#Super regular about this guy

[m00njellyy]

[toastcryptid]

Continuation of this

[dykedvonte]

Do you have anything you've been thinking on but just haven't made a post about it yet? Also I'm really enjoying your fic!

I have a few things but it's likely mostly headcanons that I consider somewhat disconnected from my analysis.

Curly's parents had him old, only child, died shortly after he graduated and got the pony express position. It was the last big thing they saw him do which is a reason he stayed for so long.

Doesn't admit how much their death affected him

Jimmy has a largish family. One of the cases of too many kids to keep tract of, parent never really noticed any of them nor their behaviors

Anya lived in a lot of houses growing up, regular supportive family that just struggled to support themselves.

Became a nurse largely to avoid their financial struggles but mostly because she felt too many people weren't being cared for and advocated for in the world properly

Swansea likes high top sneakers most. Likes how snug they fit and how they shield his ankles at work

Curly has a bit of a caffeine problem since he can’t sleep. Can occasionally be found wandering the ship at “night” when he had some too late or just couldn’t sleep.

Daisuke knows a little about a lot of things. Starts conversations with “did you know” a lot but please don’t ask him deeper questions

Curly has known Jimmy longer but has worked with Anya and Swansea longer, met them during his middle years, met Jimmy shortly before college.

Swansea rents a house, Daisuke’s family lives in a big nice apartment, Curly has a condo, Anya live in a small one bedroom apartment and Jimmy has a studio.

Curly's home is very disconcerting. It's too normal to a like uncanny degree.

Anya is ambidextrous but prefers her left.

Anya and Curly are both not native English speakers so occasionally they forget words and bond over the mutual mocking they get from the rest of the crew. Daisuke knows some Japanese but is still learning, never picked it up as a kid

Only Swansea and Daisuke know how to drive, Earth in my mind is very post capitalist so only older people and like the extremely wealthy can afford cars.

It's also like walkable just due to how many businesses are in your face. Probably strict living vs shopping districts

I have more but the way that I headcanon about them is like too long.

[buwheal]

the uh. Keru. :-3

[agenderduck]

This is one of many posts I have planned on electricity. For this post specifically, I’m touching on the lack of autonomy the puppets have, and the unhealthy coping mechanisms and regression they fall into. If you listen closely, duck and red are talking about stain edwards, specifically how they had been used as a replacement for duck, in the background while yellow is preparing to climb the staircase. Considering the bigger boys actions later on in the episode, this feels more significant than just a joke or a piece of background dialogue (it probably is, just bear with me for the sake of over analysis). It’s a detail I don’t see brought up often, but an interesting one nonetheless. Not just because it’s funny, but because it serves as insight for what’s to come. This conversation is barely audible as yellow stares up into the black abyss above him. A divide between the trio is set up here, they are not on the same page. As yellow scales the staircase, base level red and duck fiddle with electricity. Theres a lack of care for the objects, or even living things around them showcasing that have that potential to do worse like the big and bigger boys. On a smaller scale, yes, but there’s a colder quality to the scene. Electracy warns them that what they’re doing is too much, but they are ignored. This ultimately leads to the power outage, spurred on by the two’s reckless over usage of electricity

The limited use of technology, and by contrast overconsumption is intentional, as it showcases a real lack of freedom. The puppets are stuck in a cycle regardless of what they do. They desperately want to feel in control of something even if it’s trivial. When they’re not doing that, the trio find themselves waiting for things like having access to a computer once a year. It’s worth noting that Colin is an older model of computer, as is pretty much every other piece of technology in the house. Interestingly, the trio do actually own a laptop, which is a lot more modern in appearance. They are never seen doing anything with it however. The few things that do take on a more modern appearance are either unusable or serve as a distraction. So the choice of duck having a hand held device in the void feels significant. It’s almost like a reminder to the audience that in theory, knowledge is right outside of their grip but they will never have it. Everything they do is limited.

The fridge scene is a rare moment where we see the puppets speak their genuine feelings, no strings attached. Not at all one sided or hollow. Duck and Red sit beside each other in the fridge scene knowing this is not something they’re allowed to have, but you can tell they want to scoot closer. They live in an unforgiving routine where the mere act of looking at each other feels like rebellion. They’re something more tangible and warm than their bigger counterparts, even if through skin made of cheap felt and faux fur. Compare this to the cold emptiness of the big and bigger boys and how duck and red seem to grow further apart despite always being paired together. Even if they’re sitting at a similar length in both rooms, the bigger boys seem to be magnetically pulled apart rather than together. The big boys sit side by side with their limbs tangled, in defiance maybe, but they don’t question their environment anymore and the walls have gotten smaller. The bigger boys live in a pseudo- futuristic prison. They have become the technology seen being fiddled with before. They play into each other’s antics, but lack any real emotion which greatly upsets yellow once he comes across them. He watches as they poke and prod at a suspiciously stain edwards shaped hunk of meat as their only source of entertainment, thinking that this is as good as it gets. Technology prodding at flesh. A parallel between Stain Edwards and the puppets can be drawn here.

Stain Edwards, in their initial appearance clearly craves more in life, but their sole purpose is to be moldable, to be shaped into anything the hands that grasp them want them to be. The trio are the same way, though they don’t know it. They’re obviously not aware of their true situation, but each of them have their own level of awareness, albeit in different areas, but that’s a different post for a different time. Red and duck comply and mold to their environments out of fear, a fear of losing that false sense of control. So, the bigger boys become the perpetrators of violence. They let bitterness consume them until they’re unrecognizable. Their egos get the better of them, fully encompassing them and leaving nothing but mechanical empty husks behind. Red and Duck are tricked into believing they’re in control, when in reality they’ve dug themselves into an even deeper hole than before. They expect yellow to join them, as this is just the way things are, and this horrifies him. Here before him are creatures that sound vaguely like his friends but in a completely unrecognizable form. Ultimately, no matter what form they take on, yellow’s urge to search for answers will always scare them. Yellow’s batteries means change, and change means bad things will happen. No more false sense of control. Yellow literally has his awareness stolen from him time and time again through his batteries. Without them, not only can’t he properly articulate himself, but he also can’t remember what happened before.

Yellow loves his friends, he knows that they’re flawed, and he can’t help but scale back down the staircase time and time again to help them. They’re all he has. He knows that they’re smart to an extent, but is that enough? Will they be able to handle it this time? I think he knows the answer to this already, though he desperately wants it not to be true. He knows that it’s not their fault that they get like this, but also maybe it is. Because truthfully the two like to let it get worse. Yellow sees the good in Duck and red and he wants them to do better, even if his efforts are in vain. Because the puppets do not have autonomy. He shreds the book because he can’t bear a reality where his friends don’t love him, but also because that’s where his strings are pulling him to begin with. He looks to duck as he does so knowing it will make him happy, as if to say he’s not wrong anymore. All he ever wants is to please him. Truthfully, that book had nothing that could truly help them , as such a thing doesn’t exist. Still there’s that small thought in the back of his mind that it could, and ultimately he chooses his friends over knowledge every time. It was never his choice to begin with. It was inevitably going to end this way, and a small part of yellow knows that, even if he can’t express it. The puppets are prisoners here, prisoners to another prisoner. She too participates in the same routines everyday, she too has strings that hold her back, but that’s a post for another day.

[soup-child]

I hope Milton's just a weird kid. He's perfect and not involved in any occult stuff.

[mychlapci]

god. i had a fucking. transformers rockstar au dream. it was like a rockstar reality show? where they were trying to build a perfect band.

[razzle-zazzle]

how does cole steal the scythe and end up fighting the ninja in raised by serpentine?

Okay okay so. (Accidentally) Stealing the scythe actually comes later! First, Nya catches a glimpse of Cole (and the other tomb dwellers) at the assembly in "Can of Worms." Then, in "The Snake King," when Pythor has the ninja pitted against Samurai X, Cole is in the audience. It's in "Once Bitten, Twice Shy" that Cole finally meets the ninja proper—in that he fights Zane and Kai to keep them from the Fang Blade while Jay and Nya are a little busy with Jay's True Potential.

Cole makes another appearance as an adversary in "The Royal Blacksmiths"; if Lou is alive in this AU, then it's him and his quartet that wins the talent show; if not, then it's Cole doing the Triple Tiger Sashay that wins the talent show. I'm still undecided on if Cole has hit his True Potential yet, and whether he gets it in this episode or later on as I had it written originally.

Cole wasn't supposed to be at the volcano in "The Green Ninja" but Pythor really really wants to punt Cole into lava so he let Cole come along. The Fang Blade nearly falling into lava was Cole's fault (not on purpose), and gives Pythor even more reason to despise him (the dislike is mutual). Currently, the only chance Cole has to encounter the Scythe of Quakes, and thus (accidentally) steal it is when he and Pythor end up on the Bounty after the ninja get all the Fang Blades back (they are NOT working together lmao, Pythor goes one way and Cole immediately goes the other).

The way Cole accidentally steals the Scythe is thus: he stumbles upon it, feels slightly drawn to it, and reaches out to it. When he touches it he gets a burst of—a feeling, something heady and powerful coursing through him. A sense of—of destiny, almost. Wu finds him while Pythor goes for the Fang Blades, and Cole runs for it without dropping the Scythe. When the ninja go over the edge, it's Cole who catches them. Why? Well, why not? Cole then makes it all the way off the Bounty and halfway back to Ouroboros before he realizes he still has it, hence the accidental part of the whole accidentally stealing the Scythe. As Nya points out later, it's more like the Scythe chose Cole than that he stole it.

[deva-arts]

You got isekai'd into SYSTEMA. What now.

Be amazed.

Remember I spawned into the "everything sucks" world.

Break down and cry.

Consider death as an escape.

Summon the global chaos by leaking insider secrets that could make about 200 new conspiracy theories.

Hope that Sera's conspirator ass tries to find me before one of the hits get me first.

Ending 1: I get sniped.

Ending 2: I get jumped.

Ending 3: I get kidnapped.

Ending 4:

Ending 200: It worked! Sera insults me. I cry from both the height she's holding me at and the insult respectively. She tells me to quit sobbing so I weep in incognito mode.

Make it into the Manumission. Wipe my face. Contemplate death again.

Get interrogated.

Get welcomed in! (I am still under close observation)

Quietly fangirl about my characters in 4k then feel incredibly weird about how much I know.

Get interrogated again.

I know that Nathaniel knows that I know but he doesn't know how much I know until I make it known that I know that he knows.

Consider death as- oh. He heard that too.

Literally everyone freaks me out for different reasons. I hang out with Sonia. She calls me fat. I still like you Sonia.

Live in the manumission under witness/informant protection and try not to die.

[soutsuji]

There's an English class on Golden Age detective fiction being offered next semester but the prerequisite for it is the intro to literary study class required for all English majors (which I haven't taken because I'm in a hard STEM major and don't have much time for electives, which means that I have to be really picky with my electives and only go for stuff I like AND doesn't have an awful workload) and also even if I did have that prereq, I wouldn't be able to take the class because it's at the same time as one of my major reqs. And also I'll be in two labs next semester and one of them is pure hell so like I literally don't have the time to take more than 13 credit hours (as tempting as it is to keep up my streak of taking 17-18 every semester even though it's been like really pretty bad for my social life and hobbies). Sigh. (Pressing my hand wistfully against the glass) maybe someday they'll offer the class again

[thats-my-passion-right-there]

I finally saw the mean girls musical (the movie one) I have so many fucking thoughts oh my god

[quatregats]

Started rereading Midshipman and had the cursed thought that these are not too wildly different of a genre than the Railway Series (aka some offset of School Stories) and so you could definitely swap elements from either and still probably end up with a cohesive narrative

[mephiles-the-jester]

top tier sonadow to me is shadow yearning so hard for sonic that they feel haunted by him even though he's still alive,like they fell in love at the end of sonic adventure 2,seeing super sonic be the natural ultimate lifeform that they werent,about to fall to earth and die, like its forever defined how shadow views their feelings for sonic, sonic is just some guy to everyone except shadow

[softness-and-shattering]

Why are all the men on one piece so hot?! help

[joelletwo]

out of nowhere like three customers this week have told me i have like. "a delightful disposition" or im so upbeat every time they see me and thats really nice to hear. bc i am so filled with hatred at all times and specifically lately but also i want to be having a good time lol. yayyyy passes it on to people i meet

[icharchivist]

also love how in the remake when Aerith comes in with her most beautiful dress Cloud is awestruck and clearly finds her pretty, meanwhile in the OG when she's like "so how do i look? :)" the only reply he gives is visibly shaking his head and sighing and her calling him no fun

he really doesn't have an opinion about it he just wants it all to end right now.