#Shaun Murray

[alison321singer]

When You Say Nothing At All 1b

I am singing my own version of this song and Shaun Murray is playing the guitar for the song called "When You Say Nothing At All by Ronan Keating" recorded through my microphone.

"Copyright Disclaimer Under Section 107 the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use." All rights go to their respective owners. No Copyright Infringements of rights intended. I make no money from my videos, which means none of my videos are monetize.

Yes, I have permission to use this music as backing a track. From Shaun Murray, "yes please feel free to use the video for your singing project".

Guitar arrangement by Shaun Murray Link to original video: https://youtu.be/w-otGadMMAE?si=rll_GC_Krn2RKaTX Song: When You Say Nothing At All Artist: Ronan Keating Genres: Country, Pop

[lgbtqreads]

Most Anticipated Queer Middle Grade: January-June 2024

The Curse of Eelgrass Bog by Mary Averling (January 2nd) Nothing about Kess Pedrock’s life is normal. Not her home (she lives in her family’s Unnatural History Museum), not her interests (hunting for megafauna fossils and skeletons), and not her best friend (a talking demon’s head in a jar named Shrunken Jim).But things get even stranger than usual when Kess meets Lilou Starling, the new girl in…

[timeagainreviews]

The Eve of the 60th Anniversary-ish

My ability to name things isn’t the best. I overthink and end up with a five-year-old blog called “Time and Time Again.” Terrible name. “I should change it,” I’ve said for five years. Well, I am going to do just that. But in the meantime, I need to find a name for this type of article. As is tradition around here, I like to write a short article about my predictions, expectations- nay, hopes for the incoming series or era of Doctor Who. I usually label them as “Thoughts Leading Up to…” which is fine. But is there a word or phrase out there that says it succinctly? A sort of Whatchamacallit, Marsupilami, Raxacoricofallapatorius? If I do find a better name for this series, do I call it part five or part one? Davies is calling season 14 “Season 1.” Why can’t I?

In considering a new name, I have decided to return to the very first article of this type- “The Eve of the Thirteenth.” So from now on, I’m calling this my “Eve of Series.” Hopefully, you’re reading this article on the Eve of the 60th Anniversary special “The Star Beast.” Or you’re way late to the game and it’s August. In that case, enjoy your view from Hindsight Bias Tower, as you laugh at my fatuous forecasts or marvel at my prognostic aptitude. So in no particular order, here’s a list of some shit I’ve been thinking about.

RTD2

Where else to start but the man himself? And what a controversial man he’s been (especially this week!) Not five minutes into the new RTD era and we’ve already had a massive retcon in the form of Davros. While, the discourse on this situation has been its usual abysmal self,  I expect this to be par for the course. From Chibnall stans hoping their aggressors end up with egg on their faces to the far worse transphobes and ableists decrying every decision thus far, Davies is right there in the centre of it. Pushing people’s buttons. He seems like a man on a mission and if I had to guess, it is to shake the cobwebs out of our collective Doctor Who-themed sheets and duvets. 

Davies has a monumental task ahead of him. Make something both the Chibnall stans and his haters would like to watch. He could ignore the haters, but they help keep the lights on. And just as important, you don’t want to alienate the people who have enjoyed the show for the last five years. In many people’s eyes, mine included, Chibnall left a broken show in his wake. It’s my opinion that Russell T Davies plans to break it further. I’ve thought about this a lot lately, and I think it may be time for us as a fandom to question why the Doctor has so many rules. Because let’s be honest, Doctor Who’s canon is a mess and it barely matters. Why not embrace that? You think the Cushing movies and the Past Doctor Adventure books are canon? Sure, why not. You still incorporate the Faction Paradox into your version of Doctor Who? Go for it. We all have our own version of Doctor Who, why not embrace that?

The Whoniverse

Considering the popularity of muti-verses in media right now (get ready for multi-verse fatigue) it makes sense that this new Whoniverse may start embracing the many directions Doctor Who branches. This is an opportunity to explore different avenues of the Whoniverse while simultaneously fueling the ever-ravenous Mouse’s need for Content™. In other words, Doccy Who is about to get crammed down our throats like nobody’s business. If you’ve ever had someone’s business down your throat, it can be nice but can also wear out its welcome. Short breaks help.

If you’ve read this blog, you’ll know I’m a rainy-day fan. I’m here for the long haul. I am not so much worried about overexposure to Doctor Who as I am the diluting of story. So long as the stories are good, I’m happy. So far, the Whoniverse has extended in the form of “Tales of the Tardis,” a sort of saccharine introduction to classic Doctor Who for beginners than an actual series in its own right. But in its short span, this unassuming nostalgia trip introduced us to an aspect that may just be integral to the Whoniverse at large. When Ace notes the Seventh Doctor’s older appearance he replies- “Timestreams are funny things. In some, I regenerate. In others, I don’t.”

Every time Data returns to Star Trek, we have to ignore the fact that Brent Spiner is ageing. Why does the Second Doctor have grey hair in “The Two Doctors?” These issues have bogged Doctor Who down for its entire run. It’s a rigid aspect of an otherwise malleable narrative. Not only does this dialogue explain the ageing appearances of Doctors, but it also gives writers carte blanche to do as they like. In this way, the Sixth Doctor gets a better costume. The Seventh Doctor has grey hair. And Davros has always walked. It’s a show about time travel and we as fans keep treating it like we’re the Time Lords. Time travel should be weird and confusing. As the Eleventh Doctor said- time travel is damage. Perhaps the Whoniverse will allow us to see some of that damage in its own time.

Fourteen’s Familiar Face (and Teeth)

When I had originally heard murmurs of David Tennant returning, I wrote them off as the worst idea possible. It’s not that I dislike David Tennant, but rather it felt like a step back for the show. I’ve always admired the show’s capacity for change and this felt stagnant. No Doctor should be the Doctor forever. Rather cleverly then, the show introduced us to Ncuti Gatwa before David Tennant. Already my curiosity had been piqued. Tennant was returning, but only for a moment. You have my attention, Russell. They knew we would see Tennant filming in his slick new threads, and they got ahead of it. It feels like equal parts stunt casting and clever writing. It would be unfair to any new Doctor to carry the weight of the 60th on their shoulders, so let’s revisit some of the old favourites, eh?

The Children in Need special was our first look at this Doctor, and as my friend Taryn put it- it was great until the Doctor showed up. It was a joke, but the stuff with Davros was genuinely interesting on its own. As soon as the Doctor showed up, the tonal whiplash was jarring. This isn’t to say it was bad. It’s for the kiddies, it should be lighter in tone. The joke about the Kaled anagram that went on too long was evidence early on that we were about to slip into the realm of panto. The main takeaway is that David’s still got it and that Ian Levine needs very little reason to turn on you. Neither of which was unknown to us before.

Donna and Rose

One of the more annoying traits some Whovians possess is the tendency to see a selection of Doctor Who characters and say “You left out so and so.” And usually, more often than not, that so and so is Rose Tyler. There’s always someone out there ready to see more David and Billie. That’s why I was pleasantly surprised to see the return of Donna Noble. But as a nice little nod to what came before, we get her daughter Rose. I love the entire idea behind this Rose. As Sharon Davies, Doctor Who’s first black companion was first introduced in “The Star Beast,” it’s delightful to know Doctor Who’s first trans companion will be introduced in “The Star Beast.” There’s a nice symmetry to that.

I also like what Rose implies about Donna’s story. When we last saw Donna, she was getting married and about to win the lottery. Her husband Shaun and her are still together all of these years later, and they have a daughter named Rose. As a trans person, I latched on to the name aspect of Rose’s character immediately as trans people name themselves. If she picked the name Rose out of nowhere, is it possible that a dormant Doctor Donna somehow passed attributes onto her progeny? Is there more to the name than coincidence? I certainly hope so. Russell T Davies seems dedicated to telling trans stories and our names are a huge part of our journeys. If he turned that aspect of the trans experience into a wibbly wobbly timey wimey phenomenon, I might love him forever.

I’m also just stoked as hell to see the return of Donna and her family. They’ve been hush on Wilf in the trailers. I suppose they’re trying to keep some surprises for the people out there who haven’t had Doctor Who news pumped intravenously for the last year and a half. I hope that they don’t forget Donna and Shaun’s lottery winnings. It would be a shame to see Donna bumbling around trying to find temp work after all this time. I hope she never had to work another day in her life. What I want for Donna, is a lot of what the trailers seem to imply- for her to feel whole again. Her adventures were stolen from her. I hope they don’t just bring her back to kill her. Donna doesn’t need to die to leave the TARDIS, she has a family. Give her a happily ever after!

Disney+

While we here in the UK will see no Doctor Who on Disney+, the rest of the world will. This is pretty big as many younger international viewers resort to piracy as they don’t have cable and no one in their right mind would pay for HBO Max or whatever the hell they’re calling it now. Recently a bunch of the usual shitty diaper babies shat their shitty diapers over the idea that people in other countries might be able to watch Doctor Who before the UK. I highly doubt that will be the case. Just because time zones exist doesn’t automatically mean that they won’t wait to drop the episode once it becomes available in the UK. I don’t know that for certain, but what I do know for certain is it hardly matters.

I’ve also seen some people worry that Disney will have too much say in Doctor Who’s content. And while they have given RTD the occasional note, it is still Bad Wolf making the decisions. I would like to think that Disney knows to leave well enough alone. They’ve not exactly had a great year at the box office, so it’s not like their advice is valuable these days. They could tell you a hundred ways to tank a franchise, which is technically helpful. Add to that the year they had with SAG-AFTRA and I think they’re probably hurting for a bit of help from their friends in Britain. Disney’s biggest contributions will likely be calling season 14 “Season 1,” as to not confuse subscribers and a higher budget.  We appreciate the cash injection, Mickey, but please piss off.

Murray Gold replacing Segun Akinola

I wrote the exact opposite of that sentence five years ago. It’s weird how many aspects of Doctor Who have returned, but this was the first one that actually felt like a step back to me. Murray Gold is a great composer. His theme for The Face of Boe is a gorgeous piece of music. Matt Smith’s theme song might be my favourite Doctor Who theme song ever. But I am a fan of the Radiophonic Workshop and Segun Akinola was tapped into that in an exciting way. I’m just not sure what more Gold can do than more of the same.

Gold’s new intro was the second time I was disappointed by RTD’s Doctor Who. While many people were living for it, a few of my friends and I were disappointed. It gets a bit meandery and the parts you want to go hard simply don’t. I’m going to chalk this up to the poor sound of a live performance and hold my final judgement for the fully mixed version. As it stands, it’s standard Murray Gold. Nothing new. Underwhelming in its sameness. However, as I was tufting a Doctor Who rug the other day, I listened to the first six season soundtracks back to back and found myself pleasantly surprised by some of their offerings. Gold was always doing his best work when it was atmospheric and electronic. That’s the Murray Gold I’m most interested in hearing more from.

The Specials Themselves

For the most part, I’ve stayed away from fan speculation. Even in this blog, I’ve tried to stray from speculating actual plot points (save for Rose). I mostly hate it because it’s all hearsay and ultimately bullshit. There have been the supposed “leaks” about bi-regeneration and even if they’re true, it doesn’t mean it’s automatically bad. Good writing can make just about any concept work. If you were to read out the plot synopsis of any story, it could sound awful. What a synopsis lacks is gripping dialogue, compelling scenes, and filmmakers coming together to achieve the correct tone. You can't gauge how good something is going to be by description alone.

What I can see is Neil Patrick Harris as the Toymaker, pulling the strings of the Doctor’s fate. Is he the reason for this familiar regeneration? Is Beep the Meep’s status as a comic book character part of it? How meta will this go? Will the Doctor remember Beep the Meep from his Fourth Doctor days or will the Meep be brand new to him? I’ve said before that you don’t want audiences asking the wrong questions. I feel like every question I’ve had since filming began was one of curiosity as opposed to confusion. I’m excited to be excited over Doctor Who again. When they revealed the three posters for the specials, I literally jumped for joy. I was ecstatic. These posters were creative, fun, and they left you wanting more. Fantastic.

My Own Relationship to the Show

My version of Star Wars is the original trilogy. I can’t stand the prequels. But lately, I’ve tried to take a lighter attitude toward them. While I still think they stink, I also recognise that they’re here to stay. That’s kind of where I am with the Timeless Child. I still hate the concept, but I accept it’s here to stay. And I am actually trying to be more open-minded about it. Now that we have better writers at the helm it might even turn into something interesting. As I stated above, the fandom is due a shakeup. As it stands, I am pretty open to a shakeup. This doesn’t mean that I don’t secretly hope Susan will show up and be revealed as the actual Timeless Child, but I’m realistic.

Recently someone also pointed out to me that the Doctor’s watch could have turned the First Doctor into a normal Time Lord, with the usual number of Time Lord regenerations. While this doesn’t explain why the Doctor being the most important Time Lord ever was necessary, it at least helps plug a plot hole. It’s ironic that Chibnall’s questionable writing may actually lead to Doctor Who’s canon being blown wide open. Equally ironic is the fact that he has actually improved my enjoyment of Doctor Who. I call it the Chibnall Effect. After the Chibnall era, middling episodes of the Davies and Moffat era have been bumped up considerably. Sometimes it takes a bad film to help you recognise a good film. 

There’s a wrongheaded notion floating around these days that RTD fans are living off of nostalgia. While I don’t doubt there will be someone out there chasing a feeling lost to the winds of time, I should also point out that not all of us watched the Davies era as children. I was in my late 20’s when I got into Doctor Who. I have no little kid nostalgia for it. I was a junior in film school. I’ve been taught how to view art critically and I can say that the Davies era has its flaws and its strengths. I think for an atheist, he has a weird obsession with the Doctor as Jesus. And I found the schmoozy romance between Ten and Rose nauseating. But the man knows character development. He understands human emotion better than Moffat’s stunted women or Chibnall’s stunted everyone. What I’ve found in revisiting the RTD era is a consistent focus on characterisation. Without that, all of the clever writing and stellar effects amount to nothing. I love when Doctor Who is great, but at this point I’ll settle for competent.

A Personal Note

As I stated in my Monster Makeovers article, I will be covering the new episodes as they release. However I have recently started a bit of a project. I have taken up rug tufting and hope to eventually make a living out of it. Because of this, I will have to budget my time. My hope is that I will always have time after episodes to write reviews, but they may occasionally be a day late. If you’re interested in following my rug tufting journey, I started an Instagram account under the name pipedreamfasting. Feel free to drop me a follow.

In other news, I am actually planning on changing my blog’s name. I’ve been mulling a few ideas over, but nothing is final. Maybe I’ll do a poll, that is if my reader base is large enough for a poll to matter. That being said, I hope your Doctor Who anniversary special experience is a happy one! There’s been so much vitriol in the fandom lately that we could all use a positive experience. Happy anniversary to the greatest show in the galaxy!

[mimoo-bib]

Heyyyyyyy!

New post!!!

I haven't posted for a long time so I'm going to put all the drawings I've done since the last time (in 2 parts).

So… part 1 :

- Jonah from tmc volume 4 by Alex Kister

- Shadowy Figure from OK KO and an oc I made

- Stanley (tmc) from an au and Six (tmc) from a roleplay

- Mark (tmc) from an au

- Adam and "Preacher" from tmc

- Shaun (tst by Pat) from the same rp

so part one is done…

[numberxxisora]

Today, we end off the session by wake boarding around and slapping some guys off their tubes.

[screenzealots]

"Trader"

An incendiary, provocative, and disturbing psychological thriller about the seductive nature of quick cash and the willingness to bury your own morality to get it.

Writer and director Corey Stanton‘s psychological thriller “Trader” is set in a solitary, confined location with only one actor ever seen on screen, but it’s not something that should be casually dismissed as just another gimmicky independent film. There’s a potent force both behind the camera and in front of it, and the end result is a shrewd and incendiary commentary on Wall Street, greedy…

[davidtennantgenderenvy]

Oh my gosh the star beast was EVERYTHING I could have hoped for and more we are so freaking back (slight spoilers)

WE GOT:

David Tennant running around the tardis like a little boy in the most soul healing way imaginable

Best Supportive Mom Donna Noble

Best Supportive Husband Shaun Temple

HOPE FOR WILFRED MOTT?!

the doctordonna being the greatest thing ever to exist

David and Catherine making me laugh AND cry (sometimes in the same scene)

David in general doing an amazing job playing the Doctor a bit more mature and tired and gentle and lost

THE DOCTOR BEING VULNERABLE AND OPEN WITH HIS EMOTIONS?! IN THIS ECONOMY

David Tennant Losing It Scene (kinda)

amazing trans rep THANK YOU Yas and Russel

beep the meep

ten’s theme AND Donna’s theme AND I am the doctor (and Murray gold’s score killing it in general)

being nonbinary is a superpower apparently

Literally no notes it had ALL the wonder and magic that made me fall in love with this show 8 years ago I am so so pleased

[ninjapotatohead]

Hype culture is just as destructive as outrage culture. I don’t want to make people feel bad. It’s not for the cringe. That isn’t the point. The point is that blind hype is CONSTANTLY dragging Sonic down.

Ive heard the same argument over and over again, “ugh can’t you just let people enjoy it and be hyped it’s FUN!” Literally anything is fun when you don’t think about the consequences of that instant hype and fun. You don’t really think about how this affects the overall lifespan of the character as a whole, you just enjoy that momentary high you get from anticipating a “new Sonic thing” coming out soon and OOOH what’s it gonna be like?!

But then that thing comes out and most are let down and then they immediately run to seek out their next high. You come, you ravage, then you leave.

You’d get about the same amount of “enjoyment and hype” from a sonic shaped box that can either have gold or a pile of shit in it. It’s a gamble, and you are addicted to that feeling of wonder. Even after you discover it’s a pile of shit over and over and over you still come back with the false hope that maybe the NEXT one will actually have gold in it!! But you don’t actually care if it does or not. Those moments before you open the box is all that matters.

That’s not the bad part though, that’s just the human condition. PROVEN human condition I might add.

It’s like watching your friend kick a beehive over and over and instead of telling them to stop or trying to pull them aside, you just shrug and say “Eh let’s just stay positive and see where this goes. I don’t want to be negative and ruin the fun! Look at how much fun we’re having!” Ol and behold your friend gets hurt, everyone around them scolds and mocks them for what a stupid thing they did. But you won’t worry about that. “Next time we’ll just kick the beehive a little differently and be MORE supportive!!”

You’re not helping. You’re enabling.

Why encourage that shit? Cause being positive is good, no matter what the result is?

Just because you CAN be positive about something doesn’t mean you SHOULD, especially if it’s creating an ugly pattern that Sonic’s being put through over and over and you people just keep egging it on.

I will always be the angry old man yelling at clouds on this one but I’m standing my ground.

I said the same shit about No Man’s Sky and people said the same thing to me then. Game came out and people were not happy with it. The devs ruined their reputation.

I said the same thing about Forces, people said the same argument again. Game came out and while a lot of people tried to convince themselves they liked it, over time people began to realize just how flawed and lazy it really is. Almost every respected critic on YouTube has little good to say about it and plenty to mock. And these people aren’t IGN, these are critics and reviewers with real understanding about games.

I said the same thing about Fallout 76 and well you get the idea by now.

Why oh WHY do you keep doing this? You know what the definition of insanity is?

Stop doing the same fucking thing over and over again and expect a different result. Sega doesn’t care if this is good or not. Paramount doesn’t give a shit! I’m starting to think the directors may have their fair share of what Shaun Murray gave us a taste of.

I know you must care. You HAVE to care. I GET not shitting on something for no reason. I understand why keeping a hopeful outlook can be good, but did you know you can do BOTH? I’m hopeful they will CHANGE it. And if they don’t I’m not going to roll over and let Sega have their way with Sonic AGAIN. Of course we’re going to make a stink about it, because we care. You don’t want to shit on it because you care.

We all want the same thing, for Sonic to be GOOD again, but turning a blind eye to its faults and fuck ups for the sake of getting more of that precious high you crave is hurting it more than anything.

I know this is jumbled as fuck but it really pisses me off when people dismiss the justified uproar as just hating or shaming.

Like I always say, the Sonic fandom is its own worst enemy.

[ilovescaredysquirrel2]

Cartoons made by good people (yes, even Nickelodeon)

I'm going to tell you the name and shows of some GOOD cartoon creators first, then I'll tell you the BAD

SpongeBob Squarepants (made by Stephen Hillenburg, who refused to put SpongeBob in school, even though Nickelodeon pressured him, so he put SpongeBob in boating school. They also called out Dirty Dan in an episode of SpongeBob)

Marvin The Tap-Dancing Horse (made by Betty and Michael Paraskevas, mother and son do who worked on the books too)

Maggie and the Ferocious Beast (also made by Betty and Michael Paraskevas)

Wallace & Gromit/Shaun the Sheep (made by Bob Baker, Nick Park, and the Shaun the sheep show was made Richard Starzack)

Camp Lazlo (made by Joe Murray, who made Rocko's modern life but he made Camp Lazlo and Lets Go Luna way more family friendly)

Fifi and The Flowertots (made by Keith Chapman, who also made Bob the Builder but this show's 1000 times better than Bob the builder)

CatDog (made by Peter Hannan who I'm assuming is a good guy, I think they called out Dirty Dan in an episode but it was more subtle)

Rugrats (made by Arlene Klasky and Gabor Csupso. I think they also called out Dirty Dan in Rugrats and originally they wanted to make Angelica a nice character instead of bad)

The Backyardigans (made by Janice Burgess, who I don't know much about, but I feel bad she recently died and they made a reboot that looks hideous, just a month after she died)

Curious George (The guy who wrote the books had to escape war, Curious George books have been around for a long time. The stories were also ahead of their time)

So those were all the GOOD people

So with all the news of cartoon creators ending up being secretly monsters behind the scenes, and it's mostly Nickelodeon and Cartoon Network. These are the BAD people! Dirty Dan Schnieder didn't make cartoons, but he made a lot of sitcoms. There were other p*dophiles at Nickelodeon besides him, and I'll name them. John Kricfalusi, who made Ren & Stimpy, is also a horrible perverted freak who did what Dan did. There was a guy from Cartoon Network (Kyle Corrozza I beleive is his name) who got arrested for having CP on his computer, but he didn't touch anyone from what I heard. Dirty Dan and John K are the worsts! Butch Hartman is also a weirdo too, but I just know him as being ableist and a womanizer. I don't think he did anything dirty to children, although I have seen some suspicious things in Fairy odd parents. We all know who this b**** Vivziepop is, right? That chick who created Hazbin Hotel and bodyshamed an animator, treated her animators poorly, made fun of religion, and romanticized a r*pe scene!

[qbdatabase]

Hello, I saw that you had awesome recs for bi4bi books! I rarely have found bi4bi books in genres other than contemporary so I was hoping you could help me with that? Could you please recommend bi4bi (sapphic) books in fantasy, horror, mystery and basically any genre other than contemporary

heads up, these lists will include poly pairings with at least two female characters, pansexual / queer / unlabled multi-gender-attracted identities, and F/NB pairings

bi4bi WLW Fantasy

The Apocalypse of Elena Mendoza by Shaun David Hutchinson: Cuban-American bisexual female x white bisexual female

Payback's a Witch by Lana Harper: bisexual female x Russian-American bisexual female

The Lost Girls by Sonia Hartl: bisexual female x bisexual female

The Goddess of Nothing At All by Cat Rector: Norse bisexual female x pansexual genderfluid LI

Thornfruit by Felicia Davin: starts with lesbian female x bisexual female, but ends with an FFNB poly triad with a bisexual genderfluid MC

A Lake of Feathers and Moonbeams by Dax Murray: polyamorous bisexual female x queer non-binary MC x Asian bisexual female

Vicious Devotion by Aveda Vice: queer female x queer female x queer male x queer male in a polyamorous quartet

The Sea Witch by Katee Robert: half-Vietnamese polyamorous bisexual sub female x older fat black mga Domme female LI x (sub?) male LI in a polyamorous triad

bi4bi WLW Historical

The Companion by E. E. Ottoman: polyamorous bisexual transgender female x bisexual transgender female x transgender male

Her Countess to Cherish by Jane Walsh: pregnant bisexual female x mga bigender LI

Mademoiselle Revolution by Zoe Sivak: biracial Haitian bisexual female x French bisexual female (possible) LI; French male (possible) LI

Windfall by Shawna Barnett: bisexual female MC x bisexual female MC x asexual male LI x male LI (love square, but the bi!F MCs do also romance each other)

Scandalous Passions by Nicola Davidson: Domme bisexual female x sub questioning bisexual female x sub straight male with a stutter in a polyamorous triad

bi4bi WLW Horror

Wilder Girls by Rory Power: mga female x queer female

A Dowry of Blood by S. T. Gibson: polyamorous bisexual female x bisexual female with mood swings and depression x bisexual male

bi4bi WLW Mystery

Missing, Presumed Dead by Emma Berquist: bisexual female x bisexual female

All the Things We Do in the Dark by Saundra Mitchell: white pansexual female with PTSD x Korean-American queer mga female

The Girls I've Been by Tess Sharpe: bisexual female x mga female

Bury the Lede by Gaby Dunn: bisexual female x bisexual female, black lesbian female

The Night She Disappeared by Lisa Jewell: mga female x straight male (possible) LI; bisexual female (possible) LI

The Drowning Summer by Christine Lynn Herman: bisexual female x bisexual female

bi4bi WLW Sci-Fi

Curved Horizon by Taylor Brooke: bisexual female x demisexual panromantic female

City of Shattered Light by Claire Winn: chronically ill bisexual female x Japanese/ Portugese bisexual female

Victories Greater Than Death by Charlie Jane Anders: white pansexual female x black Brazilian bisexual trans-nonbinary femme

Honor Among Thieves by Rachel Caine: black bisexual female x Brazilian bisexual female x bisexual male in a polyamorous triad

full notes on representation and publishing info at qbdatabase.com

[alison321singer]

When You Say Nothing At All 1a

I am singing my own version of this song and Shaun Murray is playing the guitar for the song called "When You Say Nothing At All by Ronan Keating" recorded through my camcorder.

"Copyright Disclaimer Under Section 107 the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use." All rights go to their respective owners. No Copyright Infringements of rights intended. I make no money from my videos, which means none of my videos are monetize.

Yes, I have permission to use this music as backing a track. From Shaun Murray, "yes please feel free to use the video for your singing project".

Guitar arrangement by Shaun Murray Link to original video: https://youtu.be/w-otGadMMAE?si=rll_GC_Krn2RKaTX Song: When You Say Nothing At All Artist: Ronan Keating Genres: Country, Pop

[resonmalvo]

My Moon Knight Season 2 ideas cause I lost trust to D+ Marvel TV after Secret Invasion

Oscar Isaac as Marc Spector/Steven Grant/Jake Lockley

Marc trying to have a normal life after the event of last season，but the shadow of Khonshu and the darkness from his past make this difficult.

May Calamawy as Layla El-Faouly

Layla finds herself in a dilemma，whether to become a superhero or just use her new power to do she used to do，and a vengeful force is dragging her back to Marc's life.

LaMonica Garrett as Raul Bushman

A merciless mercenary，one of the cause of Marc's trauma，he and Marc's path are going to be crossed again，and Bushman doesn't mind taking Marc out again if Marc blocks his way to what he wants.

Assaad Bouab as Jean-Paul“Frenchie”Duchamp

Frenchie is an old but estranged friend of Marc and Layla's，Marc felt guilty about him because of the catastrophic events of the past，and they have to reconnect because of an old enemy.

F. Murray Abraham as Khonshu

The God of Moon continues to manipulate Marc，Steven and Jake，but he needs to pay attention to a new supernatural threat

Joe Dempise as Jeffrey Wilde-Mogart

The brother of Anton Mogart，a arms dealer cartel leader in Madripoor，after the death of his brother，the fire of vengeance towards Marc and Layla let him make deals with two dangerous existences，one is a supernatural force，and the other is Raul Bushman

Amirah Vann as Gena Landers

A local cafe owner in London，a good friend of Jake，she's a widow with two kids，and is

currently struggling because of the lease. Jake is trying his best not to involve her into his own mess

Shaun Scott as Bertrand Crawley

A street performer in London，Jake's friend，promise Jake to look out for Steven and Marc when Jake is not in control of the body（and give their information to Jake），he's also a know-it-all，he knows what happened in the underworld of London

Rashida Jones as Dr. Andrea Sterman

Marc's therapist，she cares about Marc a lot，she guides Marc through his entire life trying to find the real cause of his trauma and his personality，she also devoted to build a therapy clinic for people who aren't wealthy enough to get help.

Julianne Nicholson as Scarlet Fasinera

The owner of the shelter where Marc volunteered to help，she's a kind， caring but mysterious woman，offering places for women who can't find a home，she also have many dark secrets from her past.

[allhailthemightyquattro]

Got around to watching The Star Beast, so thoughts:

The good:

Donna Noble is back!

Murray Gold is back!

Love the opening credits. Best they've been since Matt Smith (Capaldi's credits weren't bad, but this sequence is better).

Beep is so cute! The special effects department/props department deserve all the praise.

Beep is so evil! Love to see my little war criminal embrace their megalomania.

Sylvia's reaction to hearing the Doctor's voice was priceless!

I love how they addressed trans issues. It didn't feel like a tv show telling us that they support trans people and that we should too. It felt like a tv show showing us trans issues. They had a trans character and their family facing problems that a trans person and their family could (and do) face in the real world, and they let the audience decide if they are okay with that happening or not. Showing people a particular side of an issue will always be more helpful than simply telling people that their side is wrong. The hardcore transphobes won't be swayed either way (and probably would only be watching to authenticate their hate) so addressing the issue with them in mind would have at best alienated the audience and at worst insulted them (looking at you last few minutes of Orphan 55).

I particularly liked that they included Sylvia's difficulty with knowing what to say to Rose. It's clear she loves her granddaughter exactly how she is (a great contrast between her treatment of Donna in series 4) but she doesn't know if she's doing things right. It's something that I don't often see addressed in internet fandom spaces, where every small slight is condemned as a terrible offense. Changing cultures is a learning curve.

I think they had a shot of Rose at Donna's wedding at the beginning, which helps (but doesn't really solve) the age issue. Donna started dating Shaun in 2009 and is not visibly pregnant at the end of that year, meaning 2010 is the earliest possible year Rose could have been born, making Rose 13 if this episode is set in 2023. Having the wedding scene from the End of Time be set after Rose was born helps with believing Donna could have been pregnant during that story.

The TARDIS looks pretty cool. I love the call back to the classic TARDISes.

The Doctor proudly proclaiming that Beep was defeated by the DoctorDonna as he holds Donna in his arms 🥹

Shirley Anne was awesome.

Donna's little speech about Wilf when convincing Sylvia to let her go, reminding us that Wilf also suffered a loss when Donna lost her memories.

The psychic paper not catching up and listing the Doctor as a "mistress".

Rose inheriting the metacrisis. There is a catch to this that will be explained in the next section, but by and large I loved the idea.

The not-as-good:

I was hoping for a few more non-RTD references considering it's the 60th anniversary. I know we still have two more specials to go, so I should be patient, but it's still a little disappointing.

I'd hoped they would do something a little different than the comic. The comic is great, so this isn't really a bad thing, I'd just hoped for something more.

Having the metacrisis be a reason for Rose's transness (is that a word?) wasn't great. Everything else about the reveal was great - the toys, the shed, her name - but her gender being part of that just cheapened the issue they were doing so well with. Just for the sake of being clever. I suppose you could say they were making a point about time lord gender, but that point has been made. It got made years ago. It wasn't needed.

For most of the episode, Finney being older than her character didn't bother me... except when they showed her friend, who was played by someone much closer her character's supposed age. The age difference was very hard to ignore in those scenes.

Beep mentioning "the boss". Very menacing and very foreboding... but the Most High does not have a boss. The Most High is the most high and death upon whoever says otherwise!

Donna and Rose just letting the metacrisis go kind of ruins her goodbye in Journey's End and is somehow both lazy and overthought. Sharing the metacrisis between two people would have been a convincing enough reason for it to not kill Donna. They had their fix it already. And it was a good one! They didn't need to add another, much worse one.

[kl125]

The usage of both Ten and Eleven’s themes throughout the episode had me squealing!! Welcome back, Murray Gold and Russel T. Davies!!

Lovely to see Donna and Sylvia again, and Rose and Shaun were WONDERFUL additions. (I know Shaun was kinda already in the show, but now we got to know him more).

I can’t wait to see what they do with the other two specials and beyond. The Doctor and Donna are BACK!

[cyb3rsku1l]

Rules and things I write for! <3

Rules:

Will do:

•Smut

•Headcannons

•fluff

•horror

•yandere writes

•Kinks

Won't do:

•Inc3st

•R@pe

•SA

•Gross things in general

•NO FOUL KINKS.

Things I write for:

•WWE:

Rhea Ripley, The undertaker, kane, Roman Reigns + others (depending on who)

•Somethings wrong with sunny day jack:

Jack, Shaun, Ian(?), Joseph, Nick.

•Slashers:

Michael Myers, Thomas hewitt, Bubba Sawyer, johnny slaughter + sissy, Vilmer slaughter, Jason Vorhees, Brahms heelshire, Billy Lenz, Billy and Stu, chucky(?), Freddy Krueger (?), Rusty nail, + others depending on who!

•Overwatch:

Mauga, Cole Cassidy, Hanzo, Genji, + others just name who!

•The Mandela Catalogue: (no smut!)

Cesar Torres, Mark heathcliff, Adam Murray, Jonah Marshall, Gabriel(?), intruder(?), Thatcher + others

•Boyfriend to death

Strade, Ren, Sano, Lawrence, + others (new to the btd fandom at the moment!)

•Lurking for love:

Ovi just Jacob lol

•yandere visual novel characters:

John Doe, Peter, my dear hatchet man, Tate frost, Elias Gallagher and Taylor, dachabo, + more depending on who!

(Please respect my wishes for asks! I will try and write for as many asks as I can so please be patient!)

[offbookkeeping]

okay this is semi obscure but i will now be listing off my favorite off book episodes that you should absolutely listen to right now

(not in any particular order)

• 277. wine from the hospital floor with addie weyrich

• 165. one two tree with eliza skinner

• 146. bachelor quest with the 2 johnnies

• 118. barn of darkness with paul sabourin

• 87. what's in thrift store with sasheer zamata

• 13. attorney at love with nicole parker

• 4. curses curses curses with jamie denbo

• 283. all black everything with ross bryant

• 229. breadtime: who will survive with rachel bloom

• soap opera! with kelly marie tran

• 224. the other scottish play with katie berry

• 83. night at the natural history museum with janet varney and steve berg

• 247. a single pull up to save the president with peter benifaz

• 209. non stop socks! with lilan bowden

• 275. this book only happens when you read it with rashawn scott

• 270. PMS: perpetual mischief season with gilli nissim

• 196. get haim to the greek with shaun diston

• 189. anything goes: in montana with demi adejuyigbe

• 198. can i compare you to a cheese? with sherry cola

• 177. trashassic trash with nick mandernach

• 161. clear eyes, full hearts with arden myrin

• 114. billionaires and future children with carl tart

• 23. o little town of doggywood with paul f thompkins and nicole parker

• 21. murder on the picturesque express with scott aukerman

• 299. clueless: a paints mcspectrum mystery with scott aukerman

• 102. love island: normal edition with elliot glazer

• 29. reborn in the fire with rachel bloom

248. cowminal house (animal house where the animal is a cow) with brendan dowling

• 88. tacoma valley with douglas widick

• 213. moms, bombs, and dante's gone with laci mosly

• 271. kisses to my critics with tim murray

• 250. intermission! with alice stanley jr

• a seastar is born with jeff hiller

• 80. candy crushin' it with mark mcconville

• 81. sean cullen live at sketchfest

• 99. mirage à trois with lucas hazlett

• 102. the cat five and the bad boys with heather anne campbell and nick wiger

• 73. The Dr & the Beast with D'Arcy Carden

• 74. actually, love with matt rogers

• 291. every place i cry live at permanent records

• 110. keeping pace with pace with the cooties

• 75. a cup of christmas with paul f thompkins and nicole parker

• 66. we object to fear

• 228. mariah who are ya? with matt rogers

• 34. zigging through time with ross bryant

• 96. summer stock: the musical with joel kim booster

• 290. the podcast about a ride about a show about YOU with tony rodiguez

• 6. wolf/tuck:LIVE! with d'arcy carden and paul scheer

• 11. shift your north: LIVE! with griffen newman and michael cruz kayne

• 18. touched by a gabriel with ashley ward