#THAT SHOULD’VE BEEN ME NOT HIM

[cocogum]

I want Adamaï to choke me with his tail.

[royaltea000]

he could not control the class 😔

[journal-from-the-heart]

i think, for trauma survivors, especially those who were emotionally abused, invalidated, or gaslit, it is really important not to underestimate the significance of speaking bluntly about what happened to you. Forcing yourself not to beat around the bush, not to downplay what you went through with your words. say what happened, without any caveats, without any “but it could’ve been worse”, “but i might just be being overdramatic”, “but it wasn’t really THAT bad,” and so forth. sit with the discomfort until you can begin to let yourself realize that it WAS that bad, you WERENT being overdramatic, and even if it could’ve been worse you still didn’t deserve it. It’s almost like a form of reclamation, taking back your memories, taking back your life, even the difficult or gross parts, and refusing to let anyone change the narrative or tell you how you should feel anymore, even yourself. and it hurts and it’s scary and it feels weird and awkward and sometimes you want to convince yourself you’re lying, but i think sitting in those weird feelings and letting yourself admit that you really did go through trauma puts the power back in your hands to process things and be compassionate to yourself while you heal

[sevenines]

i saw this tweet and found it interesting for two reasons. one is that some people base how good cartoon network would be to toh by how it treated su, and despite the fact that su’s treatment by the network was considered poor at the time, now its thought to be exceptionally good in comparison to modern shows.

two is how exactly su got impacted by a limited budget. a common criticism is how characters like connie, peridot, and lapis are left out of missions. but balancing a lot of characters is not only hard but also costly (extra animation, extra voices—it’s been revealed that the show is limited to a set number of characters per episode otherwise they’re over budget). animation mistakes are not uncommon since retakes cost extra. the entire reason the original show got cut short was due to loss of funding!

[strangerathecinema]

what gets me the most about the ungodly levels of five’s character assassination in s4 is how it affected his ending. he died feeling alone, useless, unloved, and believing that he failed his family. the family that he spent 45 years trying to get back to. the family that he spent 3 weeks straight fighting for. he took a bullet for them, killed for them, did everything in his power for THEM. he cared about them more than anything. his siblings have ALWAYS been his motivation. but apparently the writers just forgot all of that and decided to give him a creepyass out-of-character homewrecker romance that absolutely nobody wanted and then left him in a place that basically said everything he did was for nothing.

[dykedvonte]

I think it’s so ironic that the Pony Express escapes a lot if not all blame in discussion. I can’t even say I am excused from it but it’s just how hard people circle back to the characters alone without considering the environment they were made to be in.

Why would they design a ship where only two of the rooms lock? Not the bathroom? Not the sleeping quarters? We assume that all the companies in the universe are this shallow and careless to their workers but we explicitly know the Pony Express in extra vile. They are fed processed slop pack they can’t even really cook and the ration of those pack is meager at best. They hired and made people with a plethora of conflicting demeanors and beliefs work together on a mission where cohesion is important if not an outright necessity and punish them for not being happy about it. There’s no social protocols, not chain of command other than Captain’s word/choice and the only way to enforce that is with a literal firearm. They don’t allow them to celebrate freely and even took away leisure activities that would make them less stir crazy. They are only allowed a few hours of sleep despite their being no other real responsibilities or work on the ship, no matter the position or its importance. With any crew, with any level of synergy, this was a powder keg waiting for a spark.

I’m not saying characters that made mistakes didn’t make huge ones, but I think part of the horror is that at least for some (this is targeting Jimathan) those mistakes are partly made by a force of the hand. There’s a running theme of lack of choice and being forced into something and the very nature of how The Pony Express expected them to function plays a big part.

[mxtxfanatic]

I already explained the history of friction between different readers on Jiang Cheng’s character, but now I’d like to address the “neutral,” “idk what’s happening but why can’t we just get alone?” readers: mdzs may be a book with raunchy sex, comedic moments, an over-the-top drama queen, a group of cute ducklings, a cast of goofy-at-times adults, etc etc, but at the end of the day, this is a book about how a bunch of grown ass adults, victimized by a system of normalized injustice that orphaned most of them as children, got together to defend that very same system of injustice. If you are in this fandom and consider any discussion on how every adult save for like 3 actively aided and abetted the repeated massacres of innocent people that happens throughout the story to be “anti” or “negative” behavior, then why are you here? If you are upset that people enjoyed reading about a canonical villain and decided to discuss him and his canonical villain role in a public forum meant for that discussion, then why are you in the public forum???

Not everyone enjoyed the book because they wanted to get in on what roles this new set of characters would fill in a coffee shop au. Not everyone read the book just to figure out what new ship they wanted to obsess over. Some of us read the book because we liked the heavy themes, and we want to discuss said themes with others. The tags should be for everyone, regardless of whether or not you like a character in a “positive way,” but if you don’t want to see certain content that is relevant to the book, it is up to you to filter it out or form your own space. You don’t get to police fandom as a “positive vibes only!” space, especially not ones founded around a source material dealing with themes of war and genocide. Ain’t shit positive about that! This isn’t The Care Bears!

[archersartcorner]

A year was not so long after all. He prepared her for the day when he would leave. But when the moment came, he found himself less prepared than she. For the first time in his life, Spock thought about returning from a mission, wondered whether or not he would survive. She had no one else, and that was a disturbing thought.

Back on board the Enterprise, he opened his case to unpack his few belongings and found things not quite as he’d left them. Tucked in at the bottom under all the folded clothes, Saavik had hidden away her knife. Spock stood in the privacy of his cabin turning it in his hand, remembering every word of their good-bye.

Some small doodles based on the above passages :)

[quietshygirls]

Johnny Cade appreciation post because he’s the guy the gang could talk to and the one who they knew would listen. He’s the guy who Ponyboy could watch movies and sunsets and read books with. He’s the guy who Dallas loved so much he felt he couldn’t live without him (even just in the split moments in which he died and then Dallas did). He’s the kid who wanted his parents to care about him, despite their beating and degradation on his existence. Everybody needs a friend like Johnny. I love Johnny.

[mothy-graves]

thinking about my post about how Arthur mightve been able to be more impersonal about people he met and being able to leave them… but specifically with Oscar

of course the decision to leave him, not to say goodbye, that was difficult on it’s own. Arthur of struggled to let Oscar go; even putting “knowing Oscar” in the offering box when they went to the order. however, do you think, could Arthur have actually seen Oscar, would he have been able to bring himself to leave him?

if he could’ve seen Oscar next to his father in law when he was injured, if he could’ve seen him sitting at that bar, if he could’ve seen Oscar’s face when he talked about how Arthur was his purpose, if he could’ve seen Oscar’s form on the floor of that abandoned mansion after he was forced to cut off his arm. could he have even brought himself to cut off Oscar’s arm? the blindness had to have given him some sort of disconnect. not exactly like the disconnect we have, but, I wanna say similar.

even if, say, he could only see out of one eye now. just that small glimpse of what’s happening. how much would that change the story?

[enter-drfrog]

Every character Jeremy Jordan plays just becomes a silly little guy by virtue of the Jeremy Jordan Is A Silly Little Guy Principle. And the characters get sillier if he returns to the character

Jack Kelly - silly little guy with newspapers (silly guyified between OBC and proshot)

Clyde Barrow - silly guy with a gun (soooo much sillier of a guy in proshot vs OBC)

Dr Pomatter -silly little doctor guy

JM Barrie - silly goofy little guy with bonus trauma ending

Seymour Krelborn - the og silly little guy and Jeremy makes him the silliest

Jay Gatsby - a very silly little guy (the only role I’ve seen him in live and can confirm indeed very silly)

Winn Schott - very silly little guy

Hazbin Hotel - the absolute silliest little guy

[hawkeyeslaughter]

the angel of the first degree that van was talking about actually

[the-woman-upstairs]

Firmly believe that if Ford had joined the Henchmaniacs, he and Pyronica would’ve instantly become besties. Ford finds out she’s a quantum physics genius who burned her city to the ground when she didn’t receive the proper appreciation she so rightfully deserved and is like “oh she’s just like me fr.” They would’ve been a “two queens maximizing their joint slay” dynamic for the ages.

[iliveinarainbow]

“i stand with my toxic wife”, and it’s just grown adult fictional men who i would 100% get a restraining order against just by knowing that they actually existed.

love how loustat are matching with their cunty little poses and armand evidently just did not get the memo.

!!loustat are soulmates in canon proof!!

[feyres-divorce-lawyer]

i’ve noticed this weird sentiment of y’all using feyre’s abuse at rhysand’s hand as a trump card against her and to only highlight how much “better” she had it with tamlin, when she was well within her right to not want to go back to spring. it is unreasonable to have wanted her to act otherwise because spring at that moment was not a safe option for her and she had nowhere else to stay but night

[skiplo-wave]

Lucifer really pulled a tall baddie for being short, goofy, and sinful god damn