#SORRY ANON THAT WAS A LOT!

[shadowxamyweek]

Didnt Flynn himself and or some other Archie artists comment on the whole Shadamy as Silver's parents due to Silver being basically Trunks, and with Shadow being the Vegeta figure well, it just kinda makes sense no? Although honestly I see Rouge as more a Bulma that Amy is. Amy clearly fills Chi-Chi's role a lot more especially to Sonic's Goku. Then again, the comparison doesnt have to be perfect and its not like Sonic takes all the inspiration from Dragon Ball completely to heart.

Flynn and others have made several passing comments/jokes about Silver being a descendant of Shadow and Amy, yeah. However, Flynn himself has stated, as have said-other writers and artists, that whatever they say is not canon. It's just them having fun.

I kinda like that they can do that? Like, a person should be allowed to have fun with the material they work on, even if what THEY see and think isn't in the final product. Gotta go through quality control after all.

Sonic DOES take a lot of inspiration from DB, without question. Flynn himself did make the connection between Trunks and Silver. I can see both sides of the coin that you present with Amy, to be honest. She is a lot like Chi-Chi AND Bulma. Best of both worlds, I guess XD I don't believe this would directly correlate with Sonic's world though. As you said, 'the comparison doesn't have to be perfect, and its not like Sonic takes all the inspiration from Dragon Ball completely to heart.' Which like... is good. If it DID entirely lift and drop stuff from DB into its own plot, that might be grounds for plagiarism XD I do not know Japanese copyright law, however.

If this is in relation to the whole 'Is Silver Your Kid' question that was received here, I'll confess.... I wanted to leave the door open. I wanted to imply that it is possible, as Amy points out, that Silver MIGHT be their kid. She was casting about for reasons to doubt it until she conceded that the reason people probably think that is because of the relationship and parallels between Shadow and Silver... then low-key joked/blamed Shadow and their treatment of Silver as to WHY people think that. Then, Shadow flipped the script back on her.

Dunno if I got that across properly. I might not have, but that was the original goal.

I confess, too, that I had originally planned on going into physical similarities and differences as well as anatomy spiced up with some headcanons. Like- 'Don't just assume that Shadow and Silver are related because of chest fur. Most dudes have chest fur. Sonic doesn't because he doesn't want to take too much testosterone.' but I was worried I couldn't answer that in character in a logical way given the parameters of the question.

But yeah... *waves hand vaguely* that- wow I over answered this SO badly- that's the everything I guess XD XD XD XD

[egophiliac]

What do you like about the Diasomnia boys if I may ask?

I always love hearing about the different reasons people enjoy characters.

I mean, c'mon. he has split custody over Sebek okay

also, Lilia in particular has maybe the best timeskip character development of all time

[skrs-cats]

set after leafpool dies, before the bonus scene w jayfeather dealing w that grief gets resolved. guess who was bitter over a certain cardboard character bitch not being included in that

Next

[lesamis]

If you're up for it could you explain what is making the Germany government stuff so funny? I can find news articles about it (a coalition is dissolving? There's been tension for a while?) but they're all fairly serious. Thx!

ohhh, sure thing! i'll do my best!

i'll say upfront: this is a pretty serious thing to happen. our chancellor fired our minister of finance, Lindner, which definitively breaks up the governing coalition. germany will likely have snap elections at a moment in which far-right parties are polling extremely well. if news coverage about it seems like people are Worried, that's because, well, they are.

however. the reason it's funny is because our minister of finance was fired. ministers aren't really... ever fired. like, it's not a done thing. i'll fully admit i didn't even know it was an option until yesterday. and our minister of finance wasn't just anyone, he was one of the most mocked and hated figures in politics to germans who vote anywhere left of center.

the coalition that governed until yesterday was made up of the green party, the social democrats, and the neoliberal party (FDP). the FDP is infamous (and i mean, my parents already raised me to hate them for that) for playing kingmaker in coalition governments: they never get all that many votes, but they get just enough that whoever they agree to form a government with will probably succeed. they then tend to force extreme concessions from their coalition partners, because hey, if we walk off, you can't govern at all! so you better play along!

for the past three years, this behaviour has been extremely frustrating for germans who voted for greens or social democrats, because policy from their faction was constantly being blocked by the FDP and often by Lindner personally. the FDP received 11,5% of votes in 2021, but to many of us, it felt as if they were the only party who really had any say in the governing coalition. it made the green and social democratic coalition partners look spineless and passive.

and now, i invite you to imagine how on the day of the US election results, the day the whole world rolled their eyes at the sheer fucking stupidity and pointlessness of it all, at NINE IN THE EVENING, just as germans are getting ready to settle in to bed to dream of nightmare global politics -

the news suddenly breaks that our notoriously invisible chancellor just decided to fire Lindner for that exact behaviour. this chancellor comes out and says, on camera, to the entire sleepy nation, that acting the way Lindner did - blocking necessary policies, refusing to approve budgets unless his party's interests were met - was childish, selfish, irresponsible, and unfit for government, so, whoops, he had to go. shame. coalition over, i guess.

so, politically, that was a long-needed but never-expected moment of triumph for those of us who think the FDP is a clown show made up of human TESLA shares, and it came at a hysterically funny moment.

on a personal level, i can barely explain how uniquely hateable Lindner has always been. he's what would happen if a stock index graph came to life. he hates poor people with a relish; he mocks welfare recipients and would ax minimum wages in a second. he's everyone's business major roommate who shows up in boat shoes fresh off a yacht to discuss NFTs with you. throughout the entire time that he's used his rich boy policy blackmail strategy, he's been smug about it, and he was never taken to task for it, and millions of germans have been longing to throw rotten fruit in his face since 2017. and now we finally get to do it. via memes. on the day of trump's election win.

so that's why it's funny.

[tofixtheshadows]

Id love to hear ur interpretation and analysis on falin! She’s one of my favorite characters and and I was wondering what ur thoughts on her are

Man, I struggle to think of anything I could say about Falin that others have not already said. But she's one of my favorite things about Dungeon Meshi too.

So much of the story revolves around Falin, and she's not even there. Tumblr loves to talk about haunting the narrative, but Falin might be one of the best examples of it ever put to page. She's dead. She's alive. She's dead. She's alive. She's alive but she's missing, she's alive but she isn't herself. She's dead but she might wake. She's dead but she's frozen in ice. She's alive but she's sleepwalking. They chase her ghost and they chase her body all through the story.

I think what Kui does with her is fascinating. Not just as character with a personality we can analyze, but as an object in a narrative- that's why I say she's one of my favorite things about the story, because I also mean it in a mechanical sense. As a writer, Kui's really good at misdirection- that is, setting you up to believe or expect something about a character or a plot, and then turning that on its head. It's most apparent with Kabru, but it works really well with Falin too.

Because the precious little sister is a very well known character archetype, right? So is the gentle healer. The heart of the party. The white mage girl. The damsel in distress. The martyr.

And this isn't a Laura Palmer situation, where we find out that beneath her wholesome surface there's something dark and troubled. No, Falin truly is a kind and gentle person. That isn't where the misdirection leads (and that, too, I think, is another misdirection- it's not "Plot twist, she isn't as nice as you thought!", which would almost be too easy).

The misdirection here is more about structure than about character (but also, yeah- a little about character).

What I mean is, with these archetypes firmly in mind, along with a whole other host of fantasy genre expectations, I think anyone who goes into Dungeon Meshi un-spoiled probably expects Falin's rescue to be an endgame event; at least on a subconscious level, where you're not really thinking about it but in the back of your head you're already stretching out the story to place Falin firmly in the distance. Fire breathing dragon at the bottom of the dungeon is perfect final boss material, right? Slay the dragon. Rescue the princess.

And Falin is the perfect prize in the traditional old school fantasy that the concept of the titular dungeon is a send-up to. Blonde (white), soft-spoken, sweet-natured, beloved by everyone. An angelic figure.

Maybe that's why Ryoko Kui gave her white wings.

It is sort of jarring when chapter 23 rolls around and it's already time to fight the red dragon. And it takes a few chapters, but they succeed. And then Falin's impossible resurrection succeeds. But by then you guess that this is not going to be the story you expected it to be.

I want to point out that Falin spends a lot of time getting, well, babied, post-resurrection. Marcille washes her in the bath, despite Falin stating that she's capable of washing herself. Marcille schools her about her mana use despite Falin demonstrating that she is not hurting for mana, and brushes aside Falin's explanations. Both Marcille and Laios refuse to actually tell her what happened. Laios scruffs up her hair like she's a little kid and scolds her for something she can't remember doing. Marcille explicitly calls her a little kid when Falin tries to talk about how much she's grown.

Of course I'm not saying that Laios was wrong to act like a big brother, or that Marcille shouldn't be worried about taking care of her shell-shocked friend in the bath. But the framing of it clearly shows a Falin who is struggling to be heard.

If you'd like to address the big gay elephant in the room while we're here, I want to state for the record that- whether you read her as gay or not -I think Marcille is completely oblivious during this. Because Falin is her little friend from school. Her best friend, yes, but also the young tallman student she, in her infinite elven wisdom, had to mentor and look after. Marcille has not yet accepted that Falin is an adult now, nor has she accepted that she, herself, is only barely past teenagerhood developmentally and is not nearly as mature as she believes. Of course she'd scrub Falin in the bath and fuss over her.

Falin, meanwhile, seems more than aware of her own adult body and the inappropriate way Marcille is treating it.

The mana-sharing scene is, I think, Falin trying to get a little of her own back. How do you like it, Marcille?

And she tries again in bed.

Maybe she's wondering if their relationship will change now that they're grown ups. If Marcille prefers her as a little girl, or at least as a woman who lets herself be guided like one; if Marcille will react badly if Falin keeps trying to assert herself. She also might be subtly trying to signal to Marcille that bed sharing, like bathing, carries a different weight to it when you do it as adults rather than as children.

With all this in mind, the decision to turn Falin from the precious prize they rescued into to the vicious dragon they have to slay, hits a lot harder.

Falin with a powerful, monstrous, destructive body. Falin, who couldn't even stand to cause people pain from using healing spells, slaughtering half a dozen people in brutal ways. And that's not her, she's being mind-controlled, but as an object in the story she has completely flipped. From damsel to threat.

And I love that she carries a little bit of that with her when she's resurrected again.

Because she's no longer the girl who's going to let herself be stifled by her brother's and her best friend's co-dependency, no matter how much she loves them. She's different now: stronger, eyes open, forging her own path instead of following in their wake. Falin is still going to come back to them again, but this time it won't be because they chased her. It'll be because they let her go.

[insertsomthinawesome]

[requests are closed] Anon i'm sorry this is so late I finished these months ago. I meant to draw more but never got around to it UUUH. SORRY SLDKJSLDGKJSD I love them so much. I need to draw them more. ;;v;;

-NO ROMANCE INCLUDED-

[miwtual]

im so fucking tired of the disrespect gifmakers get on the gifmaker website

[ansonmountdaily]

Captain Christopher Pike's outfits in STAR TREK: STRANGE NEW WORLDS → Season 1 - 2 (requested by anonymous)

(Young Lieutenant Pike in the field jacket and red operations uniform is from a 1x06 "Lift Us Where Suffering Cannot Reach" deleted scene on the Season 1 dvd. It's a little flashback scene with Pike in a shuttle. It ends with him beaming back to USS Aryabhatta, the ship he served on at the time with Number One/Una.)

Star Trek: Discovery outfits here.

[windlullaby-arts]

I'm not sure if I can request drawings but.......rengoku wholesome drawing?? Pretty please 🥺🎀❓️

I hope this is wholesome enough for you but if it’s not, his character alone should be enough :D

If you enjoy my works please consider buying me a coffee ( ´• ω •` ) thank you for your support! <3

[the1trueanon]

hehehehe finally got these done!! Reboot is so fun to draw; I swear drawing him just bursting into laughter immediately made me feel so much better about literally everything 🥰 He has such a pretty smile, especially when it's genuine. I love him being silly and giggly 🥰 I want him to just be able to laugh and be happy .....buuuut at the same time I also want to put him through so many of The Horrors(TM), so maybe my wants shouldn't be trusted XD

As always, Welcome Home belongs to Clown (partycoffin), and Reboot!Wally/the Reboot AU belongs to @bloodrediscream!💖💖

[beescake]

PLEASE PLEASE MEGADUMP THE ARASOL!!! PLEAAASEE MR BEESCAKE I AM ON MY KNEES BEGGING YOU

HFHGHD GLADLY aaa i’ve been adding notes to it here and there for months but just hesitant to post it bcs im 🧍‍♂️🧍‍♂️🧍‍♂️🧍‍♂

also this is just my own takeaway of the events, it doesn’t necessarily comply to the Ultimate Truth of Canon-Alignment or represent the actual facts of what hussie intended! v sentimental smh but hopefully its still interesting to read

i love when characters inform each other by proximity, it's one of my fave things to see in media :') it feels even more significant when two characters deliberately choose to stick together, so that when one operates, you can tell the other is similarly aligned in associative solidarity.

sollux is a keystone of this trope — whoever he aligns with is a wordless statement, a nod of approval. this stood out to me bcs the main four humans were alr friends by default, but once you reach hivebent you realize the trolls can actively choose who they want to hang out with.

and as we all know, after assessing every troll's biases/loyalties, sollux is the only one who maintains his selective preference for innately Good 👍 people.

aradia is such a beautiful character honestly, she evokes such incredible feelings in me. she might not have been consistently written with care but the best parts of her character are truly stunning. i think it's easy to remember sollux as the self-sacrificing one bc he's so open about it (and his friends frequently react to his Moments) but when you compare him to aradia, it's always struck me

how much more. raw it is

to be so alone as an agent of time, having to orchestrate immeasurably harrowing events nobody understands or gives a fuck about

with your role painted in the story as one who must tend to the needs of the narrative, responsible to match every next note

because when you're given the capabilities, it becomes your duty to carry it out.

it becomes expected of you to keep experimenting and arranging the machinations to work for everyone, dusting off hundreds of necessary failures to keep going

and having to be so unwavering in your drive knowing miserably that there's no one who can help you but yourself.

or alternatively: to make things fun! so other people won't think twice about letting you go off on your own.

sure she's had some very good buds, notably thanks to Team Charge v Team Scourge antics.

and yet, at the end of the day, the one friend that kept choosing her time and time again was the friend with the highest standards.

i can see why people like to define arasol as moirails/matesprits but surprisingly i find the nondescript, unlabeled aspect of their relationship more straightforward to understand.

there's no shortage of people who would accommodate sollux. most of the surviving trolls are his oldest friends bcs he’d chosen them well. his transparency with his feelings had built him strong friendships that won’t falter or break, regardless of how much of a dick he can be. they’ve already seen and accepted him at his worst, and they still like him for who he is.

contrast that with aradia, who'd been so approachable, friendly and reliable in her exchanges it was super fun to talk to her. but the moment she became depressed, all her connections broke down.

her friends became hesitant to interact with her (until she became god tier, “happy” and amicable again) because her gloom and resignation didn’t serve them. she dealt with it alone.

there’s def something of note here abt the disparity between the way male & female characters are written+perceived in homestuck (esp parallel arasol with davejade) but i won’t go into that lmaoo

with this in mind i like to think of sollux as a gift to her, a loyal companion given to complement and commend her resolve. she's capable of doing so much alone but hussie took the time to build her and sollux's relationship as one of a unit; a set.

the ambiguity of their status does complicate things, but i do believe it makes sense with their characters. aradia's relationship with romance is a rocky one, the dubious stringalong equius had with her is a pointed reminder that her feelings of attraction are ultimately controlled by the author writing her.

unlike the other trolls who can openly address and own up to their crushes, aradia had romantic emotions forced upon her (especially when hussie implies 'she kissed equius back on her own volition'). and it seems like her character is so intrinsically neutral abt attraction that even when forced by the almighty powers above, she's unable to retain it wholly.

however, looking back to pre-game when she could actually "choose" her own feelings, she did have a crush on sollux.

their soft spots for each other were so obvious to the point where other people could see it.

taunting aside, when vriska comments on their unit as bf/gf it actually informs the audience that arasol's relationship is romantic in nature despite not aligning with the quadrant system.

even while dead, aradia could still describe her care for sollux, expressing that she would like to see him happy. if they had more time to explore their relationship on alternia, it's possible they could've settled in a quadrant once they grew older.

but going back to the lack of labels, their dynamic was affected once more when aradia became god tier.

to me, her ascension was both the perfect culmination and possible closure of her character. it's the light at the end of her journey toiling through countless of timelines where she had to actively assess and participate. that's why it's cool to see her being silly and having fun giving guidance, passively exploring and watching other people do their parts.

and yet the joy of her freedom makes it hard to explore further introspection. if we take her by her word, she'd already come to terms with the hurt she's been through and forgiven those involved.

i can't help feeling attuned to how impersonal and detached it can be, to devote and meld your identity so completely with your designated position as Maid of Time until you've become hard for your old friends (and even some readers!) to personally connect to.

idk post-canon but i assume there’s some degree of similarity to be bridged here with aradia's god tier and how the hs2 humans' Ultimate forms was described as a consolidation of all their possibilities. since aradia's classpect is inherently of service to Time, going god-tier may have elevated her beyond personhood with the "game construct" possessing her entirely. sollux doesn't realize the extent of it bcs he's still mortal, but a part of him may have subconsciously understood this.

i think there is a core aspect to aradia that was lost to the dehumanizing glory of god tier — a core aspect that may have contained an element of why sollux enjoyed talking to her in the first place.

to him, aradia hadn't just been a nice girl, she was a cool girl. despite not having much in common, he's still willing to chill next to her so she's not alone while she does what needs to get done.

back on alternia, they held a mutual and equal-level regard for each other that could've definitely settled into something permanent. but now, he's placed himself in a position where he can be kept around or left behind at will. the parameters of the relationship are largely in aradia's court, so any label she suggests to identify their relationship with he's likely to accept.

but that's why it's so difficult to label it. because god tier aradia may not necessarily Want quadrants or relationship labels. rather than the initial romantic attachment, their commitment to each other had evolved into one fundamentally of companionship.

no label? ok fine. no matter what, he still thinks she's a good soul worth latching on to. the best, actually. aradia > everyone else.

even if it gets stilted at times. there's an unexpected struggle to connect when sollux's go-to default for talking points is his feelings about things, and aradia may not want to talk about emotions all the time.

not to mention god tier aradia became an observer, especially of chaos. but sollux's avoidance of involvement comes partially from his innate pressure to get involved if something goes wrong. and he can't always tell when something goes wrong, because aradia doesn't mind if things go wrong anymore.

it's a non-negotiable preference that causes them to take the occasional time apart, a new boundary that wouldn't have existed before the game and aradia's god tier.

but just like how his friends tolerated his moods, sollux accepts aradia as she is. with no quadrants, their connection doesn't break down because there's no implicit romantic expectations to be disappointed by or resentful over.

sometimes when i see hs content that deliberately distances sollux from aradia, i assume this is the dissonance people might have felt. people might find it "easier" to be cynical about them bcs of this strange tension.

but idc lmao. grab that shit by the neck

lack of easy resolutions and cleanly tied ribbons is pretty standard of homestuck and imo it doesn't make arasol's dynamic any less incredible. with the right affection and consideration, there's still so much potential to develop the nuance of their relationship outside of the popular quadrant-based depictions.

hs has a lot of really great character compatibilities but the way aradia and sollux are in their own special orbit is why i can write this much about them in the first place. it's that frail innocence between first loves that makes it so sweet to me, two kids who grew up too fast playing guesswork without being clear where they're going.

ultimately i do think you're meant to feel a little tragedy for just how much they care for each other, even if they can't quite establish it in simple terms.

maybe they keep taking breaks to progress their own paths. maybe they remain as anchor partners while seeing other people. but even if you decide to separate them, they're still (awkwardly) texting each other updates all the while. and when they reunite it feels like coming home.

and well. more than anything, i like to believe that they do want to be exclusive.

they're just afraid. after all, they're still learning how to love, beyond the projections of the foursquare quadrant system they had inadvertently distanced themselves from since young.

they might not have everything figured out, but they'll get there eventually if you just hold them together and write them there.

optional post-canon segment:

one of the limitations of main hs is that (monogamous) relationships are often written as the go-to solution to wrap up character growth; it's an easy "patch" to imagine characters getting their happy ending because they have a partner, and those who don't end up with someone don't get that closure (most notably jade).

hs2 reaffirms this by suggesting that aradia's character cannot progress without letting sollux go, because happily settling in a relationship automatically locks your potential.

that pathetic panel of sollux staring emptily into the sky is still my fave hs2 spoiler ngl i find the impact of their parting so emotionally provoking precisely bcs they were written in original hs to be each other's forever, coming back together again and again

but now, they're subject to the decisions of the post-canon authors who might choose to deviate from that.

it's not new for them to part, but now there's an underlying worry that her dropping him off this time might be the last time. while i think the prospect of shattering their stability to make them grow separately sounds fun on paper, no amount of me desperately hoping for a good execution is gonna guarantee it

idk. i guess prediction-wise im expecting sollux in classic dramatic-hs2 fashion to tell dave to back off aradia LMAO. otherwise it's just gon be sollux and karkat pathetically watching aradia and dave from a distance swimming in their unresolved feelings for narratively-powerful time players smh obvs it sounds corny as hell but who knows its still plausible

srsly tho i hope they take the opportunity to develop arasol's relationship in a fresh direction that doesn't hurt me too badly...... and i hope they force sollux out of his comfort zone. i like watching him struggle :-)

[genericpuff]

i find it funny that one of rachel’s drawings of herself in the afterword that just went up is just fully persephone. is that something she does a lot?

Alright so I've been making it a general rule for myself to like, not harp on Rachel in any way outside of LO as much because frankly the horse is dead now and there's not much left to say outside of what can be analyzed in hindsight. I think despite everything I have to say about her and her work, she still deserves to get away from this nonsense and I don't wanna spend eternity hovering over her shoulder.

But the afterword was posted within the LO series and is clearly meant for readers of LO in the functioning of being an afterword so let's just call it fair game LOL

I will say, on the whole, it does feel very honest and sentimental and I can respect Rachel for taking the time to write out and illustrate her afterword in a way that was personal to both her and her fans. I can understand why she went at it from the angle that she did and I'm not gonna fault her for that.

But there's also something that feels deeply... disingenuous about her approach right from the starting gun. I will say, before I continue, that I'm well aware I am biased towards Rachel as a creator, and I fully acknowledge that I could very well be reading too much into things. This is just my opinion, take it with mountains of salt.

I can get looking back on your own childhood, your past self, whatever, and going "see! it all got better!" because sure! For a lot of creators like Rachel, it must be wild to look back on where they came from and there's a lot of sentimentality on expressing that through an afterword like this where she reflects on where she came from. Though she STILL didn't acknowledge her other comics outside of LO, I can understand if she wants to leave those skeletons in the closet.

But I feel like her drawing herself as a child who's being given an Eisner by her adult self and all that just feels like some gross attempt to disarm any criticism of her because "don't make fun of me, I'm just a sad lonely baby girl!"

She's not a child. Child Rachel didn't grossly misappropriate Greek myth into their own self-indulged vanity project. Child Rachel didn't claim herself a folklorist of a culture's works only to bastardize them completely. Child Rachel didn't create a hostile environment within her fanbase by bullying anyone who she perceived as a threat, sneaking into critical spaces to try and cause trouble, and writing her own clapbacks into her comic. Child Rachel didn't claim to be challenging misogyny and purity culture only to reinforce misogyny and purity culture through her own self-insert baby-virgin-gets-rescued-by-rich-tycoon power fantasy that regularly glorified abuse towards women and the lower class.

30-almost-40-year-old Rachel did though.

At best it comes across as really cringe sentimentality from a Greek-weeb (heh, greeboo) and goes to show how much Rachel inserted herself into Greek myth without ever absorbing its messages or cultural contexts, it was all about her and her feelings as a sad New Zealand girl with dyslexia who thought Persephone's story was about another sad girl being rescued from her "horrible childhood".

At worst it's an active attempt to play on people's heartstrings by drawing herself as a child who people will naturally not want to criticize. I don't want to assume she's doing it intentionally, I really don't want to leave her afterword on a bad foot, as I can definitely understand as both a creator and a person who struggled with learning disabilities in their own childhood how and why she wants to pay homage to her past and where she came from... but let's just say, as someone who's also gotten way too "lost in the sauce" concerning personal self-reflective projects, I think there's a lot to say about how this confirms that Rachel made LO entirely for herself, about herself, without any actual intention to respect the original myths, because she never truly separated them from herself when she was a child. And, in my humble opinion as someone who has Been There with the self-insert OC's and self-reflective angsty plotlines, I can fully attest to the fact that that's not fucking healthy. Even with personal projects, you NEED to learn to get your head out of the sauce, you NEED to learn to objectively separate yourself from the narrative so the story doesn't fall apart under your own hubris and ego, you NEED to learn to draw a line if you want to have any sort of identity as a human being outside of what you make for people. And that's with just normal original stories, this was a story based on Greek myth which doesn't belong to her.

And this goes for a lot of the things she's said and done in the past, so much of her own "sources" even are tethered to things that she read / watched in her childhood and only vaguely remembers, as if she never mentally left her childhood at all, which just... if the point was to highlight her past and the traumas she went through and how they contributed to her present, an Eisner isn't going to validate those experiences. And drawing attention to her past through the lens of her childhood self absolutely 100% does not absolve her of the negative effect her work has had on the modern Greek myth zeitgeist nor the things she's said and done as a 38 year old woman who should absolutely know better.

The community she entered and took from will forever remain changed by her influence and taking, in many ways not for the better. She has the privilege of walking away and never having to think about it again, with all the awards and accolades that were bought for her, the bravado that she built around being a "folklorist" with zero credentials, and the platform she was given over many other creators struggling to even be heard.

That "place" she claims to have now was built entirely on inserting herself into another culture's works and doing nothing but taking, taking, taking, while offering nothing in return but vanity and lip service. That "place" was paid for and brought to you by Webtoons.

[nyehilismwriting]

Have you seen the recent comment made by Jelly Fish Field on your itch page for Project Hadea. I just read it, and found their view really interesting and extremely important criticism on how you've decided to write certain reactions. I love your writing a lot, so it was extremely eye opening what they wrote. What i'm getting at is, I would just like to hear your feedback on that specific comment! all love, and I do hope this won't be taken the wrong way!

I've seen it, yeah. and... okay, I've discussed my reasons for not using rape as a content warning before, and I stand by them; I'm not revisiting any discussion on what does and does not constitute rape. the content is warned for, by specifics of what occurs in the text, to give people the chance to make the most informed decision they can about whether to play. that's it.

as for the rest of it... there's things in there that I understand. I get being frustrated that you can't fully explore the extent of the operative's trauma, yet; I get feeling like the rest of the crew don't trust you, or like rohan is a bitch. they don't, and xe is.

the thing that I find disagreeable about a lot of these criticisms (and similar ones) is that I think they betray a fundamental misreading of the text: the operative is a war criminal. they are heavily armed, unstable, and trapped on a ship with civilians. they kill multiple civilians in chapter one; they might well attempt to kill rohan in front of everyone, and later succeed in doing so. they are a confirmed murderer, who by and large refuses to tell the civilians why they are so angry with rohan. this is by design.the focus of this story is very much about coming to terms with your trauma - from long before you meet rohan! you've been medically experimented on, had your personhood denied for a long time, and had any kind of human empathy stamped out of you. part of the point of the game is for me to explore how trauma can be expressed in ways that are deeply unpalatable - the operative is not a "perfect victim" (a phrase I loathe) and their trauma impacts the way they move through the world, drawing out reactions that aren't wholly sympathetic or empathetic, because their actions are often unjustified and cause real harm, or seem that way to those who don't have full context.

this is why joia is important, this is why your relationships with the crew are important. the crew aren't intended to be author voices, they're not the moral compass here or audience stand-ins: they aren't supposed to represent the "correct" approach to dealing with other people's trauma. no character in this situation is intended to be seen as perfect, but as a way to shine light on different facets of the story.

the operative is built a very specific way, for very specific reasons: this is intentional. they are a person who has been deliberately dehumanised, used as a weapon, who volunteered and fought for the right to be a scientific guinea pig for the war crimes company, in order to be of greater use to said company. they have had their bodily autonomy violated so habitually, for their whole career - they have been coercively used as a test subject by their employer - that they can't see it as an abnormal violation. this isn't to say it is justified, or to diminish the traumatic impact rohan has, but... it's not the operative's first rodeo here, even if it's the player's.

they're bad at processing their emotions. the operative Does Not Cry: this is a character choice I have made. this is because they have had that emotional response beaten out of them. the operative isn't capable of taking their own trauma seriously, because they're not equipped to deal with it. they can't look at it head-on.

likewise, nash isn't capable of being a gentle, reassuring, sympathetic person, much as they might want to; a big part of that relationship is the idea that the pair of you have to relearn to how to relate to one another in your new contexts, and that isn't a smooth process. nash also has reasons to be reticent with you that are yet to be explored - this relationship is undergoing development, with both of you as violent people who commit violent acts, and who relate through violence. your relationship is built on your capacity to commit violence together. they are not equipped to deal with violence affecting you in the way it might someone else, because you've both spent the last ten years being conditioned and trained to assault other people. part of the theme of this game is to explore the way these people might experience a uniquely traumatic violent event, and the effect this might have on their own capacity to endure and process violence again themself.

I understand that it might not be the way people want to play their characters, but it's the way the character is written, and I am doing that on purpose. all I'm asking is that you trust me when I say that this is not going to be swept under the rug, even in the least volatile relationship you can have with rohan. if that's not possible for you - if you can't trust me to do this - then you're welcome to stop playing.

[arttsuka]

Dude can we see more of Jed’s reaction to Brokeback Mountain? Pretty please?

Taking this a bit more literally and drawing his reactions to watching the movie is so in character for me.

Continuation from this post

Famous last words

Jed 28 minutes in the movie

Totally not my reactions while watching it, definitely not...

He goes through the 5 stages of grief and then some

Alone with his thoughts

Oh no indeed

He's in denial

[spellboundcities]

SPELLBOUND CITIES! BRING ME TIMLEX YAOI! AND MY LIFE! IS YOURS!!!!!

you know you don't deserve a second chance

[floccinaucinihilipilificationa]

Hello may 31th anon! Look at that, another year behind us and a new one to come. Have a nice day! ₍՞◌′ᵕ‵ू◌₎♡