#She needs her own show

[princessbubblegumandjustice]

So this is Café Ole, Strawberry Shortcake’s Mexican friend. She is so stinkin’ cute and I never knew about her!!!

[pacipinka]

*taps mic* is this thing on? Yeah okay so every vampire in the vampire chronicles is turned at critical a moment in their lives and beyond just the body they are in when they are turned, their mentality stays at that standstill for their entire immortality, Lestat was turned against his will, he was clinging onto Magnus begging him to be freed, so he’s constantly seeking freedom and only finding loneliness and thus turning back to people again and again, however he can’t STAND being told what to do, since he desires agency in his life so desperately, Armand was turned after years and years of abuse and lack of control but such a desire for genuine love, by a man he ‘loved’ so wholly who he felt was barring his love from him, he needs control in his life, he needs a ‘master’ but he does not desire it, it does not fulfill him, he is trapped in a room but the door is unlocked! Louis was mourning his brother, he felt like an utter failure and so he’s always seeking family, seeking people he can care for, he can coddle, he can prove he is good too, but he loves people who either cannot stand coddeling and need a sense of looseness to live (Lestat) or people who grow out of coddling who prove to Louis he will always fail the people he loves (Claudia), Claudias turning, in many MANY ways mirrors lestats in that it was against her will, she was stolen from her home, and in her immortality she desires freedom but unlike Lestat does not have the agency/ form to get it, she will always be small, she will always be looked down on, even by Lestat who cannot deny how much she is just like him *taps mic* ARE YOU LISTENING TO ME!! NONE OF THEM CAN BREAK THE CYCLE!!! TO BREAK IT WOULD BE TO UNDO THE VERY FIBER OF THEIR IMMORTAL SELVES!! THE CYCLE IS THE BLOOD THEY DRINK IT IS THE HEART IN THEIR CHEST AND IT ROLLS AND ROLLS DOWN THE MOUNTAINS AND VALLEYS OF THEIR LOVE FOR EACH OTHER AND IT CAN NEVER BE STOPPED BECAUSE THEY WILL NEVER STOP LOVING EACH OTHER!!!!!!!!!!!!

[sanyu-thewitch05]

Honestly, this. This, this, this.

Especially with Agatha’s excuse of “it was the 1920s!” sounds so similar to how white people respond to reparations (“It was 400 years ago! Get over it.”)

[ambrosiagourmet]

I think one of the biggest tragedies of Laios & Falin and their relationship is how much his actions impact her life. But like. Specifically how much they WOULDN’T impact her life as much if they weren’t both stuck in such a shitty abusive situation.

This part of the Falin-tries-makeup daydream hour comic is what got me thinking about it again because truly it just... it seems like such a like an offhand comment that I'm sure Laios didn't mean to be cruel or anything. That's just like. A little kid not thinking about what they are saying. ESPECIALLY when the kid in question is Laios.

But man they depended on each other SO much as kids. Too much. It really feels like they didn't have any other source of positive reinforcement, or anyone else to share themselves with. So of course an offhand comment like that has a huge impact on Falin.

Or this little bit from one of the flashbacks:

This tears me apart. Do you think it tears him apart to think about? I think it does. I think Laios holds every small failure to care for Falin against himself.

And then there's the Bigger stuff. The way that him coping with his own trauma ended up impacting her.

Like his interest in monsters. Like him going to find a ghost, and accidentally revealing Falin's magic to the whole village in the process.

Like him needing to leave. And leaving her behind.

He shaped her life so much, and he carries so much guilt for it. And again, there should have been other people there to help. The same things that made Laios need to leave home are the things that made his leaving so hard on Falin. She ate alone after that. She shouldn't have had to eat alone just because Laios wasn't there.

She was 9 when he left for school, and he was 11.

Nine. And Laios feels like he failed her because he didn't stand by her through this better. As an eleven year old.

Both of these kids deserved so much better from the world.

[united-under-skyfall]

leverage is so fucking funny. man manages to find the most mentally ill and neurodivergent group of thieves on the market + an even more mentally ill guy whose literal job description was trying to chase all of them, and forces them into a found family speed-run by trying to blow them all up. they lowkey stage a full fucking country wide coup and are like eh 🤷 just another wednesday. this might be a fun place to vacation tho i guess. sophie shows up to her own funeral twice. they're so good at convincing people of their shit that they make a guy's body start reacting to an illness he doesn't have because it isn't real. go completely out on a limb and basically hand this one guy a new password for his computer so they can get into it and he goes with it. parker and hardison have straight up just "fake it 'till you make it"d into the fbi without even attempting to cover their tracks beyond just These Two Guys. half their clients never asked to be their clients and don't know they're their clients, and the other half are random people who find them who fuckin knows how, meanwhile no government agency can track them down without selling their soul to sterling. they make a point to have a dramatic scene w a Big Bad Shadowy Government Guy who doesn't actually get caught or brought to justice or anything telling them he's going to hunt them all down, and in any other show this would probably earn at least a minor arc later on but he literally never shows up again. an entire season finale hinged on a cake and a bunch of clams. they accidentally made eliot a celebrity not once, not twice, but three times. parker blew up her foster parents' house when she was like. nine. and it's hardly a footnote. hardison is just casually an artistic prodigy but it's only ever brought up for the most background of background gags. eliot's biggest beef with parker and hardison for like two and a half seasons is that they won't stop making weird food with lasers and refuse to realize they can't make a decent beer to save their lives. sophie's immediate response to being shot is to call her shooter a wanker. there's a character who has literally killed a man with a mop and they had the audacity to only put her in one episode.

[poorly-drawn-mdzs]

Bonus 13: Beware the Grapes of Wrath.

[First] Prev <–-> Next

[fulcrums501st]

Jinx was so worried about Vi replacing her with an enforcer in s1 only for s2 to confirm and approve of this development AFTER showing that Jinx was actually capable of changing for the better

[almea]

"But what if she isn't Ruby anymore when she comes back out?" "Maybe... that's not for us to decide."

[aenslem]

THE RAVEN Star Trek: Voyager

[mollysunder]

The Medarda arc of s2 struggled to be good, because the plot viciously smothered it. You can argue that Arcane was never about politics but you cannot say the Medardas were never explicitly a family defined by politics. So when the show shifted it's priorities from a drama steeped in political conflict where even though the setting was fantastical the stakes were grounded to a shift where magic is the end all be all threat to humanity, the Medardas are rendered largely irrelevant.

In s2 Mel's agency over her own story is both largely stripped from her and poorly communicated. Arcane has Mel abducted from the plot to be the Black Rose's captive. Even when Mel manages to free herself it's not through the traits the audience understands are her strengths, her cunning and social intelligence, it's through an innate instinct that natural to her and indecipherable to the audience.

Ambessa as a character is more or less a villain of convenience, which would be fine if she wasn't immediately following Silco's act. Once Mel is removed from the story Ambessa is largely disconnected from any emotional tension fuels conflict between the characters and previously drove the plot in s1. She's there to play the worse bad guy for Caitlyn and then give Viktor the man power for the Glorious Evolution.

It's frustrating to see the Medardas used the way they are in s2 because when they're together I can see how it could be good. When they're together Mel forces emotion out of Ambessa. In Act 1, Ambessa proved she could do circles around Piltover's court, which could actually put Mel in a tight spot.

Their final scene on paper sounds like a good idea where the true resolution to Mel and Ambessa's story was that Ambessa saw Mel's own ruthless behavior as she not only betrayed Ambessa to the Black Rose, but used her as BAIT to double cross LeBlanc. Ambessa died proud that her daughter killed her the way she did, and that's so cool and tragic, but the execution was a flop.

One, their final fight is completely unimportant to the actual Glorious Evolution, Mel's grief can't even be a highlight because it's interrupted by Viktor's mind trap. Two, their fight didn't rely on any of Mel's actual strengths, just magic and the poorly explained MacGuffin LeBlanc gave her. How did Mel even know it would do that?

It's like the writers had the bones for a great story for the Medardas, but then they're like the world's worst archeologists and fit those bones together in the worst way possible because they were convinced the bones made a stegasaurus instead of a T-rex or something.

[trappedinafantasy37]

One of the things that had my mind spinning for a while is that in the Shadowheart origin, if you reject Shar, Minthara will apologize. She will believe that she and the rest of the companions held Shadowheart back from achieving her destiny. She blames herself for Shadowheart making a choice completely on her own, thinking that Shadowheart's concern for herself and others held her back. Minthara feels it to be her fault that Shadowheart is not as powerful as she could be and she is to blame for Shadowheart walking away from her destiny. Minthara sees herself as having failed for Shadowheart making the choice that she did.

I know it is cut content and cannot really be considered canon, but she does something similar in the breakup. Where she's yelling at Durge and asking why they rejected Bhaal. And Durge can tell her it's cause they love her. When the breakup was slipped in, I was initially so angry because Minthara calls Durge stupid for choosing love over power (when Minthara herself chooses love over power). Especially since the breakup happens like 10 minutes after the alurlssrin confession where she says the two of you have an unbreakable bond. I used to be so confused on why she would be so upset that you actually loved her. Then I realized that she's not upset that you love her. She's upset cause she fears that your love for her held you back.

Even though she sees you as her equal, she keeps putting herself as less than you. Where your wants and desires are more important than her own, and your greatness should be put above any affection you have for her. She wants you to love her of course, but she does not want to be what holds you back from reaching for power. To Minthara, power is safety and she has never felt safe. She wants you to keep elevating yourself cause the stronger you are, the safer you will be and by extension, the safer she will be. So you picking her over power means you are less safe and by consequence, she is less safe. And as much as Minthara loves loves, she needs to be safe first. It's why it seems like she keeps making the same dumb mistakes over and over, getting herself into precarious situations. It isn't because she's necessarily blinded by love, but she feels her proximity to power should keep her safe.

I also had a discussion with someone on Reddit, talking where it almost seems like Minthara keeps putting herself in positions of servitude, despite having some pretty ambitious goals involving world domination. We are talking about someone who has been a servant of Lolth her entire life. She tells us she was raised to be a soldier in Lolth's army and that was all she was meant to be. For 200+ years she was a servant and has never been anything else and doesn't know how to be anything else, and I believe she is too afraid to try to be anything else.

As a paladin, she was responsible for keeping social order, follow the word of whatever Priestess was in charge and enacting Lolth's will, partake in surface raids, and kill any of Lolth's enemies. There was very little room for her to achieve what she wanted, because Lolth had to come first. And even if there were things she wanted for herself, they still ultimately had to please Lolth in the end. Her time in the Absolute is no different. She just swaps the Absolute for Lolth and keeps up with the same shit (although she is too brainwashed to tell). So of course she is stunned when Lolth abandons her and the Absolute attempts to kill her and throws her deep into a crisis of faith. 200+ years of service has always bought her safety, until it didn't. So when you come along, she just swaps you for the Absolute. Telling herself, "I just need to be better than I was for the Absolute, better than I was for Lolth, and I should be okay." And her little rant about the gods, Lolth, Bhaal, the Absolute. Minthara is not anti-god. Minthara is anti-gods who do not reward their followers for their service. Because to her, service should be rewarded with something (other than death). She plays both sides when it comes to Shar because although she does think Shar is a poison in Shadowheart's life and believes Shadowheart is better off without Shar, at least Shar did reward Shadowheart for her service by making her a Dark Justiciar and elevating her to Chosen.

You would think she'd learn, but she doesn't. Not because she's stupid, but because her basic need for safety isn't being met. And so be fair, her "mistakes" with Lolth and the Absolute were relatively recent. So she keeps pushing people down the path of ruin and never going down the path herself directly, thinking that if she helps you become powerful, she will be safe. Where if she stands beside as you walk down this path, you will reward her for her service. Where she does not believe you would betray her because she helped you get that power. Where she thinks her service to you should buy her safety. Because to her, the most important thing she can be to you is useful. And she is terrified of being useless. So she provides you with unbreakable loyalty, devotion, and servitude, (and perhaps love). Where she will help you achieve your ambitions, whether it be to become a Dark Justiciar, the Vampire Ascended, the Slayer, or a god. Her path to safety, and greatness, and true power is forever lost to her down in the Underdark. So all she can do is help you walk down yours.

She keeps doing the same stupid shit over and over, making the same mistakes with people over and over, cause her fundamental need to safety is never being satisfied. And her service to various gods and entities technically did buy her safety, but only for an unknown period of time. And when she loses that safety, she thinks that the problem is her. That she was punished because she was not a good enough servant. That if she was a truly good servant, she won't lose your safety and your protection. And she thinks love interferes with your perception of her as a servant. She wants you to see her as a loyal servant first, lover second, because the only things in her life to be truly rewarded was her service, whereas her love got punished.

[moeblob]

A lil guy !

[cloysterbell]

Pete, I need you to stay here.

[abyssal-ilk]

im curious about something. when you imagine which companion or advisor or npc is helping your inquisitor with the effects of the anchor, who is it? is it their friends or partners? is it the entire inner circle? is it maybe a companion or advisor that your inquisitor doesn't actually get along with very well but trusts them out of necessity? do they try to brave it out on their own instead? curious minds want to know (me)

[leonardalphachurch]

i hate how important the fact that carolina wanted ~revenge~ is to her arc to so many people like. so many analyses of carolina act like her needing to learn to let go of her desire for revenge is THE defining point of her character. and don’t get me wrong it is an important part of her character arc but it is nowhere near her fatal flaw or the main crux of her arc and growth like. she wasn’t on some grand revenge quest that consumed her and made her go down some dark and terrible paths— the worst thing she did in season 10 was be mean to the reds and blues. she was just trying to kill her abusive dad. which like. a) good for her and b) literally the SECOND it was in her grasp she IMMEDIATELY caved and gave up her quest for revenge. like her process of learning that revenge isn’t all it’s cracked up to be and that she would not find solace in this was. instantaneous. she learned her lesson SO fast. it was not even a little bit of a problem. she’s fine. revenge? not even on her plate anymore. no thank you! she’s not interested. that part of her arc was all wrapped up, it was just a period of her life and not the central conflict that defines her before or after it.

[not-the-blue-spirit-here]

Headcannon where azula has a soft spot for cats of all kind cause of how cute and majestic and collected they always seem, but for how ferociously they fight. And how she always wanted one but she was scared of what ozai might say if she asked, and of what he might do to it