#Surely I'm not the only one seeing this

[firephoenix2305]

Me: Okay, let's watch a bit of the Olivier Awards, just to pass the time. And, most importantly, let's NOT make this Good Omens, yeah?

Michael sheen:

Oh, come on!! Even the haircut?!?!

Not to mention the bowtie!! Make it tartan while you're at it, why don't you!!

Please kill me already, and raise me from the dead when and ONLY when season 3 is out. Thanks.

You know, I'm really trying for the brainrot not to spread. I really, really am.

SOME PEOPLE just make it really difficult!

Edit: (Is it me or are they both vaguely sauntering towards their GO looks? I'm probably just going crazy, branirot and all, but I couldn't help raising an eyebrow at it)

[mumblesplash]

part 2!!!! [read part one here]

transcript below the cut arranged into stanzas to help show where the rhymes are:

“that’s why they brought gem in? as a failsafe?” as a pawn. we were told to point her at whoever we need gone

“gem won’t hurt her allies. …yet.” the curse she carries will it’s had its eye on her since she lost the other eye she was specially selected for her hunting skill it’s quite the high honor. “wow. how generous.” we try

think about it: why does almost no one fight the curse? “given how fast scott killed skizz last season, i can guess.” [“any pain you spare your friends, you’ll have to suffer worse”?] it’s designed to shut down higher reasoning with stress

[domirine]

ever seen a man so beautiful you ram your bike into his flowers?

my full piece for the retrouvailles zine! i had a lot of fun painting it. hope you enjoy looking at the lil details, plants, and the only character who has his shit together (the dog)

[stargatebarbie]

It’s my Stargate and I’ll make it pink if I want to

[canisalbus]

I know little to nothing about Ludovica's partner, but to me seems she'd wear pink or purple (tho idk if those colors were popular during the 1500s) pink because itd be a neat contrast with ludo's green, purple because its a regal color

I also keep stubbornly visualizing her in pink! Not barbie pink but something along the lines of dusty rose or light mauve. I don't think I've ever seen pictures of any proper pink being worn in late renaissance times though, it doesn't exactly fit the aesthetic (but I could be wrong of course). Most pastel colors are strongly rococo (1700's) coded to me.

[valcove]

Okay, hear me out

Imagine with me. Batman, pedaling as fast as he physically can, on this children's bike, chasing a rogue. It was the only option he had, and he knows he'll be made fun of later by his kids, but he has a mission at the moment, so he can't be bothered to care

And then passing him is Nightwing riding a segway (Nightwing themed, of course), Red Hood wearing heelies, Red Robin on his normal motorbike, and then Damian on a little classic child tricycle.

As it turns out, someone (Alfred) had hidden all the normal vehicles for a prank war, left only Red Robin's motorbike to frame him (because who would suspect Alfred??), and was currently receiving pictures from Barbara to add to a photo album.

Alfred knows he's safe from retaliation, even when they figure out who did it.

[tagarilaghost]

I SWEAR CELEBI'S THINGY IS COMING SOON BUT I REALLY WANTED TO POST THIS ALRIGHT

yeaah... future trio got me too...

and Darkrai is there too, because of course he is.

hey look i drew a cute Drifloon :D

...ignore the rest

whatever started at Darkrai doodles ended in brainrot of future trio + darkrai and I'm blaming @scribz-ag24 for this

[little-pondhead]

Danny moved to Gotham.

Freakshow is touring in Gotham.

Freakshow knows Danny is in Gotham.

Danny knows Freakshow is still after him.

Danny's faith in heroes has been shattered.

Danny turns to the only person powerful enough to run Freakshow out of town, hopefully for good.

Danny turns to the Joker for help.

The Joker is looking for a new punching bag sidekick after Harley Quinn left him.

Danny is just the perfect person to be shaped by the Joker's hands.

Danny becomes the new Joker Junior.

[front-facing-pokemon]

[localguy2]

I find it highly amusing how in situations where the ninja are separated/it's just the OG four, Kai and Zane immediately assume control/start spearheading the team because apparently no one else is sane enough or in the right mind to do so.

Your honour, they literally have one of the best dynamics in the show, with how they're probably the most protective people in the team. And it makes me mad how this is overlooked by the fandom and the show.

[aleespace-art]

Experimental drawing I did to test out different art styles

((TUMBLR WHAT DID YOU DO TO THE QUALITY??))

[yridenergyridenergy]

Vicious August 1998

[ephemeralgalaxies]

no no don't talk to me. you're telling me that Blitz and Stolas both have pictures with the other of themselves smiling while the other doesn't? and those are the ones they each keep? you're telling me there is a tangible representation of their different perspectives of their relationship???

Stolas' pictures including a conscious Blitz looking away from the camera and Stolas. Blitz's picture including an unconscious Stolas cuddled up next to him. Because Stolas believes them on equal footing/the same page about what their dynamic is with Blitz just hating every minute of it and Stolas. Because Blitz believes they're on different levels entirely and that the only way he can be content is when the rest of the world (and Stolas specifically) live on without him.

Because Stolas and Blitz are both terrified of being/dying alone, but while Stolas would sacrifice his love for Blitz, Blitz doesn't believe his own love is worth anything to begin with.

[murderofsomeone]

it's probably decently obvious that my main lemon demon design was created BEFORE seeing any fandom depictions (or even really that much official art past the logo) because of how violently he stands out in comparison to other designs. it's a little obvious that my inspiration was self-contained and it granted me a bit of creative freedom along with a completely different train of thought while designing him. his three eyes however is very much a relic of 2022 because I was designing a lot of demons with asymmetrical faces at the time and well, why not make another

anyway here's a comparison of him to my most recent lemon demon original design (where it's a bit more obvious I was influenced by somewhat of a fandom culture)

extra bonus rambling under the cut

my general design process has actually stayed relatively contained with a few exceptions like soft fuzzy man's color and weirdly neil himself. yeah sorry chat neil is the first guy that was highly influenced by someone else's design you can shoot me too if you'd like. but I legitimately believe he's the only real example because every other character that has a design remotely similar to someone else is likely due to us both following a similar source material (like my cabinet design being based off polybius) or there being only so many ways to interpret the design (gef the mongoose would've fallen into this category if it wasn't for the fact I made him Joker colors)

in general I tend to follow a mindset of how "weird" I can make a design or how much I can push a lyric/implement it into a design. I also like to twist around the convention and try new things. a good example of both of these apply to my doctor amnesia design.

really the main things going through my head were "well he didn't state HOW many eyes", chosing an eye color that often is overlooked in conventional beauty standards to elevate them and cause you to think, while leaning into the somewhat otherworldly nature she's depicted in by giving her blue skin, a color I associate with the song.

another fun thing I'll do is create a "design pipeline" where I'll take an attribute and run it through a list of connections before we end up in a place long past where we started or just combining a bunch of traits that could be interpreted that way, resulting in designs like this.

though wolfgang isn't my weirdest design, he definitely did not start where we ended off. I believe before the wizard of oz theming for clown circus was set in stone (a choice that has EVERYTHING to do with oz explodes and an element I'll explain later), he was some kinda mirror object head that had absolutely nothing to do with his current namesake. since I wasn't satisfied with that design, I kept a relative aspect of the personality and shapes and thus ended up creating a really interesting take on a character who is largely depicted as... well there's no really good way to say this, but Bad.

since I was working with a new fresh aspect I started by making him a wolf... and then connecting him to "there's a robot in my head". this kind of connected the dots to ultimately make him associated to the tin man, since no one was connected to that character for the wizard of oz element and it was up for grabs (this is also how he somehow got associated with toasters via connecting the previously mentioned song to "what's in the toaster", etc etc). these pipelines of connecting songs that aren't normally related, but making them Work in a believable way makes designs more interesting for me and gives them a bit more purpose and personality. I think this is what ultimately makes people get a bit lost on my interpretations considering they aren't super simple by just being about One Song, but by being about multiple that aren't originally related in the source material. just like how I connected dr amnesia to when he died, explaining a bit of her more mildly supernatural or off-putting elements by making the man in that song her father.

the final real design element that I focus on is the strange rule I follow in terms of how these characters are shaped. there's a massive sort of "alice in wonderland" theming going on in terms of how human/humanoid designs look in contrast to designs that look less and less human. their proportions become more cartoon and shaped, their sizes are affected etc etc all while the human/humanoid characters stay relatively normal next to each other with more believable design elements.

here's the horrid long strip of nearly 100 different character renders next to each other to get a general idea on what I'm talking about

the silhouettes of the human characters "pop" less because they're supposed to contrast to their nonhuman counterparts. which isn't something I normally do, but given the source idea of a sort of "wonderland", I think it works in this specific context.

in conclusion: I'm design autistic and like to use designing to try new things, which is why I fucked that lemon up. sorry about that chat

[orengejoshi]

Behind the curtains in Black Hat's room...

[lord-squiggletits]

I think the key component to my personal reading of post-Delphi Pharma is that he's trying to be a horrible person on purpose. Not "on purpose" in the way that people have free will to exercise their own choices, but in that Pharma's "mad doctor" persona is a performance he puts on to deliberately embrace how much everyone else hates him. Basically, if people already think you're a "bad Autobot" and a horrible doctor who just kills his patients for fun, why try to prove otherwise to people who have already made up their minds about you? Just fully embrace the fact that people see you as an asshole. Don't try to change their minds. Don't plead for their forgiveness or understanding. Just stop caring. If you're going to be remembered as a monster, you might as well be a memorable monster, and eke as much pleasure and hedonism as you can out of it before karma catches up to you and you inevitably crash and burn.

I mean, I guess you could just go the route of "Oh, Pharma was always a fucked up creepy guy and Delphi was just him taking the mask off," but I really don't like that interpretation because, for one, it feels really wrong to take a character like Pharma becoming evil under duress and going, "Oh well clearly he did the things he did because he was evil all along," as if somehow Pharma breaking under blackmail/torture/threat of horrible death was a sign of him having poor moral character. As opposed to, you know, suffering under the very real threat of horrible death for himself and everyone he cares about while being manipulated by a guy who specializes in psychological torture.

The second reason is that it just doesn't make sense to write Pharma as having been evil all along. I mean...

Occam's Razor says that the best argument is the one with the simplest explanation. Doesn't it make way more sense to take Pharma's appearances in flashbacks, his friendship with Ratchet, his stunning medical accomplishments, and the few we see of him speaking kindly/sympathetically (or in the least charitable interpretation, at least professionally) towards his patients and conclude "This guy was just a normal person, if exceptionally talented." Taking all of these flashback appearances at face value and assuming Pharma was being genuine/honest is a way simpler and more logical explanation than trying to argue that Pharma for the past 4 million years was just faking being a good doctor/person. I mean, it's possible within the realm of headcanon, but the fact is Pharma's appearances in the story are so brief that there simply wasn't room in the story for there to be some sort of secret conspiracy/hidden manipulation behind why Pharma acted the way he did in the past.

I just can't help but look at things like Pharma's friendship with Ratchet (himself a good person and usually a fine judge of character) and the fact that even post-Delphi, pretty much every single mention of Pharma comes with some mention of "He was a good doctor for most of his life" or "He was making major headways in research [before he started killing patients]" which implies that even the Autobots themselves see Pharma's villainy as a recent turn in his life compared to how for "most of his life" he "used to be" a good doctor.

And although Pharma doesn't know this, we as the readers (and even other characters like Rung) know about Aequitas technology and the fact that it actually works, so... if Pharma really was an unrepentant murderer, why couldn't he get through the forcefield too? The Aequitas forcefield doesn't require that a person be completely morally pure and free of wrongdoing or else how could Tyrest get through, just that they feel a sense of inner peace and lack feelings of guilt. Pharma has murdered and tortured people by this point, and put on quite a campy and theatrical show of how much he sees it as a fun game, so why then can he not get through?

It circles back to my headcanon at the start of this post that the "mad doctor" persona is just that-- a persona. Delphi/post-Delphi Pharma's laughing madman personality is just so far removed from every flashback we saw of him and everything we can infer based on how other people see/saw him before that, to me, the mad doctor act is (at least in large part, if not fully) a persona that Pharma puts on to put his villainy in the forefront.

To avoid an overly simplistic/ableist take, I don't think Tarn tortured Pharma into turning crazy. To me, it's more like the constant pressure of death by horrific torture, the feeling of martyrdom as Pharma kept secret that he was the only one standing between Delphi and annihilation, the physical isolation of Messatine as well as the emotional separation from Ratchet, being forced to violate his medical oaths (pretty much the only thing Pharma's entire life has been about), etc. All of that combined traumatized Pharma to the point that the only way he could avoid cracking was to just stop caring about all of it. Because at least then, even if he's still murdering patients to save Delphi from a group of sadistic freaks, Pharma doesn't have to feel guilty and sick about doing it. As opposed to the alternatives, which were probably either going off the deep end and killing himself to escape, or confessing to what he did and getting jailed for it.

In that light, Pharma becoming a mad doctor makes sense. It avoids the bad writing tropes of "oh this character who was good his entire life was actually just evil and really good at hiding it" as well as "oh he got tortured and went crazy that's why he's so random and silly and killing people, he's crazy" and instead frames Pharma's evil as something he was forced into, to the point where in order to avoid a full psychological breakdown and keep defending Delphi, he just had to stop caring about the sanctity of life or about what other people might think of him.

Then, of course, the actual Delphi episode happens, and Pharma's own lifelong best friend Ratchet basically spits in his face and sees him as nothing more than a crazy murderer who went rogue from being a good Autobot. Then Pharma gets his hands cut off and left to die on Messatine. At that point, Pharma has not only been mentally/emotionally broken into losing his feelings of compassion, he's received the message loud and clear: He is alone. Everyone hates him. Not even his own best friend likes him any more. No one even cared enough about him to check if he actually died or not. He will only ever be remembered as a doctor who went insane and killed his patients.

So in the light of 1. Having all of your redeeming qualities be squeezed out of you one by one for the sake of survival and 2. Having your reputation and all of your positive relationships be destroyed and 3. People only know/care about you as "that doctor who became evil and killed his patients" rather than the millions of years of good service that came before.

What else is there to do but internalize the fact that you'll forever be seen as a monster and a freak, and embrace it? People already see you as a murderer for that blackmail deal you did, so why not become an actual murderer and just start killing people on a whim? People already see you as an irredeemable monster who puts a stain on the Autobot name, so why beg for their forgiveness when you could just shun them back? You've already become a murderer, a traitor, and a horrible doctor, so what's a few more evil acts added to the pile? It's not like anyone will ever forgive you or love you ever again.

Why care? Why try to hold on to your principles of compassion, kindness, medical ethics, when an entire lifetime of being a good person did nothing to save you from blackmail and then abandonment? Why put yourself through the emotional agony of feeling lonely, guilty, miserable, when you could just... stop caring, and not hurt any more?