the bar door open, stumbling slightly, her unsteady steps reflecting the state of her soul. Her dark, glassy eyes scanned the place with a mix of desperation and anxiety, seeking to drown the loneliness that pursued her like a relentless shadow.

When her eyes landed on the bar, her heart stopped for a moment that seemed eternal. There you were, behind the counter, moving with the professional grace of someone who had learned to hide pain behind a mask of indifference. Sevika felt the ground beneath her feet grow unstable, as if the earth itself was rebelling against her presence. She approached slowly, as if each step brought her closer to an abyss she wasn’t sure she wanted to cross.

When she reached the bar, she leaned on the counter with both hands, leaning toward you. Your gaze was a mix of surprise and something colder, something that made her shiver more than any strong drink.

"What do you want to drink?" you asked in a professional, restrained voice, your eyes barely shifting in her direction.

Sevika looked at you, desperately searching for any trace of the warmth you used to have. "I’ve missed you," she murmured, her voice barely a whisper before a knot in her throat broke it. "I’m sorry... God, I’m so sorry for how things ended between us."

She took your hands with unusual clumsiness, kissing them repeatedly as her words fell like broken laments. "I’ve been alone, so alone that I looked for others to forget you, but it didn’t work. No one can make me forget you. Please, give me another chance."

You sighed, and with a calculated gesture, called another colleague to replace you, leading her outside to the back alley. You lit a cigarette calmly, offering her one that she accepted in silence. Both of you smoked, the smoke forming an almost tangible barrier between you.

The silence was finally broken by a question that escaped as a rough whisper from her lips: "Why aren’t you saying anything?"

You finished smoking, dropping the cigarette and crushing it underfoot before facing her directly. "What do you want me to say, Sevika?" Your voice was low, but each word was a dart piercing Sevika's chest.

She frowned, surprised by the coldness in your tone. "I don’t know, something. Something that doesn’t make me feel like a fool."

"Why do you feel like a fool?" you asked, crossing your arms, one eyebrow slightly raised.

Sevika gritted her teeth, her fury beginning to bubble just beneath the surface. "Because I confessed my feelings to you, told you everything I went through, and it seems like you don’t give a damn."

You nodded, as if slowly processing her words before responding with icy calm. "And did you care when you left me? Did you think about how your decision would affect me? Did you think about anyone other than yourself?"

Her words caught in her throat, and for the first time, Sevika didn’t know what to say. Your smile was bitter, triumphant. "Of course not. You’re a selfish person, Sevika. You walked in here by chance, and upon seeing me, suddenly you miss me and want everything back. Well, I’m not buying that crap."

"It’s not like that," she denied desperately. "I miss you, really. I care about you."

Your frown deepened, and you shook your head. "It doesn’t matter if it’s true or not. You made your decision, and you have no right to ask me for anything after what you did to me."

Sevika tried to interrupt, but you cut her off sharply. "My break is over. Don’t drink anymore tonight. You’re talking nonsense." And with that, you went back inside, leaving her there, alone in the darkness.

Sevika stayed in the alley, staring at the door that closed behind you, while rage and sadness fused into a silent scream. She punched the wall hard, letting the physical pain try to drown out the torment she felt inside. But deep down, she knew that punch wasn’t enough to erase what she had lost, nor to heal what she had destroyed.

[zoennes]

30 NOVEMBER, 2019 • ZATERDAG, 09:41

[declamationark]

I feel like Atsushi would so over the moon and swear undying loyalty to whoever showed him how to get his own library card. He'll be treating it like his most prized possession, second only to Chazuke

[whatisthisnonsense]

"mutants are poc analogy" "mutants are queer analogy" Listen, X-Men and as such mutants as a whole should really be disability representation, and I mean representation and not analougous to it they just occassionally also get to blast ice while having furniture not built for them, struggles with keeping their mind in the present, and constantly having people casually discuss sterilizing or euthanizing them and being considered either dangerous or simply incapable of understanding when they get mad about this. But nobody is ready for this conversation.

[headdaze]

***SPOILERS for A Conjuring of Light***

I have been an avid reader for approximately two decades now. I have seen my fair share of characters dying, my fair share of pain within books. Almost two decades, and yet never once have I ever cried when a character died in a book. Until I read ACOL. When Hastra died, I may as well have been stabbed square in the heart alongside him--I screamed, put the book down right then and there, and started sobbing. Just when I thought we were safe--just when I thought I could breathe--one of my absolute favorite characters, gone, just like that. The worst part about it was that he went in a way that was so him--protecting someone. The only good part was that at least it was quick. He deserves that much. By the time we got to Emira's death, my tears had already run out... Congratulations @veschwab -- I truly applaud you as a writer, truly and sincerely, because the last stretch of ACOL is putting me through the wringer like no other book I've ever read before. I am utterly amazed.

tdlr I always say I'm not ok when reading books but this. this is the real deal. now excuse me while I go cope