#TEARS BUT FROM PAIN

[kaiser1ns]

I WAS PARTYING HAVING THE TIME OF MY LIFE WHEN KAISER HAD THE FIGHT FOR HIS LIFE

[amelia-yap]

yipee

[casualavocados]

I asked myself why I failed to notice. It was the first time we'd been apart that long. I found the birthday gifts you prepared for me in my room, from my 18th to my 21st. ...Shut up. I started to think about what you were doing back then. Were you celebrating my birthday all by yourself?

KISEKI: DEAR TO ME Ep. 12

[pippinscribs]

Neverafter truly has delivered on the small emotionally tormented characters promise

[froody]

My now deceased distant cousin left a series of nasty 1 star yelp reviews on my dad’s business after he cheated on my mom and tried to fuck her over in the divorce. Not only did they air his dirty laundry but they also highlighted the other reviews that criticized his performance at his job. Did they stay up? No. Was it a moral thing to do? Maybe not. Was it funny? Oh my god yes. Made funnier by the fact she was related to my dad, not my mom. Imagine being publicly reamed out by your long lost cousin who was given up for adoption in the 60s and recently got back in touch with the family.

[theheirofthesharingan]

“Tell me, father, which to ask forgiveness for: what I am, or what I’m not?

Tell me, mother, which should I regret: what I became, or what I didn’t?”

- source

[lupinsmissingnipples]

[canisalbus]

(im sorry)

Vasco would change after Machete's death, I think. He'd always be a good, kind man, and in time his smile would return, but never with its old radiance. Sorrow would age him prematurely, and white would creep over his muzzle like clouds blocking the sun.

But perhaps he'd look in the mirror some nights, and run his fingers across the white fur with fondness, remembering the white fur that used to press against him once upon a time. A last reminder of his love, forever on his lips.

.

[tiii13]

“さようなら、水星のおのぼりさん“

[child-of-hurin]

Part of what charms and compels me in Jeyne Poole's arc is her reaction to her predicament. All the female POVs in this book are dealing with a lot of gendered violence, and they all deal in different but dignified forms... Jeyne is not a POV character and she is absolutely not dignified lol. She cries and begs, she is utterly helpless. But unlike most women in this book who are utterly helpless, she survives. It's frustrating how fans refuse to celebrate that, simply because there is no glory in it.

[sysig]

Just keep getting back up (Patreon)

[mxtxfanatic]

It’s actually kind of amazing that Luo Binghe’s fandom personality is The Crybaby, because just off the top of my head, I can really only remember three places where Luo Binghe cries in the entire book: at Maigu Ridge, when he thinks he’s hurt Shen Qingqiu irreparably (again) during their first time in the Bing-ge vs. Bing-mei extra, and in the flashback of Luo Binghe being “accepted” as Shen Qingqiu’s disciple, where the narration clearly states that was the last time Luo Binghe allowed himself to cry ever again. I think Shen Qingqiu may have cried more times in the novel than him, actually 😭

[its-chelisey-stuff]

romcom hasn't been romcoming this hard since... GOSH I don't know?!! when was the last time I saw a romcom in kdramaland that hooked me this much? that made me think everything was perfect??? 2019?? wth?

sdfghjkl!!!! the way this scene was so random at first and now it has so much depth and heartbreak! ugh!!

The thing about romcoms in kdramas, that I LOVE, is that a really good one is able to give you equal measures of romance, heart, comedy and good drama/angst. That, paired up with good acting, AMAZING chemistry and just the right touch of fantasy is pretty much a *chef's kiss*. Is just everything you could ask for but were afraid to hope for, does that make sense??

HAHAHAHAHA I love that she is basically a liar and a terrible one. None of what she says makes sense (tbh telling the truth also wouldn't lol) but I love that he tries to believe her or wants to, very much.

Also, it's hilarious that her superpower is freezing time to avoid revealing spoilers from the future and she makes use of it in the most unhinged way:

GOLD! lmao

And with Hyeyoon on board, I knew this project was on good hands, that girl is seriously underrated in Korea (hopefully not anymore after this) but I'd be lying if I said I wasn't worried about WooSeok. Like, don't get me wrong, that man is GORGEOUS but the only good thing of him that I actually loved was a movie. BUT after this, wow, is like all that experience he has, finally leveled up because he is actually meeting Hyeyoon's standards of acting here, and I'm so proud and relieved. I didn't know he had it in him.

Like, excuse me? Why do you have me tearing up at the start of the episode? And omg, to think he stayed away because she was angry and he felt so guilty, even though he saved her.

I'm genuinely optimistic about the outcome of this. We all know they will get their happy ending, but I'm actually hopeful that the acting, writing and pacing will remain this good till the end. What a joy to watch a wonderful romcom with the vibes of the good old classic romcoms from the early 2010's. We're so back, baby!

I am very curious as to why she went back to the present the first time. What is the trigger? We know, because Sol figured it out, that the watch only works at midnight and she probably only has 2 chances left to change SunJae's future as long as that creepy CEO walks around his school i don't think so But what ends a trip back into the past? Is it shock from Sol? Sunjae? Something happening that's definitely off-track like TaeSun asking her to be his gf? Aarrrghh so many questions.

[bookshelf-in-progress]

Having story thoughts about the fourth wall:

It defines the difference between allegory and applicability. An allegorical story leans on our world to find its full meaning. Ideas, characters, settings, all symbolize something else that's in our world, thus obliterating the fourth wall and bringing the two worlds together. This can be useful for a message-forward story, but it has the side effect of making the world and characters seem less real, because it's not a place with its own independent existence--it relies on our world.

In an applicable story, the fourth wall is firmly in place. The character is a character. The setting is its own setting. They have an independent existence within their own little world. We can draw parallels to our world, but even without that meaning, the characters and setting still feel like they exist in a real, independent world.

An applicable story often has more impact and a stronger message, because the message comes out of the story and character, rather than being pulled from our world and pasted on top of the story.

As an example--I was thinking about this because I saw Ratatouille recently. In Remy's situation, there are a lot of parallels that can be drawn between his world and ours--an oppressed subculture, a life of poverty--but instead of trying to map that onto a specific real-world situation, they're still just rats, living in this weird version of Paris where sometimes the worldbuilding elements are just weird. The actual message of the movie is about art, which comes from character, not from the way the world is built. Compare this to something like Elemental, which started out as a way to explore real-world racism and the immigrant experience. Because the message is built into the world, commentators get distracted by the ways it doesn't map onto our world, and have a harder time connecting to the characters.

The fourth wall is also important to romance. The reason so much of the romance genre feels so fake and unreal is because it's so often concerned with the effect the story has on the reader--reaching through the fourth wall to give the reader things the reader finds romantic or arousing, regardless of anything that's specific to the characters or world of the book.

In a well-done romance, the fourth wall is firmly in place. The characters are not avatars for the reader and their romantic ideal, but people with their own independent existence and relationship. They live in a well-built world that has shaped both of their personalities and affects their relationships. The development of their romance is specific to these two people, and would exist independent of any audience reading about it. The story has more impact on the reader, because it's coming from outside our world and gives the reader unique characters to love, instead of just pulling the reader's desires out of our world and pasting them on top of the story.

[imminent-danger-came]

Lady Bone Demon: "Do not lament your fate child, you can rest knowing you served your purpose—destiny has found you."

(2x10 This is the End!)

-

Lady Bone Demon: "A reminder: it seems you can not be trusted to willingly follow the path of destiny. But know this: If you betray me again—one misstep, one failure in any way—I will erase the very memory of you."

(3x04 The Winning Side)

-

Tang: "You're wrong. I know I'm not a strong as they are. I may still be searching for my purpose—but what I do know, is that doing it alone is not the path I'm destined to take. Deep in my heart, I know my place is alongside my friends."

(3x08 Benched)

-

Lady Bone Demon: "I sent you a task—you were to retrieve the Monkie King and his protégé, yet you refused the path of destiny and so there will be pain."

(3x08 Benched)

-

Tang: "STOP! It was me! I mean, yeah, Macaque forced me to do it and I am definitely starting to have second thoughts on the whole thing now but- I don't know how and I don't know why, I just felt like I had to. Like it was...destiny!" Lady Bone Demon Voice Over: "Destiny can not be undone Sun Wukong."

(3x10 The Samadhi Fire)

-

Lady Bone Demon: "No matter what you do, you cannot change the path of destiny." MK: "I don't know if this all happened because it was destined to, but I have to believe that I found the staff so I could use it for good." [...] "If you really believed that destiny can't be changed, you wouldn't be using every ounce of power you have to keep him contained!"

(3x14 Destiny Fulfilled)

-

Lady Bone Demon: “Know this, monkey, you and I are not so different. We both fight for what we think is right—that pursuit only leads to one thing." MK: "Hmmhm. To destiny, right?" Lady Bone Demon: "No. To pain."  

(3x14 Destiny Fulfilled)

-

MK: "I can't believe that worked!" Tang: "Eh, if that was destined to go wrong, then it would have!"

(4x03 The Great Tang Man)

-

Tang: "If your bonds of friendships our strong, then you will always find your way back to one another!"

(4x04 Pig Napped!)

-

Macaque: "Wukong was on a path of self-destruction, we all were. But when he met the monk, it set him on a different path." MK: "Ah! The path of the good guy! Making those good life choices?"

(4x11 A Lifetime of Mistakes)

-

Purpose, Pain, and the Path of Destiny

[whumpypepsigal]

The Witcher s03e06: “Make a friend of this pain, Geralt of Rivia. Today you begin your new life, as my warning to the Continent!”