#Sydney x Tina

[murcielagatito]

dey hugggg

[tiredmagicalwarrior]

Sydney and Tina

Am I crazy for shipping them?

I'm so serious. I think Syd and Carmy are great, I do! I really do! But can we admit Syd and Tina also have so much chemistry?

Tina and Sydney had a rocky start. Tina won't just trust anyone. Respect is earned, not given. Tina's won over by Sydney's organization, patience and brilliance. Even when Tina sabotages Syd, Sydney still rises to the occasion.

Tina comes to do a lot more than just respect her. Tina admires Sydney, adores her with all her heart. Tina comes to seek her approval, uses Syd as the measurement of good enough. If Syd thinks it's good, then it's good.

Sydney is the first person Tina ever refers to as "chef" instead of "Jeff".

Sydney also comes to respect and admire Tina.

Sydney arrives at the restaurant being disrespected left and right. She has to claw her way to the top to garner minimal respect and recognition. And even when she does, Carmy still has outburts.

Tina's tenacity, raw skill and comfort is a high necessity from Sydney. There's a big reason why Sydney appoints Tina as her Sous chef. After going toe to toe with Tina, Sydney sees clearly how skilled Tina actually is.

She's stubborn and will only respect people worth her admiration. When garnered, Tina works to her 120% best, and nothing less. She's resourceful, a quick learner, critical, agile and takes no one's shit.

Once Tina realizes how much a badass Syd actually is, she becomes a Sydney's greatest aid.

As such, Sydney grants Tina the respect she deserves.

There's no one in the restaurant that respects and recognizes Tina more than Sydney does.

And how does she react?

THEY'RE SO CUUUUTE. UGGHHH.

Sydney makes Tina so happy.

It's Sydney's natural faith in Tina that helps bring out the best in her. And the more Sydney demonstrates this, the more confident Tina gets, the more she strives to be better. And the people around her recognize it too!

Can we also talk about how Sydney reignited the fire of Tina's dreams?

Going to culinary school, getting the opportunity to choose more and lead, relearning, all of this from Sydney's faith on her and push for betterment.

In the end of the day, it's Tina who makes all this happen. But it might not have ever happened had Syd not put her trust in Tina and tell her through her actions "you're capable. I trust you."

They become precious to each other.

It begins as protectiveness. Specifically, Tina being protective over Sydney. Syd isn't much of a back-talker, unless she's being pushed so far the edge she might as well explode.

And whenever Sydney is disrespected in front of Tina, she rises to defend her.

Sydney may be above telling people when they're full of shit, sometimes, but Tina can do it, any day, every day, all day. She's seen everything and is unafraid to tell folks how easy it is to spot their bullshit.

Especially when it comes to Carmy or Richie. Listen, I love Carmy, I get Richie, but there are a lot of moment where they treat baby girl like shit. Sydney suffers quite a bit on their hands

Consequentially, Tina is always watching Carmy and Syd when they get together. Calling out or to Carmy, keeping him on his toes and relatively good behavior.

Checking in on Syd, making sure she's okay, after their discussions with Carmen and Richie. Or just taking care of her in general, looking out for her.

Tina is also someone Sydney trusts to let her know when it's too much. She'll call Syd out on her shit, but so much more softly than she does with others. Tina knows how much it means to Sydney to do not just good, but fantastic work. Words go a long way for Syd. There's a developed carefulness Tina learned to take with her when it comes to Sydney.

In turn, Sydney listens to her. Every word.

Sydney doesn't take anything lightly. If she hears it, it goes to her heart. And Tina knows this, perhaps more than anyone.

This doesn't go unnoticed by Syd. She appreciates getting the criticism she needs to continuously grow, but in a softer, kinder manner to be constructive instead of destructive.

It lets Sydney know she can be vulnerable with Tina. That's she's trustworthy enough to see beyond the serious, capable chef and get to know the cute, dorky girl who jokes around and makes mistakes and doesn't have the answers.

In turn, Tina, who had begun trusting to be vulnerable Syd waaaay before, gets to be reciprocated in her playfulness, received an environment of comfort, creativity and love where they just get to be and create the work they adore.

Their bond ultimately evolves into open affection (now also from Sydney), silly moments and creation beyond work, as something of love to be shared.

HELL, Tina says it herself that she's BEEN alone. Past tense. Now that Sydney is here, she's no longer lonely.

They make each other so, so happy. Light in the other's life. The fire that reignites the spark, the gentle breeze that heals the wounds, the laughter that reminds why we are here in the first place.

They're so together to me. Please, I need to see some fanfic, I beg. Some soft girlfriends. Something, anything at all about them.

Anyways. I'm so normal about them. Love me some Sydney x Tina a normal ammount.

[deliciousisimpressive]

I want Tina and Syd to communicate in spanish more in season 3!!

[thebearer]

nothing in the world belongs to me |carmen berzatto x reader|

prompt: still new in your relationship, you show up to the bear for dinner unexpectedly, surprising carmen and the others.

based off this prompt from the other day :)

contains: fluff lol. really, it's just fluff. established-ish relationship (the others don't know). carmen being a little nervous and possessive but mainly cute <3 language.

“Alright, listen up,” Richie stood next to Sydney, flicking through the piles of tickets that were ringing through by the second. It was normal now, an expected task in their routine. “We need to walk the focaccia to table seven, please.” 

“Yes, Chef!” A chorus of nearly robotic voices rose from the sizzling hiss of the lamb searing in Carmen’s pan, lifting the spatula to tip the meat over, before giving it back to the chef on the line. 

“And for table nine, we’ve got a shellfish allergy, alright? So let’s triple check the cross contamination on that. T, can you handle that one?” Richie moved from his leather bound book of notes back to the ticket. 

“Yes, Chef!” Tina chimed, pulling a freshly washed pan, filling it with the veal stock. 

“Table nine, is that- that’s the senator?” Carmen turned to Richie, tasting the roux bubbling on Victoria’s station, giving her a curt nod of approval. 

“No, that’s table eleven.” Richie hummed, looking back at his notebook. “Nine, is… a birthday. Booked online.” Carmen had already begun to drone him out, mind racing with a million other things as Richie listed the guests name. Until he got to one. 

The name Carmen was sure he was hallucinating. The name no one knew- How would they know? How could they possibly know your name? 

You and Carmen had been seeing each other for a little while. A few weeks that were slowly turning into months. A casual thing that was slowly turning more serious. Dates and meetups are becoming more frequent. You’d even invited him over to your place a few times, he’d spent the night last week. 

Still, Carmen hadn’t managed to tell anyone. Selfishly, he liked that you were all his for now. Privacy was not guaranteed in the Berzatto house, in Carmen’s life still. He knew they meant well, they always did- he knew it wasn’t purposeful, the intrusion that almost always led to a demise. Carmen wasn’t ready for it, not yet, he still wanted you all to himself. 

“Carmen?” Sydney’s voice pulled him out of his panicked trance. “Chef, are you- are you good?” Her voice lilted with that familiar suspicious quip, the one always accompanied with her lifted brows. 

“What?” Carmen blinked, hands buzzing, heart thumping. He could see the window, Richie’s frame blocking most of it. “Sorry, yeah- yeah, I’m good, Chef.” 

Sydney watched him carefully, a slow nod before she continued calling out orders. Carmen could feel Richie’s eyes on him, narrowed with curiosity. Carmen tried to be nonchalant, crossing the kitchen back towards Tina, his eyes cutting carefully, looking out the window. 

There you were. 

Sitting pretty at the middle table, surrounded by friends, some Carmen recognized from your Instagram. He’d actually logged in to the app, looked you up after the first date, consumed every photo of yours in the dark of his room. Cheeks burning with excited heat, stomach fluttering in a way he hadn’t felt since junior high. 

“Alright, walk five salads to nine.” Sydney called out. “Where’s our runners? God, Richie, can you run-” 

“-I got it.” Carmen called, the urgency in his tone making Tina jump behind him. Carmen took the tray before Gary could, his hands shaking as he lifted it. 

“Cousin, I can get it.” Richie frowned. 

“No, I-I got it.” Carmen nodded, swallowing down his fluttering nerves. His eyes cut to your table through the window, heart skipping when he saw you. “I got it. I’ll be- I’ll just be a second.” 

“I don’t- I can’t even handle that one right now.” Sydney sighed in exasperation. “Alright, Chefs. Let’s get back on track.” She announced, shaking her head. Richie frowned, pulling out his phone. 

Sugar’s cell buzzed against the hostess stand, excusing herself to check it. 

From: Richie 

‘Look at table nine.’ 

Sugar huffed. 

To: Richie 

‘Why? Is there something wrong?’ 

She stepped back, casually turning to scan the room, eyes landing on the table. A small group of girls, younger, and amongst them- Carmen? 

To: Richie 

‘Is something wrong with the food? Do I need to comp it?’ 

From: Richie 

‘No. Cousin wanted to go out there.’ 

Sugar frowned, angling her body behind the large plant near the front as casually as she could. She watched through the leaves as Carmen passed out the salads, each girl grinning widely, but their eyes always cut to one on the end. 

Carmen saved your salad for last, hoping the lowlights of the restaurant would hide his boyish blush, setting the bowl in front of you carefully. “Hey,” 

“Hi,” You smiled sheepishly, looking to meet his gaze. “Everything looks so good.” 

“Yeah? Thanks.” Carmen nodded. “I-I didn’t know you were comin’ tonight.” 

“I’m sorry.” You cringed softly, embarrassed heat flooding through your veins. You knew better, knew you shouldn’t have done this- showed up at his restaurant unannounced. 

“I, uh, it’s my friend’s birthday.” You nodded towards Alicia at the end of the table. “And I was telling them about that pasta you made me, and they really wanted to come try it.” Your nerves bubbled, rambling in nervous peals that seemed to pour out before you could stop them.  

“Yeah, no, that’s really nice. Thank you.” Carmen nodded, giving a half smile to your friends, hoping they didn’t see the way he wiped his clammy hands on his apron. “Why didn’t- Why didn’t you just call me? Tell me you were comin’ in.” 

“I didn’t want to bother you.” You muttered softly. “I honestly didn’t think you’d even see us here, I swear. I didn’t mean to bother you or anything-” 

“-You’re not bothering me.” Carmen’s voice dropped to a coo, accompanied with a soft smile that had your head spinning. “Never a bother, but, uh, next time? Bother me, ok? Wanna make sure you get the best seat in the house.” 

Your cheeks flushed with heat, your friends excited giggles only intensifying the rushing heat blanketing over your body. Carmen’s own cheeks heated, tongue rolling on the inside of his cheek to hide his grin. 

“Alright?” Carmen added, and in a complete act of shocking boldness, his hand squeezed your shoulder affectionately. A small gesture on the outside, but for Carmen, it was huge. 

“Alright.” You grinned, leaning into his touch, your hands sliding over his. 

“How’s everything so far?” Carmen turned to the table, nodding at the excited gushes of compliments, not missing the way your friends cut their eyes to you with animated glee. 

“Just let me know if you need anything, ok?” Carmen turned to you.

“I will.” You nodded, starry eyed with love sick affection. 

“Good. I’ll see you before you leave, alright?” Carmen muttered, ducking down towards you. His lips brushed over your cheek, your perfume clouding his senses. “You’re not botherin’ me. ‘M glad you’re here.” 

Your cheek pressed to his, a gentle, affectionate rub before Carmen parted. Both of your features painted with shy delight. 

Carmen could feel everyone’s eyes, through flickering gazes and lifted brows. Sydney’s gaze lingering over him skeptically, still counting tickets. Fak’s wide grin from the corner, loading trays to take out. 

“Hey, uh, Marcus.” Carmen ignored Richie’s raised brows, a teasing, questioning remark on the tip of his tongue. 

“Yes, Chef?” Marcus muttered, looking up from the cannolis he was garnishing. 

“Table nine has a birthday. I was thinkin’ maybe the chocolate ganache, punch it with the little circle to make it look like a cake. Add a candle?” Carmen muttered, hand rubbing across his face. 

“Yeah, Chef, I can do that.” Marcus nodded. 

“Thank you.” Carmen nodded. “And Chef? Let me know when it’s ready before you walk it.” 

Marcus frowned. “No, it’s not- I just wanna walk it, ok?” Carmen shook his head. 

“Alright.” Marcus nodded slowly. “Heard, Chef.” 

Richie smirked, leaning against the stainless steel table. “So,” Richie hummed. “There a complaint or somethin’? Need me to go talk to ‘em-” 

“-No,” Carmen snapped, the possessiveness in his tone startling the both of them. “Sorry, it’s- No, I-I don’t need you to do that, Chef. Everything’s good.” 

Richie nodded slowly, passing the dishes to Gary with a nod. “You gonna tell me what that was about?” 

“No, Chef.” Carmen clipped, an edge to his tone that was teetering on annoyed. “But, uh, there’s not gonna be a check on table nine.” 

“What?” Richie frowned. “Did you mess somethin’ up? Seriously, Cousin, if something's wrong it’s my job to know-” 

“-No, it’s not-.” Carmen huffed, eyes pinching closed, running a hand over his face in frustration. “Look, that’s… The girl on the end? I-I’ve been kinda seein’ her, ya know?” He muttered. 

Richie gawked, blinking in disbelief. “No shit.” He grinned. “No shit? You-You’re serious?” He turned to look out the window. 

“Don’t fuckin’ look.” Carmen hissed. “Look, it-it’s not a big deal, alright? Just don’t-don’t say anything o-or do anything.” 

Richie swallowed back a teasing remark, a reactive reaction from years of being with Mikey. How the two of them used to tease Carmen endlessly, until they were fighting on the front lawn, Mikey howling with laughter while Carmen was red faced with mortified anger. 

This time, Richie held back. He wasn’t sure why, call it divine intervention, a gut feeling maybe, but it felt different this time. 

“Alright.” Richie nodded slowly. “No ticket for nine. Heard.” 

Carmen’s foot tapped anxiously. “I mean, right? Th-That’s what I should do right?” Carmen looked over his shoulder out the window. “That would be shitty to give her a check? Be a complete jagoff move to charge her?” 

“Yeah,” Richie scoffed lightly. “Jagoff of the fuckin’ year. Makin’ your girl pay to come to your place.” 

Carmen’s heart swelled at the term- your girl. His girl. You were his girl. 

“Walk four Pappardelle to nine. Walk one Pappardelle vegetarian style to nine.” Sydney called. 

Carmen dipped the spoon in the glaze, garnishing the plate before sliding it towards Sydney. “So, you gonna take these out?” He muttered. 

“No,” Carmen huffed. “Gonna wait until the cake.” 

“Yeah, good idea, Cousin.” Richie nodded with a proud smile. “That when you’re gonna tell them no check tonight?” 

“No,” Carmen shook his head. “I don’t- It would feel weird comin’ from me.” He looked up at Richie. “I was gonna let you do it.” 

“Yeah, I can handle that.” Richie smirked. “And I won’t say anything, Cousin.” He stopped Carmen before he could say it. “I got you, Cousin. I won’t fuck it up, alright?” 

Carmen nodded slowly, a strangled thank you on the tip of his tongue. The door swung open behind Richie, and for a second, Carmen caught a glimpse of you. Smiling and laughing, leaned in over the table, no doubt giggling with your friends about him. Carmen’s heart squeezed, but this time, without fear. No, there was no dooming fear that you were mocking him, making fun of him. This time, he felt the content rush of adrenaline filled love. A change in his routine, yes. Unexpected, sure, but he was glad for it. Glad that you were there- here, with him.

[miley1442111]

overwhelming morning- c.berzatto

summary: carm comes to sugar to meet his niece, he meets someone else too...

pairings: carmen berzatto x fem! reader

--------------------

He was exhausted. Longest days, longer conversations, more and more responsibilities. 

And now he was an uncle. 

He pulled into Sugar’s driveway with a sigh, it was early, too fucking early for a Sunday, but there he sat in his car. The same white t-shirt, same jeans, same jacket, same unruly curly hair, pleading with himself to go inside. His anxiety had flared, and he couldn’t really breathe, he had no idea why, or how he was supposed to go inside and meet a new human, someone who would also rely on him. He wasn’t sure how he’d deal with it, and the last thing he wanted his niece to see was him crashing out. 

“Fuck me,” he whispered into the silence of the car. He saw headlights in his mirrors and he frowned. Who else was coming to Sugar and Pete’s place at 7am on a Sunday? You stepped out of the car and his heart stopped. Holy shit. It was you, you were here. You were actually here.

The girl Carmen Berzatto had been in love with since he was 12 years old. You were walking into Sugar and Pete’s house, with a kid in your arms. A 4 year old, from what he could see. A little boy, with a rainbow jacket and a hat on his head, half-asleep against your chest. 

Sugar opened the door with a smile and pulled you in for a hug. Then the door closed, and he was left with more questions than answers, and he had to go in. 

He knocked on the door, and you opened it, the boy still in your arms. 

“Carmen,” you smiled. It was strange hearing you say that. “It’s nice to see you.”

“Y/n,” he smiled, confusion written all over his face. “I-It’s good to see you too.”

“Come on in, Sugar’s in the living room,”you explained. “She’s gorgeous,” you told him.

“Mom,” the little boy yawned. “It’s too early.”

You pouted and pressed a soft kiss to his forehead. “I know, baby.”

He snuggled further into your neck and he yawned once again. Carmen smiled. 

“This is Mikey,” you explained. Carmen raised an eyebrow. “Coincidence, but it works pretty well in my opinion.” 

Sugar walked in and stared at the two of you. “He knows?” she asked. You shook your head. 

“It’s fine Sug, I just need to put Mikey down to nap somewhere,” you smiled. “I’ll talk to him later.”

She nodded, but the scowl on her face didn’t leave, and it was all for Carmen. You walked off to put Mikey in an upstairs bedroom, and Carmen followed Sugar into the living room to meet his niece. She was beautiful. She was calm, smiley, and much too adorable for one singular child, and Carmen loved her already. Any and all of his anxiety melted away when she grabbed his finger. 

“She’s strong,” Carmen smiled. Pete nodded, looking at his child with all of the love in the world. 

“She’s perfect,” Pete smiled. Sugar stood over him, watching as the two men stared at the baby. 

“You’re going to protect her, right Bear?” she asked. He nodded, knowing he’d do anything for her. 

“Always.”

You walked back in, Mikey set down for a nap. “Can I talk to you Carmen?” you asked. 

He was pulled out of his trance, and he followed you to the kitchen. You leant against the counter, something on your mind. Mikey used to say he knew two things,  you, and cooking. You played with the ends of the sleeves. 

You looked older than you did when he left. He was sure he did too. You looked tired, but happy. A bit skinnier, a bit wiser. He smiled when he saw the chain he’d given you still around your neck. 

“Mikey is yours,” you told him. “When we were hooking up before you left for New York, I found out, but you blocked me so I couldn’t tell you. I didn’t come and find you immediately, and I’m sorry. I was being immature and selfish and I was still hurt that you had left just like that. I wanted Mikey to be mine for just a little bit longer, and that was shitty of me, so I’m sorry. If you want to be in his life, I’d be happy for you to do that. I’m not open to splitting time because Mikey is a really anxious kid, and he doesn’t like being around new people. We can talk about that down the line, if you want to. He knows you’re his dad, but I’ve never bad-mouthed you to him. He looks at stuff about you online, but he doesn’t know about the Bear. I didn’t want him to think you didn’t want to see him.  I don’t want child support, I’m doing just fine. I’m not telling you to make you feel bad or to get anything from you. It's been eating at me for 5 years, so I wanted to tell you. Sorry if that’s a lot.”

He stared at you as a million thoughts ran through his head. Why had he ever broken up with you? Why did he ever block you? He could’ve had the perfect life he’d always wanted with you, and he didn’t even know it. His eyes welled up with tears and he tried to push them down, but when you wrapped your arms around him, he couldn’t stop himself. He held you tight and cried into your hair. 

He had a kid. He could’ve had a wife. He could’ve been a dad. He could’ve been your husband. 

“I’m sorry,” he croaked out. “I should’ve never fucking left you.”

“It’s alright Carm,” you soothed him, running your hand through his hair. “I know it’s a lot.”

You both stood there like that, holding each other in the low light of the kitchen, the sun rising in the window. You were warm against him, he was colder than he thought he was, but you didn’t care. You held him anyway. You cared. 

He composed himself. “I-I want to be in his life. If t-that’s alright?”

“Of course it is,” you nodded. “We’ll go to dinner sometime soon, yeah?” 

“Can I see him?” he asked, his voice smaller than he’d ever heard it. 

You smiled. “Yeah Carm, of course you can.”

You took his hand and led him upstairs. You were as calm and collected as ever. You always had been. You were so calm. Carmen was the psycho. 

You cracked open the door to Sugar and Pete’s bedroom and Carmen got a full view of Mikey sleeping peacefully in their bed. He had the same unruly blonde curls as him, but he saw your eyes when he’d looked at him earlier. His little shoes and his jacket were placed perfectly beside the bed, his glasses were on the bedside table. 

For the second time that morning, Carmen felt overwhelmed with the love he felt for someone. He looked at you, eyes shining when you looked at your son. 

Maybe it was the third time that morning.

--------------------

the bear masterlist :)

navigation for my blog :) (criminal minds, obx, the bear, marvel, top gun, the hunger games :)

[mon-chef]

“Sydcarmy shippers are creating romance where there isn’t romance!”

“Carmy said Claire is peace!”

“Claire and Carmy should be endgame!”

Respectfully shut the hell up. Carmy is far too busy experiencing the horrors to be correct about anything. This man has to make fancams of Sydney in his brain just to function.

The IMMEDIATE sigh of relief after Sydney pops into his mind is actually hilarious. Carmy is a LOVERBOY.

[notyourdaisybuchanan]

sydcarmys are we gonna talk about how after Carmy points out the stains on her chef jacket in 2x09 Sydney proceeds to spend nearly the entire episode in a plain white t-shirt, which is nothing like her usual style, but does happen to be uhhh someone else's signature look

are we gonna talk about it

[ambeauty]

a few thoughts on the different types of romantic love in the bear

One facet of the show that I feel like is incredibly poignant is the emotional realism. I think I read another post or podcast about "emotional realism" in the bear so I will be borrowing that to talk about emotional realism when it comes to romantic partnerships in the show.

I feel like a lot of people wanted Sydney and Carmy to be this magical soulmate pairing that faced no opposition, trials, or tribulations on their journey to love and let me be the one to tell you right now. That's just not realistic. So in order to showcase how the show portrays different versions of romantic love, I wanted to focus on some couples that are not so triggering when it comes to the idea of romantic partnership within the context of the show.

Natalie x Pete: Natalie and Pete are the epitome and pinnacle of romantic love in the show. BUT, and STRONG BUT, they are not without their challenges. Natalie's family for the most part do not like Pete. They tolerate him, now, but for the longest time and to this day, they talk shit about him, because he's not like them. He's an outsider who has a different way of loving, and they don't understand it. Should Pete have left Natalie because her family didn't accept him?

Natalie's traumatic childhood still makes her feel insecure about her relationship. Plus she has a lot of generational trauma that she is working through to not pass down these things to her daughter. Should Pete leave her because she's insecure and traumatized?

You would answer no.

Richie x Tiff:

Richie and Tiff are divorced but they are still deeply interconnected because of Eva. You know that there is still a deep love between them because of the conversation on the bench. Tiffany wants Richie at her wedding because that's her family. Not to embarrass him or make him feel bad, but because she still has a deep love for him as a person. I get the sense that they didn't work out because it took him well into his adult life to figure out what he really wanted to do. Sometimes love isn't enough, especially when a child is involved. Tiffany and Eva deserve stability and at the time Richie wasn't able to provide it for YEARS. So I don't blame Tiff for leaving, but if Richie was in a better place, I know she would've stayed.

Just because you aren't with someone anymore doesn't mean that their importance to your life and the love you have for them just goes away.

Tina x Mr. Marrero

We don't get to spend a lot of time with them but we get to see such a beautiful dynamic between Tina and her husband. Now that they've been given it to me I need more. Tina and her husband are doing their very best to take care of their son and live a content life. They aren't rich but they've created a warm and comforting environment that is built on the foundation of their love. When Tina loses her job, it shakes up everything. Mr. Marrero is focused on his duty to take care of the household on his modest income. And Tina is so independent and knows that they need her income in order to survive. Her husband supports her through this transition even if it's stress on him and her. They work as team to get through this life change. Should he have left Tina the moment she became frustrated with finding employment? Should Tina have left him because his income alone wasn't enough to sustain them?

Again the answer is no.

The emotional realism of the bear shows that relationships of any kind are never perfect and never without challenges. Familial, platonic, or romantic. Sydney and Carmen are no different. While I support whatever decision Sydney makes, I do believe that what they are going through is their biggest trial yet. Syd and Carmy have failed to communicate in a healthy way for 3 seasons. And once these miscommunications finally bubble over it's going to be catastrophic. In one way or another. Who knows? At the end of the day what's important is that they do learn how to communicate because whether they stay business partners or become more or less, there will be obstacles that they will need to work through and grow from together.

"What grows together goes together."

thank you @thoughtfulchaos773 for encouraging me to expand on this

[purposechef]

carm tried, okay?

[whenmemorydies]

The legerdemain of racism: demands for season 4 of The Bear

Alright folks, this one has been sitting on my chest like a fucking elephant for the last week. It's a long one (when are they not, I'm sorry lol), so if you'd give me the grace of your time and eyeballs, lets have a cup of tea and do this.

Legerdemain: the magic trick

In 3x07 Legacy, we're introduced to the concept of legerdemain (French for 'sleight of hand') in the form of notes and drawings, etched into one of Carmy's notebooks:

Other possible definitions of legerdemain include:

'the skilful hiding of the truth in order to trick people';

'skilful tricks done as part of a performance'; and

'cunning, deception or trickery.'

There have been important discussions on this app about the concept of legerdemain in The Bear, and how Storer, Calo and co. appear to have peppered season 3 of the show with references to their own use of the concept in breaking the fourth wall, to comment on filmmaking, on cooking, magic, and perhaps, using the legerdemain of season 3 as a distraction while they take a dish their industry further in season 4.

Have a look at the below metas for some helpful background to what I'm talking about here.

Fourth Wall/Magic Trick Metas for The Bear:

@brokenwinebox's Fourth Wall (being broken)

@brokenwinebox's The New Paradigm

@thoughtfulchaos773's meta on the fourth wall

@currymanganese's Richie's journey is not over (on Richie being the author avatar for creator Chris Storer

@currymanganese's masterful consolidation of fourth wall analysis and their speculative analysis on the role of the Faks

@ago0112's analysis of the blurring of fact and fiction during the Ever funeral service

My post Richie and the viewer.

See also this beautiful reblog thread discussing how the creative decisions involved in season 3 have elicited sympathetic responses in the audience that mimic the emotions of the characters on The Bear, possibly contributing to a division in how this season has been received generally. Shout out to @moodyeucalyptus, @vacationship and @greekyogurttragedy for this generous and thoughtful discussion. And this insightful breakdown on the treatment of characters of colour this season between @hwere and @mxmajor + this discussion on the sidelining of Black grief this season with @melfinawins , @suellenalmeida and @moodyeucalyptus.

An ache: POC on The Bear

After I finished my first watch of season 3 (which was an ill-advised binge while recovering from the flu), I felt like I had sat through a year's worth of television. This was purely for the fact that I was emotionally SPENT by the end of it (still didn't stop me from wanting to rewatch the entire thing immediately - I didn't, thank god. Shout out to my nervous system for threatening a revolt and stopping me). Anyway this is to say, I had to really stretch my memory to recall a lot of the content in this season's early episodes. One that stood out though was the beginning of 3x02 Next.

3x02 begins (hilariously) with Syd and Papa Adamu fighting for bathroom time and then Syd leaving the apartment for work. As Syd makes her way to work, we hear Eddie Vedder's cover of "Save It For Later" playing, which @brokenwinebox has referred to in the context of the fourth wall.

We then leave Syd but get a tour of early morning Chicago with documentary-style footage of an array of workers beginning their daily grinds, preparing the city for its day. These workers are diverse in lots of ways including cultural background and employment, running the gamut from food service, hospitality, newspapers (shout out to the Chicago Tribune which will give The Bear its first review in 3x10 Forever), sports, etc.

What is striking about this beautiful opening to 3x02 are the lyrics of "Save It For Later" that are playing as we see all these hardworking people pass by on our screens:

We hear Eddie Vedder sing, "run away, run away and let me down" over and over while diverse, working class folks wave at us, the viewers. And if I'm being honest, in relation to people of colour and Black folks being represented on this show, this is a good chunk of what season 3 ended up feeling like for me (and undoubtedly, for a lot of other BIPOC viewers too): racialised people waving, hailing the creators behind this show, and screaming DON'T LET US DOWN, DON'T RUN AWAY FROM US. WHY THE FUCK SHOULD WE SUFFER LIKE THIS?

And then we get the remainder of 3x02, which myself and others have described as having two too many Faks and one too many unnecessary conversations about Claire in lieu of the attention that should have been paid to Marcus and the loss of his mother. Where the fuck was Chester, who looked after Mrs Brooks when Marcus was in Copenhagen? I needed to see their sweet friendship in that episode and was actually blown away when we got none of it.

And things got progressively worse from there.

In this pre-season 3 meta on The Bear, I spoke about how part of the tragedy of Carmy's fridge spiral was the (white) saviourism of his speech to Tina ("I failed you guys") which rubbed me all sorts of wrong ways given that the largely POC crew rallied and turned Friends and Family into a success while our man was stuck in the fridge. White saviourism can also be described as the trope of the 'white man's burden' (itself named after the Rudyard Kipling poem written as a justification for European imperial conquest of the Global South).

I'm not saying that the white saviourism here is intentional or that Carmy would even identify his behaviour in this way (unconscious biases are just that - unconscious - after all). But Carm is the product of the fine dining industry which is predominantly white. His access to those fancy kitchens was predicated on the fact that his family owned their own restaurant to begin with. That access would have been dictated by privilege and power which are inextricably tied to things like race, class, gender, ability etc. Marcus got his start in the culinary world via McDonalds while his single mum busted her ass looking after him. As far as we know, Syd had no connections in the culinary world before she embarked on her career and she's got the imposter syndrome to show for it (this is part of why I will fight to the death anyone who slags her off, she's too precious to me). 3x06 Napkins gave us huge insight into Tina's journey to fine dining which was also not easy. Likewise in 3x07 Legacy when Ted Fak (?!) gives Sweeps the latter's "I know who you are" moment. I'm still waiting on the origin stories of Ebra, Manny and Angel.

These differences between Carmy's journey and those of the characters of colour on this show matter and it was heartening to me to know that the writers of The Bear thought they mattered enough that they made them canon. These stories make it clear that of all of the people at The Beef and then The Bear, Carmy is likely the person with the most race and class privilege. And sometimes, the man acted like it! (e.g. Carmy disregarding all the work put in by the largely POC crew after he got locked in the walk in, dismissing their victorious service led by Sydney and Richie in 2x10 when he talked to Tina. He'd do this again when he spoke to Sydney in 3x01 and she has to remind him that everyone helped get the restaurant through Friends and Family).

Let me be clear: I wasn't and am still not mad that Carmy becomes an entitled, privileged little shit when the shit hits the fan. This is all in character for him (he's been this way since season 1 folks - recall 1x07 The Review).

I even expected the white saviourism to shoot itself into the stratosphere in season 3 while Carmy entered Michelin Mode. Because that is how this white man has been trained (in a largely white industry) to operate in a high pressure culinary setting that prioritises the reputation (and the glory) of the EC at the cost of everyone under them. Add to that Carmy's clear trauma, his learned behaviours from dealing with an abusive mother and absent father, his discordant relationships with his parentified siblings, his psychotic ex-boss, his grief...I was certain the man was going to be a hot, dysregulated mess for at least part of this season. And he was.

BUT...

What I wasn't counting on was the overabundance of the Faks (I am still not over John fucking Cena taking up screen time on this show OR that it was Neil and Ted at the end of 3x08 Ice Chips, visiting Nat and Donna after Nat's delivery), and the overabundance of Claire content, while we had the season running away from our characters of colour.

Sydney spent most of season 3 mediating between two dysregulated white guys (Richie and Carmy - though her character didn't do this without a fight, a la "I'm not your fucking babysitter" in 3x03 Doors) and being subjected to Carmy's tirades all through service and prep, without much exposition at all about her and her motivations for staying at The Bear (we get a glimpse - a beautiful one that absolutely devastated me - just before her panic attack in the season's last episode 3x10). We even had Marcus in 3x03 Doors (this particular choice PISSED me all the way off given the absolute lack of care given to this character and the passing of his mother in the same episode) pushing both the Magical Negro trope and the white man's burden trope as he tells Carmy to "take us there Bear": a plea to Carm to make the restaurant work for the crew's sake. In 3x05 Children, we get Carmy treating Ebra like an actual Magical Negro in one of the few exchanges between the two of them this season, when Carm asks Ebra, "Am I fucking this up?" about, well - in a moment I'd like to think was fourth wall knocking - this entire season/the operation of the restaurant.

@kensatou in this brilliant gifset (of one of the funniest bits this season) also points out how the restaurant is contributing to the gentrification of its neighbourhood, further driving the restaurant and us viewers towards an increasing whitening of the world of The Bear.

Then we've got one of the most frustrating aspects of racism and misogynoir associated with this show and a seemingly bewildering response from the cast and crew in tackling it: the INSISTENCE at different points in time by some fans of the show, the cast and the crew that Sydney and Carmy are platonic and nothing more. All the cues and subtext in the show itself, be damned. I won't go through all the arguments as to why this is bullshit but will say, many folks have talked about how many m/f platonic relationships there are on this show (Richie/Tina, Richie/Sydney, Marcus/Sydney, Marcus/Tina, Richie/Nat, Michael/Tina, Carmy/every other woman apart from Sydney etc). There’s no shortage so why are folks so pressed with Sydcarmy? *cough* anti-black racism and misogynoir is why *cough*. Anyway...there's been LOTS of exposition about this on Tumblr by folks much more well-versed in this discourse than me. Just search the #sydcarmy hashtag for that brilliance.

Some (including me) have wondered why the cast and creators don’t directly address the obvious racism behind calls for Sydcarmy to only be platonic, or at the very least, just tell people calling for this to watch the damn show and see. Instead Sydcarmies were met with official denials of any kind of romantic relationship between Syd and Carmy right up until premiere of season 3. I know I personally felt that the insistence by the cast and crew to actively deny any romantic relationship between a Black woman and white man on this show was frustrating to the n'th degree. But then I jumped on Tumblr, as we do, and fell into the fourth wall, magic trick and legerdemain discussions and I got thoughts...if you're still here, I promise I'm almost at my point lol, stick with me.

Racism as the sleight of hand, white supremacy as the deception

The singular Toni Morrison famously described racism as a distraction (tres legerdemain-ish, n'est-ce pas?):

"The function, the very serious function of racism is distraction. It keeps you from doing your work. It keeps you explaining, over and over again, your reason for being. Somebody says you have no language and you spend twenty years proving that you do. Somebody says your head isn’t shaped properly so you have scientists working on the fact that it is. Somebody says you have no art, so you dredge that up. Somebody says you have no kingdoms, so you dredge that up. None of that is necessary. There will always be one more thing."

The above quote is from a talk that Ms Morrison gave at Portland State University in 1975 entitled "Black Studies Center Public Dialogue, Part 2". You can listen to the talk in full here. A transcript of the talk can also be found here.

What if, the racism driving the anti-Sydcarmy antagonism and the cast and crew not addressing it or letting it fester is the point. Racism doing what racism does: distracting and deceiving. What if the pay off from this sleight of hand is that in season 4 we get what we know is destined to happen? An outcome based on the cues and clues that are littered throughout this show for anyone with a modicum of media literacy and without the blinders that a racist worldview grants: Sydcarmy.

And what about what Morrison said next in her talk,

"The distraction is no different than bombing Cambodia to keep the Northern Vietnamese from making their great push. And since not history, not anthropology, not social sciences seem capable in a strong and consistent way to grapple with that problem, it may very well be left to the artists to do it.

For art focuses on the single grain of rice, the tree-shaped scar, and the names of people, not only the number that arrived. And to the artist one can only say, not to be confused, [sigh] not to be confused.

You don’t waste your energy fighting the fever; you must only fight the disease. And the disease is not racism. It is greed and the struggle for power.

And I urge you to be careful. For there is a deadly prison: the prison that is erected when one spends one’s life fighting phantoms, concentrating on myths, and explaining over and over to the conqueror your language, your lifestyle, your history, your habits.

And you don’t have to do it anymore. You can go ahead and talk straight to me."

Now Morrison was speaking directly to Black artists, creators and thinkers when she gave the above talk but I would argue that all creators who are telling stories that feature people of colour, or people from communities that have been systemically discriminated against for whatever reason, have a responsibility to heed her call. Speak DIRECTLY to the communities you are representing in your work. And if you are doing your damn job properly in 2024, that is ALL OF US, in some shape or form. What Morrison is asking folks to do, is de-center the white gaze.

Ok so bearing in mind the above, back to the fourth wall, the magic trick and an invitation to believe. Recall this screenshot from 3x09 Apologies:

@currymanganese has theorised that Richie is the author-avatar for The Bear creator Chris Storer. Storer is partners with Gillian Jacobs (the actress who plays Tiff, also pictured here) in real life. In essence, we are looking at some version of "mom and dad" of this show (ideally, we'd have an avatar for showrunner Joanna Calo in here instead, but I'm working with what I got). After Tiff says "Well, I know my demographic" in the above scene, Richie/Storer stays looking at the camera long after Tiff turns away from it.

Let’s be real, in any other circumstance, if two white people were looking me dead in the eye and saying they knew who their demographic was, I’d be worried lmao. I'm still worried because for a white showrunner like Storer to even begin to understand just HOW paradigm shifting what I'm going to suggest below is, would be huge.

But...what if the demographic is us? The viewership that was drawn into this show by the unapologetic and unambiguous representation of Black characters and characters of colour in season 1 of The Bear? A show that had Sydney making stew and plantains for the family meal from the jump in 1x01 System, that had Tina calling Carmy a puta while next second claiming no Inglés, that had Marcus, Sydney and Sweeps code switching to AAVE with no explanation to anyone; that had Marcus lovingly applying Palmer's Cocoa Butter (iykyk) to his bedridden mother's hands? A viewership that includes many people of colour who have been so frustrated by the sidelining of the characters of colour this season because of the show's focus on Carmy, the fucking Faks and Claire?

Now there has been some analysis on the purpose of the Faks and Claire which has lightened my heart somewhat. But the treatment of racialised characters this season still doesn't sit completely square with me.

Do Storer and Calo have what it takes to do what Toni Morrison commanded and not be confused? To go ahead and talk straight to us in season 4?

Will they make things square like Carmy alluded to in his description of what he wants his legacy to be, in 3x07?

As much as I went into my issues with this season here in this post, I am hopeful. I love this show. I love how it deals with grief. I love the symbolism and the quality of the writing, I love the acting, I love the cinematography. I love the music. This thing is a veritable feast. And I know it can be yet greater, if it heeds Ms Morrison's demand.

There's glimpses that its doing this and hopefully, will take the thread and run with it head-first into season 4: at the end of 3x10 Forever who is it that brings all of us viewers back to the idea of chosen family (what the showrunners have said the show is actually about)? Which character is seen remembering the original crew of the Beef and their trajectory to the end of season 3? Who has refused to run away from them all throughout the show (and when she did, she came back)? Whose arrival at The Beef kickstarts this whole ride in the first place? Its the CDC of The Bear: Sydney Adamu.

If Storer and Calo want to take this legerdemain shit seriously, then season 4 needs to centre Sydney as the main protagonist. It needs to return to its characters of colour. It needs to paradigm shift the fuck out of this show.

We already got Ayo directing the season premiere for season 4. I am cautiously holding out hope for more of the same next season. Listen, I know I am asking for folks to suspend maybe everything we know about systemic racism in the entertainment industry here lol. But if this season has been about the suspension of belief and distraction, maybe Ms Morrison’s words are more prescient than ever. And if these showrunners are committing to the bit as hard as I think they are, maybe the final season of The Bear is going to be its best yet.

[murcielagatito]

auxilio [finished vers]

[g3othermal3scapism]

sydcarmy nation we’re back

[alwaysshipping1]

The nurturer : Sydney Adamu's legacy

Part 1

(Part 2)

4. Richie : from enemy to kindred spirit

What started out as an antagonistic relationship has quietly evolved into a friendship rooted in mutual respect. Both Sydney and Richie are outsiders looking in, more alike than they care to admit.

In her own way, Syd gently steers Richie back on track when needed, she praises his growth and celebrates his positive changes. Despite their rocky history, Sydney entrusts Richie with significant responsibilities — something few with their shared history would do. Yet, her faith in him is unwavering, offering him words of encouragement, and he consistently rises to meet her expectations.

5. Carmy : only time will tell

Observant by nature, Carmy is the first to verbalize Syd's inherent nature. It's therefore curious that with him, her gestures take on a quieter form, often disguised as actions for the restaurant. Her unyielding support is less overt but no less deliberate, offering exactly what he needs, without seeking recognition or overwhelming him. She cares for him in subtle, unobstrusive, ways, always mindful not to startle the Bear. There's a distinct softness in the way she cares for Carmy. Only time will tell if this difference holds deeper meaning.

But, eventually, the nurturer cracks. The relentless pressure to maintain that level of dedicated care becomes suffocating. The weight of immense responsibility presses down with an unbearable force, and they reach their breaking point. Their reserve runs dry, every last ounce of energy and strength completely drained.

Will Marcus, Tina, Nat, Richie and Carmy be there for Sydney, like she has always been there for them?

[thebearer]

love, i found you |carmen berzatto x reader|

prompt: how anchovy berzatto came into your and carmen's lives. or the story of anchovy berzatto, dumpster kitten turned spoiled cat.

contains: mentions of animal being abandoned/ stray kitten. small, malnourished anchovy but nothing graphic (i won't do that to you i promise). mainly fluff. language. richie being a hater a little lol.

word count: 2.9k+

“Chefs, keep the stations clear-” 

“-Has anyone seen Richie?-” 

“-Jeff, I need more branzino for the seven fishes-” 

“-Heard, Tina. There, uh, I think there’s some-” 

“-Carm, have you seen the books for tonight?-” 

“-Has anyone seen Richie? Richie! Where the fuck is he?” 

A chaotic melody of screams meshed together in some kind of disarray of harmony, one speaking over the other, the sound of pots and pans clashing, hisses of sizzling food in them a backtrack to the madness. 

“I’m right here, Sugar.” Richie scoffed, buttoning the front of his jacket. He patted your shoulder in passing, cheek pressing lightly to yours, muttering, “How’re you, sweetheart? Doin’ good?” In passing. 

He was the first to notice you, even over Carmen. The rest of the staff bustling through the kitchen prep, trying to squeeze everything in before the family meal. Carmen had invited you to family, but you were starting to regret agreeing, feeling useless and in the way in the face of the hectic nature. 

“Where have you been?” Sugar huffed at Richie, heels clacking in a stomp towards the office. “I have a million fucking things- oh, hey.” She paused, eyes lighting in a greeting when they landed on you. 

“I didn’t know you were here. How are you?” Sugar hugged you, a soft side hug in greeting that you returned stiffly. 

“I’m good. How are you?” You muttered, eyes still scanning the kitchen. 

Sugar let out a dry laugh, pressing a hand to her forehead. “Ask me in about an hour.” She shook her head. “I have a million fucking things to do as I was telling Richie.” She turned, eyes narrowing pointedly at the man. “Only two dishwashers showed up tonight.” 

“You’re shitting me.” Richie groaned. “That fuckin’ jagoff- take a chance on me, bullshit.” 

“Yeah, so Neil needs to wash utensils tonight between the floor, ok?” Sugar jabbed a manicured nail into her clipboard. 

“Is there anything I can do?” You squeaked, much smaller than you meant it to. Richie and Sugar turned to you, both blinking, like they’d forgotten you were even there. “Carm invited me to family, but I can help. I can wash dishes if you need me too. I don’t have anything else to do.” 

“That would be-” Sugar nodded in a sigh, a small smile spreading across her face. “Did I ever tell you I love you? Seriously.” She turned to Carm, who was passing behind her. “Carm, don’t ever fuck this up with her, you hear me? I’ll kill you.” 

“Yeah, yeah.” Carmen muttered, and you knew by the drone in his voice he wasn’t listening, too consumed with other things, discarding vegetable scraps into the trash. 

“This thing is fuckin’ full. Can they not- Oh, hey.” Carmen’s features softened at the sight of you, spine straightening gently. “When’d you get here?” 

“Just a few minutes ago.” You leaned forward, his lips brushing your cheek softly in greeting. “I didn’t want to disrupt. You seemed… busy.” 

Carmen snorted. “Yeah, uh, that’s a word for it. Busy, out of my fuckin’ mind because this trash is fuckin’ full!” He boomed at no one in particular. 

“Now, I gotta take this out and replace it, and that puts us back, and every second counts, does it not, cousin?” Carmen rambled, glaring at Richie, yanking the sides of the trashcan off the rim. 

“Look, I didn’t know that the two didn’t show-” 

“-No, of course you didn’t. Can’t pay attention to shit-” 

“-Alright, let’s bring it down.” Sugar lifted her hands, eyeing Carmen with a slight nod of her head towards you. 

“Sorry.” Carmen muttered, eyes lifting to you. “Sorry, cousin. I-I’m just, we’re fuckin’ booked, an-and I’m so far behind-” 

“-I’ll take it.” You squeaked, a little too eagerly. Carmen’s brows furrowed, you cut him off before he could finish. “No, seriously, you’re all busy. I’ll go take this out and then I’ll help make sure the utensils are ready.” 

“N-No, I can’t ask you to do that. That would be shitty.” Carmen shook his head, pulling the trash bag out of the can. 

“Good thing you didn’t ask me. I offered.” Your hand wrapped over his, squeezing his closed fist gently with a tiny grin. “Go, I got it.” 

Carmen beamed, cheeks tinging pink. If he wouldn’t have been in the middle of the kitchen prep rush, he would’ve kissed you, pressed you right up against the wall and smooched you sloppy. Instead, he let you take the trash. 

“Gary!” Richie called behind you. “Make sure you let her back in, alright? Just knock and he’ll let you back in. You’re a fucking life saver, y’know that?” Richie beamed, pushing the heavy steel door open so you could duck under his arm. 

It was surprisingly warm- well, warm-ish for Chicago in the winter. No snow, no need for a heavy jacket but brisk enough for a chill. The dumpster lid was already flipped over, and you were thankful for that, slinging the bag over the edge, turning to go back inside. 

You stopped, halting just as you’d turned. The tiniest squeak of a cry, desperate and alert. You turned scanning the alley walls, the corners by the dumpster until you heard it again, that same pitiful whimper echoing off the metal of the dumpster- inside the dumpster. 

You hesitated for a moment. You couldn’t leave it, whatever it was, it sounded pathetic and in pain. Your eyes flickered back to the building, you could see Gary in the small window, head turned towards the others. They were so busy, you couldn’t ask Carmen or even Fak. 

“I’ll be right back.” You cooed towards the dumpster frantically. “Just hold tight for me, ok? I’ll get you out, one sec.” It was silly, but you felt the need to say it, even if just for yourself. 

Sprinting towards the door, you knocked on the glass rapidly. Gary pushed it open. “I need your help.” You stopped him before he could walk away. “J-Just for a second. I promise.” 

Gary’s brows furrowed. “Yeah, are you- you’re ok?” 

“Yeah, I mean,” You turned towards the dumpster. “There’s something in there. I think it’s a cat? I think it’s hurt.” 

“A cat?” Gary’s eyes widened, still, he followed your furious pace towards the dumpster. “Wait, I-I don’t think- Lemme get Carm-” 

���-No, he’s busy.” You shook your head. “It will just take me a second. I just need you to help me get down.” 

Gary paused, watching you in complete awe- maybe horror- push off a discarded crate towards the ledge of the dumpster. “This is- no, this is fuckin’ crazy, I’m sorry. You don’t know what that thing has-” 

Your small gasp cut him off, eyes rounding in awe. There in the piles of trash, a fuzzy blip of orange fur nestled into the black bags- a tiny, scraggly kitten, mewling helplessly. 

“Oh my God,” You muttered. “It’s a baby.” 

“A baby?” Gary gawked. 

“A kitten baby.” You corrected, lip jutting. “I have to get it.” 

“I really don’t think you should be doin’ this.” Gary looked back at the door then to you. “You can’t go in the dumpster, c’mon.” 

“You want to go in instead?” You huffed, eyes rolling at his disgusted snarl. “Just- I’ll do it.” You leaned to the side, taking a deep breath of fresh air, swallowing down a gag at the expected smell. 

Holding your breath, you let yourself fall into the dumpster, the squishy bags of trash uneasy under your feet. The small kitten whined, crying at the shift of your weight. 

“This is fuckin’ insane.” Gary muttered, shaking his head. 

“Aye, Sweeps, what the fuck?” Richie’s voice boomed, the slam of the door making both of you jump. “Take your smoke break later, you jagoff, I need your-” 

“-I’m not-” Gary huffed in annoyance. “She’s in the dumpster.” 

“Who?” Richie asked. 

“Me!” You swallowed a retch, the pungent stench of the trash filling your senses as you crouched closer towards the kitten. At least it wasn’t summer. 

“Why the fuck is Carmen’s girl in the dumpster?” Richie roared. “Carmen! Get out here now, cousin!” 

“Why is she in the dumpster? Why the fuck are you in the dumpster?” Richie’s furious stomps were muted from the outside. You cringed, still trying to hold your breath, coaxing the small kitten into your hold. 

The poor thing, so small- so fucking small. Shaking in your hold, crying and whining, but turned into the warmth of your palm. A cry bubbled from your chest, mixing with a gag at the smell. 

“Cousin, what? What the fuck is-” Carmen bounded outside, stopping when he saw the top of your head pop up, out of the dumpster. “The fuck?” 

“Your girl’s in the garbage.” Richie shook his head. 

“Yeah, why the fuck- Baby, w-why are you- What are you doin’?” Carmen jogged towards you, hoisting himself over the side of the dumpster, arm extended for you. 

“She found a cat.” Gary rolled his eyes in annoyance. 

“A cat?” Richie repeated. 

“A kitten.” You showed Carmen, pulling the small thing from your chest, where you cradled him close to you. 

Carmen blinked at you. “You went in the dumpster f-for a cat? A cat?” He shook his head, confused. “Baby, that thing could have diseases a-and rabies and shit-” 

“-He’s starving.” You countered, lip jutting in a firm pout. Carmen hated the way he could feel himself melting. The determination in your glare, ferocious yet soft. 

“I could hear him crying, a-and I couldn’t leave him.” You shook your head, petting the tiny kitten’s soft fur. 

“So you climbed in the trash?” Richie snarled in disgust. 

“Climbed right in the dumpster.” Gary nodded. 

“Alright.” Carmen looked over his shoulder at them, a pointed glare on his face. “Just- Lemme get you outta there, alright?” 

“Here,” You handed him the small cat, carefully cradling him. Carmen hesitated, a grimace in his scowl. Your eyes narrowed at him, a warning. “Hold him gently.” 

So he did, of course he did, it’s what you wanted. Passing him to Richie with the same snarl of instructions, pulling you out of the dumpster, a firm hold on your waist as you climbed back over. 

Richie was passing you the kitten with a grimace of disgust, dusting his hands off dramatically. “There. There’s your garbage cat that can not come back in the restaurant. Cousin,” He glared at Carmen. “We don’t want another fuckin’ C. Get shut down for havin’ fleas or shit.” 

Carmen glared at him. “No, he’s right.” You nodded. “Can you bring me my purse? I’m going to see if I can get him checked out. I’ll be back.” 

“Let me come with you.” Carmen offered, motioning for Gary to go get your things, untying his blue apron. 

“Carm, no. You’re busy. I can do it.” You shook your head. 

Carmen rolled his eyes. “No, I’m comin’ with you. Last time I let you do somethin’ alone. End up in the fuckin’ garbage.” He snorted playfully. “Besides, I think there’s a place down the street. The vet has been in a few times. I’ll see if I can, y’know, coerce him to squeeze us in.” 

“Coerce?” You lifted your brows playfully, petting the tiny kitten gently, trying to still his quivering. 

“Yeah, coerce.” Carmen rolled his eyes, swapping his apron out for his jacket, handing you yours. “Give ‘im a free dinner or somethin’.” 

“No fuckin’ way, no.” Richie shook his head. “Cousin, you’re already late- Sydney is pissed, and you’re not bringing that fuckin’ flea bag in here.” 

You held the small cat close to your chest, still damp from his bath at the vet. Carmen’s coercing had worked, Dr. Vallenti had took the bribe happily, squeezing you both in for a check up. The tiny kitten, barely two pounds, malnourished and positively pitiful. You didn’t even have to ask, Carmen knew from the way you held him close to your chest, eyes rounding just barely when the vet asked if you’d be keeping him. 

“Of course,” Carmen nodded easily, squeezing your knee gently. “Just give him whatever he needs for right now, and what we need t’get. We’ll get it.” 

“He doesn’t have fleas, Richie.” You sneered, cradling the small cat in your jacket to keep him warm. His shake was down to a soft tremble, not as constant but still there. 

“Yeah fuckin’ right, rabies then-” 

“-Cousin.” Carmen sneered. Richie stopped with a huff, throwing his arms up and muttering something as he stormed away. 

“Here,” Carmen muttered, a hand on the small of your spine, pushing you into his office. “I’ll grab you a bowl and a plate for his food, alright? You just, just stay in here, ok? Richie’s right, he can’t be out.” 

“I’ll keep him in here.” You nodded, sitting in the small chair. “Do you have a towel?” 

“Yeah, I’ll grab that too.” Carmen slung his jacket off, running a hand through his messy curls. “I, uh, I gotta get scrubbed up and put my stuff on, but if you need anything just yell, alright?” He ducked out to the small closet, snatching a towel and two dishes off the drying rack. 

“I’ll be alright.” You hummed, fingertip tracing down the kitten’s tiny head. He purred under your touch, made your chest burst with warmth. 

Carmen’s lips pulled in a smile, putting the dishes on the ground for you, shedding his own shirt. You were entirely enamored with the cat, that was for sure, not even a sideways, ogling glance at Carmen’s shirtless figure. 

“Shit.” Your head snapped up, wide eyed at Carmen. “I forgot the dishes. I-I’m so sorry, I can-” 

“-It’s alright, baby.” Carmen dropped his pants, biting back a smirk at how your eyes did drop this time. “Tina got her son and his friend to come in. We’re good, baby.” 

“Oh.” You nodded, eyes lingering on his boxer clad ass, before back to the kitten. “Good.” 

Carmen shrugged on his chef’s coat, walking over to you. “It’ll be kinda a late night.” His eyes softened in apology. “I’ll have someone run you a plate when we get outta the weeds, alright?” 

“Thank you.” You muttered, head tilting back for a kiss. Carmen obliged, your lips pulling him in for a longer kiss than he expected, sweet- left his body burning with heat. “Thank you.” You repeated, eyes shining sweetly. 

“C’mon.” Carmen whispered gently, shaking his head at you. “You know I would do anythin’.” He pressed a kiss to your head, looking down at the small kitten before he left. 

“I think he likes it?” You whispered, on your stomach next to Carmen. 

It was nearly two in the morning, the two of you just returning back to the brownstone you called home. Lying on the freshly laid tile of the kitchen, you watched the small cat explore the space. 

“Yeah, think he’s gettin’ used to it.” Carmen muttered, shaking the small stick so the feather danced over the kitten, grinning when he’d scrunch and bat at it clumsily. 

You pressed your head into your hand, watching the kitten prowl, ears finally perked up instead of flat back in fear. “We have to name him.” You blinked, looking up at Carmen. 

“Yeah,” Carmen grinned. “Yeah, that-that would be a good idea, right?” He beamed playfully. 

You smiled, gently petting the kitten’s back, smiling at how he arched into your touch. “I think it should be something kinda with the restaurant.” You suggested. “Since that’s where we found him.” 

“Yeah? Like Bear?” Carmen muttered. 

Your nose crinkled gently. “He doesn’t really look like a Bear.” 

“No,” Carmen agreed, shaking his head. “More like a Garfield.” 

You snorted lightly, rolling your eyes. “That’s such a gimme name.” You shook your head. “Maybe not the restaurant, exactly, but… similar?” 

“Yeah? Like Trash Can?” Carmen muttered, lips curling playfully. 

You gasped lightly, smacking his leg playfully. “No.” You huffed. “Something maybe with food?” 

“Carrot?” 

“No.” You pouted lightly, head tilting towards the small cat, occupied with Carmen’s sweatpant strings. “What about, like, Anchovy?” 

“Anchovy?” Carmen snorted in amusement softly. 

“Yeah, like the fish.” You shrugged softly. “And cats eat fish- well, in the cartoons they do, y’know?” 

“Yeah, I know, baby.” Carmen grinned softly down at you. “You think he looks like an Anchovy?” 

The small kitten turned, perking towards Carmen, padding happily over to him. Your face lit, glowing with beaming pride and adoration as Carmen scooped up the small kitten, let him rub his face into his chest sleepily- sweetly. You thought you might melt into a puddle on the floor at the sight. 

“Alright.” Carmen laughed lightly. “Think you’re right. Think he’s an Anchovy.” 

“Anchovy Berzatto.” You hummed, crawling between Carmen’s spread legs, petting the tiny cat. You smiled so brightly at Carmen, his own cheeks burned, flaming under your radiant affection. 

Your lips caught him again, pulling him in for a sweet, longing kiss over the small kitten’s head. Your hands in Carmen’s hair, pulling him closer and closer, kissing him like a lifeline- it made his head swim, chest swell with adoration. 

Anchovy chirped, teetering on a meow and yawn, little paw stretching in Carmen’s hold. Your forehead pressed to Carmen's, you ducked down to coo at the small kitten, moving to sit in between Carmen’s legs, your back to his chest. 

Home with your little family, complete with the little kitten, Anchovy Berzatto.

[unladyboss]

NAPKINS. SEASON 3 THE BEAR. DIRECTED BY AYO EDEBIRI

One of Televisions best episodes of the year. I agree.

It made me feel so good throughout the messiness and stress of the rest of the episodes

[mon-chef]

Sydney “Call-Out Queen” Adamu

I love how Sydney calls Carmy out, one because she’s advocating for herself (and the team), but also because it’s so helpful for him.

Most of the things Carmy does are a result of his deep seated trauma. He’s so in his head (literally all the time ) and she has the power to shake him out that.

As someone who has had some similar struggles to Carmy I can tell you that it is so so helpful to have someone wake you up out of the mental shitstorm and remind you that you exist outside of the terrible things in your mind. And no matter his reasons; his outbursts are impacting the people around him. Carmy definitely has to be reminded of this, especially when he’s in the workplace, and especially when he is THE BOSS. (Sidneote; I hear that kitchen environments are generally people just screaming at each other and I think that is soooo fucked. Maybe I am just a sensitive little bitch baby but I don’t think anyone deserves that and especially not on a regular basis :(( Everyone needs to be more like Chef Terry.)

I also love the way she calls him out and the fact that she doesn’t baby him. She’s clear and assertive but she isn’t malicious, she doesn’t hit below the belt, and she doesn’t make him feel small. She’s so compassionate, it is inspiring.