#So I think a lot of it is isolation and just not knowing who you are because you never see yourself react to anything in real life
Ok but imagine:
Your first autistic burnout with Logan
It was days like today that got you. It didn't happen all at once you noticed that things begin to get harder. Self care was a necessity but sometimes you just didn't have energy for it. For you it felt like time was speeding up, like you thought it was Friday but it's really Monday. Like the world spinning but your stuck where you are. That your trying to process every day and everything that happens but it's already tomorrow.
But you don't stop pushing yourself, they tell you have to push through. That you have the break time you need so why would you need anymore? That you barely taught any classes anyway, barely a teacher there. You felt selfish most of the time because if you listened to yourself you'd try to put yourself first. But no one else understands you? Unless your autistic it's hard to understand what it feels like to be burnout.
You started having bad mood swings, unable to regulate your emotions, as you usually would be to. It was hard to get around, to do just about anything because your body was tired. Your mind was fatigued, and the wrong words come out of your mouth a lot easier. Because you weren't acting normal you usually started beating yourself up because you shouldn't feel this tired. You shouldn't feel like even breathing can be hard for you. Which in these moments because a problem because of your unrelentless anxiety about having to put your mind to anything, or having to be social situations that you didn't want to be in.
But you had to show up for your job or you were going to lose it. Charles could only be so patient with you right? Even with accommodations in place, there was a certain point where you felt like in other people's brains there was no coming back, you just didn't want to get better. That you decided one day that you were just coming to become depressed. For so long doctors who didn't know you assumed you were bipolar, though you didn't have manic epsiodes. You just really intense happiness that could last for a little while but it was usually because you were in a mood swing.
Logan was instantly drawn to the moment he met you. You had the same type of darkness he recognized in himself. When you looked at him you had the same pain in his eyes that were reflected in his. The two of you had gone through very different pain and trauma, but when he learned about yours it didn't think it was any easier. Not with the mental and emotional manipulation you grew up with. The hours you spent alone and isolated because the world was simply too much for you. That you rather stay in your little bubble and never leave.
You'd been doing good for so long, you could have a bad day or a bad week, but you always got back up. Logan had never seen you practically paralyzed. You could barely keep your eyes open, you could barely move without groaning or crying, it was like your limbs were almost lifeless.
The room was pitch black, something he knew you didn't like. You always had a night light on, and now you couldn't even open your eyes long enough. You'd even covered your ears when he tried talking to you, a faint 'shh' coming out of your mouth. He felt the pain shoot through him as he saw the pain all over your face, you almost looked lifeless. Logan spoke quietly as he checked on you, before reaching for his hand and grasping on tightly while you started to cry. "What's wrong?" He whispered.
"I-is just too much." You bawled. "H-hold me tight please." Logan's arms wrapped around you without hesitation, listening to you as you laid your head against his chest, his arms tight around your body.
Eventually you needed space, feeling almost suffocated, but you didn't want him to leave. You didn't know how to communicate this, your own anxiety of just having to talk practically making you mute. You just climbed away from him, before whispering, "Stay." Laying your head on the pillow, and he laid next to you. You moved forward eventually, wanting the comfort of his hand in yours. Logan traced your features with his hazel green eyes, trying to make sure he was prepared for whatever you were feeling. Trying to understand something that he knew you couldn't explain to him right now.
All he knew was that you needed him and he wasn't going anywhere.
note: cried while writing this, i'm sorry i'm not filling in requests rn feeling a lot executive dysfunction and just trying to remain positive.
tags: @ohtobemare @jessjessmarvelandhp @chronicallybubbly @delicateholland @bubblegumholland
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Quick Evil Note
To all my wicked darlings, I have now received rather a lot of messages asking me about the influences of Long Live Evil. And I wish to get messages about LLE and truly appreciate the ones I do get! And I wish to answer them. But answers about influences are tricky.
The book has been out in the US for a little over two weeks, and it’s going so well so far, I couldn’t be more delighted and appreciative about its reception.
But also I’ve been informed (not asked) that two of my characters are obviously somehow both Harry Potter and Draco Malfoy of Harry Potter, and Wei Wuxian and Lan Wangji of Grandmaster of Demonic Cultivation. (Very puzzling as I don’t think these pairings - and one isn’t a pair - have much in common with each other or with mine. Vague hostility against a vaguely academic backdrop for a bit? For the record… in the book everyone is an adult and I don’t even have any academic backdrops to be vaguely hostile in front of…) This hasn’t happened to me in a long time, because I haven’t had an original novel out in a long time due to illness, and it is upsetting to always be discussed differently than writers who didn’t openly link their real names to their fan identity.
I have very different feelings and new appreciation for fandom than I once had. It’s been amazing to see and meet people who have stuck with me for decades. People are generally way more open and affectionate to and within fandom than they once were. Love matters to me a good deal more than hate. But getting death threats in your early 20s for excitedly telling your Internet friends you were going to publish a book does mark the psyche, and so does having your characters dismissed as other people’s characters.
And we can say there is nothing wrong with fanfiction or writing fanfiction and there isn’t! Fanfiction is great and can be genius. Terry Pratchett wrote Jane Austen fanfiction, and didn’t (and shouldn’t) have people saying Captain Wentworth = Captain Vimes. Still, when a TV show is discussed as ‘like fanfiction’ or when Diana Gabaldon said she didn’t like fanfiction and many said ‘YOU write fanfiction’ it isn’t intended in any kind spirit, even when it’s fannish folk saying it. And it’s just generally odd to have everyone call your apple a tomato, and has had professional consequences for me in the past.
However! All the asks I’ve received have been very kind, and I do want to answer them. I do want to talk about my influences because they are manifold and because I actually think it’s important to always talk about influences. I don’t believe stories exist in isolation - we tell tales in a rich tradition, and also a story doesn’t come alive to me all the way until it’s heard or read.
Long Live Evil is a love letter to fandom: it’s chock full of references to many many stories I’ve loved, to fairytales, myths and legend and Internet memes and epic fantasy and meta. My acknowledgements are endless partly for this reason. I do owe a great debt to many portal fantasies and archetypes and musicals and jokes about genre and plays through the ages, though I do think of my characters as themselves and nobody else.
I was frankly tempted to go ‘Yes I stole EVERYTHING! Bwhahaha!’ But while I am thoroughly enjoying and finding great freedom in my villain era, I do want to talk sincerely to you all as well, especially when asked sincerely interested questions.
But I’m a little scared to do so and have people say ‘AHA! Now we know what it’s fanfiction of’ (it’s happened before) or ignore me and go ‘we know the truth!’ (it’s happened before) and to feel like I’ve injured my book. Long Live Evil means more to me than any other and I really want to get talking about it right, and make sure it has the best reception I can give it.
So. Questions on all Evil topics very very welcome but answers to influence questions may come slowly. Bear with me. I am working on this!
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short rant about stanford pines because i need to talk about him
(content warning: mentions of abuse/cults/etc.)
ford is not evil, and i will not be convinced otherwise. he definitely struggles with emotional empathy in high-stress situations, but he’s got plenty of cognitive empathy when he’s given time to process. journal 3 made it extremely clear that he felt remorse for his actions, and ultimately he ended up admitting that stanley was the hero in the end. obviously feeling remorse ≠ earning forgiveness, but by the end of the book he’s very clearly taking steps to make amends for his mistakes and doesn’t expect forgiveness in return.
a lot of the shit ford did was also during the time he was being heavily manipulated by bill. again, this doesn’t excuse anything, but you have to remember that bill is so good at manipulation that he was one of the most feared entities in the multiverse for an enormous amount of time. bill used tactics commonly used by abusers and cult leaders to make their victims easier to manipulate (ie. enforcing severe sleep deprivation, waiting until the victim is at their lowest to make a move, isolation, love-bombing, etc.) and even when ford finally discovered the true nature of his “muse” he was effectively still being manipulated. during his 30-year dimension travels he was so worried about being used again that he agreed to have a metal plate surgically installed in his head and was still devoting 100% of his time and energy to bill—he just saw him in a negative light now instead of a positive one. again, bill’s manipulation doesn’t mean ford is exempt from accountability, but it’s worth keeping in mind.
another thing i’d like to mention is ford and stan’s parents. we don’t see that much of them, but between what we see and what’s implied we know that their father was pretty much the pinnacle of toxic masculinity. ford was raised believing that the only way he could be respected, not to mention loved, was by keeping his flaws to himself and strengthening his redeeming qualities. ford loved his research, yes— but it was also the only thing he could let himself focus on. without his assets, he was nothing (or so he believed).
ford is, at heart, someone who desperately wants to be known and loved. it took him a long time to realize that the solution to that was not awards or fame or glory, despite what he’d been led to think. it wasn’t by being the smartest kid in the classroom, or the toughest guy in the interdimensional battlefield. the best way to feel fulfilled, as he would eventually discover, is by being with people who love and trust him, and loving and trusting them in return. and he got there. bit by bit, he got there.
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Is it wrong wanting to have someone to love you the same way a yandere would? Or is it just insecurity? Idk
If you want the short silly answer, no, not really. You can imagine anything you want without repercussion. I can imagine a giant cat dog creature as a pet if I wanted to to make me happy. Sky is the limit. Also this is a yandere blog, so I imagine most if not all of the people here have wanted that in some way or another.
If you want the more long winded analysis answer. Also no. I've heard somewhere that yanderes fulfill the Maslow Hierarchy of needs (though this could have been a meme, who really knows). Which are from bottom to top- physiological needs (so basic needs like food, shelter, clothes etc), safety and security (health, stability, safety), love and belonging (trust, intimacy, friendship), self-esteem (worth, dignity, independence) and self actualization (personal desires, goals, etc). Yanderes can pretty much fulfill most of these needs, so basic needs like food and clothes, security (they can kill for you), love and belonging (because they love you no matter what), and self-esteem (yanderes are very good at encouragement). The last two are more iffy since they kind of focus more on the person's internal fulfillment, but they do match up with a lot of the needs on this pyramid that they would theoretically provide for.
For a lot of people too, the idea of being loved unconditionally is something that they do not have in life (due to possibly abusive/neglectful parents, socially not being accepted, feelings of isolation) which I'm sure most of the people reading this have some sort of issue like that. It can also be a sort of kink thing since a lot of people who do like yanderes tend to like a more protective, gentle figure and more possessive lover. It also can be a form of escapism from the current world we have now, as it can be very difficult with everything going on. It could very likely be some sort of insecurity, but it can also be something else as well. It's hard to say because I can't read people's minds or know everything about their lives.
But no, I think it is actually pretty common for people to want to have a yandere to take care of all the issues they may have in their life and there's nothing wrong with that.
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Greg Bryk was in episode 25 of Podcast141, co-hosted by Marwen Heni, Mars Lipowski, and Jim Boeven, to talk about his acting career in general, but also and mostly his role as Joseph Seed in Far Cry 5.
Since he’s already shared a lot of anecdotes in interviews and live videos on Instagram, I thought I wouldn’t learn anything new... but I did, so here’s a summary of what he said about his experience playing the Father.
We knew that the dev team (he specifically mentioned Dan Hay and Drew Holmes) had struggled to find the “right” actor for the role, but what I don’t remember ever hearing before is that, after two years of unsuccessful search, the project was almost cancelled for this reason!
Thankfully, that was when Greg Bryk auditioned. He had already said the script they gave him (and that he thought was “amazing”) was what became Joseph’s monologue in the mission “We Must Be Strong”, but he gave more details about what was originally in it. In this early version of his backstory, Joseph was 23 years old and working two jobs to support his family. One night, exhausted, he fell asleep on the couch as his pregnant wife went out to get ice cream. He was then awoken by a knock on the door, told she had been in an accident, and taken to the hospital. The rest of the story is what he says in Far Cry 5: when he arrives, his wife is dead, their premature daughter is “stuffed with tubes”, he hears God’s calling, and understands he has to make this sacrifice.
So he got the role, and when they called him again to record a sermon (my guess is it was this one, but I’m just speculating), he saw what the game looked like and thought everything and everyone was “incredible”. Over time, as they got to know him, they even changed the character and partly rewrote the Father specifically for him.
The team was also very accommodating. For example, the scenes are usually shot in the huge performance capture studio, but for the Heralds’ eulogies, which are much more intimate, they built a small room so he felt like he actually had something around him instead of a big, empty space.
A day before the game came out, the cutscenes were already available online and he watched some of them. He was very impressed by the last eulogy (or, as he calls it, “snot monologue”) in particular because of how “vivid” and “human” it felt. It brought tears to his eyes and he recalls his wife was “blown away”; it was “special”.
As for the fans, he thinks they’ve been very supportive and welcoming. Some have told him they felt heard and seen by Joseph, and he believes it’s because he’s a character who loves people for who they are. At this point, he and the co-hosts agreed that being an actor was a gift because it gives an opportunity to make people’s lives better, especially in video games because there’s a unique connection that doesn’t really exist in movies or TV series.
Marwen Heni mentioned that, while most villains want you to hate them, Joseph, on the contrary, wanted you to reflect and think that he might be right. Greg Bryk admitted that he believed everything he said, especially about family and technology. Sometimes, people are isolated or only have online connections, so having someone tell them, “I see you and I love you for what you are” is powerful. In his opinion, this message resonated with a lot of players because it’s a simple truth and we all want to be part of a family.
Joseph doesn’t control his followers with fear, Marwen Heni commented, but with devotion, and that too makes him compelling. As he was playing Far Cry 5, he started questioning whether or not he (as the Deputy) was right for opposing the Father, which is something Greg Bryk says he saw a lot in comments. He believes there’s “an intimacy to the relationship” between Joseph and the player, a “seduction” in the sense that we all want to belong. He’s humbled by the impact his work had on people.
When asked if he would be open to reprising the role, this time, he answered, “Absolutely”. In fact, and this is news to me, he revealed there were discussions about turning Far Cry into a TV show, and the different games would have been standalone seasons. That said, he added that, at a certain point, it’s necessary to let characters go and that he was grateful for what he had already experienced playing the Father.
Marwen Heni then asked if Joseph, who is very complex, was entirely fictional or if it was Greg talking through him. He answered his characters are always him, to a degree, because he wants to connect with the material so he never lies and can work from things that matter to him. He never judges them and tries to think about what he wants to express through them. He’s interested in their humanity and what motivates them. “We’re all broken,” he said. “Some are much more broken than others, and sometimes those broken pieces are very sharp and jagged, and they lash out.”
He also revealed he had “very specific rituals” to help him become a character and then let them go. He mentioned a few prayers that one of his friends, who is a Wiccan, taught him. In fact, and all the co-hosts agreed, it can be very hard to “disconnect” from a character sometimes because actors aren’t just pretending; they’re using real emotions.
He had already said his son Dempsey had done the mocap for John and Jacob in the Collapse DLC and that he felt carrying Ethan’s body in New Dawn was a way for him to honor his “boy”, his dead dog Lucky, since he deeply regretted that he couldn’t be there to take him to the veterinarian the day he passed. What I didn’t know, however, is that it was Greg himself who had asked if Joseph could carry Ethan, and the team made it happen. He also explained that, when it was time to play this scene, he tried to imagine what it would be like to actually lose his son.
But who is Greg Bryk’s favorite Far Cry villain? Well, when he auditioned and started researching the franchise, he was interested in Vaas because of Michael Mando’s performance. He still doesn’t know him personally but has a friend who worked with him and who spoke about “how electrifying his talent was”. There’s something “unhinged” and “primal” to him as a performer; he’s a “wild” and “special” actor.
Finally, when told he was born to play Joseph, he confessed he felt he was indeed “called” to play this part but wants to give credit to Dan Hay, Drew Holmes, and Jean-Sébastien Décant for creating such a “terrifyingly human” antagonist in the first place.
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thinking about todd and his resolve toward… not quite isolation, but being alone in a room full of people again. he goes along to the study room to sit on his own and do his homework, he sits at the poets table and follows along with what’s being said while keeping quiet, he goes to the meetings at all but doesn’t necessarily contribute (in fact, if you watch him when cameron is telling the story ‘from camp in sixth grade’, you can see that he recognizes it before any of the other poets but doesn’t voice it until they all have). he’s not alone, necessarily, if you want to get technical about it, he’s just lonely, and he’s generally okay with that. he doesn’t have friends and that’s fine, he doesn’t participate in class and that’s fine, he doesn’t have a relationship with his family and that’s fine—he could live without any real connection and he’d have been, more or less, fine.
the thing about when he says “i can take care of myself just fine!” is that he isn’t really wrong, you can infer that he’s been doing it his entire life anyway, it’s that ‘taking care of yourself’ isn’t the same thing as really living or being happy. todd’s an introvert, certainly, and even as he gets closer to the group he defaults to sitting quietly in the background, but he’s also denying himself community out of fear not introversion. todd isn’t friendless because he’s an introvert, although that definitely plays a part, he’s friendless because he pushes anyone that might want his company away. if anyone has every wanted for his attention in the first place. (neil’s unwavering interest in him is unique (even when it comes to the rest of the poets, who are fine with todd coming along and joining the group, but aren’t really hellbent on him being there in the beginning) and his refusal to accept it is a direct result of being so lonely growing up.)
there’s obviously something to be said about the implications of his parents neglect, and the more than likely fact that he grew up friendless, and how those both play a part in in him being so skilled at dodging social interaction/being so avoidant of it, but by the time we see him in the movie he’s all but accepted his fate as being alone his entire life. he’s already accepted being the family disappointment, and he’s already accepted he’ll never amount to anything, and he obviously doesn’t like it, but he’d have managed living with that knowledge without the confirmation that it was all wrong. would he have been miserable? almost certainly. but he’d have managed. he’d done it for that long already, anyhow.
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Thinking about Orchid and her connection to my take on Gender (because this was meant to be about her and the Crew but it just devolved into a character analysis kinda??? More trauma-dumping maybe???) This is very much an oc/personal rant so feel free to ignore it 🫡
So, Orchid started off as a character I didn't really think much of (hear me out this is going to be relevant) because I wanted to add a 'girl' character but didn't know what to *do* with her, y'know? She was always going to be the strongest one there, she had the odds stacked in her favor with her parents. She was always going to be the gloomy side-character to match Reset's energy. But I think she's gone through every stage of Generic Woman I could possibly find.
At first she was angry and abrasive (think Fell!Sans) where every other word was a curse and she was likely to throw the first punch then laugh as she kicks her enemy while they're down. This was when Reset was a cartoonishly self-centered villain whose goal was simply to prove others wrong. Then Orchid became a sort of sisterly figure. This was short-lived, but she was the one comforting people who Reset would torment, but would ultimately follow his orders, because at this point he was actually a danger and sadistic. And then there was the phase where the story mellowed out and she became the token Goth Girl who, yes she was strong, but was heavy on the 'whatever' energy. Then there was her Era of deep self-loathing and anxiety about her worth that held her back and made her a much more timid and meek character who would only lash out on occasion.
Now, Orchid is the best of those iterations I've written yet. She's calm, level-headed, and a natural leader. Her father raised those traits into her. But she's very reactive, and can be silly, and when she's comfortable it's likely that air of importance transforms into something more comfortable and familiar. She laughs loudly and grins wide, she likes loud video-games but loves to read in the quiet. She's extremely disciplined, and normally no one can get through her tough exterior besides her best friend, Reset. She does what she does for her own enjoyment, sure, but she's thought of every angle and makes her choice to help Reset and control the others with her whole chest. She still worries she won't live up to her invisible expectations, and that and her loyalty are her two driving forces.
I know that Orchid is important to me because she's the longest-running female oc I've had. I have a rough relationship with womanhood/girlhood and I know looking back that Orchid recieved every ounce of my distaste for being a woman that I could shovel into her. That never made her less of a character, she was actually always one of my favorites, and rarely was she a 'punching bag oc'. I just... projected onto her a lot. And she's a good sign of how I've learned who I am. I've decided that my own femininity is something I could live without. I'd rather not associate myself with it, and I'd like to leave it in my past, focusing on a future where I'm not tied down with any gender roles or expectations. That won't happen, but I've come to terms with it myself. Orchid though? I figured out through her that I don't have to hate women characters. My own distaste for my circumstances doesn't mean I have to push it onto my characters (on God I've never expressed anything rude to actual people, that'd be rude as hell and uncalled for, but I have a bad habit of disliking fictional women in media). So, Orchid is a well-roubded character finally. She has motivations abd goals and a *lot* more depth than I ever expected her to. She's happy with being a woman, she's content. She's not treated differently for it in unfair ways by those she cares about, so she doesn't mind it. She likes to wear pretty outfits and lets Reset add bows to her ribbons. She doesn't let being a woman hold her back in the slightest.
So, yeah. Orchid is one of my babies. If I ever leave this Fandom behind for good, she's one that's coming with (Ichor, Orchid, and Pretender all have human designs I can use elsewhere lol-) but in the meantime I'll just rotate her around in my brain for a while longer.
If I'm right, she's been with me for nearly 5-6 years and I went through a *lot* with her as an outlet. So, she's kinda just like an old stuffed animal. A lil ripped, matted fur, maybe a stain or two, but there's a story there and that makes it important beyond belief.
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Atla live action 😐
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tired n probably not cohertent but why are you so cool dude. not fair leave some fro tha rest of us bloggers >:/
MINE ALL MINE!!!!!!!!!! once I am finished SUCKING UP THE COOLNESS of EVERY BLOG ON PLANET EARTH with my HIGH TECH MOSQUITO PROBOSCIS I will put it all in my patented "COOL GUN" and then I will. yeah okay I have no plan past that. go on laugh.... whatever....... suddenly I feel ashamed. I will return all the stolen coolness to their respective blogs ... sorry planet earth
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thinking about fallout 4 against my will
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I feel like if one wants — and is trying to give themself — a mental disorder by using the label of “transid,” then they are probably already disordered in some other way that they are in denial of; because it‘s more stigmatized, or “less interesting” than the neurotype they’ve chosen to mimic… which is sad because they’re masking in two different directions at that point: one to hide their illness, the other to create an illness… which will lead to more illness. Bleak, to be honest.
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mistakes were made. should not have gone to library today. i will be leaving the house all five days of the week now (plus we went to a waterside on sunday for several hours) and uhm... i feel like i need to go hibernate for several weeks to feel even remotely okay again fhdkdl i am so tired i can barely think enough to string words together in any comprehendable way 🧍<- upset
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reading springfest now after everything in nagazora is making me crave more fu hua and mei interactions. i feel like thus far in my go through, i've never actually seen them interact, but it's kinda fun that the person who made the recommended reading order put springfest after nagazora (though of course this is probably in preparation for whatevers going on with senti/fu hua rn in ch 19)
but the way that the empyrea isolates herself so she doesn't have any attachment to those who she will outlive and how she winds up becoming lonely as a result threw me back to mei isolating herself in world serpent so that she can protect kiana and just... idk..... i think the two talk about that isolation would be interesting
also. i love fu hua. she's still at the top of my list for best character so i'm just a happy little guy getting more fu hua content now in the story :> yippee fu hua
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forever thinking about how, according to maslow's hierarchy of needs (or simply the self-actualization pyramid) that is basically this motivational theory in psychology that's made up of a five-tier model of human needs, that misao went from being on the third tier in her childhood to reverting back to the first tier currently which is food, water, warmth, and rest.
[ here's a picture of it for reference, y'all ]
so, in other words... she is just trying to survive SO badly right now at this point in her life, that she can not even worry about things like safety or security and especially not friends. and that is UHH... i might, or might not be sobbing right now
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it's so crazy and isolating hearing my friends talk about how they want kids u__u
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im so fucking tired of going to the doctors. i cant keep up. every week its a new test or a new lab or a new specialist. i'm just exhausted. i have to go in for blood work AGAIN- this is the fourth time since april. its expensive, and time consuming, and honestly? im tired. im just tired. all the fucking time im tired of the lack of answers, and the phone calls in the middle of the day, and crying at work in front of my students, and opening my email to new lab results every other day. IM TIRED OF IT!!! im not even afraid of hospitals or needles i never have been, even as a kid, but i couldnt stop crying last time i got bloodwork. ive never been upset by bloodwork before what the fuck. last week i had an ultrasound of my liver and i got a call in the middle of the work day today that i need to get a BONE SCAN?? are you kidding me?? im scared. and im tired. and im angry. and i dont want to do any of this. i just want to cry and isolate myself and go to bed and not see anyone ever but i cant fucking do that because i have to go get injected with radioactive contrast material and wait four hours so they can see what is wrong with my bone enzymes.
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